#sorry for the long post y'all

[hemipenal-system]

working on a farm and going to a secondhand equipment auction to try to find a part you need replaced on one of your machines, and some guy has a combat drone all folded up in the back of his truck

it's powered off, of course. the guy says he doesn't even know how to fix it, says it just crashed in his backyard during the war, what, 40-odd years ago? and he just threw it in storage and hasn't touched it since, and his wife says he has to get rid of it, so he'll sell it for cheap if you're interested.

you figure, what the hell, you need a side project, and it might be interesting to refurbish it or whatever, so you buy it, lugging the heavy fucker into your own vehicle

you throw it up on a hoist and manage to power it on, half scared it'll try to kill you, but it just hangs there, limp except for its head turning to create a 3d model of your face to recognize you by. it looks almost... human, in a way. its head is a mess of sensors where its face should be, all wired down to its torso where it keeps its processor, and the stabilizers on its feet that prevent recoil from a heavy weapon knocking it over resemble claws, but it otherwise resembles a tall, lanky human to an eerie degree. it doesn't speak. you figure something in it must be busted. it doesn't move at all as you take it off the hoist and lay it down on the ground.

you leave it in the barn when you go to bed. it'd be preposterous for a machine to sleep in the house, even if it is a moderately human-shaped one. it'll be fine out there.

when you come back the next morning, you're surprised to see it curled up, not sleeping but emulating it, in a pile of hay it must have brought down from the loft. strange, since it shouldn't have any necessity for more comfort than the cold concrete floor would provide. it powers on when you approach, turning to look at you but otherwise not moving.

it doesn't talk for a week.

when it does, it's one word. you have it open on a workbench, arm buried deep in its mechanical guts. its speakers crackle to life just for the one word and then shut off again, startling you enough that you jump and then swear as your hand slams into the metal frame, cutting a knuckle open - then you process what it just said.

it was a name.

you ask if she wants to sleep in the house after that. she doesn't answer, but follows obediently like a trained dog, up the stairs and into your bedroom, mimicking your motions as you lay down in bed and she lays down next to you. you flick the light off, worried about the non-zero possibility that you've fucked up and her programming will reset when she wakes up and immediately target you as a threat. then you fall asleep.

you wake up with the combat drone pressed into you, cool metal arms wrapped around your torso, sensor array pressed into your shoulder. she doesn't snore, but her cooling system whirs quietly and you realize your body is warming her own.

you don't know what makes you kiss her forehead. you just sort of do it. but she makes a cute humming noise so maybe it was an okay thing to do.

[punnifullife]

more robstar art but now ft. some batfam!! This doesn't even scratch the surface of doodles i'll be posting...still mostly robstar but now I got other plans involving the batfam hehe

[thependancer]

An analysis of the voices in Moment of Clarity

Before we get into the analysis, a little note:

1- I am mostly trying to show how the trauma has affected each voice compared to them on their normal routes. If they have deviations in other chapters and I have stated them as trauma responses, correct me.

2- I tried my best but some voices are just difficult 😭. So sorry if I couldn't give a satisfying explanation to your favourite.

Without further ado, let's begin:

Firstly, it should be noted that what exactly happened after you decided to stay with The Nightmare is something not even the voices themselves are sure about. But what we do know is that whatever the events were they were horrific. The voices have tried everything up to this point except freeing her. And since nothing was working and it was only making things worse, they are effectively useless now. Even the Narrator acknowledges that they are all extremely traumatized.

So let's see how these voices handle trauma.

1) The Voice of the Broken:

The voice of the Broken has shown incredible resilience and empathy in the past. And in this route he is somehow even more broken. He is also on the "Free the Princess" team, however he only wants to do it because he wants this misery to end. He has the most interesting explanation as to why we(the player) can't remember being here through all those lifetimes.

"Maybe you're shattered in your own way."

Ding Ding Ding. We've found the trauma response. The Broken has been shattered more than he already was. His will and empathy have run out. Where once he probably tried accepting the Princess, the Princess just shattered them further. He just wants to be done with it. As he says, "She smashes us to smaller pieces."

2) The Voice of the Cheated:

The voice of the cheated is the only voice to comment on the absurdity of us having so many voices. And he says it as if he's complaining about it. It's the only thing he can really do in that situation really. The Cheated does NOT like losing. But after complaining for so long and ultimately getting no where, he just accepts defeat at this point.

"It doesnt matter what we do. Because we always find her. And if we don't find her, she always finds us."

Subsequently he is on the "I don't fucking care what happens anymore" team. That isn't to say he doesn't want this to end. He does but he has just given up on trying to 'win' and get an ending. Effectively he wants to quit now. And he doesn't care if it's by completing the game or hitting alt+f4.

3) The Voice of the Smitten:

The voice of the Smitten has an interesting trauma response. The relation here is almost parallel to the relation Broken has with The Tower, except somehow worse. Smitten is incapable of seeing faults in the Princess. And when questioned if we really do love her after all shes done to us he tries to justify his love by saying

"To be given an ounce of kindness from something so pure would be more pure than any other love."

After we say that the voices in our head are wrong, he replies

"She is the ONLY THING that's right."

The Smitten is heartbroken. He's like that ex you broke up with but he still texts 'I love you' every night. Except the Princess has probably toyed with the Smittens love. But the Smitten can't not love her. So he decides he must become good enough to earn the love of "our cruel and beautiful godess". And the only way to do that is to free her. He doesn't want freedom he wants affection.

4) The Voice of the Hunted:

The Hunted was already one of the weaker voices mentally. Here he's just completely silent. He has like 6 lines the whole route. Which is only 1 more than the Stubborn. The Hunted is scared. He is almost paranoid. He doesn't even tell us to do this or that. He doesn't even comment on the mirror.

I personally feel Hunted was so broken that like a scared animal he decided it was better to hide. He does speak out in agreement to Cold when he says we sealed our fate by not killing her. Interestingly, the response is very minimal. Primitive even.

"Kill or be killed."

Which if you know Hunted, is not a normal response. He usually wants to run or hide. He never wants to kill, just survive. But here he says it would have been better to just kill. So whatever Nightmare did has made Hunted go from run to hide to kill or be killed. Wow! This is like prey animal that when cornered will just lash out in violence if they have no other choice. And that's exactly what Hunted is.

Now we start getting into some really interesting deviations.

5) The Voice of the Opportunist:

The voice of the Opportunist is so unbelievably broken its unreal. First thing to note is he already has an opinion. Secondly, he defends his own opinion. That isn't very opportunistic. He doesn't even flip flop like in his other routes. He's so different in this one, almost as if he's gained empathy as a response to trauma. He eve tries to comfort other voices like the Broken.

"You did your best really. There's just a pecking order."

And he is the only voice who tries explaining to Skeptic why his constant questions are bothering them. He does it in a positive way as well.

"They're good questions. Great questions even. But they just don't have any answers."

And he clearly doesn't care what the others think about him at this point. He's also the few voices that have some semblance of sense. Like when Cold tells them to be unfeeling, Oppy says,

"He's not wrong. He's the only smart one left if you ask me."

Again a very different opinion from the rest of the voices that deem Cold to be a nuisance. He's in the minority here. And yet when you return and start making choices, he's so relieved.

"I'm sure whatever you settle on, it'll be the best possible decision you could've made."

The reason he's relieved is because there is someone actually in control. There is a decision maker he can agree with. Finally, someone to try and suade. But this is still the most resolute we've ever seen him.

6) The Voice of the Stubborn:

He is probably the most fed up with everyone else's bullshit. Interestingly though on this route he isn't urging us to face the Princess. The only route where he isn't in a hurry to reach the cabin. He has completely lost the spirit to fight. If you got knocked out, this Stubborn could not revive you. He still wants to get physical, just can't. Who's he supposed to fight? The Princess? That's already been tried. The other voices? Now that's an idea.

"Shut up. You {Contrarion} were here."

Fight me. It's right there he wants Contrarion to punch him so he can punch him.

"Ugh. Here you {Skeptic} go philosophising again. It never goes anywhere."

I'm mocking you what you gonna do about it? Fight me. But it's hopeless. He can't even be bothered to instigate a fight anymore. But he's the macho man. What will the others think of him if he isn't aggresive? The truth is others don't really care. But he does. So he says to smash the mirror. Partly cause he wants to feel the spark of a fight again, partly cause that's what others expect of him.

7) The Voice of the Paranoid:

He is STRESSED. To the point he's constantly thinking about the Princess. He only has one goal in mind. Free the Princess. Escape. Get out of here. Make the thoughts stop!!!!

Such a precious broken boi. He just wants peace. He states,

"(Freeing her) It's the only way to get our thoughts back."

He can also feel eyes on him. Not sure if that's just Para being Para or due to trauma. But he is growing restless because of it.

"She's watching us. She never stops watching us."

He also doesn't talk much. Like he's scared the princess will hear him. He was always quiet but he's unnaturally quiet. He also really really wants to free the Princess. Overall he's Paranoid, can't think about anything except wanting to free the Princess so he can have his thoughts back.

8) The Voice of the Contrarion:

Contrarion has always been a nihilist. Nothing matters so let's just have fun cue laughter. However, here we can't really have fun. So his attitude becomes, nothing matters cue laughter. Which just makes him seem so sad.

"There's no difference between fine and not fine. It just goes on and on."

We know that Contrarion does hate himself. But here he's trying so hard to hide it here. He does not want to look at himself. He doesn't even want to think about himself. When Skeptic starts to question identity. He's also been asked this before but he would rather look away than look at himself.

"Yes this is far from the first time you've asked us about consciousness. (In a mocking tone) 'Who am I?', 'What am I?'; (Angrily) What is 'I'? Who even cares."

The Nightmare has broken him so much but he'd rather ignore it. When the voices are telling us what to do with the mirror in the cabin, he says

"Just go around it."

He's so done with himself. He doesn't even want to look at himself. He thinks that the most disgusting thing he could see HIMSELF. Not only this he tries to dodge almost every question we pose.

"What does here even mean if you think about it?"

He doesn't want to acknowledge anything even remotely related to him. Where was I? It doesn't matter, nobody really cares about me.... atleast I don't.

9) The Voice of the Cold:

The voice of the Cold has barely been affected. Makes sense. But what's interesting about him is he has actually been affected. He either doesn't know or he is purposely ignoring it. He has become more irritable. He develops a form of empathy. He has some pity.

" I've tried to keep them numb but they are all too soft. A shame, really."

That doesn't sound like the backseat driver Cold we know? Cold wants to help the other voices but he well can't.

"You're lucky you haven't been stuck here like the rest of them. There's no other way to keep going. You either need to forget or you need to stop feeling much of anything. They can't do either."

The Cold tried to help them. But the nature of the voices doesn't let them be helped. Cold is severely disappointed because of this. He even blames the player for ending up in this position when he says,

"You sealed our fate when you refused to kill her."

He just wants the player to make decisions independent of the voices. He's seen what they all do. He sees that it always ends in losses. He thinks the player was there when the other voices were having a try. He thinks the player was just listening to their requests.

"You always give too much space to others. It's why you always lose."

He is also the chattiest in this route. He also has many lines where he just tells us to be unfeeling. He's trying to protect us as well. But he's also bored. And he just wants it to end because he's bored.

10) The Voice of the Skeptic:

Possibly the most broken of the bunch. He is TRAUMATIZED. Normally, Skeptic is the most grounded. He's the guy who always has a plan. But here? He's useless. He realises this. And just breaks. He can't answer any question. How many times have we been here?

"Many many many many times."

Skeptic, wheres the numbers? Was I here?

"Are you your memories? Or are you the one perceiving the present moment?"

For someone who really loves answers, he sure doesn't seem to have any. The most logical voice being turned completely insane. He can't accept anything.

"Can we love something that hates us? Can we love something that hurts us?"

He's trying to distract himself. He doesn't want to think about the situation. He doesn't want to THINK. That's so bizarre. The Nightmare has broken Skeptic so much he doesn't want to do the one thing he loves to do. In fact when we reach the Long Quiet his first words are,

"I can finally think again."

11) The Voice of the Hero:

The voice of the Hero has a reaction that would make anyone furious at the nightmare for what she did to our boy. Hero is normally jocund, enthusiastic, understanding, and overall lovely. But here he is depressed. He doesn't talk much which is unusual. He always has something to say. But he's just so defeated. When the Narrator tells you the only thing you can do is go to the cabin, Hero replies

"Or you could just give up."

Hero says that. Not Broken. Hero. Our Hero. The one who is always encouraging us through our journey. The one we can trust no matter the circumstances. Our best friend. This line is the most terrifying part of Moment of Clarity. If we had any optimism going in, it had left us in this moment.

"You're lucky. What I would give to be able to forget."

Please someone comfort our boy. He deserves all the chocolates in the world.

In the Long Quiet

Once you reach the Long Quiet the voices seem to ease up a little. They see death within arms reach and think it a mercy. As Hero puts it:

"Something tells me this is the end of the line, but I don't feel bad about it. I'm ready."

Which is a striking contrast to his usual plea to not look at it. His fear of death is converted to a longing of it. Which could be seen as a another proof of why the Narrator's utopia is wrong. Because people who have lived a nightmare long for change and even death. And so he is at ease.

The Broken says,

"It feels okay."

Which is huge for our boi. Broken never feels alright. He is always sad or depressed. Something is always not okay with him. But after living through a nightmare, things finally seem okay. And so he is at ease.

The Paranoid says

"The fear's gone."

Again an amazing development. Paranoid always feels watched, and he's scared of who it is and why is he being watched. But in his final moments, living through a nightmare, he realises that the fear has no place in him anymore. And so he is at ease.

The Stubborn says,

"I'm done fighting."

This statement is a confession. He had long lost the spark for a fight, but here he can finally admit it. He doesn't want to fight anymore. He doesn't want to resist anymore. He wants to let go, and he does. And so he is at ease.

The Smitten says

"My heart feels quiet."

The fire of passion is fierce. And here it burns the Smitten. He wanted affection. He desired a connection with the Princess. His heart was incapable of doing anything but. Now as he is unraveled, his passion is extinguished. His heart is quiet. He never did get the affection he desired but realised he didn't need it. And so he is at ease.

The Cheated says,

"The game was always going to end."

For him, this is an ending screen for a rage game. He hated the experience the whole way through. He constantly faced losses. But he persevered. And so he found the ending. After all, no matter how extensive the game was, it was always going to end. He is glad he didn't quit. He got to see the ending. And so he is at ease.

The Cold says,

"I'll be free of all of you."

The worst part about this nightmare wasn't the nightmare itself. It was the fact it was hurting the ones around him. They got hurt abd yet he was as unfeeling as ever. He knew he had to be right. After all, wasn't he the only sane one left? Now as death approaches, he doesn't have to help carry the burden of others. And so he is at ease.

The Skeptic says,

"I'm ready for the truth."

The Skeptic was thoroughly broken throughout this experience. A man of reality shatters when reality shatters. And the thinker's response to doubt is to seek. But no answers were present in the nightmare. Now there is something that is very clear in purpose. Something easy to test. The mirror is death? Alright then let's see the truth. There are answers again. And so he is at ease.

The Hunted says,

"I'm ready to sleep."

An animal who has tried everything to protect itself and failed over and over again. A wounded creature who was pushed to his limits. But he is very tired now. He tried his very best. Yet it seems death is inevitable. He has remained vigilant and fearful throughout the nightmare. Now he feels safe enough to rest. And so he is at ease.

The Contrarion says,

"I'm just ready to be anywhere that isn't here."

The nightmare had shown him how low of a person he could be. He has come to associate that version of himself with those wretched circumstances. As he leaves that place behind he leaves behind his self hatred. He wants to get on with it already. He finds esteem in himself and his voice now echoes with joy and pride. And so he is at ease.

The Opportunist says,

"Boys..... it's been an honour."

The one who has never experienced true connection. The one who is constantly at odds with himself and everyone. Throughout the nightmare he garners genuine connection and empathy. He realises that the ones he should truly support are those that he loves not those that are the top of a pecking order. He finally finds that connection in this moment with the others. And so he is at ease.

And so they are at ease.

[limeshade]

What’s the matter with them? Why are they acting that way? Why, don’t you know? They’re “twitterpated.” Twitterpated? Yes. Nearly everybody gets twitterpated in the springtime. For example���

BAMBI (1942) Directed by David D. Hand et al. Written by Perce Pearce, Larry Morey et al.

[empty-movement]

Bud of the White Rose: EVERYTHING

HEY. HI. VANNA HERE. Yes, I've seen the countless messages, mostly on Tumblr, begging for links to download the musical, a static accessible copy of the script, and lyrics in Japanese for the main banger, Absolute Darkness: The Rose Garden.

I've procrastinated on this for many reasons! The script was worked out live in the subtitles, making it...kinda hard to translate back into a normal format. Thanks Notepad++ as always for that one. Also, I've felt like I should make a website for this content, and I still think that, but it also has impeded my sharing the content, and that sucks. But you know what? WE HAVE A FORUM. And unlike Discord, this will be archived and permanent! (Yes, I will do the 2019 Black Rose one as well, gimmie time)

2018's Musical Utena ~ Bud of the White Rose: Script & Everything Else!

(Oh, did you want the 2019 Blooming Rose of Deepest Black? Made that post too!!)

Ok fine, I know most of you want the banger lyrics and are too lazy to click for the thread:

M6: Absolute Darkness: The Rose Garden (plays after Saionji loses the duel) (Note, the romanization is via google, though I did check that it sounded right! The Japanese is from the program book.)

WAKABA: Wrapped in a nostalgic fragrance…​ 懐かしい香りに包まれた​ Natsukashii kaori ni tsutsuma reta​ NANAMI: …sealed with the wax crest of a red rose, a formal invitation arrives.​ 赤い薔���の刻印に 飾られた招待状​ Akai bara no kokuin ni kazara reta shoutaijou​ MIKI: A white rose is pinned to the chest, this becomes the target.​ 胸に差した白き 薔薇を目印にして​ Mune ni sashita shiroki bara wo mejirushi ni shite​ JURI: The desperate search for you, a pursuit that begins on the night of the ball.​ 君を探し求める 舞踏会の夜​ Kimi wo sagashimotomeru budoukai no yoru​ SAIONJI: A heavy gate opens… and then! The sharp point of a sword—​ 重い扉は開き 鋭き剣先は​ Omoi tobira ha hiraki surudoki kensaki ha​ TOUGA: …plucks at the strings of destiny, and the music swells…​ 運命の音楽つま弾く​ Unmei no ongaku tsumabiku​

EVERYONE: The two of you begin to dance, and before long hurt one another.​ 君と君を求む者が舞う やがて互いを傷つける​ Kimi to kimi wo motomu mono ga mau yagate tagai wo kizutsukeru​ EVERYONE: A dance turned to a duel. Just like puppets…​ 決闘と化し まるで人形のように​ Kettou to kashi marude ningyou no you ni​ EVERYONE: …at the mercy of a god’s rhythm, two shadows suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ ANTHY: When the rose petals are scattered…​ 輪のバラの散らされた (As in the program, but not accurate to the sung lyric, which I will use from here on.)​ 一輪の薔薇の散らされた (Accurate to the lyrics, credit to barafubuki's initial Japanese script)​ Ichirin no bara no chirasa reta ​ ANTHY: …you turn up your face to the heavens…​ 天空を見上げれば​ tenkuu wo miagereba​ UTENA: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​

EVERYONE: At the mercy of a god’s rhythm, two shadows suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​

M25: Absolute Darkness: The Rose Garden ~ Reprise ​ NANAMI: Grasping for control…​ 狂わされた運命​ Kuruwasareta unmei ​ MIKI: …of a mad fate…​ 支配された​ shihai sareta​ NANAMI: …a spirit bound without hope…​ 魂縛り付けて​ Tamashii shibaritsukete ​ MIKI: …to a vast world of emptiness.​ 広がる虚無の世界​ hirogaru kyomu no sekai​ SAIONJI: There in the smoldering fire is an indelible portrait…​ 炎で燃やしつくしても 消えない肖像​ Honou de moyashi tsukushite mo kienai shouzou​ WAKABA: …rescued by a shadow from inside the frame.​ 絵の中から救ってくれる あの人の影​ E no naka kara sukutte kureru ano hito no kage ​ JURI: Countless illusions of who you are, overlapping each other…​ 無数のあなたの幻影が 重なり合ってかつての​ Musuu no anata no gen'ei ga kasanariatte katsute no​ EVERYONE: …and painting over the real you.​ 自分を塗りつぶしていく​ Jibun wo nuritsubushite iku​ ANTHY: Even in absolute darkness, I feel your warm hands pulling me forward…​ 漆黒の闇もあなたの手の温もり感じ前に進む​ Shikkoku no yami mo anata no te no nukumori kanji mae ni susumu​ ANTHY: …toward the sunlit garden that's surely ahead.​ 光の庭にたどり着く日は きっと来る​ Hikari no niwa ni tadoritsuku hi ha kittokuru​ ANTHY: Then, you'll let go of my hand, and it won’t even matter if we’re separated…​ その時にあなたが手を離して 去っていっても構わない​ Sonotoki ni anata ga te wo hanashite satte itte mo kamawanai​ ANTHY: …because your warmth will stay with me, for all eternity…​ 温もり忘れない きっと永遠（とわ）に…​ Nukumori wasurenai kitto eien (towa) ni…​ ​ (dialogue cut - note that there is also dialogue occurring over and between the lyrics from here, so I will only note large breaks)​ ​ NANAMI: Grasping for control…​ 狂わされた運命​ Kuruwasa reta unmei ​ MIKI: …of a mad fate…​ 支配された​ shihai sa reta​ NANAMI: …a spirit bound without hope…​ 魂縛り付けて​ Tamashiishibaritsukete ​ MIKI: …to a vast world of emptiness.​ 広がる虚無の世界​ hirogaru kyomu no sekai​ SAIONJI: There in the smoldering fire is an indelible portrait…​ 炎で燃やしつくしても 消えない肖像​ Honou de moyashi tsukushite mo kienai shouzou​ WAKABA: …rescued by a shadow from inside the frame.​ 絵の中から救ってくれる あの人の影​ E no naka kara sukutte kureru ano hito no kage ​ JURI: Countless illusions of who you are, overlapping each other…​ 無数のあなたの幻影が 重なり合ってかつての​ Musuu no anata no gen'ei ga kasanariatte katsute no​ EVERYONE: …and painting over the real you.​ 自分を塗りつぶしていく​ Jibun wo nuritsubushite iku​ ANTHY: Even in absolute darkness, I feel your warm hands pulling me forward…​ 漆黒の闇もあなたの手の 温もり感じ前に進む​ Shikkoku no yami mo anata no te no nukumori kanji mae ni susumu​ ANTHY: …toward the sunlit garden that's surely ahead.​ 光の庭にたどり着く日は きっと来る​ Hikari no niwa ni tadoritsuku hi ha kittokuru​ ANTHY: Then, you'll let go of my hand, and it won’t even matter if we’re separated…​ その時にあなたが手を離して 去っていっても構わない​ Sonotoki ni anata ga te wo hanashite satte itte mo kamawanai​ ANTHY: …because your warmth will stay with me, for all eternity…​ 温もり忘れない きっと永遠（とわ）に…​ Nukumori wasurenai kitto eien (towa) ni…​

(dialogue cut)​ ​ EVERYONE: When the rose petals are scattered…​ 一輪の薔薇の散らされた​ Ichirin no bara no chirasareta ​ EVERYONE: …you turn up your face to the heavens…​ 天空を見上げれば​ tenkuu wo miagereba​ EVERYONE: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​ EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​ ​ (credits/cast walk-on)​ ​ UTENA: When the rose petals are scattered…​ 一輪の薔薇の散らされた​ Ichirin no bara no chirasa reta ​ UTENA: …you turn up your face to the heavens…​ 天空を見上げれば​ tenku wo miagereba​ UTENA: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​ EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​

(credits/cast walk-on)​

UTENA: When the rose petals are scattered...​ 輪の薔薇の散らされた​ Ichirin no bara no chirasa reta ​ UTENA: ...you turn up your face to the heavens...​ 天空を見上げれば​ tenkū o miagereba​ UTENA: ...and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshino-jō itsuka omoto ni maioriru​

EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrō sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden... And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…

[hyakunana]

✨💕 The winner of the DGP is———! 💕✨

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[ito-itonomen]

I recently read that blood can hypothetically be used in Baking as a substitute for eggs and this obviously reminded me of toh bc it's been over a year and that show still lives in my frontal lobe lmao

Like, when I first heard Lilith talking about making all those blood based recipes w Gwendolyn I thought "yeah that checks out it's the boiling isles where people eat spiders and eyeballs why wouldn't they cook with blood too"

But now I'm actually thinking it could be deeper than that?

Griffin eggs are expensive, they're not cheap to keep in the house and they're an awkward size too, once you crack one open, you can't exactly use part of it and then store the rest for later, at least not easily, and even so it would spoil quickly. (This I know from experience due to some expiriments in curing egg yolks lol)

Spiders have been mentioned to give milk, and it's likely that spider eggs are also sold, probably pretty damn cheap in bulk too, but spider eggs are more similar to fish roe, and wouldn't be any good for baking.

So, what do you do if you're from a poor or lower income household and want to make a batch of cookies or maybe a cake for your kid's birthday?

You use blood. A cheap, easy to come by staple in any market, available in all varieties from fruit blood to livestock, can be kept in a frozen until you need it, and full of nutrients and similar enough in the makeup of it's proteins to be used as a substitute for eggs.

And magic has been able to keep food frozen for hundreds of generations. Only wealthier individuals might know a good baking recipe involving eggs, but every common witch and their mother has some old box or notebook tucked away in the kitchen containing some faded recipe in great great grandma Meabh's handwriting for a nice blood velvet cake or blood sugar cookie.

In summery I think that in the owl house universe baking with blood is actually a charming practice rooted in multigenerational witch culture and a staple of hard times.

The only reason we wouldn't see Eda cooking with blood, naturally, would be due to Luz's dietary restrictions forcing her to go the much more expensive route but I bet king has all sorts of cute childhood memories of Eda baking those old family recipes from her own childhood and the smell of bloody sausages for breakfast and fango-blood bread on a rainy day

[jimmysea]

No more loneliness, little Day.

LAST TWILIGHT SERIES (2023)

[molinaskies]

Lanolin: Designed to be Dislikable.

Hi friends. I’ve had a number of people in my digital face over the last few months trying to “show me the light of Lanolin,” but I’ve kept these interactions private because there’s no need to put them on blast. Of course, they're mostly respectful and I’m often reminded that I have a right to my opinion, but there is always an undercurrent that I might have just missed this one small tidbit that could blow the case wide open because how could I possibly not like her? How could I not understand her character and be empathetic to her plight?

But I’ve watched the videos. I’ve read the think pieces. I’ve seen it all. But my opinion hasn’t changed and that does not mean I’m wrong… nor does it mean I’m right! We have two different opinions that should be allowed to co-exist.

I’m being a touch cross here, I recognize. Please forgive me for that, this once. But frankly, I am frustrated—not because people like Lanolin, but because many seem incredulous to the fact that I dislike her. And I can only assume that means I simply have not made myself clear.

Consider this my final take on Lanolin the Sheep until there is some significant development for this character.

I am allowed to dislike Lanolin because she is a fictional character whom I’ve done the research on and have come to that conclusion. Done. That’s all she wrote. Go home.

That aside entirely for the sake of argument, I am allowed to dislike Lanolin because she is supposed to be unlikeable as per her role in this story. I dislike Lanolin because I dislike assholes, but I also like Lanolin because she is doing her job very fucking well! lol

Lanolin is not supposed to be in the right. She is a character who is making major mistakes due to her lack of experience combined with her arrogant dismissal of others, and she will eventually be punished by Mimic’s betrayal to teach the audience some sort of lesson. If half of this comic’s runtime has been about punishing Sonic—the titular character—for his mistakes, then Lanolin can get punished once. I would bet real world money that this will happen.

So many characters are sus of Duo by now and have tried to do something about it but Lanolin gets in the way because she can’t listen to reason. The only reason Silver and Whisper “go rogue” is because Lanolin wouldn’t listen to reason—and her response was still disproportionate because when Whisper tried again to explain herself, Lanolin made her hit the deck.

Lanolin is Sonic with some pieces missing. We know this because Lanolin directly cites Sonic as her inspiration for getting involved in the restoration. However, Lanolin looks at Sonic, sees his behaviour, and emulates it without any understanding or regard for how he has earned the right to do what he does. Sonic is insolent, not arrogant, because he only denies authority when it isn’t earned. Sonic is defiant, not self-righteous, because he believes there are multiple ways to solve a problem. Sonic is empathetic, not sympathetic, because he takes the time to learn and experience what it means to live on the other side. Lanolin has modelled herself off of Sonic because Sonic is a hero, but she’s missed the bigger picture of what that actually means.

Lanolin is cold, unkind, and unwilling to be wrong because she thinks she knows everything she needs to be in this game. That is inherently unlikable to some people and therefore justified.

But there’s more to this, isn’t there?

A huge defence of Lanolin as a character is that “she has baggage that makes her rough around the edges,” and you know what? Fair! You would not believe how empathetic I am to that, trust me. Imma get into it. But the reality of the case is that Lanolin is her own keeper, and if Sonic, Tails, Knuckles, Amy, Rouge, the Chaotix, Tangle, Whisper, Silver, Blaze, Jewel, Belle, and many others can carry their baggage around and still treat others with respect and without verbal and physical abuse, then there’s no excuse. Yes, it takes time to get there, and the whole point of Lanolin as a character is that she hasn’t learned the “everyone is useful just the way they are” and “a leader is nothing without her team” lessons, yet.

But allowing Lanolin to lash out at the world only to let her hide behind her trauma is a deeply reductive portrayal of trauma survivors that I find aggressively problematic. Further, it is a failure to Lanolin as a character because, again, that is not the fucking point of her.

This is the one time I will ever ask anyone here to just “take my word” for something. I’m not comfortable airing out too much of my personal issues on the internet. But below is what I can share.

I come from a very, very broken home that instilled a lot of unproductive defence mechanisms within me. In short, I used to be very mean because I was neglected, and acting out against my peers and showing off my skills gave me attention.

The big ticket, though, is I thought I was good. I thought I was Great. Awesome. Outstanding. AMAZING. I was a natural-born leader with a drive for justice who was good at a couple things. I thought I was doing everything right because teachers liked me and I was getting opportunities. What I never saw—never could have possibly seen until it was spit right in my face—was how I was treating everyone around me as beneath me because I thought I had it in the bag.

It wasn’t until I learned about a very public smear campaign against me that I got a wake up call. When I saw what people were saying, it shattered my entire paradigm not because of just how heinous it was, but because of how much of it was true—and that broke my heart. All I have ever wanted to do was help people. Fight for people. Protect people. Elevate people. Support people. For me to learn I was doing the exact opposite of what I set out to do absolutely destroyed me.

After that, I immediately switched up my game. I pulled out all the stops and really focused on being kinder, empathetic, and encouraging. I started to become more self-aware and mindful of how my emotions and behaviour impacted others, but it still took years to even start to comprehend that I was traumatized, let alone the ways my trauma impacted my relationships and behaviour.

I used to be Lanolin. I was a mean girl getting progressively meaner from ages 11-17, and I am still in active recovery. I still make mistakes. I still fall from grace occasionally, but I am working on it. I’m almost 24 now.

Remember when this used to be about a cartoon sheep? Back on track LOL.

I promise you that while Lanolin has some moments of clarity, she is not largely aware of what she’s doing. She’s not evil. She is not unworthy of love. She just needs time for the story to let her learn.

I am not saying Lanolin does not deserve a redemption. What I am saying is that down her current path and with her current behaviour, she has not yet earned one. And here’s the thing: even though what I’m about to say probably will not happen because this is a kids comic directed at 12 year olds, just because Lanolin might eventually get her punishment, see the light, and apologize for her wrongs while acting on solutions, no one she hurt owes her forgiveness. Whisper can still tell her to fuck off. Silver can send her to outer space, Sonic 06-style. Tangle can yeet her back to kingdom-wherever the fuck she-come from (hush, I know it’s Riverside). 

Why? Because the reality is that even if you are a changed person and have learned and grown from your past discretions, you still hurt people. Even if they do forgive you, they may never trust, and they will never forget. That is the reality I and many others like me live in daily, and to be frank: I think it’s entirely fair. I made mistakes, and I gotta pay the consequences. I deserve grace and patience, but that can only go so far. The people around me are human the exact same way I am.

I personally believe that I have never misunderstood Lanolin as a character. She’s snarky and inexperienced and abrasive entirely by design. She is meant to showcase the “wrong” ways to be a hero and will be corrected. But just because she is a rough-and-tumble person who had a bad day at work does not mean she can come home and treat the world as her personal shitter. No one has that right.

And if you disagree with me, good! Welcome to MolinaSkies.

[blkkizzat]

ꨄ︎『Sneaky Links』ꨄ︎ (PART 1)

Sukuna x Reader (Mentions of Yuji x Reader)

18+ Minors - DNI

PART 1 of 2

Summary: Y/N is a dickmatized manipulative brat. Sukuna is Sukuna. Poor sweet Yuji is collateral damage. CW: cheating, rough play, unprotected sex, spit play, brat taming, spanking, pussy slapping, manipulation, fingering, anal play, edging, tit job, blow job, slight dubcon, sukuna being toxic, y/n thinking with her pussy not her brain (but it’s hard not to when you got that wet wet). WK: 3.1k of 8.5k Slightly Black female coded but no descriptors.

A/N: All I do is eat hot chip and bump Spotify so nearly everything I write has song(s) that goes with it.

Sukuna POV: I Mean It - G-Eazy (this mv is so unsrs but I'm criiiine imagining Sukuna as G-Eazy in this video lmfao) Reader POV: You Right - Doja Cat (not like Sukuna couldn't be The Weeknd POV here but he's so much more of an asshole than that)

Enjoy!

‘2:37 AM’. Fuck.

You had to stop looking at the clock, it was only making you more restless. Usually sleep came to you easily as the peaceful dark of your room and light snores coming from your boyfriend Yuji would lull you into a comforting slumber each night.

You sighed.

Your head lay on Yuji’s chest and his arm was loosely draped around your waist. This has become your typical sleeping position since moving in with each other. You have only been living together for over a little over a month now. But living with Yuji was great, even if your apartment was smaller than you would have liked. 

Despite the both of you being full fledged sorcerers and risking your lives constantly, exorcizing curses didn’t pay the best salary. You wanted something bigger but it was cheap enough to allow the both of you to save for something much better down the line. 

It was Yuji who had mentioned that fact to you, to both console your protests and to hint at more promises for the future. That had been enough to make you giddy and you would have agreed to live in a closet if it meant you could be together.

Sure, Yuji could be a little clueless at times but he always tried his best to make you happy. The two of you rarely had any disagreements even when you were being a stubborn brat. His easy going nature took your faults in stride, meeting your needs without complaint. 

Yuji was always doing sweet things for you like waking up a bit earlier so you could drink your coffee (that he always burnt) in bed. He would shower you with soft kisses to coax you awake with a wide grin and a whispered ‘good morning’ that made you feel warm just remembering it.

You really couldn’t ask for a better boyfriend.

You were happy with Yuji.

You love him and are very happy with Yuji. 

Sigh.

So then why exactly is your mind torturing you with thoughts of the cursed object inside your boyfriend taking control of his body and fucking you dumb into the mattress?  

You caught yourself unconsciously chewing your lip in nervous anticipation. 

Your mind couldn’t allow you to sleep because it was filled with Sukuna, The King of Curses and every jujutsu sorcerer’s sworn enemy. 

Your enemy.

How could you let it come to this? 

You felt guilty but it’s not like you had asked for this to start happening. That said, you made no real attempts to stop Sukuna thus far from showing up to fuck you before disappearing again like a thief in the night. 

Rode hard and put away wet, he used you on his whims and it had been happening more frequently ever since the first week after you and Yuji moved-in together. 

The fateful night it started was the night of your housewarming party, ironically enough.

You honestly didn't even want a damned housewarming, you recalled looking back. You thought it was impractical and a bit embarrassing to throw a housewarming for such a small flat. 

Everyone would be on top of each other the entire night. 

But Gojo had insisted, promising to supply the drinks and food which automatically had Yuji on board, so you just gave in. Anything to get Gojo out of your hair and seeing Yuji so excited made you smile.

The housewarming itself went well until the six eyed sorcerer had suggested a ‘friendly’ drinking game. All which would have been fine if Gojo hadn’t brought over what he called Reggae Punch.

However, it wasn’t the standard recipe of peach liqueur and oolong tea you could find in any Tokyo bar. The dark orange drink Gojo concocted was a heavy mixture of actual punch and different liquors that you couldn’t identify until you were already 2 cups in.

The son of a bitch. He had literally tricked y’all into drinking Jungle Juice.

You were already faded as hell by the time the game started so you eliminated yourself early on purpose. 

Yuji, who was a good boy and never even took a sip of alcohol until he was legal earlier this year, actually thought he stood a chance at winning against his seniors. He foolishly joined-in with earnestness.

Rolling your eyes at the memory, the night ended as expected. Yuji was beyond shitfaced. 

His head hung heavy and was barely still on the low chabudai table by the time Nanami (the winner) had dragged a drunken Gojo out of your apartment, who was still singing songs from the pricey digital karaoke machine he had gifted the both of you earlier in the night. 

Maki and Yuta, sensible enough to stop drinking early like you, had already left.

Meaning Nobara, Inumaki and Megumi, all pretty lit themselves, had the near impossible task of dragging Panda home which you did not envy. 

With everyone gone, getting Yuji into bed proved a far easier feat than expected. 

You had left him some ibuprofen and pedialyte on the nightstand and a small bin next to the bed just in case he woke up and felt sick. You really didn’t mind taking care of your boyfriend who always took such good care of you. 

You just wished it didn’t have to be this night. This night when you realized for the first time that mixing that much alcohol in large quantities just went straight to your pussy.  

Pleasing yourself usually wasn’t an issue but after you pulled the second yet still unsatisfying orgasm from yourself is when Sukuna had made his appearance chuckling at your failed attempts. 

Admittedly, you were terrified at first.

You had been dating Yuji for two years but Sukuna didn’t often show himself and he had never even addressed you directly before. It was dangerously easy to forget the most powerful evil sorcerer in existence was residing rent free inside your bf’s soul. 

Nevertheless, you were hard up for a real release at that moment. A cloud of lust fogged your brain and it didn’t take much goading at all for your legs to spread like a warm jelly for The Curse King.

And he did not disappoint. 

Sukuna’s sharp tongue flooded your ears with degrading praises sending electricity through your body that settled in your core where the even sharper strokes of his hips corrupted you from the inside out. 

All your senses utterly stupefied, you came hard. You made a mess on him, yourself and your sheets.

And that was only round one.

Sukuna had near limitless stamina. 

The next morning, achy and sore, you could barely look Yuji in the eye. You were preparing to beg for his forgiveness but you quickly realized he barely remembered the party, let alone what happened after. 

In fact, it made you feel even more guilty that Yuji apologized to you. He was mad at himself for being so rough with you when he noticed the bites, bruises and marks that decorated your body thinking you both actually had sex the previous night. 

You were the worst. 

You really were the worst as truthfully, if you told him in that moment, he likely would have forgiven you then without question. 

It’s not like you alone could stop Sukuna from doing anything he wanted to you while Yuji was unaware. You were a semi-grade 1 sorcerer, strong enough for most curses, but you would be kidding yourself to think you could take on Sukuna in a fight. 

In fact wouldn’t the issue of Sukuna being able to take over Yuji’s body freely while he was unconscious be a much more pressing concern rather than how many times the curse king had made you squirt? 

Yet in spite of the danger, the logic and your better judgment, you were too ashamed to tell Yuji what really happened. 

That was because subconsciously a part of you knew it could happen again.

And it did. 

Many times.

Except for tonight. 

Sukuna had yet to make his appearance tonight. 

In fact, he hadn’t shown up in the last 5 nights in a row. The longest you had gone without his dick since he started toying with you. 

You recalled you had snapped at him after his last visit when his insults had started swaying from you to Yuji and his inability to please you. You told him never to visit you again and threatened to tell Yuji if he did. 

Honestly you didn’t expect your threats to do much. They hadn’t previously. 

As much as you wanted to be relieved that maybe Sukuna had finally grown sick of dealing with ‘Yuji’s bratty pillow princess’, a name he often called you while digging deep in your guts, you weren’t relieved at all. 

If anything it annoyed you. 

He hadn’t listened when you told him to leave you alone the first, second or third time so why now?

Why now after your cunt has started craving the burn of being stretched out by Sukuna? 

You shiver, thinking of his heavy grip on the fat of your hips. His claws would be so dangerously close to breaking your delicate skin. 

He constantly reminded you how easily he could rip you apart if he wanted to while he relentlessly clapped your cheeks from behind. 

Near salivating, you snapped your head up a little too eagerly for your own liking when you felt Yuji stir beneath you thinking it was Sukuna and more than a little disappointed when it wasn’t.  

You knew Yuji’s tender caresses should have made you melt, and it still did in a way. You were still in love with him. 

But it wasn’t until Sukuna tainted you did you realize you didn’t want to be treated like a delicate princess. 

You wanted to be manhandled. 

You wanted to be made a mess of. 

You wanted to be called names like the filthy cheating whore you were currently proving yourself to be. But Yuji was too tenderhearted to ever fuck you like you needed.

Squeezing your eyes shut as if you could block out all thoughts, you knew the reason you couldn't get to sleep was because you were horny for Sukuna. 

The higher the heat in your belly rises the more sleep becomes impossible. Your clit burned in response to the heat in your belly which made your pussy flutter as it desperately clenched around nothing and pushed some of Yuji’s cum from earlier in the night out onto your thighs.

In that moment, all your resolve was lost.

Yuji was simply the appetizer and you were a famished woman. Still left starving for the main course.

Sukuna. 

You swallow, unsure of yourself as you attempt to steel your resolve. You had already resigned yourself to the hell Sukuna put you in.

You turn your head deeper into Yuji’s chest and whisper softly against his pectorals, fingers lightly tracing his lower abs under the blankets.

“Yo…um.. Hey…Hey Sukuna… c-can you hear me?” 

Silence. 

You tried again. Nothing.

You huff, your patience waning. 

“Damnit, Sukuna!” you whisper harshly, your voice rising slightly with irritation. 

You waited more. 

The only reply you received was the rise and fall of Yuji’s chest. 

You were seeing red. 

This lame ass motherfucker. 

Was that it? Was he really done with you now after all this? 

Slowly rising off of Yuji’s chest you glare down at your boyfriend as if you could somehow scowl past his body and into his soul at Sukuna.

You quietly mutter to yourself about ‘the headass lord king of body snatching curses who gots more dick in his personality than pants’ while you shuffle over to the night stand on the side of the bed. 

You turn on the small light and dig deep into the drawers to pull out a toy you saved for nights you were particularly hard up and Yuji was out on a mission. 

Sukuna may have been ignoring you but you could no longer ignore the throbbing screaming at you between your legs. 

Maybe if you rubbed one out you could calm yourself down enough just enough to cease your anger at least. 

You needed to make an attempt to relieve yourself before you really lost your mind and did something insane like knocking the mario coins out of your sweet unsuspecting boyfriend in frustration at the curse inside of him. 

He didn’t deserve that. 

Not like he deserved any of this, the curse inside of him nor a girlfriend like you who would spread her legs so easily for a cocky smirk and a big dick.

You closed your eyes and pushed that thought aside for now. You were sweating and near shaking in need of release. 

Making yourself comfortable on the bed, you turn your vibrator on its lowest setting, so as not to disturb Yuji. 

Dragging it across your skin, you snake a path for it down past your breasts, across your belly and lower still relishing the sensations across your body. 

Licking your lips you barely ghosted your vibrator across your clit before a hand grabbed your wrist and another flung your toy across the room instantly smashing it into pieces.

“You really are a bratty fucking whore, you know that?”

The voice you immediately recognized as belonging to Sukuna. 

And how could it not be? 

It was more sultry than Yuji’s. The deep bass in his voice both teased and admonished you causing your aching clit pulsate to the rhythm of every syllable.

“As your King, I don’t recall giving you permission to touch that nasty little cunt, bitch.” 

You whined in protest and attempted to pull away but it was futile in Sukuna's grip. You could feel the fire from his touch on your wrist alone beginning to spread and torch your entire body. 

Exceeding the levels of any sexual frustration you ever knew in your life, his further denial to let you touch yourself threatened to spill the tears gathering in the corner of your eyes. 

“I don’t recall asking you, my lord,” you spat his words back at him without thinking, “I’d ask you if you knew you were a trifling asshole but we-”

And in an instant he was on top of you.

His tattooed hands now hold both of your wrists, placing them up over your head effectively caging you in and shutting you up before you could even finish your sentence. 

Your eyes widen in response to the hot snarl of his breath and the red of his glowing eyes burrowing into you. 

The reality of who exactly you just decided to sass sunk in.

Sukuna on the other hand revels in your dismay.

“‘Eh? Triflin’” he said, mocking your tone and slang. “Me? Not the filthy slut who is begging me to use her boyfriend’s body to dick her down while he is sleeping? Then you have the fucking nerve to throw temper tantrums when I don’t.”

Fuck, he had heard your insults from earlier after all.

“You think a bratty bitch like you can summon me on your whims and so address me so casually at that? I’ve killed many for far less.”

He was close now, too close. 

However, although hovering over you Sukuna still wasn’t touching you with the exception of the bruising grip on your wrists. 

Despite the lack of contact your body still responded to the suffocating amount of heat and cursed energy radiating off his own. The intense primal instincts of your fear and arousal brewing together in your body was creating a toxic reaction, one which threatened to tear you apart if Sukuna didn’t first. 

Your lip was quivering and your body was squirming beneath him. 

You are completely at his mercy once again.

“And Yuji?” Sukuna continued mockingly. 

His face dipped closer to yours and you let out the shaky breath you weren’t even aware you were holding.

“You’re so needy after he already gave you this dick tonight too? Tsk tsk, you really are a brazen n’ greedy whore.” 

He was wrong. 

Not about you being a whore, of course.  You couldn’t deny that fact even if you wanted to at the moment. 

But he was wrong by implying it was the same as if you were with Yuji.

When Sukuna took over, except for facial similarities, he was all but a different person. 

Sukuna was taller, more muscular and thicker in all areas, his cock not being excluded from that. The tattoos that decorated his body and bound his dangerous muscles caused him to look more intimidating than Yuji ever could. 

Even his scent was different. It was almost as threatening as his presence and was intoxicatingly masculine, more alpha.  

You knew fighting him further was a losing battle. But you were still mad at him for ignoring you.

Nevertheless, he was here in front of you now. 

You were so close to getting what you wanted. If you had to give up more of your dignity at this point then so be it, you didn’t have much left to covet anyway. 

Completely surrendering yourself to him like the little bitch in heat that you were, you appeal to his ego in hopes he would fuck you.

“If you know I’m a whore then just fuck me like one already Sukuna. My King… please? Pretty please? I-I need you. Make me cum please.”, your saccharine tone contrasted with your depraved pleas coming out like a twisted prayer. 

You humbled yourself and hated it. It broke the tears of frustration that had built in your eyes. 

Moisture spilled down the sides of your face, yet you blinked through them in order to maintain eye contact with him. 

The desperation that called to him from every fiber of your being was apparent to Sukuna, his smirk widening at your distress. 

Releasing your hands in favor of your neck, a hand enclosed it applying pressure as he licked a tear trail down the side of your face.

“Tch, Even when desperate and begging you still can’t help but to be an insolent brat”, he whispered, blowing warm air into you that made you tingle.

That’s when you felt his tongue salaciously lick into your ear before pulling back to bite and suck at your lobe and neck, leaving more marks for you to try to cover in the morning.

The full weight of Sukuna’s naked body was now pressed upon yours. You whimpered as he had finally granted you the contact you craved for.  

You could feel his heavy cock begin to twitch on your belly. You panted as you arched up into him, rubbing against his form creating beautiful friction between you both sending you into euphoria. 

But as quickly as the contact was given, it was taken away.

“You should know by now, Y/N.... Disobedient brats need to be punished.”

Part 2

This was originally supposed to be a one-shot but it got a little out of control with writing the lewd scenes. Part 2 is almost done and is FILTHY omg. I will try to post by tomorrow night or Saturday. (updated as of 9/12).

Lol also for anyone who doesn't know Reggae Punch is actually a popular drink in Japan. I did not make that up. It really doesn't have much alcohol content in it at all. But I LOL'd at Gojo tricking them into drinking Jungle Juice cause its literally night and day.

Also imo, Nanami and his salaryman vibe you know would win a drinking contest out of any JJK man so thats canon to me (excluding Toji as according to official fanbook alcohol has zero effect on him so he doesn't even drink it).

Any mistakes please DM, no rude or criticizing comments please.

P.S. I promise I don't hate Yuji.

Reblogs, likes, comments appreciated!!

© ʙʟᴋᴋɪᴢᴢᴀᴛ 2023. ᴀʟʟ ʀɪɢʜᴛꜱ ʀᴇꜱᴇʀᴠᴇᴅ. ᴘʟᴇᴀꜱᴇ ᴅᴏ ɴᴏᴛ ꜱᴛᴇᴀʟ, ᴛʀᴀɴꜱʟᴀᴛᴇ, ᴄᴏᴘʏ ᴏʀ ᴄʜᴀɴɢᴇ ᴀɴʏ ᴏꜰ ᴍʏ ᴡᴏʀᴋꜱ. ᴛʜɪꜱ ɪɴᴄʟᴜᴅᴇꜱ ꜰɪᴄꜱ, ᴅʀᴀʙʙʟᴇꜱ, & ɢʀᴀᴘʜɪᴄꜱ. ᴛʜᴇʏ ᴀʀᴇ ᴀʟʟ ᴍᴀᴅᴇ ʙʏ ᴍᴇ ᴜɴʟᴇꜱꜱ ᴏᴛʜᴇʀᴡɪꜱᴇ ꜱᴛᴀᴛᴇᴅ. ᴛʜᴀɴᴋ ʏᴏᴜ.

[svtskneecaps]

lukewarm take of the evening: y'all care too much about being ""outdated"". fellas this smp moves inhumanly fast. it is ok to CHILL holy shit CHILL. y'all are like "(posts BANGER ART) super late guys sorry" friend i am hitting you with a blanket i am snapping you with my metaphorical towel WHAT DO YOU MEAN SORRY. "(posts BANGER FIC) rip this is outdated now" WHO CARES???? I LOVE YOU, OK. ohhhh woe is us as the fandom at large for having MORE HAPPY PILLS ARC CONTENT oh no how outdated!! how could you be writing speculative fiction about how forever felt during happy pills :( slash SARCASM!! WHAT DO YOU MEAN!!!! THERE ARE SO MANY BANGER ARCS, WHAT, YOU THINK WE'RE COMPLAINING????? FOR GETTING MORE OF THE CONTENT WE LOVED????? oh no we're past the period where everyone thought green gay ninjas were like Dead Dead, my work is now outdated and noncanon :( WDYM. GIMME. A BANGER IS A BANGER IDC IF IT TAKES THREE MONTHS. you think rome was built in a day?? fuck you, baltimore, GIMME. my ass has been cooking a goddamn backflipo family fic since july when it was ALREADY outdated do you think i fear god??? "oh no, you're making an edit of slime's (attempted) egg murdering spree?? how could you, that was months ago it's irrelevant" SAID NO ONE EVER.

save your wrists kidlings ok carpal tunnel is no joke. CHILL!!!!! CHILL!!!!!!!! TAKE YOUR TIME SHEEEEEESH OK LOVE YOU <3

[stop-breaking-my-heart-telltale]

I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.

[shikai-the-storyteller]

Saw Roier and Cellbit's communities freaking out today and I was worried I (somehow) missed a major stream, then I realize they're just reenacting the Guapoduo breakup for the funnies because Rubius' community called Cellbit's community "Gatinho" (a nickname Roier's community had exclusively used for them until now)

I've been watching it all unfold live and this is the only kind of fandom drama I've ever been invested in. Here are some highlights:

Bonus: (I'm afraid, because Roier would 100% do this)

[fluffyyymocha]

A SPECIAL THANK YOU TO ALL OF THE AO3 VOLUNTEERS FOR ALL OF THEIR HARD WORK!!

[emile-tb]

Live Laugh Vinesplash

[cushfuddled]

what are your thoughts on the "Arcane Viktor was meant to be ace" that has been said in an interview? Like yes - word of god feel free to ignore - but they said they tried to write him that way. Do you think they succeeded?

Hiya! Thanks for the ask! :D

I was honestly shocked to hear Linke "always" meant to depict Viktor as asexual. It strikes me as a deeply disingenuous comment, not least of all because I want to believe someone who "always thought of Viktor as asexual" and was driven by a desire to make ace people happy would...I dunno...display a slightly better grasp of what "asexuality" even means.

LINKE: I know there are some people who ask this. There is a love. I don't think it's romantic…I remember many, many years ago also thinking about this when we started developing these characters. To me, I can say something here now that would be good for you and bad for me because it will be a wildfire. To me, Viktor was always asexual, and that was always something we talked about from the very beginning. So, a romantic relationship between Jayce and Viktor was just never part of it. There is a love, absolutely, but we also found it a bit... Love and relationships are so complex and take so many different forms. Viktor loves in a different way, and that's okay, no? ...It's something that when we talk to our LGBTQ group within Riot, I remember asking the group many, many years ago, like, "What is something that you never see depicted very well?" And someone said asexuality. They say it's often depicted as, like, emotionless when it's not true at all. It's just that your feelings don't mix with physical. So, to me, that was always part of Viktor. [x]

I didn't feel seen at all by this kind of retroactive ace rep, but I did feel truly, deeply moved by the fandom's response.

Because I know this song and dance. A showrunner or someone with similar "creative authority" describes a character as ace or aro, and the fancops take out their soap boxes and declare,

"All right, everybody! You heard the man! No more sexy fanfic and fan art! This ace/aro character is officially off limits!"

And then aro and ace people like me, who ENJOY smutty fanfic and fan art and want to see our favorite Barbie dolls kiss, are viciously harassed for our hubris. For at least a year I watched my favorite TMA fan artist get dogpiled to hell for daring to draw NSFW art ofJonathan Sims. And yes, this artist was also ace! To fancops, the opinions of aces and aros who like to consume or create smut don't count. We're all "degen" traitors who deserve to be bullied out of fan spaces for the sake of The Good Ones.

So anyway! ᕕ( ᐛ )ᕗ

Christian Linke came out of the hole in my wall and told me Viktor and Jayce aren't gay.

“Was there ever a ship?” LINKE: “It’s strange that people say that’s the only close relationship that two men could have is to be a couple, you know? There’s really close friendships and like, brotherhoods if you will…like, really being there for each other. Um. [That] is something that was…really important for us to explore. So…it seems like there’s no other version, you know? For some fans, they say like, ‘Hey, there must be romance,’ and we’re like…these relationships can be really layered and really complex, you know? I think there is some kind of…there is a love between them. I just don’t think it’s romantic, you know?” [x]

(If I have to hear one more creator clap back at a hopeful "could they be gay?" with a bizarrely defensive spiel about the transcendent magic of platonic bonds and how men aren't allowed to foster close platonic relationships I'm gonna hemorrhage something, but that rant already lives over here so whatever)

First of all...

:3c

...For someone so committed to propping up the ace and aro community with canon rep, this November 28 2024 version of Christian Linke sure doesn't mention asexuality or aromanticism at all. The genergous ellipses from the excerpt above aren't a creative embellishment on my part. Those pauses are very much apparent on the Twitch stream. Linke appears to really dig for the right words here, yet the terms "asexual" or "aromantic" evade capture. But sure, asexuality was "always" a part of Viktor for Linke.

Maybe Linke didn't want to draw fire from fans with a "Dumbledore is gay" moment, so he left any definitive terminology off the table. In any case, I watched the Jayvik community respond to Linke's Twitch stream like so:

This was, to put it mildly, fucking hysterical. I've never seen a community so decisively "...anyway" a showrunner over queer rep before.

This is horribly unfair for me to assume, given I know next to nothing about Linke and his capacity for petty vengeance. His timing could be totally coincidental, his efforts completely genuine. But the fact that Linke dropped this ace Viktor bomb less than two weeks after his Twitch stream smells like a tantrum to me. In my least charitable vision, I see a man who declared Jayvik platonic by order of Authorial Intent, watched his fandom go, "That's nice grandpa. So about that Hextech sex toy fic—", and was so offended by shippers' casual disregard as to "strike back" with something they couldn't possibly ignore. Thus the "Viktor was ace the whole time" card, when

The word you're looking for is "aromantic," Linke. That's the one to do with romantic attraction.

I know it can be difficult to canonize asexuality and aromanticism. If someone tried to kiss Viktor and Viktor pulled back like, "I don't feel things that way"...would that reaction be enough to make Viktor canonically aro? Perhaps Viktor would need to clarify: "I don't feel things that way." "Which way?" "The...romantic way.” “I don't understand." "You are my partner, Jayce. I love you. I want to be with you. But I will never want to kiss you." I’m tempted to champion that second option, but I can see the argument for less stringent criteria. Ambiguity is...organic, I guess. Too much clarification can read as disingenuous and preachy, like one of those after school specials. Still: I've spent too many years dancing for table scraps to ascribe sanctity to headcanons.

At the end of the day I just don't buy Viktor as ace/aro per Linke and Lee's creative vision. Sky felt like such a classic case of "straight key jangling" to me—i.e. a one-dimensional female character who exists to reinforce a male character's straightness. (My favorite example of this phenomenon = the time Cas Supernatural became mortal ((and thus capable of sexual attraction)), met a woman, slept with her, then killed her within the span of a single episode. Why showrunners seem to believe a female love interest invalidates queer readings, I cannot begin to guess). Even as Viktor pulled his hands away from Sky's—even as Sky told him, “No you won't"—I couldn't help but feel like Linke and Lee had a bullhorn to my ear the whole show: "Oh no, these poor lost ships in the night! How tragic, that Sky was so ready to love Viktor with all his faults and cracks, and Viktor could've found love and purpose outside his work had he only stopped long enough to notice! How tragic, that Viktor only came to understand the nature of Sky's feelings for him after his work had stolen her away! How tragic, that the thing Viktor so desperately craved was right there the whole time, from the moment he launched that toy boat to the night he activated the Hexcore!" It felt like Sky was meant to represent potential, a la the limitless expanse of the heavens. In such a complex cast, Sky stands out like a sore (cardboard) thumb. When Viktor lost Sky to his ambition, she was forever frozen as a "what could have been," reduced to a symbol of roads untraveled. With all those Vibes in the air, I'm like...uh...Linke? Tell me again about how you wanted me to read Viktor as aro this whole time???

I'm sure some ace and aro folks were bolstered by this situation, and lord knows I don't want to yuck on anybody's yums. But for me personally, Linke's comments were like a punch to the throat. It felt like Linke wanted to use me as a police baton to beat back the hordes of evil shippers. What meant the world to me was, once again, the fandom's response. NO ONE TOOK THE BAIT. At least here on Tumblr, all I saw were ace, aro, and allo fans A. clarifying ace and aro terminology, and B. creating smut out of spite.

I cannot stress how fucking INSANE this was to witness as someone who's dealt with a lot of shame re: my aegosexuality. I've never felt so seen and supported as an ace person by a fandom community. Every Jayvik fic with a "this one's for you, Linke"-esque note adds another five years onto my life. I seriously love you all. Please keep being your glorious selves.