#sorry this is depressing i know

[foundfamilie]

started watching heartstopper and i've been super careful because of the whole eating disorder. turns out that isn’t even the issue anymore. what absolutely blindsided me was the scene where their mum sends tori to get charlie before dinner. tori being so worried, tori noticing that there’s something wrong when their parents joke about the lack of seasoning. siblings being there for siblings because their parents suck at actual parenting or even worsen a situation at times...... seems like years of therapy can help you manage disorders but what's even harder to overcome is the feeling of absolute despair, being completely alone in the world with no one to turn to or even to trust

[bixels]

me too, luna.

[cyani07]

colored some sketches

[motherofoompaloompas]

Please vote ❤️

[blushaddict18]

I wish I could just overdose on sadness and just be gone, peacefully in my sleep.

[hinamie]

hina... have you ever drawn nanami & yuji. pls i need to see them. my reluctant mentor and ray of sunshine. maybe eating together after a mission

cleaned up this request doodle from a while ago <3

[girlboyburger]

you're nice to people who are bald or balding, right? you're nice to people with high hairlines? or weird hair growth? right? you don't make mean jokes about going bald at the expense of people who are going through the very scary and usually very isolating process of losing hair?? right???

[cherubchoirs]

who would you rather meet in hell: the devil himself or two bugs

[gatoburr0]

Bracelet date ♡

Bonus

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[oathkeeper-of-tarth]

I have all the time in the world. How about you?

There is a theme to Aylin's threats and vows of vengeance that I've noticed and that I want to share.

Do what you will. I cannot prevent you. But you know as well as I, I will come for you. One day.

That one, for example, is for Balthazar, while she is imprisoned.

I cannot prevent you. But I can advise you. Be careful to whom you yoke your fate. One day, when he is severed from me, Ketheric will die. I will not. And when I am freed, I will remember whose recompense to claim.

Did you expect me to beg? To cry? To plead? For what. I accept my fate - for now. But the life of a divine is longer than you can fathom, Sharran. And this cold chapter will close, one day.

And those are for you, when you've yet to harm her, when she's still only warning you off. But then, if you choose to try to kill her, like so many before you:

Was it everything you hoped for? Was it sweet, Sharran, to murder a paladin of Selûne - her daughter - her sword? Congratulations - your mistress Shar will write your name on her hand. And I? I will come for you. When the time is right.

The next bit depends on your character's gender:

When your sons are grown and your beard is long and wiry; when you cannot hold your nightly water and your nose grows as long as your weary, weary days… When your daughters are grown and your chin sprouts whiskers dark - when your teeth are yellow as corn and your sleep grows short and your days are long and weary, so weary… When your children are grown and your eyes are weak; when your nose grows as long as your weary, weary days…

Ultimately, your fate will be the same:

That is when this immortal will visit you, Sharran. That is when I will show you what it is to be afraid.

All these long-term promises of one day, coupled with inevitability.

I find it so striking that most of Aylin's threats include her flaunting and flexing her immortality (as well as her flawless, long memory) over whoever has wronged her.

Present your weapon, soldier. Plunge it into the Nightsong. I cannot stop you. But know this: I never forget a face. HAH! Are you afraid, Sharran? Do you rattle and jump at the realisation that an immortal has your face emblazoned in her mind forevermore?

Everything is but a passing inconvenience to her, she claims, even a century of imprisonment and torment. Outlasting, outliving - that is simply what she does and what she chooses to intimidate with. Promising to wait until you are old and decrepit, until after you've experienced all the vagaries of age that she never will, leaving her sword hanging over your head throughout the entire miserable lifespan that she has permitted you to have.

Then, if you wrong her in a very heinous way, there's the extreme one of outliving not only you, but killing and extinguishing your entire bloodline in order to obliterate every trace of you from existence:

WHEN I AM FREE, I WILL DESTROY YOU! I WILL MURDER YOU, AND YOUR CHILDREN, AND THEIR CHILDREN BESIDE! I will rip this world apart, plank and beam, until every iota of your being is scalded by my light. This is my promise. This is my vow.

Over and over, Aylin builds her oaths of vengeance on the foundations of an utter, even proud, certainty that she will see her foe end, one way or another, due to her nature and the simple fact of her own endlessness. This is the well she keeps coming back to.

And I find all of this, this consistent insistence on it, so striking and ironic, because one of her other main emotional threads is being thoroughly enraptured by and devoted to and just so completely in love with a mortal. One who will age and die and pass into memory just like all the targets of her rage - if I think of Isobel when I re-read all of that dialogue up there, it seems to cut both ways so deeply. But then there's the extra element that every single one of these is spoken when she either knows or is (incorrectly) convinced that Isobel is dead. Isobel, who didn't get to grow old, and who is both an anchor to humanity and a very painful reminder of the truth of Aylin's situation being twofold.

Aylin will outlast what she hates, yes, but she will outlast what she loves as well.

[eerna]

imma be so real with you I did NOT care for all the cutesy ways they presented Vi and Cait's disbalanced social status in arc 3

[whotfelsewantedtobelynnyx]

Chat, I regret to inform you that I have added a new hyperfixation…so…

Agatha All Along Incorrect Quotes!

Alice: Hold the fuck up.

Also Alice, crawling into Lilia’s lap: It’s me. I’m the fuck up. Hold me.

Rio: I have an idea!

Jen: No murder.

Rio, sighing petulantly: I no longer have an idea.

Lilia: I have a bad feeling about this…

Agatha: What do you mean?

Alice: Don’t you ever get that little voice in the back of your head that tells you if something is going to get you in trouble?

Agatha: No.

Jen: That actually explains so much.

Lilia: As far back as I can remember, I’ve always had this little voice in my head telling me to “live it up today, because there’s not gonna be a lot of tomorrows”.

Agatha: You do realize there’s medication designed to get rid of those kinds of voices, right?

Teen: A bird flew in through my window and I’m trying to befriend it.

*later*

Agatha: Why don’t you quit bothering me and go talk to your bird friend?

Teen: Matthew and I are not speaking at the moment.

*the coven, huddling together behind a makeshift shelter to shield themselves from repeated gunshots*

Alice, hastily shoving the others behind her so she can return fire: Agatha, do you have any idea who would want to shoot you?!

Agatha, squashed between Jen and Rio: Many people want to shoot me. I take great pride in that!

Jen, glaring at the group as she hands over bail money:

Alice, tapping her shoulder: What about Teen?

Jen, glaring more: I’ve got to bail him out too? Where’s Agatha?

Teen: No one called her. We used Lilia’s phone call to call Alice and Rio’s to call you. Then Rio used my phone call to vote for American Idol.

Rio: :)

Jen: Rio isn’t answering her phone.

Agatha: Here, I’ll try.

Jen: Alice and I have tried six times each, what makes you think that-

Rio, picking up on the first ring: Hey, sweetheart.

Agatha: The ends always justify the means!

Jen: Do you know who said that?

Agatha: Was it Oprah or someone nice and great like that?

Jen: It was Machiavelli. A decidedly non-Oprah like person.

Jen: I bet you didn’t even finish the thing I asked you to get done!

Agatha: For your information, I most certainly did! Got it done last night!

Teen, whispering to Agatha: You didn’t get it done, did you?

Agatha, whispering back: I don’t even know what she’s talking about.

Lilia: I am at a loss for words!

Teen, glancing at the camera like his mom like he’s on The Office: Despite being lost for words, Lilia yelled at us for the next 45 minutes.

Agatha, carrying Señor Scratchy out of the room:

Señor Scratchy: *snuggles under her chin*

Agatha, kissing his head: You are being punished. Please stop being adorable. I love you.

Teen: I got a trampoline tent for summer sleepovers!

Jen, whispering to the other adult witches: …think of all the sex.

Alice: There are two types of people.

Rio: If you wanted to eat someone, you could put a fire under it and slowly roast them :)

Lilia: …three. Three types of people.

Jen, cautiously: I can’t believe I didn’t notice this before, but…Teen, you are a little crazy.

Teen: Aren’t we all a little crazy here, Jen?

Jen: No, I mean you’re aging-ballerina, child-chess-prodigy, professional magician kind of crazy.

Teen: It’s my mom’s fault. You know, we come from a Jewish family, but she used to tell me the reason Santa didn’t come was because my room was too dirty.

Rio: I’ve come looking for trouble. And if I can’t find trouble, I WILL create some.

Alice: Do you trust me?

Lilia, smiling proudly at her: Yes.

Alice, who has been completely panicking: Wait, what? Why?!

Agatha, awkwardly glancing around for help: Er…Alice, I’m gonna be honest, I don’t know what to say to people who are crying. So I’m just gonna hope that the tone of my voice makes you think I do, okay, sweetie?

Alice, sniffling: …thanks, Agatha.

Agatha, patting her on the back with a bit too much enthusiasm: No problem, kid.

Lilia: I told Agatha about it weeks ago!

Teen: She WHAT?

Agatha: What??? Lilia says insane shit all the time, how was I supposed to know this one was true?!

Lilia: Bank accounts are a sham created by the shadow government!

Agatha: SEE?!

BONUS:

Wanda, watching from the afterlife: so…when exactly do kids grow out of that whole emo, rebellious stage?

Lorna, shrugging: I don’t know. Alice is still in it.

[nouverx]

The thing I love the most about Alastor is that we can't truly know what to think of him, if he is being truly manipulative or if there's a genuine undertone behind any of his words, and that allows people to interpret him differently from one person to another. Like "oh he's being so sweet and supportive", to "no actually he's just saying what people want to hear because he's an evil manipulator". Maybe some fans are being too trustful, just like Charlie, and falling into his lies. BUT maybe there's a true genuine undertone to everything he says, maybe he can be a sweetie behind his evil mask. And maybe he'll turn out redeemable. Or not at all. Who knows?

His character could go in two completely different directions in the next seasons and we have no way of telling how he'll turn out. It's still fully open because he showed he can be awful and evil and manipulative, but since there's been very few hints here and there that he could get attached to the hotel, that means he could be sweet despite all that. The mystery and uncertainty is keeping us thinking and hoping and I LOVE that. He's such a unique and amazingly written character.

On a personal note, I think the two different directions his character could take should coexist. Yes, he's going to be a main villain in the future seasons and betray Charlie and the hotel, yes he's an evil manipulator, BUT he could also get attached to them and show redeemable qualities at the same time. For me it would make the heartbreak even greater and his character even more satisfying.

[phantomoftheorpheum]

Julie and the Phantoms being one of the most heartwarming and feel good shows I've ever watched, while simultaneously having the most absurdly tragic premise will never not to be funny to me.

[dendroaspis-viridis]

I'm begging you, BioWare... Learn from the mistakes of Baldur's Gates past...