#sorry if there’s any mistakes in there

[jaeyleo]

LOCKS OR KEYS: PART 9

YOU CHOSE: KEYS: TAKE THE CAR AND ESCAPE

Your choices leave your character lost. He has no choice but to succumb to the will of his captor.

CWS: non human whumper, whumper is also caretaker, captive whumpee, failed escape attempt, sick whumpee, brainwashing, torture, dehumanization, delirious whumpee, suicidal ideation, force feeding alcohol, hallucinations and delusions of bugs crawling on and into whumpee’s body, hypnosis. let me know if i should add more!

Masterlist.

Tag list (lmk if you’d like to be added or removed, my apologies for forgetting about it the last handful of parts): @skid-row-seymour @welcome-to-the-whumpfest @the9645archives

sorry this one is kinda long, but i felt like y’all deserved a bigger part for waiting so long to hear from this series :cryface:

. . .

The keys hang on the wall, the car sits outside. It’s time to go.

In one swift motion, Chase sheds the blanket off his shoulders and snatches up the keys. He strides outside the house, making easy and confident steps down the porch. Getting in the car is easy, starting it is easy, driving is easy. For once, he isn’t afraid.

The puppet opens his eyes. Now that he’s pictured his half assed plan, he can begin the attempt.

He sheds the blanket onto the couch, feeling a rush of cold air hit his skin. For a second he pulls it back, but ultimately elects to fold it and leave it on the couch. Maybe Pseudo won’t be as angry with him if he doesn’t leave a mess. Maybe he’s just stalling.

Once finished, he begins his steps towards the keys. They’re clumsy and painful, causing him to fall into the arm of the couch before he even leaves the living room. He manages to get to the keys, and with a trembling hand, he plucks them from the wall.

He feels nauseous.

Is he really doing this?

He could turn back at any moment, and Pseudo would never know. He wouldn’t question it, because Chase would still be in bed when he got home, and the keys would still be on the wall. He could turn back. He could be safe.

But instead he opens the door, against everything inside him. He can hear his inner “Pink voice” crying inside his head, “bad idea, bad idea, bad bad bad idea!”

But he is ignored, and Chase finds himself in the driver’s seat of the car.

It takes him a few minutes to muster the courage to start it, and then a few more just to remember how. His whole body shakes in cold and fear, and he feels like he could vomit at any given second. His nervousness cracks him down to his core, splitting through every cell and piece of tissue there is to have inside a human. Once the car rumbles to life, he adjusts the mirror, and sees Pseudo in the back seat.

“Fuck!!”

Chase whips around to look at him, but finds the car empty.

The relief, the fear, the sickness, the fighting Pink and Chase, God, he can’t take it. He can’t tell if what he saw was real or fake, if he’s just hallucinating or if Pseudo’s onto him and is just toying with him. But he’s come this far, and what he can’t take even more than the situation he’s in now, is staying another day here in Denmark. He wants to go home.

Chase puts the car in drive, and starts his terrifying journey.

. . .

If starting the car was difficult, driving should be its own category of horrendous.

He’s completely forgotten how. For the first ten or so minutes he either goes too fast or too slow. He almost drives off the side of the road into the wooded areas, (which he absolutely scratches the car), and at one point, he nearly crashes when trying to turn too fast on a curve. As time passes, the sun falls farther and farther beneath the trees, to which Chase panics when trying to find the switch for the headlights. He considers pulling over for a while just to cry about it all, but he gets the hang of most of it. He gets the hang of most of it, and he drives just fine for a while, despite having no idea where he’s going.

As Chase drives and drives, he starts seeing a house in the distance. Pseudo’s house.

Did he drive in a circle?

The roads don’t curve like that, do they?

Chase speeds up, terrified to be met with this fate so soon. He hopes he’s hallucinating again.

The same woods and lake and curves meet him again. He tries harder this time around to make sure he’s careful, taking different turns as not to end up in the same place. This cant be for nothing.

The same stretch of time seems to pass for Chase, though he can’t say for sure as Pseudo’s clock is stuck at 10:05. It all feels like the same terrifying drag to him either way.

Eventually, even with his precautions, he’s met with the house again.

He speeds up once more, gripping the steering wheel as tight as he can. He tries the same plan again, taking different roads or even going straight through the woods wherever the car can fit. At this point, he’d try anything to go home.

But once again, the house appears in his view.

Tears blur his vision as he tries again. He pleads to get free, more afraid of the punishment than anything at this point. If Pseudo isn’t on to his escape, then his lack of driving skills are going to be his downfall.

Again, the house appears, and again, he tries to drive.

He cries as he keeps the car going. It’s hard to see as it is, but he might need to pull over if his emotions keep getting the best of him like this.

The next time he gets back to he house, he sees Pseudo standing there, watching him. His hands are in his pockets and he doesn’t look upset, although Chase knows better than to assume. He knows he’s been caught, and that driving would be useless now. But he cant stop, this cant be for nothing.

He drives around again, and Pseudo stays put. Their dance continues, Chase driving, Pseudo waiting, until enough turns have happened that the puppet accepts his defeat. On the last drive, the car comes to a stop, but his tears don’t.

Pseudo approaches, opening the door and tilting his head at the doll. Chase has yet to stop crying.

“You’re supposed to be asleep,” says Pseudo.

The puppet covers his face, smashing tears into his fingertips. He feels like Pink. Or maybe wants to be Pink. Pseudo is nicer to Pink.

“You know what happens now, don’t you, dolly?”

Chase feels sicker and sicker. He covers his mouth just in case.

“I asked you a question, Chase.”

The name names his skin crawl. Pseudo doesn’t call him that anymore, not unless he’s in serious trouble.

“Yes,” Chase whimpers. He wipes the tears from his eyes and looks up at his captor, hoping to reason with him. “Yes, I’m sorry. I don’t- I don’t know what I was thinking, I was just scared and-“

Pseudo puts a finger to his lips. “Hush. You know where you’re supposed to go. I’ll be in there later.”

“But-“

Pseudo smacks Chase on the mouth, and the puppet shuts up. He leans in close to his doll, making sure their eyes meet and the attention is captured.

“Hush.”

He then unbuckles the seatbelt that ties Chase down, and takes the keys from the ignition.

“Put these back on your way in.”

The monster drops the keys in his puppet’s hand, and leaves him to follow his commands. But Chase is paralyzed.

He stares down at the keys in his hand, shaking like a leaf about to fall from a tree. He pictures the cellar, he pictures the garden, he pictures the car, the vague idea of children he forgets the names of. He pictures the stupidity of his decision, and how much easier his life would be had he just stayed in bed to sleep like he was told.

But there’s no point in picturing.

Chase stands up and shuts the door. With each step he takes he feels knives digging into his feet, roots trying to plant themselves in the ground to make him stay away from his punishment. He starts losing his breath from the panic, and while his hands go numb, he simultaneously crumbles to the ground. The keys find a home in the grass, and Chase’s mouth begins to salivate from the need to vomit.

He covers his mouth, trying to take deep breaths and prevent a mess. He can’t stop shaking, can’t stop crying, can’t stop thinking about what’s going to happen to him.

It takes him a few minutes to gather his strength again. Soon enough, he’s entering the house to place the keys back where he found them, and heading out the back door.

He wipes the tears from his eyes and looks at the cellar. Why, why, why did he have to be so stupid? Why can’t he just listen?

With trembling hands and closed eyes, he opens the doors for his consequences.

. . .

Pseudo takes a long time to come downstairs.

Chase isn’t sure if he’s just letting the tension build, or if his punishment is being locked in here for an unknown amount of time. God knows he’s spent long enough down here, weeks at a time, and every memory makes him more and more afraid of what’s to come. He tries not to focus on that part. Instead, he drags his hands against the wall for balance while he paces.

And paces, and paces, and paces

and paces and paces

and paces.

He paces until his feet ache from the weight of his bones. Until he has to cover his face and kneel on the ground, considering ending his life before Pseudo can come down to start the pain. But that thought leaves his mind as light drips heavy down the steps, and Chase becomes a lightening bolt to sit in the chair he’s supposed to.

His eyes lock on the drain below him. There are still stains on the concrete from his own blood, but more recently, from the man who was planted in the garden. Chase shivers as he pushes the thought from his mind.

Pseudo comes down the stairs with his eyes trained on the chair, pleased to see the seat taken. His stride is easy and comfortable, but there’s some kind of itch in his fingers that twitches as he gathers tools onto his little cart. He takes his time to think about his supplies, and what is or isn’t chosen. Chase steals a glance, but turns away when he sees a stun gun thud onto the surface.

“I don’t know why you do this to yourself,” says Pseudo, still focused on his task. “It’s like you enjoy being punished, I don’t know. Or maybe you’re just dumber than I thought.”

He places a few other tools on the cart, but Chase keeps himself blind to what’s there. Once finished, he rolls the cart closer to his prey, and stands in front of him to speak.

“Which one is it, Chase?”

The puppet frowns, shaking his head. “I-“

A hard smack to the face cuts him off. Chase goes reeling to the side of the chair, but is yanked back by his hair. The man cries out in pain, leaning as far into Pseudo’s grip as he can to avoid extra pain.

“If you speak again without permission, I’ll sew your mouth shut. Am I understood?”

Chase nods.

Satisfied, the monster lets go, and the puppet’s hands come up to soothe the pain in his cheek and scalp. The relief is short lived, however, as Pseudo grabs his wrists to strap them to the arms of the chair with thin metal wire. It digs trenches into his skin, so he tries not to squirm.

His ankles are met with the same restraints, and he clamps his jaw down as hard as he can to avoid pleading. His eyes unconsciously drift to the tool cart and he catches the sight of a Sjambok, which he can already feel the sting of. He closes his eyes and keeps his head down, but Pseudo doesn’t like that.

“Look up. Look at the cart.”

The puppet chews on his tongue and obeys. His eyes scan over what he sees, and the pit in his stomach doesn’t stop growing.

The Sjambok. The stun gun. Gardening scissors. Barded wire. Needle and thread. A small jar of table salt. Shards from the plate he broke. Whiskey. A nail-gun.

Chase’s breath picks up as he scans the cart. Tears sting his eyes, and he chews and chews into his tongue. His head swims with the anticipation and anxiety of it all, heart thumping like a bird’s inside his chest. Once he’s gathered the sight of what will be used, he turns back to his captor to see him staring like a stalking, hungry dog.

“What do you think, trouble- maker? Was it worth it?”

The man shakes his head. He feels pathetic and afraid. He only wishes he could go back in time to stop himself from being so stupid.

Pseudo nods in response.

“Good. I’ll tell you what though, doll. Once I use a tool, I’ll put it away. But everything will be used. Got it?”

Chase’s eyes glance to the stun gun. He nods his head, feeling sick all over again.

“Good. How about you pick first then? Since you like making stupid decisions so much.”

He rolls the cart closer to Chase so he can get a better view of it, and perhaps to point with his eyes what he wants. But Chase shakes his head, a hum of fear crawling up his throat against his will.

“Hey, come now. You want to make choices, so make one. Pick something.”

The man brings his head back up to meet Pseudo’s gaze. He pleads with his eyes, with his frown. He doesn’t want to. Don’t make me, please?

Pseudo tilts his head, waiting.

“Pick.”

Chase blinks tears from his eyes and turns back to his options. He points with his eyes, and says what he wants in his head, just in case Pseudo is listening.

Whiskey.

Pseudo points at the stun gun. “This?”

Chase shakes his head. No, no, whiskey. He moves forward slightly to stare harder at the bottle.

“This?”

The gardening scissors.

Chase shakes his head again, pleading, pleading, chewing on his tongue. Whiskey!

Pseudo lands on the whiskey, and Chase nods and relishes in his relief.

“Alright...”

Pseudo opens the bottle, and presents it to Chase’s mouth. “Drink.”

The puppet obeys, drinking swig after swig after swig, until its spilling over his mouth and down his chin. He starts coughing and spitting it up, but Pseudo keeps it trained on his lips. He begins to feel like he’s drowning in the alcohol before it’s pulled away, and Chase’s throat is left to burn like a hungry fire while he coughs out the poison.

“Catch your breath… it wasn’t that bad.”

It takes him a few minutes of back patting and condescending encouragements to finally settle down. He tries breathing through his mouth to calm the burning in his throat, but Pseudo takes it as an excuse to pour more poison into his body.

The same motions repeat, and the bottle is halfway gone by the time Pseudo pulls it away again. But the cap goes back on, and just as Pseudo promised, its put on the bottom shelf of the cart.

“That was an easy one… so I think I’ll pick next.”

He picks up the nail- gun, and places it to Chase’s shin.

The puppet sits up, and the wire that holds him down digs into his skin. With eyes wide and breath fast, he shakes his head, clamping down his jaw to keep himself from speaking up. His tongue endures more abuse from his teeth.

“Which leg pressed the gas?”

Chase shakes his head again, tears falling down his face as the fear takes over him. Please, please, no. He shrivels into himself like a raisin, and the wire once again digs deeper and deeper into his flesh.

“Which leg, dolly? Point with your eyes.”

The doll sobs a little harder, shaking his head.

“No? Maybe I’ll just hit both, then…”

His eyes shoot open to stare at his right leg, tears blurring his vision. At this Pseudo chuckles, tilting his head and keeping his eyes on the doll’s face.

“I’m just messing with you,” he smiles. “But it would’ve been very interesting had you pointed at your left.”

As soon as he finishes speaking, a nail goes shooting through Chase’s tibia. It digs down as deep as it can get, cracking the bone with the force.

He screams as loud as he can muster. His already burned throat doesn’t do well with the strain, but its even worse when another nail goes shooting through just below the first one. He can’t stop himself from crying about it.

The nail- gun drops into the bottom shelf, and Pseudo calls his puppet back to focus. He coos at him, tapping his face, until Chase gets the hint.

“It’s your turn, puppet.”

The doll looks at his leg. His pants are soaked with blood and alcohol, but he cant see the nails from this angle. Perhaps thats a good thing.

He turns back to the cart, and makes his choice.

Salt.

Pseudo points at the Sjambok. Chase shakes his head.

Pseudo points at the gardening scissors. Chase shakes his head, leaning closer to the salt.

He points at the stun gun. Chase loses his breath, and leans even closer.

Salt!

“Mh, I’m just not sure what you’re saying. I suppose I’ll pick..”

Pseudo picks up the glass shards, and starts shoving them one by one into Chase’s thigh. He uses the last one to give his doll’s cheek a little cut, and tosses it into the cart. The remaining shards stay planted in flesh like sprouting seeds. It hurts, but it feels like a break compared to what he just felt.

Next, Pseudo picks up the Sjambok, and stands up.

“Lean forward.”

Chase groans, shivering. He feels dizzier and dizzier, and the world feels harder to navigate. Is he getting drunk already?

“Don’t make me ask again, dolly. You don’t want this to hit your face, do you?”

The doll succumbs and does as he’s told. Once he’s in position, Pseudo waits to watch his puppet just breathe. His chest rises and falls fervently in his lap, just barely grazing the glass. After enough tension builds to make Chase whimper, he strikes his back hard.

A large slice of blood erupts from the source, and the doll screams into his knees. Another three strikes are given, and the Sjambok is tossed to the floor.

Chase sobs like a child. He can’t get enough air in his lungs, and the tears seem to be never ending. Everything already aches, and there’s still so much to do. He feels dizzy and faint, unsure if its the blood loss or the alcohol, or both. But before he can get his bearings again, the wounds on his back sting bad enough for him to wail all over again.

Salt, salt, salt, like trails of snow, poured into his open wounds. Pseudo holds the back of his neck to keep him in place.

“Stop!” Chase weeps, squirming and crying like it’ll do something useful. “Please, please, I’m sorry, I’m so sorry, I’m sorry!! Please stop!”

Pseudo clicks his tongue three times, finishing the last row and putting the salt away.

“You just can’t get enough of this, can you, sweetheart?”

Chase sits up once free, writhing in pain. He sways as the alcohol takes over the remaining of his control, and the pain takes its place close behind. He can’t press his back to the chair, but cant lean forward, either. Everything hurts. He’s too dizzy, he feels drunk already. His wrists ache and look as red as his crying face does.

Pseudo plucks the needle and thread from the cart.

“Quiet, dolly, or this will hurt a lot more than you’d like it to.”

“Nonono, please, please!” he weeps. “I wont do it again, I won’t ever do it again, I’ll do everything you say, I’m s— ah!!”

Pseudo smacks Chase on the mouth hard enough to shove his back into the chair.

“Enough. You’re being awfully stupid..”

The needle comes up from his bottom lip first, snaking its way to the top lip. Row after row, sob after sob, every sound that comes out of Chase’s mouth becomes muffled. Blood drips down his chin to follow the paths that the alcohol took beforehand. The salty tears sting the cut on his cheek, and whatever wound from the stitches that they can get into.

The gardening scissors cut the remaining thread, and both tools are tossed to the bottom of the cart. At least his fingers wont have the same fate as Richie’s.

The next tool that’s chosen is barbed wire. Pseudo uses it to wrap around Chase’s torso and arms, making sure to roll up any clothing so the razors meet his skin instead of fabric. Then, the stun gun finds his hand.

Chase’s head swims. He shakes his head, his cries becoming weaker but more afraid by the second. He’d take anything over the stun gun. Even the nail- gun. The sensory hell that comes from electricity is simply too much for him to take right now.

“Readyyyy?” Pseudo sings. “You’re almost done.”

But Chase isn’t, nor will he ever be, ready for the stun gun. He shakes his head again, a pathetic sob bubbling up from his throat. He sinks deeper into the chair, regretting everything he’s done within the last two days. He wants to wake up in the attic with the sun on his face and be confused about what’s happening again. He wants to be hypnotized and treated like a doll, to be coddled and loved and doted upon for whatever fucked up reason Pseudo has for doing it. He wants to be Pink, he wants to be Pink, he wants to be Pink.

Pseudo aims at Chase’s shoulder, and shoots.

His entire body tenses up from the electricity. What little control he had before has now left him, and he is left to scream and endure for 10 seconds.

15.

20.

Chase opens his eyes to see Pseudo standing over him. He can’t breathe, he cant see, the world swims and twists in his eyes. The room spins and there are fire ants crawling across his entire body, with burrows dug deep into his flesh. He looks down at himself, seeing bugs crawling all across his skin.

“Mmm- mmmm!!!”

Chase writhes and hollers like his life depends on it. There are bugs on his skin!! He can feel them burrowing into his flesh, into his shin, his wrists, his torso, his mouth, his thigh!!!!! They’re everywhere!!!

He screams and screams and screams as they take over his whole body, making a home inside every space they can. Pseudo grabs hold of his doll’s face, forcing his eye contact and attention.

“Settle down,” he commands. “You’re alright. Deep breaths, Pink. Deep breaths.”

He keeps squirming and fighting, keeps sobbing and sinking deeper into the chair as the bugs eat him up like candy. But Pseudo comes soothing, and kind, and Chase feels heavier and heavier until the whole world feels too far away to focus. But Pseudo is there, and Pseudo is helpful. Pseudo gets the bugs away.

“You’re okay, Pink. Listen to me now, deep breaths. You’re all done.”

All done? All done?

Pink shivers. He remembers what he did, how stupid and dangerous that was. He can’t believe he’d do such a thing, especially when an angel like Pseudo is here to take care of him. What’s wrong with him?

Pink whines as he’s set free from his restraints. As all the barbed wire is peeled from his body and the glass shards are plucked out one by one. He sighs, especially thankful, when he’s able to take a breath through his mouth as the thread is cut away. He has no choice but to lean into Pseudo when scooped up into his arms, but he wouldn’t have it any other way. He wants to be good now, and he’ll promise that once he’s allowed to speak again.

“You’re alright, Pink. I’ve got you back now, hm? You’re alright.”

Pink whines once more, feeling overwhelmed with the urge to fall asleep.

. . .

Oh, his head hurts.

Where is Pseudo?

Pink opens his eyes to find himself alone in his room. His body feels heavy and beaten, and everything hurts. Upon seeing the sun shine through the window, he is overcome with a wave of nausea so strong that he has to lean over his bed. When he tries to sit up, however, the pain in his back and ribs is enough to make him cry out. The nausea gets worse until he gags, covering his eyes and mouth and pretending Pseudo is there to coach him through it. Once it passes, he opens his eyes, half expecting to see Pseudo already there and waiting.

The puppet groans, observing his empty room. He wants to call out for Pseudo, but closes his mouth upon remembering he’s not supposed to speak. He wishes he could ask for some water, or a hug.

Instead he asks for attention by knocking on the wall. Everything in his body hurts, so standing up to make noise doesn’t feel like a safe option for him. He just hopes that Pseudo notices soon, whether that’s through annoyance or wanting to be by his puppet. He can’t take much longer without seeing his angel.

Knock, knock, knock, knock, knock, says Pinks room.

Knock, knock, knock, knock, knock.

The knocks are eventually returned at the door, and Pink hears a key turn into the lock. The door opens, and Pink smiles dopey and adoring.

“Ps-“ he starts, before covering his mouth. He wants to say sorry, but then he’d have to say sorry for saying sorry, and then sorry for saying sorry for saying sorry. So he just clamps his jaw shut, and prays that Pseudo forgives him for his near mistake.

“My Pink,” Pseudo croons. The key is concealed inside his pocket, and he makes his way towards his doll. “Do you feel sick this morning?”

Pink nods, sighing and relaxing when Pseudo comes to sit beside him. As if that weren’t enough, Pseudo runs a hand through Pink’s hair, and the doll leans as far into his touch as possible. He wants moments like these to last forever.

“Poor thing… but you’ll be good now, won’t you? No more slip ups like yesterday.”

Pink’s face burns in embarrassment. He can’t believe what he did; the regret consumes him. He shakes his head, holding Pseudo’s hand and kissing his palm to show his devotion.

Pseudo smiles and runs his hand through Pink’s hair, and the puppet basks in the attention. He can’t get enough of it. He isn’t sure why he ever tried to leave in the first place. Stupid, stupid puppet.

“That’s precious.. but, I have to make sure you’re being honest, don’t I?”

Pink nods. That makes sense, and he’ll do anything to prove himself.

“Good. Because if you’re good..”

He runs a hand through Pink’s hair, and a thumb across his cheek bone. The puppet melts.

“Then I’ll bring you back home, and I’ll spoil you rotten.”

Pink smiles. This time, he blushes from contentment. From adoration.

“But if you’re bad, if you show me you want to escape again, I’ll make sure you end up alone. No one will take care of you.”

Pink frowns, afraid. He points at Pseudo, and shakes his head. Not even you?

“You’ll be alone, Pink. Out of your head,” he pets Pink’s hair again, “and all alone. Do you understand?”

Yes. Pink nods.

“Good. Then I should see you soon, dolly. Don’t fret about it when you get there, hm? Nothing to be afraid of if you’re a good puppet.”

Pink wants to ask where he’s going, but is left to wonder until it happens.

[pouletpourri]

"You just have to look closely."

[eydilily]

break like an artist.

--

a collab between me and @slashmagpie for hermitadaymay's Solstice Social Collaborative Event! make sure to check out magpie's amazing fic for this too :D

(alternate ver under the cut)

[salemmoncler]

katsuki bakugou LOVES doing your lip liner.

—————————————————————————————

he's got you sat up on the bathroom sink, snugged in between your thighs with a nyx lip liner pencil in the shade “dark brown” in his hand and your chocolate brown fenty gloss on the counter.

“don't fuck my lips up ki’ they're my best feature.” you pout your plump lips at him.

he scoffs, “whatever, I know what m’doin-” he gently starts to trace over the outline of your slightly dry lips, just so the liner would apply better.

he’s so memorized by you. he loves your pretty face, every single feature. your cute nose, plump and full lips, your dark brown eyes—he loves it all.

“y’so pretty, baby..” he whispers as he finishes your bottom lip, reaching for the gloss.

“aw, katsuki, you think im pretty?” you smile at him, already knowing that he does.

he scoffs at you and mumbles a little “duh” under his breath. he opens up the gloss and applies it to your top lip, then eventually your bottom. he personally thinks he nailed that shit.

he grabs you by your thighs and lifts you off the sink so you could see yourself in the mirror. “see baby? i told you i was a fuckin professional.”

“okay, baby, i see you! you did good!” you’re cheesing so hard in the mirror because he did such a good job; he might’ve done a better job than you ever could.

you turn to face him to give him a kiss without realizing it would mess your lips up.

“y/n! you ruined my hard fuckin work,” he raises his voice a little in surprise.

“oops..” you whisper, staring at your lip combo on his lips.

“i guess we twinning now, baby.”

“please shut up,” he says with a smile. this man really loves you down, and he wouldn’t trade you for the world.

—————————————————————————————

[mud-muffin]

Tea time with your future little sister 😌

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[egophiliac]

still rolling around on the ground over the contrast between Jack and Mal. it's so...🤌🤌🤌

[ayzaart]

would you dance with me? ♡

(quick doodle based off her words in the artbook)

[beloveds-embrace]

Quotation marks around worshippers because they’ve lived long, brutal lives, constantly in war and fights and skirmishes and tearing others apart in a bid to simply survive and keep a malicious god content enough it doesn’t kill them and destroy what little they’ve fought hard to win.

John is the oldest. He’s lived long enough to know hope is just a word made by those already deafeated. It doesn’t exist. He has fought bloody and dirty to have his own spot. It’s all his, his only source of safety and isolation from the rest of the god’s violent domain. It should be just his, because trust should also not exist.

Yet he still took in Ghost. His old name burnt away in the ashes of the crumbling arena, more scars than clear skin, face hidden with a mask and all his opponents dead, John still took him in.

He also takes in Johnny. Bright Johnny, with blood coating his teeth and who laughs in the face of death, as if the chaos only strengthens him. Johnny, with his wild grin and reckless spirit, has survived every fight, every slaughter, not by brute force alone but by sheer audacity. He revels in the violence, thriving in the blood-soaked madness that their war god delights in. Despite John’s reluctance, Johnny becomes part of his world- part of the strange, brutal family they’ve formed under the watchful eye of a cruel god.

But John doesn’t stop there. He takes in Kyle, too. Kyle, quick and resourceful, with sharp eyes and sharper instincts. He’s newer to this war, but no less hardened. He knows how to fight, how to survive. He has to, in order to endure the hellish existence demanded by their god. Like the others, he’s marked by the battles he’s fought, by the lives he’s taken, the blood that stains his hands. There’s no room for softness here, no room for weakness.

Together, the four of them are bound by the violence they’ve endured and the desperate struggle to appease a god who feeds on their suffering. They don’t question it. They don’t dare. It’s all they’ve ever known. It’s all they’ll ever know.

Then, you arrive.

But you’re not just some strange outsider, not just another fragile soul lost in the wasteland of their god’s domain. You are another god- a goddess. The goddess of fertility, of harvest, of life itself. The opposite of everything they know. Where they come from a world of blood and fire, you bring growth, peace, and something they can’t name- something they’ve long forgotten.

John is the first to notice the change. It’s subtle at first. The small patch of ground he’s claimed for himself, once barren and dead, begins to show signs of life beyond the very little moss that has made itself home on the rocks and cracks of his area. Tiny sprigs of green push up through the cracked earth, the soil somehow softer, richer. He doesn’t understand it, but he feels it- something shifting, something outside of his control. It leaves him with his hackles raised, eyes narrowed and shoulders often tense.

(He doesn’t shove you out. Doesn’t fight, or attack, or kill you. He doesn’t know why he lets you stay, like that moss that lingers.)

Ghost remains quiet, watchful as always. He doesn’t speak of it, but he, too, notices the strange calm that seems to settle around them when you’re near. The land seems less hostile, the sky a less oppressive red and more of a deep orange. It’s unsettling in a way that makes him wary, but he’s drawn to you nonetheless. There’s something about you that soothes the storm inside him, something that makes the endless violence seem… far away.

Johnny, in contrast, is the first to approach you openly, grinning through bloodstained teeth. “Yer naw like the rest of us, bonnie.” he says with a laugh, almost in awe. He doesn’t know why he feels at ease around you, why the chaos in his mind quiets when you’re near, but he doesn’t question it. You smile at him, your touch soft as you brush dirt from your hands, tending to the small garden you’ve coaxed from the dead soil.

Kyle watches from a distance, suspicious at first. He’s seen enough in this brutal world to know nothing good comes without a cost. But as the days pass, he, too, begins to feel the shift. There’s a strange sense of peace when you’re around, a warmth that feels foreign but not unwelcome.

They don’t realize it at first, but you’re pulling them out of the war god’s grasp, slowly, gently, without them even knowing. With every seed you plant, with every gentle touch, you weave them further into your domain the same way your hands weave flower crowns for each of them. They don’t know that the violent god they served is weakening, that his power is crumbling as you pull the earth itself away from him, reclaiming it for yourself.

The land around them begins to change. The once-scorched earth softens beneath their feet. Where the air was once thick with ash and smoke, it now carries the scent of growing things, of rain, of life. They don’t understand how it’s happening, why the violence that once defined their world seems to be fading, but they can feel it.

And you, always quiet, always gentle, never tell them the truth.

They don’t know that you’ve been dismantling the war god’s domain piece by piece, tearing down the walls of blood and fire that have kept them trapped for so long. They don’t know that with every moment they spend in your presence, they’re moving further from the god they once served, deeper into your realm of peace and growth.

Their trust for you starts small.

You offer them food, but not the scavenged scraps they’re used to- fresh bread, warm and soft, made from the grain you’ve grown in the earth that once seemed too dead to nourish anything. “Eat,” you tell them with a soft smile, your voice a balm against the harshness of their world. “You’ve fought enough for now.”

John eyes you warily at first, his mistrust of softness deeply ingrained. He hesitates, but the hunger gnaws at him, and he finds himself taking a piece. It’s better than anything he’s tasted in years. The others follow suit, their suspicion momentarily forgotten in the simple act of sharing a meal.

When Ghost returns from another brutal skirmish, bloodied and bruised, you’re there. Quietly, without a word, you kneel beside him and start tending to his wounds. His body tenses at first and he is almost read to push you away- he’s used to pain, used to enduring it alone. But your touch is gentle, your hands soft and careful as you clean his cuts and wrap his injuries. He doesn’t speak. When this simple act becomes a routine, something begins to flicker in his eyes, something he hasn’t felt in a long time: relief. Safety.

“You don’t have to fight alone, not anymore.” you murmur, and though Ghost doesn’t reply, he doesn’t pull away either. The next time he’s hurt, he seeks you out before anyone else.

Johnny, always bold, is the first to embrace your presence without hesitation. He grins when you touch his arm, your fingers brushing away dirt from his skin. “You’re soft,” he says quietly, as if he can’t quite believe someone like you exists in their world. You only laugh gently and tousle his messy mohawk, unfazed by his wildness. “Maybe,” you reply, “You deserve it. All of you.”

Johnny’s grin widens, and soon, he’s lingering around you more often, like a star drawn to the sun’s orbit. He chatters about nothing and everything- battles he’s won, places he’s seen, jokes that make no sense. And you listen, never once judging the darkness behind his stories, always meeting his reckless energy with calm kindness.

And Kyle… Kyle is the last to trust. He watches you from a distance, wary and skeptical. He’s been burned too many times, lost too much to believe in something as simple as kindness. But even he can’t deny the peace that settles over him when you’re near. One evening, after a particularly grueling fight, you sit beside him, your presence quiet and soothing. You don’t push, don’t ask him to open up. You just sit there, offering him a slice of bread and a cup of fresh water.

“Why are you helping us?” Kyle asks, his voice low, guarded.

You smile, your eyes warm. Your face is always so open, so welcoming. Kyle does not know how you do it. “Because you’ve fought enough. You deserve rest. Peace.”

He doesn’t respond, but the tension in his shoulders eases just a little. He still watches you from the corner of his eye, but slowly, he begins to let down his guard.

As the days pass, you continue to tend to them- feeding them, healing them, offering warmth in a world where warmth is rare. They don’t understand it at first, but they begin to feel the shift. The land around them is changing, softening. The earth that was once barren begins to bloom with life. Where there was only death and destruction, now there are signs of growth- flowers, crops, greenery creeping up through the cracks in the wasteland.

John, who has spent his entire life guarding himself, feels it most of all. He watches you with something like confusion, like a man seeing the sun for the first time after years of darkness. He doesn’t understand why he feels calmer, why the constant tension in his body is easing. But despite his better judgment, he finds himself drawn to you- drawn to the softness he’s fought so hard to keep out.

You smile at him, always gentle, always kind, even when he’s rough around the edges. “You don’t have to fight anymore, John,” you tell him one evening as you hand him a fresh scone, drizzled with sweet honey and cream. “There’s more to life than just surviving. Let me show it to you.”

Ghost remains distant, but even he starts to let his guard down around you. The mask he wears, both literal and figurative, feels less necessary when you’re near. The weight of the violence he’s carried for so long feels lighter, though he doesn’t know why. It helps that he comes to you for every injury, your hands gentle and tender on his scarred skin.

Johnny is the most at ease with you, laughing more, fighting less, as though the fire that once consumed him is finally starting to burn out. And Kyle, ever watchful, finds himself relaxing for the first time in a long while, though he’s still unsure why he feels so drawn to you, so at peace in your presence.

Little by little, without them even realizing it, you’re pulling them away from the war god who has held them captive for so long. You’re bringing them into your world, a world of life and peace, where they can be more than just warriors, more than just tools of violence.

And the war god, once so powerful, is fading. His domain is crumbling, and soon, he will be nothing more than a memory.

But they don’t know. Not yet. Maybe not ever.

There is no need to drag them into what happens between gods, you reason to yourself, humming a sweet melody. Catching John’s gaze- they are working on your ever-expanding garden, tending to the soil- you smile and wave at him, delighted by the way his shoulders untense.

Yes. There is no need to ruin this little haven you’ve created.

[l3viat8an]

Mammon waking you up by going down on you (with prev consent ofc) or you waking Mammon up with a BJ >_<

Nsfw!

Honestly thought this posted already- cuz it was supposed to be in queue for Mams birthday jsksjsk

I feel like that would happen all the time after you start dating Mammon! I mean he just can’t get enough of you and it is a rather nice way to wake up~

And really some mornings he gets so needy and you look so sweet laying there next to him that he just can’t keep his hands or lips off of you.

At first Mammon was just planning to kiss you, a few kisses down your neck and chest wouldn’t hurt right?- then he starts going lower, moving your clothes out of the way so he can keep kissing your skin, down across your chest and tummy and somehow he ends up between your legs… oops~

You wake up slowly, your mind groggy with sleep and pleasure as your eyes open and all you can see of your boyfriend is a lump under the covers. But as soon as you wake up and start grinding your hips to meet his face a little harder Mammon grabs your hips to pin you back down. At the same time he lifts his head to look up at you, which makes the covers fall back a bit so you can see his face, (his hair is an absolute mess too but that’s not super important :D) a crooked little smirk on Mammon’s face as he sits up enough to press a few more soft and wet kiss across your tummy. Mumbling out “Mornin’ darlin’.” against your skin before he goes right back to what he was doing- making you cum on his face-

He thinks its cute how you try to prop yourself up a bit on your elbows to look down at him and enjoy the show, chuckling to himself as he sucks on your clit just right, that it has your head rolling back and you have to plop right back down onto the pillows because it felt that good.  After all he knows all your sweet spots.

Neither of you talk much but Mammon would praise you for being so good and cummin’ for him, ya should let him take care of ya more often~

Sooo of course it’s only right that you ‘repay him’ wake him up head the next morning.  

Again not hard Mammon almost always has ‘morning wood’ when you sleep in the same bed.

While you’re under the covers tease his tip a bit -trust me- before taking his cock all the way into your mouth.

As soon as you start Mammon’s awake and you can hear all his breathlessly, little moans of “Yea~” and “Oh fuck, yes darlin’, just like that” I’m telling you he can’t keep his mouth shut- “S-shit- Don’t stop fuck.” and even more, “Please- Yea, like that, faster.”

There is a special something -not quite tenderness but that’s the closest word you can think of- to Mammon in these moments. Even as you have his cock in your mouth, even as he groans under his breath and his legs tense. Even as he grabs a handful of your hair and gently pushes you down a little bit to see if you can take him even further down your throat, he’s not trying to be mean but he loves it when you gag on him. Making him moan even louder “Shit- So fuckin’ g-good treasure.” as he cums down your throat.

Maybe it’s the way he smooths over your hair as you swallow his cum. Or maybe it’s the way he starts to pull you up to lay your head on his chest and wraps his arms around you as tightly as he can immediately after. It’s all done with care, as if you’re the most precious thing in his room. And of course to him you are.

(Although if you wanna tease Mammon a little more instead- sit up before he can pull you up and let the covers pool around you as you make a show of licking the last few drops of his cum off your lips ;))

[hymnoeides]

Hi Ant, can i please request some Odysseus and Melinoe together, you chiikava doodles of them are so cute

Hi anon, I’m so glad to share the joys of Chiikawa‼️

I hope these doodles suffices 🥺

[a-scary-lack-of-common-sense]

Continuation to This Post :]

------

It was always so strange to hear adults argue.

Grown up fights never seemed quite the same as the trivial spats her and Dipper sometimes had. They were similar in some aspects, yes; Adults and children weren't as different as people liked to think. Mabel had seen adults verbally lash at one another with vicious words just as low hanging and petty as the ones she'd sometimes see kids the same age as her use. Adults arguing was essentially just a louder, angrier version of children fights.

And yet, there was somehow... more to it. Grown up arguments always seemed to weigh so much heavier in the air, and for so much longer than she'd ever thought possible.

Sometimes, the weight would leave quick and early, practically gone by the next morning. However, occasionally, the weight would stay; and grow heavier, and heavier over the years. Until it came to a point when the weight was nothing but a choking, stifling presence that seemed to fill every room in the house and buzz deafeningly in your ears like an unpleasant static that made your head pound.

Then, one day, the pressure would burst with a loud yell, a slam, and a bang, and start building up all over again. It was a cycle Mabel was much familiar with.

Her Grunkle Ford's "Mystery Shack" didn't have that air.

The shack's air smelled like burnt out candles and cheap discount Halloween fake blood, with a hint of real blood underneath the stinging scent of old wood and aged parchment. It wasn't necessarily a very nice air, certainly not in any way the fresh, crisp, clean air of the streets of Piedmont, but it smelled more like home than she'd ever felt back in California. It just smelled like... Grunkle Ford.

She liked her Grunkle Ford. He was super weird; with an even weirder Uncle as his roommate. He checked her and Dipper's arms and legs every morning "just in case someone broke in at night to steal a sample of their bloods"; he despised overly sweet foods (baffling, truly); and he had exactly 27 locks installed on the front and back door respectively that he could unlock all in under a minute with his really fast extra fingers. He reminded her a little of Dipper on some occasions, no matter how much the latter liked to deny the similarities (although, bar the demonic obssession).

However, last night, the air suddenly grew heavy.

Grunkle Ford had a fight.

Mabel hadn't heard it, and she hadn't seen it, but she knew there had been one. She was an expert recognizing the signs; she could always tell.

When she had awoken that late morning, the stuffy summer air had taken an even more sour note than usual, and had become a touch heavier than it should have been. Either that meant Grunkle Ford had just recently finished up a ritual, or a particularly rowdy argument had taken place; and Mabel knew that Grunkle Ford only performed his rituals between 2 to 4 AM, when he thought the twins were well asleep.

It was strange, to feel that same heavy air push down upon her temples and pound that same painful rhythm of a mounting headache as it used to do so often back when Mabel was in California. It had already happened a few times at the shack, but this one felt... heavier, than usual. She didn't think she would have to encounter the discomforting weight again this summer, away from her parents. Yet here she was. Aching.

She knew Gunkle Ford and Uncle Bill fought and bantered. With Bill being a permanent resident trapped within her Grunkle's mind, she couldn't imagine how they wouldn't. She didn't think even she could keep her cool if she had Uncle Bill as her brain roommate 24/7.

In any case, their interactions in front of the twins were mostly a mixture of exasperated resignation, or irritated tolerance, mostly from Grunkle Ford. Their occasional volleying exchanges of vitriol doused insults and words were short lived, and brief most of the time, especially when in front of the kids. They were nothing like the long, loud ones that could go on for hours back at her house in Piedmont.

Even so, there were some times when Mabel would see Grunkle Ford late in the evening, red faced and tight fisted, stomping down to the basement and disappearing into his lab there with a deafening slam of the rickety wooden door. She recognized that slam. He didn't want the twins to hear the argument.

Even if they could hear anything, what little they could glean always seemed to be only side of the argument, with Grunkle Ford yelling curses at Uncle Bill inside his head. She always did wonder what happened inside Grunkle Ford's head. Although, she wasn't sure if she wanted to know the answer. She couldn't imagine the state of the mind of someone who sometimes forgot to eat or sleep for almost a full week until someone reminded him.

The entire day passed with that same, tense air choking the atmosphere. Dipper had dragged Mabel and himself to some adventure in the forest, but it seemed to her that he was just trying to find excuses to stay out of the shack for the time being. Even he seemed to feel the unnerving heaviness of the air.

That night, underneath her sheets, Mabel pulled out the worn and well used wooden art mannequins Dipper and Grunkle Ford seemed to keen on using to summon Bill rather than their own shadows. With her trusty golden glitter pen (that she knew Uncle Bill loved despite what he claimed), she gently drew a closed eye upon the blank wooden face of the little model.

The eye opened, and she spoke:

[anessthetic]

i love them both and i didn’t know whom to draw so…

movie + my in-game design

[mxdzin]

worth holding on

[lykoiii]

no need to be afraid, it's just dark science

[tesb]

“5 minutes before the performance I was still sure of victory. I didn’t win. Thank you and I’m sorry ❤️” @paidatonriehuja (Käärijä) on Instagram