#sorry i got a bit in my head

[dailybayonetta]

Why do people even say that Bayonetta 3 story sucked? Didn't like story was always bad in these games?

Okay, so here's one important thing I've already said before: Bayonetta 3 story is SO bad that people who didn't even cared in the slightest about Bayos story or thought it was bad before said / say THIS ONE was really bad.

And here's the thing - it's actual truth. Like sure, we can pretend that Bayos story was masterpiece here and it never done anything wrong but that's just a lie. By videogame standarts the story is bad, especially in recent years when storytelling has evolved. By media story standarts and is general it's even worse and even more rough. But thing is Bayos doesn't have to be more than just character AND fun. Because gameplay is what people are after (the general audience) and it's always been like that. Noone was expecting some God of War level narrative or even Nier that is riddled with good stuff. (you know, as more action game as an example) Like look at Metal gear rising in retrospect and how it's wacky story got more love over the years, despite being hated at start. BECAUSE IT'S FUN. AND BOTH BAYOS, with it's flaws but still, WERE FUN AND HAD CHARACTERS. AN HAD CHARACTER. Like the stories are a mess, but regardless of that, the characters were fun and therefore you as a viwer had fun. It had action pieces, there was drama (i'd say to some degree it's genuine), there was humor. And again I think one of parts that played into it - Bayonetta was a character I haven't seen in games before like that. Like her figurine and style was a priority, but she still SHOWN to have emotions - she cared for Cereza, she cared for Jeanne, she cared for Luka, she cared for Loki, she cared for Balder despite knowing his fate, same goes for Rosa, even if it was for a brief moment. Ahd these moments are memorable, some of the favorite parts for many people. And Bayo3 just doesn't have that. Bayo in Bayo3 is so stiff - no care for other versions not really (on the surface levels at best), her relationship with Viola is kind of cranky too like she cares but it's alright like it's probably the strongest one (ugh), no care for Jeanne (except some hesitation with Egyptian one I guess) REMEMBER HOW WORRIED SHE WAS ABOUT HER IN BAYO2???? SURE MISS THAT ONE. Sure love how she shoot her mother and barely shows emotion, SURE THAT IS FUN WHEN CHARACTERS DON'T GIVE A FUCK, RIGHT? OH THAT IS BADASS AHA. Even with Luka, it's like whatever, so supposedly the most important component of the story isn't there either. Like it was basic and not engaging in any moment. Like, it's just a simple formula imo: Baoy3 story is weak, because Bayonettas characterisation in Bayo3 is weak. I think the whole excuse of "well, that's Cereza not Bayo" is SOOOO lame. Like, she was a child, we've seen her as a child. IF ANYTHING, she would be MORE fun and MORE charasmatic and MORE joyful.

And, like, not a lot of action-slasher protagonist get development. Like, look at Dante - for his five games he's different in almost all of them and yet he saves the characteristics he has. Even if different people were writing him, they at least tried to be consistent and one important thing - even if they introduced Nero "to pass a torch" they didn't somehow a) killed Dante b) didn't killed his character, what he is and I think that just felt so refreshing when new character-kid gets introduced c) he still remained the most fun of the cast, because didn't took so seriously. and i hate when people compare them, but it's the best example of things done with action franchise rightfuly But Bayo3 is just tries soooooooo hard to be this serious narrative which it never should been in the first place. Like what could be fun than meeting four (plus two at end) different Bayos??? AND THEY FUCKED IT UP BY TREATING THIS CONFLICT SO SERIOUSLY, YOU DON'T EVEN GET TO KNOW THEM AND THEY JUST WASTED FOR NO REASON. Like at this point just make a fun ride. Instead cutscenes drag longer than they should, they are not as entertaining as they should, support cast gets aside but this Bayonetta can't carry this solo, Viola isn't there for long either so it doesn't commit to that part either. THIS GAME HAS A PLOT TWIST VILLIAN??????? LMAO BITCH??????? AND HIS MOTIVATIONS ARE CLEAR ONLY IN CODEX???????????? NEVER DO THAT?? (THAT'S REALLY BAD STORYTELLING) IN FACT A LOT STUFF IS IN THE CODEX????? LIKE U ARE NOT DARK SOULS, THAT'S NOT HOW LORE WORKS. Not to mention, I think this time the ending is the worst one out of all. Last bosses suck (they do in prevous too, but at least they are grand and epic or something), but you also have to sit through TWO endings and you get lame ass dance sequences at the end (the credits one is sooo much better). And it's just drags and drags, like it's not only shitty but story standarts, it's just shitty in a way it conveys things. I would say to some degree it's even worse. Like bad thing is already bad, but then it lasts longer - OOF.

[beeduoo]

i really like this meme

[alicornze7]

Silly guys goin' on silly adventures:]

@rorydrawsandwrites's puppeteer au but the only difference is that jax gives consent

My contribution to this wonderful au has been long overdue:')

Rambling in tags ehe (cw: ribbun:p)

Well maybe it's not the only difference

[sunnydayaoe]

geno and fresh... cuddling... on my screen.... platonic... pls . . ! /nf

guys....

extra under cut

[buffy-of-ren]

They went Trick or Treating

[phoenixtakaramono]

Just your average day at The Seven penthouse (Vought Tower)

⚠️ Homelander in lace bodycage lingerie ⚠️

(🔗 to the 🔞 Full Uncensored Fanart on Twitter)

CONTEXT

(🔗 L'APPEL DU VIDE - Studded Lace Bodycage)

Bonus: alternate version without the red eyes

[never-ending-pizza-time]

I think some people forget that peppino can be kind of a jerk. He's not your perfect awkward nervous guy who can do no wrong, he is not perfect, but that doesn't make him a bad guy. He has flaws, because thats a normal human thing to have.

Sometimes he gets angry and a bit mean, sometimes he takes joy in beating the shit out of the tower residents, sometimes he gets selfish or says something mean to someone. His anxiety is not his only flaw, please don't forget that. He is not a perfect sunshine boy who can do no wrong. He is not nice and friendly 100% of the time. He is a human person, he is a complex being who cannot be easily defined as completely good or completely bad.

Sometimes good people do shitty things. Sometimes a person will not act in the kindest way possible. Sometimes someone will do something not realising (or caring) how it makes others feel. Sometimes people have bad days. Sometimes people make mistakes. Sometimes people are wrong.

Peppino is a human, he is not immune to being a jerk sometimes. Again, this doesn't make him a bad person, it just makes him human, and I don't want people to forget that and misinterpret him as being someone whos only flaw is his anxiety. Yes it is a key part of his character, but theres more to this guy than that, thats not his only flaw or imperfection or whatever you want to call it. He's not 'kind perfect guy who also has anxiety', theres more detail to who he is than that.

Peppino can be a bit mean, Peppino can be hotheaded, and you know what? Thats okay because thats what a person is like sometimes, and that is a sign of a complex and realisticly written character (even if he is a cartoon guy, his personality still feels realistic). He's not the same guy all of the time, he doesnt respond to every situation in the same way, he's not a one note character. Sometimes he sucks as a person, but its okay because despite all that, he's a loveable and endearing character, and he isn't a horrible terrible person, he just is human, and thats okay.

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[gigglesandfreckles-hp]

Could you do "How are you?" "I have been better" for those Jily prompts?? Im absolutely obsessed with your writing!

from this prompt list

James hasn’t been here in a week. 

That probably makes him a lousy Head Boy, but wasn’t he already anyway? Besides, he’s been so busy (kept himself so busy), there hasn’t been time to hole up in here in the way he’d grown accustomed to since Halloween. 

She hasn’t been avoiding the Head Office like he has, something he’s spent a ridiculous amount of hours turning over in his head. Is it because she knows he has the Map and won’t impede on her space? Is it because she wants him to find her there? Is it because she doesn’t care at all and isn’t as pathetically miserable as he is?

He pushes into the office, with the intent of getting some homework done in his break before lunch. He didn’t check the Map, but Lily has Potions anyway.

Or—he thought she did?

“Oh.” James freezes at the door. “I thought you—I can just…come back when—”

Lily shakes her head, a quick, anxious movement. “No, it’s fine. I was just leaving. Slughorn cancelled class so we can revise before—never mind. I finished the patrol schedule if you wanna glance over it before I send it out.” She slides the parchment across the desk toward him, but as soon as he starts moving toward her, the chair screeches loudly against the floor and she hurriedly rises. “You can just…” She takes a backwards step and gestures limply toward the parchment. “Leave any notes you have and I’ll…adjust it this evening.”

"Okay," James responds, his own unease palpable in the silence that follows.

“I’ll be back around eight,” she tells him, and he knows why.

“I have Quidditch anyway.”

“Right.” He hates the way her shoulders sag in relief. She grabs her bag from the floor and takes a step toward the door. “So I’ll just…”

“Yeah…”

“Well then, er…” Lily falters, her gaze flickering uncertainly toward the door. “Bye.”

“Wait!” James blurts out, the word escaping before he can stop it, and he immediately regrets his impulsiveness. He wants to kick himself or slam his head down on the desk or something because he's supposed to be done with this. This impulse, to act like an idiot every time she's in his general vicinity. The Lily Evans Effect, as Sirius calls it.

Lily stops, her hand hovering over the door, her expression curious yet guarded.

James swallows. “If you can hang on a second, I can…I can look over this and then you can get it sent out by…dinner.”

“Oh.” She reshoulders her bag, but gives a small nod. “Yeah, okay.”

He takes a seat at the spot she's just vacated and deliberately focuses on the parchment in front of him, determined to ignore, ignore, ignore the lingering scent of vanilla and oranges that she always carries with her. He hasn't been close enough to her to smell it for days, but it's like flying a broom, the way it comes back to him unbidden.

His eyes skim across the parchment, noting the familiar quirks of her handwriting. She always forgets to dot her 'i's, a detail he's found amusing since it's her own name. The cursive loops of the 'h's are large and exaggerated, evidence of her habit of going back over them. But she still doesn’t bother to dot the ‘i’s. It’s infuriating. He loves her so much.

“This looks good,” he says. “Is Parkinson still in the Hospital Wing?”

“Yeah, that’s why I—”

He nods, understanding. “Right, yeah, I see that.”

“Do you think—”

“No, I think this is better because—”

“Okay, that’s what I thought, but what if—”

“No, he’ll be fine. And if not he can just—”

“Fuck right off,” they both say simultaneously, locking eyes. He wants to laugh—or cry, maybe. It’s a fine line these days.

“Evans?”

She looks like she’s on the verge of crying herself.

He rakes his hand through his hair and sinks back into the chair, a heavy sigh escaping him. “This is stupid. I don’t…” He looks back at her, his voice trailing off. “At least tell me…I—how are you?” His words emerge with careful deliberation, a sharp contrast to the frantic thudding of his heart.

“I’ve…been better,” she says softly, and maybe it makes him terrible, maybe it makes him a right prick, but somehow the misery in her admission gives him hope.

Straightening up, he leans toward her. “Lily—”

She cuts him off with a shake of her head, her eyes squeezing shut. Her fingers find the doorknob, a silent plea evident in her trembling form.

“Just—hang on a second, okay?” he presses. “Can we…I don’t know—”

“Please don’t, James.”

He groans, rising from the chair and pushing his glasses up the bridge of his nose. “Aren’t you miserable?”

“You know I am,” she sighs.

“Then let’s—” He stops as her hand twists on the doorknob. “Please.”

“Leave it, James.”

He lets his head drop between his hands. This is worse than before, worse than fifth year, and he just—he wants to hold her. Instead, he keeps his eyes on the floor, unable to watch as she leaves, again.

“Sunday,” she says suddenly.

He looks up, surprised to still see her standing there. “What?”

“I just need—the Potions practical is Thursday and you have a match Saturday, so we—let’s just get through the week and talk on…Sunday.” She looks at him expectantly. “Okay?”

“What kind of talk?”

“I don’t know, James,” she says, with a bit of exasperation. It’s halfway between genuine irritation and fondness, but James has never minded those odds before. “Let’s just see how we’re feeling after the weekend.”

“You know how I feel. You know I—”

“Sunday.”

“Will you still…are you going to the match?”

She fixes him with a frown then, and this time—he’s positive he sees fondness. “Just because things with us are…” She sighs. “I’m still a Gryffindor, aren’t I?”

And he just can’t help himself. The Lily Evans Effect. “Will you cheer for me?”

She laughs, in spite of herself, as she opens the door and James feels like he’s already won the match. “Sunday, Potter.”

[tankgotstuckinthecircusgate]

my n1 guilty pleasure is thinkin that post m2 lauretta moved deeper into criminal after several years & ended up sentenced to jail somewhere in the middle of 1970s

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[aru-art]

anyone else ever find voice claims so perfect u go a lil bit insane

[regular-gnome]

So the archivist have TV... do they like to watch soap operas?

they follow the "dont wake the cat" rule, with Collector filling the role of the cat here, so well, there was no escape when "The Duchess Approves" came on

[peapodsplace]

Hey Baba, it seems like you've been seeing a lot of yucky stuff online right now. A lot of people who aren't remembering their manners and are forgetting that there's people behind a screen. I know you like your screen time but please remember that the world isn't all like that okay? Some people are different online and forget their values and let's remember that these days, algorithms perpously show you things that'll make you upset. Yes, yes it's not very fair, is it sweetheart. Please remember to take some breaks and that the world isn't really like that. It's so important to protect yourself. Yes, silly even if you think you don't deserve it; because you do.

[unsat-and-strange]

jonny d'villes heart ticks audibly. the crew can hear it during the few and far between quiet moments on board the aurora. it's so steady, tick tick tick, a reminder that he is there and they are all alive together, never speeding up or slowing down. sometimes they joke about using it as a metronome during practice.

jonnys heart ticks. he can hear it every waking moment. tick tick tick. it never slows down, even in the deepest sleep according to the rest of the crew. it never speeds up even when his blood is more adrenaline then actual blood, times when normal peoples hearts would be racing. whether he's laughing his ass off or terrified for his life (I guess old habits die hard?) it. never. speeds. up. sometimes it's fine, he can ignore it but there are days when the constant tick tick tick tick tick tick tick is too much. the days when he has to drown out the sound with gunfire and screams or music loud enough to make his ears bleed. some days even that barely cuts it and he debates putting a bullet in his head just to make it quiet for a few hours. the rest of the crew has gotten pretty good at recognizing those days, and they know how to help him get through them, just like he knows how to help his crew through their bad days. nastya will bring him into the near deafening engine room and theyll play with power tools until their hands are covered in grease and grit, or Tim will sit him down on a speaker and play the bass so loud the whole ship can feel it, or Marius and raphaella will tell him about unethical medical practices they've witnessed/performed or Brian will just hold him close until the rhythms of the metal man's body distract from the tick tick tick tick of his own heart. the constant tick of immortality is loud. jonny can't deny his luck in finding a crew that is almost always louder.

[dahpurplehatgirl]

So can we all agree Jack Black Bowser stole the movie.

Bonus:

He’s such a dorky boi I love him!