#sorry long post but this had to be written

[carisc4pshaw]

Showers of Love

In which Spencer Reid comes home from work late after being away for 5 days and finds himself joining his girlfriend (female OC) in the shower the next morning.

word count: 1.7k

tags: shower sex, morning sex, smut, little fluff, smut&fluff, domestic fluff, love, oral sex, vaginal sex, PinV sex, home, showers, original character, original female character, bisexual female character, spencer reid/ fem!reader, bisexual spencer reid, spencer reid fluff, spencer reid smut, sub spencer reid, dom spencer reid, choking, rough sex, late night, working late, criminal minds

warning: little nipple play, oral sex (fem receiving), choking, unprotected PinV sex (I think that’s it)

notes: Also posted on Ao3 I hope you enjoy this however, it may not be the best as I haven’t written smut involving men for a couple of years.

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Spencer had gotten home from work after a case had run on longer than any of them would have liked, Sofia was pretty sure she heard him climbing into bed at 3:30 am so she took that as a chance to have a lay-in with him until 11 am the next morning before deciding it really was time to get up.

The blonde went into the bathroom twisting the shower on warm and stripping out of her clothes. She got into the shower and closed the door meaning she didn’t hear the knock coming from the door to the bathroom just a minute later.

The couple had been together a long time but Spencer wanted to be respectful by knocking first however he was sure on this occasion she wouldn’t mind the surprise I mean he had been away for almost 5 days after all.

He opened the door and took in her body, her head was tilted back under the shower head as the water ran down her slightly tanned skin. Spencer knew he wasn’t going to be able to enter the shower undetected so he knocked on the glass, her head quickly turned to him a shocked expression on her face before realising it was him.

“Are you okay?” Sofia asked him.

“Can I join? You look beautiful,” he said, his eyes trailing her long blonde hair cascading over her shoulders and breasts ending at the end of her ribs.

“Hm yes you can join,” She giggled pushing the glass door open for him.

He got rid of his clothes and entered the shower standing behind her wrapping his arms around her midsection and smelling the clean skin on her shoulder, “I missed you.”

“I missed you too,” She said twisting her head round to meet his lips in a very awkward angled kiss.

Spencer began leaving kisses at the side of her neck, sucking lightly leaving what would become faint marks on her skin.

“Mmm baby I’m trying to shower,” Sofia spoke pushing further back against him feeling his cock hardening against her ass.

“Sorry about that… but it has been well 5 days,” He rubbed the back of his neck swallowing nervously.

“It’s fine I like knowing I still turn you on.”

“You’ll always turn me on darling,” Spencer’s hands travelled to her breasts grabbing both of them in his hands, his thumbs rubbing her nipples.

“Oh baby, that feels so nice,” Sofia said under her breath.

“Did you miss having me here?” He asked running his hands from her breasts and down the sides of her waist.

“Mhm, you shouldn’t leave for work all the time.”

“I’ll suggest it to Hotch,” He turned her around so he was now facing her and left kisses on her chest and the top of her cleavage.

“Good plan,” Sofia reached one hand down wrapping it around his cock resulting in him moaning into her chest.

He pulled back and shook his head, “No, this is about you for now, hands off.”

She immediately obeyed him moving her hand before being pushed up against the wall of the shower.

Spencer kissed a trail down her body as he got onto his knees and began kissing her inner thighs.

Sofia reached down sliding her fingers into his damp curls her hand tightening in them when he ran his tongue up her slit.

The blonde let out a few sighs of pleasure as he gripped onto her thighs spreading them further apart.

Spencer angled his head to latch his lips onto her clit, sucking at it gently. He moved one hand from her thigh to grip onto her hip.

Sofia’s hands tightened in his hair as he ran his tongue in circles over her clit before running it down to her entrance and plunging it into her wasting no time to get it as deep as he could twisting it further inside.

The moans, sighs and the look of pleasure on Sofia’s face he was hearing and seeing had made him harder than he was before if it was even possible. He knew it took the blonde a little while to reach her first orgasm and at this point, he didn’t know if he would be able to wait that long.

Sofia’s eyes were closed and her mouth was parted open as strings of moans came out of her mouth that only got louder as he splayed his right hand over her lower stomach so his thumb could reach down to her clit rubbing it in firm fast circles. Maybe this wouldn’t take as long he thought.

“Oh my god, Spencer!�� she shouted gripping his hair impossibly tight and pulling it so hard it was hurting but he would not say anything about it.

Sofia sighed heavily, one of her hands leaving his hair and slamming against the tiled wall and her legs threatening to close around his head as she climaxed, her juice spilling out onto his tongue.

Spencer removed his tongue from inside of her but kept his thumb lightly brushing against her clit while she came down from her orgasm.

He stopped his actions with his thumb when he heard her breathing slowing down and placed both his hands on her hips rubbing them comfortingly. He stayed on his knees and looked up at her, “Are you okay darling?”

The younger woman nodded her head ‘yes’ until her breath had returned to talk, “Yeah thank you, so good. God, you’re so good at that Spence.”

Spencer smiled, standing up from the floor and pressing his lips against her, it was a loving kiss made more passionate by her being able to taste herself on him.

He pulled back after a minute and ran a hand down her hair, “You’re gorgeous honey.”

“Do you want my help with this?” She reached down and took the length of his cock in her hand.

Spencer groaned at the touch, “Can you go again?”

“Yeah,” She nods, “Always.”

He kissed her lips once before roughly connecting his lips to her pulse point on her neck.

His hand moved from the side of her face to her collarbone rubbing his hand across it and down between her breasts.

“I don’t need any more teasing baby you’ve warmed me up enough,” she said pulling his head back up from her neck so their lips could join again.

“From the front or back?” Spencer asked.

“If I say back will you pull my hair?” Sofia smirked at him.

“No I don’t want to hurt you,” He pecked her lips.

Sofia rolled her eyes, “You choke me but you won’t pull my hair?”

“It’s different.”

“Fine, we will work on this, front then and choke me.”

“Okay,” Spencer waited for her to adjust her position for it to be easier for him to slip inside of her.

Spencer eased into her slowly, he was large and while they had done this many times he always wanted to be careful not to hurt her.

Adjusting to him didn’t take long due to her previous orgasm and already being used to his size.

“Move,” Sofia ordered with a moan.

Spencer complied pulling out a little and pushing back in earning a louder moan from his girlfriend.

“More please,” she breathed out wrapping her arms around his waist.

Spencer quickened his pace earning moans from him when he thrusted in and out of her.

Sofia's nails scraped down Spencer’s back while her eyes rolled in pleasure, “Oh fuck. Yes!” She said between moans.

He could feel himself getting closer to his climax as her walls tightened around his cock more with each thrust. Spencer moved his hand to her neck squeezing lightly against her pulse point.

“Keep going please,” Sofia begged

“I’m not stopping babe,” Spencer thrust at a different angle hitting a point inside her he hadn’t hit before.

That movement mixed with the choking sent her toppling over the edge for the second for the second time that evening.

He wasn’t far behind after seeing her orgasm washing over her face.

“I need to pull out baby,” he spoke rather softly, loosening the hand from around her neck.

Sofia groaned, “Why? You never usually do?”

“Are you sure you want me to?” Spencer grunts.

“Yeah,” She kissed his lips slowly running one of her hands down her chest.

With one more thrust Spencer finished inside of her, moaning into her mouth as they kissed.

He pulled away from her breathing heavily. His brown eyes met her blue ones just staring at her as he got his breath back.

“You okay honey?” Sofia giggled at his flushed cheeks and scattered breaths.

“Yes, more than okay. I’m going to pull out now.”

The blonde nodded but still let a small whiney moan out as she felt the loss of him from inside of her.

The sweet sound made Spencer’s heart beat a little faster than it already was from the physical activity they had just participated in. He took her face in his hands and smiled at her before placing a peck on her lip, “I love you,” he spoke between the kisses.

“I love you too Spence,” Sofia said stepping further under the water from the shower head.

“Can I wash your hair?” He asked moving closer to her again wrapping his arms around her from behind.

She leaned back into his touch so their bodies were pressed together, “Of course, you know I’ll never say no to that.”

Spencer took the shampoo bottle from the small shelf and squirted some into the palm of his hand. The smell of sex in the shower was quickly drowned out by the thick smell of Sofia’s lavender-scented oil that she’d mixed into her shampoo.

As he rubbed it into her hair he spent a fair amount of time massaging her scalp, “I love the smell of your shampoo.”

“You do?”

“Yeah, It makes me feel calm I miss smelling it when I’m away.”

“You’re so adorable, I’m giving you so many kisses when you’re finished washing my hair.”

“How about you do that after we put pyjamas on and get into bed to watch a movie?”

“Sounds like an excellent plan,” Sofia quickly turned around in his arms and pecked his lips despite the fact his hands were still threaded in her hair.

—————————————————————————————————————

[melmedarda]

I’m sorry to jump in your inbox with that long af rant, but I’ve been lurking and loving every Meljay post of yours since day one and I need to scream in the void.

I’m inconsolable over how bad the writing of acts 2 and 3 was, it literally feels like it was written by a completely different team. What even was that conversation, it sounded like they asked ChatGPT to write a scene based on top 50 tweets about Mel and Jayce after 1x05 aired back in the days.

I’ve never in 15 years seen a ship so cruelly ruined, because how are people supposed to continue at all tolerating Jayce with that idiotically out of character dialogue in 2x08 between him and Mel? What a fucking bad way to treat fans, having them invested all the way until literally the last moment, it already was bad with how the majority of people (fandom, reactors, obviously the artists too) were “interpreting” Mel (if you can even call it that, cause interpretation requires media literacy), but now they have left us so burnt that I'm betting there aren’t even going to be fix-it fics because they. Just. Ruined. Jayce, so bad. And I still love the well written (still flawed tho!) Jayce from 3x01 (setting up a way more natural conflict-to-be-resolved path when he made those weapons five minutes after Mel vowed to protect his dream), but damn, I love Mel so much more, I really don’t know how to cope with all that. Only people who’ve had the luck to not have been treated as that husk of an AU Jayckass treated our girl can’t see the amount of PTSD that scene can trigger in a woman. I am so frustrated with how the creators treated her trauma and slashed the wounds wide open with both that and “You are the wolf”, I genuinely don’t know how to cope.

And the worst part is all of this could have been resolved with a single touch and him being open to her – like he always have been – just tell her he’s doomed instead of showing us a highly specific and unrelated two frames of the voidy-looking infection on his forearm spreading every time he is on screen. Even if that is one of their “yes we meant that all along we just wanted to show not tell it” like with the whole idiotic Sky/Viktor backstory that Overton “spilled” the other day. Jayce has been able to see through Mel’s shields the moment he saw her painting and was always shown to admire her intellectual prowess, he’d never leave her hanging like that.

If they wanted to write a Shakespearean tragedy so bad they made this intro scream “look at us, we gave you Greek last time, now it’s all about good ol’ Billy” why not have Jayce make the same impossible choice (as they brilliantly and am starting to think accidentally?) made Silco do in 1x09, having him choose between his love for Zaun and his love for Jinx, drawing one final parallel between the two men and closing that loop with Jayce/Silco carrying Viktor’s/Jinx’s body and infusing them with the deus ex machina. It was right there staring them at their faces, have Jayce choose between his love for Mel and his love for his brother.

What a spectacular failure of writing, what an even more monumental failure of the artists to come out with those comments, so now I don’t even want to praise their talent, because they should have kept their mouths fucking shut and stuck to drawing.

Sorry to dump this in your ask, can you tell I’m still reeling.

Please, please, do you have any headcanons, I need crumbs, I need to heal my soul and Mel’s.

Lovely anon you've but into words what all Meljay fans are feeling, I think. I cannot lie, I've been trying to let go of the ship. Withdraw sort of, especially since that was the ending we got. But I've had them for three years, and they've sunk their claws too deeply to me. I'm still thinking of them even now. I'm going to make the most of their divorce era, and I'm going to make them return to each other in ever single AU ever. Because Arcane S2 act #3 is not my Meljay. Also, AU Jayckass had me bursting out in laughter!

On the topic of headcanons. I have one in which when Vik tells Jayce to go back, Jayce does. He returns to Piltover but too much time has past, Mel has already burned his name and departed across the waters to Rokrund. Jayce knows he's done her wrong, realizes he's been blinded, and he does his best to atone in Piltover and Zaun, writing letters to Mel. Letters that go unanswered. And then eventually, he goes to Rokrund, and finds a different woman, one stronger and colder than he had known. He loves her anyways, and spends his years winning her back. And when he has groveled sufficiently, Mel takes him back. He sort of grounds her, so that she does not remain the wolf all the time. So that she does not become her mother.

[aithusarosekiller]

I saw your Jegulus post about them not being the typical teenage romance and can I just give you a double high five in agreement! I then HAD to find one of many moments I've written for them which exemplify this and share it with you. And this one is the one I settled on. Remus' POV, year five for the Marauders, year four for Regulus. Context is, this is the first time Remus has spent time with James and Regulus together after discovering their secret relationship. It's James' birthday and Lily wants James occupied all day so she can prep for his party. Lily also knows about James and Regulus BTW, makes contextual sense in the story (Sirius does not know, doesn't apply to this scene though).

Hope you enjoy. :)

>>><<<

There were people who loved each other, like Remus loved Sirius. He would have handed Sirius his body, heart, and soul. He loved him with every ounce of his being. And yet… There were people who loved each other, and then there was James and Regulus.

Remus could think of no other way to describe it. They weren’t two hearts beating for each other. They were the void between heartbeats. They occupied the infinitesimal moment as an inhale became an exhale. They were two people, who shared a single soul. And being around them was both intoxicating and strange. Remus felt like if he breathed too hard in their direction he’d mess with their air, which was exactly perfect between them as their breaths mingled. For surely two people so melded would only breathe the air of the other. And then they would poke fun at each other and their aura would brighten, literally bringing each into sharper visual focus, before it blurred again as they melted back into each other. 

They didn’t even have to be touching (though they nearly always were) for this phenomenon to take place. And for half the day Remus thought he was merely groggy from the Pamoja wielding. He thought his brain was sending him confused signals as he watched James and Regulus be James and Regulus. 

But a massive lunch, plenty of teenage goofing off, and exploring the surrounding forest left him with a very clear mind and the same mental signals. At which point Remus decided James and Regulus were an exhibition in their own category of relationship, absolutely unique to them. Love was not the word he would use to describe them. It was so much more. They filled the spaces no one else even noticed. And it merged their existence into a single organism. 

It was fucking intense. 

After they parted ways, as James and Remus continued up to the castle together, Remus said tentatively, “hey, so is it always like that?”

“What do you mean?” asked James absently. 

“Er, do you really not know.”

James glanced over at him. “It’s always like that, yeah.”

“Bloody hell.” Remus couldn’t get a good read on James’ face for they were walking side by side, but he thought James might be smiling. “I knew he had to be something special and way more substantial than he looks to withstand your affection, but Godric James. I don’t even know what to call that. I’m not sure it’s physically sustainable.”

“He’s my star.”

“Mate, he’s your fucking universe.”

James playfully threw out an elbow and definitely didn’t look at Remus. 

“What can I say, we are infinite. Don’t look so scandalized, you and Sirius aren’t so different.”

“No, we are very different. We exist in the physical world James. You two are already way out there in your own orbit.”

“See why I can’t lose him.”

They took several paces before Remus spoke.

“James, I’m scared for you. That kind of connection has to be dangerous.”

“Want to stop and have a smoke?”

“Took the words right out of my mouth mate.”

<3

JUST REMEMBERED I HAD THIS IN MY INBOX FOR AGES I AM SO SORRY IT TOOK SO LONG TO RESPOND TO THIS

But honestly it's one of my favourite things about them, the poetic quality makes it feel like they're finding each other again just when they need it at the same time as we're finding them when WE need it, you know?

That's so real though, the idea of the two of them being able to almost spiritually feed off of each other's presence is so true. Like existence is centred around them for a moment. They take over everything.

And it's probably bad in the long run but it's so beautiful that the pain is okay. Because without all of the painful bits, were the good parts really all that valuable?

Also I love your style, it feels real and almost factual if that makes sense? Even when you're describing metaphysical aspects the certainty gives a strong feeling of truth and rationality. I like it.

[susiekern]

4:40pm.

a/n: first post, so hello to anyone who wanders here, this is just something that popped into my head after binge watching jjk last week

obviously oc in jujutsu kaisen universe, Gojo is a simp, probably out of character but let me enjoy thingss

also english is not my first language, it wasn't proofread by anyone

hope you enjoy and welcome to my madness

word count - 2,427

It was an early afternoon when the first-years were heading towards the training stadium. Chatting about something Panda said over lunch, soft laughs filled the calm autumn scenery, bringing a soft smile to Gojo’s face.

“I think Maki was right about it, don’t you, Yuji?” Kugisaki turned to look at the boy over her shoulder, only to notice he slowed down and his gaze lingered over the main gate. “Yuji?”

“You okay, Itadori?” Gojo stopped right next to him, and he could swear there was a glimmer of Sukuna’s marks on his face, that disappeared after a second.

“Um, I sensed someone’s energy, and Sukuna is going wild.” He murmured, his words stopping Megumi and Kugisaki mid-step. As they both turned his way, two women climbing the stairs reached their eyesight.

“Oh? Eden?” The black-haired boy whispered, recognizing the older one, and quickly looked at Gojo, who seemed relieved. The younger girl, probably around their age, was the reason for Sukuna’s tantrum, he guessed. Even from this distance, all four of them could feel powerful cursed energy flowing from her body, and Fushiguro couldn’t help but notice it felt oddly similar to the energy he felt when Yuji ate the cursed finger.

“Oi, Satoru! You’ll help me with the bag or just keep staring?” The woman who Megumi called Eden waved her hand at them and smirked.

For a moment, Kugisaki focused on her and nearly sighed in awe. She was beautiful, with long black hair pulled into a half-updo situation, fair skin, big eyes, a thin scar over the bridge of her nose, and a full-black outfit that fitted her toned body. But what almost got that sigh out of Nobara was the fact you could tell she was strong. She had that presence, similar to Gojo or Nanami; when one looks their way, made you shiver with respect. And it wasn’t her scar or tattooed arms, it was her energy.

The younger girl was almost the opposite. Blonde, nearly white hair, a baby blue dress, and nerves written all over her face. And as Eden’s energy was balanced, hers was unsettling, flowing in irregular waves.

When their teacher came closer to take the said bag from Eden, he grunted, leaning dramatically to one side.

“For someone who doesn’t carry weapons, your bag is heavier than Maki’s.”

“Shut up, Toru.” She rolled her eyes and closed the distance between her and the students. “So, that’s Itadori Yuji? Sukuna’s vessel?” Before Gojo could answer, she stretched her hand towards Yuji. “Geto Eden, nice to meet you.”

“Geto? As like…?” Kugisaki took a small step back.

“As like Geto Suguru, yes. My younger brother.” Eden nodded, not looking away from Itadori. The pink-haired boy shook her hand after a few seconds, a bit hesitantly. “Tell me, Yuji. Sukuna is aware of everything around you?”

“Y-yes.” Itadori answered when he saw Gojo nod over the woman’s shoulder. “Usually he’s just silent, sometimes he comments a lot, but overall I think he’s aware 24/7.”

“Good. I hope he hears this.” Eden smiled and turned towards her younger companion. “Everyone, this is a new… transfer student. Ayato Izumi, Anahime Saori’s vessel.”

Ever since the evening they merged, Yuji hasn’t once felt Sukuna try to take control like right now. He winced a little, rubbing his temple when the curse started screaming in his domain.

“He heard you. And whatever that means, he’s going crazy.”

“Saori was the same when she first heard about Sukuna.” It was the first time Ayato had spoken since she arrived here, and almost everyone glanced at her. “What? Ah yes, sorry. Nice to meet you all, Ayato Izumi, the vessel and sorceress.”

Her awkward hand wave was reciprocated by the students. Meanwhile, Gojo and Eden exchanged looks that seemed to be a full argument, ending in Eden’s irritated sigh.

“Fine, my goodness. Since this lazy ass who calls himself a teacher won’t do it, I will.” Crossing her arms, she looked at each of them. “Quick history lesson. Anahime Saori was a sorceress in the golden era, one of the greatest. Until she was captured by Sukuna’s minions and brought to him. Suddenly, she’s on a bad side, under his shoe.”

“Bullshit.” Eden was stopped by the curse himself. He gave up trying to take control, popping up as an additional mouth and eye on Yuji’s cheek instead.

“I don’t know if that’s gross or cool.” Woman muttered under her breath. A curse so powerful it was able to manifest on its vessel?

“Saori and I were bonded. In the world of idiots, and as you said, minions, she was my equal.” Sukuna’s words seemed to shock all students except for Ayato.

“Yes, the only living thing you respected.” Eden nodded, happy that her plan to get a reaction from the King of Curses worked. Though she expected him to communicate by Itadori, she was taken aback by the mouth. She took a step closer to the boy and leaned his way. “Now, since you decided to join us, Saori happens to live in Izumi’s body, the same as you live in Yuji’s. So you know the rules, Sukuna. The only reason this girl wasn’t exorcised is that the higher-ups for once listened when I said she could be useful. That her presence would put you in place. Show them I was right, and you might even talk to her again.” Her whisper shut Sukuna up, a growl being his only reaction before the mouth and eye closed and disappeared. “Great! Now, how about you guys show Izumi around and I’ll report to Yaga?”

She nodded at Gojo to follow her and started walking towards the main building. When she passed Megumi, she smiled at him and ruffled his already messy hair. Three, no, four students watched as they made it through the giant door, heading towards the offices. Yuji and Megumi moved their eyes to Megumi.

“Who on earth was that?!” Itadori nearly screamed, feeling how stress was slowly leaving his body. Sukuna seemed to calm down after what the woman said, and his head felt lighter. Was this a proposition? Or a threat? Yuji wasn’t sure.

“Geto Eden.” Megumi shrugged and turned to Izumi to offer help with her bag.

“That we got, but what else?” It was Kugisaki’s turn to ask, her hand on hips, one brow lifted.

“She’s a special grade sorceress, one year older than Gojo, from what I remember. She could seem rough, but she’s nice. She helped him a lot with me and Tsumiki.”

“Yeah, I spent a few days with her, and she seems sweet.” Izumi agreed, passing her bag to Megumi with a thankful nod. Nobara and Itadori decided to drop the topic, at least for now, and introduced themselves properly to the new girl.

“Oh right, I almost forgot, about Eden.” They were all walking to the dorm to show Izumi where everything was located when Fushiguro spoke again. He immediately got everyone’s attention. “She’s engaged. To Gojo.”

“WHAT?!”

---

“I missed you so much.”

As soon as her office door closed behind them, Satoru got her pinned against it, his lips on hers, arms wrapped tightly around her waist.

“Missed you too. I’m never taking such a long mission again.” Eden whispered between kisses, putting her hands on his cheeks. After being away for so long, she’d be happy to stay right here, in his arms forever, but as soon as Gojo’s fingers slipped under her black shirt to graze her sides, he took a step back.

“What is that?” His blindfold was off in a second as he got on his knees before her and pulled the shirt higher, revealing a pale scar.

"Relax, Toru, it’s nothing.” He ignored her, too focused on the line. It was probably a remainder after a cut that started on her side and went down, disappearing under her pants.

“I hate when you go on missions alone.” Slim fingers followed the scar when her own brushed through his white hair.

“It’s a part of the job, Satoru. Besides, I could say the same thing.” Eden sighed and lowered her hands to his chest as her partner stood up. “We both knew what this life looked like. You knew about it first when you asked me to be your girlfriend and then to marry you.”

“I know, I know. It’s just… I feel like I should protect you, and whenever you get hurt, I fail.” A small smile appeared on Eden’s face when he leaned his forehead on hers, his hands back on the woman’s sides.

“I’d love to remind you, I’m as much a special grade as you are, mister bodyguard. I can protect myself. Even though having you by my side all the time sounds nice.” Satoru nodded and closed his eyes, taking a deep breath in.

He never appreciated a physical touch as much as he did right now. When one of them had a long mission, and he could finally hold Eden in his arms when they reunited. For the past weeks when she was away, he constantly felt like he was missing a part of himself, a part that now fit right in. All it took was her warm body next to his, her soft voice, fingers on his face or neck. She felt like home, and Satoru loved that feeling.

---

“So, how’s Itadori?”

It was late evening, maybe even night already, when Eden and Satoru sat on the couch in their living room. When his fiancée was “fixing herself” after using only hotel bathrooms for weeks and finally reuniting with her cosmetics, Gojo ordered her favorite takeout and turned on a TV show they started watching before she left. It was still paused in the middle of the episode, exactly where they left it. He couldn’t stop himself from taking deep breaths every few minutes, her vanilla shower gel scent taking over his mind and calming his nerves as they caught up on everything that happened. One of their rules from “The Guide to Happy and Very Much Alive Sorcerers Relationship” was keeping the contact low when one of them was away. As long as it wasn’t a life or death matter, it could’ve waited until they were back. It also helped with focusing on getting the job done and going home faster.

“He’s good. This kid is a natural, he learned in a month what some kids need almost half a year for. And the fact he’s got full control over Sukuna? Crazy.” Eden smiled, seeing how excited he was. She always knew Satoru would make a great teacher, so when he got the offer from Yaga, she was ready to promise him anything just so he would accept it. “Oh, Megumi is doing great too. I think he actually benefits a lot from working with Itadori and Nobara. She’s a bit crazy, but talented and smart as hell. You’ll like her.”

Right, it was time for a break, Eden reminded herself, taking another bite of her teriyaki chicken. Even the higher-ups agreed that she deserved some time to rest after hunting the curse users for almost three months and then securing Saori’s vessel. She’ll probably be responsible for her training too, since she was the one who brought her all the way to Tokyo.

“How did you even find Izumi?” In moments like this one, Eden started to wonder if Gojo’s eyes somehow let him read her mind. Or maybe it was how well he knew her, always seemed to know what was going on in her head. She swallowed the last piece of chicken and put the box on the coffee table.

“It was an accident, to be honest. Do you remember Ayato Ame from Kyoto? She was in the same year I was, and we met during an exchange event. I remembered her clan had their main house in the village I passed through on my way back from the islands. The plan was to just visit an old friend, and when I got there, I felt Izumi’s energy.” Gojo listened carefully while finishing his dessert. Actually his second dessert, but who’d count? “It turns out Saori was just always with her, she probably got in contact with a cursed object when she was younger. Their family descends from the Anahime bloodline, and they store a shitton of weird items in their underground. From then it was just a matter of talking her into coming to Tokyo, which wasn’t particularly hard. Teenagers. And when Saori heard about Sukuna’s vessel, she was talking about it non-stop from what Izumi told me.”

Satoru laughed, closing his eyes for a moment. When he looked at her again, there were so many things written in his gaze that he couldn’t and wouldn’t have to say out loud. He leaned forward and left the food on the table to pull Eden into his arms. It took a second to find a comfortable position, but they finally figured it out. Eden was basically lying on his chest, one of his arms wrapped around her waist, hand beneath the material of a white long-sleeve she stole from Gojo’s part of the closet. The other hand was laying next to hers, over his heart. For a while, they just stayed like this, both cherishing the moment.

“Do you think they actually care about each other?” When she asked this, Gojo looked down at her with furrowed brows.

“Who?”

“Sukuna and Saori. Well, I should’ve asked, do you think that Sukuna cares for her. Izumi told me how Saori talked about him, and I can’t imagine Sukuna like that.” Her fiancé sighed and laid his head back on the armrest. Blue eyes focused on the way lights were playing on the ceiling while he thought about the answer.

“Honestly, I’m not sure.” It was Eden’s turn to look confused, but she waited patiently for Satoru to continue. “He was like us before, a jujutsu sorcerer. Times were different, sure, he was an asshole even as a human, but that doesn’t change the fact that he was, and maybe still is, capable of having feelings. Saori did the same thing he did with his fingers, right?”

“Yes, she said it was their way of ensuring they’d be together after he created his cursed parts.”

“I think I get it.” He smiled slightly and lowered his head to look into the black eyes he knew so well. “If I were Sukuna, I’d do anything not to spend an eternity without you.”

[tansyuduri]

@larluce Thank you for the tag and for the rec!!! You are amazing too! I can't believe I'm working on our second collab!!!! 1. How many works do you have on AO3? 31! 13 of which are Melin the rest are from YEARS ago.

2. What’s your total AO3 word count?

297,340

3. What fandoms do you write for?

Currently just Merlin. There is one dragon age fic I MIGHT eventually go back to but merlin for the forseeable future!

4. What are your top 5 fics by kudos? Fever Talk

Treat Me Warmly

Better Than Burning Merlin Enchanted (my first colab with Larluce)

Unthinkable All of these are what I tend to stick too for my fics that are below 40K+ Aka a mixture of fluff, Hurt/confort, angst, banter, whump, ETC with a happy ending. The next one would be one of my long fics XD

5. Do you respond to comments?

Consitering how happy they make me! Yes Every one!

6. What is the fic you wrote with the angstiest ending?

I'll be honnest with you! It would be in my old fics for the Dragon Age Fandom and not Merlin. I tend toward happy endings for Merlin fics. Likely Forget me not or Good Boy

7. What’s the fic you wrote with the happiest ending?

Uhhhhhhhh UHHHHHHHHH UHHHHHH Well Most of my merlin ones have happy endings? If we're going least traumatized Um PERHAPS treat me warmly?

8. Do you get hate on fics?

Oh not really hate but I got this one person commenting on my longfics that Merlin deserves better because arthur would go back to gwen if he could and that they don't like gwen. Like I'm sorry but my Arthur returns series is my love letter to the cannon version of the show in my mind. I'm not going to pretend Arthur never loved Gwen Even if the fic's main paring is Merthur, And even if I belive Gwen would be more likely to love Arthur but stay with the man she remarried (Who she also loved because In my mind she married again to a noble she loved for secrity AND LOVE because I want her to be happy in her life) and knew into old age in the afterlife.

9. Do you write smut? If so, what kind?

I include sex scenes in longfics usually and if asked for a request. I do not think its what I am best at but I do my best!!!

10. Do you write crossovers? What’s the craziest one you’ve written? NOPE!

11. Have you ever had a fic stolen?

NOPE!

12. Have you ever had a fic translated? I am borning and only speak english but I would never say no to this!

13. Have you ever co-written a fic before?

with @larluce I'm actualy currently about to do my first edit of our second colab! 14. What’s your all time favourite ship? MERTHUR

15. What’s a WIP you want to finish but doubt you ever will?

When I started writing merthur I had a rule that I do not publish any of a fic until I am done with the entire thing. I do have some drafts however One is my version of What happens post cannon during gwen's reign. I Don't think I'll ever finish it because I'm CRAZY about merthur. and having Merthur in a fic helps keep me going with it.

16. What are your writing strengths? I like to think I am good at keeping In character, Besides that Dialouge and feelings I think. I like to know my characters deeply and be able to keep them fairly close to their cannon versions. Of course characters have LOTS of cannon versions depending on which time in cannon and how the story affects them. BUT still its somthing I like to focus on

17. What are your writing weaknesses? Problubly having enough decription. I'm NOT a super visual thinker so yeah. 18. Thoughts on writing dialogue in another language in fic?

Normally it should be translated or knowlable. Spells are an exeption

19. First fandom you wrote for? Um I was not in any fandom but I wrote a LOTR spoof in elementary school

20. Favorite fic you’ve written? Oh easy. Our Stars Still Shine Together was my first long merlin fic and the first that I wrote after realizing I could write again

@shanastoryteller @shana-rosee @catsconflictscopicsandchamomile @calamity-talvi @247merthur

@saurix5 @groundbreakingdot872

Twenty Questions for Fanfic Writers

Thank you @liviapeleia for the asks <3!!

Tagging longtime frond @breadkween, fabulous runner of @merlinmicrofic @queerofthedagger (thank you!) and reader and writer who's left me lovely comments @achillesuwu. @mythandmagic, Ao3 is down rn so I can't check but if you have any fics yourself, here's an ask game for you! There's no obligation, presh or time limit of course! Also like @liviapeleia said before me, consider yourself tagged if you see this!

1. How many works do you have on AO3?

11

2. What’s your total AO3 word count?

265,960

3. What fandoms do you write for?

Right now just Merlin. I've written for other fandoms in the past but each of those works have been standalone.

4. What are your top 5 fics by kudos?

Always His Destiny | Merlin | A true love's kiss, resurrection and golden age AU written for Glompfest 2024.

Like Every Tree Stands On Its Own | Merlin | A longfic inspired by other Arthurian media/sources featuring Wildman Prophet!Merlin and a magical forest. This is my magnum opus.

What's Mightier Than a Sword and Robs a Prince of His Servant? | Merlin | Pre-slash Merthur minor canon-divergence in which Merlin's talents in speech writing land him a promotion and Arthur is Not Pleased™.

Only Human | Venom | A short gift/exchange fic about masturbation, lol. The fic I received in exchange was also about masturbation. In my defence this was a writing exercise (I promise).

The Sky Is Falling | Nightvale | Unfinished fic about alcoholism recovery, love, community and the complete collapse of reality.

...Okay wow what a mix :D

5. Do you respond to comments?

I really love comments and I love getting into discussions with readers! It really makes my day to see that someone has commented on one of my fics.

6. What is the fic you wrote with the angstiest ending?

Am I allowed to choose a soon to be published WIP? Words Are Dead, a microfic inspired by the Agnes Obel song of the same name in which Merlin and Arthur are unable to communicate when Arthur returns. Merlin has lost Brythonic, his first language, and his capacity to relearn it. He's simply been alive for far too long and his mind has suffered :(

7. What’s the fic you wrote with the happiest ending?

Like Every Tree has a prolonged bittersweet kind of ending but I think Always His Destiny wins.

8. Do you get hate on fics?

Nope/not yet!

9. Do you write smut? If so, what kind?

Yes, though so far it hasn't been the focus of any of my works, there's no reason why that can't change though (the Venom one doesn't count, I make the rules here). As to what kind I'd say loving and intimate, I guess? Sometimes with a bit of a hurt/comfort element to it. Again, no reason why I can't branch out in the future ;)

10. Do you write crossovers? What’s the craziest one you’ve written?

While not labelled as a crossover, Like Every Tree was heavily inspired by Arthurian media both new and old, and one medieval Irish source. I did so much research for this fic and I'm still down those various rabbit holes. It was a homage to my favourite, janky cartoon movie from my childhood Quest for Camelot. Otherwise I don't write proper crossovers.

11. Have you ever had a fic stolen?

Don't think so.

12. Have you ever had a fic translated?

Also don't think so.

13. Have you ever co-written a fic before?

No but I would love to!

14. What’s your all time favourite ship?

I guess it really has to be Merthur! I don't recall a ship ever having such a hold on me. Those two are doomed but made for each other. The way they interact is so much fun to read/write.

15. What’s a WIP you want to finish but doubt you ever will?

Damn, this is definitely Be Here When the Weather Turns, a Mushi-shi fic. It has a very soft, restful and liminal vibe and I adore it. I really do wish I can finish it someday. So sometimes like a song, you share a piece of media with someone, or you associate it with a particular chapter in your life, and that song/piece of media brings up feelings. I'd like to think it's still worth a read. If you don't know Mushi-shi, please consider checking it out, it was weird and quiet and beautiful.

16. What are your writing strengths?

I can't deny that I put a lot of love into this hobby. Also @breadkween has told me that they really like my dialogue :3

17. What are your writing weaknesses?

I'm really prone to typos. I can re-read something a hundred times and just fail to see them. I'm a very slow writer; what I put out usually goes through months of edits and change-ups. Lastly I have embraced a faux-pas or two for fun, such as starting sentences with 'and.' And no one can stop me >:)

18. Thoughts on writing dialogue in another language in fic?

I'd only be comfortable writing dialogue in a language I've formerly learned and have some level of familiarity with for fear of getting something wrong.

19. First fandom you wrote for?

Okay I love this question because the answer is the highly formative Garth Nix's Keys to the Kingdom series, a YA series I was obsessed with, and have continued to read, and re-read as an adult and as unexpected prequels and sequels popped up in more recent years. I wrote it on a literal floppy disk :D First fandom I wrote for that I actually published online was Undertale.

20. Favorite fic you’ve written?

Definitely Like Every Tree. I'm just really proud of it :3

[midsummersky]

In het bleke licht van zijn eenvoudige plafondlamp zag ik alles. De planten die hij goed bedoeld water bleef geven, ook al sloegen de onderste bladeren geel uit. Het zilveren septumringetje dat net gedraaid door zijn kraakbeen stak. De net te kort geknipte nagels aan zijn vingers. Het katoenen koord om zijn nek waar twee oordoppen aan zwierden, alleen voor zijn oren gemaakt. De hard geworden laag hars die de snaren van zijn cello omsloot.

In onze Chinese kommen lag Italiaanse rigatone, pootje badend in tomatensaus, gepaard met gebakken ui, knoflook en champignons. We dronken koud water uit theeglazen, de rest kwam vanzelf. Zinnen liepen naadloos in elkaar over, we hielden elkaar in stand als trapper en wiel. Terwijl ik zijn geharste strijkstok over de snaren liet glijden, in een poging tot de eerste tonen van Bachs Cello suite 1 in G, sloeg hij dunne spijkertjes in de muur om een gebreide cape op te hangen. Hing een tikje naar rechts, merkte ik op. Speel maar rustig aan, sprak hij aanmoedigend.

Ongemerkt was de zon er tussenuit geglipt. De cello stond weer, verhuld in een goedkope beschermhoes, vervaarlijk tegen de rand van zijn bureau. Zelf was hij op de rand van zijn bed gaan zitten en ik op de soepel draaiende bureaukruk tegenover hem. Ik hoopte dat zijn blik, waar hij dan ook keek, mijn gezicht zou kruisen. Zijn boeken die in ongesorteerde stapeltjes op zij bureau lagen, nam ik liefdevol onder de loep. Een gedichtenbundel geschreven door een zweverige collega met persoonlijke inscriptie. Een fors naslagwerk over alle zeevogels die op dat moment op het strand sliepen. Een grote vierkante gids van eetbare planten en paddenstoelen in de nabije natuur. Nauwelijks fictie, maar wel commentaar op Year Of The Monkey. Te pretentieus. Teveel feiten aangelengd met fictie. Ik wierp er tegenin dat ik juist van literatuur hield. 

Uit alle hoekjes rondom zijn bed toverde hij vervolgens muziekinstrumenten tevoorschijn. Twee metalen fluiten waar hij een kale melodie poogde. Ik herkende het als In Dreams, hij wist alleen dat het uit Lord Of The Rings kwam.

In de minuten dat hij met zijn handen op de dierenhuiden van zijn trommels sloeg keek ik toe, zwijgend en verwonderd. Woordloze momenten waarin ik de geconcentreerde frons die op zijn hoofdhoofd verscheen, de plukjes bruin beenhaar die onder zijn opgerolde broekspijpen uitstaken en, wederom, zijn te kort geknipte nagels gadesloeg. In dit licht zag ik alles, gedachten droogden op en ik dacht aan niets behalve hem. Ik wilde hem aanraken. Hem zachtjes in zijn stompige vingers knijpen en de huid op zijn palm voelen. Met mijn hand over zijn blote rug strijken, over de wonden en littekens van opengekrabte puistjes waar hij maanden eerder over had verteld. Zeggen dat het niet gaf dat de dingen die hij zei als hij over zijn gevoelens praatte, mensen soms confuus achterlieten. Dat ik hem, als hij met mij zou willen zijn, precies het soort tegengas kon geven dat hij eerder had gemist. Dat ik het niet erg zou vinden om gekruld in zijn armen op zijn éénpersoonsbed te liggen, terwijl hij de eerste twee uur wakker niet zou kunnen slapen. In mijn gedachten aan hem kon hij in zijn gedachten weer aan mij denken.

Intuïtieve gedachten en primitive gevoelens, beide laten ze hun wortels kruipen en in mijn brein aarden. Ongewild, zonder vergunning, alleen maar uit op het afsteken van vuurwerk te midden van een stil weiland; hij zou er nooit iets van merken.

[markscherz]

tumblrs being transphobic, with the ceo himself starting an actual harassment campaign against a transfem & also banning transfems who post abt it.

Oh shit, I had not heard about that.

I would like to say I don’t understand why this shit keeps happening, but I actually do understand it way too well. It just makes me so sad and angry. Especially on a site where people find and make their communities.

So much of this is about ego, and the people with power wielding that power to protect themselves and failing to protect others with it. A mere hint of negative sentiment towards them is harassment that is dealt with immediately and harshly, but a dozen complaints about discrimination or threats or bullying take ages to process and frequently come to unsatisfactory moderation decisions.

Whatever the sentiments of the people running this hellsite, you are always welcome in my corner of the internet, wherever you find it. You are all wonderful, and we all deserve to feel that part of this space belongs to us and those to whom we can connect.

Transphobia has no place on tumblr, period. Or anywhere else in society for that matter. It is that which should be being rooted out.

[abnomi]

EVERY REASON (that i can think of) AS TO WHY TURBO/KING CANDY IS NEURODIVERGENT 💥💥

i would like to make a disclaimer first and foremost about the obvious, being that Turbo/King Candy is heavily implied to have narcissistic personality disorder (NPD) and antisocial personality disorder (ASPD). Very often, characters with these disorders are portrayed as villains, and Turbo is no exception to this. There's nothing wrong with antagonistic characters having said disorders, per se, but when the only representation available for people with these conditions are found in characters you're not supposed to root for, it can be really disheartening. i won't be erasing these parts of him because i feel it would be in poor taste to gloss over those core elements of who he is, but plz keep in mind that having any kind of personality disorder doesn't make anyone inherently evil!!!🌞 your ACTIONS make you, not your brain

Also if anyone has any suggestions or other ideas for his neurodiversity, i would love to hear them! please do share!! I LOVE PSYCHOANALYZING CHARACTERS AND HEARING OTHER PEOPLE PSYCHOANALYZE THEM !!!! YAY🎉 if u agree or disagree with any of my points I'd love to discuss them further :-]

without further ado... click read more to find out…😈 be ready for a lot of reaches

💥 ADHD 💥

STIMMING

Turbo's constantly moving around in some way; he's a very expressive character! even as King Candy, he can't seem to conceal his frequent giggling. it's a big habit of his; he seems to do it involuntarily to regulate himself, including when he's nervous or uncomfortable.

he seems to display other repetitive behaviors as well, like doing his iconic thumbs-up pose, sticking out his tongue, or hopping around gleefully. he is but a jovial court jester..

i personally like to think that his phrases, "Turbo-tastic!" and "Have some candy!" are vocal stims of his, although i equally really love the interpretation that these (and the aforementioned stims) are tics :-]

another headcanon; i think it would make a lot of sense for him to have an oral fixation of some sort (ignoring the whole sigmund freud part of the term ermm...); just lots of biting, chewing, needing to have something in his mouth. It would align with the whole idea that he smokes, too

HYPERACTIVITY

we can clearly see throughout the film that Turbo has a lot of energy, made abundantly clear by his mannerisms and general behavior. he's constantly moving, using exaggerated expressions and gestures to communicate + express himself. He's one of the most animated and bouncy characters in the movie, next to Vanellope! it's silly how a character not very grounded in reality is such a threat, but i suppose that's what makes him so threatening in the first place...

another factor in this is how he is very adrenaline-seeking, craving activities that give him a rush (sugar rush...😂😂). more on that in a bit!!

HYPERFIXATION

Turbo's fixation with winning is all-consuming for him; it's an obsession. he doesn't appear to care about much else, if anything besides it. this could be interpreted as a hyperfixation for him (or special interest if ur all about that autism lifestyle), as it overtakes all of his focus and impedes every process of his mind.

it's clear that racing is much more than a passion for him, and while that fact is due to how he was programmed, it's a major character trait of his regardless that could be correlated to neurodivergence.

HYPERFOCUS

There seems to be a big theme of "all or nothing" when it comes to Turbo. he will either be fully dedicated to something or brush it aside without a second thought. it can't be denied that he fully wraps himself up in what he wants, whether it's a conflict he can't let go of or a new pursuit he's hungrily chasing after. 

ultimately, his dedication varies depending on if it is relevant to him and his interests or not, but this aspect of him still shares patterns with neurodivergent thought processes.

INSTANT GRATIFICATION

Seeing as he has a tendency to cheat in his use of code to spawn in whatever his heart desires, it can be assumed that this could do with Turbo wanting instant gratification to fill that bitter, empty void inside of him. while this could simply be brushed aside as greed and his belief that he is obligated to have access to whatever he wants, this trait is consistent with his generally dopamine-seeking behavior and wanting to be instantly rewarded by his actions. His obsession with needing to feel good directly relates to his need for another buzz, constantly after the next rush. (a sugar rush if you will☺☺☺)

ADRENALINE-SEEKING

Closely related to the previous speculation, Turbo always seems to be chasing his next high. he loves the thrill of action and being surrounded by crowds of people below him. it's why his big thing is racing! people cheer him on, he can do whatever he wants, he can go really fast and look cool..

it's possible that a big aspect of why he does this is to distract himself from any kind of pain, because pain = vulnerability. bro does NOT know how to independently cope with his own problems.. HE MAD AS HELLLLL!!! 😂😂

STRUGGLE WITH SELF CARE

(i know this is reaching but bear with me... 🐻) going off of his appearance and tendency to make poor decisions, it can be gathered that this man lacks skill in the self care department. his yellowing teeth and sunken eyes not only serve to complement his design, but also give way to the idea that he neglects himself in favor for whatever weird scheme he's up to.

of course, Turbo does prioritize himself above everyone else, but he doesn't strike me as the type to care much about how others think he smells. him being a bother to anyone isn't a concern of his. he cares about whatever gets him the most praise and attention from as many people as possible, which is winning and racing. Who cares about how clean he is when he's up on a podium holding a shiny, golden trophy, anyway?

It's likely that he had to step his game up when he went under disguise as king candy, which is why he looks well-groomed in comparison to his more corpse-like appearance. Ugly hoe. it can also be assumed that he's had more time to focus on himself because everyone loves him without question... Well, except for Vanellope, but who cares about her, right?

also, i know he makes a condescending comment to Ralph about how bad his breath smells, but it's made abundantly clear that Turbo is a massive hypocrite. his comment doesn't erase the possibility that he has suffered from such "halitosis" as well.

💥 ANXIETY 💥

GENERAL ANXIOUS BEHAVIOR

i know, i know, this could technically be chalked up to be "Turbo is nervously giggling and shit because he's scared of getting caught," but guys. g

even in the flashback scene, we can see how easily stressed he can become in an alarmingly short period of time. he is extremely insecure, therefore i am led to believe he is not only emotionally dysregulated, but also by extension, anxiety ridden.

yes, this is purely speculative, but who's to say that he wasn't like this before? being high-strung and intense are significant facets of his personality consistently portrayed throughout the film. as long as he is getting exactly what he wants, he is happy; the moment he loses even a blip of control, however, he immediately grows extremely tense.

if Turbo wasn't anxious about his disguise as King Candy before, he was anxious about how much attention he was receiving on a given day. if not that, then he'd be anxious over how he presents himself. He hates how he can't control how other people perceive him, which is why he is constantly trying to act like he's better than he is.

its why he justifies his behavior to himself, proudly making others refer to him as the "rightful ruler" of sugar rush and relishing in the attention of his countless underlings. Any secure and stable person would NOT ACT LIKE THIS!!!!😭😭😭

FIGHT OR FLIGHT

As we can see a handful of times on screen, Turbo's instinct to protect himself is very easily activated.

 his fear manifests in anger and aggression. we can see at multiple points how easy it is to upset him or fluster him; his anger is one side of the same coin, the opposite end being his fear and paranoia.

Going off of this point, have you noticed that Turbo is either satisfied or furious without much of an in-between? how the second something isn't under his manipulation, he lashes out and fights back? I'm led to believe that this is how he responds to fear (AAUAAYAUUUUGGHHH 🐡🐡🐡🐡🐡🐡🐡). This guy is so against the idea of being vulnerable, that even when afraid, he will utilize violence to regain his dominance over the situation at hand.

CONTROL + PARANOIA

Turbo's always trying to writhe or fight his way out of uncomfortable situations, unable to exist outside of his comfort zone for seconds at a time.

his defensive, paranoid, and controlling behavior are all reflections of how deeply insecure this man is. He feels such an intense need for everything to go exactly how he expects it to go that the moment he senses any kind of threat, he instantly jumps to defend himself and what he feels that he has "earned," regardless of whether there truly is a threat or not.

this could potentially be a coping mechanism for his anxiety and sense of stability; can't forget to mention how territorial he is!! he jumps to conclusions about what others' intentions are before they even get a chance to reply, as seen with his first encounter with Ralph in the movie. 

the racer is so internally discombobulated that he seeks any sense of stability on his environment, including on those around him. his sense of self is so warped that he copes with constant distraction; being under the spotlight, being actively racing, having to be showered with attention, having others make him feel good because he doesn't know how to do it for himself. he needs to feel like everything is under control, lest everything falls apart.

"...if there's ONE thing I can't abide, it's ANYTHING out of order!"

💥 NPD 💥

INFLATED SENSE OF SELF IMPORTANCE

Turbo's most in-your-face trait above all else. It's made more than crystal clear in every scene he's in that his arrogance is a determining factor in how he interacts with others. This is exactly what drives him to desperately crave admiration, to chase after others he's envious of because he thinks he is obligated to take what they have.

he seems to genuinely think he is entitled to get whatever he wants, just because he is inherently "special" or "better" than everyone else. Why else would he have made himself a king, a step above princess?

EXCESSIVE NEED FOR ADMIRATION

Turbo's self worth is COMPLETELY dependent on the opinions of children and teenagers. I think i don't need to say any more than that, but i will. (Evil).

As cartoonishly massive as his ego is, i think that it's fair to assume that Turbo has a very unstable sense of self, distorting his perception of his own worth down with it. his near-constant flaunting and need to be the best is a dead giveaway to his deeply-ridden self-doubt. The foundation of his stability is built around how "good" he is (at racing and winning), how powerful he is, whether or not he is being prioritized above everyone else, whether or not he is the absolute best, etc. etc.

The racer outright manipulates others to shower him with admiration and undeserved appreciation. He is incapable of forming a true sense of internal value, instead heavily and codependently relying on others to form it for him. if he isn't the best, he may as well just be nothing.

INTENSE JEALOUSY

He reacts so severely to what he perceives as others taking away what is rightfully his that it only goes to solidify my previous points even further. the second someone else is getting more attention than him, Turbo will bend over backwards to rip back the praise he believes he so rightly deserves.

being extremely competitive, he will one-up against anyone he thinks of as a threat, dedicating himself to taking them down to the best of his ability, and making sure they STAY down to top it all off.

INABILITY TO HANDLE CRITICISM

if we really dissect the entire one-off joke with Turbo insisting that his stolen pink castle is actually "salmon," along with all of his other domineering behaviors, we can garner that he is very persistent in how he wants others to view him. i wholeheartedly believe that this would translate into him not only being defensive over his supposed "ownership" of Sugar Rush, but also over himself and his own insecurities.

He needs to feel good about himself or else he will die and quite literally try to kill everyone.

LACK OF EMPATHY

He appears to have a fondness for making jokes in very poor taste. Turbo has a big sense of humor, but it's always at the expense of others. Be it a pun about a "fungeon," or jumping to protect himself with a joke about "hitting a guy with glasses," he has a tendency to take serious situations very lightly. It's not that he's unaware of the weight of it; he simply doesn't take it Seriously.

its admittedly impressive how he was able to feign empathy so well for Ralph; it goes to show how he is very capable of understanding that what he's doing is wrong, but ultimately does nothing to change his behavior because it doesn't impact him personally. 

i would like to honor this part of him, because even in the possible alternate path of a redemption arc, his struggle with empathy can be explored in a variety of interesting ways :-] he can understand complicated emotions and situations on an analytical level, but he doesn't feel for them unless it has to do with him specifically. (this obviously doesn't make him inherently evil, his ACTIONS make him evil)

💥 ASPD 💥

LACK OF REMORSE/GUILT

One of Turbo's core characteristics is just how far he is willing to go for his own self-interest with lack of regard for how it impacts everyone else. he has absolutely no concern for how anyone else feels besides himself, willing to go so far as to attempt to mutilate a 9-year-old to achieve his petty goals.

Turbo is shameless when it comes to how he goes about getting his way. While I'd like to believe he isn't fully incapable of feeling regret, he doesn't showcase feeling it in the movie itself. The most regret he'll feel is when he slips up and exposes himself. anything else is the fault of everyone else; he is untouchable in his eyes.

DECEITFUL TENDENCIES + LYING

Where do i even start with this one.

well, first of all, let's acknowledge the... erm, horse? in the room? 🐎😅(Please someone help me there is a horse in my room help helphel) being that Turbo went under disguise as King Candy for at least a decade. Even before this, there's a good chance that he's already had plenty of experience with lies and manipulation. i'd be willing to bet on this!!

one of his specialties is being proficient in manipulation, be it the code of games or the minds of people. theyre basically the same thing to him, anyway... I'm sure you all know the scene where he uses 16 manipulation tactics against Ralph and wins. this was Obviously not the first time he'd done this.

REPETITION OF HARMFUL BEHAVIORS

Time and time again, Turbo can't seem to help himself when it comes to poor decision-making. he never internalizes that his bad choices aren't JUST bad for others, but also for himself, continuing to escalate further and further into very dangerous behaviors until he literally dies.

Here's a list of bad decisions he has made! (at least, that we know of)

Pinning himself above his peers

Harassment + stalking

Carelessly charging through GCS with his car, endangering countless civilians

Attempting to take over a game that isn't his x2

Vehicular manslaughter

Implied mass murder + attempted murder, attempted mutilation

Mass endangerment

Breaking and entering, theft, usurpation, plagiarism

and more!!!!!!!

AND HE LEARNS FROM ABSOLUTELY NONE OF THIS!!! with some of the items listed here, he's attempted to do multiple times! Absolute buffoon.

RECKLESS DISREGARD FOR SAFETY OF SELF AND OTHERS

Considering how he was willing to charge into a game that wasn't his own with the awareness that it could permanently kill him, going as far as to recklessly crash into another car (albeit it's possible this was unintentional), it's easy to gather that he doesn't seem to consider anyone's safety at all in the spur of the moment.

IMPULSITIVITY

his impulsivity and disregard for safety both go hand-in-hand. When it gets to a certain point, Turbo's emotions will boil over and blow up in a cold rage, thus causing him to spiral and act on impulse, becoming a detrimental force to himself as well as everyone around him.

What's interesting is how much restraint he is capable of; he typically is very strategic in how he orchestrates his plans! but once he reaches his breaking point, he snaps and leaves all of his hard work behind in favor of something that calls for his immediate attention.

💥 ETC. 💥

extra tidbits i didnt have enough energy to fully delve into :-]

BPD

Fear of abandonment

Blurry sense of identity

Feelings of emptiness

Self destructive tendencies

Emotional instability

Explosive anger

ODD (oppositional defiant disorder)

He seems so infatuated with his own autonomy that he gets to the point of being resistant and defiant

Resisting against the rules of the world that he directly caused as a result of his own actions, being that one shouldn't "go Turbo."

Enjoys upsetting/getting a rise out of others. this is more speculative as i am going off of the assumption that he thinks pissing people off is funny, based on his other behavioral patterns. (cruel sense of humor, wanting to feel above others via control & manipulation, enjoyment of inflicting pain onto others)

Forcefully defends himself and refuses any kind of criticism

Lashes out when he feels slighted

Excessive persistence despite all odds, whether it's beneficial to him or not

ok bye!! thank you if you managed to read this far ^^ peace and love take care of yourself! all in all turbo is so neurodivergent ok please Okay <3 get this thing his meds

[somegrumpynerd]

Cross has trouble getting to sleep alone in his room and goes looking for a distraction, but ends up finding a solution for both of them

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[vellichorsdesire]

your f/o(s) keeping in mind the most seemingly littlest things you mention just cause you’re that important to them… whenever they see your favorite color, thing or a heavy interest of yours they can’t help but be reminded of you immediately and want you to know about it, telling you immediately the next you meet orr taking a picture and sending it to you. them even trying to understand your interests though they know nothing about it or even if they wouldn’t seem interested about it!!! and then keeping the information they learn from you to use in conversation later on with you again, or even learning more about it when you two are away to surprise you

[curseofdelos]

I finished re-reading TLH recently, and I want to talk about the common fan interpretation of Piper as a pick me girl for a sec (let me preface this whole post by clarifying that while this is ultimately a defense of Piper as a character, it is also a critique of how Rick wrote her, Drew, and the rest of cabin 10)

The way cabin 10 is written in the books has never been great. Very early on in TLT, Rick makes a point to establish that Aphrodite had both sons and daughters:

Take note of how Rick explicitly genders Aphrodite kids in this paragraph, but uses the gender neutral "kids" to refer to the children of every other god. This is a very deliberate writing choice, and I can't think of any reason why he would have done this other than to (initially anyway) avoid associating womanhood with vanity/interest in personal appearances.

...And then in every book after this, cabin 10 heavily skews female, and traditional femininity becomes the butt of almost every joke about them.

Cabin 10 doesn't get any real focus until TLH with the introduction of Piper, Drew, and the rest of Cabin 10, in which Rick spends a lot of time establishing how different Piper is from the rest of her cabin because she rejects traditional femininity. Piper cuts her own hair, she doesn't wear makeup or care about fashion, she hates dresses etc. This is in direct contrast with Drew who's often described as wearing heavy makeup, having perfectly done hair, manicured nails etc.

Note that Piper's description of Drew's appearance is fairly neutral. Her problem with Drew is not in how she chooses to dress, but in her behaviour.

This would be fine if it weren't for the fact that every time Drew's appearance is described, it is directly preceded and/or followed by her doing something heinous. She insults and degrades Piper's appearance within seconds of meeting her, and we see this again in the Cabin 10 scene where she bullies and manipulates their siblings - kicking them out of the bathroom mid-shower, dumping a bin filled with used tampons on the floor and making them clean it up, etc.

Piper and Drew are in direct competition throughout the entirety of TLH. Piper strongly disapproves of the way Drew runs the cabin, they have differing opinions on Silena Beauregard (despite the fact Piper doesn't actually know her but I digress), and they're both interested in pursuing Jason romantically - Piper out of genuine attraction, and Drew out of the desire to break his heart for the Aphrodite Rite of Passage.

The narrative at every turn pits them against each other. Piper's intentions are always painted as pure and kindhearted while Drew is consistently characterised as a stereotypical mean girl who hurts others simply because she can. Drew is never given any motivation for acting the way she does, and her sole role in the story is to act as an obstacle for Piper to overcome so she could become counsellor (which is kind of pointless considering Piper never interacts with her cabin again after this). She's flat and two-dimensional, and never gets any real character development. Her sole personality trait is mean.

The result of all of this is that traditional femininity gets associated with shitty behaviour, while the rejection of traditional femininity gets associated with kindness and generosity. It should be stressed that Piper herself doesn't actually think that she's better than Drew because she doesn't wear makeup etc; Piper's issues entirely lie with Drew's behaviour. The worst Piper ever says is calling all of cabin 10 "shallow" which is no different to how the other characters talk about them (which is still a problem to be clear; it's just not a problem with Piper specifically, but how the narrative characterises cabin 10 as a whole). It's the narrative that paints femininity as lesser because of the way it positions tomboy Piper (the protagonist) as a better person than highly feminine Drew (the antagonist).

In fact, the most explicitly we ever see the book paint Piper's appearance as preferable to Drew's is in Jason's POV - not Piper's. After Piper gets claimed and Aphrodite changes her appearance, Jason spends several chapters going on and on about how much more beautiful and desirable Piper is when she's not dressed up or wearing makeup.

Because of all of this, it's not difficult to see why so many people in this fandom have interpreted Piper as a pick me 'not like other girls' type girl. The narrative constantly presents her as a better person than the more feminine Drew, and Jason (the boy they're competing over) chooses her at least partly because of how naturally beautiful she is without trying.

However, even though I do understand where this interpretation of her character came from, I do want to push back on it for a number of reasons.

Firstly, it is explicitly stated several times in TLH that the reasons Piper doesn't wear makeup and cuts her own hair is because (1) she doesn't like being the centre of attention (see the first screenshot of this post), and (2) she's rebelling against her father.

Piper's entire character arc in TLH centres around her initially being insecure at the start of the book to becoming more confident over the course of their quest. It is stated on several occasions early on that Piper doesn't like being the centre of attention, but by the end, she feels more comfortable in her own skin. She goes from being embarrassed/hurt by Drew's comments about her to laughing them off and standing up to her by the end.

The term "pick me girl" refers to girls who do things for external, mostly male validation. This is the exact opposite of why Piper doesn't wear makeup or conform to traditional femininity. She does this precisely because she does NOT want to draw attention to herself. The only male who's attention she is trying to get is her father's, and she's doing this by acting out in ways he doesn't approve of. Piper does want validation from her father, but she's not cutting her own hair to get his validation; she's so starved for affection that she wants any attention from him, even if that attention is negative.

Similarly, a major point of conflict for Piper is whether or not Jason is attracted to her, but she is not rejecting feminine things because she wants to impress him Jason does find those qualities in her attractive, but Piper held these opinions long before they even met. It was Jason/the narrative that paints those qualities in Piper attractive, not Piper herself. (Side note: there's a lot more to be said about how their relationship was written in TLH, but that isn't relevant to get into that here.)

The other reason why I want to push back on the interpretation of Piper as a pick me girl is that she's a queer woman. In a straight patriarchal society, women (women of colour especially) are often expected and pressured to perform gender in particular ways - wearing makeup, dressing femininely, being attracted to boys and exclusively boys. In much the same way that Piper's coming out now makes it possible to read her relationship with Jason as compulsory heterosexuality, it's also possible to read her discomfort with traditional femininity as discomfort with being a straight girl. It's possible to retroactively read Piper's dislike for feminine things as her feeling uncomfortable with heterosexuality but is too closeted at this point to realise it. She does, after all, cut her hair very short at the end of TBM while she is the process of exploring her sexuality.

(To be clear: I'm not arguing that this is what Rick had always intended for her - I assume he expected Jason/Piper would be endgame at the time he was writing TLH - but I do think there's a 'death of the author' interpretation available here that her hatred of dresses etc is an early sign of her being a closeted queer woman who is beginning to explore her gender presentation and sexuality.)

I feel that sometimes, in their efforts to (rightly) criticise the way femininity gets treated in this series, some people act as if makeup is in intrinsic part of womanhood and that Piper is a misogynist for not wanting to wear it. This is not true. It is not inherently misogynistic for a woman to dislike it - especially when that woman is queer, and especially in today's society where many women are pressured into wearing makeup to be taken seriously. Piper disliking makeup is not the problem.

The problem with Piper's story in TLH is that the narrative consistently presents her as a better person than the more feminine Drew, and a more desirable option for Jason because of how beautiful she is without trying really hard like Drew and the other Aphrodite girls do. Because every highly feminine character is either a villain (Drew) or a joke (Valentina in TOA), the result of Piper and Drew's rivalry is that femininity gets demonised by the narrative. Again, it's not that Piper herself thinks she's better than Drew for hating fashion; it's the way the story puts these characters in opposition to each other that results in femininity being framed as lesser.

I think a writer with a better grasp of women's issues (and queer women's issues especially) could have written a great story here on gender as a performance, and an exploration on conforming (Drew) VS rebelling (Piper) against gender norms! How there really is no winning and women get harassed for being too feminine AND for not being feminine enough (See: the jokes about Clarisse in PJO not being a girl/being manly because she's violent and rough around the edges)! What we got instead was a story that carries the deeply unfortunate implication that girls who don't care about their appearance are kinder and more desirable than girls who do.

It's not Piper that's the problem; it's the narrative. I think a lot of people have been conflating the two, and have been unfairly pinning the blame onto Piper's characterisation when the fault lies with the plot, and with Drew's characterisation as a flat two-dimensional mean girl stereotype. I think if Drew had been given a redemption arc like Clarisse, or some amount of depth that explains why she hates Silena and acts the way she does, or even if she and Piper had learned to respect each other despite their differences, then we would be having a very different conversation.

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[dangerousdan-dan]

Sometimes, liking a complex, well-written character means holding her close to your chest and protecting her from the "She did nothing wrong" blorbofication

[jounosparticles]

reply to the tags of your reply to my previous ask: PLEASE RANT TO ME ABOUT THEIR RELATIONSHIP!!!! i want to hear. they rot my brain too and im glad that i found someone who's also suffering the suegiku takeover

OKAYOKAY YAY!!!!! this will be fun >:)

a huge suegiku analysis:

okay in the last ask you mentioned how tetchou stabs jouno for fun and sillies and stuff which happened to make me think a lot about how tetchou acts decently different around jouno than others.

tetchou is typically rather formal in the way he acts in a way? as in he's very straightforward, generally composed and calm in his words, and polite to anyone he's dealing with.

an example of this is when he still treated the cafe owner kindly despite him being an "accessory to terrorism" in jouno's words.

basically, in most situations, he remains very composed. even when he's up to his sillier antics (like when he was watching ants or doing pushups during a meeting). he's direct and straight-faced almost always around most people. he doesn't act that way to be seen as silly, it's just who he is (and i love it).

i would imagine he could act this way for many reasons. it is most likely him being professional, likely as a reference to the irl tetchou who had samurai lineage; making him act with the tone and professionalism of samurai.

despite his professionalism, maybe he has difficulty being expressive around most people, or maybe he doesn't want to be expressive around people by choice.

but this is where he's different around jouno.

firstly, i'll talk about the times he's stabbed jouno. this has happened twice, and both were to de-escalate jouno from his tendancy to mentally torment people.

the wording in these panels implies this is a regular occurrence. which is a little funny to me hehe.

anyway, we see by the way that he acts around others that usually he de-escalates situations by talking first instead of acting. he will turn to violence if he believes it's needed, but typically he talks first. we see this when he confronts kenji verbally before attacking.

yet with jouno he doesn't bother to tell him to stop first, instead opting to jab him. remembering that the hunting dogs have enhanced physical strength, a small stab wound probably isn't a huge deal for them.

because of this i think the stabbings are tetchou partially teasing jouno. him messing around like that isn't something he does with anybody else but he seems to enjoy pissing off his partner.

also. stabbing him directly in the ass? gay as hell. jouno following up by saying "don't poke my ass every single time" implies that his ass specially gets jabbed a lot. hmmmm

anyways

another example of this is when tetchou smirks/chuckles at jouno insisting that he's the greatest hunting dog. the small laugh was most definitely to bother jouno.

mmmm theyre both so pretty.

once again, tetchou pushes aside his composed self and being intentionally silly only really happens towards jouno.

arguably, this can be shown again in the pushups scene.

tetchou acting unbothered and then calling jouno's weight "just right" while he continues to exercise seems like a combination of him trying to (jokingly) annoy jouno as well as his tendency to not acknowledge his own actions as bothersome or odd to others.

anyway to sum up this segment: tetchou is only seen intentionally bothering and teasing jouno and nobody else. he acts much differently towards others but seems to let his professional guard down around only his partner. this shows a great layer of trust and comfort between the two!

oh. but im not done talking about this. not at all.

the other huge display of emotions for tetchou was everything that went down with kenji.

as displayed throughout most of tetchou's appearances, he's incredibly justice-orientated. he has a tendancy to put justice above everything. here's a couple panels showing this:

ooog tetchou is so pretty. i love that left panel so much

using his own logic here, he should have went after bram after having found him. tetchou even admitted that, but there was one other thing more important to him than that. jouno.

starting here, this panel takes place after bram and aya escape. at this point, tetchou had assumed the agency was using bram to control people; meaning it wasn't just kenji he technically had business with at that time.

i will also preface this by saying the book's influence likely had an impact on tetchou attacking kenji before they could finish talking.

however, the book's writing didn't stop tetchou from insisting on finding jouno before taking down the agency. his worry towards jouno's whereabouts made him change his stance on justice as well as deterred him from prioritizing taking down the agency.

now that he's talking to kenji, i'd like to start it by showing that he seemed genuinely grateful and happy when kenji initially offered to help him find jouno.

as well in the anime, his eyes soften when kenji offers to help.

after talking to kenji for a brief moment, he opts to attack instead of continuing. this seems out of character for tetchou; he even apologized to kenji before saying he needs to find jouno as quickly as possible.

the fact that he apologized, combined with how we've seen him treat people in the past shows that this isn't typically what he resorts to.

also, in the anime we can see the gloss his eyes slightly shaking as he says this line, which could display worry, sadness, or anger towards whatever could be happening to his partner.

he seems almost distraught, which is a huge contrast to his typically-composed self.

and, of course; there's the fact that mid-fight tetchou had to tell kenji that jouno is a good person despite what people think.

he looks genuinely sad here, as if he's speaking from his heart. jouno has very-clearly put up a tough exterior that he uses around everyone, but tetchou goes out of his way to defend him even when he absolutely doesn't need to.

he could have stayed silent or just said he wants his coworker back, but he insisted on stating that jouno is a good person.

it's also important to note that nobody else tends to speak kindly of jouno, which puts a lot more depth on their closeness to each other. tetchou sees through jouno's words and actions and knows that he is heavily misunderstood.

and of course, we have tetchou directly saying that he will place jouno above justice despite knowing what the right course of action should have been.

he is putting jouno above the very thing he basis his career as well as his morality on. that's how worried he is. that's how much he cares.

and in this panel, we see he's extremely angry towards kenji's lack of response.

lets compare this to the first time tetchou fought the agency.

in chapter 61, when he was fighting the agency alongside jouno; he kept a more menacing/intimidating look as he attacked. when he was not attacking, he kept calm-looking despite being pissed off. compared to when he was fighting kenji in chapter 100 and looked infuriated. even the different fonts used for the dialogue puts further emphasis on this.

now, i'm going to jump ahead to the end of tetchou and kenji's fight. tetchou recognizes his mistake and asks kenji to kill him.

it's important to note that his reasoning as to why he should have chased justice was because he doesn't think jouno would have condoned his choice.

he specified it again, even opting to call jouno his friend. also note how white his eyes are here, meaning his intent was pure and he genuinely felt awful for misjudging what jouno would have wanted. he cares so much that he was asking to be killed for misunderstanding what was the correct course of action.

and then after kenji insists on helping him find jouno instead, he smiles in relief before the two pass out.

one last small note is that we've only ever seen tetchou smile three times throughout the manga so far, and all of them were mentioned here and involved jouno.

to sum it all up: tetchou, who is typically very composed and justice-orientated, is willing to throw aside his entire stance on justice for jouno. he lets his professional guard down around his friend, allowing them to tease each other and be silly as well, which he doesn't appear to do around others often. this shows that the two have a close bond and genuinely care so much about each other.

------------------------------------------------------------------------------

as for jouno, i don't have as much to say however there definitely is a few things i'd like to touch on.

firstly, despite claiming to hate tetchou a lot, jouno still uses a respectful honourific (-san) whenever he refers to him. i'm not a japanese speaker so please feel free to correct me if i'm wrong but there's a good chance jouno would opt to not use an honorific at all if he genuinely detested tetchou as much as he claims.

and when it comes to teasing, jouno does it much more often than tetchou does (however he also messes with more people, it's just a personality difference between the two).

clearly with the way they act around each other, jouno does not actually hate tetchou. i think they like to bother each other by play-bullying.

also, noting on jouno's criminal past, he was given an easy oppurtunity to be thrown into the DoA where he could be incredibly powerful and would likely not face any consequences for his actions had he joined.

we know he declined fukuchi's offer because he found joy in saving innocent people. but i would the influence of the other hunting dogs helped set him into that place of mind. tetchou seems to be the one he works with most, so there's a good chance he takes a lot of inspiration from how tetchou handles justice.

another thing i noticed with jouno is that his displaying of emotions is almost an inverse of how tetchou acts. jouno keeps smiling a lot despite who he's speaking to. in contrast, he can keep a straight face when interacting with tetchou a lot.

of course, that could make it seem as if jouno is unhappy around tetchou, but i would argue it's the opposite.

some people will force a happy expression to appear unassuming or kind (or in a lot of jouno's cases, intimidating). so him allowing himself to maintain a straight face around tetchou could mean that he is comfortable enough around him to not feel the need to express everything. he doesn't need to keep his guard up around tetchou.

jouno almost always keeps a very happy or calm composure around enemies, likely as an intimidation factor. yet he allows himself to express frustration and annoyance around the hunting dogs in general, and most often with tetchou. i'd like to imagine this just shows his security in his partner.

jouno talking to an enemy, for reference ^ i also just really love this page hehe

the last thing i'll mention here is a lot of speculation on my behalf. however i think that jouno seems like the type to push away those close to him. i kind of perceived his supposed hatred towards tetchou to be a combination of joking around as well as possibly a defense mechanism to try and avoid keeping people close?

my main reason in stating that is that he's claimed to not like any of his coworkers yet still opts to not betray them and still works well with them. if he truly hated tetchou, he probably wouldn't allow them to work together. he likely says such things to avoid being liked too much, and these actions proved to work since tetchou acknowledged that everyone sees jouno as cold.

yet through all that tetchou still knew he was good despite the exterior, which makes them well-suited for each other.

anyways: i feel like these two really do treat each other much differently than they treat the other people around them. that puts a lot of emphasis on their bond and closeness in general. they can be silly around each other, they can get through arguments no problem, they make a great team, and clearly care about each other a ton! they mean so much to me <3

i love my sillies :)

[transient-winds]

OUT OF 82 VOTES...

4th Place: Nakamura Kanji with 5 votes (6.1%)

3rd Place: Endo Yamato with 19 votes (23.2%)

2nd Place: Tsubakino Tasuku with 28 votes (34.1%)

In 1st place, Takiishi Chika with 30 votes (36.6%)

*que party bgm*

By popular vote, Takiishi will be added onto the roster for my torso studies alongside Umemiya, Togame and Shitara! I’ll be posting the drawings in a week over on my art blog so keep an eye out for that. 😉