#source: be cool scooby doo

[incorrect-tmnt2012-quotes]

[When Metalhead got corrupted by the Kraang]

Donnie: Hey buddy. It’s me, Donnie. The one who built you, raised you, nurtured you. Lovingly made you into the special robot you are today. So special! You don’t wanna hurt anybody, right?

Metalhead: *draws all his weapons and fires them at Donnie*

Donnie, running away: I WAS WRONG! HE DOES WANT TO HURT US!!

[emiko-matsui]

Hardwon, over the speaker system: Run to the left!

[Moonshine and Beverly run in opposite directions]

Hardwon: No, the other way! My left! My left!

Balnor, standing behind him: They don't know which way you're facing

[incorrect-joseimuke]

Crowley, introducing NRC to new students: This place is basically a death trap of higher education.

Deuce: Death trap?!

Ace: HIGHER EDUCATION?!

[incorrect-skylanders-quotes]

(Aurora is wearing a beard for some reason)

Ambush:

Aurora: (twirling the mustache)

Ambush: ...

Aurora: (twirling the mustache)

Ambush: ...Okay, why do you have a beard?

Aurora: I think a better question is why don't you have a beard?

Boom Bloom: Here we go...

Ambush: Because I don't want one?

Aurora: Well I do! I don't hear you questioning Mysticat about his beard.

Mysticat: Did you hear that, chin tuft? You've officially been recognized as a beard!

Buckshot: (patting Mysticat's beard) Aww, we're so proud.

Ambush: Mysticat's a man!

Mysticat: Another first! Take that, Uncle Dave!

Buckshot: (hand on Mysticat's shoulder) We're so proud.

[welcomehomeincorrectquotes]

Whoopsy the Clown: Oh no, the clown police!

Barnaby: *juggling with a straight face* Whoopsy the Clown you are under arrest for several violations of the sacred Cardinal Code of Clowning. 

Wally: *handcuffs Whoopsy the Clown*

Barnaby: You have the right to remain silent should you choose to be tried as a mime.

[incorrectclassicbookquotes]

Dracula is chasing the gang

Abraham Van Helsing: Split up. He can't follow all of us.

*John Seward, Quincey P. Morris, and Arthur Holmwood run one way and Van Helsing, Mina and Jonathan Harker run the other way. Dracula follows the suitors.*

Arthur Holmwood, realizing Dracula is following them: *Talking about Van Helsing, Jonathan and Mina* Do you think they just stop and laugh and high-five each other when this happens.

Quincey P. Morris: That's what I'd do.

[surfsnap]

Billy: Jonathan, you're a middle-aged dad stuck in the body of an eighteen year old. Deal with it.

Jonathan: Done. I collect antique flashlights and wear prescription socks. It's time I own that.

[emptyingmyheartout]

Shane to Ryan: RUN RYAN. ITS THE BURDEN OF PROOF

[peacerisendove]

As the new Scooby Doo adaption fails (Velma) I would like you all to give Be Cool Scooby Doo a chance because it was actually good and wholesome and in the spirit of Scooby Doo. You may not like the character designs or the art style, (honestly I was like that at first, it’s very easy to get used to) but the show actually has merits.

It’s got mysteries! Backstory! The gang are friends! It’s funny! There’s heart in it! Also the music really slaps!

[every-dayiwakeup]

S1 Steve: Then I will just pass on my vast experiential knowledge of swimming to these incredibly lucky short people.

S3 Billy: They're children.

[yaboirezzy]

Young Marcy, talking about high school: It's basically a death trap of higher education

Young Anne: Death trap?!

Young Sasha: HIGHER EDUCATION?!!

[incorrect-night-world-quotes]

Thierry: Enormous wealth is overrated, unless you want to buy lots of stuff.

[incorrect-joseimuke]

Grim: Alright, that's it! I've eaten a lot of food in my time and sure, some of it wasn't technically 'mine'. In fact, most of it wasn't technically 'mine'. I've eaten a bunch of Yuu's tuna fish sandwiches, every one of them I could get my hands on.

Deuce: You're not helping your case.

[vintagerpg]

I love a kid adventure. The sub-genre, codified in film for the most part by Amblin Entertainment in the ’80s (but drawing on all sorts of sources, from Huck Finn to Lassie to Hardy Boys to Scooby-Doo), uses a straightforward formula: take some kids and stick them in a dangerous situation that only they can handle, because adults either don’t believe or aren’t around.

The problem with most kid adventure stories is that they are written by adults, and at least partially for adults, and because of that, they generally adhere to an adult sense of logic. This is true of kid adventure RPGs like Kids of Bikes and Tales from the Loop, for sure. You can hear an echo of Richard Dreyfuss’ Stand By Me narration in both those games. No so for Don’t Tell Mom & Dad (2022), which delights in its own kid logic.

You’re a kid. You live in a town (a big part of DTM&D is collaboratively creating that town using the included tiles, something I unabashedly love). There’s something weird going on (possibly many somethings) and you need to get to the bottom of it by the end of summer vacation. There are a bunch of cool mechanics to manage — dinner time, curfew, zzz (countered by the use of sugar), the scared-o-meter and cool points (there are also “good kid” skills and “bad kid” skills). There are summer jobs, of course, and chores. But there’s also cool stuff to buy at the corner store and endless equipment to improvise through crafting and the powers of kid imagination — they can bend reality with a successful roll.

There’s such an appeal to how these (light!) mechanics hang together to simulate the improbable twists and turns of childhood imagination. They’re poised to create off-the-wall adventures that are more dangerous than you’d expect and probably don’t make conventional sense, but that’s not the point, now, is it? Rather, the point is running around on a summer evening with your friends, having a blast (or, you know around a table, because you’re old in body, but young at heart).

[hobie-enthusiast]

Hii quick question HOW DO YOU WRITE HONIE TALKING SO WELL, like i’ve learned basic british and roadman vernacular and i’ve watched a bunch of Daniel Kaluuya’s interviews and stuff to try and better pick up how he talks and now that i’ve gotten all that I DONT KNOW HOW TO WRITE FOR THE ACCENT, so if you have any tips or you could explain it a little i would appreciate you so so so much 🙏

also i love your work, like seriously it’s so amazing i’m obsessed

hey anon! so honestly, i can give a rundown of what goes through my head but this is all what works for me so dont feel like u have to use it!

so first, to figure out dialogue and what he would do, i figure out his characteristics. hobie is a cool punk guitarist and anarchist; he’s anti-authoritan, laid-back, and overall a chill guy as long as ur chill with him. so i take that into consideration when writing his dialogue. this is a good example;

{person}: why don’t you and i split up to catch them both

bad example: {hobie}: “sure, i can do that. be careful.”

good example: {hobie}: “not safe that way. c’mon, we’ll catch them.”

so, after all dialogue is done with hobie in my fic, and the fic overall is done, i go back and fill in his accent. to explain, i basically remove some letters from some words, add some british slang, and some dialect for how hobie talks. here are some examples of that:

important -> impor’ant

sweetheart -> swee’heart

darling -> darlin’

them -> ‘em

it’s -> ‘s

alright -> alrigh’

fucking -> bloody

clue -> scooby doo (in some cases)

hobie -> ‘obie

am not -> ain’t

WIKIHOW IS ACTUALLY A GOOD SOURCE!! if u need extra help on how to write it this is a good source i’ve used before!

it’s also important to note that hobie brown is made to be “effortlessly cool”. so whatever he says is natural, rolls right off the tongue. he’s quick with what he says and is just overall a natural charmer. SO UTILIZE THAT!! make his words flirty in a romantic sense, make his words quick and comforting in those situations, make him quick on his feet when in Spider-punk situations.

one last thing is that hobie is not a toxic guy who would neglect someone in a relationship. he very obviously cares about those he meets. HE KNEW MILES FOR 10 MINS AND HELPED HIM. hobie can be a very suave and romantic guy, so it’s best to write him as such. a lot of the time, people struggle to write characters because they arent writing them right and mischaracterize them!

hope this helped! <3

[incorrectclassicbookquotes]

The gang going to fight Dracula

Arthur Holmwood: I've never been so scared in my life.

Jonathan Harker: Top four for me.