#song for da post

[5hark-byt3]

Nintendo try not to make autistic cephalopods challenge (impossible)

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[fangbanger3000]

we need to talk about The Silence and The Song

[PLEASE READ] edit to add: i realise that this post has been reblogged far and wide and that there is not a lot i can do about it now, but this is me trying anyway.

posting examples from the fic about my issues with its repetitive structure was careless of me, and i apologise to those of you who read it and became insecure about your own writing style. as someone who has worked with ai in academic settings, it's incredibly difficult for me to explain to you how the tone and structure of ai-generated fiction works and how, after reading enough of it, you can simply just tell. i do also realise that this is an incredibly weak argument, which is why i didn't include it when i originally wrote this post.

all that to say: there is an enormous difference between "beginner's writing" and ai writing. being repetitive as a new writer (or a seasoned one who just likes using repetition) is so normal. as is flowery/purple language. i've read hundreds of books and fics and the difference between these traits in ai-text and actual works is starkly clear. please don't feel anxious over the examples i've used in this post.

again, i apologise for any distress i have caused.

as per my last post, i have received a lot of encouragement to go public with this, and the more disappointed people i have in my dms, the angrier i get. so i will.

the silence and the song is an ancient arlathan au DA fic on ao3 by luxannaslut, and it is partly, if not entirely, written by an ai. i have no wish to be involved in any kind of fandom drama or witch hunting or bullying, but as a writer myself there are few things that piss me off more than watching people steal the work of others because they can't be fucked to write. it's disrespectful to your fellow writers, it's disrespectful to your readers, and it's disrespectful to the authors of the works the ai is stealing from.

ai is a plague that has no business being in creative spaces and you must do better.

the writing pattern

there was something very odd and monotone about the sentence structure of tsats that i couldn't quite place, so i fed chatgpt a prompt along the lines of "two people in a fantasy novel hate each other, but they secretly desire one another, and they kiss", and the screenshots above are the results. the third one is an excerpt from chapter 40 of tsats. the writing pattern is identical and it doesn't seem like the "writer" has even bothered to pretend they wrote it. if you're going to use ai, at least be sneaky about it. you know, paraphrase a little.

nonsense descriptions

"her nimble fingers worked with quiet precision" (ct. 1), "his grip firm but tender" (ct. 33), "her gown pooling around her like embers" (ct. 1).

fingers don't make sound, so what does quiet precision mean? as opposed to what? her joints cracking with every movement? how is a grip firm but tender? what does that mean? since when do embers pool?

the entire fic is littered with these adjectives that contradict each other or just straight up do not make sense, because all an ai does is generate descriptive language with no understanding of what the words it's spitting out actually mean. i could spend hours picking out examples from the seven billion pages worth of text, but i quite frankly have better things to do and would simply challenge you to try getting through a chapter or two without noticing the pattern.

repetition at structure-level

all the scenes in this fic are described in pretty much the same way. they open with purple prose vomit of the surroundings; solas is standing somewhere looking "unreadable as ever"; ellana's fiery golden molten fire copper ember ginger red hair is flowing this and that way; there's some dialogue with whoever is present and it leaves ellana feeling different variations of "something she couldn't name". this is, once again, a blatantly obvious sign of ai. below is the result of me feeding chatgpt the line "write me a scene from a fantasy novel where a woman with red hair is sitting on the ground in a magical garden at night", and side by side with that is the opening scene of the fic. make your own judgement.

repetition at word-level

this one speaks for itself. we fucking get it. her dress is orange, her hair is red, mythal's presence is heavy in the room, solas looks unreadable, compassion is sitting on her head like a crown, solas' ears are betraying him and ellana's move with every thought she thinks. we get it. the issue here is that an ai remembers the info you feed it, but not necessarily the info it shits out. if it's being told to write scene after scene of an elven woman with a gown that looks like fire doing xyz, it's going to do so with no regard for how many times the reader has already been informed of these details.

lastly: the breakneck speed

359,6k words in four weeks by a person who allegedly is employed and married and hasn't pre-written anything? no. any writer will tell you that this simply isn't possible. it absolutely infuriates me to see how much praise this "writer" gets for posting up to three full chapters in a day without anyone calling bullshit. i am pulling out my hair, you guys.

why i'm not going to live and let live this one

perhaps i would be less angry if the fic was some silly bullshit court intrigue Y/A stuff, but this is a text that handles very heavy and triggering topics such as SA, coercion, domestic abuse, and other things of the same vein. to sit back and put your feet up while having a robot write these extremely sensitive and very real human experiences with words it has stolen from texts written by actual persons is fucking heinous. the "writer" should be deeply ashamed of themselves and i'm sick and tired of watching people eat up their bs.

and on that note: the amount of people in my dm's telling me that they feel stupid and naive for not clocking this has infuriated me more than anything else. you're not foolish for this. being fed ai-generated bullshit is not what is supposed to happen on any creative platform and much less a fandom-centred one, so of course no one approaches a fic through that lens. fandom and fic writing is supposed to be about passion and the only person in this situation who needs to do better and change their behaviour is luxannaslut. polluting our creative spaces, wasting the time of your readers, and minimising the effort of actual writers who are working hard to provide content for us all to share and enjoy is vile and so, so lazy. i beg of you: do better.

[kuroshitsuji-wiki]

It's Yana Toboso's birthday! (January 24, 1984)

Yana forgot her birthday this year...

... so there's even more reason to congratulate her and celebrate!

Some trivia:

She chose her penname "Yana Toboso" to indicate what kind of manga she wanted to create: Because there are so many mangas whose central themes are dreams, hope, friendship, and love, she wanted to make a manga whose focus is the opposite. "Yana" derives from "iya" (unpleasant, detestable, disagreeable; here: unpleasant/nasty child), and "toboso" is meant to signify importance: a "toboso" is a cavity in the frame of a door used as part of a pivot hinge; as doors wouldn't work without hinges, hinges are important objects. "Yana Toboso," therefore, is meant to mean "the hated/bad child is in the middle" (憎まれっ子がど真ん中にく る). (Character Guide, page 146)

Yana once stated that Ciel resembles her the most out of her characters. (Character Guide, page 147)

*cough* Obviously.

Exhibit A:

(Downstairs with Kuroshitsuji VII, from Volume 17)

(Chapter 76)

Exhibit B: The iconic Pancake Saga from 2018!

Yana's grandmother encouraged her to become a mangaka, and her mother pushed her to submit her work to a publisher when she was 20. Both have since passed away. (sources: akumadeenglish, The Japan Times)

She is a fan of the band L'Arc-en-Ciel (source). HYDE, the vocalist of that band, wrote the opening for Season 5. Yana was obviously very happy about that!

Yana contemplated making "fluffy spin-offs" to Kuroshitsuji, e.g., "a gourmet manga featuring the canteen of the Shinigami dispatch association HQ, or a manga where the Indian butler cooks curry or the black butler makes sweets, or where the servants make small discoveries." However, she dropped those ideas because her "fluffy concepts" kept becoming ominous after a few chapters. (source)

Kuroshitsuji was not meant to be set in 19th-century England from the beginning. Mr. K and the chief editor eventually suggested England as the setting. Yana, who did not know much about England (and could not find many materials early on; source: Downstairs with Kuroshitsuji II in Volume 2), especially not about 19th-century England, and did not believe the manga would be a hit anyway, then cooked up the wonderfully anachronistic Volume 1. Since then, Yana has become more knowledgeable about Victorian England, got a historical advisor (Rico Murakami) who also, sometimes, translates sources for her (source: Downstairs with Kuroshitsuji Special in Volume 15), has been (re-)learning English, and visited England twice. The manga has, thus, become significantly more historically accurate over the years. Still, as it's a fantasy manga, Yana likes to incorporate anachronistic elements for story purposes (e.g. Grim Reaper tech and possessions, Wolfsschlucht) anyway (or simply because she wants to; e.g. the idol groups, I suppose). Anachronisms have, thus, shifted from accidental to deliberate.

Sebastian's mobile phone will be forever iconic, but it has been retconned for over a decade now.

And The Wild Earl lost more than his head was cancelled when all TVs were thrown out of the continuity with the end of the Indian Butler Arc (TVs are last mentioned in Chapter 23).

May we learn many Victorian things alongside Yana in the next years too!

(Downstairs with Kuroshitsuji II, Volume 2)

And may she have a happy, restful birthday so that she doesn't forget it again^^' (And the best of health^^)

[skunkes]

[icehearts]

i want to sink down like a stone oh, take me under, take me home ♫

[artuurle]

"I have hands for building altars Lips to pray to reckless gods Yeah, I was made to be a devotee " " Won't someone teach me to love without it swallowing me whole, If to be loved is to be changed, I'm only worsenin' " you can see where i gave up on this but WHATEVAH. i usually work in doodles and sketches for a reason lol.

[5577v]

arghh, i hate you shining star !!

[dakedo0o]

I'm begging. Leute BITTE, wie kann es sein, dass ao3 so wenige JCU fanfics hat. Ich weiß ich könnte genauso gut beisteuern und eventuell ist da was in Planung, aber momentan möchte ich doch nur content meiner hxperfixations konsumieren o(-(

wenn ihr welche habt bitti bitti verlinki

(I'm fucking tweaking.)

[bookshelfdreams]

okay y'all online activists and social media commies, this is your chance to prove you're not a poser

[dhmis-autism]

collection of ducks in dresses i drew just in ONE DAY bc im the VICTIM OF A CURSE

[officialedelgard]

noir detective neve gallus we need you

[brookbee]

David Bowie and the Spiders from Mars performing "Rock 'N' Roll Suicide," 1973

[icharchivist]

I think one thing i really hate about Veilguard is that in this attempt to make Solas less sympathetic they do simplify his motivations and end up doing things specifically for people to dislike him (re: the whole Varric storyline),

but they also just make everyone around him paragons of virtues so it becomes clearer, so it does end up being too black and white.

Like Solas has flaws! he's ruthless! he would kill his friends if they got in the way of his goals! A lot of people died because of the calls he made! he's pragmatic! he copes by not seeing people as "real"! He manipulates other people! those sucks, right?

But in DAI he's balanced with Bull who also says that he has to deshumanize the people in front of him to just be okay with killing them. or Vivienne who casually mentions that killing the servants is a normal way to play The Game. Or Dorian who argues in favor of slavery in the main game and then approves of Fen'Harel's methods in Trespasser after he starts to realize radical action is necessary. Or Blackwall who made a terrible call too as a general once and still is paying the consequences of it. Or Leliana who is also someone who was made into a weapon to support someone she loved "her call, but my conscience to bear the consequences". Also just Leliana or Vivienne or Josephine being quite manipulative themselves.

Or even Felassan in The Masked Empire letting Imshael kill innocent elves, being ready to kill Briala once she starts to see through his plan.

Or Solas' arrogance over everything he knows about the past that clashes with Morrigan's own arrogance about it when they talk in the Temple of Mythal.

Veilguard meanwhile both have the most inoffensive companions of the whole franchise (none of them deal with guilt for something they actually did, at worse they have misplaced guilt (Bellara), else don't worry even the assassin knows he only ever kills bad people. (compared to Zevran who knows he had been sent to kill people who perhaps didn't deserve it).), and when it can bring back a character from before, it's by stripping them of anything that would make them sympathize with Solas.

Re: Felassan losing his edge completely just to be shocked about Solas' actions, or Morrigan joking about how she humansplained him elven history and "resolving" her conflict with Mythal offscreen to better lecture Solas' about his own later. (which i'm so angry at, Morrigan's "arc" this game made me so angry, my god.)

So instead of Solas being flawed, the way Any Dragon Age Character is flawed, he's demonized to the extreme while also refusing to have any characters match his freak.

And it's not even mentioning how Rook fails at also having any chances of relating to Solas, in a way the Inquisitor could (if only because as a leader sometimes you make calls that will get people killed. Re, all the people who died in Adamant or in the Grey Wardens' War Table missions, and it's not even mentioning the one War Table mission about whether to sacrifice innocents to find Red Templars or give up on a promising lead.)

And it's why lots of Solas' fans will end up being much more defensive about him because the gap created in Veilguard is just... deeply out of synch with the way the franchise had dealed with controversial characters yet.

That makes Veilguard a lot more frustrating than it even is to start with.

[official-penis-posts]

I think you'd like the song ginormous penis, it's very silly (:

is this is it? (If so, I have loved this song for a long time!!)

Whenever life gets you down

Keeps you wearing a frown

And the gravy train has left you behind

And when you're all out of hope

Down at the end of your rope

And nobody's there to throw you a line

If you ever get so low that you don't know which way to go

Come on and take a walk in my shoes

Never worry bout a thing, got the world on a string

'Cause I've got the cure for all of my blues

I take a look at my enormous penis

And my troubles start a'meltin' away

I take a look at my enormous penis

And the happy times are comin' to stay

I gotta sing and I dance

When I glance in my pants

And the feelin's like a sunshine-y day

I take a look at my enormous penis

And everything is goin' my way

I take a look at my enormous penis

And my troubles start a'meltin' away

I take a look at my enormous penis

And the happy times are comin' to stay

Yeah, I got great big amounts

In the place where it counts

And the feelin's like a sunshine-y day

I take a look at my enormous penis

And everything is goin' my way (my trouser monster)

Everything is goin' my way (my meat is murder)

Everything is goin' my way (...size doesn't matter...?)

Everything is goin' my way

[bashcrandicoot]

And in my father’s name