#start on book 1 sort of
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barnbridges · 1 year ago
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each year around october i debate between if i should do a whole reread of the vampire chronicles or be normal. but the way im so close to picking up interview again just for lolz.... someone save me.
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doctorsiren · 5 months ago
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he’s mad she ratted him out
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formereldestdaughter · 10 months ago
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ok wait i need to hear more of your thoughts on peeta owning a bakery....
This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.
I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?
(This got so insanely long I’m adding a read more lmao)
I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.
Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.
And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.
I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.
(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)
I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.
We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.
On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??
So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.
It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.
Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).
But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.
Anyway!! Anyway… are you satisfied anon? Is this what you wanted?
Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?
#peeta mellark#thg#the hunger games#the hunger games meta#anyway wow this got so long and I literally read it through one (1) time so uhhh sorry if this makes no sense!!#as I was doing my one read through and realized that one of my other thoughts on this is that yeah I can much more easily see the#headcanon that peeta like sells baked goods (probably at cost with no profit) out of his kitchen because that’s much more flexible#and I think that would work a lot better with what like I guess I’d call his psychiatric disability post mockingjay#and how he’d certainly want to take care of Katniss too#like that sort of flexibility makes a lot more sense for him and it’s like. if he doesn’t bake for a few days or however long then it’s fin#it’s not a formal brick and mortar business#it’s just something he’s doing because it’s a way to be involved with people and a way to do something he’s passionate about#without there being waste and while covering some of the costs#and he doesn’t have to like keep books or do payroll or any of the things I can’t see him being very passionate about#as far as like bakery management goes Lmao he can just bake!!#but then I started getting into this whole thing about how that quote-unquote ‘running a business’ like that (informally from your house)#is actually a really common practice for people living in poverty so probably something that Katniss and peeta would’ve been familiar wirh#anyway and then this whole rant about how the emphasis on the brick and mortar bakery often goes hand in hand with#this widespread fandom thing of having a fundamental misunderstanding of how rural poverty works and what it looks like#but then I was too deep into it and said you know what? never mind! and deleted it lmao
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waywardangel-wilds · 7 hours ago
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Regarding your previous post, what do you think are the habits that Peeta and Katniss adopt from each other?
oh man, I don't really know! One thing that comes to mind is sleeping with the windows open. Katniss, in a way, keeps Peeta to herself. We don't know any of his habits until she's blurting them out with grief in Mockingjay. That tells me there's lots to him that she stores in that special private place inside her, just for her. Maybe she'll stop taking sugar in her tea, or maybe she'll take the time to notice the subtle differences in colouring of the world around her. I guess that's her little secret to keep.
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bigcats-birds-and-books · 1 month ago
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Books of 2025: TIME'S AGENT by Brenda Peynado.
New year, new book tag! I have been Patiently Awaiting this one since the book deal was announced, because I love interdimensional nonsense and pocket worlds, and yeah okay maybe it did remind me a little bit of TIME WAR (beloved), and sure let's sprinkle in evil corporations and make it gay, why not. Very excited for this!!
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moonchild-in-blue · 17 hours ago
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everything reminds me of him.... :::|
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mazojo · 1 year ago
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I want to thank dark academia based media for changing my life for the worse
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worstloki · 11 months ago
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my unique ability to incorrectly interpret unexpectedly misinterpretable parts of a text, fail to recall character names from memory despite reading hundreds of thousands of words about them, and refusal to stop and make sure I am understanding plot points correctly, means I am reading a complete different superior and much more flexible book than you
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cultivating-wildflowers · 1 year ago
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You're packing to leave your home in the apocalypse and can bring up to three books with you, depending on size/weight. Which books are you grabbing?
#listen it's a hypothetical game I play with myself all the time ok? and I'm curious#I think it started when Dad brought home one of those Bibles that's printed on like a single piece of plastic or something#and you read it with a super strong magnifying glass#and I thought “oh this wouldn't weigh too much I could pack this in any sort of emergency”#and after a few more steps here we are#please tell me your books! reblog or send me an ask and gimme reasons if you want#my options vary because Digger is a go-to but the omnibus is SO heavy it would be like my only book#I SHOULD grab some sort of reference or guide for like...woodland herbs and edibles but I don't own anything like that#and the rule is it has to be within easy reach#off the top of my head we have#1) A Wrinkle in Time#2) The Postman (for the irony and it's actually a cool book)#3) The Silver Chair (for Puddleglum)#other possibilities include Watership Down‚ Pride and Prejudice‚ Murderbot (they're small)‚ whichever Ender book I see first‚#my LOTR omnibus (also heavy)‚ The Blue Sword‚ A Canticle for Leibowitz (also for the irony)‚ the first Discworld book I see‚ The Thief....#yes I'm cheating on my own question lol#really it would be a snap decision based on what I see first. and whatever my choices I would regret the books I didn't grab#(my book sorting system is sketchy at best and I couldn't tell you where a lot of these are shelved)#here lies Phoebe. by some miracle she survived the apocalypse but she chose to feed on words rather than food. thus she is dead.#but she is happy.#(I wrote a few thousand words of a post-apoc story once and yeah the family stayed at their home but their top priority after food was book#they raided the nearby library. these are my priorities)#mine
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wiggles-mcgee · 10 months ago
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i have limited shelf space so i literally have to sort by vibes and what can fit together. these shelves also have to fit not just my books, but also my schoolwork, my important documents, my sketchbooks, my houseplants, my art and school supplies, my jewelry and makeup boxes, my decor. every shelf with books has them piled vertically and horizontally. two rows stacked one behind the other. the most "organisation" my shelf has is putting those by the same author together, and putting all the non fiction books onto one shelf together. the book shelf economy has me in shambles, sorting by vibes is my only option
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kuiinncedes · 6 days ago
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c:
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iamthedukeofurl · 1 year ago
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Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:
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Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens
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Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens
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Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".
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incognit0slut · 3 months ago
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Angel
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PART 5 OF KINKTOBER | MAIN MASTERLIST
Single Dad!Spencer x Nanny!Reader Spencer likes having you around to look after his daughter, in fact, he likes you a bit too much.
content: (18+) 5.4k, breeding kink, fingering, fem oral, unprotected p in v sex, creampie, overstimulation, d/s dynamic but he still tries to be a gentleman although reader doesn’t want him to, mutual pining, body worship with slight religious metaphors bc he’s down so bad, and of course sweet aftercare a/n: 1) i know the gif isn’t spencer but i just had to; 2) i changed the title from the original plan bc i was listening to angel baby while writing this; 3) if i have the chance to describe his happy trail and tummy i will in a heartbeat; 4) this fic is basically the epitome of D-I-L-F!
“I want you to understand,” he mutters against your skin, kissing the sensitive spot just below your ear, “that I’m not trying to take advantage of you.”
A hand creeps up the back of his neck. “What if I want you to?”
“I’m serious.”
“I am serious. I’m not the one hesitating.”
His hand glides slowly up your side, fingertips barely ghosting over your skin, and a soft, shaky breath escapes his lips. “I’m trying to be responsible."
“I think we’re past being responsible,” you counter as his fingers trace your waist. “What are you so worried about, anyway? You’re not forcing me into anything.”
“I want to make sure you don’t feel like—” his fingers twitch, lingering over your bare skin, “—like I’m taking advantage of the situation.”
“I’m literally naked under you,” you remind him. “If anyone’s taking advantage here, it’s me.”
His forehead drops to your shoulder, and you feel the slow rise and fall of his chest as he exhales. “You’re making this really hard, you know that?”
“That’s kind of the point.”
And it’s true, Spencer realizes with a rush of heat, because he’s incredibly hard, the heavy length of his cock pressed against your stomach while he braces his weight above you. His lungs tighten, squeezing around breaths that feel too thick to swallow as his teeth graze his lower lip. It takes everything in him to keep from losing himself when his mind is already slipping.
How could he have ever imagined it would go this far?
Spencer can’t quite make sense of how this quiet, unassuming crush that crept in the first time he saw you with his daughter has led to this. It wasn’t anything grand or sudden, just this slow bloom that unfurled every time he caught you reading to Violet or laughing with her over some little joke in the living room. There was just something about the way you slipped so easily into his life, fitting into the spaces he hadn’t realized were empty until you filled them.
He’d never let himself imagine it would go beyond that. He’d convinced himself those feelings for you were just something he’d have to live with quietly, a small ache that would fade with time. But somehow, despite his best efforts to keep it hidden, you’d found your way to him. And against all his expectations, you liked him back. You like him enough that you’re now wearing nothing but a smile.
Flushed skin kissed by the moonlight spilling through the window.
Innocent eyes touched with a hint temptation.
It all feels like some sort of surreal dream.
The moment that led to this replays in his mind, clear as daylight even if it happened well past midnight. He’d gotten home somewhere between too late and way too late, running on nothing but caffeine and sugar, and there you were, leaning casually against the kitchen counter like it was the most natural thing in the world.
You started talking about your day with Violet, recounting how you’d taken her to the park, read her favorite book before bed, and how she’d peppered you with endless questions about why the sky changes colors when the day changes into night. But something was different in your voice, a softness to the way you said his name, and your gaze lingered on him just a beat longer than usual. It wasn’t anything obvious, nothing he could point to and say that’s it, but he felt it. An almost imperceptible shift in the air.
Before he knew it, he had crossed the room and kissed you. He should’ve thought it through or paused to consider the consequences, but the way you responded made it clear you’d been waiting just as long for his attention.
His shoulders fall with a quiet exhale.
“This could get complicated,” he continues, as if reminding you (and maybe himself) that there’s a line between employee and employer that he’s about to cross. A line that could change everything between you both once it’s blurred. “We should think about what this means.”
“We’ve had plenty of time to think. If you wanted to stop, you would’ve done it already.”
“I don’t think you understand what I’m trying to say.”
“Then please enlighten me.”
Instead of answering right away, he leans in, his lips finding the curve of your neck. His breath is warm against your skin, and then he’s gently pulling the tender flesh between his lips that draws a sudden moan from your throat. The sound seems to fuel him, and before you can even register what’s happening, his fingers are already slipping lower, exploring the soft space between your thighs.
“What if I want more than this?” His fingers inch closer, teasingly brushing against your heat with a slowness that borders on torment. “What if I want everything?”
Your hips buck against his hand. “Everything?”
“Everything,” he confirms. “Not just tonight.”
The words send a ripple of electricity that blooms deep in your core. When his fingers finally slip between your folds, a sharp gasp escapes your lips before you can hold it back.
“You… you mean you want… more than this? More than just us… here?”
“Yes,” he replies, his voice catching like gravel in his throat as his fingers trace over the slickness he’s found. “Does that scare you?”
For a moment, words fail you. The slow, coaxing rhythm of his fingers pulls you deeper into a haze where coherent thoughts are hard to grasp. There’s a pause, a heartbeat where he stops. Waiting.
“No,” you confess, the truth slipping out more easily than you expected. “It doesn’t.”
He pulls back just enough to meet your eyes. “It doesn’t?”
Your lungs expand, filling with a rush of oxygen and a nervous flutter that lands somewhere in the pit of your stomach. “I think this is the right time to tell you I’ve had a crush on you for a while.”
Spencer stays motionless for a beat. Then something shifts—his gaze softens, and a small, almost incredulous smile curves his lips. “You have a crush on me?”
“Yeah.”
“As in… you have feelings for me?”
“Mm-hmm.”
“So you’re not just… turned on right now?”
“Well, that too,” you admit with a grin, your fingers brushing the back of his neck. “But it’s more than that. I really like you.”
His smile widens, and his fingers begin to move again, circling your clit with just the right pressure to pull a sharp intake of breath from you. It’s as though your confession is a final green light he’d been waiting for. “Why didn’t you say anything?”
Your teeth catch your lip, struggling to hold back fragments of breath. “I thought it was obvious,” you manage between heavy exhales. “Why do you think I always stay late?"
"To avoid traffic?"
You huff. "I tried to be around you as much as possible, Spencer."
His fingers toy at the edge of your entrance, tracing the slick, warm wetness that clings to his skin as a quiet hum rumbles in his chest. “You know I’m not always the best at picking up social cues.”
“You’re a profiler.” Your breath catches halfway between a gasp and a sigh when he slides a finger in. “You're supposed to notice everything."
He lets your words settle, eyes narrowing slightly as he turns them over in his mind.
“I guess I was too focused on trying not to cross any lines to see the ones you were trying to draw."
A soft moan escapes your lips as another finger slides in.
“I'm… glad you finally caught on."
"I'm catching on now.”
His eyes drop to the way your body greedily takes his fingers. The sight alone sends a rush of heat straight to his gut like a line of fire winding up through his chest and spreading into his limbs. You’re dripping, the slick sound of your arousal nearly derails him as he continues to watch the wetness coat his fingers with every slow thrust.
“Since when have you had this crush?” He asks curiously.
There’s a beat of silence, only punctuated by the soft, breathy noises escaping you. When he finally looks up, he catches the way your face scrunches in pleasure, brows furrowed and eyes barely open, and he can’t help but find it almost unbearably adorable. The corners of his lips twitch with a quiet laugh before he leans in, pressing the softest it’s okay, you can tell me kiss against your lips.
“Since when?”
You blink your eyes open at his question, and there’s a flush of embarrassment in your cheeks.
“Since—” you start, but your voice catches when he curls his fingers slightly, and you bite down on your lip to keep from moaning. He raises an eyebrow, the corner of his mouth quirking up in a barely-contained grin.
“Since?” he prompts again.
You swallow the lump tightening in your throat. “Since you interviewed me for the job."
He absorbs your words. "That’s… more than a while."
"It was innocent at the time," you confess, trying to regain some control over your thoughts. "Just a silly little crush."
His pace quickens, fingers plunging deeper, and whatever sense of composure you had left is slipping away piece by piece. “What changed?”
Desperation claws at you with every passing second, your hips moving against his hand as you scramble to gather your thoughts. But the way his fingers are mapping every sensitive spot makes it nearly impossible to articulate anything coherent. He doesn’t miss the way your breath stutters, or how your words break apart into fragmented attempts to answer.
“I-I—” you stammer, wincing as the words catch in your throat before you finally manage to continue, “I probably shouldn’t say…”
“Why not?”
“It’s embarrassing."
He lets out a soft laugh. “Tell me anyway,” he urges. “I want to hear it.”
You fall quiet again, and the only sounds that fill the space between you is the ragged pull of your breaths and the slick rhythm of his fingers pumping lazily inside you. The words sit heavy on your tongue, threatening to disappear if you don’t say them quickly enough.
"Remember when… you taught Violet how to… ride her bike?”
He tilts his head slightly. There’s a furrow in his brow as he searches your face. “You’re going to have to be more specific, there were a lot of lessons.”
“The very first time.”
“Ah,” he muses. “Around June, then.”
You nod. “When I… saw you with her that day, I-I… I got curious.”
His fingers falter, just slightly, the subtle pause enough to show that you’ve grabbed his attention. “Curious?”
“Yeah,” you whisper. “You were so adorable with her… and I started thinking about what it would be like… to have your kids.”
If there was ever a moment to leave him utterly speechless, this was it. His brain seems to stall, the gears grinding to a halt as the reality of what you’ve said settles in. He’s spent so much time trying to be the one holding it all together, but now? Now all he could picture was you holding a baby—his baby—and the thought sent his mind reeling, knocking him off balance in a way he didn’t expect.
“You… thought about that?”
Your fingers trails his shoulder before slipping up into his hair, curling gently at the nape of his neck. “It crossed my mind more than once.”
“That’s—” wow. He leans his forehead against yours. “Not embarrassing. At all.”
“Really?”
“That’s probably the hottest thing I've ever heard in my life.”
You let out a soft chuckle, gently pulling on his curls before drawing his bottom lip into a gentle suck. “It’s never been innocent since then.”
Goosebumps rises along his skin, and the heat pooling low in his stomach tightens as he grows impossibly harder. “Yeah?”
“I’ve wanted you to fuck me for a long time.”
His jaw clenches.
He’s so close to completely losing it.
“You shouldn’t say things like that,” he mutters, pressing his fingers deeper inside you.
“Why.. why not?”
“Because I might give you exactly what you want.” When he feels you clench around him, he huffs in amusement. “Oh, you like that, don’t you?”
There’s a tender spot he finds deep inside, one that feels achingly sensitive, and your mouth falls open, a soundless gasp escaping before you can catch it.
“You really mean it,” he says, more a realization than a question, as he watches your body go pliant beneath his touch.
“I do,” you manage to say.
“You want me that way?”
You nod frantically. “Want your cum in me.”
The second those words leave your lips, his groan rumbles through his chest, and you swallow it down as his mouth crashes into yours. The kiss is messy, teeth clashing and tongues tangling in a chaotic rhythm that’s both desperate and needy. When he finally pulls away, you’re left panting, your lips swollen, his forehead resting against yours.
“Never would’ve guessed you had such a dirty mouth."
"There's a lot of thing you don't know about me."
His breath brushes against your lips as he whispers, “I’m starting to figure that out.”
When he slowly withdraws his fingers, you can’t help the soft whimper that escapes your throat. Your eyes follow his every move as he sits up and settles between your thighs. You’ve always thought Spencer was an attractive man, and you’d be lying if you said you hadn’t admired the way his shirts fit just snug enough to hint at what was underneath. But seeing him naked like this? That was a whole new level of breathtaking.
Your gaze trails down his frame, landing on the soft curve of his stomach, something you'd secretly adored every time it pressed against his dress shirts. It was even more captivating without anything hiding it now, especially with the trail of dark hair leading down. Soft, scattered strands, drawing your eyes right to the place where you can’t help but stare.
He gives himself a slow pump. Once. Twice. And then, finally, you feel the firm pressure of his tip pressing between your folds.
“Are you sure?” he asks, the head of his cock sliding over your sensitive skin. “There's a condom in my drawer."
Your body tenses at the thought of him pulling back, and without thinking, your hand reaches between the two of you, wrapping around his cock before he can pull away. “When was the last time you got tested?”
He exhales sharply. “A few months ago,” he mutters, hips twitching against your grip despite himself. “If there was any risk, I wouldn’t even consider this without telling you.”
“I got tested last month,” you assure him quickly. “We’re both safe.”
He nods absentmindedly. “We can… still grab the condom if you want…”
“Spencer,” you interrupt, gently brushing the bead of precum that had formed at his tip. “I thought I made it clear I want you to cum inside me.”
He can only stare as your delicate finger trails along the thick vein. It feels like all the oxygen he’s desperately clinging to has been sucked from his lungs.
“I know you said you don’t want to take advantage of me…” you continue, guiding him right to your entrance. “But I really want you to.”
He finally lets out a low, gruff sound, something between a growl and a sigh as he slowly pushes himself in. His eyes are locked on the sight of your walls stretching to accommodate his size, watching as your body struggles to take him.
"You should stop talking like that," he rasps through gritted teeth. "I’m barely holding it together."
"Here's another thing you should know about me.”
He ruts gently into you. A push. A pull.
A heartbeat in between.
“I really like it rough."
That’s all it takes.
He slams his hips into yours.
Intense doesn’t even begin to describe what he feels. It’s more like a surge, a rush of heat and desperation that floods every inch of him the same time you cry out. His throat tightens, constricting around breaths he can’t seem to catch as he resorts to inhaling sharply through his nose.
“Jesus… you feel so—” His words falter, his voice rough and breathless as his fingers figs into your skin. His chest rises and falls with each labored breaths, and his eyes squeezes shut for a moment.
Tight. Warm. Wet. That’s exactly how you feel.
"Perfect." His large hands grips your waist. “You’re perfect.”
You mewl at his words, the sound spilling from your lips before you can stop it, and the soft, needy noise is enough to make his eyes flicker open. He begins to pull back, just enough to make you whimper from the sudden loss of contact, but before you can catch your breath, he snaps his hips forward with a rough, powerful thrust.
Your hands fly to his arms, holding onto him tightly. "Spencer… Please…”
He lets out a sigh.
No man is immune to that tone of desperation, least of all Spencer. Not when you’re offering yourself to him like something out of a dream. Not when your eyes lock onto his with a look that belongs more to an angel—if angels could be so helpless and desperate. Because what angel pleads with every breath for more?
What angel cries out as he holds your hips firmly in place and thrusts with a force that drives you to the brink of sanity?
He’s mesmerized. His eyes track the way your breasts bounce with each snap of his hips. There’s something almost greedy in the way his gaze roams over you, but it’s when he locks onto where your bodies meet that he really loses himself. A glossy ring coats his cock each time he pulls out, and when he pushes back in, the friction between your bodies creates a lewd, wet sound that fills the room.
He laughs. Not out of mockery, but out of sheer delight.
You’re an angel wrapped in sin.
“I can’t—oh god, right there—” Your nails leave little crescents moon on his skin. “You’re so… so deep.”
You’re really testing his limits, and Spencer knows he’s very far from a violent man, but right now, the temptation to cover your mouth with his hand is becoming dangerously real. Although with the way you’re writhing beneath him, rolling your hips to meet his thrusts, he’s sure you’d probably enjoy it.
“Spencer…”
His balls slaps your ass as he slams into you.
“O-Oh—fuck, I’m gonna cum.”
He squeezes your waist tightly. “Already?”
“Ngh.”
Your grip loosens on his arm, and before he can fully process what’s happening, your fingers dance along your clit. It takes all his willpower not to spill into you right then and there when he feels you tighten around him in response. But he holds on, because he needs you to cum first. He needs to feel your velvety walls flutter along the rigid veins of his cock, needs to watch the way your body tenses with pleasure.
He needs to feel it more than once.
He lets you have your first orgasm. Although letting seems like the wrong word. There’s nothing passive about it. He’s making you cum, driving you to it with each calculated thrust. You’re toying with your clit, rubbing in frantic circles just like you do whenever you touch yourself with the thought of him, but this time, it’s even more intense. This time, he’s inside you. And this time, it takes only a few moments for the tension to snap.
You clamp down on him. Hard. So hard that his movement falters for a second, but he quickly recovers, thrusting into you with a relentless rhythm. Just as you start to catch your breath, he pulls out, and you’re left in that delicious, dizzy haze, but your mind is even more disoriented when his face suddenly lowers between your thighs.
“Oh, you’re gonna—” you moan as his shoulders nudge your legs apart, opening you wider for him. “Spencer, you don’t have to—”
Before you can finish, before you even take another breath, the tip of his tongue flicks out.
“I want to.”
And he means it. He dives in with a hunger that leaves no room for doubt. His tongue starts firm and flat, pressing against you before dragging slowly upward, gathering your slickness in one deliberate sweep. Then he changes rhythm, the broad strokes shifting into something more focused, alternating between gentle flicks and deep, hungry pulls, and it’s doing things to you that no amount of late-night fantasies could have prepared you for.
Your head is all over the place that you reach out blindly, trying to find something solid, but the air merely glides over your skin. You stretch for the edge of the bed, fingertips just skimming the surface before your arms flail helplessly in the empty space. He notices your struggle almost immediately, and without missing a beat, he pulls back, lifting your legs to rest on his shoulders.
“Here,” he says, reaching out his arms toward you. “Give me your hands.”
Gladly. The second your fingers lock with his, a sense of grounding floods you, though it does nothing to ease the intensity of what he’s doing. If anything, it sharpens. You can feel the muscles in his shoulders flex under your thighs as he positions himself. And sure, your legs somehow feel weightless, like they’re floating in the air, but the rest of you?
You’re a mess of nerve endings on fire.
It’s impossible to think clearly when every cell in your body is buzzing. Your thoughts scatter the second his mouth moves in that devastating way, driving you out of your mind. You try to hold on to some semblance of control, but who are you kidding? He has officially turned you into a puddle of desperate, needy nerves, and you don’t even care.
It doesn’t take long before that coil snaps, and when it does, your entire body trembles. It’s always the second orgasm. The first is a tease, a little warm-up. The second one is the worst—or the best, depending on how you look at it. It doesn’t just tug at your edges, it tears right through, leaving you gasping and shaking and completely undone like every part of you has been pulled apart and put back together very wrong.
His mouth is glazed with your slick when he finally pulls away. “Good?”
You can barely feel your legs.
“Speechless,” is your answer.
His nose twitches in amusement as his hand leaves yours only for them to slide down your body, gently coaxing your legs to wrap around his waist. “Continue?”
“Please.”
A palm slips down your thigh. “Did you mean what you said earlier?”
You swipe your tongue across your bottom lip as he hovers above you. “About what?”
“About taking advantage of you.”
You huff out a sigh. “I wouldn’t have said it if I didn’t mean it.”
“Say it again,” he urges, guiding his cock smoothly along your folds before your whines travel into his ears. Ah, there it is. This is the sound that would greet him in heaven, if such a place existed for someone like him. Men who’ve taken lives to save others. Men who carry too many regrets to count. Spencer knows he’s not the kind of person heaven was built for, but if it were, he’s certain it would sound exactly like the breathy moan that escapes your lips.
And he’s tasted the afterlife, once, when he was younger—drifting somewhere between consciousness and oblivion with a ghost of a needle stuck in his arm. But nothing about that brush with death was like this. This feels like he’s been pulled back into something he didn’t believe he deserved.
“Say it again.”
He’s pleading now. It sounds awfully like a prayer.
“I want you to take advantage of me,” you say, the words spilling from your lips like a soft, sinful confession, music to his ears. An angel. “I want all of it.”
He takes your hands again. “So you won’t be mad if I get a little rough?”
“I’d be disappointed if you didn’t.”
That’s all he needs. He gently pushes your hands above your head, pinning them to the mattress, his fingers lacing through yours as his weight presses you into the bed. There’s a sudden rush—like a switch has flipped that it knocks the breath out of you. Your heart skips a beat, but not from nerves. No, this is anticipation, excitement.
You test his hold on you, just to see what happens, but his grip stays firm, almost daring you to resist.
“You asked for this,” he warns as he shifts his hips, aligning himself right to your entrance.
You shake your head. “I begged for this.”
He laughs, a flash of teeth in the dim light. “Yeah,” he breathes, his grip tightening as he presses deeper, “you did.”
A breathless whine escapes your lips as he fills you.
Angel, angel, angel.
He looks at you with a kind of reverence that borders on worship, though his movements are anything but saintly. There’s nothing gentle or innocent about the way he’s taking you, and there’s a quiet madness in the way you respond. Making love would be too tame, too soft for what this is. But fucking seems too crude, too disconnected for the way your eyes meet his, for the way you say his name like a prayer and a demand all at once.
The moment your voice breaks, breathless and needy, something inside him snaps. He feels the tightness coiling in his gut, and once it starts, there’s no stopping it. The pressure is mounting, and with every hard thrust it becomes harder to hold back. He knows he should slow down, give you a moment to catch your breath, but he can’t—his body won’t let him.
His fingers tighten around yours. He’s moving with a single-minded intensity now, pushing you flat against the mattress, your body pliant beneath him. The bed creaks every time he moves and your legs wrap tighter around his hips as you squeeze your eyes shut.
Spencer leans down, brushing his lips against yours, so close but never quite closing the distance, like even the simplest kiss would shatter him too soon. Instead, he rests his forehead on top of yours and whispers, “l’m sorry, I’m sorry, I’m sorry,” over and over, like he’s stuck on some endless loop. It’s not a real apology, not for anything he’s done, but for how much he needs you and how he’s afraid of breaking you with how much he can’t hold back.
He’s so close and he knows he’s not going to last much longer.
“I’m—” He groans as he feels the tension in his body snap, the wave building up in his spine and crashing down with brutal intensity. “I—fuck—I can’t hold it—”
You’re barely coherent yourself, but your voice comes out strong. A little breathless.
“Inside,” you gasp, your legs tightening around his waist. “I want it inside.”
Your words push him over the edge. He shudders, hips stuttering as he buries himself as deep as he can the moment the last thread of his restraint snaps. He can feel it, the way he pulses inside you, filling you completely. Every thrust is accompanied by a harsh groan as his release paints your walls, and the sound of your soft, desperate whines only pushes him deeper into the overwhelming pleasure.
When it finally becomes too much, he carefully pulls out. But the intensity is still coursing through his veins, and he’s too addicted to the sound of your sound, too drawn to the way your body trembles beneath him.
His hand drifts from your wrist almost on instinct, tracing its way down between your legs. He doesn’t need to see the mess he’s made—he can feel it. There’s a fleeting moment where he pauses, almost in awe, before his fingers brush over your clit, and your hips jerk in response. He’s not even sure if he’s teasing you or himself at this point, but he’s too far gone to care.
He slides two fingers inside you.
Your back arches instantly, your nipples brushing against his chest, and you gasp, fully aware of what he’s trying to do. “Oh… I—I can’t…”
He shakes his head. “You can,” he reassures you, watching in fascination as he pushes the white liquid of his release deeper into you. His gaze snaps back to yours. “I think you can give me one more.”
Your body trembles, and you can’t hold back the soft, broken cry that escapes your lips.
“Spencer…”
He loosens his grip on your hand, guiding it gently to rest around his neck. “Please,” he begs, his lips brushing your skin, “for me?”
The way he says it makes it impossible for you to deny him. And he knows it. He feels it in the way your nails dig into the back of his neck, pulling him closer as the tension inside you builds again. His fingers work faster, more desperate now, curling inside you just the way you like.
He’s watching, waiting, and when you finally cum again, it’s like witnessing something so divine. Your body shakes beneath him, a violent, beautiful quake that feels like it’s pulling him into its orbit. He’s unable to tear his eyes away as your head tilts back, lips parting with a choked moan that’s as delicate as it is devastating like an angel’s breath caught on the edge of rapture.
If angels looked this breathtaking in heaven, no wonder people were willing to risk damnation.
Spencer smiles wryly to himself.
Since when did he become so religious?
Another strangled moan escapes your lips. When your orgasm finally subsides, your chest heaves as you try to catch your breath, and with what little strength you have left, you reach up and yank weakly at his mop of brown curls.
“…no more.”
He smiles softly, leaning down to press a gentle kiss to your temple. “No more,” he agrees, pulling his fingers from you carefully.
Without saying a word, he slips off the bed and disappears from the room, only to come back with a damp towel in his hand. You expect him to hand it over to you, but you’re surprised when he kneels at the edge of the bed, gently spreading your legs apart.
Your skin tingles under his gaze as he stares at the mess between your thighs.
“That was…” he starts as he begins to wipe the towel over you. “…very reckless of us.”
With a small, tired smile, you mutter, “You don’t seem too bothered by it.”
He glances up at you. “I’m not,” he admits, finishing his cleanup and setting the towel aside. “But that doesn’t mean I shouldn’t at least pretend to be responsible.”
You reach for him as he climbs back into bed. “Would it make you feel better if I told you I’m on birth control?”
He exhales a breath he didn’t even realize he was holding, his body visibly relaxing as he lets out a quiet laugh. “It definitely helps,” he says, tucking you under his chin, “but I’m still going to try to be more careful next time.”
Your grin is as wide as the warmth spreading through your chest. “Next time?”
He smiles softly. “I meant what I said earlier.”
“Which part? You said a lot of things.”
“You know what I mean,” he insists.
“I know. But I want to hear it again.”
The tip of his nose brushes yours. “I want everything.”
“Everything?”
“Every single part of you.”
You take a deep breath. A whiff of his sweat and the faintest trace of soap clings around your senses until you release a happy sigh. “Do you think Violet will be okay with this? With us?”
His hand slips to the back of your neck, fingers threading through your hair as he tilts his head to look at you. “She already loves you,” he reassures you. “She’s more adaptable than you think. And she trusts you.”
“But... what if it changes things for her?”
“It will change things,” he admits. “But all the changes will be good ones."
You mull over his words. “You think so?”
“I know so, because you make her happy. You make both of us happy, an—”
He stops, his lips just barely parted as he catches himself.
He almost said it. He almost called you angel.
“What?”
He shakes his head slightly, a faint embarrassed smile tugging at the corner of his mouth.
"I’m just really happy,” he explains, his fingers absentmindedly brushing a stray lock of hair away from your face. There’s a curious look in your eyes, but instead of pressing him, you bury yourself into his neck, which he’s quietly grateful for because he’s not sure he could have explained himself without sounding like a total sap.
And maybe he is a sap, but even he’s aware that words like that shouldn’t be thrown around too soon, especially after just one night. Not before things settle in, before everything feels a little less like a dream and more like reality.
But he thinks about it. Oh, he thinks about it. The word stubbornly lingers at the edge of his mind he’s keeping for another time. He imagines letting it slip on some quiet morning, when you’re half-asleep and bundled in his shirt, golden sunlight filtering through the window to cast a warm glow across your skin. Or maybe when you meet him at the door after a long day, and Violet runs up, chattering away while you smile at him with that look that feels like coming home.
He can picture it falling easily from his lips someday, maybe even in a future where you’re holding the baby you had wondered about having with him and he’s standing there, watching you like someone who can’t quite believe his luck.
He’ll say it with a kind of certainty then. Not as a prayer, not as some lofty declaration of divine grace.
And when that moment comes, without hesitation, he’ll finally call you his angel.
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acrossfromladystardust · 1 year ago
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Bryan Fuller, the creator, has confirmed Hannibal is in love with Will. To the question of whether explicit Hannigram was a part of the initial plan, Bryan Fuller stated: "No, it naturally evolved because I guess I was absorbing so much of Mads and Hugh's performance, which felt like it was growing in intimacy, and it would have been inauthentic not to address it. Because all of these characters, and particularly Bedelia, was able to call out what she had witnessed [between Hannibal and Will], it seemed like a natural conclusion. I remember when I turned in the rewrite pages where Will asks Bedelia if Hannibal is in love with him, I got a note from Don Mancini, one of our writers who was always pushing for more homosexual text – not just context or subtext but text, text, text – and he was like, "I'm so glad you put that in there! They said it! They said it!"
- quote from hannibal wiki
and this is why i love this show so much
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bigcats-birds-and-books · 7 months ago
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looking at my gift knitting list and *cue nervous laughter*
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aritany · 4 months ago
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I'm sorry your writing strategy is WHAT?? I'm going to need a thorough explanation of this because I'm FASCINATED
[brian murphy voice] I DIDNT SAY ANYTHING WEIRD!!!
okay i did. but also! if it ain’t broke…
here’s how this crumbles cookie-wise. sometimes (as is currently the case) i feel like i am trying to hold onto a whole novel in my brain at once. this does not feel particularly good because the novel doesn’t belong in my brain it belongs Out There. so i make a very detailed outline and then i start at chapter 1, and i write to 100 words (give or take a few). then i move on to chapter 2 and write to 100 words. then to chapter 3 and so on until i have at least 100 words in each chapter. then once i’ve run through the whole book, i go back to the beginning and make sure each chapter is up to 200. then i’m usually in the Meat of each scene so i’ll get everything up to 500, then 1000, then 1500 and then usually i clock out of chapters around or just under the 2k mark.
this appeases the hyperactive part of my brain by making sure i’m never bored, and helps the project manager in my brain so i can keep track of many moving parts in the novel and also ensures that scenes at the end speak to scenes at the beginning since i’m (sort of) writing the whole book at once.
NOTE: sometimes i get lost in the sauce and write way past 100 or wherever im at, and that’s fine. it just means i probably skip that chapter during my next pass since it’ll be past my goal wc for each chapter of the run.
that is all. try it, if you want. i honestly don’t know how to write books any other way
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