#specifically that cover from The Book of Life
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No shade to the OP on this one because I do know some people who will do this and what I am going to bring up here might be specific to me, but I would still encourage people to be enthusiastic about their horror interests anyway.
I work in a library and thus I have access to EVERY. SINGLE. WEIRD AND MORBID BOOK you've heard of and so very many that you haven't. My reading list is a joke among my colleagues because while some of them are reading the newest Sally Rooney or Jennifer Colgan, I am regaling them (gently, but I'll get to that in a minute) of my favorite books that have featured some truly awful things. And yes, I've told patrons about this too, some to confusion and others who find it very useful. I get that this context is different from someone who might meet at a random social gathering, but if someone is going to meet you with suspicion about what you are reading, and they aren't going to hear you out about what makes it great, they probably won't be a lot of fun to talk to in the long run anyway. My coworkers think it's funny that I read such heavy, depressing topics because I am really friendly and upbeat at work. They also like that if they are looking for something a bit spooky but not going to plunge them into a story that they can't finish, they know I have them covered because of that whole gently telling them thing. I take into account their comfort level and when they ask me about my favorite topics, they know they can trust me not to send them into the deep end.
And maybe some random person has read all this and thought "that's fine in a library but that doesn't work in meeting people in other spaces", actually it does. One of my closest and longest enduring friendships began with someone who insisted they did not like horror stories or movies. They were not interested in the scary stuff, according to them. Over time, they realized that I wasn't going to make their life miserable by making them watch stuff beyond their comfort level and they developed their own taste in the genre, a lot of it from the media they already liked. They just thought those things didn't count. This wasn't always the case for people who I talked to, but the ones that mattered, especially with one of my best friends, it turned out that they weren't so quick to judge.
So talk about your obsessions. Talk about the things that excite you and make you happy. Maybe it won't be for everyone but it's not supposed to be and some people around you are still going to find it fun to listen.
being someone who's passionate about their interests when you're a horror fan really is a special layer of hell because every interaction you have with another person where the conversation turns to your hobbies and personal entertainments is a trial where if you show too much unrepentant glee at getting an opportunity to talk about your preferred subject you get to watch them mentally move you onto their list of untrustworthy individuals to avoid in the future in real time
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Home.
Jinx x reader
Summary: set between Act 1 and 2 of Arcane season 2. You find a moment of calm at home with Jinx, Isha, and a stray dog you've found along the way.
Warnings: spoilers for Arcane season 1, tooth-rotting fluff (I hope) not proofread
No use of Y/N, no pronouns used for reader, no gender specific terms etc...
A/N: WHOO first piece of writing by Lev on this blog yippee!! I sincerely hope you all enjoy this lolsies. Please interact! I'm taking requests teehee
You don’t remember the last time you felt this at peace.
It is like a buzzing, filling your chest, lifting you practically off your feet as you make my way home.
This feeling is manufactured- it is not coming from the outside. It comes from deep inside your chest, thrumming happily, snuggled between your lungs, right below your heart. There are reasons for this warmth, this light- well, one reason. Her name is Jinx.
When you say you’re going home, all you really think of is her. Yes, her lair is home- it is warm, and cozy, and as safe as a hot air balloon suspended above what seems to be an infinite void can be- but without her, it would be nothing.
She is the light that fills your chest, with her bright smile and ridiculously long blue hair and perfect pink eyes. She is the weight on your lungs, making it hard to breathe when you think of her. She’s all the cheesy, corny shit the romance authors you hated so as a child wrote. Only instead of being a character, only words on a worn out page, she’s real, and she’s only a two minute walk away from where you are now.
You have a satchel slung over your shoulder, the Dog (you don’t know when it became your dog; it just appeared by your side one day, and hasn’t left since) trotting along beside you. Its fur is matted. You reach down and scratch between its ears as you near the Last Drop, smiling to yourself. Never had you thought you would be living this life- on your way home, supplies for Jinx in your bag, the Dog padding alongside you- it is so domestic, so soft, so clean (despite the grime of the Fissures, the thickness of the air, the moaning of the people crowding the sides of the streets). This life is so unlike anything you remember your parents having.
You take the quick route into Jinx’s lair, the dog following happily, its pink tongue lolling. You should name it, you think as you step onto one of the propellers.
After Silco had died, you had expected the place to fall into disrepair; you had thought the lights would stop twinkling, and the tinny music would stop playing, and the workstations would gather dust until finally the propellers snapped and fell, taking Jinx with them. And yes, that had started to happen. But then, Jinx had met the kid. Isha, you had called her. All of you, huddled around an old, matted baby names book one of you had found at a scrapyard, pointing out names to each other. Isha, the kid had pointed at, a huge, toothy grin splitting her round face. One who protects. You had closed the book then, knowing that it was perfect. Jinx had smiled at you over the newly baptized Isha’s head, and you had smiled right back, squeezing her hand in yours. You had tossed the book down, into the void below.
Now, your home was transformed. Jinx’s creepy dolls were gone, replaced with different colourful toys and gadgets picked out or made by Isha. The walls were covered in crayon drawings of all kinds of things- dragons, flowers, the three of you in fields of green and blue and pink and orange. There was a tent set up in the corner, full of Isha’s belongings. It was where you all slept, huddled together like a litter of cats. You love the place.
At first, you think they’re both out. You call out, and when no answer comes, you venture further in, dropping your bag by Jinx’s workbench. The Dog sniffs around, its tail wagging as it comes closer and closer to an odd lump covered in blankets. You grin to yourself, putting a hand on your hip, tapping your chin with the knuckles of the other. “Hmm,” you muse to yourself, purposefully ignoring the giggle coming from the blankets, “wowie, I wonder where Isha and Jinx could possibly be.” You go in the opposite direction, checking under the workbench, scratching your head. The Dog watches, its eyes saying Can’t you see them? They’re right here! You wink at it, and it sits, tilting its head. “They must have gone out,” you declare loudly as the giggles intensify. “Guess I have this whole place to myself! Finally, I am rid of those stinky-“
As you are talking, you approach the mess of blankets. Before you are able to finish that last sentence, a small orange and blue bundle barrels into your legs, almost knocking you flat on your back. Isha launches herself into your arms, grinning her toothy grin as you spin her around.
“Oh my goodness!” You cry, “where were you hiding? You really are a master sleuth!” Jinx, still have tangled in the blankets, barks a laugh. You hug Isha to your chest and raise an eyebrow at her, mouthing you couldn’t hide anywhere better? She flips you off, but she is smiling.
She stands and joins you and Isha, her hand finding the small of your back, the other going to Isha’s shoulder.
“I have a surprise,” you whisper to the child, “but don’t tell Jinx, mmkay?”
Jinx tilts her head, still smiling. Isha nods solemnly.
“I found waffles,” you breathe, looking at Jinx out of the corner of your eye. Isha gasps and puts her hands over her mouth. Through trial and error, you and Jinx had discovered that the little one seemed to live for waffles. You now went out of your way, as the only one with your face not plastered all over the place, to find the sweet treat.
“Gee, I wonder what the surprise could be,” Jinx says, playing along. She follows as you carry Isha to your bag. You set the kid down, the Dog nuzzling into her hand. You rifle around for a moment, and finally pull out the waffles. Jinx lets out a loud gasp, and Isha turns to her, delighted, pleased with herself that she was able to keep this secret.
“Waffles?” Jinx cries. Isha claps her hands together, startling the Dog.
You all sit together in the tent, sharing the waffles off the same plate. Isha (who thinks she’s being slick) keeps sneaking pieces of her food to the Dog, who delightedly licks it off her hand. She giggles every time, earning an affectionate look from you and Jinx.
Once you have finished the waffles, you push the plate away and lie down. Soon, Isha curls into a ball in the space between your knees and your stomach, settling her head on your legs. Jinx dims the lights, then joins you; the two of you become a protective cocoon around the now snoring Isha. The Dog squishes itself in between you and Isha, resting its head on the kid’s side and looking up at you adoringly. You brush a strand of hair from Jinx’s face and smile. She smiles right back. She’s been smiling so much recently.
“This is perfect,” you whisper to her once you’re sure Isha is fast asleep.
She smiles, but doesn’t answer. One of her hands rests on your waist, and her fingers trace soothing patterns there.
“I thought,” she begins, then stops, frowning. Her other fingers tighten around your hand. “I thought that, with Silco gone, there was nothing left for me.” Her words hurt you; it stings somewhere deep in your stomach to hear that she is in any kind of pain.
“But then… I met the kid,” she continues. “And then I found you.”
You feel an overwhelming wave of affection for the girl lying in front of you then. A girl you had once known what feels like a very long time ago; a girl who had once had blue eyes and the same wide, toothy smile as Isha. A girl who had been part of your distant past, who was now back in your life. She was right; despite having known each other your whole lives, you have really only just found each other.
“And- and I realised that maybe, maybe Silco wasn’t all I needed. Maybe…” she trails off, but she has said enough. You shuffle forwards (careful not to disturb Isha or the dog) so that your forehead is only centimetres from hers. She meets you halfway, pressing her forehead to yours; your noses brush, and you smile, reaching up to cup her face.
“I love you, Blue,” you whisper. A name, who she has always been to you. Blue. Blue like the sky, like the sea. Blue like the warm, the fluttering bird nestled in your chest.
For a moment, you think she is going to cry. But she only pulls you closer, and whispers the same words back to you, your name uttered like a prayer.
You close your eyes and smile, and her breathing slows.
As you fall asleep, you think:
You have never felt this at peace before.
#jinx#jinx arcane#isha arcane#jinx x reader#jinx x y/n#arcane#arcane season 2#arcane league of legends#am i adding too many tags#probably#no use of y/n#sfw#fluff#jinx fluff#powder x reader#i listened to wolf alice while writing this dhmu
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Hi I would like to delve deeper into the oasis lore and was wondering if you have any book recs ?
I read that the supersonic book (containing all the interviews from the doc) is quiet extensive, and obvi from the sources themselves, but maybe you have other Recs that you found interesting?
we were delighted to get this ask, bc yes yes YES we DO have loads of opinions on the oasis books! Be aware that most of these cover sort of the same time period (my spirit mourns for an in-depth book dealing with the mid-to-late aughts). Presumably every publishing house in the UK circa 1996 was offering book deals to randos if they heard the name "Oasis", but these are the best ones (there are, if you can believe it, many more):
The Supersonic interviews are a definite rec -- they're exhaustive, cover way more than the doc suggests, and feature a lot more voices too. The editing job is astounding. Definitely be aware while reading that the interviews were conducted in 2015; with Oasis especially, facts and feelings change depending on time, mood, the wind, whether one is hungover, etc
Brothers from childhood to Oasis by Paul Gallagher. If one never reads any other book on Oasis, they should read this. In fact, no one is permitted to have an opinion on Noel or Liam without having read it. Paul has his blindspots, as one would expect with any sibling, but he also ofc knows his brothers and what makes them tick in a way no one else on the planet does, so!
Oasis: what's the story? by Ian Robertson. This one is somewhat controversial; the author was a bodyguard/security coordinator for Oasis and people understandably have opinions on that. Imo he's a good enough writer that he has a very clear authorial voice and perspective, which makes any worry about being fed lies moot so long as one has a brain. I appreciate he also takes some artistic risks in this book. Also, regardless of his flaws as a man or employee lol, he has a keen, at times painfully empathetic read on Liam specifically. iirc he was the only person who wrote about Oasis in those early years who had a front row seat to Liam's voice/throat problems, which lends a somewhat Cassandraic air to the whole book.......
Getting high: the adventures of Oasis by Paolo Hewitt. Oh, Paolo. What can we say. You have to read this one because it covers so much ground, just be aware it's badly written and the author is quite biased towards Noel. (I say this as a Noelist myself)
Was There Then: A Photographic Journey by Jill Furmanovsky. This is a photography book (and a fucking beautiful one) but it also has a TON of text background. Critically, it offers a perspective on the band/brothers missing from all the rest in this list -- that is, the view and impressions of two women who worked closely with the band (Jill herself and Daniela Soave, a music journalist)
Oasis, definitely by Tim Abbot. This one had a lot of personality and abbot was a creation guy so he knew the band pretty well.
Take Me There: Oasis' Story by Paul Mathur. Mathur was a Melody Maker journalist who followed them around in the early years. He had a pretty fair take on them.
The Truth: my life as Oasis's drummer by Tony McCarroll. So, obviously Tony hates Noel, like. A lot. You have to approach this book like you're giving a hostile witness a cross examination lol but THAT SAID, he does cover stuff missing from other books like pre-deal Oasis.
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In the Land of Ninkasi: A History of Beer in Ancient Mesopotamia
"In the Land of Ninkasi" is a narrative that delves into the ancient beer-making practices of Mesopotamia. It offers a detailed, archaeology-based exploration of this historical craft. Intended for researchers, students, and casual readers alike, it balances academic depth with enjoyable storytelling, making it a compelling read for anyone interested in history, archaeology, or the origins of brewing.
In the Land of Ninkasi: A History of Beer in Ancient Mesopotamia by Tate Paulette offers a straightforward introduction to its subject matter. It provides a comprehensive insight into the ancient practice of Mesopotamian beer-making. Each chapter is structured around a specific question, thoroughly answered with the support of a wealth of archaeological and literary sources. The abundance of archaeological evidence and primary references renders an element of authenticity to the narrative. The author begins a chapter with a brief anecdote, making the content engaging and encouraging readers to move forward. Paulette’s vivid imagination is evident throughout, as he brings the ancient world of beer to life, making the book an enjoyable and immersive read from the outset.
The work transports readers into the world of ancient beer production, providing clear and detailed content that touches on every aspect of the process—from the ingredients used to the people who consumed it. It aims to explore the role of experimental archaeology in understanding beer production. It offers a broad overview of the brewing process in a civilization renowned for its many innovations. Additionally, the book opens new avenues for future research, providing ample material for further exploration. While it covers all facets of the topic, it remains grounded by acknowledging the challenges in drawing definitive conclusions about practices from 5,000 years ago.
The narrative’s approach is firmly rooted in archaeology, reflecting the author’s background as an archaeologist and expertise in history. Paulette is Associate Professor of History at North Carolina State University. While the ancient literary sources may invite skepticism due to their varying interpretations by various scholars, Paulette expertly corroborates different sources with archaeological evidence. This blend of literary and archaeological research offers a comprehensive understanding of the ancient beer-making process, providing a balanced perspective on how such knowledge has been uncovered.
While the book is a valuable resource for researchers, scholars, and students of history or archaeology due to its extensive research and references to both recent and ancient archaeological findings, it is equally suitable for casual readers. Its engaging style and thorough exploration of beer-making make it a perfect companion for anyone interested in the subject, perhaps even while enjoying a beer. The inclusion of a beer recipe toward the end—designed for both homebrewing enthusiasts and those interested in knowing the chemical composition—serves as a fitting conclusion to the reader’s journey, rounding out a fascinating exploration of ancient brewing techniques.
Because of these points, this book is highly recommended. The writing style is smooth and easy to follow, ensuring that readers find exactly what they are looking for. The imaginative narratives and storytelling are the most enjoyable aspects, as they brought the ancient world to life entertainingly and vividly. The book is successful in transporting the reader to a distant civilization, still thriving and sharing in the enjoyment of a drink cherished for millennia. It creates a connection across time, making ancient Mesopotamia feel unexpectedly present and alive.
Continue reading...
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I wanna take a second to analyze Darry and Johnny’s significance in GE because they’re so fascinating to me.
The theme of the song is obviously Pony having both great expectations for what his life could be AND going against people’s expectations of what mold they think he fits.
He picks Darry and Johnny to demonstrate the point (specifically the latter point), two people who exist on the completely opposite ends of the East Side spectrum.
Darry held the greaser equivalent of “golden child” in the sense that he had every advantage a greaser could have. Despite still living at/below the poverty line, he came from a home with two present, loving parents, was academically talented, athletically capable, and possessed a strong work ethic. He quite literally did everything right and by the book.
In comparison, Johnny is sitting on the lowest rung on the ladder. The complete opposite of Darry, with seemingly nothing going for him. His parents are physically abusive, he struggles in school, he’s one of the scrawniest in the gang, and is the target of extreme harassment and assault. Pony literally says that he has no chance in the world (but he could if he’d started from somewhere else).
Pony voiced previously before name dropping them that he worries about not being in control of his life. It’s because of what he saw happen to these two. It’s what they had no control over that determined exactly where they were to end up, a shared position: the bottom rung.
But ultimately, you’d have no idea the amount of sympathy and admiration that both garner from simply knowing their story if you don’t take the time to look under the cover. You’d lump them together as two poor greasers when they (and everyone else!!) are so much more than that.
#it’s also why pony makes it a point in his narration during tulsa 67 to give little tidbits of info about darry soda and johnny#so you aren’t looking at them a certain way#this feels super obvious in hindsight#oh also what binds them and all the greasers together no matter what is their support system#something that is easier to establish on the east side because everyone knows what everyone’s going through#and no one cares to judge#what a ramble#the outsiders#the outsiders musical#the outsiders broadway#the outsiders headcanons#the outsiders darry#darry curtis#johnny cade#the outsiders johnny#the outsiders ponyboy#ponyboy curtis
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(drunkenly singing along to Creep - Radiohead at 3AM)
I'M A TWINK
I'M A HIMBOOOOO
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oooh please someday tell us what you think of GOT
oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.
SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)
so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!
so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.
the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!
now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.
here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.
but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.
so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.
anyway, that's what I think went wrong with game of thrones.
#using the tags as a footnote system here but in order:#1. quentin MAY not be dead according to some theories but in the text he is a charred corpse#2. arianne is great and i love her but to be honest. my girl is kinda dumb. just 2 b real.#3. faegon is totally a blackfyre i think it's so obvious it may well be text at this point#it's almost r+l = j level man like it's kind of just reading comprehension at this point#4. relatedly there are some characters i think GRRM has endings picked out for and some i think he specifically does NOT#i think stannis melisandre jon and daenerys all will end up the same. jon and dany war crimes => murder/banishment arc is just classic GRRM#but i think jon's reasoning will be different and it'll be better-written.#im sorry but babygirl shireen IS getting flambeed. in response stannis will commit epic battle suicide killing all boltons i hope#brienne will live but in some tragic 'stay awhile horatio' capacity. likely she will try to die defending her liege and fail#faegon will die there's zero chance blackfyres win ever#now jaime/cersei I do NOT think he knows. my brothers in christ i don't think this motherfucker knows who the valonqar is!!#same with tyrion i think that the author in GRRM wants to do a nasty corruption arc + kill him off but the person in him loves him too much#sansa i have no goddamn idea what's going to happen. we just don't know enough about the northern conspiracy to tell#w/ arya i think he has... ideas. i don't think she's going to sail off to Explore i am almost certain that the show doing that was a cover#because the actual idea he gave them was unsavory or nonviable for some reason. bc like.#why would arya leave bran and jon and sansa? the family she's just spent her whole life fighting to come back to and avenge?#this is suspicious this does not feel like arya this does not feel right#bran will not be king or if he is it'll be in a VERY different way not the dumbfuck 'let's vote' bullshit#i personally think bran is going to go full corruption arc and become possessed by the 3 eyed raven. but that could be a pipe dream#the thing is he's way too OP in the show so the books have to nerf him and i think GRRM is still trying to work out#a way to actually do that.#i don't think he told them what happened with littlefinger or sansa. i think sansa's story is vaguely similar#(stark restoration through the female line etc)#but the queen in the north shit is way too contrived frankly. and selfishly i hope she gets something different#being a monarch in ASOIAF is not a happy ending. we know this from the moment we meet robert baratheon in AGOT#and we learn exactly what GRRM thinks of the people who 'win' these endless wars of succession#and they are not heroes#they are not celebrated#and they are neither safe nor happy
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Severus Snape is so me, I too would have written Property of the Half-Blood Prince on my schoolbooks unironically.
#this is true by the way i actually did to something similar#it wasnt Half Blood Prince it was another nickname/alias i came up for myself#whichever name i was using for my self insert at the time#and it's been a thing my whole life#i got really into httyd when i was 12/13#specifically the books#and... well.#one of my old notebooks (if not more)#notebooks i used for CLASS may i remind you#its cover is full of unironic references phrases ect from it#i might have even written property of (insert nickname here) on the front page#like calling myself Half-Blood Prince would have been exactly something i would have done#severus snape#harry potter
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My biggest complaint about red white and blue is the cover ToT
(Don't take me too seriously dhdhf)
#red white and royal blue#lb#by this i mean: the novel? AMAZING. excellent superb. i am enjoying it phenomenally#the cover however reminds me more of the 200 page or less romance comedies that are very lighthearted with very little#depth of stress. which is fine. thats also a good kind of book.#but rwrb has like... alex being the biggest bitch in it. a workaholic out of touch emotionally (but very Emotionally acting) man#prince henry and the Actual Horrificly Fucked reality of life in the spotlight. political Weight and stress of calling out poljticial issues#By Name and risking alienating the reader audience by REQUIRING them to learn to sympathize with alex who may be unlike them#and who Feels unlike those in power and who Feels half his heritage hes being estranged from with his moms situation#and then Also asking you the reader to empathize with henry in a way you have provably never had to do in real life with Anyone like him#because in real life we simply never meet someone in henrys situation#its not the polish of prince charming. its the heartwrenching pain and fear and tragedy of Being#The Symbolic Prince Charming. it is a much HEAVIER novel than its cover implies#and i like the cover and think the Pop Bright Cover made romcom readers give it a chance and likely#expanded the readership and got readers to try a novel the would not otherwise have given a chance. so marketing wise its Excellent.#but i feel like... the core Reader who would go out specifically looking for a novel Like rwrb would#see this cover and assumr the story isnt as heavy as they were looking for.#likewise i saw caseys other book cover and i hate it lol ToT i would actively avoid reading it#but becausr its Casey writing? i bet it IS as heavy and complex emotionally and Specific as i want a novel to be#its just the cover of bright pop orange and pink was not designed for Me. it was designed to appeal to a broad audience
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Kamala Harris just announced that her vice president will be Minnesota governor Tim Walz. Based on the coverage so far I'm really reassured by this decision.
The Washington Post did an obviously great job of making a prepared article for each option, considering how long an article they had up 7 minutes after the announcement.
((Okay technically it's not an official announcement yet it's "according to three people familiar with the pick, who spoke on the condition of anonymity to discuss a decision that is not yet public." But listen. I am 99% sure this is a weather balloon. (Meaning: a deliberate leak to gauge reaction.) Because the sheer weakness or incompetence on the part of the Harris campaign that it would take for three people to all confirm that within a few hours hours of each other and the planned announcement it is massive.))
-via The Washington Post, August 6, 2024
Honestly this decision, from everything I've read and can tell, looks like it's brilliant politics.
Important Context: The vice president(ial candidates)'s job in an election is not to be similar to the president. The vice president's job on the ballot is very, very much specifically to be different from the president. Why? So they can cover each others' weaknesses. Especially regionally.
(Sidenote: I feel a bit ridiculous saying this. But genuinely if you want to get a stronger understanding of how US elections really work. Go watch seasons 6 and 7 of The West Wing. Genuinely, a lot of politicians have said - especially back in its day - that that was the most accurate depiction of an election they'd ever seen. Also specifically features an entire arc about a contested Democratic primary convention, so also very good if you're interested in understanding weird nominating convention shenanigans.)
From the article:
"Harris’s choice for a running mate was among the most closely watched decisions of her fledgling campaign, as she sought to bolster the ticket’s prospects for victory in November and rapidly find someone who could be a governing partner. In picking Walz, she has selected a seasoned politician with executive governing experience and signaled the importance of Midwestern battleground states such as Wisconsin and Michigan.
Walz’s foray into politics came later in life: He spent more than two decades as a public school teacher and football coach, and as a member of the Army National Guard, before running for Congress in his 40s. In 2006, he defeated a Republican to win Minnesota’s 1st Congressional District--a rural, conservative area--and won reelection five times before leaving Congress to run for governor.
Walz was first elected governor in 2018 and handily won reelection in 2022. Though little-known outside his state, Walz emerged publicly as one of the earliest names mentioned as a possible running mate for Harris, and in the ensuing days he made the rounds on television as an outspoken surrogate for the vice president...
“These are weird people on the other side. They want to take books away, they want to be in your exam room. … They are bad on foreign policy, they are bad on the environment, they certainly have no health care plan, and they keep talking about the middle-class,” Walz told MSNBC in July. “As I said, a robber baron real estate guy and a venture capitalist trying to tell us they understand who we are? They don’t know who we are.”
Walz also has faced criticism from Republicans that his policies as governor were too liberal, including legalizing recreational marijuana for adults, protecting abortion rights, expanding LGBTQ protections, implementing tuition-free college for low-income Minnesotans and providing free breakfast and lunch for schoolchildren in the state.
But many of those initiatives are broadly popular. Walz also signed an executive order removing the college-degree requirement for 75 percent of Minnesota’s state jobs, a move that garnered bipartisan support and that several other states have also adopted.
“What a monster. Kids are eating and having full bellies, so they can go learn, and women are making their own health-care decisions,” Walz said sarcastically in a July 28 interview with CNN when questioned whether such policies would be fodder for conservative attacks, later adding: “If that’s where they want to label me, I’m more than happy to take the [liberal] label.”
Walz also spoke at a kickoff event in St. Paul for a Democratic canvassing effort, casting Trump as a “bully.”
“Don’t lift these guys up like they’re some kind of heroes. Everybody in this room knows--I know it as a teacher--a bully has no self-confidence. A bully has no strength. They have nothing,” Walz said at the event, sporting a camouflage hunting hat and T-shirt.
Walz has explained that he felt some Democrats’ practice of calling Trump an existential threat to democracy was giving him too much credit, which prompted his decision to denounce the GOP nominee instead as being “weird.”
“I do believe all those things are a real possibility, but it gives him way too much power," Walz said on CNN’s “State of the Union” regarding the Democrats’ rhetoric. “Listen to the guy. He’s talking about Hannibal Lecter, shocking sharks, and just whatever crazy thing pops into his mind.”
If Walz is elected vice president, under state law, Minnesota Lt. Gov. Peggy Flanagan (D) would assume the governorship for the rest of his term. Minnesota Senate president Bobby Joe Champion, a Democrat, would become lieutenant governor."
-via The Washington Post, August 6, 2024
--
This guy. Sounds like. fucking Moderate swing-state/rural/Midwestern/southern/"heartland"/working class white voter catnip. He sounds like he's also a very smart politician and strong campaigner. And he's apparently genuinely a good guy with a good record, too.
He sounds like he's going to do a really good job of appealing to voters in several of the big deal swing states without being from any of them specifically. Which means it doesn't feel like pandering to one of the states involved (and thereby spurning the others), which is also great.
(Also he was the one who started "weird" @ conservatives and I think we should take that seriously as a very good political instinct/move. Judging in large part by how it has so clearly hit an actual nerve with conservatives like so little else. Also hugely relevant: that post going around about how part of why conservatives are so upset about "weird" is because in the Midwest, "weird" specifically also implies anti-social or harmful behavior.)
Officially feeling more optimistic about Trump not winning in November
#tim walz#minnesota#united states#us politics#kamala harris#harris 2024#2024 elections#election 2024#us elections#american politics#2024 presidential election#vice president#2024 election#kamala 2024#shoutout here to the post that
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✎ᝰ. OCT 1ST ★ BONDAGE - satoru gojo .ᐟ
[CHAPTER ONE RAPUNZEL] satoru gojo as flynn rider + bondage. once upon a time, a girl trapped in a tower with nothing but her extremely lavish, long hair as company decides…fuck it and sleeps with a handsome stranger to get what she wants ( 9.1K ).
✧ chapter contents - minors, blank and ageless blogs do not interact ! nsfw, heavy smut, rapunzel!au, strangers to lovers, role reversal & switching, orgasm control, sensory deprivation, edging, thigh riding, spit kink, outer-course, begging, handjobs (m!recieving), reader's hair has blonde streaks but colour remains ambigous, rapunzel + fem!reader, flynn rider!satoru gojo.
✧ fairy godmother's note - yippieee!! kickstarting spooky season with this hefty boy. we have our glorious blue eyed king welcoming you all to our fourth annual tteokdoroki kinktober - i hope you all like what's planned this year and enjoy this piece to start with !! kissies hehe <3 - m.list ⋆ kinktober m.list ⋆ taglist ☆
“you’re going to take me to see the floating lights. or else.”
“or else, what, honey?”
ever since satoru gojo climbed the wooden lattice sewn to your tower by blooming, overgrown weeds and winding vines effectively invading the safest space in the world ( according to mother ), he’s been a pain in your fucking ass. when he’d first arrived, a towering and unfamiliar figure creeping about the main floor — your heart had dropped to the base of your stomach, pulsing rapidly with fear while he scoped the scene. you’d never come across a man before, mother had made sure of that, warning you of their cruelty and ugliness both inside and out. except satoru looked nothing like the descriptions your mother had left you with, you’d say that the man was stunning. not that you had much to compare him to.
his hair was a crisp white, appearing soft to the touch much like the snowfall that came in the winter months (something about playing in it. contrastingly, his eyes were a beautiful shade of baby blue — eerily similar to that of a summer sky free of cloudiness. he was too good looking to be human, for it to be natural, almost as if satoru had strolled straight out of one of the many fairytale books mother purchased for you from the markets. although, over the years you’ve probably read each book cover to cover a million times and not one fictional prince could even match this stranger’s sheer beauty.
though for now, this handsome stranger’s looks would get him nowhere with you. strangers always came with dangers, and since all you’d known throughout your years of living were these four walls, you weren’t going to take any chances with satoru and whatever problems he’d have brought with him. initially and out of an unfamiliar fear, you’d taken the nearest weapon to you (a frying pan) and cracked it right over his skull — watching the hunk of a human collapse to his knees and eventually black right out. if mother were around, she would have been proud. you’d tried not to feel any guilt trying to stuff his limp, lengthy limbs in your closet or under your bed because… well, what business does this stranger have with you? what the fuck is a man doing here? how did he get here? why is he here?
your whole life you’ve been convinced that the outside word was treacherous and that you had to stay inside, where it was safe, because people were horrible and selfish — intent on hunting you down for the powers that lay intertwined in the coils of your hair. those specific streaks that glow a valuable gold between the usual colour of your locks whenever you sang. mother would style them the way you liked every night — so long as you sung for her. you weren’t about to let mother down, nor risk the little life you built here together.
but, as it turns out, satoru wasn’t looking for the magic sprouting from your crown and entangled in your hair. it almost seemed like he had no idea about them either. rather, the moonlit haired man was looking for a place to lay low and hide after being chased through the forest for his satchel that seemingly carries something valuable. a crown… jewels that have a weight familiar to your head and sparkle like something you’ve seen before in a distant memory.
“come to think of it, honey, where is my satchel?” cocking his head to the side, sky blue eyes peer up at you with a charm that sends a foreign swarm of butterflies ripping through your stomach.
you frown, accusingly pointing your weapon of choice at gojo’s head and puffing out your chest to appear as intimidating as possible while giving him your name. “i’ve hidden it in a secure location—“
“it’s in that pot…isn’t it?”
as best as he can in the handcuffs he can call locks of your hair, the tower’s newfound infiltrator gestures towards a colourful pot in the corner of tne room. what? all you could think of in the moment is restraining him against the chair and why waste perfectly good rope when you’ve got such length to your own hair? the pot was the closest spot too.you knock him out swiftly after his guess, not giving gojo the satisfaction of finding his precious purse.
now, with the satchel hidden once more, satoru gojo semi-concussed and conscious once again — you realise that for the first time in your life, you have some kind of leverage to bargain with. you need someone to take you to see the floating lights that illuminate the sky on your birthday, every year. satoru needs his… crown? that so obviously doesn’t belong to him. of course, he would have stolen it, mother always said men were no good and always take what isn’t theirs (oh the irony). nonetheless, it was the perfect match of desires.
this way, you could prove to mother that you weren’t weak like she said you were. that you could cope by yourself and go explore the outside world. it wouldn’t be how it usually is with mother — where you ask for something and instantly get denied because she believes you to be too naive to function in a world outside of her. not this time. this time you have a bargaining chip. a satchel containing a valuable so rare that satoru was willing to risk his life for.
your captive wriggles against the restraints of your hair, woven around the chair like tough knots of a rope to keep him at bay. while the silver haired fox may not have canines like your mother suggested, you have no idea how powerful he could be. contrastingly, gojo finds your hair to be soft against his skin, ticklish along the veins of his arms despite how secure it has him strapped down. he’s forced to listen and to follow your every move across the floor plan, guided by the strength of your hair tugging him about.
“i have a proposition for you. come, look.” drawing back a curtain to reveal a painting from earlier — you recite your plan to your intruder. tomorrow evening, he will take you to see the floating lights … ahem…lanterns that drift across the sky on your birthday every year and then, return you safely to the tower before mother returns. it’s an easy deal. “i won’t give your satchel back until then,” you stutter out fiercely, adjusting your height and the grip you have on the cool metal frying pan. “you won’t get it back until you’ve taken me to see the lights.”
“oh whatever, i can just take it back, honey,” satoru goads, cockily ripping his head back in patronising laughter. even though the melodious sound makes irritation bubble hot underneath your skin, you can’t help the way your eyes are immediately drawn to the man’s Adam’s apple as it bobs delectably along with his chuckles. “as soon as i get out of this…hair? hair.” pale blue eyes flicker up to your face when gojo fixes himself in the seat he’s fixed to. they bore deeply into your soul, reading you with as much ease as you have flicking through the same three books that you own. you feel the weight of your hair shift around satoru’s shoulders as he gestures down to it nearly wrapped around his bulging forearms (not that you’d been paying attention). “this is kinda freaky, hon. don’cha think?” a slow sexy smirk tugs at the corners of gojo’s plush, glossy lips, or rather, he smoulders attempting to woo you into giving him what he wants. “you don’t seem like the freaky type, sweetheart.”
once more, a frustrated flame flares up in the middle of your chest — you’d feel offended for sure if you know what gojo meant. “freaky?”
“as in like… dubious?” he grins in response, running the pink tip of his tongue over his straight, perfectly white teeth. “this is basically bondage, yanno?”
you blink once. confused.
“improper?”
nothing, not one of these synonyms or explanations from the smiling idiot makes any more sense to you — bringing you to tilt your head to the side, innocently like a puppy that makes satoru laugh once more. this time it actually does something to you. sends weird butterflies fluttering in your tummy.
with a shake of snow white locks and an inhale that sounds amused as it goes, your hostage clicks his tongue — letting those cooling blue eyes slink up and down your virtuous frame . the swell of his lower lip trapped between pretty perfect teeth. “as in sexy, sweet thing.” satoru’s sickly sweet and powdered sugar coo slips through one ear and out of the other like hot, viscous molasses, you immediately shudder — flustered down to the meat on your bones, curling in on yourself as your faux intimidation tactics melt from your body and slip between the floorboards beneath your bare feet. “gosh! you’re so innocent,” his gaze rips away from you, and you fight back an unexpected whimper, missing the intruder’s gaze on you. “guess that’s what being trapped in a place like this does to a darlin’ thing like you. you wouldn’t last a day out there.”
he’s patronising you. speaking to you as though you’re no more than a child. however, being talked over and down on is all you’ve ever known, especially from your mother… but the way he acts reminds you of all of the advice she’s bestowed upon you over the years. mother tells you all the time, how naive and silly you are. how people will try and take advantage of your looks and your kindness. and so you decide to use your mother’s advice — if all humans, act like dogs, you��ll throw one a bone and wait for them to come back for more.
steeling yourself, you use a loop of your hair to drag gojo’s chair toward you — positioning him like a puppet beneath your cold, hard stare. he man spreads on the chair as best as he can in his restraints, leaning back while his seat tilts backwards on a forty-five degree angle — drawing your eyes from his face to his thick thighs momentarily. “you are going to take me to see the lights. it’s a promise, not a threat,” you whisper into the air that buzzes with tension between you both, leaning down and pinning gojo in place. you’re so close, so little proximity between your faces, that you can practically feel his warm breath lingering on the damp skin of your lips. “and i promise, i’ll make this worth your while.”
your voice lowers an octave, smooth and buttery and just right. like a snare for a wild white rabbit or bait on a hook — it peaks satoru’s interest, illicit thoughts and desires flashing behind his pupils like lightbulb ideas. “oh, honey. i can make you see stars alright,” he looks up at you then, with an expression of heat and thirst, dragging you into a pool of shining blue eyes that you barely manage to free yourself from. drowning in his attention once more. you stand over him proudly, between his legs smugly and all he wants to do is wipe the winning smile from your face and show you a real good time.
if he could, gojo would reach up and grab at your hips possessively, if he could he’d cup your neck and let his fingers toy with your baby hairs to pull you into a sloppy kiss. he can’t help the way white hot desire spreads through his system like throwing gasoline on an open fire and pile of wood. he grins mischievously, and in response, a brand new sensation stirs within your lower tummy — blistering hot as it zips between your chest and your core.
you sense the change in the atmosphere and gojo does too. both of you dying to scratch the itch on the part of your brain that is the control centre for lust. but you remind yourself what this is truly about, tell yourself not to get lost in the haze of it all, and will yourself to throw a loop of your hair over daring blue eyes like a blindfold — acting fast to secure a seat in an unsuspecting satoru gojo’s vacant lap.
he grunts in surprise, flinches when he realises one out of five of his senses are down. “what the fuck—?” gojo spits, cocky smirk melting away.
“shhh,” you taunt the man under your breath, leaning forward so that your voice coasts over the shell of his ear like a summery breeze. it invokes a sense of pride within your chest when your hostage tilts his head to follow your voice — his own breathing erratic and increasingly shallow with how he begins to struggle against your restraint on him. “you won’t get a chance to make me see those lights. not if i get you to see them first.”
in truth, you've got nothing planned. you’ve never been in the same room as a man, let alone pleasure them the way that you’ve read in books you’d borrowed from your mother.
the reality of the scene before you is daunting, giving up part of your virtue just to prove a point and get to see the floating lights like you’ve always wanted…but at the same time — it’s your one chance at freedom that’s at stake here. “you don’t sound so sure about that, sweetheart,” satoru taunts you with the peaks in his voice coltishly high. he continues to wrestle against the restraints of your hair — he’s strong and with a little more force he could escape but it’s like he senses your hesitancy.
like he knows for certain you won’t make good on your promise. just like mother.
that much is evident in the way his smooth, glossy lips tick upwards into an arrogant smirk.
your determination to prove him wrong grows more and more by the second, so before you succumb to your nerves again, you let your free hand claw with way over gojo’s right shoulder — steadying him, forcing him to sit still as you make a comfortable seat out of his widespread lap. he tenses at first, unable to see you move, but his grin remains, you have no idea if it’s because he’s proud of you or doubting you — but the expression only serves to piss you off even more.
“what’s next, sweetheart?”
a strangled growl is your only reply, the most menacing sound you can muster as you lift head upwards and his pool of loose silver-moon locks fall out of place. with a shuddering breath and a hold of gojo’s restraints, you press your lips to his in a shaky kiss — still unsure of where your lips go and what to do with your teeth and how to move your tongue. the captive beneath you knows it and takes advantage of your weakness, nipping at the swell of your lower lip gently — hardly enough to draw blood. satoru is testing you, telling you to be brave and take from him. prove to him that you’re willing to do whatever you want for him to make your silly childhood dream come true.
he allows you to fight back, despite this being your idea, lets you forcefully grab his angular jaw and capture him in a proper spit-swapping kiss. if he really wanted to, he’d find a way to escape from the tight bounds of your lengthy hair. but he doesn’t. gojo lets you swallow him down; push your tongue exploratively into his mouth and lap at his foreign flavour. he wants your tongue to take dominance from his, pink appendages sloppily rolling over one another, slipping and sliding as you take and take from satoru.
the kiss, already uncoordinated from your lack of experience, becomes hurried and hungry and wet the more you steal from satoru. you take and take and take until his glass his half full and his brain slowly becomes devoid of all logical thought. he comes the prey to your predatory mouth, missing the way your hand frees his pale cheek and fingers fluidly traverse down his broad shoulders, over his marble sculpted body to find purchase in the belt loops of his bothersome pants. now curious, you feel your way down the front of the fabric and grin into the hot and heavy kiss when satoru’s lets out a breathy, staggered moan into your open mouth.
his swelling erection twitches in response to your inquisitive hand, slender hips involuntarily jumping upwards.
“fuuuck,” satoru chuckles airily, words featherlight as they breeze along your lips. his head keens upwards too, chasing the weight of your hot sticky tongue in his mouth — desperate to be closer, craving the feeling of your nose knocking against his and your breath on his cheek from just how pressed up against each other you are. “fuck baby that’s it. kiss me more, touch me harder…” he’s addicted before he even knows what you have to offer, what he’s getting himself into. if you could see his eyes from under his binding, you’d bare witness to pleading blue pools swirling with a painful desire as he twitches beneath you, wriggling his wrists to get free. “c’mon, touch me.” he adds between sloppy pecks.
backing your face out of satoru’s reach, you break the drooly lip lock — letting your lungs fill with oxygen it had once missed, while your heaving chest syncs up with the intruder you have strapped to a chair. you pull away, connected to the man by not just your hair, but a string of saliva glazed across your lips — cautiously, your tongue dart out to break the the between your eager mouths, two sets of uneven panting filling the quiet air.
the two of you remain unmoving and unwilling to back down while you catch your breath; but your hand remains in the centre of gojo’s lap — rocking it back and forth, back and forth over his growing bulge. you stare at him, observing the reactions that he tries so hard to control. little twitches to his pink swollen lips and the flare of his nostrils whenever your palm makes contact with a sensitive spot. all this waiting is agony, the white haired captive might die if he doesn’t get more from you soon.
satoru whines impatiently as a result, knowing full well what you want and you won’t ask him again — not when you’re tauntingly squeezing his cock for a second, third, fourth, fifth time. he doesn’t fucking know — overwhelmed by waves of lust-infested blood rushes to its blistering hot tip. “fuck! okay, okay fine. i’ll take you! just—“ the chair rattles from the force of gojo’s struggle against your restraints, which hardly covers the low moan that escapes from between his plush glossy lips while his length pulses against the inside of his pants. “just fuck me. touch me. anything.”
something about his tone being all desperate and high activates a part of you that you never even knew existed. a part of you that knows what to do next… even if you haven’t acted it out, you’ve enough books to remember what the erotic ones say.
only then, after he pleads, do you use your shaky hands to tug down the garment — pulling them towards his knees as best as you can against your hair until the button pops free. the zipper follows easily and the waistband falls away from starlight skin and slender hips. everything gets hotter; any fresh air between your bodies becoming tinged with the need for sex as the scorching ghost of your fingertips leaves burn marks against satoru’s pelvis, and sends heatwaves of ardour from the base of his spine to the top of his skull.
satoru’s squirming pauses while he waits with uneven breathing for your next move — tongue pressing up against the barricade of his white teeth to prevent himself from taunting you further or perhaps to stop himself from belting out another pathetic set of whimpers. he wishes he could see you, those sweet innocent eyes looking down at him as you peel back the last layer of fabric stopping you from accessing his painfully hard erection. his underwear.
when you gasp in shock, pride weaves itself between the bones that protect his heart and lungs like an uninvited weed, he knows that he’s decent. longer than he is thick, bright red at his mushroomed tip and leaky from just how turned on he is. there’s a trail of silver moon hair that leads you down a path from his belly button to the thickest part of his dick too. but oh, how satoru gojo wishes he could see.. the way you lick your lips as drool drowns your tongue, mouth watering at the sight of his length slapping against his clothed stomach while he manspreads for you. the way your pupils dilate, the colour in your eyes swallowed by a dark veil of carnality.
this is a hunger you’ve never experienced before, a type of starvation that makes your hand lurch forward before your brain can control it, gripping satoru at the base of his milky, slender shaft. it’s the first time you’ve ever seen a cock; let alone held one between your tiny fingers — it’s much warmer than you anticipated, tacky to the touch from dribbles of precum running down from his untouched tip, but you like it. the weight, the wet sound it makes when you slightly flick your wrist around satoru. not to mention the stuttered groan he lets out, his head falling against the support of the chair and yanking slightly on the blindfold made of hair that covers his eyes.
if you weren’t sitting in his lap, you’d want him in your drooling mouth. you’d sink down to your knees like the girls in your naughty books and take him down your virgin throat, just so you could look up at satoru and watch the sweat bead down his jawline and run a track over his bobbing adam’s apple. but you’re not and you’ve got a point to prove, so you loop your hair around your other wrist to tighten his restraints and extend a thumb upward from his base to his seedy tip, jamming the pad of it through the slit where he pre forms in thick, creamy pearls. as white as those that come from an oyster.
“that’s it gorgeous, just like that…” satoru leers up at you huskily, voice tinged with neediness that he fails to mask. he seems to like the way you touch him and you’re sure to use a delicate hand when you smooth the supple pad of your thumb over the pad of his sensitive tip, rubbing his opaque precum into it sweetly. “touch me s’more? you can do it… i know you’re shy, can hear your breathing ‘n how heavy it is. shit, you’re new at this.” saliva slows down satoru’s salacious words as he rambles to you with swollen lips and rosy cheeks, angling his head in whatever direction your breath seems to be coming from.
he’s in tatters, destroyed by a few simple touches with his hard on smearing white across the front of his clothes. you roll your palm over his mushroomed cockhead next to test the waters and take pleasure in admiring the way he trembles, grasping at the arms of the chair you have him strapped to in order to ground himself. it’s torture for satoru to be this patient, killing him slowly from the inside out like a virus spreading across his brain and other vital organs — but it doesn’t mean you’re in any better state. practically dripping in his lap with your panties dampening more and more every time satoru so much as whimpers. past the point of being turned on by the sight of a strong, powerful man weak and blindfolded underneath you.
satoru bucks upward at your command, sucking in a breath as his sensitive, seedy slit bumps your palm once more. “s-shit… please.”
the improper ness of the entire situation sends a zap of electricity to your swelling clit. you’ve only ever imagined being with someone like this as you have seeing the floating lights — touching yourself beneath your skirts and under your painted ceilings whenever you were brave enough. now you’re here, spread over the thick thighs of a possible thief who begs you to jerk him off. “s-shut up,” you hiss as embarrassment and inexperience begins to shine through the deal you’ve struck with gojo, the fact that he can tell as much and still wants this has you soaked all the way through and aching for friction as well.
you’ve never been in possession of so much power in your life. mother never let you have it. but right now, you can taste it sparking between you and gojo, smell it in the air teeming mixed with a cocktail of your arousals. in the moment you realise that the silver haired man would cling onto every one of your sugar-coated words (no matter how nervous) if it meant he got the fuck he wanted in the end. and you would get to see your lights too.
“just… tell me what to do,” you say without realising how husky your own voice has gotten. “i promised you your crown, to make you feel good if you took me to see the lights. and i never go back on a promise. s-so tell me.” talking yourself into it and building up some more confidence, you circle over satoru’s bulbous cockhead again — gaze laser focused on the burning bright red colour as it oozes. you know that he likes it and it makes his head spin so much that he starts to fight against the restraint of your hair again. “i won’t let you go, not until this is over. so tell me what i can do to make you cum.”
despite not being able to see his entire face, gojo’s smug smile says it all — his perfect teeth cheerily on display, contrasting with the flustered pink tint to his cheeks. “cup it, make a fist around my cock so you can jerk me off’a little bit,” a haughty moan scratches at the walls of your captive’s throat when you follow his guidance and finally grip him fully, soft and supple hands easily dwarfed by the size of him. satoru’s shaft may be a little thinner, but he’s thick enough to fill your own throat and cause a stretch to your quivering hole with his balls being round, plump and full of white hot seed saved up just for you. “christ, squeeze my base a lil’ before you get movin’,” at first contact, satoru’s thighs tremble deliciously against your mound, blood rushing to your clit and through the forked veins that spiral down his length.
your senses are overwhelmed, he smells so good — of peppermint and a musky twang of sex act like dangerous smelling salts or fumes. you could get addicted if you weren’t careful. you’re super aware of each ridge and firm vein that decorates him and as you start to palm satoru steadily, you notice just how sticky your hand is — movements guided by the wet cream of his cock. slipping and sliding as your closed fist moves up and down, up and down, occasionally squeezing the base of him just like he asked. your knuckles brushing the soft bush of pubic hair at his pelvis. you can only imagine how everything feels for him, not being able to see at all.
the thought just barely crosses your mind — too focused on speeding up your soiled hand around gojo just to hear more of his angelic gripes and groans that rise and fall from his heaving chest. how good all of this must feel for the man without being able to see. every touch must make him tick and drip and throb achingly. he must feel weak too, completely vulnerable to anything you might do to him while blindfolded and unable to touch you because of bonds formed by your hair.
once you set a steady rhythm to your closed fist to jerk him off with, gojo takes a breather to announce his next command — head shaking side to side with moonlight locks sticking to his forehead in an attempt to alleviate the inferno of desire spreading through of his limbs. “now spit on it,” he states bluntly, an obvious dip to the octave in his voice. you can’t possibly imagine why he’d need spit; your hand is already glossed with a shiny layer of precum, tainting your knuckles from the viscosity.
you swallow thickly, but don’t dare stop pleasuring your captive stranger. “w-what?”
“are you kidding me just—“ leaning forward as best as he can while held back by the strong locks of your hair, like rope around his wrists. dopamine crackles over your brain like fireworks in an enclosed space at the scene that unfolds next, satoru pursing his lips to spit onto his own milky dick — letting the frothy mix from mouth join the mess that lubes the both of you up where connected. “just spit on it, honey. thought you wanted me to feel it.”
licking your lips, you rub down satoru’s girth far enough to drag the glob of spit down to his tender weighty balls, that pulse at your gentle touch. the feeling makes satoru’s entire body jolt like an electric shock — a gargled groan clambering out from the depths of his panting chest as his jaw goes slack and mouth falls open. “please. please spit on it, honey. god please.. need you to wet my cock. i need it so bad, promise i’ll be fucking good.” blind but with his remaining senses in tact, gojo remains largely vulnerable to your touch, his entire world tilting on one axis when you grip his dick a little harder at his request. causing a ring of white to gather where the circle of your wrist envelopes him.
at his begging. which you swear makes you gush like a small, erotic stream — your juices sloshing about in the gusset of your panties while your sex goes unattended.
so you nod obediently, tilting your head forward and parting your swollen lips to let a thick, syrupy string of your own spit ooze onto his plump and sore balls, stroking him rapidly to spread it over his creamy tip as well. your spit is contrastingly cool in comparison to the natural lubricant smeared all over your captive’s palpitating dick — causing it to grow impossibly harder. it slickens up your hand, evidence of the silver haired man’s arousal seeping through the fabric of his crumpled shirt and coils of your restrictive hair. neither of you can bring yourselves to care in the moment — all you can think to do is relish in gojo’s size.
he’s so big, you’d be lying if you said you hadn’t wondered how satoru fit entirely inside your tight hole, stretching you out in the new future — earning yourself a fresh wave of liquid lava hot essence to your ruined panties. you dare to dream onwards, picturing the azure eyed stranger fucking you against the walls of the tower in every way the man knew possible… you have no idea what he’s capable of when untied. but the sight of him lazily thrusting into your filthied fist like it’s instinct, following it like a moth to a candle flame, is enough dream fuel to last you a lifetime. even after the deal is complete and the lights are just a distant memory.
eventually, you decide to pull off of satoru to give your wrist a break — walking your fingers up the broad expanse of his built chest to tweak his nipples between your tingling bodies. his entire frame is wracked with a case of shivers, mouth parting in a high-pitched, whiny whimper with strings of saliva connecting its roof to his tongue. you’re so pathetically turned on, drool pooling on your tongue like a hot flash flood.
it’s why you tighten your grip on your hair and thus his restraints, resulting in satoru staggering forward. closer, panting like a damn dog in rut. drawing your free hand up towards your lips and away from his pecs, the proximity between you becomes so little that satoru can practically smell the musky evidence of sex that you lick from your hand. “oh… you taste so good,” you lament in a dulcet tone, failing to miss the way gojo’s dangerous azure eyes dart about beneath his makeshift blindfold, probably dying to see you get a taste of him.
“d-don’t say that, you’ll make me fuckin’ cum, honey.” he gulps, involuntarily pumping his hips into the air, chasing your hand which he needs so desperately to feel good. “please don’t stop.” while begging you — satoru is the perfect picture of a ruined man, though you’re sure he would say the same about you if you hadn’t strapped your hair over his line of vision. his milky skin glistens as though it’s the very source of light for the silvery moon — illuminated by droplets of sweat from the exertion off fucking your fist like a squelching, welcoming pussy. his cheeks glow warmly with a dusty shade of pink and there’s a red ring forming around his lips from where he’s bitten them to control his wails of ecstasy.
succumbing to the obscenity of it all, you reach forward and lick a stripe into his hellfire hot mouth. effectively sharing the saltine flavour of gojo’s own precum with him while he languidly sucks all the tang from your pink appendage. his angel white lashes flutter shut at the heaviness of your tongue against his own. the kiss is messy and mismatched, saliva seeps from the corners of your mouth and drags a sticky train down your chin. parting briefly, you spit it into the middle of your palm — happily taking satoru’s cock back into your talented hold and providing a solace to soothe its passionate ache.
“ngh… i can feel you. f-fuck. feel you tryin’ not to grind against me, sweetheart.” somehow, gojo finds pockets of air to taunt you in — his voice an arousing mix of a raspy whine and cocky tone. “so wet, i can smell you too. so sweet. dripping all over your panties while you jerk me off. do you need that needy pussy taken care of?”
everything he’s said is true, while the man with the sweaty silver locks fought to escape the prison of your hair — desperate to see how you pleased him, you fought the growing pit in your stomach. the urge to use satoru for release. you’d never hit your peak with another person before, only your smaller-than-his fingers whenever mother left for more than a day or two.
you admit to nothing, continuing to stroke satoru to his own high — his panted moans accompanied by the sound of skin slapping skin from your hand fisting him to the high heavens. “please baby, i wanna help get you off. feel that wet little cunt. let me go, i’ll be so good to you if you let me touch your sweet c—“
“n-no! we had a deal. my rules.” you stutter, denying yourself. denying him.
“c’mon sweetheart,” a strained and petulant whine echoes throughout the tower — satoru thrusting shallowly through your closed hand in order to match his rhythm to the flick of your wrist. “please, god, baby. if you won’t let me touch you, or at least see you, then can you put that pretty pussy on my thigh? ride it real good? wanna know how you sound when you’re being pleasured…when you give into it all. please honey, give me somethin’ to work with. anythin’…”
gojo presses, like a disciple begging their god for mercy. begging you for mercy. there’s never been this much power in your reach, the ability to control a man who could easily over power you with your sex makes your mind feel egotistically weighty. your resolve crumbles just a tad, satoru’s neediness chipping away at its foundation until your hips instinctively position themselves perfectly over the swell of his right thigh. how bad could it be? giving him an inch when you’ve taken a mile from him. mother says you’ve never been good at lying and right now, you can no longer pretend like your hips aren’t dying to slide back and forth over your capture like a desperate whore.
like you don’t want to use him for more than just the floating lights, but to soothe the fire lit in your lower stomach — trailblazing down to your throbbing clit.
something clicks in your mind, all of your inhibitions are dashed from the tower as you briefly release satoru’s pathetically wet cock and restraints to pull up the skirts of your silk purple dress, exposing a slither of supple fat at your thighs. hurried movements deliver the same treatment to satoru’s pants. “this… this doesn’t change anything. doesn’t mean i’m letting you go just yet. it won’t affect our deal.” you warn the intruder but all sense of venom and authority is lost, evaporating into the temperate air and ending up as a piteous, meek mewl when your exposed mound makes first contact with man’s naked thigh.
if the sound of ruffling fabric hadn’t caught your hostage’s attention; the heat of your sopping sex against his moonlit skin definitely did. “fuck…that’s it. there we go, honey. put it on me,” a tinge of amusement lays evident in his gravelly voice, sets of slender digits peeking out of their hairy restraints to map out your doughy thighs and crawl their way up to the source of your essence. “i just knew you were wet for me, can feel how turned on you are.” as best as he can, gojo shifts until his knee is able to bump your clit — cooing in satisfaction when you ooze against him in response. you almost despise the way he laughs up at you condescendingly, as if he’s the one in control irregardless or the fact that you’re on top.
maybe it’s the dopamine rush that makes your dynamic unclear — neither of you wanting to give up or take the lead. the lust fizzing in the cracks and crevices of your brain make you cute and pliant for gojo but hair woven over his body keeps him subdued and thirsty for you.
like a gravitational pull, you buck downwards on the silver haired stranger’s toned thigh and smear the beginnings of your arousal all over him. you’ve barely been touched, oozing in viscous waves as you lose control over your body, rutting harder and faster. “watch your mouth.” you cry out, volume barely above a whisper, bottom lip trembling because it feels so good to use someone this way.
resuming your hold on his dripping cock again as you rock your hips — you rearrange the loop of hair keeping gojo in place, covering his eyes just as your hair begins to glow gold in time with your symphony of moans. “right, right, sorry. this doesn’t change things,” he flexes his thigh underneath your syrupy sex, strawberry tongue slipping out to wet his lips while your words fade away into a pretty little sigh. “but you wanna smack that messy clit all over my thigh, don’cha wanna make it creamy… even messier?” satoru all but jeers, the wisps of a smirk rising on the horizon of his lips now that your hips have formed their own rhythm over his leg.
they speed up their passionate dance on him, beads of glistening essence pearling between your two fat pussy lips. the slick smack of your naked cunt against his muscular thigh caused his dick to twitch in your hand — gojo thrusting up when you thrust down. he tilts his head down, catching a whiff of your heavenly scent in the air between you both. you hate that he’s right just as much as he hates not being able to see you and touch you properly — only catching glimpses of the golden light sparkling within your hair like a halo from underneath his makeshift blindfold.
you feel like you might be going insane, trapped underneath a non existent touch. like being pulled under waves of euphoria with aching lungs that don’t get enough air. near angelic screams of delight rip through the base of your throat contrast with the way you sinfully hump satoru and jerk him off to the point of his dick forming a creaminess in your hand. he bounces his thigh faster the higher you moan, rewarding you for all the hard work you put in to make this deal worth it.
“you’re no better… you’re filthy,”
“that’s right honey, so dirty. all cause of you. messy with you, why won’t you let me see?” the captive rambles, torn between fighting to break out of the bondage and listening to the lewd sticky noises your mound makes when gliding smoothly over his paled skin. satoru growls at how roughly your body moves above his own, face contorting lecherously, cheeks red and lips puffy — a mess from how long he’s been holding out for you. he’s a mess. it’s true. he won’t even deny it. “now fuckin’ stroke it baby, stroke me to the rhythm of your pussy bouncing up and down for me…please…”
simpering slightly, gojo’s fingers twitch against the arm of the chair — itching to grab at your ass and slam you down against his shaky thigh. if you palm him more, grip him tighter… he can better imagine the warmth of your cunt if he got the chance to slip inside. for now, you oblige his request, pulling tighter on the bindings of your hair while you them use as leverage — throwing yourself down on satoru as the lewd pap of your drooling pussy fills the musky tower air. “that’s it honey, up ‘n down. uppp ‘n down. keep goin’ just like that.”
you don’t have the energy to chide him, jostling about in satoru’s lap with wet whimpers bubbling up on the seams of your lips. pleasure begins to twist nice and tightly in your tummy, scalding you from the inside out and burning any logical thought from your brain. head beginning to roll to the side, you think about fully submitting to your capture. letting go entirely — you’d be satisfied. you’d get to cum. your deal might fall through but at least you’d get to see a different kind of light.
easily, you could just give up. it wouldn’t be hard to, not when gojo firmly plants his feet into the tiled floor and the power from his hips has hip rutting upwards to chase your fleshlight-like fist. a beefy cry battles its way out of his broad chest, vibrating through you as his quivering thigh juts your pretty, syrupy cunt every time you lift off of him.
it’s the perfect cycle; the ideal push and pull. you squeal in ecstasy, the hood of your clit dragged back so that your sensitive bundle of nerves is exposed to the blistering heat of satoru’s cool toned skin — taking you closer and closer to your high. streaks of your hair glow brighter than before, more intensely the louder you moan and just like they would if you were singing to help mother or while she brushed your hair. despite the strength in the light of your hair, everything else about you weakens, your grip on your hair, the pace of your hand as you palm satoru to the high heavens. you can’t think to care about any of it when you’re this close.
if mother could see you now, you don’t think you’d mind if she was disappointed in you.
but then you’re ripped away from the edge of cloud nine. satoru stops just short of the dam threatening to break. his thigh completely still with your juices splattering against him once your own hips come to a hault. a petulant howl echoes through the flower, frustrated tears stinging in your waterline as you feel your orgasm slip away from you cruelly. “what the fuck satoru?”
“sorry honey….” he laughs heartily, a slight rasp coating each syllable from each word that leaves his mouth. “don’t think i like this deal very much. just ‘cause you feel good doesn’t mean you can forget about me,” gesturing to the way you gush on and stain his thigh, the captive with the silver moon hair shrugs. “you don’t get to cum or see the lights unless i get to see you.”
gojo’s been good so far, hardly challenging you this whole time and instead, goading you into a world of pleasure you would have never experienced under mother’s watchful eye. instead, he was content to have his cock touched and his name wailed a hundred different ways — he’d shown no indication of breaking your deal aside from this. so in turn, you halfheartedly let go of the loop of hair that kept his sapphire stained eyes away from the world and held his wrists down to the arms of his chair. the restraints loosen just enough to please him and do what he needs to do. not enough to give him complete freedom.
“fuck the deal.” you cast it all to the side, relentlessly resuming grinding all over gojo — pushing your hips back as far as his knee to smother your swollen pleasure against it.
this time, satoru is able witness the way your bambi doe eyes roll back into your emptying skull.
with newfound motivation, the intruder begins quickly blinking away any darkness that caused a fuzz at the edge of his vision, gojo’s gaze immediately trickles down to your clenching hole, a treasure kept safe between your nectar glossed thighs; watching you ride him. “god, if i had my hands on you i’d rub that clit until you were squirting… i bet you’d like that, if i ruined that pussy. made her mine — you'd like that.” gojo’s stare returns to your eyes, flashing you his pearly whites through a condescending smile. his rushed and rambled teasing words make your creamy cunt wetter; body betraying you to violently shake above him.
though you find strength to keep up your end of the bargain. you’d sworn to make satoru see stars, encapsulating his rigid, sloppy dick between your nimble fingers once more. you even spit on it, earning a haughty bleat from between the man’s pretty (yet chatty) mouth. his sturdy body seizes underneath your touch as you take a firmer grip on him, palming him faster and faster — seedy, hot precum webbing over your knuckles once more. that’s when you finally get to see it. how murky and dark your captive’s vibrant eyes grow, like a pond, swimming with desire for you and only you.
the rapture that had once melted away from you like butter in a pan begins to blossom within you once again — willing you to beg for a chance at a real orgasm. “yes satoru! oh, yes please!” you squeak, short of breath and not entirely sure or what you’re even begging for. the golden light emitting from strands of your hair flare up again and your pussy throbs with an aching need to hit release. “please…”
a self congratulatory thread of cobalt lust weaves its way between the darkening midnight flecks in this eyes. “now look who’s begging,” clicking his tongue, gojo cocks his head to the side, relishing in his ability to finally look at you. drink in the way your chest bounces beneath the bodice of your lace orchid gown. it’s completely fucked, darkened by a crude mix of your arousals but it’s the most beautiful thing satoru has ever seen — only serving to rial him up even more… his own orgasm coming up over the hill. it burns at his internal organs, the lining of his stomach and the only way to alleviate this almost painful yet delectable twinge to his system is through you. “bet you’re only being nice ‘cause you’re close. well guess what? me too, be a good girl, honey, and cum for me.” he says, voice rising in both pitch and breathiness through his gritted teeth.
he’s going to cum.
and you’re too far gone to form a response with words just yet. you stop your own ministrations, payback for edging you earlier. his own cock dribbles pitifully as you rip his high away from him like pulling a rug from beneath his feet. gojo thrashes in his hair in response, azure eyes wild and almost wet with a sheen of tears — just as desperate to cum ad you are. “wh-what the fuck was that for?” he winges as though he’s a child on punishment, slender hips rising up to chase your soiled hand and perfect grip — shaft standing needily at attention. “honey…”
“you don’t get to cum until i get to cum. so either you work with me, satoru, or we’ll go all day.” you snap, slowly working your drenched cunt over the meat of his thigh once again, your puffy folds spread either side of it — squelching with the way you salaciously wind your hips all over him.
satoru basks in the sight, tongue poking out tauntingly between his teeth as he decides to test the waters. “fine, but at least let me help,” he suggests, watching eagerly as you throw your head back in the purest form of pleasure and grind on him harder. it’s clear as day that you need just as much of a push to cum as he does and he plans on giving it to you in just one condition. “untie me.”
“deal.” chewing on your lower lip, you let more of your hair unwind your glowing hair from all points that keep gojo strapped to the chair. enough for more of his hands to escape. then, he’s on you within a flash, hot tongue swirling its way over your clothed bosom and biting at your peaked nipples while his hands shoot to the globes of your ass so that he can drag you in harsh circles across his lap. he’s ravenous, out of control, as if he’s been waiting for this moment the entire time.
somewhere along the way, in one final burst of passion, your mouths find each other again — swapping streams of saliva as you lose yourselves to sex crazed minds teaming with lust hormones. with your lips smacking and bodies moving against each other in a delicious bump and grind — satoru forces a large hand between you both, fumbling against your cotton panties. the sound he lets out when he finally, finally gets his hands on your puffy clit is glutoral and animalistic, the simple touch sending a shock wave of electricity across every one of your synapses. dazing you for good.
you bear witness to the silver haired stranger losing his mind, falling from grace like an angel with blackened wings. and for you, he does the same, commiting the sight of your glowing halo-like strands of hair to memory — the coils that shine brighter the more you sing and sin for him.
he can’t stop gabbling, gargling on the spit you pour into one another — followed by howls and screams of pleasure. “oh you like that, hm? i bet that feels so good… so sweet ‘n wet under my touch.” hot fingers belonging to satoru pick up the pace between your sticky folds, flicking your clit feverishly and writing his claim against your cunt at the same time that you jam a thumb into the tricking slit of his dirty red cockhead. the pair of you jolt in one another’s arms, taking one too many steps towards the edge of cloud nine before you’re even ready for you.
“oh sweetheart, listen to you, sound so good. wish i could have you on my fat cock instead of my thigh. next time yeah? you’re gonna cum like this, aren’t you? gonna get my thigh nice and wet?” gojo growls, voice hoarse and layering perfectly over your whistle tone whines. his digits slow and start their greedy assault on your sex, edging you further and further as you wriggle and writhe at his words.
the world escapes you, the knot of lust that had been warping within you finally coming undone. “gods… s-satoru! please!” you shriek as though your voice is a gust of stormy wind — reverberating off of painted cobblestone walls. your free hand (no longer trapped by loops of your own hair) darts out to grab the intruder’s wrist, thighs locking around the hand that works you through an earth shattering high. the dam finally bursts, forcing open floodgates as your pussy releases streams of clear arousal in small spurts that soaks his entire lap and clothes.
gojo has no idea where to look, the smallest glimpse of your orgasm sending him hurtling over the edge as well — he doesn’t relent, viciously circling your precious pleasure mug and drawing out your release to match his own. his thick length spasms in your tiny hand, plump balls no longer able to contain the viscous, hot seed he has saved up all for you. just for you. he cums with a shout, abdomen contracting under your never-ending supple touch, ropes of white hot endlessly shoot from his overstimulated tip almost as though he’s a faucet that’s never been turned off.
he swears he almost blacks out, a white and sweaty mop of hair collapsing onto your shoulder as you slump in gojo’s lap — exhausted. as the air in the room cools, your hair no longer glowing and your chests syncing up to heave in an even rise and fall — you bring a lazy hand to the back of satoru’s head, toying with coils of his baby hair to help you both calm down.
a moment of quiet passes before you find the energy to whisper. “will you take me to see those floating lights now?”
your innocent question causes satoru to snort sleepily, pressing a wet chaste kiss to your sweaty cheek as the sound breaks free from his cherry-bitten lips. “a deal’s a deal, honey. as soon as you untie me… we’ll hit the road.”
neither of you move a muscle, however, still recovering from the sinful act you had just shared.
you use the time to reflect, a sense of excitement dawning on you. you were going to leave the tower. you were going to see the floating lights on your birthday. and most importantly, you were directly disobeying your mother to prove your capableness. and all you had to do to get your fairytale happy ending was give a handjob to a very handsome, very willing stranger.
the end.
꒰ end. — all rights reserved © tteokdoroki 2024. do not copy, repost, translate & recommend elsewhere.
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In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.
Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.
Sounds awful familiar, doesn't it?
Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.
More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.
But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.
A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.
Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.
So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.
Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.
It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.
There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:
The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”
A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.
It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.
And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.
Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.
Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.
So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.
Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.
So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.
And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.
And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.
And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.
Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.
Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).
It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.
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I’ve Got My Eye On You
Summary: Reader is a Special Surveillance agent assigned to spy on Spencer. He manages to see through her cover, and thoroughly enjoys the confrontation that follows.
Couple: Spencer Reid/Fem!Reader
Category: Smut
Content Warning: voyeurism, oral (f!receiving), unprotected penetrative sex, f!masturbation, slight dubcon regarding recorded sex, heavily based on that one scene in scandal, iykyk.
Word Count: 3.5k
Masterlist
I’d always been good at watching people.
My life had been spent mostly to myself, divulging the information people offered without even realizing. When you talk less, you learn that body language, passing remarks, or even the quirk of an eyebrow gives away more than anyone ever realized– maybe more than an actual conversation at times.
And I took it all in stride, not a single detail left unanalyzed. People were always surprised when I’d mention my observations, finding a way to explain a seemingly unexplainable situation, those around me wondering how on Earth I could’ve been privy to that. I’d always shrug at their queries.
Pay more attention, I guess.
It wasn’t a surprise that I’d ended up here, I suppose, in the end, as an Investigative Specialist for the FBI. I doubt that my listening skills were exactly what landed me the job, but I’d like to believe they contributed more than they actually did. Regardless, I’d never expected the result of the decisions I’d made over the years to lead to this– involved in spying on an agent of our own.
The infamous "Dr Reid".
His specific circumstances had been shrouded in secrecy and mystery, apparently having just been let out of prison. (Prison? How’s he an agent then? Anyway, not my problem).
The Bureau had been curious about erratic behavior on his part, and the string of discrepancies involving the unit he was involved in. Apparently, there had been multiple unforeseen and unprecedented events all occurring under the same team in a relatively small time-frame, and despite smaller investigations, nothing came out of them to warrant any real disciplinary action. Probably why they brought me in, in the hopes of changing that.
I’d been assigned to put up small, virtually undetectable cameras and listening devices within his apartment. 24/7 home surveillance, no exceptions. I couldn’t help but think that the guy really should invest in better apartment security, despite how easy his naivete made my job. His lack of caution surprised me, given the details I’d been given. For a guy who had a penchant for being framed by the ghosts of his past, he sure didn’t live like it. Even as an FBI agent, he essentially had no technology to counter my own, and the height of his protection was a standard deadbolt. Was he insane? Unaware, somehow? Only time would tell, I suppose. And I had plenty of that, to watch and deduce the nature of his mind on my own terms.
My time spent with Spencer resulted in one, overwhelming conclusion. Spencer Reid lived a relatively quiet life. His apartment was barely used, honestly, given the sporadic nature of his job. (Which was a shame, in my opinion, because it’s a nice apartment). When he was at home, he seemed to remain quite unassuming. The positions I’d see him assume often were that of being hunched over on an aging leather sofa, pouring himself into grading papers, or creating lesson plans for his students. Oh, right. Did I mention he was also a professor? He is. I’d assume he likes the job, given how much of himself he gives into it, or maybe that was just who he was as a person. I wasn’t sure yet.
I monitored his life outside of the apartment occasionally as well, just to see what intel I could gather with further investigation. There wasn’t much. Coffee shops. Book shops. Coffee. Books. Coffee- God, does the guy do anything else with his life?
Most days, though, I’d liken him to butter spread too thinly over toast. Sleepless from nightmares that would have him walking around his apartment until daylight broke through the window panes. I felt exhausted just watching the guy, and it seemed insane that he could continue to live on when he left that apartment at the break of dawn. It didn’t seem like he had anyone to talk to, honestly. From what I was seeing, he wasn’t a threat to the Bureau, just a sad, middle-aged man who’d been dealt the most unfair of hands in life.
I’m sure there’s a moral somewhere in all that. To waste your potential on something that gives so little back. Oh, well. My report was nearly finished at this point, and the most I could recommend the higher-ups was to get Spencer a better therapist, maybe. This one wasn’t really helping, it seemed. Besides that, his personal behavior wasn’t indicative of anything worrying to the interests of those managing him.
At long last, it was my final night of watching him. Coincidentally, the date lined up with Halloween, and I couldn’t be more thrilled to finally be free of this specific survey job. Don’t get me wrong, Spencer seemed nice- but God, his life was boring. I don’t want to say it was like watching paint dry, out of respect, but previous targets had offered at least some part of their life to be interested within. Spencer had nothing. No friends over, no gossip-like phone conversations, no drunk wanderings home. Nothing! I know he didn’t sign up to be watched, but God.
Like, come on. Give me anything here.
Needless to say, I’d become accustomed to the quiet, and this night was no different. If he was following schedule, he should be home right about … now.
Now?
Now…
Silence.
Spencer was definitely a creature of habit, so to not see him adhere to the routine he’d so meticulously stuck to in the past was a bit jarring, but I assumed he was just running late.
A few hours later, I reasoned he must be running really really late. It was bordering on midnight, and he still wasn’t home. I checked train schedules, possible reports of a car crash, just about anything that could keep him from his scheduled appearance at home.
I was just about to call my supervisor to look into whether or not he’d been called out on a surprise case, but that’s when the door of his apartment creaked open, and I felt my shoulders deflate in relief. Okay, he was home. He was going to go to bed and-
He wasn’t alone.
Spencer was dressed in all black, a leather belt adorned with a gold belt buckle being the only color his outfit brought. He wore tiny devil’s ears upon his head, the headband pushing down on the mop of curls that sat atop his head. He looked absolutely delicious, if I must say myself, and it seemed the woman in his arms would agree with me.
He practically pulled her into his apartment, kicking his door in with his leg before slightly fumbling with the lock. As soon as the mechanism slipped into place, his hands were all over her, pressing her flush against his body, as if he couldn’t bear to have any space between them.
For all the time I’d been watching him, none of his behavior indicated the presence of any kind of significant other, so this girl must be a stranger. If this is how Spencer treated strangers though, I was surprised he didn’t have a barrage of women lining up at his door every night.
His lips absolutely devoured the girl, his hand cradling the side of her face, before his thigh slipped in between her legs, possibly to soothe a building ache that had built up there in the time they’d spent together, which I found entirely possible, considering I, personally, was heated from simply watching.
I watched the pixels on the screen with such precision, innocuous shades of red, green and blue painting the most sinful of images. I found myself noting the way his hand snuck up the girls’ dress, the way her breathing hitched as she pulled back, watching as Spencer presumably played with her clit. I could feel myself squeezing my thighs together, recognizing just how wrong it was to be turned on by the scene in front of me, but I couldn’t stop myself. It wasn’t as if this was the first time a target had behaved sexually in front of me. (Or in front of the camera, I suppose.) I’d seen and heard just about anything you could think of, but this was different- in a way. To see Spencer so filthy, so confident, so- interesting. It lit a fire in me that burned with every passing moment he touched this girl.
I’m able to watch him circle over her panties in a way that has her groaning directly into his ear, a smug grin plastering his face as he watches her every reaction.
“Like that?” He murmurs, and I’ve never heard his voice so fucking deep.
She nods frantically, and it only serves to widen his grin. I can feel myself rocking slightly in my own chair, doing anything to try and soothe the fast growing arousal within me, unable to stop from imagining myself in her place. His hands, the feel of hot breath down my neck-
I’m stopped dead in my tracks, however, when his eyes suddenly shift to the camera closest to him, his eyebrow raising, as if in challenge. He continues to whisper in the girl’s ear, and has the galls to wink. I’m horrified, a very sudden and intense heat rising to my cheeks. I can only watch for a second more, before he’s suddenly pulling her away, and I realize he’s taken her within one of the only blind spots within the apartment.
I’m scrambling to turn off the feed, stunned into silence whilst, my heart beating uncontrollably and eccentrically. Oh god. He knew. He knew and he did that?!
I stare into the empty space, a multitude of thoughts inhabiting my brainscape. On one hand, the aplomb shown in that situation was commendable, since most people would react to the knowledge that they’d been secretly watched in their own home for the past few months in a much more hostile way. On the other hand, how did he even acquire that knowledge? The cameras were virtually undetectable, and he’d never let on that he was aware of their presence, and I’d know, considering how closely I’d watched him.
I shake off the thoughts, focusing on something other than the overwhelming mortification coursing through me now.
Alright, tomorrow, get into his apartment, remove the cameras, and hopefully never have to look at the man again. In any capacity, honestly.
When daylight broke, I turned on the cameras for the final time, a bit more sheepish, knowing he was aware of the devices plaguing his home. However, it seemed like he was once again pretending like he wasn’t aware of the looming existence of them, sending his female companion off her merry way once they woke up, before going about his normal routine, heading out of the apartment for what was most likely his morning coffee and then afternoon lecture at the university.
That was my cue. I turned off the cameras, quickly making my way out to sneak into his residence, the heavy door offering little resistance to my advances, my movements quiet and undetectable.
I’m in the process of removing the final camera I had placed in his bedroom, hidden behind a copy of The Sign of Four. Doyle. He had good taste, I could give him that.
I’m just about to turn around and get the hell out of there, when I hear a voice behind me.
“I noticed that one first, you know.”
I turn around slowly, embarrassed and slightly fearful to find Spencer’s eyes meeting mine. I’d watched him for so long, but seeing him now– his eyes were so beautiful. The camera didn’t do him justice.
He continues, despite the silence. “The other ones were harder to spot, I’ll give you that, but once I knew where they were, it was a bit obvious, don’t you think?”
I’m speechless. My mouth is agape, and all he seems to do is smile at my lack of prose.
“Don’t look so surprised. I know this apartment. I’m not here a lot, but I spend enough time to know when things have been shifted around.” His tone is cheeky, and he pauses, almost theatrically to add on:
“I’m sure you knew that though.” His smile turns into more of a smirk.
God, did he have to be so hot?
“Are you going to complain to the Bureau?” I manage out, keeping my eyes steady on him.
“Did you find anything of note to tell them?” He responds, tilting his head with curiosity.
I shake my head vehemently. “No, um. Nothing pertinent to say.” I get my words out in a hurry, my gaze continually trained on him.
He meets my eyes with the same stare. “Then I don’t have much of a reason to complain.”
I nod solemnly. I’m wondering where this situation will lead- what either of our next moves are. Before I can ponder long though, he surprises me and takes a step closer.
“I saw you, you know.” He says. “Thought I was going insane when the same pretty girl kept showing up at the bookstore and coffee shop out of the blue, but I’ve never been one to believe in coincidences.”
“Oh.” I whisper. I really wasn’t as good as I thought I was.
“You really shouldn’t beat yourself up.” He says, chuckling with some mirth. “Again, I’m observant. I notice these things. That, and you’re pretty.” He says, forward. “So, more of a reason to notice.”
“Oh.” I reply, yet again, dumbfounded by the events currently transpiring.
“Yes, oh.” He chuckles, before he starts to move closer yet again. “Tell me. Were you watching last night?” He murmurs, his voice dropping a bit deeper as he directly addresses the elephant in the room.
I give a movement of affirmation, because at this point, what could he do? What could I do?
“So you saw.” He mumbles, moving to position himself right in front of me, his eyes darkened and laser focused on my figure.
“Yes.” I whisper, my voice hushed as our proximity decreased, his breath fanning out over my face now. I’d be uncomfortable, if I wasn’t so distracted.
“Tell me.” He whispers, letting his calloused finger finally touch my skin, running down my neck. “Did it turn you on? Watching me with her?”
I feel the familiar heat of embarrassment rise to my cheeks, my eyes suddenly widening not only due to the sudden proximity, but also the scandalous nature of his words. Did he mean for me to watch? Was that his plan all along? What was this sick and twisted game he was playing?
“Did it.. get you off?” He whispers, his lips leaning in to kiss lightly at the side of my neck where his finger once was.
I freeze, leaning into his touch and going statue-like all at once. I can’t help the shakiness of my voice when I reply. “I.. wasn’t neutral.”
“Mm.” He murmurs, kissing now at my jawline. “Did you get off? When she did?” He whispers.
“I didn’t watch that long.” I reply, helplessly, as I feel his hands start to envelop my waist, pulling me closer to him.
“What a shame.” He mumbles. “I think you would’ve liked the show. I did it for you.”
At this point, I can barely speak, a slight moan escaping me instead of a coherent reply as his lips continue to leave warm, wet kisses on the expanse of my flesh.
“I’m sure you’re curious.” He says, his voice soft and seductive. “Would you like me to show you what we did?”
There’s no hesitation, finally, a resounding thought I can translate from brain-to-mouth for him, in complete certainty.
“Yes.” I manage out, breathlessly.
He makes a noise of satisfaction, quickly pushing me onto the bed.
“I’d already gotten her wet by touching her before, but if my suspicions are correct.” He murmurs, his hands working deftly to undo my jeans and feel the wetness that had accumulated in between my thighs. “You already are.” He finishes.
I let out a small whimper as his fingers touch the heated flesh, unable to help my sensitivity to his small, calculated strokes over my clit through my underwear. His fingers starts to move a bit more aggressively, upon feeling the wet patch that had formed there, the flimsy fabric doing little to hide the stickiness he was now collecting on his fingers. He quickly pulls them off as well though, bringing his slightly damp fingers to his mouth, tasting the hint of my arousal that had accumulated there. His eyes were dark, watching my face for any reaction, and in that moment, I know all he can see is pure want.
I can see the same hunger within his eyes, and I feel a rush of pride as the approval radiates off of him.
“What next?” I whisper, already desperate for his next slew of ministrations. I don’t care how needy I looked. I was needy. I’d spent so long watching him, and now he was here.
“She wanted my mouth.” He murmurs, kneeling at the edge of the bed. His thumb brushes over my clit, his tongue running against plump, pink lips, wetting them, watching over me with a predatory gaze.
Before I can respond, he’s suddenly everywhere, ducking his head and allowing his tongue to brush over my sex in broad, wet strokes. My response is immediate, my hips bucking up to meet him in a frenzied motion. It seems that he relishes in whatever control he can have in this situation, because he quickly holds down my hips in a firm grip, squeezing the fat there while he continued to ravage me.
I can barely look at him, pretty brown locks splayed in his face, his lips moving hypnotically against my cunt. Little whimpers escape me, absolutely aching for more. He seems to catch on, and flicks his tongue over me, before suckling against my clit. It’s wet, messy, and the picture of debauchery– and it’s enough to drive me over the edge, my hands gripping the sheets as I cry out his name.
He seems to be unaffected, getting off his knees, his mouth glistening with my release. The sight makes me wish he could do it again, but before I can get a word in, he’s positioning himself over me, caging me against the bed.
“Then I fucked her.” He whispers, starting to undo his belt with his free hand. “Can I?”
I nod, feeling a wave of anticipation, before registering the sensation of the head of his cock nudging my entrance. I feel my chest tighten, watching him with bated breath, absolutely exhilarated.
“Relax.” He whispers, kissing the lobe of my ear. “You’re in good hands.”
He utters the last word, before sliding into me, a hushed gasp leaving the both of us. He groans in pleasure, his eyes fluttering shut as he takes in the feel of my warm, wet cunt around him. He takes a moment, before he’s setting a steady pace, his hips bucking rhythmically into me in a way that’s designed to bring us both so much pleasure.
I can’t help the string of moans that come out with every slide of his cock inside me, my legs wrapping around his waist, urging him closer than he already is. My hands grip onto his shirt, clawing onto the fabric to find any purchase, wanting– no, needing him on me.
Is it odd to wish a stranger could crawl into your skin itself?
“Fuck, Spencer.” I moan, unabashedly. “You feel so good.”
“You do too.” He groans, his arms braced on either side of my head before gently lowering himself to crash his lips against mine in a messy kiss.
I can feel myself barreling towards release, as is he, if the twitch of his cock inside me were to mean anything. It’s not long before his hand reaches in between where our bodies are met, rubbing my clit in fast, small circles. It’s intense in the best way possible, my body barely being able to process how good it felt in the moment.
“Come for me.” He moans, in between kisses. “Wanna feel you around me. Please.”
I can’t help but obey his words, my cunt convulsing around him in obedience as he subsequently finds his release inside me, groaning loudly as his hips thrust erratically.
He pulls out, and we’re a tangle of limbs, sweaty and sated, breathing heavy.
Of course, it’s him, yet again, to break the silence.
“Two things.” He mumbles, breathlessly.
“Mm.” I reply, weakly, my head a mess of airiness and complacency after the orgasm he’d just brought me to.
“One. I want your name.” He says, rolling to his side to get a better look at my face.
“That can be arranged.” I murmur, nodding dreamily.
“Second.” He whispers, kissing my cheek. His voice takes on a teasing quality to it, before leaning to brush his lips against my ear.
“You missed a camera. Behind the plant. They don’t stop recording, do they?”
okay wowww. clearly this was meant for halloween, if you couldn't tell! this is one of those pieces where i'm like.. hmm .. do i like this? question mark? do i want to put it out? hmm .. but regardless, i hope you guys enjoyed it!! please, please like, reblog, and comment if you enjoyed!!! it is sooo important as an author that i get some feedback and know what you guys think, in any capacity. i truly appreciate all of it <33 thank you for reading, thank you for everything!!!
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old!logan and his obsession with the cute diner girl *mdni
a/n: this is my first attempt at writing something smutty so if it sucks im sorry lmao also if any writers have any tips please share! :)
logan has been around for long enough to know when a woman is attracted to him. there was a certain essence given off that was always a dead giveaway. usually it came from women close to the age he looked like and it tended to be brief moments of lust before all hope was lost. this was until he met you.
the pretty young girl working at the diner during her time off from college. everyday, he came in and ordered a black coffee. the coffee wasn't even that good but logan would spend two dollars every single day of his life if it came with the view of you bending over in that tiny uniform skirt.
logan would watch you for hours while he drank and skimmed the news paper alone in a booth. your hair was always up in either a ponytail or held together with a hair clip. he loved seeing your pretty handwriting as you scribbled on your notepad, taking orders. it was part of your job to be nice to everyone but you were especially nice to him. even your friends began to notice how you would linger by his table, constantly topping off his coffee mug and making small talk; sometimes giving him a slice of cherry pie on the house.
"don't you think he's kinda old for you?" one of your friends whispers to you behind the counter.
it's stung but you suppose she had a point. what would a man old enough to be your father want with a young wild girl like yourself?
"i-i guess so?" you stuttered, embarrassed at your previous attempt at flirting with him.
the rest of the night, you hoped he would leave before close so you could have some time alone with your feelings. summer was almost over and you would go back to the city soon. it was time to forget these silly fantasizes.
by ten, all the other waitresses went home except you, the older woman in the back who counted the drawer every night, and a few of the cooks. the only customer still there was logan. he flipped through one of the books he brought with him; still sipping away at that damn coffee.
"isn't it getting a little late for you, sweetheart?" he asked nonchalantly, not even looking up at you as you bent over to scrub the table next to his. the fifth table you've cleaned in the last hour and the second time you've cleaned that specific table. logan noticed but you didn't.
"need the hours." you mumble, frustrated by a stubborn stain. all logan could focus on was your scrunched nose and how your tight top pushed your boobs together just right for his viewing. "college is fucking expensive plus grants and scholarships only cover so much."
"hmm.." logan grunts. grants? scholarship? what a goody fucking two shoes, logan thought to himself. "if you bring me piece of pie, i think i can help you out."
you lean off the table and go get what's left in the glass container. it's probably a little hard so you definitely didn't plan on charging him for it. you sit the plate down in front of him and before you could turn around to walk away, logan reaches for your wrist softly.
"join me." he offers.
you knew you shouldn't but what was really the harm? at least your friends weren't here to make fun of you. the radio played quietly on an older station while you watched logan take a bite of the pie.
"why did your friends leave you here alone?" he asked, watching your face turn sour at the memory of them.
"don't wanna talk about it." your voice was small in the empty diner.
"why? think an old man like me can't relate to it?" logan chuckles. your thighs squeeze together without thinking. so much for not embarrassing yourself.
"no, no, not that." you shake your head and a strand of hair falls from your bun. "just sort of juvenile, you know?"
logan could tell that you were trying to come off more mature around him. you didn't want him to see you as some college kid.
"juvenile, how?" he eggs on, pushing down his glasses a bit.
god, those glasses got to you; and logan knew it.
"they don't understand how i feel about someone." you sigh.
"how do you feel about this person?" logan noticed you now avoiding his gaze, not liking it one bit. "eyes on me, princess."
the nickname caught you off guard like a dear in headlight; blinking and trembling up at logan. something logan enjoyed very much and could get used to.
"it's not important, just some stupid crush." you lie through your teeth. "they will forget about me in a month."
"why don't you think it'll work?" he cocks his head to the side a bit. "you're a pretty young thing, dollface. anyone of those college boys would be lucky to be wrapped around your little finger."
"i don't want college boys." you mumble, slightly annoyed by the memory of your friends.
logan felt himself getting hard at you admitting you had a taste for someone older. his eyes grew dark as he leaned in a little over the table.
"then what do you want?"
your moment to answer was interrupted by the older woman from the back, releasing you to go home for the evening. this was your chance to get up and leave before you admitted anything else that you would regret.
both of you stood up. logan threw down some cash while you went to collect your stuff behind the counter.
"i'll see you tomorrow, lo-"
"you didn't answer the question."
"i must go now if i want to catch the last train."
logan worried about you taking the train back to your apartment alone this late at night. usually you drive back but your car has been in the shop for almost three days now. he would watch you get to your car every night to make sure you were safe.
"i can drive you home." logan offers.
you shouldn't be this excited to be sitting in a strangers truck alone at night but here you were. the two of you sat in silence for a few minutes before logan brought up the conversation from the diner again. what did you even want?
"i want someone who understands me..." you begin rattling off the first things that come to mind when you notice logan's hand on your knee. you don't dare move.
"someone who is responsible..." with every word, his hand creeps higher and higher up your skirt. logan is more than pleased when he notices your legs spread on their own.
"someone who is m-mature..." logan's fingers inch towards the delicate skin of your inner thigh. there's no way this was happening, you thought as his index finger plays with the lace on the center of your pink underwear. he smirked at the wet spot front and center, waiting for him.
"treats me r-r-right." every word was a struggle to form as he stroked you softly. back and forth. back and forth.
logan nods along, not letting up down below. his index finger hooks onto your underwear, pulling it aside. you weren't even sure if you were breathing at this point; all this teasing was torture.
"p-p-please, logan..." you whine. "touch me."
his thumb rubs tiny circles on your button, adoring the way his name pours from your glossy lips. your hands fly to his wrists, needing more; nails digging into his skin in the most delicious way.
"where did this greediness come from?" logan groans, dipping his index finger inside of you. "what happened to that good girl from the diner?"
logan's finger barely fit in the tight space. your head fell back and a loud moan escaped you.
"oh, you weren't letting those college boys touch you at all, huh?" logan mocks, adding another finger and creating a steady pace.
"n-no!" you whine, lifting your hips a little.
"you were waiting for a real man to have his way with you, isn't that right, pretty girl?" he growls, pushing your hips back down.
you completely missed logan pulling off to the side of the road until now. his pace increases becoming rather rough now that he isn't driving. logan leaves deep purple bruises down your neck and across your chest, praising you to no end until you gush around his fingers, completely soaking his palm.
your heart pounded like you had just finished a marathon. logan allowed you to catch your breath as he carefully removed his fingers, bringing them up to his mouth to lick clean. he can feel your dazy eyes staring at him as he does so, making a real show of it.
"i've been wanting to do that for months now." he admits with a smirk.
"me too." you said, leaning forward and pulling him into a kiss; tasting yourself on his lips and tongue. logan wraps his hands around your hair, pulling you back a little when another moan falls from your lips.
"and we aren't even close to being done."
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A Day in Life
Synopsis: A day in your life while working as the Justice League's assistant. Also, they are all yanderes for you and it's Valentine's Day.
Pairing: Yandere!Justice League X Assistant!Gn!Reader
Tw: 18+ just because of a mention of Superman misusing his X-Ray vision and the mention of hooking up, aside from that, this is pretty SFW; Flash and Green Lantern are a little delusional; Hal Jordan is pushy; Batman is probably a little out of character (and I’m ashamed to keep it that way) bc I can't see him giving anyone flowers as Batman, just as Bruce Wayne; Mentions of them all secretly stalking you; This League members are Batman, Superman, Wonder Woman, Flash (Barry Allen), Green Lantern (Hal Jordan; John Stewart is mentioned), Aquaman and Martian Manhunter; I wrote too little about Martian Manhunter, Aquaman here because I don't know much about them; Wish I had more ideas for Wonder Woman’s interaction here too cause I love her; My crush on Hal is very obvious; Reader doesn't struggle much against them but they're also pretty tame; The physics in flying and running at super speed might be wrong but this is comic book science so it's wrong either way; English is not my first language.
Word count: 1,6k
Requested? No.
General masterlist | A Day in Life - Series masterlist
The zeta tube flashes and the AI voice announces the arrival of Flash. Your heart goes fast.
— Hey, (Y/N)! — In a flash, he's in front of you. — Happy Valentine's Day! — You tear your eyes off of your schedule on your tablet and see him holding a rose towards you.
— Oh, hey, Flash… — You reply a little tense. — Thank you… You didn't need to. — You hesitantly take the rose from him and whilst your attention is on staring at the flower and holding back a grimace, you miss the glint in his blue eyes. His blush is covered by his mask. His mind seeks for something to say before you decide to break the momentary silence. — You're really sweet, it's great to have a friend like you! — You make sure to exclain, the tone a notch higher, trying to make your point come across. Flash’s face falls.
— Uh- I- Actually- — His speech gets cut off by the zeta announcing Superman. Before you can have a heart attack, the boy scout also zooms in front of you, this time your hair blows back with the wind. He must've come flying.
— (Y/N)’s heart is pounding, what are you doing, Flash? — Superman alternates between looking at your face worriedly, then your chest, then glaring at the speedster by his side.
— What? Nothing! — Flash looks wide-eyed at Superman. Then his mind clicks and he looks at you again. — Wait, what? Your heart is pounding? Is it… Is it because of me?! — You see the dazed look on his face coming to the surface again. Oh boy.
You casually make the effort to take a breath you didn't know you were holding and make your heart go down. You hate when Super uses his X-Ray vision on you. You can never be sure when he is doing it, but why else would he analytically stare specifically at your body when he is worried about you? Also, that time when you commented with Sarah from the kitchen’s crew that you forgot to do your laundry and went to the Watchtower without underwear. Seconds later, Superman appeared in the doorway, looking startled and flustered, ears red. Although he pretended to have just arrived at the tower and you and your friend chose to ignore your embarrassment that your boss with superhearing might have chose that exact moment to focus his hearing on only the places around him, including your too intimate conversation, you still caught him red handed sneaking glances specifically at your hips, and he hurriedly exited the room after that. At the time, you had just recently started the job as the Justice League’s assistant. After that you were a lot more aware.
After a while you realized you had a reason to be.
Superman was glaring at the rose in your hand and Flash was daydreaming while looking at your face when the zeta flashed again and you snapped out of it fast enough that by the time you started talking, your mind didn't pay attention to who had just arrived.
— Hm, no. It's just you fast people are always catching me off guard. — Flash deflates and- Is he pouting? Bro. Superman lights up and looks at you again.
— Oh, sorry, (N/N), we always forget about that. — The alien chuckles while rubbing the back of his head.
— Superman. Flash. — You and Flash jump, but Superman, not surprisingly, doesn't react and just follows you three and looks behind the two heros in front of you to the one with the gruff voice that just arrived.
Flash groans and Superman just rolls his eyes, you can see that while trying to peak past the men’s towering frames blocking you. You don't have to guess much though, because they make space for the newcomer and you suppress a tired sigh at seeing Batman making his way to you with a gigantic arrangement of flowers that covers his entire torso, arms and head, only his bat-ears, legs and cape being visible.
— (Y/N). Those are for you. — Color me shocked. Before you can try to start thinking about how you are gonna take this absurdity anywhere, vengeance speaks. — I'm gonna leave it at your desk.
— Hmhmm. Thank you, Batman. — You refused to watch his retreating form and let any member of your yandere harem think you actually have an interest in any of them and look down at your tablet again. The action makes you remember the rose you're still holding and you hurriedly walk away from the two nutcases stuck glaring at the third and go to his side. — Actually, take this with you. — You stick the rose amongst the rest of the flowers and before any of them can say anything else, you get out of the room.
You take a deep breath. Since the League’s weird obsession started seemingly around a year ago, you had a whole crisis over it. The pay was good, and it increased even more when they took this insane liking to you, so it's not like you could just quit like it was nothing. Besides, it's the Justice League, you could run from the fucking planet and they would still find you. It's easier to adapt.
You go on with your routine for a few minutes until you bump into a neon green brick wall. Scratch that, it's just Green Lantern’s chest.
— Hey, cutie, I was looking for you. — Your eyes widen when the space cop suddenly holds you by the shoulders, pushes you against a wall, then lets you go just to keep his two muscular arms on each side of you, trapping you and keeping you close to his frame. Ugh, the Lantern with brown hair has always been the more touchy one. You miss the one with dark skin and common sense.
— Need me for something? — You hold a groan with the limitless possibilities of how he could use that sentence to be crude, but you just wanted to get rid of him. He smirks.
— I was wondering if you were free today and would like to go on a date with me later… — He knew you were free. You knew he knew you were free. Every time you have a date (and you never told them) the League seems to get more on edge and suddenly your workload increases. Tsk, you hate them. Unfortunately, you love nice things even more.
You raise an eyebrow.
— I don't even know your name. — You point out, maybe that would make him give up, but he just shrugged.
— I could tell you, trust is a fundamental part in any relationship.
— Is a date a relationship? Also I don't think Batman would like that. — Any of that. He cocks his head to the side and his beautiful hair moves down.
— Cutie, you don't have to worry about Spooky. And I don't want to just hook up with you, you know that. Now just stop playing hard to get and-
A golden light catches your attention, it could be a miracle, but it's just Wonder Woman's lasso wrapping around the lantern's neck and pulling him away from you. Unfortunately, she tied a it in a way that the action wouldn't strangle him or break his neck.
— Ugh, men really have no boundaries. — The amazon rolls her lasso back and takes a step towards you, keeping said man sulking behind her while analyzing you. — Forgive my friend, (Y/N). He grew up in a barn. — The stunning demigoddess smiles at you.
Ugh, if she wasn't just as crazy as the rest of them you would happily swoon over her.
— Right. Well, I have to go. — You turn your back to them and take fast but casual steps away from them and the empty hallway. It never fails to scare the shit out of you and give you goosebumps whenever one of them catches you alone in one of those, and the competition between them for your heart somehow makes you confident enough that if there are at least two of them, no harm will come to you.
You clear your throat. Happy thoughts, happy thoughts. The martian should’ve arrived by now and you don't doubt he reads your mind 24/7 when he’s close enough.
You’re about to turn a corridor when you spot Aquaman poking his head in a room, looking for something, it's probably you, only his body is visible and he can't see you.
You hold a groan and run as quietly as possible away from him without him noticing, remembering the time he ranted to you about seahorses being the most romantic fish species, with monogamous mate bonds for lifetime, and all the times he promised to show you Atlantis one day and make you rule his people by his side.
A few minutes later when you look at the clock, you know by that time they're all already in their meeting and not wandering around, desperate for a crumb of your attention. To confirm that, you open the camera’s feed that not many had access to and idly check their presence in the meeting room. Your stomach churns seeing your figure in one of their monitors, the others displaying normal missions info. Of course they would follow you around through the cameras, because that's just as important as discussing wars and crisis in Earth countries and other planets.
You passively shut the screen when you finally get to your office, in which you avoid staying until you absolutely have to, or the coast is clear enough to, otherwise it's the most obvious place for them to force an interaction with you.
You look up and your shoulders drop in defeat at the sign of too many flowers, gifts and letters from each member of the League.
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Dragon Age: The Veilguard’s Familiar Faces and Factions
The trailer for Dragon Age: The Veilguard has dropped, and I couldn’t be more excited. It’s like a new breath of life has entered my lungs!
Within the trailer, we now have confirmation of who our seven companions are going to be, and among them are a few familiar faces from the book Dragon Age: Tevinter Nights. We also have some name-droppings of a couple factions featured in the same book and the comics, Dragon Age: The Missing. So, here is what knowledge is established about these faces sand factions.
Neve Gallus & The Shadow Dragons
Neve Gallus was first introduced in the Tevinter Nights story, “The Streets of Minrathous”. She comes off as a no-nonsense and a little intense kind of person. Neve is a Tevinter mage who works as a private investigator. For example, if someone wants some detective work done but doesn’t want the public to know, they would hire Neve. On occasion, she’s even been hired by the templars, who act like just regular cops in Tevinter – and yes, that includes their corruption and primary goal of simply protecting the elite – but Neve prefers to work alone because of that corruption, and has a personal grudge against the order for taking bribes to cover up crimes.
Neve has a prosthetic leg below the knee, made of dwarven-crafted metal.
In The Missing, Neve says she is friends with the Shadow Dragons. In the article shared by EA, as of The Veilguard, she is officially a member. The Shadow Dragons are a group of concerned Tevinter citizens who help those in need. This includes supporting escaped slaves, for example.
Emmrich Volkahrin
Emmrich Volkahrin was first introduced in the Tevinter Nights story, “Down Among the Dead Men”. He is a necromancer from Nevarra, and therefore naturally a member of the Mortalitasi – specifically, a professor in the Mourn Watch. The Watchers serve as elite guardians of the Grand Necropolis. Emmrich is on the eccentric side, personality-wise, but kindly and informal.
Emmrich has a skeleton assistant name of Manfred, who helps him with different office tasks. He also has friends in Myrna, a fellow Watcher, and Audric, a dead guardsmen who looks after the library.
Lucanis Dellamorte
Lucanis Dellamorte was first introduced in the Tevinter Nights story, “The Wigmaker Job”. He is the favourite grandson of Caterina Dellamorte, First Talon (leader) of the Antivan Crows. As such, he was raised from birth to be the perfect assassin in a ruthless and torturous environment, knowing only cruelty from his family. This has led to him feeling less like a person and more like a living weapon – and he is treated like one by everyone who knows of him. He has “the Demon” as a nickname.
I know a few people are curious about the “mage killer” title in the trailer. Rest assured that Lucanis specifically kills evil blood mages. In his own words: “If someone wants to pay me top coin to kill a bunch of racist blood mages—who have it coming—I’m not going to complain.”
Where his cousin Illario has a “silver tongue” as Lucanis puts it, he himself is a lot blunter. His reputation of a killer is spotless, except for one small problem: He has a heart under all that black leather.
Lucanis and Illario get along quite well, except for the fact that Lucanis is destined to be the next First Talon, after Caterina dies. Illario wants the job far more than Lucanis, but Lucanis isn’t sure he’s capable of making a decision for himself that goes against the wishes of the Crows.
The Veil Jumpers
The Veil Jumpers were first introduced in The Missing #3. They are a group made up of primarily Dalish elves, though also inclusive of other folks of any walks of life willing to help, working to try and control the new threats within Arlathan Forest. The forest has become a ground of chaotic magic, with the Veil so thin that time and place is jumbled together. Thus, the Veil Jumpers move in and out of the spots that bleed into one another.
The Veil Jumpers do have a headquarters called “The Sanctum”, but we know nothing else about it.
The Lords of Fortune
Despite the Lords of Fortune being mentioned in more than one Tevinter Nights story, as well as the show Dragon Age: Absolution, we don’t know a lot about them. The only concrete information provided is that they are a loose group of people who collect trinkets and glory. They come out of Rivain. They typically wear a lot of their collected trinkets like badges of honour. That’s really all there is, so I can’t wait to learn more.
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