#stars war

[mtridactyla]

obi wan kenobi hard knock life fancam

[c-53]

this scene made me fucking cry laughing because i had completely forgotten what version of the movie i was watching, i just got hit with this and i felt like i got shot

[aq2003]

i cant side with all of you pro jedi people some of you are very stupid

[merelymatt]

Okay, we got a fantastic novel expanding on Ronin from Star Wars: Visions season 1 – now I really hope we get one expanding on Screecher's Reach from season 2, because there is at least a novel's worth of interior monologue in Daal's face when trying to explain herself to her friends at the end there

[supersoupslut69420]

i love jizz

[adamantinetower]

When I picked up swtor ngl i heard it was dying but like... for a dying mmo its putting up one hell of a fight.

Launched a new server, still puts out substantial updates (albeit slowly.)

hell if anything I think the game getting away from Bioware is probably better for it. Bioware is a shambling corpse. At least with a new studio members of the dev team probably wont be siphoned away to work on bioware's next anthem-level catastrophe.

[daakjenaar]

The greatest use of CGI in movie history (I am being unironic) (SPOILERS FOR SPEED RACER)

It’s the final five minutes of 2008’s Speed Racer. Of course the greatest CGI sequence was in a movie directed by the Wachowski sisters, that makes perfect sense.

For years, films with obscene budgets have been racing to try and reach the point with CGI where it can perfectly mimic reality, where practical effects and props are entirely done away with and replaced by some underpaid VFX artists working obscene hours. Any Disney project of the last decade is perhaps the finest example. With budgets to match a small nation’s GDP, they have repeatedly tried and failed to make the finest examples of bland hyper-realism. The trailer for the new Ahsoka series, where the titular Ahsoka fights with white lightsabers in a mostly grey environment, is just the newest case of this. In the drab, depressing Lion King remake, the last few MCU movies I bothered to watch, and seemingly every new Star Wars project, Disney has used a titanic budget to make a shoddy simulacrum of what 70’s movie prop artists could do with a box of scraps.

The real reason for this is that, at the time of writing, VFX artists lack the same union backing as those who work in practical effects. It is cheaper to make people slave away in front of a computer for months on end to render Chris Evans in his newest low-contrast, boring American flag outfit. The fault lies with the executives, who decided that this was the best way to both spend money and treat their fellow human beings, and that this is the direction high-budget cinema should go in. So many high-profile films are just messes of shitty CGI that seems to get worse every year. And I don't want this to be some annoying "RETURN TO TRADITION" post, this is specifically calling out the really big-budget stuff. I've gotten really into low-budget indie horror movies again, and the last few years have been an incredible time for those.

Now, back to that scene in Speed Racer. What does it do right? First of all, I think it justifies itself. The idea of making something so vivid and fluid with mostly practical effects just doesn’t seem feasible. This is a bizarre, cartoony neon-coloured nightmare of a racetrack that refuses to make sense. Bright colours pour out of every single place they feasibly could, and then a few others. It’s absolutely sensory overload, but it’s beautiful sensory overload. Every scene in the movie is high-contrast and visually appealing, even the dark and gritty moments.

On another level, I think it also knows how to hide the weaknesses of CGI. You mostly view objects from a distance and behind a layer of effects, and that makes it hard to see how bad some things might look in a clear close-up. Even when it really zooms in on a car, it’s in a moment where it feels so weighty and is still moving around too much to pick out flaws. Even managing to get across the vibe that these are heavy machines with momentum behind them is impressive, and more than I can say for a lot of CGI-heavy scenes. Nothing feels like it moves in an unnatural way, and the real humans inside of these color-vomit deathtraps don’t look out of place.

I think the thing it does best, though, is context. This movie is many things. Goofy, shockingly earnest, and stylish. The final scene is the culmination of all of that. The cars are doing frankly absurd things. The Mach 6 is doing some kind of car judo flip in the end of the grand prix scene. The flashbacks that come up help set the mood and take your mind off of analyzing the visuals of the scene to the point of finding flaws. I cannot emphasize this enough, this movie is about someone who loves his family and drives cars so well that he ends up halting an attempted corporate monopoly and reveals an insider trading scandal, and the film is all-in on this. They want you to be genuinely invested in this plot, and I still am on every viewing even as an adult. The visuals, the music, the culmination of the plot, it all gives this scene what it needs to work and stand out as perhaps the greatest application of CGI ever. I am being unironic.

Again, if you wish to give pointers or kill me with hammers, please do so and/or kill me with hammers. I finished this at 3am while listening to nu-metal and installing bootleg Starsector mods.

[supersoupslut69420]

like i said before.. i love jizz :]

Sibling asked how ppl in star wars dance to jizz music and I had to give her an example

[bird-prince-art]

friend made my birthday cake

[skinnyazn]

I didn’t do the cosplay just for the meme….

Flying to Italy and finding the exact field to recreate the picnic scene was pretty amazing. The costume took me a month to make 😮‍💨 it was so nice to shoot it in THE field!!

Edit: thank you guys SO MUCH for all the love on this cosplay! If you’d like to donate to support future cosplays, I’ve created a ko-fi account here! 💖 donate

[dalekofchaos]

It was that simple

[inklesspen]

Star Wars has "Basic", which is absolutely a tool of colonization and oppression. It's the language of the Empire, and the Galactic Republic before that (but the Galactic Republic is an empire long before there was an emperor).

It really is named "Basic", and that is a political decision all the way down.

It's always so disappointing when sci fi and fantasy books call their languages "Basic" or "Common". No language is apolitical or universal: if they're all calling one language Basic, who made it that way? Why is THIS dialect "Common" and all the others are Special/Magical/Incomprehensible??? Show me even a hint of the politics, or give your language a real name

[c-53]

honorable mention for funniest scene in the stars war cut

[aq2003]

you know the nature of star wars to me is that they will drop something so mid or bad or uninteresting and make me go "what the hell this sucks. i don't care about any of this. im so tired of star wars can they stop" and then they will drop something so exquisite and stunning and a masterpiece of art and i'll go "i love star wars with all of my heart and all of my soul it means so much to me and it's the best thing ever in the whole entire world" and this goes around in a violent cycle. i am being thrown around like i'm in a washing machine

[merelymatt]

Andor: every one of these fascists is pathetic and deserves a beating

The Mandalorian: don't you feel sorry for the widdle lost fascist who can't follow his heart's desire to do a eugenics