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cherubchoirs · 1 year ago

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Michael, the Ruined Prince

Michael, having used all of his power to seek out God, had failed as the Prince of Heaven. He had abandoned his people, absent for centuries on a fruitless search filled with unheard, increasingly desperate prayers and an unrelenting, bone-deep exhaustion that is now permanent. His grief grew day by day, and an angel in isolation begins to wither, to warp – they must be with one another lest they twist into their extremes, retreating into their divine purpose until it becomes self-destructive parody. And Michael had already been scarred long ago by his role in banishing Lucifer, by God’s own ever-mounting wrath that ate away at the mercy he was meant to feel alongside it. Michael had already been insular, something had already pulled at the seams of his soul, and now centuries of failure consume him. He would return to Heaven with nothing for his people. Nothing for the siblings he swore to protect.

So his final thought in a deeply troubled mind urged him to try one last time. That if he could not find God, then he must bring God to himself. He must sin, he must beg for punishment, and then God will come to deliver it onto him. Just as He once did to Lucifer. It disgusted him, to think he had to debase himself to be as the sinners he held nothing but vile contempt for ever since he couldn’t cope with the guilt of the first fallen angels. But his prayers have failed, his days of weeping have failed, he moved Heaven, Earth, and all of Hell to come up with empty hands. Less than that. Not even a feeling. So Michael, even as a Cherub who could not, did everything he could to replicate his memories of when he had witnessed God Himself tear the light from His angels. Michael had seen it every time, it was he that had to bind any fallen angel that survived it to their place in Hell. He knew, implicitly, what the ritual was even if God seemed to enact it in one beautiful, elegant motion. And he did just that. Imperfect pantomiming, flawed execution, but the same ritual as best as Michael could copy it. All to himself.

But only God and the high Seraphim can sever an angel from their light.

His soul was rent from his body. His light was torn to shreds by his inexperienced hands. The agony that it screeched resounded all the way back to Heaven in unintelligible, muted whispers of nauseous grief no one could understand. Michael felt himself die, but it was incomplete. He was left in a corpse, a body destroyed and succumbing to all it meant but with him still inside of it. God did not come, and Michael was trapped a ruined body, bereft of a soul, of his light, giving way to rot and deterioration yet fully functional. He could do nothing but take this as a sign from God, one that he will not be punished no matter his crime for being such a loyal servant. Even as his body falls apart, as plants begin to burst from his remains, he believes himself to be blessed – see how he grows God’s garden. See how his crown remains pristine. He adorns his exposed bones with gems and finery, ostensibly as thanks to God for keeping him alive, keeping him sinless when he had so despised his impending fall from grace. But. Michael is, in the back of his mind, highly aware of what he’s become. He knows he is rotting, he knows he is in a dead body, he knows, somewhere, God had nothing to do with it. It was just a mistake, it was just his own foolishness with catastrophic consequence. He is more noxious than a fallen angel now, a botch job shambling numbly back to Heaven when he feels the death of Gabriel.

Upon his return, he largely attempts to hide the rot of his body, at least from the citizenry – he cannot hide it from Raphael or Uriel, nor does he try. To Michael, it proves his devotion, it shows God’s still present love for him, and it is a testimony to how he cannot fall, that he can never lose his place in Heaven. Raphael begs for him to be healed, Uriel pleads reason to him, but neither had ever been as strong as Michael and ultimately, he is their leader. No matter the state he returns in, he is the Prince of the Archangels and truthfully...they both fear him now. He is not the Michael they loved, not the one that had been quiet and stoic yet still loving in return. The Michael that would have done anything for them, that never wanted to lose another like he lost Lucifer. He commands them now to join him in binding Gabriel, his tangible grief the only thing that seems to be left of who he had once been.

Internally, Michael sees their fear, he feels the crushing guilt of Gabriel’s fall, he is violently ill with one true look at himself. He had gone wrong a long, long time ago, when he lost Lucifer, and now all of that was being made manifest, but he can’t face it. As flesh falls away, he covers it more and more with jewels as if that could hide the decay he can feel spreading night and day, the only thing he feels now. He must retreat into his purpose, he must not allow such devastating failure to be his legacy. So he turns on Gabriel. Gabriel, whose light had been severed. Who walks freely in an abandoned Hell. Who still has a living, breathing body. Michael’s vitriol toward the damned hones in on Gabriel, consumed with being sure he is left nailed to the lowest pit in Hell for his treachery. All the love he once had turns to hatred and in it, the other three can see that Michael has been left shattered, that nothing in him truly believes God made him this way. God’s most loyal, left to rot.

Additional information:

Michael now always exudes the Odor of Sanctity, but there is a distinct undertone of mold to it

The opalescent webbing that runs through his body is the angelic brain - normally it is iridescent and transparent with a strange glow, but Michael's is opaque and dull

Michael now prefers walking, something noted as unusual when he returned to Heaven, but it's simply due to the fact that his body has been left entirely numb and so it's difficult to maneuver in the air properly

He is very protective of his crown and dragon-skin bag, as they seem to be the only things left uncorrupted on him

#finally...michael but he Came Back Wrong #poor guy always had the angelic equivalent of depression/ptsd #but there was just no word for that in paradise #he really only talked with the other archangels #but he loved them. a whole lot. so he's super messed up about gabriel now #esp since he's obviously in a horrendous headspace at this point #if there's a good ending tho gabe's like 'well. the ferryman does just fine so!!!'#and raphael's 'we'll love you as a skeleton too!! :)'#michael: :\\\\#ultrakill #ultrakill oc #michael #gore cw #body horror cw #death cw #doodle tag #OH also his organs are based on sheep organs. more sheep-coding the angels #i just love the idea of them having viscera....but for WHAT....no one knows #but they got that jellyfish brain #sorry i went insane about him over the weekend lol #rise and fall au

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hypogryffin · 1 year ago

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TELL US ABOUT THE PRINCESS KNIGHT AU PLEASE PLEASE PLEASE PLEASE PL

ok sorry its been like two months but anyways lets talk abt the princess/knight au!!!

haru is a princess, specifically the only heir to king kunikazu. yusuke is sort of a knight, but it's more that he's haru's personal bodyguard!

his mother was a court painter. she was pretty physically weak and fell ill a lot, and after she had yusuke, she realised that, while her and her family were able to live with the royal family for now due to her work, if and when her sickness claims her, her son would no longer be welcome in the castle. since she was all the family yusuke had, that would mean hed likely live the rest of his life on the streets, and as a young child, he wouldnt have the means to make that rest of his life a very long one.

so she made a deal with the king, haru's father, and it was decided he would grow up as harus retainer.

[image ID slash written text for those who cant read my handwriting (😔):

(servant, holding a 1 year old haru in their arms): do you see him, princess? [a shot of a small baby sleeping] his name is yusuke. from now on, his job will be to protect you.

a note next to the drawing of baby haru reads "yusuke is a year younger than haru, as in canon, but it was decided very early on in his life that he would be haru's personal guard!"

a drawing of a young yusuke and haru with another note that says "he began learning how to wield a sword and bow basically as soon as he was physically able, but until he was learned enough to protect haru, he just acted sort of as an escort to her {while a retinue guarded both of them}"

end id.]

its a good thing it was decided so early, too: yusukes mother succumbed to illness before yusuke was even three years old. (he has no memory of her. haru doesnt either, but she DOES remember the funeral that was held.)

(one of the last pieces yusukes mother ever painted was of a young haru holding a baby, a man who would one day become her guard. it became a pretty significant piece for the okumura kingdom for a while, actually: it was used to mean "serve the royal family and it shall serve you, in turn". its hung up on the stairwell into the castle guards' quarters.)

anyway, so yusuke and haru grew up together. they were paired so early on into their lives that neither of them have any memory of a time without each other: for all it matters to them, they were born hand-in-hand with their roles set in place.

they were very close as children, especially before yusuke was considered sufficiently trained in his weapons. it was very common for them to walk around the castle holding hands, and they barely ever separated, only ever doing so for things like sleep or bathing, or lessons-- though the last of those wasnt always true. yusuke would have lessons alongside haru in things like etiquette, of course, but could also be found in the room for things such as history, or her music lessons. likewise, haru would watch yusuke train, though she wasnt allowed to wield a sword or bow herself and could only cheer him on.

(not until they were a bit older, when yusuke taught her how to fight with a sword himself. even then, they used wooden swords, so that haru wouldnt get hurt.)

yusuke was the only boy other than the king himself allowed in harus bedroom, since the only others given access were the handmaids responsible for things like cleaning her room, dressing or bathing her, et cetera. he used to enter as he pleased as such, and only got into the practice of properly knocking and announcing his presence as they got older. hes all-together almost completely stopped actually going into her room, opting instead to stand at her door until she leaves, herself.

as they grew up, they were steadily more and more discouraged from being as physically affectionate as they were as children. yusuke was punished for doing things like holding her hand if they were seen, and was taught to instead be a silent presence to her side or two paces behind her, seen and not heard, the way a "guard" ought to be. at the same time, harus etiquette lessons taught her the necessary decorum to be a princess and one day a queen, and there was no room for a friendship with a retainer, even if it was yusuke. though they care for each other just as much as when they were children, perhaps even more devoted, youd be fair to miss it, since neither of them are able to be open with each other anymore.

(yusukes still slightly more touchy-feely than whats probably expected of a guard. its not really physical affection in the same way, but he'll do things like brush dust or pluck lint off of haru's dresses himself or adjust her hair or jewelry or clothes-- of course, only to make sure her highness looks her best, so its forgiven to the outside observer, but still something technically not of his station.)

haru is a lot different that she was when they were children. proper etiquette is extensive, obviously, and the young girl that was considered the country's daughter, kind and open whenever seen in processions, has long since been stripped for parts. her public face has matured quite a bit by necessity, though her kindness and permanent smile remains-- it's simply that it's more of a part she plays, at this point, any of her natural disposition worn to steel, as a certain amount of control is necessary for a woman of her station.

she doesnt regret the person shes become, even if somewhat conniving-- after all, she needs a certain amount of cunning to keep her head above water in the political scene. or its more that she's not able to regret it, as she's never had any other option than to become as jaded as she is today.

still, it's hard not to yearn for the old days, when they were innocent children. shes not quite aware of it, herself, but she certainly misses yusuke, her friend. its just hard to figure that out when to this day, yusuke, her guard, remains as staunchly by her side as her best friend always has.

when i made the initial drawings for the princess/knight au, i wrote the beginning of a short story of a yusuke pov that i unfortunately must have tossed it because i dont have it anymore, but his character is defined by his devotion. hes never known anything other than being haru's, after all, and considers everything he does a labour of love for her. every moment he spends training is for her, every injury for her sake, every callous a simple, unavoidable byproduct of his servitude. he keeps the posture he learned in his etiquette classes even in private, because erring once is to live with the knowledge of his erring forever, and more than that, risking forming the habit of being anything less than the perfect knight for his lady is something he can't bear the thought of.

luckily, there isnt much danger living in the castle, so yusuke only trains as ardently as he does as precaution for the most part, but there was one incident in which the castle was attacked by royal detractors. haru wasnt actively targeted, being only 8 years old at the time, but there was a spot of trouble where he had to protect her. yusuke, being 7, wasnt fully learned in his swordsmanship yet, and sustained a few scars, including but not limited to one on his eyebrow he hides behind his hair, but considers himself barely harmed, especially considering that that was the incident that took many other castle guards' lives, as well as the life of the queen, haru's mother.

king kunikazu and the kingdom at large is currently pretty uneasy due to a war brewing just a bit away; neither the kingdom nor any of its current allies are being actively threatened, but its one of already many due to one kingdom's ancient rome-esque conquering of a path of smaller countries, and the "okumura" kingdom looks as if it will be on the warpath sooner or later. due to this, the kingdom's engaged with an alliance with a comparatively smaller kingdom that it neighbours. the alliance is going to be officiated with a marriage: haru is kunikazu's only heir, but due to some societal stuff, as a woman she's considered unfit to rule as a monarch. so, she's now to be married with one of the sons of said neighbouring kingdom, who will act as ruler with her at his side:

akira is the son of the king and technically an eligible heir to the kurusu kingdom, but due to his place as the 4th son, he's not a crown prince/not considered to be in line for the throne-- or at least, not to his home nation, as he's now set to be the king of the okumura kingdom.

he seems to be of the same mind as haru: uninterested in her in a romantic sense, but has accepted the marriage for the sake of his country. however, he also seems completely uninterested-- or perhaps actively against-- the prospect of being king, not of his own country and not of the okumura kingdom. it seems that hes grown up acting as more of a free spirit; hes pretty crafty, and has a reputation amongst his own retinue for always managing to sneak off, running away as soon as hes left unattended by his father or instructors, or disappearing overnight (much to the grief and distress of his caretakers), though he's always returned, apparently rather aware of his own limits, or at least capable of getting himself out of whatever trouble he ends up getting into, without drawing the ire of either the common people or his father, the king.

because of his nature, he either sees himself as unfit for king, or merely feels stifled by the idea of the position, and in private talks has disclosed to haru that hed much rather her take her (in his words) rightful place as the queen and head of the nation, and is more than alright with her being the brains/power of the operation, even if in the end it has to be him giving speeches when necessary.

however, while disliking the idea of being a king in general, and also disinterested in haru as anything more than a confidant (having also privately disclosed to her that he does have his eye on someone), he seems attached to the arrangement of this marriage, for “some unknown reason”.

((thats right baby its ALSO a kitashu au get fucked))

akira and haru are officially engaged at the time of the story, and are in the midst of planning for the wedding! they tentatively become friends, since theyre both kind of stuck with each other presumably for the rest of their lives. hes seemingly made a goal to make haru let her guard down, and has even convinced her at some point to sneak out of the castle with him (at a point where he and his father were visiting) to explore the surrounding town without their retinues-- something that gave yusuke specifically about 7 heart attacks, as its something harus never done before.

oh yeah, and by the way, yusuke fucking hates akira.

haru really liked seeing the town without her guards, and without having to put on the air of princess. it was freeing to act as a commoner, and the first time shes been able to strip herself of her etiquette-- something she cant do around anyone in the castle, not even yusuke, at least not to the extent she has to to blend in with the townspeople. she liked it so much that it becomes a regular thing whenever akira is at the castle and not in his own country.

some of harus caretakers have noticed her disappearances, including yusuke, who is at her side in almost every waking moment: he greets her in the morning to escort her to breakfast and brings her to her room at night. when hes not standing at her side, hes guarding the room shes in, and only leaves her when its time for him to turn in for the night, as well. obviously hes noticed this sudden habit of disappearing, and more than that, HES the one who ends up tasked with discouraging harus maids from disclosing this to king kunikazu, since haru isnt aware theyve figured her out, and their social standing disallows them from discussing it with her themselves. haru asked yusuke to keep her and akira's outings a secret from her father when he confronted her after the first time, so its his duty to make sure its a secret.

its not that yusuke resents akira for giving him more work-- hes more than happy to do something as trivial as this for haru, his princess, but its more that this means yusukes forced to be idle while distinctly aware that haru, who hes spent his entire life protecting and caring for, is off somewhere unknown, could be in danger or could be physically harmed, and hes not only none the wiser but also complicit, by allowing her to do this. though he cant ask her to stop, because its clear haru is happier with these momentary escapes. its a miserable position to be in, and he fully blames akira for being the one to put him there

(and resents him for the fact that akira is an outsider and a newcomer. despite this, its clear that hes doing something for haru that yusuke hasnt been able to, not since they started growing up. hes making her happy, and comfortable.

its anxiety over harus safety, and an intense, burning jealousy that hes not really able to identify in the same way)

[text id:

yusuke looking angry as he says "my lady's happiness is of the utmost importance to me. it is for this reason alone that i will allow these escapades to go on, without reporting them to the king or your father." "this marriage will be essential to this country's future, and i have no intention of interfering in your relationship with your fiancée, even considering my role as her loyal servant."

the second drawing reveals him to have cornered akira, seemingly pinning him to a wall, as he continues "however, if i find you to ever, ever put the princess's life in danger, then this country as well as your own be damned, i will strike you down myself, and i swear on my life to make your death ten thousand times as painful as whatever harm you have caused to her highness. do you understand, my lord?"

akira is blushing heavily, knees cowed slightly. he stutters out a "uh. uh-huh" like he's in a trance. an arrow points to him with a note that reads "his gay ass is NOT listening!"

end id]

for some actual story…

during a banquet held in celebration of akira and haru's engagement, king kunikazu suddenly collapsed and lost his life in that room. it was discovered that the cup he was drinking from was poisoned.

no one has any idea who assassinated the king-- it could very well be some of the many citizens that disliked the king's rather strict policies. the taxes are high, and punishment for crimes tend to be much stricter than in other countries. however, a common rumour among many of the townsfolk is that it was the world of the neighbouring kingdom: a ploy to get prince akira in power in order to take over the nation and subsume it as part of the kurusus' country.

regardless of whether or not that has any merit or is simply baseless rumour, the wedding has been temporarily postponed so that the country-- and haru-- may focus on the investigation. akira, at the least, seems more than willing to help. if it really the scheme of his nation, or of his father, he seems both unaware and unwilling to be a part of it, offering every aid he can to haru, even if it ends up only effectively being an open ear.

yusuke remains by her side, as he always had and as he always will-- perhaps a bit more protective of her, somehow, but the entire castle is on edge, so its not as if thats unexpected. as a knight, a simple extension of his lady's will, he cant do much for her to solve her problems, not possessing the intelligence to solve the case of her father's murder, the political knowhow to aide her and her fathers advisor who's acting as regent pro tempore in ruling, nor a magical ability to bring king kunikazu, someone who he had come to see as his own father in some form, himself, back from the land of the dead. still, he is harus humble servant, and devoted to her above all else, and whatever his lady needs, he will do his best to provide.

the story is about the political aspect of haru and akiras ascension to ruling and of trying to find a culprit, but also about the relationship between the three of them: akira getting closer to both of them, and yusuke and haru reconnecting. :)

#asks & requests #yusuharu #...should i tag? other stuff? hrm #p5 #akira kurusu #...i guess.#im not sure if i imagine any pairing as 'endgame' in the actual story #but yusuharu would be certainly the most prominent and i can only imagine thered be a lot of fuel both kitashu & shuharu throughout lol #....so i guess the endgame would be shuharukita? somehow?#if i actually wrote about the story past the setup i KNOW id get way too into worldbuilding and political intrigue #but im appealing this as a yusuharu au so i dont know if anyone would actually care if i went on abt that aspect lmaao #also sorry for putting you in an arranged marriage and also killing your dad again haru. i cant promise it wont happen again #at least this time ur fiance is a stand-up guy!👍#chef recommended #<i think im big brain. for lots of things but for this au specifically i like this one #gryffin's aus

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lucienne-thee-librarian · 6 months ago

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Just to minimize my chances of being genuinely misunderstood OR deliberately misinterpreted, and crucified for something I don't think, How Dare You Say We Piss on the Poor website etc...I'm gonna say this right up top. I absolutely understand why people don't like Thessaly as a character, if anyone does completely unironically stan her as some kind of feminist hero who Did Nothing Wrong uwu, I personally see it as a bit of a red flag. I don't like terfs real or fictional. In a vacuum, I could even completely sympathize and agree with the people who want her cut.

HOWEVER.

It's really something to me to see people clamoring for her to be cut, because she carries and expressed an ugly indefensible prejudice (transphobia) in words towards (1) person. Meanwhile Hob fucking Gadling enacted one of the most violent forms of antiblack racism I can even think of against thousands no, millions of people, the ripple effects of which still affect billions more today. Just a little light idk, profiting off the fucking slave trade and had to be told by someone else that it was bad...and he's a fan favorite.

People are saying Thessally being Dream's love interest reflects badly on him or is somehow endorsement by the narrative (?!?!?!?!?!? Didn't she (SPOILER ALERT AS IF IT MATTERS BY NOW) help participate in his extended assisted suicide? She's not painted as a great person to me just another character what are y'all SMOKING whatever fine. It's fine this is fine.) But shipping Dream with Mr. Former Slaver is not only not verboten or frowned on widely in the fandom but its THEE most popular pairing by far. So...why the difference?

Like where are the same fans who are saying Thessaly shouldn't just be more clearly shown to be wrong, she shouldn't even be in the show at all when it comes to Hobert's crimes??? Yes, transphobia is indefensible. Isn't racism?

And I hear the cries of "it's fiction!!!" Already rallying (if anyone who needs to hear this even sees it lol) to which I say:

HORSESHIT. I KNOW you don't, deep down, really agree because if you did, why get upset about Thessaly being included??? Why does what she said to one person matter if it's Just Fiction You Guyze. Fictional characters are allowed to do bad things and fiction isn't reality sweaty....except when you only apply that standard to fictional racists you like and simp for, but fictional transphobes you don't are SO HARMFUL they shouldn't even be portrayed in fiction.

Like. Give me a big fat BREAK. This looks like bullshit, no? I'm sorry, but I'd love for someone to try and give any other explanation besides one personally offended you or hit home for you, and the other doesn't.

And if that bothers you or you feel like it says something negative about you...idk what you want me to say??? You can't control how other people perceive you and that's how people outside this majority-of-the-fandom bubble see it. You don't need to respond, I just wish and genuinely hope this gives you a moment to think about why fans who ARE bothered by both (and not just paying lip service to being bothered by the one but railing against the other) are so frustrated with people saying everyone is welcome but in practice only bending over backwards for the comfort and emotions of themselves, and people they can easily relate to.

You don't have to like Thessaly (I don't. I find her an interesting antagonist, I don't stan her. And frankly imo likability is not. the point of her character) but you'll pardon me for feeling more than a bit cynical and side eying people's motivations for what seems a...pretty obvious double standard, on what fictional crimes related to real world issues matter to y'all, and which clearly don't. Either actually bring the same energy to the table for fictional people who committed atrocities, even if against a group you're not part of and thus don't feel the need to empathize with, or just carry on, but accept that you don't have the SLIGHTEST room to talk about cutting characters who do immoral things. And you also need to accept that you look like a hypocrite when you do.

#thessaly #wanda the sandman #hob gadling #fandom racism #I could've cried sexism!!! Problematic Male vs Female Characters except 1) I don't actually think that's the main reason *here*#2) there are WAY better examples of that particular double standard in this fandom #also i can admit when I'm a bit of a hypocrite or was.#i used to dip my toes into the dreamling stuff too early on #but idk. It just got too sour seeing ppl whitewash (lol I know I'm a comedian)#what he did over and over. And I genuinely had started to wonder #if the show hadn't included that particular crime and I'd just imagined it from the comics because #my memory is shit sometimes and I guess I was naive. I *wanted* to believe someone would talk aboutit #if it had made it in. but ultimately i went back and checked and no #and seeing how the whole fandom behaving affected my non-white mutuals some of whom...#like these are my friends man or ppl I just respect and I can't just. Ignore their feelings and their pov #and act like they werent making points or it doesn't matter #like it's all just fun and games for everyone on the same terms. And seeing how easy it was #for everyone to ignore was so unsettling. I couldn't keep pretending it was just fiction and didn't affect anyone real #Call me a bully a t3rf apologist (fuck you and for the record. no)#a puritan or a Fancop (actually stop comparing #people disagreeing with you online to what cops do. For fucks sake you just make it look like nothing is really real to you outside fandom)#whatever man. Whatever helps you sleep. I'm just gonna block you #if you're clearly sticking your fingers in your ears. engaging with you is a waste of time and energy then #Hell I have sympathy for anyone who doesn't like thessaly #especially trans fans. Especially rn. But lbr that sympathy for a lot of the white trans/queer fans only goes one way!!!#never gets extended to anyone else's issues. Like THATSthe issue. And it's shitty!#(sorry this post is not about me in the confessional lol that's why I put this at the bottom #I just had feelings to get out and yes its my blog but i didn't want to clog the airways)

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definitely-jax · 8 days ago

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lynn-tged-posting · 3 months ago

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tged webtoon ep 154 spoilers n thoughts n all that yeah

HE DID THE THING HE DID THE >:3 THING YESS YAYYYY YAYAYAYAYY HAHAHAHAA

GOD HES SO FUCKING SILLY WAHAHAHA

jesus christ running from the cops every which way LMAO i really like their faces here javier w exasperation and lloyd just. being him

AND THE UGLY COSPLAYER BIT WHAT 😭 HELP LOL?? i guess cosplayers walking around isnt really a common thing in korea idk i feel like. they didnt really commit an offense until lloyd tried bribing that cop guy lol

like it makes me think back to dkc and how michael and the other guy (I FORGOT HIS NAME SORRY) went to seoul for a bit and kind of caused several accidents and i feel like that fits better w getting the cops attention compared to,,, rummaging thru trash? but also i am not familiar w korea's police system! nor do i know their policies on foreigners n whatnot so who am i to say yknow

i also really really wish that besides the cop chasing, we got to see a lil bit more of javier's reaction to seoul and its citizens, the clothing and the culture and how the buildings look, what does he think of them? whats his feelings on an environment so dissimilar to his own, and does he notice anything abt it that reminds him of lloyd and his sudden acquisition of all his knowledge? maybe theres more of that in the webnovel,,, itll be a while before i get there tho unfortunately

anyways thoughts aside more reacting

UUUAGHHHH JAVIER NOTICING EVERY SINGLE TIME LLOYD APPEARS SICK OR UNWELL BUT LLOYD BRUSHING IT OFF. EXPLODES INTO TEN BILLION PIECES. AAGHH AAGHHHH AAGHH screaming crying god that engineer needs a god damn hug

also them in civilian clothes! they look so dorky lmao the hats r super cute tho AND I REALLY LIKE THAT JAVIER HAS GLASSES THATS SO SILLY how can he see though wouldn't it be like vaguely blurry . most glasses are prescription,,, tho they did find this stuff discarded so maybe theyre just,,, decorative??? do people still wear decorative glasses???

i have more thoughts on their attire but it coincides with some thoughts i have for the latter half of this ep so i'll bring it up then!

THE HIGHLIGHT OF THE EPISODE THE MOUNTAIN TRAIL AAGHHH AAAHHH

i started tearing up oh my FUCKING god i feel so insane ohhhhhhhh ohhhhhhh my heart ohhghhh

trying to keep his bluff up all the way through even though he's visibly struggling im gonna throw up im gonna throw up

most if not all the panels in this latter half of the episode make me feel like this so i'll try not to be repetitive and jump straight into my thoughts LMAO

i think the way lloyd is drawn in these panels is really, REALLY well done, and not in just an "oh the art looks good" kind of way, but the choices they make with the posing and the camera angle makes me feel insane

because the moment we cut to the shot where they're on the trail, we do not see lloyd's entire face at ALL. the most we see is his nose and mouth, and that makes my heart squirm like a motherfucker, because who else did we see that way in the webtoon?

kim suho, all the way at the beginning.

we don't actually get to know suho's face until way, way later in the webtoon adaptation, which is once he's way more secure in his position as lloyd frontera

so seeing this,,, it's like we're thrown back to then, it's like LLOYD is thrown back to then, back to when he was just suho kim; someone who thought of himself as nothing, as someone who just couldn't function correctly in this world, and god does my heart ache

and lloyd right now feels it too, the anxieties he once had coming right back. and i think that makes the clothing choices for lloyd specifically really impactful too, specifically upper body

the blue poloshirt is eerily reminiscent of the blue tracksuit suho used to wear, and it's the layer underneath a green jacket with a collar similar to lloyd's usual coat. it's like a reminder to the reader that once upon a time, he was just suho wearing lloyd's mask in a strange, new world. i think this experience is a reminder of that to suho, too,,,

also, the bucket hat is able to cover most if not all of his hair. in some of these panels, you can't even tell that it's lloyd underneath. it might not be the same body, with the way the camera is positioned, especially with some of them being from javier's point of view, it's like,,, "who is speaking right now? the face of lloyd frontera, or the heart of suho kim?"

and in the middle of this, we hear javier speak and ask suho if he hated his behavior, blamed himself for his anxieties, and only then do we get to see one of his eyes, but just one.

idk if the timing of this is intentional (i dont know if ANY of this direction is intentional) but id like to think that javier responding in search of clarification (rather than responding in silence or in disgust) helped suho be a little more inclined to opening up and being honest with who he was in this world. i really really like that

AND THIS ARGHHH ARGHHH AAAHHHHH ROLLING AROUND ON THE FLOOR LIKE A PILLBUG HAVING A SEIZURE AGHHHH

it makes it so so telling that he's the type to live for others, he always has been, to the point of being a workaholic. a quiet, good kid, trying to make amends for the struggles he has by burdening himself with the responsibility of protecting his parents names, of protecting the people he loved. he's done that since the beginning and he keeps doing that over and over and over, both here on earth and there in lorasia.

it makes me so upset (in a character drive way! not in a "this is bad" way) that he thinks of himself as nothing without this responsibility, when this ability to move forward and endure and fight for people is something beautiful in and of itself. it's not every day that you meet people like this, selfless and hardworking and tenacious to their core. back then he encapsulated his identity based on his inability to function in a world that requires social and physical interaction - something that isn't his fault! - and while he was able to move past that in lorasia, he was thrown back to this encapsulation once in seoul. he started to think of himself as "suho in lloyd's body" again, instead of "i am lloyd frontera" as he said before his "bluff" failed. MY HEART HURTS.

and i think that's why javier's concluding note, that in the knights eyes he is just the same person, is so impactful too.

because javier doesn't see lloyd based on his anxiety. he sees him for who he is. someone who protects the people he cares about. someone who is brilliantly cunning, quick on his feet, rational and brave and tenacious tenacious tenacious. for all the things suho admitted to javier, these truths haven't changed for the knight. he's the same person.

javier sees a guardian. javier sees kim suho.

AND THAT is what gets suho to his feet and we finally see his full face again. AND OOHHHH THE LOOKS THEY GIVE EACH OTHER AGHHHH AHHH

the marks of tears streaked on his face but he's smiling with so much renewed energy and javier softly smiling back IM GONNA THROW UPPPP THESE TWO MEAN THE WORLD TO MEEEE AHHHHHH AAAAAAHHHHHH

exploding. exploding. exploding. exploding. exploding.

anyway that's all (for now. if you see me on twitter i might still be agonizing over this /pos) i will SEE YOU NEXT WEEK! i hope we get a cool view from namsan tower and javier reacting to that that'd be nice :3 ANYWAYS BYE

#tged #the greatest estate developer #tged spoilers #lynn misc #lloyd frontera #javier asrahan #kim suho #lynn yaps #SO SO SORRY FOR ALL THE YAPPING. THIS EP JUST MADE ME FEEL SO MUCH #i am far from an artist but i really really like thinking about possible intentional art direction n stuff #am i good at it? hell no! this stuff was probably obvious! and/or unintentional! but it was fun :3 #i went so insane abt this that while i was driving today i realized i was thinking more abt this ch than actually FOCUSING ON THE ROAD.#also super sorry for the late ep post! i was busy today <- was brainrotting abt this exact ep LMAO #very very sorry if this is all stuff webnovel readers know already from reading it! mb mb #man lots of apologies in the tags today lol sorry ill post now

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