#stand well back everyone

[andy-clutterbuck]

5x12 - Remember | requested by Anonymous

+ Bonus

[puppetmaster13u]

Prompt 170

Once again on my Ras & Danny being training rivals thanks to time travel bullshit. 

Look, Danny knows about the league of Assassins, but he almost dies of laughter when he realizes it’s the modern name of the league of Shadows. He’s an adult now, has been for a while, he’s allowed to find the situation he’s found himself in amusing. Hell, his sparring buddy who is somehow still alive is laughing too. 

And no one else knows what’s going on, okay? This random man walked into their secret base, completely ignored the many assassins trying to stop him, and called their illustrious leader a “Little Bitch Man” and they are now fighting?

The fighting is familiar, but why the fuck is Ras cackling and saying things like “Ayreh Feek” back. Practically saying “Fuck you,” while laughing and oh Pit, they’re Bantering this is terrifying, why has Ras not won yet, why has this man not died yet and- bodies aren’t supposed to bend like that what the fuck- 

Ras on the other hand, has One friend, who is immortal like him, actually remembers the shit he complains about, is also down for saving endangered animals, and actually knows how to spar! It’s not a proper spar unless someone loses at least a hand that has to be reattached! And honestly, people nowadays should know that the proper greeting to an old friend is to instantly try to kill the other. 

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[sysig]

Take any opportunity at all (Patreon)

[starrysharks]

evilution

[poorly-drawn-mdzs]

Names revealed and returned. (context)

[First] Prev <--> Next

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[itsalwaysforyou]

hold me together.

kenny ortega, descendants 2 / holly black, red glove / nicole homer, underbelly / ada limon, a new national anthem / k c cramm, christmas eve forever / kenny ortega, descendants 3 / the crane wives, curses / silas denver melvin, let dead dogs lie / natalie wee, least of all

[ratatatastic]

"[My Dad, Brother and I] all got matching Stanley Cup tattoos on our quads!" "Let's see it! Let's see it! Stand up real quick! Let me see you!" "'Let's see it!' Look at that." "It's just a little guy! It's just a little guy!" "I love it!" "It's just a little guy, but yeah, no...Sam Bennett, Anthony Stolarz, Monty, and Steve Lorentz—we all got em like 2 days later. It was fun! We were all—you know, no sleep, straight into the tattoo estab—" "Oh sure! You woke up and you were like, 'Huh, I got something on—" "Oskar Sundqvist did the same thing, man!" "I like it! I'm a fan of it! I really like it! And the fact that we all have the same one is pretty cool!" "Let's see that hair real quick! What do you got going? Let's see what you got going—Oh, God! Andy!" "What?" "Geez, he's got that Swede in you!"

The Cam & Strick Podcast | 7.30.24 (x)

[puppetmaster13u]

Prompt 273

You know what? We need more Good parents Fentons. 

And you know what else? Technically, Jack helped Danny defeat Pariah via the use of the Ecto-Skeleton. And like, that’s his son, his baby boy. Sure Danny is and has always been a mommy’s boy, but it doesn’t change that fact. They’re both already feeling horrible about the fact they could have hurt him, they could have hurt their son- they have hurt their son, killed him with their inaction and never again. 

So when these oversized jello-eyeballs try to insist that their baby, their precious baby boy, take a crown? Become a king when he’s not even out of highschool, when he doesn’t want it? No. Hell no! That is his Danny-o, his baby boy who was terrified of his own parents! 

Which is how Jack, despite technically still being alive even if so-very ecto-contaminated, became the Ghost King. 

And for some reason there’s several ghosts rather happy about this- oh, these are his Danny-O’s ghost-parents? Not-ghost parents seeing as some of them have never been anything but a realm denizen? That’s really fascinating- y’know what, want some fudge and we can exchange childcare- Maddie dear come over and meet our co-parents apparently!  

Now it’s not all easy, but they’re trying their best, and that’s all that can be asked. 

…

Which is perhaps why it’s so exasperating- or as Maddie would put it, downright infuriating- that it is now, almost an entire year and a half later that the Heroes finally arrive to investigate. Well, at least he has plenty of fudge since it’s almost time for the council meeting. 

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[yuwuta]

i get critiquing plot holes and power differences/disadvantages and systemic things like sexism and sexualization/fetishization and racism in manga and stories in general, and i also understand loving your favorite character and wanting a certain outcome for them, but it's always a little bonkers to me that people geniuenly believe they could have come up with better endings or outcomes than the authors themselves... like i know people get attached to their favs and everything but manga and story telling is an artform and it's art that's created by a real life person who chooses to share their story with you there is no "better" ending that you could have come up with because you couldn't have come up with those characters in the first place! sure you think you could worm them around in better scenarios but even that is wishful thinking because you couldn't have, wouldn't have, and didn't come up with the world and scenes around them to navigate them in canon in the first place! idk i get wishful thinking and hopes and cracking jokes and fix-it fics and ships all that but sometimes i feel like people need to be humble and take a step back lol.... it's not your story and there's nothing for you to change, much less publicly scream about how the author fucked up just bc your favorite character didnt end up how you wanted them to.... and if u feel that strongly just like... do it in your own little online or irl community lol there's no need to scream on the internet every 3 months about how u think the mangaka who gave u the character u love so much is a piss poor artist

[skitskatdacat63]

2010 Australian Grand Prix - Jenson Button(ft. Robert Kubica & Felipe Massa)

[miss0atae]

Quick random thoughts about My Stand-in episode 8:

I can't write something better with pictures as I always do today. It will just be a quick post about the episode, but here are my thoughts about it:

▪️ I can't believe Wut and Sol found out about Joe before Ming. They really accepted well this idea of Joe's soul being in Joe 2.0's body.

▪️Ming is facing such a mental crisis trying to admit the truth but also not believing it at the same time. I wonder what the final news will do to him.

▪️ Poor Joe who has to feel like he is stuck in a loop wondering when he will finally get to live happily.

▪️ We saw Tong for a really short time but he really was insufferable. You can really see how annoyed he is with Joe being close to Ming.

▪️ Is Mike really Ming's brother or are they just close acquaintances? Sometimes they translate "Phi" as a brother and it gets confusing. Especially when your level of Thai is bad as it is for me.

▪️ I wish something was happening between Secretary Jim and Mike.

▪️ I really like how Joe feels close to Joe 2.0's mom. He really misses having a family. You can see how important it is for him. Sol and Wut may not understand it well, but it was a touching moment when Joe explained it to them.

▪️ I now want to write something about the time loop and second chance in life after this episode.

▪️ I wish Joe 2.0 had the chance to talk to Joe 1.0. I wonder what they would say to each other. 🤔

This episode was really interesting. Now that the truth is out with all the main characters and with the final discovery... What will happen to everyone?

[bugsbenefit]

i know we talk about Mike and Will and how important they are for the plot of s5 here all the time. but can we talk about how Insanely set apart the two of them are from everyone else by the end of s4? because yes, we already know they'll be important, s5 is going to be Will's coming of age and the kids have Always been the main focus of the show. hell they're literally the center of the ending shot of the entire season can't get more obvious than that:

everyone else had their shot at ending things already and failed, s5 would just be a repeat of s4 if it weren't for Will, Mike, Jonathan, Hopper, and Joyce being back in town for the rodeo this time around. this will be what makes s5 have a different outcome than s4 did.

but what really fucking gets me is that it's not just visually or thematically made clear how central Will and Mike will be to taking down Vecna. it's in the way the last moments of the season were written from a fundamental writing perspective because:

Mike and Will are the only central characters to never get confronted with Vecna for the entirety of the season. however. s4 ends with Mike and Will being the ONLY characters to know Vecna is still alive.

literally the only fucking ones.

i think that aspect gets lost sometimes. We know Vecna is still there because we just watched them have this conversation. the other characters DON'T know that. on that hill and in the entire town, right now, Mike and Will are the only one's with a concrete idea of why spores could suddenly start falling from the sky despite them having 'won'. they're not questioning what's going wrong because they already Know. they already came to the conclusion that they would have to kill Vecna for real. they're already over the initial shock and horror at finding out it was all in vein. they're literally ahead of everyone else.

from a character perspective this doesn't make much of a difference. s5 is supposed to pick up right where s4 left off and it's obvious that they'll fill everyone in on that immediately. they're not keeping that info from everyone they just didn't get the chance to share it yet. BUT. that is a conscious writing decision. it would have been a 30 second extension to have them quickly tell this crucial information to everyone outside the cabin or have maybe El overhear the end of their conversation in the cabin, she was only a room over after all. but they didn't do that. so we end the season with Mike and Will being the only one's on the same page as the audience.

Mike and Will being back in town is going to be pivotal to Vecna's end and we're being told on a thematic, visual, and writing choice level