#sorry for being personal on main

[mingirn]

let me be insane for a second here and talk about how hot it is when you hold someones face and they chase your thumb with their mouth to suck on it. it is a world changing event

[tumblers-today]

The way I'm up for a huge pay raise but the hiring process with newco has been such a disaster and a cluster. Like I'm still lucid so I recognize what a huge opportunity it is it just doesn't bode well.

[twinstxrs]

idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.

[undercover-grisha]

The Crows: “oh you know Jesper, he’s just soooo dramatic all the time!”

Jesper, who had not been trying to be dramatic and had been trying to be taken seriously: “Yep. Haha. That’s…. That’s me!”

[petite-phthora]

Shouldn’t have digital evidence when you have a family of hackers

[DP x DC fic]

[Love at first... murder? - part 14]

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Part 1

Ao3

---

Text in italics and in-between ' means it is said in sign language

'For example.'

If an entire scene is written in italics, that means that that scene is a flashback.

---

When Jason glances at where Danny and Ellie were, he sees nothing. He’s too relieved to really care much about how they got out of here so quickly.

He’ll ask Danny about it later.

Probably…

“Red Hood.”

“Bitch.” Is his response.

Jason is slightly disappointed, but entirely unsurprised, by the lack of reaction he gets.

“Who were they?”

“What were those civilians doing on the roof?”

“Where did they even go?”

“Just some informants for a case I’ve been working on.” Jason says, not giving anything about them away.

“Which case?”

“Did they attack you?”

“Yeah, who took a bite out of your arm? And more importantly, how did you taste?”

“Steph, I don’t think now’s the time—”

‘Medical assistance?’

Jason follows the Bats’ gazes towards his injured arm. He resists the urge to hide it and instead crosses his arms, trying to play it off.

“No, this is from… a cat.”

“A cat?”

“Yes. A stray cat. Bit me.”

“Tch. It’s obvious Todd is incompetent when it comes to caring for animals. For it to attack you like that you must have done quite poorly. What did you do to it?” Damien glares at him in an accusatory way.

“I didn’t do shit, Demon Brat. I was just scanning the street when it bit me outta nowhere.”

“Well, excuse me if I don’t believe you, Todd. You clearly must have cornered, threatened, or hurt it in some way for it to react—"

“Yeah, yeah.” Jason cuts him off and rolls his eyes, even though none of them can see it through the helmet. The energy is there.

“Animals hate me, and I can’t take care of them for shit. Now, can we move on to why you’re all here on my turf?” Jason stares them all down.

Before anyone else can speak up, Dick starts talking.

“Can’t an elder brother just visit his younger sibling every once in a while?” Dick asks with a totally innocent grin.

“No.”

Dick shrugs. “Worth a shot.”

“While we originally came here to interrogate you about your involvement in the disappearance of the Joker, these imbeciles wanted to use the encounter as a way to simultaneously confront you about your new… beloved” Damian says, gesturing towards the others sounding completely done and unimpressed.

‘Got them flowers?’

“So how was the dinner? And the observatory? Do they like the stars? What’s their name? Hobbies? Age? Appearance? Interests?”

“Are they hot?”

“Seeing as you picked up a bouquet of sweet peas in costume, and didn’t take a detour to your apartment or safehouse before your location started glitching, I have to ask. Are you dating a civilian as Red Hood?” Babs speaks up over the comms.

Tim stays suspiciously silent, not asking any questions. Jason cuts them all off.

“Where the hell did you even get this information from?”

“Tim snitched.”

“Drake mentioned it.”

“Tim.”

“Timmy told us.”

“Red Robin informed us about your outing.”

“I hacked some cams to see you pick up the flowers, but Tim was the one to say you were on a date at the time.”

Tim raises his finger and opens his mouth as if he’s about to speak up and defend himself. He then stops, seemingly considering something before dropping his hand back down and just shrugging.

“If you didn’t want anyone to know you shouldn’t have gone out as Red Hood when getting the flowers and taking them out to dinner.

“Besides, I tried to respect your privacy and redirect everyone somewhere else to keep them off your back. But they interrogated me, and I’m sorry.” He says, not sounding sorry at all. “It just… slipped out.”

“You didn’t try that hard—"

Tim shushes Steph and cuts her off.

“Besides! Babs also stalked you! Through the cameras! And, I didn’t say that much. I just told them you were on a date.”

Jason glares at them all through the visor of his helmet. Meanwhile, Dick crosses his arms and pouts.

“Yeah, Timbers—” “No real names.” “— wouldn’t tell us anything! He used his lack of sleep against us.”

---

“So Timmy, I need you to tell me everything. Pretty please?”

Tim raises his finger and opens his mouth as if he’s about to speak up. Then his eyes roll into the back of his head and he starts falling backward.

Dick yelps and manages to catch him before he falls onto the ground and hits his head.

“Damn it, Tim!” He whines. “Passing out like that should not have been the power move that it is.”

“He can fall asleep after this?!” Steph’s incredulous voice pipes up.

Dick’s gaze moves from Tim over to where Steph was previously half-dying due to Tim’s monstrosity of a drink. She’s standing by now, clutching the mug in a death grip. She’s twitching every now and again, her foot tapping the floor rapidly.

“Ehm, Steph? You okay?”

“Mhmm, think I’m having a stroke”

“Oh, that’s not good—”

Dick cuts himself off as Steph starts to stumble. He moves closer to catch her in case she falls as well, but luckily she manages to save herself from falling, clumsily moving to sit down on the floor instead.

Once seated, she lets her back hit the floor. She also lets go of the mug, letting it spill onto and roll around the floor of the cave.

“Y’know, I think I’m just gonna stay here for a bit. Maybe do some stalactite gazing. It’s riveting stuff, I tell you!”

Dick lets out a small sigh and nods a little.

“You do you, boo”

He gets a thumbs-up in response.

---

“Why are you actually here?” He cuts them off, already done with their bullshit. “Don’t start the bullshit about the ‘date’ again. Either talk business or leave.”

He privately notes the lack of green in his vision.

They all glance at each other before Batman steps forward and speaks up.

“What is your involvement in the disappearance of the Joker.”

“I don’t have anything to do with the Joker’s disappearance” Jason vehemently denies, arms still crossed.

“Are you sure about that?” Babs’ voice pipes up over the comms.

A hologram forms above Batman’s gauntlet computer. The hologram shows a picture of Jason in his Red Hood costume without his helmet grinning at the camera. He’s holding up the camera selfie style and seems to be in one of the alleys of Crime Alley.

The most intriguing part of the picture is the figure next to Jason on the ground. There, in clear view, lies the dead body of the Joker. His head seems to be caved in in a way that shows he most likely died on impact, hit by something that had a lot of force.

Jason pauses at the sight of one of his most precious keepsakes.

“Of course you hacked my phone” He scoffs, clearly unhappy.

Jason turns back to look at the Bats and watches their reactions to the revelation the Joker is most certainly dead. Dick seems to have some sort of weight lifted off of his shoulders. Cass doesn’t give anything away.

Damian is unimpressed, scoffing at the hologram and likely already mentally criticizing the technique. Steph seems to be more relaxed, “Damn, Jason, this totally looks like that one Grant Gustin next to the grave meme,” while Tim seems to be having some kind of world-shattering epiphany.

He then eyes Batman’s tense posture. Jason shifts slightly, getting ready to fight if it comes to it.

“Red Hood. Did you kill the Joker?” Batman grinds out slowly, pinning Jason with a soul-piercing stare. Jason carefully eyes Batman’s tightened fists before locking eyes with him again.

“No,” Jason answers honestly.

Jason and Batman are locked in a stare-down, neither speaking another word. The tense silence goes on for a few seconds before it’s broken by Dick casually putting his arm around Jason’s shoulders in a friendly gesture.

“Welp. Seems like he didn’t do it, B. If he says he didn’t, I believe him.” Dick speaks up.

Jason and Batman both untense a little, the moment broken. Jason lets out a small grumble and shrugs Dick’s arm off his shoulders. Dick lets him with a smile.

“Wait, so you just found his body dead in a ditch somewhere? I called it!” Steph pipes up.

She holds her hand up for a high-five. Cass gives her one.

Jason shrugs nonchalantly “You could say that.”

“You may not have killed him, but it’s clear you’re covering for the actual murderer. Who is it and why are you protecting them?” Batman asks, not letting it go.

“You may not believe me, B, but it was just a freak accident as far as I could tell.”

If you call a meta one-punching the Joker in self-defense a ‘freak accident’.

It’s not like Danny meant to do it. Ergo: accident.

“Nothing more, nothing less. I found him like that. All I did was get rid of the body and wipe some cams. Not that those would have been much helpful if let unwiped anyway.” He shrugs, unconcerned.

“Do you know what caused the files to become corrupted this way? I’ve seen corrupted files before, but this is something else…” Babs says over the comms, tone curious.

“Nah, they were like that even before I wiped them. Might have something to do with whatever took the fucker out. Don’t know though, and I don’t care.I’m just glad the city’s finally rid of that bastard.”

“Amen to that!”

Batman’s glare moves over from Jason to Tim, who meets his gaze headfirst and just gives him an unimpressed stare in return.

“You gotta be honest, B. There’s not really anyone gonna be missing him…”

“Now, if that’s all. I gotta go. I’ve got some work to do, cases to solve, groceries to buy. Y’know, not everyone has the freedom to walk around dressed as furries beating up bad guys 24/7. Some of us have a life.” Jason cuts in.

“And since when are you the one to have a life outside of being a vigilante?”

“Oh, you know, since somewhere around the time my gruesome murder was finally avenged,” Jason says sarcastically.

“Who knew that that would be something that would make it feel like a weight is lifted off of your shoulders and that it would finally bring some peace into your life?

“Let me know if you find the guy who did it, okay? Feel like this was a great service to the community and it deserves a nice reward. Might bake ‘em a cake or something. Maybe some cookies… ” Jason pretends to think.

“Where’s the body?” Batman asks, ignoring Jason’s sarcasm.

“And when are you going to introduce us to your new partner?” Dick chimes in as well.

“Not telling you, and never if I can help it. Now, goodbye.” Jason grinds out before leaving.

Jason turns and runs to the edge of the building, making his way over to the next building and leaving the Bats behind on the roof. As he gets farther away from the other vigilantes, the last thing he hears is Steph speaking up.

“Is it just me or did that conversation involve a lot less… green-eyed rage than I expected?”

Now, it’s time to plan that next date…

---

Taglist:

@i-always-say-yea @uraniumwizard @why-must-i-be-like-this @griffinthing @i23432i @imsotiredfanficlovertm

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

[moeblob]

As an attempt at a polite "going forward" comment...

I do not plan to draw for Three Houses or Hopes for a long while. I know a lot of my followers are from the past four years and I appreciate that you followed me at all! But if you are only interested in the art of those characters I wanted to be clear and say you can unfollow me at any point if what i draw no longer aligns with what you want to see.

I might draw for other FEs (like Heroes or 13/14/17) but I do not want to get involved with 3H any more. I do have other interests and across tumblr, twitter (now inactive), and sometimes on discord I've heard enough "I thought it was (FE3H character)".

This is not one person doing it and it is not simply one character being mistaken. I simply want to distance myself from 3H and have unfollowed a few people that reblog art of it because it just leaves a lingering bad taste in my mouth.

Thank you very much for your time and I hope you can find artists who can provide art for topics you like.

[tommygotwrittenoff]

confession time!! the real reason i cant get into bt is that they are simply not Insane enough about each other. every other main couple is so In Love with their partner to the point that they are actually Insane and should maybe be locked up. bt simply does not match that energy. but know who does? buddie. and those bitches arent even together.

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[cryptocism]

yoohoo, I just need you to know you've ruined my life✌️ /j but like. finished reading frequency, what three days ago now? and since the moment I put it down, I have been. directionless. listless. I am consumed by, not DESPAIR, because despair is too passionate a word but. dissatisfaction? I miss the life I lived while I was still reading it. which is honestly rather appropriate considering some of the themes in the fic. I miss the person I was when half of my mind existed in the realm of the au. I fear I may never get over it and I may never recover the life I once had before this fic ruined me for all others, but I also cannot bring myself to regret reading it even if I never feel satisfaction again. I have tasted ambrosia, and the bread and wine of men shall forever be ash upon my tongue. pay my therapy bill.

i know these asks were sent in july but i love them and want to immortalize before they get buried in my inbox

first of all thank you so much!!! frequency has been one of my favourite projects to do over the past couple years i love that ppl are so into this absurdly niche fic. (i cannot pay ur therapy u simply must reread it forever rip (i mean writing it was like 50/50 self-indulgence and catharsis which means maybe reading it does the same thing lmaoo))

second yes! yeah it was Six who changed the timeline. a big old theme, possibly the main theme, of the whole fic is about change and who gets to create it. Six mirrors Thad in the ways that he believes himself unworthy of importance, and that the capacity to create change is inherently barred from him because of who and what he is.

so it was really important that Six was the one to make the choice to try change things - the guy whos entire powerset relies on being as inconsequential as possible. it shatters the original timeline, it results in his death, it causes a lot of very bad ripple effects, but he also saves Nathaniel. who saves Jude. who together both save Thad - who saves Bart and CRAYDL and defeats Three and discovers his own capacity for change in the process.

that was sort of the point of the whole "the spectrum of change is a horizon, not a tower" litany. there's no hierarchy. anybody can go towards it, they just gotta choose where they're going.

Six doesn't really save the day, but by wrenching the prewritten tragedy off its course, he creates the opportunity for Thad & co. to save it themselves.

[cyellolemon]

When dysphoria hits but you remember about your trans coded cis boyfriend

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[karvviie]

just want to say that you are one of the only artists whose wash take i respect especially because youve mentioned you dont even like him that much so hes kind of just a cute handbag for characters you do like. i love that.

helpppp yeah… i mean i do like wash. i like to put that man in situations. i think i just care more about the version of him in my brain rather than in canon.

i guess he’s just not exactly the type of character i go super crazy about but i do also have some reservations about his place as a “white” character in a fandom.

i only say this because when i first joined the rvb fandom years ago, he was pretty much exclusively drawn as a white man. i’m not saying that people only like him because he’s white, but i do think that in any community there will be some people with an unconscious bias towards white men. for example, there are many instances of poc characters in a piece of media being written poorly or as the therapist/accessory to the tortured white guy.

it’s totally normal for people to play favourites though obviously (i do too!) it’s only when it leads to the poor treatment of poc characters which is when it doesn’t sit right with me.

anyways. that’s not really relevant but i just wanted to explain my thoughts on the topic. regardless of whether he is white or not i fully understand why wash is one of the most popular characters and i don't have any problems with him or his stans or to people who see him as a white man! people have a right to envision him however they want to.

i just gotta be wary sometimes because there are certain people out there who can get very defensive over their favourite characters. i’ve had people in the past be very racist and mad at me for not drawing him as a white guy. and yes i know it’s basically canon that he’s white but also i don’t really care. people are making these heterosexual characters yaoi it up so why can’t i draw this guy who’s face has never been revealed into a poc.

[runawaymun]

sorry for the continued Genshin/Baizhu&Qiqi brainrot posting BUT

I knew Qiqi was scared of Hu Tao bc of the whole thing of her chasing Qiqi around to try to rebury her/lay her to rest (got that much from Qiqi's lines & stories) but I just got up to friendship 6 with Baizhu and

WHAT DO YOU MEAN HU TAO HAS KIDNAPPED QIQI MORE THAN ONCE?!

AND THAT BAIZHU HAS HAD TO GO TO THE COPS TO GET HER BACK

AND THAT THIS SEEMS TO HAPPEN SEMI REGULARLY BC HE DESCRIBES IT AS "TIRING"

WHAT

It was satisfying hearing how genuinely upset Baizhu got there for a second tho like listen listen listen pretty much all of Baizhu's voicelines are so calming to listen to. Like he's so gentle. So hearing him actually raise his voice about it and lose his composure??? the way it gets all sharp like a scalpel and tense like he's holding back so much more than what he's saying??? ohhhhhhhhhhhhhhhhh that's the good stuff.

[kewpiekills]

enjoying the worst time of the year (summer)

[bumblingbabooshka]

Hey, Star Trek Writers... -taps the glass-