#sorry haven’t thought about it

[atomic-anarchist]

Do you believe in God?

i hold the unusual and controversial belief that it doesn’t really matter if god exists or not

[succo-al-limone]

DC doodles for funzies

[calliopesartblog]

i can’t even remember when i drew this, maybe 2019 ? anyway, here you go

[bleue-flora]

On a fun staged duo note (not sure if anyone else has talked about this yet) but I found this book at the top of Punz’s tower.

A note for Dream perhaps? :)

[bifrostarchivist]

ok guys so i applied for an archivist internship at my college right. and during the interview the head archivist lady asked me why i became interested in archiving and i was like “okay so there’s this podcast…..” and she went “THE MAGNUS ARCHIVES?” and i went “yeah ☹️”

anyways i finally heard back and i got the internship !!!!! can’t wait to start the apocalypse….

[leahthedreamer]

As your local anime watcher I am inclined to inform the fs community that a new skating anime has started airing.

Unlike YOI with all the Grand Prix antics and homoerotism, Medalist is about a young 11 year old skater trying to make her mark after starting late with her coach, a former flop ice dancer.

[rapidhighway]

everyone who knows me knows im so weak for my fave getting magically de-aged for fluff and plot reasons

[wundrousarts]

Something I’ve noticed for awhile is that I often get comments from people about how they are surprised how I always come up with theories and try to guess what might happen and they “could never do that” themselves. I want to say: yes you can! There’s honestly a shortage of Nevermoor theories and ideas and speculation and etc and I want to see MORE!!!

Want to talk about how Morrigan’s mom is actually secretly alive? How the Scholar Mistresses are a Wundrous Act? Do you think the Tempus Divinity looks like an owl, or do you think Weaving and Ruination would be met together? Or have you ever thought about how this one line, from Chapter 19 of Nevermoor, about Betram Crow actually means he was a Cursed Child? Whatever it is you want to talk about: GO FOR IT!!!

I personally find it very fun to go sort of “English class mode” and look at the text in front of me and think about what different things might mean and analyze it and even overthink it to an unnecessary (but fun!) amount. But that’s just me and how I like to approach things! You don’t need to make long posts and quote specific lines if that isn’t your style. The big thing to remember is that so much can happen in the next six books, so throw any idea out there! You never know what twists and turns will be thrown at us. I think it’s fun to share these ideas and discuss with other people— sure, maybe there’s just something you missed when reading, but perhaps some new ideas spawn might from it. Some speculation could even serve as inspiration for fics!

There are some theories and thoughts that I’ve posted that have been “debunked” when I reread a book, or when someone pointed out something, or even just when something had a real-world basis that I as an American didn’t catch. But it was still fun to think about it all, and there’s some bits and pieces that I see as notable and worth considering. I think most of the Silverborn Masterpost is going to be “wrong”, but if just 1% of it is “correct”, even indirectly, I will take that as a win. I know it feels like during the hiatus everyone’s talked about everything, but I hope that the incoming communal reread (fingers crossed) and obviously Silverborn brings some speculation back to the fandom because I want to discusssssss!

[crybaby-bkg]

tw: mention of incest role play, mention of fear kink, mention of cum inflation????, scummy gojo, also I have no idea how to word this????

gojo who gets paired up with you for a college project, and you’re fucking reeling for a few reasons. one being; he’s extremely attractive and damn near everyone on campus knows who he is. and also, you’re intimidated by his beauty and popularity, especially since you’re only known for giving out the answers when people ask nice enough in classes.

but he’s so…friendly, when you guys meet up to start on the project. he’s all smiles and helpful answers, bites at the people who come up to him and pretend you’re not even there. he listens to you with this dumb (cute) little look on his face, with his lips slightly parted and his brows raised and his white lashes peeking over the roundness of his glasses whenever he nods.

he’s kinder than you expected him to be. funnier, too, with his shitty jokes that you find yourself snorting at in the quiet library. and when you guys are finished with the project, he still keeps in touch. moves his seat to be next to you in class, texts you and asks you out to coffee, even invites you on a date after a few weeks.

and everything is perfect—until it’s not. until he beds you one day and it’s not as special or magical as you were anticipating it to be. he’s kinda…strange, in a sense, when he fucks you. oddly quiet, like he’s holding back, his hands just a little too tight, his eyes too focused on random parts of your body.

but you sleep with him again and again, until he starts becoming real comfortable with you. almost too comfortable, let’s how weird and strange and almost scummy he really is start to shine through, let the mask he’d be unknowingly wearing this entire time slip away.

“What if we were siblings?” Gojo asks you one night when he’s fucking your brains out. he’s gotten better over these few months, gotten looser and more comfortable. too fucking comfortable.

“Satoru, what in the ever loving fuck are you on about?” you ask him in a gasp as you reach a hand back to keep your head from hitting the headboard. but he’s undeterred, his eyes wild and unseeing as he grips your hips tighter, thrusts becoming sloppier.

“No, I mean in a role play way.” He explains, as if that makes it sound any better. “You know? You’re my sweet lil sister taking big bro’s cock so I won’t tell mom and dad about you sneaking out.”

“You’re a sick fuck.” you tell him plainly, frustrated that your tone doesn’t carry the same bite because his nimble fingers started playing with you at the same time. “Fuckin’ weirdo.”

“Incest role play doesn’t turn you on?” he asks, cocking his head to the side like a confused puppy that you wanna kick in the chin. “Maybe, hmm,”

he pretends to be lost in thought, thrusts slowing down and you let out an irritated huff as you slump back onto the bed. but your back arches up when his hips pick up pace again, suddenly slamming into you as he looms over you. one hand cupping your cheek, the other returning in between your thighs as he grins madly.

“Maybe you’d like some fear play, yeah? How’s that sound?” Gojo bends over you until his nose skims yours, his pupils entirely too tiny, makes your breath hitch in your throat. “Me, chasing you around the campus with a big knife, scared that I’ll catch you. You know I would, right?”

he forces you to nod with his big hand cupping your cheeks, pouting your lips at him as you whimper. he kisses you, breathless, chuckling a little under his breath as he mutters something incomprehensible, his cock carving its way deep inside you.

“Maybe even cum inflation? That one’s not the realest thing out here, but I could figure out a way to make that work. You’d like that, right?” he sounds like he’s off the deep end, like every single twisted thought that’s been running through his mind these past few weeks have finally come to the forefront. started spilling out between you two like a cracked dam, like he’s been bottling this up ever since you met him.

you cum only a few seconds after his last inquiry, scared of the way his smile widens, as if your body told him an answer he’s already known.

[waywardstation]

Hey!! I hate making this kind of post but I’d like to stop being sent anon asks trying to get me to talk about Bl@nksh!pp!ng please!!!!! This is very clearly not a blog for that kind of content, I have made it very clear several times before that I don’t like the ship and never will, and I will not put discussion of this topic on my blog and make it look like I’m open to debating the subject — I’m not. Please stop sending these asks, I’m not answering them for a reason.

[sondheim-girly]

ok chat we doing this! this is mostly based on the musical versions of the characters.

-it’s kinda irrelevant, but for the sake of keeping track of when this stuff happens we’re gonna say that during canon bob is a senior in high school and Cherry is a junior

-Bob first starts to like Cherry wayyyyy back in the day

-like middle of 8th grade (so that it fits with my other head canons lol)

-she’s one of the only socs who won’t follow his lead without question, which he likes

-and he kind of likes that she’s just completely not interested in him

-he hasn’t really had that experience before, as the perfect charming soc who everyone loves

-anyways during sophomore year he starts to actually flirt with her more and kinda shoot his shot

-but because she only sees the him that he presents around other people she’s just so not interested

-anyways at the end of his sophomore year there’s this big soc party

-and Bob sees cherry standing with some socs staring into space clearly looking miserable

-this is definitely inspired by the lyric “I tell my friends I like their parties wishing i was somewhere else”

-normally she puts on a mask at times like these to seem as though she’s having fun

-but things are getting worse at home and it’s just too loud and she can’t stand it that night

-and Bob just got there so he’s not drunk yet, and he sees her and decides to ask her if she wants to get away

-he loves her so much in that moment 😭

-but she’s all like “I told you I’m not interested Bob 🙄”

-but he’s like “you really look miserable”

-something about how earnest he seems convinces her to go with him

-they end up driving around for hours, and that’s when she sees the side of him that he keeps hidden

-she’s shocked by how sweet and considerate he is

-the next day he asks her out again, and this time she says yes

[campbyler]

Hello!!

I’ve had an unpublished modern au byler fic in the works for an embarrassing amount of time and I’ve noticed that you two talk about characterization a lot, which has been my main struggle. I’ve figured out choices to make for characters and how they relate to choices and characteristics of the canon characters in the show, but I’m not sure if the reasoning behind those choices and traits will translate to readers.

I love the fic and I feel like y’all did a great job with making those reasonings clear in your writing without directly saying it, so I’d love to know if you have any specific tricks for that!

Also sorry if this kind of formal, I’m stuck in email mode with finals coming up :|

hello! soooo sorry this is such a late response — i was thinking it over when it came in and then i ended up talking about something similar on another ask and totally blanked 😔 thank you so much for asking for our input, i’ll try to be as concise as i can! (<- edit from future me who has finished typing up her answer to this ask: famous last words. you were not concise. at all. oh my god i’m sorry) i know you said you already made your initial characterization choices and everything so please bear with me while i word vomit and rehash what was probably part of your thought process anyways just to be able to follow my own train of thought lol

some general thoughts here that thea and i have been mulling over for the last few months regarding how we’ve written our fic and choices we have made for it: we’re both well aware that acswy is not everyone’s cup of tea for many reasons, but i’m specifically bringing this up in response to your ask because every once in a while, we do see someone refer to our mike and will as being written out of character, whether or not that’s a deterrent for them in reading. and i want to make it clear that this doesn’t bother us and nothing im about to say is meant to sound defensive or like we’re making a case to people who feel this way — we have our reasons for making the decisions that we did and also already heavily retconned our og concept for them on account of it having been pretty ooc at the time, even to us, so we’re confident with where we are now — but it has made us think about what people actually consider to be “out of character.” this brings me to my first point re: characterization which is, to us, the importance of differentiating between something that the character in the source material doesn’t/probably wouldn’t do versus something that is more of a direct contradiction to the character themselves. for example, we’ve seen people say (often while reading for the first time) that will is ooc specifically in the first couple chapters of acswy, a big reason being because he’s “mean to mike.” it is, of course, vastly different from how he acts in the show and is probably a slightly jarring dynamic to be dropped into right off the bat, especially since the entire premise of the fic is that the reader has almost zero context for why he’s behaving this way, and even more so at the beginning of the fic before his and mike’s relationship develops further. to me and thea as writers, the importance lies more so in the context for it all: how mike and will would turn out after growing up without each other as best friends, with a lot of the cultural pressures of the 1980s removed but having some new ones of the 2010s/20s introduced; not going to high school together, being in the same friend group for years and getting closer over time with many interests in common, but also facing a lot of conflict and having that friend group be geographically separated while a lot of it goes down.

and with this context, what we would consider to be ooc would be if we just like. made will a straight up DICK or something lol. no nuance involved, constantly berating mike with no reason to do so, even with their unknown history, like just ragging on him all the time and never backing down, even when mike isn’t engaging (side note: giant personal pet peeve of mine that max constantly gets written this way but i digress). we see in the show that will is often snarky and sarcastic and will stand up for himself when needed, especially with mike — which imo is another sign of will’s trust in him and their bond, that he can be honest with mike and not fear genuine retribution, and in acswy, he knows mike will meet him where he’s at. he sometimes isn’t afraid to hit a sore spot, but he would never ever just be a jerk for the hell of it -> we even see him apologize after their fight in s4, despite it clearly being a very emotional moment for him and a lot of truth behind what he was saying. whether he intended for it to come out that way or not, he still felt bad for reacting that way and apologized to mike’s face about it. likewise, there’s a reason acswy will acts the way he does with mike specifically, and we were also intentional with making mike match his energy like he does in canon, which will counts on, even — the way these boys BICKER, oh my god — and he has his own ways of pushing will’s buttons which prove to be very effective. even in the early chapters there are a lot of moments of softness and real friendship between them that (we hope!!) make it pretty clear that it takes some effort to maintain this facade, that there is more than enough of their “canon” bond and dynamic and chemistry where being friends and having fun together is a much more natural state to exist in, and is where they usual end up during those brief periods where they let that mask slip. same principle if we had made mike some uber-jerk who had completely different interests than he does in the show (we are so glad that book annotator and zelda fan mike wheeler is ringing true for you all ☺��), or someone who’s super self confident and popular and charming (outside of will’s very unreliable pov) once he and will start hooking up. i think most people would look at that and look back at canon mike wheeler and say yeah that is Not my mike, because making will an actual asshole or making mike any of these things would be going against core character traits that are central to their arcs in the show. will wouldn’t be will if he was generally a confrontational dick, and mike wouldn’t be mike if he was popular and exuded self confidence and so on. that’s just not them! so to summarize, i guess the question to us is more along the lines of “would they ‘not do this’ in the show out of circumstance/lack of necessity (e.g: canon byler going to the same schools until s4, never having a reason for rivalry to develop, growing up living in close proximity to each other and all of their mutual friends, etc) or would they ‘not do this’ in the show because it’s antithetical to the way they have been written?” we find it much more interesting to put a character in a situation and then essentially work backwards in a way to see how they would react to it, rather than putting them in situations that correlate to things we have seen before, and therefore would probably result in them reacting in a way we have seen them do before.

and now coming back to what i think you were actually asking: i think my biggest tip to making those references without it being said outright is honestly just to have faith in both your readers And the creative choices you make. which sounds like a bit of a cop out answer but i simply can’t understate the important of trusting your readers to pick up what you’re putting down, and to trust that they’ll read between the lines for you. a lot of my favorite characterization moments in aus are ones that are really really subtle, where a character does or says something that is clearly a callback to something in the source media, but it isn’t explained in a way that’s actually calling attention to it — it always seems much more natural that way, like whatever they did is just a progression of who they are in that story instead of the author trying to make a point or force a connection. just off the top of my head a small example might be how i see so many authors in non-magic/no upside down aus still make will really struggle with the cold, often just as a throwaway line or paragraph which imo is much more effective for me than trying to explain why he’s feeling this way. or having him enjoy the same media as in the show in a slightly varied and less direct way (e.g: being into the new star wars shows as a continuation of his canon interests, putting him in theater club to play off of the posters we saw in his room, etc). i think it also helps to have something specific in mind that you’re trying to tie back, like an important moment for that character’s story or something that stood out in the source material. like, i love writing lucas and dustin bickering over stupid stuff bc it takes me back to them in s1 in the principal’s office or s2 in general, or one of my personal favs in my own fics was one where i had will be on a constant rotation of fun patterned socks. he’s creative, he’s an artist, it’s (hopefully) a pretty clear connection to make once i write it in, and i really do think a modern version of him would get a kick out of something like that! and sometimes people just won’t pick up on what you’re trying to say and that’s okay too! everyone reads fics a little differently so some connections might be more obvious to some people than others and so on. from my experience as a reader, i find it pretty easy to connect the dots between an intentional and thoughtful moment of characterization vs one that doesn’t quite hit the nail on the head, or the author felt the need to spell out for the reader which maybe took me out of the moment a little too much or something. to me, making those choices and translating canon to an au is honestly the hardest part, especially with a modern au and a show like st that is So defined by the period it’s set in, so if you’ve already got that out of the way i genuinely think you have the rest of it in the bag as well. unless you worked through it in the month it took me to get to this in which case i am so so so sorry LOL

okay that’s been my word vomit of the day, hopefully any of this made sense or was useful at all, but thank you again for your kind words and support and for thinking to ask us! always always happy to chat writing, even if it takes me a million words to do it 😗

[sherlockismarvelous9-1-1]

Maybe it’s a good thing we didn’t get the Buck and Bobby scene in 8.06, because “we haven’t had to talk about it” would no longer ring true…..

[arcadiii]

oh no— i’m falling back into my LIS era—

[transgirl-gaming-thoughts]

The more Mario games I play, the more I realize the series absolutely peaked with Galaxy 1 and 2, and will likely never reach that peak again. Don’t get me wrong, I’ve enjoyed some of the Mario games that have come out since then, and a few bits of some games too. I’m a fan of 3D World personally, and would love to finish it alongside Bowser’s Fury when I eventually own it for myself. I played and thoroughly enjoyed the simplicity of 3D Land. I didn’t enjoy the format or controls of Odyssey, I think that game tried to do way more than Mario works with. The Galaxy games truly reached a high of platformer level design that hasn’t been seen in Nintendo games before or since, it features minimally intrusive motion controls despite being on the Wii, and visually they both hold up very well. It plays to the strengths of the Mario series, with obstacle course-style levels and missions with smartly designed challenges and a variety of moves and abilities to complete those missions. The spin attack is the best one-off move that Mario has ever had, with a near perfect control/usefulness ratio. Galaxy is the closest we’ve gotten to genuine, heartfelt storytelling in the Mario series. The Galaxy duology truly is a highlight of gaming history and of the Mario franchise, and it’s a shame that Nintendo will likely never take us to that peak ever again.

[oldworldghost]

How do you think P would react over finding out Reader likes to sing? Is a duet incoming in the walls of Hotel Krat?

P with a lover who's a singer! ☆

↳ Anon this is adorable! I'm tempted to write a fic about something along these lines at a different time, but for now have some hcs :]

➸ Pinocchio finds out you sing on one of his return trips to the hotel. His attention is first grabbed by the sound of the piano, its' notes greeting him upon his entrance, and being the artistically inclined man that P is, he naturally follows it. His attention is secondly grabbed by the faint sound of a voice, half hidden by the keys and only to be properly made out that's yours when he's standing in the doorway of the library. He makes eye contact with Antonia, who sends him a smile before turning back to you, who either hasn't noticed that he's there or simply doesn't care. He supposes it to be the former, too engrossed in what you're doing to pay attention to the outside world.

➸ He, very quickly, ends up the same. Dead glass eyes watch intently as your hands glide over the keys, something akin to life sparking in them as he listens to your voice dance with the music. Pinocchios' initial reaction is that you sound beautiful, look beautiful. Though it would be more accurate, I suppose, to say that he thinks you both look and sound incredibly human. P has never heard anyone sing outside of Vinyls, at least not for long, so being able to not only listen in person but watch as you engage in the act of something as human as music has his gears speeding up. Something in them has changed, he's sure of it.

➸ It should come as no surprise to say that Pinocchio is immensely curious about [and attracted to, in your case] things he perceives as human. This is partially due to the fact that he sees them as a goal, something to work towards and obtain, a barrier to be broken between himself and humanity as a whole. And of course this extends to music and is one of the reasons his vinyl collection is ever growing, why he always finds himself returning to the piano. It is a little hard to tell whether Ps' appreciation of art is something inherent to him or if it merely exists because he thinks it has to. In all honesty it's probably both.

➸ Now, to grow less introspective about it all, Pinocchio also just really loves listening to you sing because it's, well, you. He is undoubtably your number one fan, though he's subtle about it. Gemini is the hype man, much to the embarrassment of P and the amusement of Everyone Else. Honestly it's not even really embarrassment on Ps' part, more of an annoyed "wow I wish you would shut the fuck up!" because Gemini has the talent of being able to bring you into every conversation and you being a singer just adds more fuel to a fire that really does not need it [Pinocchio would one hundred percent do the same though if he was more, you know, talkative].

➸ One of Pinocchios' main love languages is quality time, and honestly you being a singer is perfect for that. Most of his time at the hotel is spent just sitting and listening and watching. Something about your voice makes him feel safe, as weird as that may sound. Maybe it's the affection in it when you sing for him alone, or just how intimate the atmosphere ends up being. He's not even sure if he's capable of feeling comfort, but he wouldn't change whatever's in his chest for the world.

➸ In regards to duets, I think Pinocchio would actually be rather open to the idea. Now, contrary to popular belief he can in fact speak, though he seldom ever does it without prompting. He doesn't really see the point in it if we're being honest, yes speaking is human but his voice is so flat and honestly he just doesn't have a lot to say about things. So it's fairly safe to say P has never sung before, hell he's not even sure if his voicebox can function like that, but nonetheless when you bring up the idea of a duet he's not only willing but somewhat eager about the whole thing. There's really no rhyme or reason for it either, Pinocchio just likes the idea of doing something human with someone who makes it easy to forget he's a puppet.

➸ Now Pinocchios' singing voice is actually rather nice! Though it is, of course, undeniably mechanical. There's something off about it, at times sounding like a crude mimicry of a human, a constant stiffness and roughness to it. It falls into a sort of uncanny valley, however there is also something undeniably endearing about it, something human about how much you can tell he wants to express anything in it. As for sound outside of puppetry, Ps' voice is fairly deep but retains a certain gentleness to it, a smoothness that contradicts the stiffness in a really lovely way. And yes, Pinocchio has a sense of rhythm.

➸ Pinocchio has a strong preference for keeping your duets private. The best way to do that, in his opinion, is when you're both out in the gardens dancing together. Under the stars while everyone else is inside, chest against chest and voices in sync, the gentle twirls and turns as you both slip into your own little world. If you couldn't tell how much he values your duets before, you certainly can now. Kiss him after the song is done, won't you?