#spontaneous 2020
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hatergirlrobin · 1 month ago
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Spontaneous (2020) dir. Brian Duffield
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haveyouseenthismovie-poll · 3 months ago
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pensivespacepirate · 1 year ago
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there's literally a movie about people spontaneous exploding with no rhyme or reason and there's no fanfare on the blood gore explosion website???
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flawedfemalecharacter · 1 year ago
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shes everything to me
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needlenthehaymovies · 2 months ago
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galaxyhazbin · 2 years ago
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SPONTANEOUS (2020)
look away
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seagull-scribbles · 2 years ago
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Happy Ides of March
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ciderjacks · 7 months ago
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ocd is weird bc I definitely still have it, I just got really good at identifying it and shutting it down. Like I was taking down a gross medical sticker on my wall that for some reason I stuck up there last year, and my brain was like “no don’t do it. You’ll die if you do that” so I put it back on and my brain was like “or…maybe life will get way better if you take if off. And if you leave it life will get worse. Want to make that choice” and I was like really stumped over it, then suddenly I was like ohhhhh ocd you tricky devil… and tore the sticker off. I go thru this exact experience about thrice a week.
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warcrimesimulator · 6 days ago
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our olde cat Twisty and his ugly portrait i painted for my mom for her birthday lol. I miss this awful little man. It was a struggle to keep him inside (he'd dash for the open door) and a coyote ended up getting him.
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james-stark-the-writer · 3 months ago
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watching Brian Duffield's Spontaneous (2020) rn and man, the script is pretty funny but goddamn, there are so many match cuts in this and they're so fucking good too. Katherine is doing a pretty good job, and i don't like Dylan's actor rn but he's mostly inoffensive, though i am only 14 minutes in.
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daddy-ul · 7 months ago
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tour blurb
I can't say anything BC it's the same (almost) unit of measurement that I apply when I go to concerts.
Smsmksksa (not so much) joking aside, the mic unit of measurement is the most useful and obvious for the concert donut. I know they updated the number and positions of the mics,, so I am now kind of curious of the ratio drum riser/mics on the stage. Like there are 4 battle station on the donut, how many mics between every drum kit? This is a math problem due to monday
*coff* that said did they discussed it in tuning rooms etc bc lars asked James to stay in his line of site for the most of it?
But like, of course for stages like the one in Milan, it wasn't like that, even if it was smaller
#my sister at my first tallica concert: okay. we're do you wanna go? i swear i will get you there#me instantly: in front of the drums#and that has been my concert MO ever since sksksksksksks#and yeah. i am what i am of course i wanna see lars first and back then he was mostly in a static position#BUT!!!!!#i fucking know this band dynamics. like. in milan last month i was on the left side of the stage and i was great!!!#I'll start the concert with lars and rob!#and that's exactly what happened#to say. my dear duders. if you see the drummer? you're FOR SURE gonna see the rest of them one way or another#bc that's the eye of the cyclone babey! they will always end up... there (quote). they will inevitably circle back there#AND. ALSO. as you all know im a big fan of when they all four play close close together and all the little interactions the positions etc#if you cant see the drum riser... well you'll only get max 3. so.#but yeah snsksksksk i have a fucking lars blog since 2020. no shit i want to see him#*coff* that said#*coff* that said did they discussed it in tuning rooms etc bc lars asked James to stay in his line of site for the most of it?#or was it just spontaneous?#ask#the-mighty-het-speaks#ah. soph! say ty to your friend i love these reports from the front!!#jh and lu#jinn out#if this post doesnt have an ounce of sense or purpose or thesis or whatever... yeah probably snsnsjs i am tired so my thoughts are jumbled#.... is that the right word? well you get it *move hands*#thank you soph for sharing bc this is EXACTLY my kind of thing *grabby hands*
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moviereviews101web · 3 months ago
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Spontaneous (2020) Movie Review
Spontaneous – ABC Film Challenge – Horror – S – Spontaneous – Movie Review Director: Brian Duffield Writer: Brian Duffield, Aaron Starmer (Screenplay) Cast Katherine Langford (Knives Out) Charlie Plummer (Lean on Pete) Yvonne Orji (Night School) Hayley Law (Riverdale) Piper Perabo (Looper) Plot: Get ready for the outrageous coming-of-age love story about growing up…and blowing up. When…
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liskantope · 2 years ago
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Wanted to watch something on Netflix or Hulu with dinner tonight, expected to see something advertised specially for Juneteenth and intended to watch something like that. Instead there was nothing prominently showing up that looked related to the issues Juneteenth is meant to recognize, and I was impatient, so I started watching a documentary called Longest Third Date instead.
It's lightly entertaining. But it turns out, the overall vibe and ethos of Longest Third Date is... pretty much as starkly opposite as I can imagine to that of Juneteenth and what I would consider the Juneteenth-flavored content I was initially looking for.
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mostlysignssomeportents · 3 months ago
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Dirty words are politically potent
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On OCTOBER 23 at 7PM, I'll be in DECATUR, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.
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Making up words is a perfectly cromulent passtime, and while most of the words we coin disappear as soon as they fall from our lips, every now and again, you find a word that fits so nice and kentucky in the public discourse that it acquires a life of its own:
http://meaningofliff.free.fr/definition.php3?word=Kentucky
I've been trying to increase the salience of digital human rights in the public imagination for a quarter of a century, starting with the campaign to get people to appreciate that the internet matters, and that tech policy isn't just the delusion that the governance of spaces where sad nerds argue about Star Trek is somehow relevant to human thriving:
https://www.newyorker.com/magazine/2010/10/04/small-change-malcolm-gladwell
Now, eventually people figured out that a) the internet mattered and, b) it was going dreadfully wrong. So my job changed again, from "how the internet is governed matters" to "you can't fix the internet with wishful thinking," for example, when people said we could solve its problems by banning general purpose computers:
https://memex.craphound.com/2012/01/10/lockdown-the-coming-war-on-general-purpose-computing/
Or by banning working cryptography:
https://memex.craphound.com/2018/09/04/oh-for-fucks-sake-not-this-fucking-bullshit-again-cryptography-edition/
Or by redesigning web browsers to treat their owners as threats:
https://www.eff.org/deeplinks/2017/09/open-letter-w3c-director-ceo-team-and-membership
Or by using bots to filter every public utterance to ensure that they don't infringe copyright:
https://www.eff.org/deeplinks/2018/09/today-europe-lost-internet-now-we-fight-back
Or by forcing platforms to surveil and police their users' speech (aka "getting rid of Section 230"):
https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/
Along the way, many of us have coined words in a bid to encapsulate the abstract, technical ideas at the core of these arguments. This isn't a vanity project! Creating a common vocabulary is a necessary precondition for having the substantive, vital debates we'll need to tackle the real, thorny issues raised by digital systems. So there's "free software," "open source," "filternet," "chat control," "back doors," and my own contributions, like "adversarial interoperability":
https://www.eff.org/deeplinks/2019/10/adversarial-interoperability
Or "Competitive Compatibility" ("comcom"), a less-intimidatingly technical term for the same thing:
https://www.eff.org/deeplinks/2020/12/competitive-compatibility-year-review
These have all found their own niches, but nearly all of them are just that: niche. Some don't even rise to "niche": they're shibboleths, insider terms that confuse and intimidate normies and distract from the real fights with semantic ones, like whether it's "FOSS" or "FLOSS" or something else entirely:
https://opensource.stackexchange.com/questions/262/what-is-the-difference-between-foss-and-floss
But every now and again, you get a word that just kills. That brings me to "enshittification," a word I coined in 2022:
https://pluralistic.net/2022/11/28/enshittification/#relentless-payola
"Enshittification" took root in my hindbrain, rolling around and around, agglomerating lots of different thoughts and critiques I'd been making for years, crystallizing them into a coherent thesis:
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
This kind of spontaneous crystallization is the dividend of doing lots of work in public, trying to take every half-formed thought and pin it down in public writing, something I've been doing for decades:
https://pluralistic.net/2021/05/09/the-memex-method/
After those first couple articles, "enshittification" raced around the internet. There's two reasons for this: first, "enshittification" is a naughty word that's fun to say. Journalists love getting to put "shit" in their copy:
https://www.nytimes.com/2024/01/15/crosswords/linguistics-word-of-the-year.html
Radio journalists love to tweak the FCC with cheekily bleeped syllables in slightly dirty compound words:
https://www.wnycstudios.org/podcasts/otm/projects/enshitification
And nothing enlivens an academic's day like getting to use a word like "enshittification" in a journal article (doubtless this also amuses the editors, peer-reviewers, copyeditors, typesetters, etc):
https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=enshittification&btnG=&oq=ensh
That was where I started, too! The first time I used "enshittification" was in a throwaway bad-tempered rant about the decay of Tripadvisor into utter uselessness, which drew a small chorus of appreciative chuckles about the word:
https://twitter.com/doctorow/status/1550457808222552065
The word rattled around my mind for five months before attaching itself to my detailed theory of platform decay. But it was that detailed critique, coupled with a minor license to swear, that gave "enshittification" a life of its own. How do I know that the theory was as important as the swearing? Because the small wave of amusement that followed my first use of "enshittification" petered out in less than a day. It was only when I added the theory that the word took hold.
Likewise: how do I know that the theory needed to be blended with swearing to break out of the esoteric realm of tech policy debates (which the public had roundly ignored for more than two decades)? Well, because I spent two decades writing about this stuff without making anything like the dents that appeared once I added an Anglo-Saxon monosyllable to that critique.
Adding "enshittification" to the critique got me more column inches, a longer hearing, a more vibrant debate, than anything else I'd tried. First, Wired availed itself of the Creative Commons license on my second long-form article on the subject and reprinted it as a 4,200-word feature. I've been writing for Wired for more than thirty years and this is by far the longest thing I've published with them – a big, roomy, discursive piece that was run verbatim, with every one of my cherished darlings unmurdered.
That gave the word – and the whole critique, with all its spiky corners – a global airing, leading to more pickup and discussion. Eventually, the American Dialect Society named it their "Word of the Year" (and their "Tech Word of the Year"):
https://americandialect.org/2023-word-of-the-year-is-enshittification/
"Enshittification" turns out to be catnip for language nerds:
https://becauselanguage.com/90-enpoopification/#transcript-60
I've been dragged into (good natured) fights over the German, Spanish, French and Italian translations for the term. When I taped an NPR show before a live audience with ASL interpretation, I got to watch a Deaf fan politely inform the interpreter that she didn't need to finger-spell "enshittification," because it had already been given an ASL sign by the US Deaf community:
https://maximumfun.org/episodes/go-fact-yourself/ep-158-aida-rodriguez-cory-doctorow/
I gave a speech about enshittification in Berlin and published the transcript:
https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel
Which prompted the rock-ribbed Financial Times to get in touch with me and publish the speech – again, nearly verbatim – as a whopping 6,400 word feature in their weekend magazine:
https://www.ft.com/content/6fb1602d-a08b-4a8c-bac0-047b7d64aba5
Though they could have had it for free (just as Wired had), they insisted on paying me (very well, as it happens!), as did De Zeit:
https://www.zeit.de/digital/internet/2024-03/plattformen-facebook-google-internet-cory-doctorow
This was the start of the rise of enshittification. The word is spreading farther than ever, in ways that I have nothing to do with, along with the critique I hung on it. In other words, the bit of string that tech policy wonks have been pushing on for a quarter of a century is actually starting to move, and it's actually accelerating.
Despite this (or more likely because of it), there's a growing chorus of "concerned" people who say they like the critique but fret that it is being held back because you can't use it "at church or when talking to K-12 students" (my favorite variant: "I couldn't say this at a NATO conference"). I leave it up to you whether you use the word with your K-12 students, NATO generals, or fellow parishoners (though I assure you that all three groups are conversant with the dirty little word at the root of my coinage). If you don't want to use "enshittification," you can coin your own word – or just use one of the dozens of words that failed to gain public attention over the past 25 years (might I suggest "platform decay?").
What's so funny about all this pearl-clutching is that it comes from people who universally profess to have the intestinal fortitude to hear the word "enshittification" without experiencing psychological trauma, but worry that other people might not be so strong-minded. They continue to say this even as the most conservative officials in the most staid of exalted forums use the word without a hint of embarrassment, much less apology:
https://www.independent.ie/business/technology/chairman-of-irish-social-media-regulator-says-europe-should-not-be-seduced-by-mario-draghis-claims/a526530600.html
I mean, I'm giving a speech on enshittification next month at a conference where I'm opening for the Secretary General of the United Nations:
https://icanewdelhi2024.coop/welcome/pages/Programme
After spending half my life trying to get stuff like this into the discourse, I've developed some hard-won, informed views on how ideas succeed:
First: the minor obscenity is a feature, not a bug. The marriage of something long and serious to something short and funny is a happy one that makes both the word and the ideas better off than they'd be on their own. As Lenny Bruce wrote in his canonical work in the subject, the aptly named How to Talk Dirty and Influence People:
I want to help you if you have a dirty-word problem. There are none, and I'll spell it out logically to you.
Here is a toilet. Specifically-that's all we're concerned with, specifics-if I can tell you a dirty toilet joke, we must have a dirty toilet. That's what we're all talking about, a toilet. If we take this toilet and boil it and it's clean, I can never tell you specifically a dirty toilet joke about this toilet. I can tell you a dirty toilet joke in the Milner Hotel, or something like that, but this toilet is a clean toilet now. Obscenity is a human manifestation. This toilet has no central nervous system, no level of consciousness. It is not aware; it is a dumb toilet; it cannot be obscene; it's impossible. If it could be obscene, it could be cranky, it could be a Communist toilet, a traitorous toilet. It can do none of these things. This is a dirty toilet here.
Nobody can offend you by telling a dirty toilet story. They can offend you because it's trite; you've heard it many, many times.
https://www.dacapopress.com/titles/lenny-bruce/how-to-talk-dirty-and-influence-people/9780306825309/
Second: the fact that a neologism is sometimes decoupled from its theoretical underpinnings and is used colloquially is a feature, not a bug. Many people apply the term "enshittification" very loosely indeed, to mean "something that is bad," without bothering to learn – or apply – the theoretical framework. This is good. This is what it means for a term to enter the lexicon: it takes on a life of its own. If 10,000,000 people use "enshittification" loosely and inspire 10% of their number to look up the longer, more theoretical work I've done on it, that is one million normies who have been sucked into a discourse that used to live exclusively in the world of the most wonkish and obscure practitioners. The only way to maintain a precise, theoretically grounded use of a term is to confine its usage to a small group of largely irrelevant insiders. Policing the use of "enshittification" is worse than a self-limiting move – it would be a self-inflicted wound. As I said in that Berlin speech:
Enshittification names the problem and proposes a solution. It's not just a way to say 'things are getting worse' (though of course, it's fine with me if you want to use it that way. It's an English word. We don't have der Rat für englische Rechtschreibung. English is a free for all. Go nuts, meine Kerle).
Finally: "coinage" is both more – and less – than thinking of the word. After the American Dialect Society gave honors to "enshittification," a few people slid into my mentions with citations to "enshittification" that preceded my usage. I find this completely unsurprising, because English is such a slippery and playful tongue, because English speakers love to swear, and because infixing is such a fun way to swear (e.g. "unfuckingbelievable"). But of course, I hadn't encountered any of those other usages before I came up with the word independently, nor had any of those other usages spread appreciably beyond the speaker (it appears that each of the handful of predecessors to my usage represents an act of independent coinage).
If "coinage" was just a matter of thinking up the word, you could write a small python script that infixed the word "shit" into every syllable of every word in the OED, publish the resulting text file, and declare priority over all subsequent inventive swearers.
On the one hand, coinage takes place when the coiner a) independently invents a word; and b) creates the context for that word that causes it to escape from the coiner's immediate milieu and into the wider world.
But on the other hand – and far more importantly – the fact that a successful coinage requires popular uptake by people unknown to the coiner means that the coiner only ever plays a small role in the coinage. Yes, there would be no popularization without the coinage – but there would also be no coinage without the popularization. Words belong to groups of speakers, not individuals. Language is a cultural phenomenon, not an individual one.
Which is rather the point, isn't it? After a quarter of a century of being part of a community that fought tirelessly to get a serious and widespread consideration of tech policy underway, we're closer than ever, thanks, in part, to "enshittification." If someone else independently used that word before me, if some people use the word loosely, if the word makes some people uncomfortable, that's fine, provided that the word is doing what I want it to do, what I've devoted my life to doing.
The point of coining words isn't the pilkunnussija's obsession with precise usage, nor the petty glory of being known as a coiner, nor ensuring that NATO generals' virgin ears are protected from the word "shit" – a word that, incidentally, is also the root of "science":
https://www.arrantpedantry.com/2019/01/24/science-and-shit/
Isn't language fun?
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Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/10/14/pearl-clutching/#this-toilet-has-no-central-nervous-system
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galaxyhazbin · 2 years ago
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SPONTANEOUS. night saver.
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nn-ee-zz · 9 months ago
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I don’t really have a lot to ask I just want to say I love your art style! It kind of reminds me of like Eldritch Horror meets Celestial Divinity type of thing so with that said I was wondering on how you came to this type of art style you do and how long did it take you to experiment until you found the style that you wanted? Sorry if that sounds kinda confusing 😅 thanks for taking the time to read this and have a good rest of your day!
Thank you! I did not found my artstyle, my artstyle found me. Here is a timeline of my digital art/illustration journey
2014 - The beginning
I finally took my tablet and bit the bullet that was digital art. I remember specifically forcing myself to draw (because it was not fun) because I wanted to learn digital art no matter what it took.
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2016 - Experimental
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Boldness seems to have dominated this phase, not because of the themes but because I rendered without any under sketch (example above of how the first draft looked like vs the end)
2017 - The breakthrough
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It was only from here that digital art began feeling RIGHT. The most important things I've learned were how to render texture variation (especially softer things like hair and fur) and how to color a drawing from greyscale. I was slowly settling onto my desired artstyle
2019 - Happy accident
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We were tasked to design characters based on chess pieces during college. 1 week deadline. With the mindset that no one will see my designs except my teacher and I, I did things boldly and rendered them (trad ink plus digital shading) to emphasize shape and design, rather than texture variation.
I began mixing traditional lineart with digital rendering.
2020 - Fallen from heaven
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My friend and I decided to attempt to design angels based on widely popular tumblr emoji mashups. It was the first time I colored one of my character design drawings, using similar methods to the ones I've learned in 2017.
2017 - 2024
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I cannot name nor describe my artstyle nowadays. I haven't seen many people with something similar either. I use what I've learned in all my phases; the spontaneous boldness of 2016, the texture variation of 2017, the sharp shapes and design mindset of 2019, the mix of traditional and digital from 2020. It all melted together and keeps evolving.
The way I approached art changed too. I was so worried about making things beautiful and technically outstanding when today I only worry about making things interesting and readable.
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