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chiropteracupola · 3 months ago

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"What Grows on the Oak," 2024.

it's the time of year, once more, for an original spooky story!

The oak trees lie across the hills like low smoke, soft and near, and the road dips down into the valley, as inviting as any road has ever been, but the girl on the bench of the buggy on the hilltop makes no move to follow it.

Rose looks out down the road and over the hills, and taps her fingers beside her on the bench. It’s a quiet enough afternoon that there’s little other sound but the high thin sound of insects, and the wind in the long grass, and Rose’s fingers, tapping. The horse, still in harness, looks up and flicks its ear, as if in protest at the sound, and Rose sighs and forces her hand still.

There is a girl in the nearest tree, Rose notices — the fact of it is idly categorized, without true interest. All the same, the light is catching in her hair, dashing shadows over her face as she sits draped across the curve of a branch, and Rose cannot look away from her.

The Fosters, at whose door Rose waits, have no daughter — no children but the one still-toddling son, who Rose remembers as a colicky, twitchy boy. Besides, this girl looks nothing like Mr Foster and his wife, for her hair stands out about her head like a bundle of mistletoe, pale as sun-worn wood. She is, perhaps, their hired girl. Rose is struck by envy, suddenly, that the Fosters’ hired girl had the time to shinny up a tree in the last light of evening, and still would be paid for her work…

Rose sighs, leaning her chin on her hand. Perhaps it is enough for her to be her father’s driver, and to have bed and board in his house — perhaps some day there will be money for school again, in San Francisco or even out east. And perhaps it is not enough, and perhaps there will not ever be.

“Hello, doctor’s driver,” says a voice at Rose’s elbow. Rose yelps in surprise, then turns. It is the girl with the mistletoe hair — dry moss hair — hair like a cloudy day in August.

“No, you’re his daughter, are you not?” asks the Fosters’ hired girl, and Rose nods. “Miss del Llano, that’d make you.”

“Just Rose, please.” She’ll be Miss some other day — not now, in her too-short skirts and with her plait hanging over her shoulder.

“May I come up?” asks the girl.

“Surely,” says Rose, and the girl has swung herself into Rose’s father’s accustomed seat in a fluttering of pale skirts.

“Your father is the doctor — what does he do here? “He is a leech, then? A bloodletter?”

“Don’t be silly, he’s not medieval!”

“Hm-mm, I shall believe you when you prove it me,” says the girl, laughing, and leans her chin on her hand to make herself Rose’s mirror. Side by side they sit for a while, and the dark gathers in across the hills until oaks and grassland alike are made one mass of shadow. Somewhere in the trees beyond the road, a horned owl utters its deep, melancholy cry out into the dusk.

“If ghosts had telephones, I should think they’d sound rather like that,” says Rose, the early chill of after-sunset driving her quite easily to a morbid sort of cheer.

“How the times change,” says the girl, with an odd, but not entirely unhappy, look in her eyes. “No, my dear; ghosts use the same telephones as you and I, as you well know.” Rose does not know, well or otherwise, much at all about ghosts, so she nods, and feels a little more of the girl’s weight settle on her shoulder.

“You have very cold hands,” says Rose, and the girl from the oak tree smiles and taps at Rose’s cheek with clammy fingers.

“I always have, I’m afraid.”

“It’s no bother, really.” And so they sit and watch the sky, the falling-dusk and the distant fog that creeps over the hills, until there’s light, sharp as a door opening.

Rose turns, and it is only Dr del Llano, leaving his patient with his hat in his hand. She turns back, and the Fosters’ hired girl is gone.

“How is Mrs. Foster,” Rose asks, without any particular feeling in her voice, and her father shakes his head in reply. But the road down into the valley, where lies the town, is before them, and Rose is pleased enough at the journeying that she asks no further questions.

It’s in the hills and on the road that Rose meets, again, with the oak tree girl, the mistletoe girl, the girl with hands like marble in the shade. Once again, Rose is waiting for her father while he attends a patient, and, lazing in the sun, Rose has pushed the sleeves of her shirtwaist up to her elbows.

And then the girl is there again, with her shock of cobweb hair moving, ever so faintly, in a breeze that doesn’t seem to reach as far as the buggy-seat.

“Hello, my pretty-lovely,” says the girl, putting her hand out to the horse still in its traces. Though usually affectionate, the horse puts back its ears and pulls its head away.

“I don’t know what’s gotten into her,” says Rose, half-laughing. “Save your sweet words for someone who wants them, all the same.”

“Has she a name, then?”

“Other than Morgan, for what she is? Not at all,” Rose replies. Neither she nor her father have ever thought of one, for all that they’re fond of the hardworking little mare. “And have you a name, then?” For she’s remembered, now, that her oak-tree girl had never told her of it.

“I’m called Saro,” says the girl, and again swings herself up beside Rose. “What does your father do here, my Rose?”

“Oh, I oughtn’t say,” and Saro looks back at her with a stare of please? and Rose laughs and says anyway. She shouldn’t gossip, but she leans in close anyway, and whispers that “Old Man Lucas has got the clap, and him a widower these ten years!” Saro’s mouth twitches at the corners — she can’t hide her laugh for long, and it bursts, bright, out from her.

“I shall tell, I shall tell!” says she, and Rose coughs on her own laugh with a still-merry “Don’t!”

“You’ll have to catch me and make me, first!” and Saro leaps down from the buggy and runs, her skirts, her hair a flash of white in the golden-dry grass. And Rose, her spirits raised beyond what a grown girl such as herself should permit, follows. She’s less fleet-footed than Saro, earthbound still, stumbling on furrows in the land, catching her heels in ground-squirrel burrows.

Saro, she’s sure, is holding back for her benefit — letting herself be caught. And Rose does catch her, knocking her off her feet and into the grass. Saro’s laughing-merry still, her hair stuck full of grass-seed and foxtails. Close-to, Rose can see the freckles that dapple her cheeks and nose, the squint of her dark eyes when she smiles. Saro flicks Rose’s cheek, the snap of her fingers like a prickle of frost, and Rose lies there in the dusty field, entirely lost.

But Saro’s on her feet again before Rose can blink, before Rose can reach out to her, and Rose is standing, blinking in the sunlight, stumbling back to the buggy as she dusts bits of dry grass from her skirt. She buttons the sleeves of her shirtwaist again, the cuffs of which don’t quite come to her wrists anymore, and laughs when her father hands her up into her seat like a lady.

“The best whip I ever had,” he says, perfectly straight-faced.

“Gee-up!” says Rose, holding the reins in one hand and imagining herself perched atop a stagecoach. But even for all her imaginings, she’s as good a driver as her father says, and draws the horse into a gentle trot to see them home. It’s hill and dale down into the valley, hill and dale again like a song, and in the inner slopes lie trees in amid the dust-golden grasses of summer. Beneath the sparse, spreading branches, it is suddenly cooler, then warmer again, as the horse steps evenly onward and back into the sun.

“That’s mistletoe, you know,” says Dr del Llano, as he’s said a thousand times before, and points up at the gray-green mass that clings among the summer-sparse branches of an oak.

“Isn’t that for Christmastime?” asks Rose.

“It’s an odd thing we bring it in for the Nativity,” muses her father, still looking back at the tree as they pass it by. “Poison, that — and it chokes the life out of the oak tree, too. Not a kindly thing, mistletoe, but we hang it up with the flor de Nochebuena all the same…”

He doesn’t speak after that, but sings instead, an out-of-season hymn of sons newborn and deaths already foretold. If the verse telling of tombs ought to be grim, Dr del Llano doesn’t make it so, and so the story of gloom and gravity is nothing but a blithe eventuality, predicted all light-hearted by a man very certain of the truth of it.

Mrs. Foster dies soon after. Rose sits in the church as the priest says the first of the masses for her, the first of seven that her widower has paid for. She waits at the door while her father makes conversation — how she wishes he would hurry up! But the doctor in his black coat and the priest in his cassock are two crows alike, and so she is there in the doorway until her father says ‘good-by, Padre’ and comes to join her. Rose hardly has the time to shut her hymnal closed over the catalog tucked inside before he bustles past her, eager now to be on his way.

“Damned quiet place now that the mine’s shut up,” he says on the walk home, and Rose nods, though she does not remember the mine-town as her father does. She knows that there is no more coal to be had here and no more sand, and that with the mine has gone much of her father’s custom. Without black-lung and burns and broken bones, there is far less for a doctor to do in these hills.

But there is no other doctor than Juan Soto del Llano, with his limping step and his rosary about his neck and his rattletrap of a horse-drawn buggy with his only daughter to drive it, so he goes on as he has, and mends up broken bones and offers fever-cures to farmers and their wives, and to the valley townsfolk nearer home.

Henry Freeman is twenty-two, the bright young son of a new-money farmer. He is sickening for something, he is grey-faced and cold and his eyes do not focus.

Dr del Llano is at his door with hat in hand — money passes from the elder Mr. Freeman’s worn hand into his, and the doctor closes the older man’s hand over the coins. Out on the bench of the buggy, Rose scoffs and shakes her head. The fog-touched night is cold even through her coat, and she shivers involuntarily.

“He oughn’t to do such things,” she says, to no one but herself. But all the same, Rose turns her head, and Saro is there beside her, smiling.

“What oughtn’t he do?” asks Saro, with the questioning merriment in her voice that Rose has come to like so well.

“He doesn’t ask for payment, when it’s hill sickness,” and, seeing Saro’s quirk of the mouth, the way the question lurks in her well-dark eyes, Rose continues. “Father doesn’t know what it is, still, and he can’t mend it. It cannot be consumption, for it doesn’t settle in the lungs, but all the same — it is as if something is drawing out the life from them, every one.”

“So your Henry Freeman shall die, then,” says Saro, blunt.

“Don’t—“ says Rose, and stops, cold. “Who are you?” she asks, and looks Saro in the eyes, the brown of them so dark that Rose can barely find her own reflection. And the girl with the mistletoe hair reaches out, and pulls her hand across the golden curve of the hill as if she is stroking the grass that lies like dry cowhide on the ground.

“You know my name, doctor’s daughter, is that not enough?”

“Saro—“ Footsteps, and Rose’s head turns without her willing it. Doctor del Llano still has his sleeves rolled up, the edges wet from scrubbing. He doesn’t let them down again as he drags on his coat, hauling himself up to the buggy-seat as if held down by a great weight.

“Father—“ says Rose, and looks to Saro beside her, but even as she turns back, Saro is gone again.

“I’ll not talk of it,” he says, and hauls his bag into the buggy. It might well weigh as much as all the world. Rose huffs, and pulls her arms against her chest, and sets them on the road again.

And so it goes, over and over again — the Misses Hayward, unmarried, a few years older than Rose herself — Martin Foster, only three — the widow Ruiz, whose husband died down the mine before Rose was born. All of them greying, cold, dying quick. There is sickness in the hills, and it is sickness that the doctor cannot cure, and Rose — Rose finds that she barely cares. She stands in the church, once more, at Lillie Hayward’s funeral, and cannot look at the coffin, but only turns her head to search for wild light hair among the townsfolk in the pews.

But Saro doesn’t come to town; that’s not the place for her, Rose knows. How could she stay anywhere else but where the wind drags the points of oak leaves down the sky, where the tall grass parts under her hands like water?

So life goes on as it did before — the spiders building their webs across the age-grey clapboards of the doctor’s house by the old mine, the oak leaves stuck by their prickling edges to the drying wash, Rose’s father singing softly in his parents’ Spanish as he stocks his black bag at his desk in the front-room.

Rose leans against the desk, chipping at the varnish with her fingernails. In concession to the afternoon heat, the eastward window is flung open, and the thinnest breeze flicks at the pages of the last Sears catalog laid idly within her reach. She has begun to resent the sun — she closes her eyes, hunting darkness for darkness’s sake, and thinks of Saro in her white skirts, standing candle-slender in the dusk between the hills, Saro’s hands that are always cold, pressed softly against Rose’s face, her neck, her chest.

Telephone, its jangling sound sharp in the late-summer quiet — her father’s soft noises of questioning and assent — the practiced movements of putting harness to the horse. But for all that the interruption is sharp, there’s a pleased rise in Rose’s heart nonetheless, for if she is lucky, she will see Saro on the road.

She reins in the horse when her father tells her so, and hands him his bag as he jumps from the buggy — once he’s gone, Rose allows herself a secret smile. It’s early in the evening now, with the light all golden, her father’s horse with its dark mane a-gleaming in the last of the sun. Rose has a flask of coffee with her, brewed black as her father’s coat. She drinks most of it, hot and bitter, never mind that it had been meant to be shared. It doesn’t keep her awake — she drowses, head on her arms, and feels a breeze like soft hands stroke along her neck.

Today she has a headache. Her face is hot, even with her collar unbuttoned and her hat laid aside in her father’s seat. The day is warm, and the air tastes of dust, hot and dry in Rose’s throat. Saro’s hand on her cheek is as sweet and cold as anything Rose has ever snuck from the ice-house. Saro’s mouth against her neck is a cool draught.

“My dear sweet Rose,” says Saro, quiet, with only the barest hint of her usual merriment. “You’ve been ever so patient, even while I took my time with others.”

“Mm,” says Rose, and lets the weight of her body press up against Saro’s cold frame. Perhaps — perhaps that cold could leach the heavy heat from her head, the feverish blur from her eyes.

Saro’s fingers are at the buttons of Rose’s shirtwaist, now, the full breadth of her hand an ice-print on Rose’s chest. Saro from the oak tree, Saro with her hair like mistletoe. The hills rise golden around them, the wind rushing in Rose’s ears without touching her skin.

“May I?”

“Please,” says Rose, at the last, and lets Saro draw away the last of her living warmth.

#em writes stuff #oc time again hehe #oak savanna vampire #AND LO! AS PROMISED! EM HALLOWEEN STORY 3!#in the tradition of the very first round of em halloween story this is written for benjhawkins and pentecostwaite's spooky season challenge #except that. this took Two Years whoops.#(this was supposed to be last year's but it wasn't Working so I finished rat piper instead)#bit of attribution for the header-image -- 3/4 are from the california academy of sciences #(and public domain as part of the uc berkeley calphotos project! yay!)#and the fourth is of some relatives of mine (my gram's cousins iirc; and to put it as she would) 'standing there like the grapes of wrath'#some of the concepts of the story itself are also based on the experiences of some relatives (not those ones though)#[lying on the floor] CALIFORNIAAAA

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raineandsky · 4 months ago

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#130

(part 1) (part 2)

The civilian’s house used to be the one place she could get away from work—relaxing, peaceful, safely removed from the pains of her job. It’s taken two weeks for her job to decide it wants to live here, actually, and has taken over her little safe haven and her mind.

She gets back from a day of journalistic interviews and writing articles, and makes just enough time for dinner before leaping head-first into the piles of paper she’s slowly accumulating around her house.

She’s one shopping trip away from investing in some red string—conspiracies and suspects connected in her mind, pieces of paper and theories lumped together. All of it begs the question, drags her back to the reason she’s doing this—

Where has the hero gone?

The civilian goes over her notes. They were last seen leaving the agency a month ago. The news stopped reporting on it after five days. The agency made one hell of a show of looking for them before it all seemingly went quiet. She’s seen the hero’s successor about town, and the reactions he’s garnered—distaste, anger. The agency made a move to replace the hero too fast, and everyone’s seen it. Everyone is suspicious.

She can’t let that get in the way of her little investigation, though. The agency has certainly been weird about it, but that feels too obvious. She can imagine the real perpetrator is rubbing their hands with glee knowing that everyone has their eyes elsewhere.

The villain association. An undeservedly professional name, considering the business villains like to conduct, but that’s besides the point. Villains—a villain, perhaps—would be the obvious choice. Maybe the hero got too close to something, acted too much like an irritating fly that needed to be swatted. Then again, villains love bragging, and having a hero in their possession would undoubtedly send them into a self-absorbed frenzy. They’ve been even quieter on this than the agency has.

The civilian flips through some of the papers in the pile closest to her. Half of these are documents she’s loaned from the library—she’s already maxed out her extension, and they’re due back next week. She doesn’t have them for long. She needs to figure this out soon.

She’s in the midst of poring over some of her paperwork with a highlighter—nothing from the library, she doesn’t need a vandalism fine on top of all this—when there’s a noise at her front door that she instantly recognises. Something, rather hurriedly, being shoved through her letterbox.

It’s too late to be getting post now. The civilian rushes for the door just in time to see the little envelope drop from the hole and onto her mat.

She snatches it up and rips it open without a thought, letting her eyes graze over the words of the letter inside. Then she looks a little more carefully. Then a third time, because there’s no way.

It’s been interesting to watch you play, Ma’am, but I suggest you keep yourself out of business that isn’t yours.

She tears the door open but she already knows she’s too late. Whoever left this for her is long gone.

She makes doubly sure to lock her door has she closes it behind her, her gaze back on the letter. If she can even call it that—it looks more like it was torn out of a notebook and scribbled on the way here.

A warning. She shuffles back into her kitchen, where the papers she was looking at are now toppled all over the floor. She carefully sets them back on the table, and after a moment of deliberation lays the letter on top of them.

Journalists like her don’t tend to take warnings.

After all, new evidence just fell into her lap.

(next part)

#creative writing #writblr #writers on tumblr #writing #writing community #heroes and villains #hero x villain #unreported #happy 7th of halloween yall #it is Spooky Time!!!#ooooooo would yall like a spooky story for halloween? im gonna do yall a spooky story for halloween

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springbon-t-art · 4 months ago

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Ah of course it was that simple. Well... I hope Spring is enjoying her freedom, wherever she is. Spring's soul is okay... right?

H̴͙͖̤̼͖́̀̅̈͠Ǎ̶̲͔̰̞͎͂͐H̶̥̻͖̥̰̒A̸͕̬̖̣̞̋͋̐H̴̲͈̿À̶͉̍̌͊̔͜H̵̹̞̯̋A̸̜̳̼̫͉͒̚͠ ̷͙͕̫͔͋͌̋̕͜͝Ȟ̶́͑̀͜ͅE̷̤̜̿̔͝R̷̨̼̟̗̒́͑́ͅ ̴̣̭͐̓͘S̸͖͚̙͔̀Ō̵͍̩U̷̯̩̼͈̐̎͊̎L̴̨̺̰̺̄?̴̨̜̲̮͋̄͜ ̸̩̘̹̂͒̚Ḥ̵̭͕͆E̶̥͉͓͊̓̊͛̏ͅR̶̩͇͛͛̏̀͂ ̷̡͓͕̭̜̋͑̈́͠͝Ŝ̷̳̠̙̫̼̊̔͒O̴͉̲̤̘̓̈́ͅỦ̸̫̮̙͔̗L̶̝̀ ̶͍̒͆I̴͇̯̖͉͑̒̃̍͝S̶͚̾̿͝-̵̨͚̺̾̎̋̍

My soul is fine!

Boy let me tell you all the fun I had this month I was completely free!

I went through many dimensions and solved many puzzles, getting inside someone’s personal work

Everything was very beautiful, I really hope this individual is doing better with his struggles though!

I then went to a subway station and got lost many times…

Many, many times…

But the places I visited were very interesting with very interesting people in them as well

After getting loss many times on that subway station, I decided to take a break for a few days in someone’s house, it was cozy, but a bit too welcoming for me…

At the end of my journey, I went inside someone’s mind!

It was bizarre but mesmerizing, many interesting things in there

I had so much fun exploring with no limits

…

But the month is over and the deal is broken, now I'm back and my body hurts… I wonder what he did while I was gone…

I hope I get to visit those places again someday in the future… they were nice…

✨💫💫💫✨

Image credits (visit those places):

The Beginner’s Guide

Subway Adventure

2:22AM

Fugue in Void

✨💫💫💫✨

What bill did (slight blood/gore warning):

I think he found out I study psychology LMAO what is this???

#my artwork #<3<3<3 #me #2:22 am #fugue in void #the beginner’s guide #subway adventure #I think The beginner’s guide is the only game you have to pay for #it’s still worth it though #I love liminal games with interesting stories #10/10 #is this a vent? idk lol #I'm back though! just in time for spooky month

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cleolinda · 1 year ago

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My sister noticed

Previously on: I grew up in a haunted house and I didn't notice: So I told you a story about how a Count Chocula used to creep behind me at night when I was a child, and I described my very weird childhood home to you. I told you how my sister had Something Dark living in her bedroom, and I told you about the time she and I compared notes and realized that we also had the ghost of a young woman in the house. Maybe.

I asked my sister to read over the draft for me, maybe gather up the fortitude to fill in some details, and she texted back, "Oh, I'll tell you anything you want. But that’s not how it happened."

I am willing to believe her version for two reasons:

1) My memory has been shit after having covid umpteen thousand times.

2) I actually remember her version of the conversation we had, now that it's in front of me.

I also remember my version, is the thing—the one where I told her about Rebecca when we were younger. And that raises some questions about how independent, how uncompromised, our experiences were. But I think those questions are themselves the story. Can I trust my memory at all? I had such bad brain fog the first time I had covid that I could not remember how to scramble eggs. A lot of things are just mist to me now. There's what I remember and there's what actually happened, but what do I even remember? And that's before you even get into the idea that we're talking about ghosts we "felt" in the house. We saw no apparitions, no shadows, no odd movements.

This is not a story where I'm asking you to believe me.

There are things you experience, and things that happen. An example from the winter of 2016:

What I experienced was standing out on our deck one night and looking up at the stars. They were moving in a slight swirl motion, not unlike the painting Starry Night. I turned to my mom and said, "Well, the stars are moving, so if the world ends or something any time soon, here's our first sign." She stared at me.

What happened was, our upstairs heating unit had a leak, and I sustained mild carbon monoxide poisoning. (I like rooms to be cool, so I had used the heater less than most people would, at least.) This was only discovered during a routine furnace check, after my vision had been a little weird and I had been deeply fatigued for two or three months. I have had a CO monitor upstairs ever since.

Did I see the stars swirling? Yes. Were they? No. That's the distinction I want you to make while I tell you all this. Did my sister and I experience things? Yes. Do I know what happened? No.

So what I agree happened was, we were having Grownup Sunday Family Dinner a few years back, maybe 2019 or so. I had been really into Buzzfeed Unsolved, which later evolved into Watcher Entertainment, but my sister was refusing to watch any of it. She's a big fan now, but she only started watching the guys last year. Yesterday, we tried to piece this back together via text.

My sister ["MS" from here on out]: Like I feel like off and on for years you mentioned [Shane and Ryan's shows] and I refused

MS: And one day my argument was to talk about our own house

Me [let's go with Cleolinda Jones, "CJ"]: You said you felt like fake ghost shows were disrespectful to people who actually experienced [hauntings].

MS: YES I FEEL LIKE THAT WAS THE CONVO

I love paranormal investigation shows, whether they're patently fake or not, as long as I enjoy the people investigating, so I couldn't understand why they personally offended her. Pulling at this thread back in 2019 is how the the whole ghost story started coming out.

CJ: And I was like, okay, but here’s one show where they get, like, nothing, but I can promise you that it's real

(Because the Unsolved/Watcher shows pair a believer with an actual skeptic who still, lo these many years later, does not believe in any of it. I truly believe Shane and Ryan would not stage "evidence," for that reason. Shane makes fun of ghosts and people who believe in them, but he's honest about it, and my sister likes that.)

At this point, we go back to the first version of the story that I posted: my sister had told me that Something had lived in the Four Closets Bedroom with her when she was a preteen/early teenager. It felt very dark, very bad, and she had not told anyone else about it until that dinner. The way I relayed it to you, Dear Reader, was that she hadn't wanted to go into detail, and I wasn't sure what it looked like, or if it "lived" in the little witch closet, or what. That night at dinner, I had gone on to tell her that, you know, now that you mention it, I did feel like something used to follow me up there at night. And this was when "My sister started crying. Like just staring at me in wide-eyed horror, her eyes filling with tears" had come in.

1. Something Dark

CJ: So you were telling me about our house being haunted. Something in your room. How would you describe it?

MS: I think it more lived in the attic

(our pal the dark fucked-up attic room)

MS: but would roam the entire floor so I felt it in the peach room [my (Cleo's) old bedroom and then later, my sister's] but more so in [the Four Closets Bedroom] as it was closer to the attic

MS: The best way I can describe it is just never feeling like I was alone. Feeling like something was always behind me. But I refused to turn around to look. It felt like a darkness that almost oozed behind you in a way that was almost suffocating.

CJ: What I find interesting is that we both describe it as Just Feelings, and never feeling alone.

My sister texted me at this point that she used to sense Something upstairs whether it was day or night; "even in the day, it didn't feel safe." But night was worse.

MS: There was one night in 3rd grade when I was reading and had like my first panic attack because I was newer to living upstairs and I felt it come in the room at night for the first time

MS: I also used to feel compelled to keep the AC running all night like it was never cold enough.

Here's the weird thing: when we moved to the house where I currently live and our rooms were on the same floor, we always fought over the thermostat. My sister hated her bedroom being too cool, whereas I get hot. I remember one night, we were arguing over it, and she was weirdly on the verge of tears: "Why do you have to have it so cold?" In 2023, my sister texted me at this point that she didn't want our childhood home to be cold; it was like the thing wanted that temperature, even if she hated it.

You often hear that ghosts make rooms cold, that's a big ghost hunter show thing—but whatever was up there couldn't lower the temperature on its own?

CJ: "If you can’t make it cold yourself, storebought is fine"

CJ: And you don’t have a visual impression of it, I’m not just blowing past that?

MS: I refused. REFUSED to look. Ever. For any reason.

CJ: I did too, so that’s interesting

CJ: I describe it as a Count Chocula, which should tell you how much it didn’t bother me. Which I find weird

(Truly, there is a reason I titled that post "I grew up in a haunted house and I didn't notice.")

MS: I can’t tell if it was truly terrifying. Or if the amount of data I was getting from it was just so overwhelming that that alone was terrifying to a child. I wish I could answer that now.

CJ: Yeah, in some way I think we’re saying the same thing. I was seven years old and I couldn’t comprehend what it was, either, so I just imagined a silly vampire

CJ: like I can’t overstate how cartoonish it seemed to me at the time, while still being very DON’T LOOK BACK

Part of the problem, she added, was that she felt compelled to go turn down the air conditioning... and the thermostat was next to the (carpeted. shag carpeted) bathroom. And then she had to race back to her bedroom... the same way I used to, as quick as she could.

MS: I also felt like I could NOT run. Like the way you shouldn’t run away from a mountain lion. It would create the need for it to chase me.

MS: What is so strange is that [learning about paranormal investigation] has not changed my perception of my experience in the slightest. Whether that’s the reality or not. It is still something I find dark and terrifying.

CJ: I think you would answer this differently now than you did then: what do you think it was?

We discussed this by text for a while. I mentioned being intrigued that Something Dark wanted to be cold (but apparently was not able to make the room cold). My sister—having agreed to be quoted here—said, "I kinda hope to avoid someone being like 'you had a demon in your house,'" as she doesn't really feel like that's what it was. Her gut feeling (and, bear in mind, we are working off nothing but feelings here) is that it was a spirit or ghost: something formerly human. We agree that it seemed male in some way (again: a Chocula).

And you're probably thinking, This is total bullshit. And it probably is! I'm not claiming any of this to be real evidence! I just find it interesting that we somehow came up with the same bullshit.

CJ: It just fascinates me that I did not experience 90% of this, and yet I got a strong enough whiff of it that I’m like, yeah, I can see it

But what about the female presence, the one I went off to color with in the middle of the night?

2. Rebecca

MS: I didn’t find out you had done the ouija board until we were adults. You didn’t tell me when we were kids

MS: That’s why I was SO shocked when we talked at the dinner table.

See, I was convinced that I had told her about my ouija adventures when I was a teenager, and "What about Rebecca??" flowed really well in the first post. That conversation was already a bit fictionalized in order to condense it from what I remembered—that's how memoirs work, really, unless you have actual transcripts of your life and room to include them. You're telling a story. I thought I was telling a condensed version of a true story. And yet, I do remember how shocked my sister was at dinner that night. And she would have only been seven or eight when I was messing around with that shit. Those two things do support the idea that I wouldn't have told her.

MS: You did tell me skeletons lived in my closet tho

I told you I was kind of a shit.

CJ: when I told you about Rebecca, what was your reaction?

MS: That’s when I went white. Bc I realized we had had a similar experience and I wasn’t just crazy

CJ: The thing is, I WOULD HAVE SWORN I had told you about Rebecca when we were younger

MS: If you did you didn’t name her and that’s why it was nuts when I realized 2 decades later we pulled the same name and we both remembered it.

We did it again, too—I posted briefly about putting this whole saga together, and how my sister asked me to give the ghost a pseudonym (ghosts deserve privacy too). And in trying to think of a good replacement, we both came up with "Rebecca."

CJ: so how did you know the [original] name?

MS: Ouija board with [best friend, redacted] in the playroom when I was like 13. She cried the whole time. We both thought the other was moving [the planchette].

You'll remember the weird, windowless, sky-blue playroom with the scary door from the previous post.

MS: But she was crying so she wouldn’t have been. And I would have never pulled out the name [Not Actually Rebecca]

MS: There was part of me that wonders if I did it but I would have NEVER chosen Rebecca

CJ: So did I bring Rebecca up first in this conversation [at dinner in 2019], or did you? I did?

MS: You said it first. I would have never [told you first] cuz I would have thought you were placating me. Like I’d never really know if you weren’t just agreeing with me

And that's when my sister had "stared at me, saucer-eyed, pale. Like I'm not sure I had ever seen anyone 'go white' until that moment." And I had told her about getting up at midnight and going to color in the weird playroom, and someone else being in there with me, no big deal.

After all this discussion, we do think that Rebecca was briefly my "imaginary friend," but our mom told me to stop talking about that. Not because our mom was spooked, but because she felt like it was rude for me to talk about someone I was presumably making up in front of company. So that stopped. Thinking back on it, I just felt like someone was sitting next to me on the couch. I didn't feel anyone next to me; when I looked, I felt like I could see where... someone was not? The space that someone invisible was taking up? It felt like something reasonably friendly. "Chill" is the word I keep using. Not super eager or possessive, just like a girl who was a bit older, maybe a teenager, a babysitter age, who liked me well enough. There was some dark shit in the attic, apparently—it did feel very oppressive in there—but I would get a sense that a metaphorical desk lamp had been turned on. A presence that stayed back, relaxed, but emanated "hey, I'm here."

What my sister and I agreed on was that we remembered how these "feelings" were both vague and memorable. I can't remember events or chronology accurately, but I remember the actual sensations and presences very, very clearly. They resist reinterpretation. I can't sit here and say, "Oh, Rebecca was totally a guardian angel, I see that now." The Something Dark sounds functionally demonic, but my sister doesn't feel like that's accurate. (If anything, she gets a sense that this could have been a malicious uncle—not father—of some kind to Rebecca, if the two beings were related: particular in their vagueness.) These two presences just... were. My sister says she primarily sensed Rebecca outdoors in our backyard, when we were pretending (were we?) to play with fairies. I didn't sense Rebecca there—but then, I wasn't aware that what I sensed was a someone, not for another thirty years or so. My oblivious ass was up at midnight filling in my She-Ra coloring book with a ghost like, "Yeah, I'm alone in the dark for no reason, this is normal." It's only in retrospect that I recognize atmospheric feelings as things that actually took up space, and I don't know how I didn't see it at the time. I can't explain that, and I can't ask you to believe it. All I know is that my sister still feels very traumatized by her experience of it—and I can't explain why I don't.

I think one of the reasons paranormal investigation shows don't scare me a whole lot is because so much of the "evidence" is random knocks and creaks and movements and vibes, and I'm like, yeah, I've lived in two houses now like that. The door of my current bedroom opens and closes on its own all the time. It's probably a draft from the ventilation system (which does not have CO leaks anymore) (probably). I've seen something at this house that a lot of people might call a shadow person, but I was probably imagining it. So many of these ghost shows just have things that I grew up with and didn't even think a whole lot of at the time; I seem to be protected by a +3 Sphere of Sure, That's Fine. Is my current house also haunted? I honestly don't know. Would I notice if it was?

#part two of two #story time with cleo #long post #the haunting of jones house #spooky season #halloween everyday #me for some reason #first look on patreon

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