#sometimes they make it work-- some of the times better than others-- and sometimes they don't. Depends

[caughtthedarkness93]

There are better stories that'll give you a similar experience to Harry Potter and won't line the pockets of someone who is doing everything in her power to make the lives of vulnerable people miserable.

For example, I recommended both Persona 5 and Ikenfell a lot around the time Hogwarts Legacy came out.

Persona 5 for capturing the feel of the interplay of daily school life and relationships alongside a big, overarching fantasy mystery with a very different flavor, but a similar appeal to what the Harry Potter stories did. It's an excellent game with themes are similar, but much better executed and more resonant than Harry Potter was. It's not perfect and there is values dissonance, but the story has some incredible twists and turns and the characters are fantastically written.

Ikenfell is much closer to the tone of Harry Potter itself and explicitly about a school that teaches magic. It has a score by the same duo that scored Steven Universe, and within the first few minutes of the game your player character gets hit on by another woman and makes a nonbinary friend. Ikenfell feels like it was made by people who used to love Harry Potter, get fed up with Rowling's bullshit, and made a game that was similar, but downright confrontational in how upfront it is with its queer themes and characters.

You could also watch Mary and the Witch's Flower, a film by Studio Ponoc. It was founded by ex-Ghibli animators and you can very easily tell in this film. The art style, designs, and other stuff feels very Ghibli, and as such, this film feels like what would happen if 90s or 2000s Ghibli made a magic school film. It's breathtaking to look at and a delightful time.

Any of these would be a good pick to watch or play rather than Harry Potter.

Sometimes it is important to let go of the things you love, even things that are important to you. I'm practiced at it at this point. Two of the artists who are incredibly influential to the kind of writer I am - Neil Gaiman and Joss Whedon - both turned out to be people who have done things I cannot abide. Firefly was a huge part of my life for a long time, and I remember finishing The Ocean at the End of the Lane in less than 24 hours because it gripped me so hard. Without these artists I wouldn't be who I am today. In fact, their work is part of what taught me not to tolerate the kinds of things both of these men have done.

If you still like Harry Potter, think about what the text tells you. Do not stand for prejudice and injustice. Do not allow those corrupted by hate to hold power. Stand up to cruelty. Stand against petty bullies.

The values that these stories preach are clear - they say to tell people like JK Rowling to piss off, and to stop ignoring her heinous beliefs.

Welp, if JK Rowling being executive producer and therefore being fully involved in the show wasn't enough for people to boycott, then here's HBO basically saying they don't care JK Rowling is a bigot from hell who literally helped lead a harassment campaign of lies against Imane Khalif in her transphobia and obsession with women being terf's standards of women alongside posting harassment against trans people on twitter at times, they gonna stand by her, while using the excuse, "personal views". Hmm, yes, personal views- that's one way to uh, call what the fuck JK Rowling comes out with a-lot- last I checked personal views do come with consquiences if said out loud....a thousand times in JK's case and still counting....especially if they hurt people, but hey, if it means making another Harry Potter project to milk, just let it fucking be I guess.

[dubina-dawkins]

DEAN WINCHESTER | NSFW HEADCANONS

pairing: dean winchester x fem!reader

warnings/notes: smut! minors dni, oral (m&f receiving), unprotected (done by professionals don't try this at home), p in v, dean is switch, marking kink, praise kink, some dirty talk as well, gentle sex but not vanilla, like LOVEmaking even, just a lot of smutty stuff from my head, english is not my first language sorry if there's some mistakes

REPOSTS WILL BE APPRECIATED

> let's just say. you're different

> it's strange, but somehow dean just couldn't bear a thought of fucking you before all of your relationship thing started

> that "storgy" thing where you were friends for half your life before you started dating

> and even after you did became his girlfriend dean just... was scared to think about something spicy with you?

> until one day he was too tired to care, when your kisses became hotter and he couldn't bring himself to hold back as usual

> like, really too tired. everything that going on is kinda exhausting him. but you're always there to help!

> your first time together? even though dean couldn't hold back anymore, it doesn't mean he was fast and rough

> no, he's one of the gentle kind

> kisses all over your body and very long foreplay

> but at one point you just get tired of these idle kisses and just

> "quit the talking, please"

> man, he's completely screwed at that point

> marking works both ways, actually

> no, really, dean adores the sight of you in his marks. hickeys, lovebites

> it intoxicates him better than any whiskey

> he pays extra attention to your neck. and to your breasts, too

> but sometimes when it sam's turn on doing the laundry, he sees there some of dean's flannels

> and their collars are stained with dark traces of lipstick...

> when dean feels your waxy lips on his skin, he knows it would leave a mark. knows he'll need to shower those off

> but from the way you look at him, when your lipstick is smeared over his lips, cheeks, neck and all the way down

> he'd rather never take a shower to keep these

> your lovebites and nibbles drive him crazy

> to the point he whimpers your name. and you're not even starting!

> scratches too. he gets teased about these. a lot. by nearly anyone who sees them

> he's not intense kind, - not all the time at least

> but it feels too good for you not to leave a mark of your nails on his back

> "did you take the tiger in fight?"

> "sammy, shut it."

> he'd like to do it nearly everywhere, it's just you who keeps him on track

> he'd slip his hands under your jacket the very second you leave witness' house, being in fbi undercover

> "good suit, agent carol kay... seriously, you couldn't come up with a better name?"

> "agent joey kramer says"

> for you the height of extreme is the back seat of the Baby, especially when she's standing at Bobby's

> dean would never admit it, but he's a sucker for you in charge

> you don't need much to get him turned on

> one "good boy" is enough

> and he's so worked out about it

> you tease him, kiss him, touch him, and he already needs to bite on his lip

> especially when you get to his chest. he didn't joke about his nipples being hypersensitive

> there's no words that can describe thst heavenly sound he makes when you tease his sensitive tip, when your fingers work on the entire length

> he whines your name, stroking your hair. his sounds are purely animalistic when you finally take him all in your mouth

> dean's not huge, but he's bigger than average. and it definitely is enough to make you moan his name, sometimes in a really pornographic way

> "please, baby... let me c-"

> "not yet, pretty boy" you whisper, letting his hardened cock put of your mouth with a wet pop

> it's like a tradition. when you two have an extra-time, you prepare each other. you sucking him off, him eating you out. swings of gentle dominance and comfort submission.

> dean, unlike his brother, is not a puppy-look person... but when he's between your thighs, kissing and nibbling on the skin, and his gaze rises to your face, begging to go further..

> then he really looks like an obedient dog.

> extra attention to your clit. sucking, licking, sucking again. dean adores the sounds you make at these

> but most of the time it's just a stress relief after tough hunts

> or when sam goes out to get some food

> quick and needy

> and you fucking adore seeing your always tough man being needy for at least your hand in his hair

> at very least.

a/n: love him. my man. my boy. my everything. god im obsessed, hyperfixated and ovulated. the unlohy trinity.

[fartcushion]

The Fart Room

When your gym crush invited you to a party he was throwing that evening you were ecstatic. You weren't even able toplay it cool, instead eagerly accepting.

He smiled at your enthusiasm and told you to be there for 19:00, and gave you his address.

Not only were you going to get to spend time with the guy you would secretly check out, but he said it was going to be attended by other guys from the gym so you figured it'd be a good chance to befriend them. Maybe get some tips on how they got in such greatshape.

*

You rocked up on time, you thought of being fashionably late after seeming too eager earlier. Butdidn't want to risk looking rude,

He opened the door with a smile when he saw itwas you

"Great you're here, come on in"

You entered his home, trying to make friendlyconversation as you kicked off your shoes. Listeningout you couldn't hear any music or any chatter.

"Am I the first to arrive?" It'd be a bit awkward, but at least you could meet each person as they came.

"Yeh, needed to get you in position before myguests arrived".

You paused, confused. "I'm sorry, what do you mean get me in position...and you mean 'other'guests?""

"What? No, mate. This is for my mates at the gym, you know, real builders. Not little guys like you. I mean other than you perving on me we have like no interaction. I invited you here to do us a service."

The amount of revelation stunned you. The admission he knew you oggled him, on top of the insults.

"What service?"

"Here let me show you".

He opened the door to a cupboard under the stairs,and gestured for you to take a look. Leaning in you could see that inside was a large cut out space. Big enough to stand on the end nearest the door, and on the other end, space to sit/kneel. What was more concerning was on the low end there was what looked to be a collar chained to the wall.

It was at this moment you were very aware of the muscular man stood behind you. Blocking your exit.A man you knew nothing about and willingly had entered his home.

"See we get together a lot and we learned early that when you get a lot of gym bros together there's a rather unpleasant smely issue. You know what it's like with all that protein. Wrecks havock on our guts and the farts are toxic. You can only hold them in for so long before it becomes uncomfortable. So for everyone to be able to party in comfort, but not stink out the place, we came up with a solution. The Fart Room".

Using his imposing size he started to push you into the cupboard.

We get some eager little guy from the gym, invite them round and put them in here. As the night goes on people need to use this room more and more.Y'know, the build up of protein shakes, broccoli and chicken diets and the beers at the party. They come in, let rip, and that nights recruit sniffs it all up".

By now you're fully in the room, being slowly pushed further back. You had to start crouching to avoid the ceiling.

"That's sick! Just go outside".

He rolled his eyes, annoyed at you wasting time. It's cold outside, can't keep opening doors to fart, everyone would freeze. Come the summer, we're all out there and don't want the wind blowing our wind back at us. This solution works all year round"

"Then just fart in here without a victim!" At this point your head smacked into the ceiling, the pain forcing you to drop down to your knees, where he loomed over you.

"Sorry, can't. The smell builds up and by the end we stink when we leave having marinated in it, and the gas escapes when you open the door. That's where you come in. You'll breathe it all up. It's better if you take it right from the source, to avoid it lingering. Best you do a good job from the start as well; as we get more drunk, we get a bit more aggressive with making sure we don't smell it; and will force your face in our cracks. He leaned down, reaching past you and picked up the collar.

"Sometimes people arent willing or try to escape. That's where this comes in". He held the collar to your face. "Will you need it? Or are you one of those fags that get off on this?"

"Please, l just want to go home".

"I don't care. Look, alone I can overpower you and chain you up. If you make me do that, l'l tell each guy to not go easy on you, and they 'll be rough. We're talking aggressively roided up blokes only too happy to let off some steam. Once the lock goes on you'll be at their mercy. So I would suggest you choose this". With that he unbuckled the collar and without protest put it tight around your neck.

"That's a good little fart filter. Now let's practice before the party starts".

He stands up, turns around, and lowers his shorts revealing his large muscular cheeks. Immediately you're hit with a sour pungent smell. Clearly if he did shower after the gym that day, he skipped cleaning his ass. Gently pivoting his hips his ass jutted out, inches from your face. Inviting you to come closer. You leaned in and as you felt his warm skin you were hit by the first fart.

BBBBBMMMMFFFF

It was quick, but loud and deep. The smell was as bad as he'd warned. You could smell the veggies he'd been eating. The surprise and stink made you instinctively pull away. Causing you to hit your head again in the tight space you were crouched in.

"Best get used to it, or if you keep flinching like that you'll leave here with brain damage. Though then again, maybe wouldn't be a bad thing, hit your head enough maybe you'll get amnesia and this can become a permanent set up. Would faggy like that?" He laughed as he wriggled his ass in front of you.

You didn't answer, so to fill the silence he let out a long rip.

BBBBBBBRRRRRRPPPPPPP

"Sniff that up, quickly, I'm get a hint of it up here"

To avoid any repercussions you leant back forward and sniffed the air vigorously. Reaching as far as the tight chain would allow you to reach, the collar strangling you for the effort.

"That's better, I think you get your job. Oh, and you may have wondered about the towel hanging here.  Well, sometimes the farts get a bit. ..wet. We try not to judge each other, these supplements can do sll sorts to your body. So if a guy sharts a bit, just wait until he's finished and when he's gone wipe your face ready for the next visitor"

As if knowing you were about to try one more time to object and plead to be released, he let out a final fart into your open mouth. As you coughed and spluttered, trying not to focus on the taste on your tongue, there was a knock at the door.

"Oh, here we go! See you later Sniffer!"

And he left, closing the door.

[fishmech]

I just don't get the deal with demanding a one bedroom specifically. Studio apartment is more than fine for single person, often even more space for the money in a lot of places.

And if we want to talk about "the point of minimum wage" as originally constructed, well you have to get used to pre-wwii notions of what people would be living in, particularly in cities but also in a great deal of towns. You would be expected to live in a rooming house arrangement, which sometimes were just large houses and other times were even midrise buildings.

You wouldn't have a full apartment, typically just a bedroom with maybe your own sink and faucet. In nicer places you might even have your own private toilet, but usually there were communal bathrooms. And the kitchen was communal too, often with the "house" providing at least a breakfast and dinner, whether provided by the management or made in lieu of partial rent payment by residents. And usually you'd have a shared parlor or living room as well as a shared dining room, meant for socializing with fellow residents or some invited guests.

This whole system made for relative small but also quite cheap living space, particularly for young single people, the elderly poor, and married couples who weren't having kids yet. Making your way up to an apartment where you weren't sharing communal rooms was generally something that took some time to be able to afford. And due to the decent savings you could build up with inhouse meals and all, and the general low price of a bedsit like room , some people who could otherwise afford moving up to the private apartment as long as they could.

As an example, all of my grandparents lived in such accommodations while they were single, except the one who lived with her relatives. It's simply what was done, with my one grandma being in a specialized boardinghouse arrangement for young women working in the city, while my grandfathers were in different mixed gender and mixed age boarding homes.

Minimum wage was founded around that as the basic model for low income worker housing away from family, and frankly has never really been adjusted upward to "distinct 1 bedroom apartment" levels.

To be honest I think a lot of people who struggle now with living on their own, regardless of whether they're making minimum, would be better served if society was more open to boarding house living again, especially to help people stay in their communities - among other things these housing systems did a lot to prevent people from ending up in long term homelessness while still making sure they got to have private rooms and storage that most homeless shelters today refuse to provide - but in a lot of places they've been all but barred from operating. Usually by late 20th century excuses of ensuring urban renewal I might add.

[millieisawriter]

Workin' girl

arthur morgan x reader

summary: the one where arthur pulls a john — falling in love with a working girl. it was never supposed to happen, yet it did, and now arthur is left with two choices. either he, again, walks away from a woman that loves him, or tries to fight for her.

wc: 2k

all pics taken from pinterest

♡this wasn't requested, but if you wish to request something you're more than welcome♡

a/n: i see this happening in blackwater in case i decide to write a 2nd part, but when i started writing i imagined saint denis, didn't see any town/city names mentioned as i was proof-reading, lmk if you see something i missed <3

Life has never treated you kindly so eventually, as soon as you could leave your family home, you turned to the oldest profession in the world. Even if that kind of life was better, it still wasn't ideal, but it was the best you could do. Eventually, you started to like it because even with its issues and dark sides it wasn't that terrible. Some would even dare saying it was 'easy money', which you actually knew wasn't true.

Luckily for you, you ended up in one of the more expensive brothels. Maybe it was the 'splendor' of the place, the luxorious interior, that made you feel somewhat safe. Safer than you would feel in some cheap saloon where the patrons consisted of drifters with a questionable past.

You had your regular patrons, ones that you got along with well — one of the reasons why they were your regulars. These were the men that could stay a bit longer after the service itself was done without making it awkward. Ones that you could have a conversation with, ones that saw you as another human being, not just an item to relieve their frustration.

It was a normal evening, the building was neither empty nor full. You didn't have that much on your hands, you and a fellow working girl were entertaining a group of men. They sat by a table, a drink in one hand, a cigar in the other, and two of these men had a companion in their lap — you and your friend. Ending the evening in the bedroom wasn't certain, for now you were just trying to make them spend as much money as possible on the drinks.

Then, Arthur walked in. One of your regulars, one you were particularly fond of. The chemistry between the two of you was so strong sometimes you wanted to tell him he didn't have to pay.

His eyes immediately found you, and he would be lying if he said he didn't feel jealous seeing you in the man's lap. But you, as if on command, turned to look at Arthur and as you noticed your favorite patron, you excused yourself from the table.

"Mister Callahan," you beamed, approaching the man, "so good to see you again."

He tipped his hat to you, his lips curling into a soft smile. "Evenin' darlin', thought I'd stop by again. You been keepin' busy?"

The way he always called you darling, every time, made you feel so warm and bubbly. Of course, he wasn't the first man to do that, but when it came from him, it felt almost sincere.

"Busy enough," you replied, glancing over your shoulder at the table of men you just left, "but I'll always make time for you, mister."

"Well, reckon I'll take you up on that. How bout we find a quiet spot?"

"Your wish is my command." Giggling, you took Arthur by the hand to lead him upstairs where your room was. Even if he already knew the way well enough.

Your room was just like any other room in that brothel — furnished with the most luxorious-looking furniture, tastefully decorated with expensive ornaments, every little detail taken care of.

As the door to your room clicked shut behind you, the world outside seemed to fade miles away. In that moment right there it were just the two of us, bathed in the dim light by the fireplace's glow.

Arthur's hat found its usual place on the small table by the door and he turned to face you, "I can never stay away for too long." Shortly, his hands landed on your waist, resting on the corset of your dress.

"Then maybe you should visit more often..." You suggested, your own hands finding their way to the man's shoulders.

"I'm afraid it ain't a good idea, darlin'. I always look forward to seein' you. But sayin' goodbye..."

"I get what you mean," you chuckled, "so what's it gonna be today? Just the regular service, or you want something extra? It'll be on the house."

Every time Arthur visited you, it was both blissfull and painful for him. You were so good at what you were doing it felt like a religious experience, but the attachment he held for you left a hole in his heart each time he had to say goodbye.

He had always wished he could just ask you to leave this life, and join the gang, but which woman would agree for this? Your current life, your current job, as oppressing as it was, couldn't be worse than living on the run. In Arthur's eyes at least.

In the brothel you had your own room, a wardrobe with many dresses. You had a somehow stable income, it didn't seem as if money were any issue to you. All this, compared to what you could have in the camp, was much worse. And you didn't even know his real last name, there was no reason for you to leave this life you had for a criminal.

Why did Arthur even fall for a working girl? The exact same thing happened to John, which Arthur would often make fun of him for. Maybe life just decided to pull a joke on Arthur now. But he just couldn't control himself, from the first time he saw you, you were different. With other women it didn't take long to notice they're just playing a role, but you... from the first time you even smiled at Arthur, he was drawn to how genuine it looked. And now, you had become not just a pretty face to entertain him, but someone he felt at ease with.

This time, as many times before, Arthur didn't hurry to get dressed and leave the room, return back to camp after getting what he wanted. Instead, he stayed under the covers in your bed, smoking a cigarette as you kept going on about something that happened a few days ago.

He didn't mind, he could let you yap his ears off, your voice was such a calming sound. It was almost hard to believe you weren't just a hallucination he made up. How could such an ethereal being just lay there, next to him, head propped propped on your palm as you lay on your stomach, talking about whatever nonsense? How could this happen to a man like Arthur Morgan?

"...so then," you paused to take the cigarette from Arthur, take one puff and hand it right back, "you'd think a man like him would have some sense, right? Well, no, he was so damn thick in the head, she just told the guard to throw him out!"

Arthur chuckled, exhaling a stream of smoke. "Bet he didn't see that comin'. I'm glad I ain't made it onto your list of thick-headed fools yet."

"Yet!" You playfully reminded him. "You seem to have more sense than others, although I can't say I'm some weak little girl. I don't even need a guard, but the madam insists it's for safety."

A thought lingered in the back of Arthur's mind. It was weird, in a sense, to know there's a guard right outside your door whenever you had a man up there. Even right then.

"I don't doubt you could handle yourself, darlin'," Arthur smirked, taking one last drag from his cigarette, "but it don't hurt havin' someone lookin' out for you."

You rolled your eyes, a smile tugging at your lips. "Guess you're right, mister."

Arthur stubbed out the ciragette into the ashtray that stood on the bedside table, knowing what it meant. His time was up, he extended the time of his visit as long as he could. Now that his usual cigarette was finished, it was the time for him to go.

He swung his legs over the side of the bed to stand up. You watched as he reached for his clothes that had been thrown onto the floor, and for the first time a single tear started to burn the corner of your eye.

With his jeans already on, and his shirt for now unbuttoned, he reached to the pocket, retrieving the usual payment. You wiped the tear away as it escaped your eye. It was always the same routine, but it didn't make it any easier to watch him go.

"Here it is." He said almost robotically, placing the money next to the ashtray, throwing in a little tip.

You looked at the money with sadness in your gaze, then your eyes shifted to look at the man. "You know, you shouldn't have to pay, because you don't make it feel like work."

There they were, the words Arthur was so afraid to hear. Him having a more romantic kind of attachment to you was one thing. However, knowing that you reciprocated the feeling, made it more difficult.

"Good," he nodded, "cause you don't make me feel like the bastard I am," as he buttoned up his shirt.

You sat up on the bed, pulling the sheets harder around you, since you were still naked. "Arthur..." You sighed, the rest of the sentence dying in your throat.

The fact that for the first time you had used his actual name instead of calling him mister as always, made it only more difficult.

"No, darlin', don't."

"You know you don't have to leave, right?"

Oh, he had to leave. If he overstayed his welcome too much, the guard at your door would become highly suspicious. And that would only cause issues for you.

"I have to, don't wanna make it harder." Arthur replied.

"Harder for who? I know a man's nature well enough, and I can tell there's something more in the— the way you fuck me, Arthur."

He thought maybe playing dumb would help him. "What do you mean?"

"I mean that if you were to ask me to... to abandon this life for you... I would."

Arthur gulped. It was just what he wished for, but what he couldn't allow to happen. "I've got nothin' to give you. I live on the run, it ain't somethin' you wanna be a part of, trust me."

"You think I'd rather keep fucking strangers to survive, than travel the world with a man I lo—"

"You don't." Arthur interrupted you. "You don't know what you're talkin' bout." Love was a word of huge weight, there was no way it was what you felt for him.

You insisted. "I know what I feel, and I know what you feel, I see it in your eyes, I feel it when you're in my bed, Arthur. I wanna leave this life for you."

"It ain't gonna be no escape, though, just another kind of trap. You deserve better than fuckin' strangers to get by, but you also deserve better than runnin' and not knowin' which day will be your last."

"I don't want better!" At that point you didn't care if the guard outside will hear. "I want you, Arthur!"

"I want you too, darlin'," he admitted, his voice breaking slightly, "but... you're safer here. I can't sentence you to a life of an eternal wanderin'."

His words had a final tone, but as well as you could read his eyes, you could tell he regrets saying what he had just said. You could have had a roof over your head, and locks in your door, but it wasn't safety. It was survival.

You stepped closer, reaching out to grab Arthur's hand. You knew he didn't want to leave, you were sure he wants you just like you wanted him. "Arthur..."

His heart ached when he saw the way your beautiful eyes looked at him, but still he decided to kiss you. It only made it worse, making another cut in Arthur's already damaged heart.

"I gotta go." He stated, freeing his hand from yours.

"No." You refused as if you had any say in that matter. You could demand he takes you with him now, wherever he's headed, but what would it do?

"I can't make promises," he continued, putting his boots and jacket on, then his hat, "but I'll figure somethin' out."

You stayed silent, watching him leave the room, not knowing if he's going to keep his word. All you had now was the money, that you didn't even want from him, and the promise that could have been empty.

[literaryvein-reblogs]

Writing Notes: The Master Fiction Plot

Lester Dent's "Master Fiction Plot", often referred to as the "Lester Dent Formula" is a widely circulated guide to writing a saleable 6,000-word pulp story.

This is a formula, a master plot, for any 6000-word pulp story.

It has worked on adventure, detective, western and war-air. It tells exactly where to put everything.

It shows definitely just what must happen in each successive thousand words.

The business of building stories seems not much different from the business of building anything else.

Here's how it starts:

A DIFFERENT MURDER METHOD FOR VILLAIN TO USE

A DIFFERENT THING FOR VILLAIN TO BE SEEKING

A DIFFERENT LOCALE

A MENACE WHICH IS TO HANG LIKE A CLOUD OVER HERO

One of these DIFFERENT things would be nice, two better, three swell. It may help if they are fully in mind before tackling the rest.

A different murder method could be--different.

Thinking of shooting, knifing, hydrocyanic, garroting, poison needles, scorpions, a few others, and writing them on paper gets them where they may suggest something.

Scorpions and their poison bite?

Maybe mosquitos or flies treated with deadly germs?

If the victims are killed by ordinary methods, but found under strange and identical circumstances each time, it might serve, the reader of course not knowing until the end, that the method of murder is ordinary.

Scribes who have their villain's victims found with butterflies, spiders or bats stamped on them could conceivably be flirting with this gag.

Probably it won't do a lot of good to be too odd, fanciful or grotesque with murder methods.

The different thing for the villain to be after might be something other than jewels, the stolen bank loot, the pearls, or some other old ones.

Here, again one might get too bizarre.

Unique locale? Easy.

Selecting one that fits in with the murder method and the treasure--thing that villain wants--makes it simpler, and it's also nice to use a familiar one, a place where you've lived or worked.

So many pulpateers don't. It sometimes saves embarrassment to know nearly as much about the locale as the editor, or enough to fool him.

Here's a nifty much used in faking local color.

For a story laid in Egypt, say, author finds a book titled "Conversational Egyptian Easily Learned," or something like that. 

He wants a character to ask in Egyptian, "What's the matter?"

He looks in the book and finds, "El khabar, eyh?"

To keep the reader from getting dizzy, it's perhaps wise to make it clear in some fashion, just what that means.

Occasionally the text will tell this, or someone can repeat it in English.

But it's a doubtful move to stop and tell the reader in so many words the English translation.

The writer learns they have palm trees in Egypt.

He looks in the book, finds the Egyptian for palm trees, and uses that.

This kids editors and readers into thinking he knows something about Egypt.

Here's the second installment of the master plot.

Divide the 6000 word yarn into four 1500 word parts. In each 1500 word part, put the following:

FIRST 1500 WORDS

First line, or as near thereto as possible, introduce the hero and swat him with a fistful of trouble. Hint at a mystery, a menace or a problem to be solved--something the hero has to cope with.

The hero pitches in to cope with his fistful of trouble. (He tries to fathom the mystery, defeat the menace, or solve the problem.)

Introduce ALL the other characters as soon as possible. Bring them on in action.

Hero's endevours land him in an actual physical conflict near the end of the first 1500 words.

Near the end of first 1500 words, there is a complete surprise twist in the plot development.

SO FAR:

Does it have SUSPENSE? 

Is there a MENACE to the hero?

Does everything happen logically?

At this point, it might help to recall that action should do something besides advance the hero over the scenery.

Suppose the hero has learned the dastards of villains have seized somebody named Eloise, who can explain the secret of what is behind all these sinister events.

The hero corners villains, they fight, and villains get away. Not so hot.

Hero should accomplish something with his tearing around, if only to rescue Eloise, and surprise! Eloise is a ring-tailed monkey.

The hero counts the rings on Eloise's tail, if nothing better comes to mind.

They're not real. The rings are painted there. Why?

SECOND 1500 WORDS

Shovel more grief onto the hero.

Hero, being heroic, struggles, and his struggles lead up to:

Another physical conflict.

A surprising plot twist to end the 1500 words.

NOW:

Does second part have SUSPENSE?

Does the MENACE grow like a black cloud?

Is the hero getting it in the neck?

Is the second part logical?

DON'T TELL ABOUT IT***Show how the thing looked.

This is one of the secrets of writing; never tell the reader--show him.

(He trembles, roving eyes, slackened jaw, and such.)

MAKE THE READER SEE HIM.

When writing, it helps to get at least one minor surprise to the printed page.

It is reasonable to to expect these minor surprises to sort of inveigle the reader into keeping on.

They need not be such profound efforts.

One method of accomplishing one now and then is to be gently misleading.

Hero is examining the murder room.

The door behind him begins slowly to open.

He does not see it.

He conducts his examination blissfully.

Door eases open, wider and wider, until--surprise!

The glass pane falls out of the big window across the room.

It must have fallen slowly, and air blowing into the room caused the door to open.

Then what the heck made the pane fall so slowly?

More mystery.

Characterizing a story actor consists of giving him some things which make him stick in the reader's mind. TAG HIM.

BUILD YOUR PLOTS SO THAT ACTION CAN BE CONTINUOUS.

THIRD 1500 WORDS

Shovel the grief onto the hero.

Hero makes some headway, and corners the villain or somebody in:

A physical conflict.

A surprising plot twist, in which the hero preferably gets it in the neck bad, to end the 1500 words.

DOES:

It still have SUSPENSE?

The MENACE getting blacker?

The hero finds himself in a hell of a fix?

It all happens logically?

These outlines or master formulas are only something to make you certain of inserting some physical conflict, and some genuine plot twists, with a little suspense and menace thrown in. Without them, there is no pulp story.

These physical conflicts in each part might be DIFFERENT, too.

If one fight is with fists, that can take care of the pugilism until next the next yarn. 

Same for poison gas and swords. 

There may, naturally, be exceptions.

A hero with a peculiar punch, or a quick draw, might use it more than once.

The idea is to avoid monotony.

ACTION:

Vivid, swift, no words wasted.

Create suspense, make the reader see and feel the action.

ATMOSPHERE:

Hear, smell, see, feel and taste.

DESCRIPTION:

Trees, wind, scenery and water.

THE SECRET OF ALL WRITING IS TO MAKE EVERY WORD COUNT.

FOURTH 1500 WORDS

Shovel the difficulties more thickly upon the hero.

Get the hero almost buried in his troubles. (Figuratively, the villain has him prisoner and has him framed for a murder rap; the girl is presumably dead, everything is lost, and the DIFFERENT murder method is about to dispose of the suffering protagonist.)

The hero extricates himself using HIS OWN SKILL, training or brawn.

The mysteries remaining--one big one held over to this point will help grip interest--are cleared up in course of final conflict as hero takes the situation in hand.

Final twist, a big surprise, (This can be the villain turning out to be the unexpected person, having the "Treasure" be a dud, etc.)

The snapper, the punch line to end it.

HAS:

The SUSPENSE held out to the last line?

The MENACE held out to the last?

Everything been explained?

It all happen logically?

Is the Punch Line enough to leave the reader with that WARM FEELING?

Did God kill the villain? Or the hero?

Excerpts from Marilyn Cannaday's biography of Lester Dent, "Bigger than Life: the Creator of Doc Savage" (Bowling Green State University Popular Press, c1990), transcribed by Jason A. Wolcott, 1995.

Sources: 1 2 ⚜ More: Notes & References ⚜ Plot ⚜ Character ⚜ Worldbuilding

[knavesflames]

heyyy el

requesting politely reader ... tending to ... arlecchino with her mouth and going from starting timid to taking a bit more control to arles surprise

lots of care and love just like in the one you just posted :3

mhm ty

Hi anon<33 I hope you are doing well and having a nice night (it’s night for me). I liked this idea >:) sorry lol it took me a while to come up with a concept but I hope this suffices 😁😁😁 (hi guys the dirty words are slowly making a reappearance)

Word count: 2.2k

Contents: soft dom!reader (kind of yes), bottom Arlecchino, cunnilingus (funny word), fingering at the end, orgasm denial (ONCE GUYS OKAY ONCE), also praise (guys I’m cooked)

Songs I listened to (for fun): fantastic- king princess (is this one obvious or not), disease- lady gaga, shhh!- viviz, pivot- HEYOON, boyfriend- dove Cameron, impurities- le sserafim

There’s more but I forgot

Nsft utc<3

Arlecchino is not a receiver. She gives and takes nothing, it’s how she’s always liked it, whatever the reason may be. She has not explained, and you doubt she will. Arlecchino is very secretive, you’ve come to learn. She divulges what she must, and keeps the rest hidden. Even you, who seems to know more about her than anyone ever has, is kept in the dark about a lot of things– what exactly triggers her nightmares? What truly happened with that ‘Mother’ of hers? There are rumours, of course. Arlecchino is mad and cursed, she killed her Mother ruthlessly without reason, she killed her best friend for nothing other than a simple quarrel. You know them to be false, now you know her better, but what you can’t seem to understand is why she lets the lies fester, why allows herself to be portrayed as a cruel monster. She can’t seem to answer you.

Arlecchino also refuses to tell you why she pushes herself so hard, or why she has such strict rules for herself. You beg her to take that damn suit off constantly (for.. Multiple reasons, both you and her know that well enough– she only obliges when it ends in you as a quivering mess on the bed). “What happened to regular clothing? I know you dislike dresses, but you don’t have to force your body into that silly suit all the time.” is a phrase often uttered. Silence is the only answer given.

Silence seems to be an answer you get from her often. In different contexts, of course. Sometimes, she is silent when she is comfortable, when she is thinking, when she is angry.. You realised long ago that she is a woman of few words– and even fewer sounds. During the rare occasions you get to make her feel good (whether that’s simultaneous to your own pleasure, or before), the only sounds you really hear are the soft breaths and the slight grunts whenever you do something she particularly likes. You have made it your mission to coax more sounds out of her, even if it’s the last thing you do. You experiment with different things each time you get to make her feel good, anything remotely sexual she’s done to you, you try with her. Degradation doesn’t work, her only response is a cock of her eyebrow and a scoff. Praise is a little bit better, earning a soft kiss on whatever part of your skin she can reach. Tying her up is out of the question– she has made it abundantly clear multiple times she only enjoys the act of bondage, however small, when you are on the receiving end. It’s the case for a lot of things, and it almost irritates you. Almost. it turns out the answer is something much simpler than anything you’ve ever tried, and you mentally curse yourself for taking so long to figure it out (for Arlecchino, that was the point. She likes the game, even if she truly is trying to keep her weakness hidden).

The answer was something she had done to you almost every time you had engaged in some form of intimate act with her. There aren’t many acts more intimate than your partner giving up the ability to speak because their tongue seems to be.. Busy. You just hadn’t realised that Arlecchino would ever be on the receiving end. So, after much pleading (and begging to the point it almost seems you’re begging her to fuck you instead of the other way around), she seemed to relent. Barely.

“Let me try,” comes the soft whisper from your lips, hitting the side of her neck as you gently place kisses there. There’s no reaction, but you could swear you felt a shiver. Moving away from the milky, unmarred skin of her neck (one of the only places that isn’t marked with either her curse or an array of scars), you almost expertly push the blazer off her shoulders before slowly sinking to your knees. The carpet is fuzzy, but it doesn’t do much to soften the hard wood underneath. You can’t find yourself caring. The blazer lands on the back of the desk chair. Excited, desperate fingers tug at the buttons of those godforsaken trousers until they finally do what you want them to do. You’ve done what you can, you can’t push her hips up so you can continue to take them off, she’s stronger than you’ll ever be (you like that). “Don’t you think it would feel nice? You know it feels nice. Do you not think you deserve it?”

“I do not deserve the pleasure you give me,” she murmurs, a rare show of her inner thoughts. The woman criticises herself too much, you think. You wish she wouldn’t be so strict with herself.

“Irrelevant,” She shivers at the slight sternness of your voice. It mirrors her own. “Do you want it?”

Arlecchino doesn’t respond for a while. Her hand moves to your head, and she caresses your hair, gently stroking and tugging at the strands before she eventually speaks, a whisper, a subconscious attempt to hide the fact she’s about to chase something she never allows herself to. “Put a pillow under your knees, at least.”

You grin, so pleased with yourself. You stand again, only to sprint and find a pillow. It happens to be the pillow you sleep on, it doesn’t matter. You return to your position only to find her trousers messily on the ground, and the top four buttons of her dress shirt undone. The look in her eyes is one you’ve rarely seen– want. “Beg.” you whisper, the grin still on your face. Arlecchino’s own face twists into a frown.

“I will die before I beg for anything.” Her tone is resolute, and you sit there nonetheless, unmoving apart from the finger tracing up and down her toned thigh. You both stay like that for an agonising two minutes before she barely mumbles. “Please.”

You are incredibly aware that you won’t get more than that, so, even though you know it doesn’t do much, you mutter “good girl”. It does do something, though. You barely hear it, but her breath shakes. You take it as an initiative to start, so you let your lips find her thigh, planting wet, open mouthed kisses up towards her inner thigh. You continue, and– she’s soaked already. You’ve done exactly nothing and she’s as wetter than you’ve ever seen her. Your eyes move up to hers, a raise of your eyebrow as you open your mouth to speak, but she cuts you off before you can speak.

“Do not. I am aware of the.. situation.”

“But you’re all wet and it’s all for my tongue. Isn’t that sweet?” You’ve never been this cocky at all, and Arlecchino would be a liar if she said she didn’t like it. She tries to find words, something to refute the claim, but her words are ripped from her lips when she feels your own lips graze her clit. It’s a tiny movement, really, but one she isn’t entirely used to. The only reaction she makes, however, is a slightly sharper exhale. Until your eyes stare straight into hers and you do it again, though for longer. Then again, though this time your tongue presses flat against it. Your tongue doesn’t move, much to Arlecchino’s dismay. The hand that rested in your hair gently tugs.

“Continue.” She speaks breathily, and her words shake. You can practically hear her gulp as she tries (and fails) to calm herself, and you know she’s probably telling herself to show no emotion. Though, when you finally start moving your tongue in slow, languid motions, you hear her shaky sigh and feel her hand in your hair tighten even more. You try to find a rhythm that affects her the most, alternating between soft licks and harder presses— you find that swirling your tongue around her clit, occasionally moving down to dip your tongue into her aching cunt. Your eyes dart up to her every few seconds to catch her mouth falling open and her head tilting back. When her mouth isn’t open, she’s stifling any noise she could possibly make, gritting her teeth so hard you’re almost certain they’re going to crack. The next time you tear your eyes away from her skin and move them to her face, her eyes are squeezed shut, and only then does a quiet groan escape her.

Something seems to change in your mind, because your hands move to grip her thighs, holding them apart despite them trembling. She’s sensitive, after all, it isn’t often she gets taken care of, is it? The blackened hand not pulling greedily at the strands on your head moves in an attempt to push your hands away, but your voice vibrates against her (which of course, causes another quiet sound to slip from her). “Keep your hands on the chair.”

Arlecchino’s eyes shoot open, a gasp practically ripping through her lungs. “You cannot expect me t—“

“Do it or I stop. Let me finish making you feel good.” She scolds herself internally for letting you get too comfortable with her own tricks. Either way, it feels good and she doesn’t want you to stop, though she’d rather cut off her own arm than admit it. She doesn’t need to say a word, though, the small groans (and whimpers) tell you everything. Especially when they grow louder, and her chest begins heaving, and her voice breaks with every utterance of your name. It’s the most pleasure she’s ever outwardly expressed.

“Why did you stop?” Her exasperated, breathless voice echoes the room. You stopped just as her orgasm was reaching the peak, causing it to ebb away quickly, a sense of disappointment growing in Arlecchino’s stomach. Her eyes, now piercing into you with that familiar irritated stare, meet yours, your own full of amusement. Wiping your chin (when you’re eating pussy like it’s the last meal you’ll ever eat, it tends to get messy, doesn’t it?), you chuckle and respond in your own teasing lilt.

“You taste so good, and your pussy is so damn pretty, Arlecchino. I don’t particularly want to stop right now. You can take it, can’t you? Keep your hands still.” Her face twists into some odd mix of mortified and aroused, but your tongue meets her clit again, and the only sound she can make is something so uncharacteristic, a whine. You continue exactly what you were doing before, though this time you decide to slide a finger into her— the reaction she gave was definitely a pleasant one, her back arching off of the chair, her hands squeezing the seat of it in an attempt to keep them still. Arlecchino reaches the peak quicker this time, and despite your bossy orders, she finds herself melting into you completely, her hips grinding herald onto your tongue as much as she possibly can. It’s completely different to how she was at the beginning, her plan to remain unbothered and stoic foiled.

“Can I— please don’t stop this time.” When there comes no response from you other than a curl of your finger, she moans your name in a useless attempt to get you to answer her. You’re being mean, she thinks, and you’re using everything she does against her. “Answer me. Tell me I can cum.”

How is she still demanding things from you even in this position? She lost all control a long time ago. You find your eyes opening though, and while adding a second finger, your voice softens and you speak, voice full of affection. “Be good and cum for me, then. Now, before I change my mind. Let yourself feel good, yeah?”

Arlecchino doesn’t need to be told twice, because her hips lose whatever rhythm they had when your tongue presses flat against her, letting her choose the pace and the rhythm she knows will get her there quickest (it doesn’t take long, the woman is so sexually pent up it’s laughable). Within a minute, she’s crying out, her hands flying up to her face to cover the obscene expression she knows is there. You pay no attention, only watching every movement with a sense of satisfaction and a smile in your eyes. You keep your finger curling and your tongue still until her body stops rocking, and her hands leave her face. When her face, the one you find so beautiful, emerges from behind her hands, mascara slightly smudged, you can’t help but snicker as you pull out and away from her.

“Better?” You ask, wiping your chin once more with the back of your hand. You somehow look so smug and the look on your face pisses Arlecchino off, just a little. How you’re so calm and collected and she’s a fucked out mess sat in her desk chair.

“Yes,” she says, her voice sharper than she intends it to be really, but she continues in the same tone. “I do hope you don’t think we’re finished, hm?” Your head tilts in slight confusion, but the smile remains on your face. After a while, Arlecchino’s own lips twitch upwards, barely noticeable, but you notice nonetheless. “How could I leave you without feeling good, too? Go to the bedroom, please.”

[troglobite]

(i agree w op and it's a good point; i'm pushing back against a couple things in this second addition/rb & some implications in the op, as well. still not trying to be argumentative, but push the conversation further & challenge certain entrenched ideas. bc again, i agree & am coming from that angle.)

hotter take: the demonization of "ultraprocessed foods" is damaging no matter what. highly recommend this nutritionist for any info abt that. if [general, not op/rb] you won't listen to me, maybe [general] you will listen to a thin and licensed nutritionist.

the intent here is good: don't deprive your child of unifying and delightful social experiences. let them enjoy food. don't give them complexes about food. don't micromanage your child's diet to the point where they resent it, etc.

but also, maybe, just let them enjoy food. and teach/show them how! they are CHILDREN. unless they have allergies, sensitivities, or other serious health concerns, they will be FINE if they eat some candy MOST days of the week for various stretches of time. or ANYTHING sweet. or salty. basically every person in the world (with medical exceptions, exceptions for taste/preference, etc.) would be fine having at least 1 dessert every day. (and also this is only using "health" as a reference, which is a Whole Thing in and of itself)

maybe, also, as is the solution to most things: simply treat children like people who are just learning how things work.

instead of limiting what they eat without their involvement, instead of demonizing food and scaring them away from it or shaming them, or even acting like certain kinds of diets are even accessible to most people, how about we instead:

teach kids abt what we currently know abt how food works. why do they crave sugar and salt? why do these foods taste really good, and these ones don't? can we make them taste better? sometimes tastes change over time, so every few years we can try this food again, if you're up for it. how do you feel after you eat A LOT of food, regardless of what it is? what do you want to eat at different times? how do different foods make you feel? what kinds of tastes do you like? here are traditional and culturally relevant foods, and how/why they're important. how do we MAKE food? what abt food safety?

give them knowledge and choice in what they eat and how they eat it and when.

this is only possible if we education ourselves abt food, as well! which is why education around this is so important. but even the basics: hunger is this, food gives you energy, you need different kinds of energy, you probably should have a wide variety of it, etc.

for example, there is no such thing as junk food, there's just food. nutrition isn't just about calories or vitamins, etc., it's also abt social connection (covered well in this post), cultural connection, and emotional regulation.

it also looks different for everybody. no two people will require the same kinds of food in the same amounts prepared in the same ways. and what we know about nutrition is actually quite limited! not to say what we have is Completely Wrong, but that it's silly to paint with such a broad brush when we keep having to research and revise--and there are so many factors to health and diet that are difficult to account for, and make each person's needs individual. food & movement aren't the only two. and your socioeconomic status & geographic location control what you eat way more than anything else.

"ultraprocessed food" serves so many purposes: it lasts longer, it's typically more reliable and widely available, it's generally more affordable, and it's, crucially, more consistent and predictable, which is a HUGE thing for children (not even speaking of neurodivergent people in general). for ppl who can't afford the money or time of fresh foods, "ultra processed foods" are GREAT. (and they're also great for anyone who loves them)

if you have a problem with them, take it up with the government! we can have "ultra processed foods" that don't hurt people--it's the hormone disruptors and unnecessary food dyes that are the problem. they're outlawed elsewhere. we could follow their lead. preservation of foods isn't inherently bad. (and on the labor side, again, take it up with the govt: all workers deserve to be safe at work, protected, have a more than livable wage, benefits, etc.)

all of this is an overarching pipe dream about how we talk abt, teach abt, and interact with food, particularly as it pertains to raising our kids. but that's the point i'm going for here.

op is completely right, as is the addition; my hackles rise against "more wholesome foods" and "ultra processed foods" and the "let them have it every once in a while". you can go a month eating "junk" food (again, no such thing), and unless you have particular allergies or health concerns, you'll probably be fine.

determinants of health are so much bigger than what we eat and what we physically do.

so when it comes to teaching kids about food, we have to stop categorizing some foods as bad and others as good. it seems to be easier, but oversimplifying things for kids never goes well. if you're gonna simplify, at least be accurate and at least don't give them fucked up complexes abt shit.

tree nuts are WIDELY considered a Good Food. but they hurt me and could possibly even kill me, because i'm allergic.

fresh greens are WIDELY considered a Good Food. but they're raw, uncooked, and staring down the barrel of fewer safety regulations--so not only are they inconsistent in quality and texture (bad for kids & anyone with sensitive tastes), but they're also riskier. and ALSO, i have hEDS, and my body Cannot Digest fresh greens very well. (if accessible, an opportunity to teach kids abt where food comes from and maybe grow your own! but also [stares at heavy metals in most of the US soil] so y'know. ymmv.)

they're no better or worse than an "ultra processed" version of greens. that includes things like salsa, flavored veggie smoothies, premade soups, frozen veggies, etc.

the sum of my response to op & addition is: yes, absolutely. but also, there are no bad or good foods, and nutrition is more complicated than that. as per uszh, the solution is to treat kids like people and give them what knowledge you can, then let them make their own choices.

and the sum of everything else is: basically what i wish more people knew so that they COULD teach their kids that stuff. and also for themselves! and also this doesn't even get into the concept of "health" as a Whole Fucking Thing.

This is a controversial take that everyone will hate but it's one thing to feed your kid better, more wholesome food than twinkies and hot pockets daily, it's another thing to force them to adhere to a crunchy granola beige colored diet where they cant share the snacks their peers are eating or have a normal childhood or have fun. None of you were raised like that and if you were you know what im talking about.

[miabluee]

｡ﾟ.｡✧ some tricks. .

. . .n’ rules .* . ｡ﾟ.

* always prepare if your gonna eat heaver meals— ex. i have Bloom before to help with bloating and digestion, and about an hour after i eat or whenever i get home i have a straight ACV shot. sometimes i will have ginger too, just depends (i use the ready-to-use paste, about as much as the length of my finger). lastly, i usually always have a cup of lax tea (x2-3 packets) before bed as a natural laxative and digestion aid. if i decide to fast after that consecutive day, i will normally continue this for 1-2 days. limiting the effects of eating like this might be a small thing, but with consistency it works.

* gradually drink full glasses of water before eating (within the span of about 30-45 minutes so you don’t get sick) or, have ‘sips’ of water between bites. in my experience, this makes what little food i actually do eat pass quicker (depending of what i eat ofc, which is not usually junk).

* using small plates/bowls— take time to prep your meals. spread out and separate what you are having to cover the whole plate and AGAIN, make a little seem like a lot. ofc sometimes eating from bigger dishware is unavoidable, ex. some holiday like Thanksgiving. if that happens, try to fill your plate with primarily vegetables. however still in this case, do your best to never finish what’s on your plate.

✧☾𖤓

* cut your food into smaller pieces; make a little seem like a lot then, limit further— ex. cutting a plain burger patty in 1/2, and one of those half’s into small pieces while leavening that other half alone on the plate. remember, less is always better<3

* enjoy your meal but don’t finish before others— chew your food slowly and thoroughly. match pace with who your around; trick them into thinking that your eating as much. do not make it obvious; engage in the conversation more to help as a distraction.

* illusion; you have to make it seem as if your actually eating— start leaving wrappers around the house, eat (throw away) some leftover meals and dirty a plate, etc. . . saying you ate at work or school will not work forever. u need to make them actually see evidence of food. plan your meals so when you do eat, they see. trust me<3

✧☾𖤓

* focus on clean eating and gut health— limiting sugar, dairy, and carbs; that’s as simple as it gets. (what keeps me from eating that bad shit is my fear of acne; yes, ofc weight gain and bloating too, but acne actually visibly shows on your skin and who genuinely wants to see that). ALSO, keep in mind that the more healthy you eat, the better it will actually taste. trust me<3

* choose quality if binging— here’s the thing; we all are gonna have binge and meta days, and wether you b/p or not, your still eating calories. it’s inevitable. nonetheless, what’s important is that you to pay attention to what you put into your body. in other words, binge on diet foods, dairy free options and overall lower caloric content. like if you want pizza, maybe choose cauliflower crust rather than regular. bread is super high in carbs and same for calories (i’m sure that’s obvious), but my point is that at least you’d be able to cut back some of the calories you’re consuming rather than eating say double or triple what the original product is. it’s a small difference, but it helps.

* adding 100% lemon/ lime juice to water— it helps curb hunger, speed up your metabolism, and reduce bloating (i bring a water bottle of this to work so i don’t eat on my lunches).

* tea and coffee— literally the best, but really try to cut/limit out the sweetener and additives (sugar is sugar, despite it being 0 cal, and u honestly really don’t need it; get the sugar you need from fruit) and, the bad taste of black coffee may deter you from eating.

* bone broth/ vegetable stock— soooo good for you, extremely low cal, and is a wonderful way to get a bit of energy without actually eating. it’s a healthy liquid that has nutrients BUT it is bland, so on occasion i’ll add a tablespoon of salsa (might sound strange but it’s actually reallyyy fucking good).

* diets drinks— i personally try to limit myself because of ‘nonexistent’ sugar (again, even if it says 0). however, caffeine is caffeine and it helps you seem full; go crazy on it because they will become your best friend.

* juice— most juice brands add sugar anyways (even the all natural ones) and if they don’t, still get in the habit of cutting that shit out of your diet. you honestly don’t need it. ofc if you do crave juice, have something on a meta day or spoil yourself with a yet low cal option (like an Sparkling Ice [5cal]). even better, make a smoothie; the best thing is actually knowing what you put into your body.

* honey— it’s very good for you, but it is HIGH in sugar. hear me out: as little as i’ve had it throughout my life, whether it’s in tea, baklava, graham crackers, or whatever else (like it doesn’t even matter how much or what i consume) i’ve found that honey WILL break me out without question. so, while it’s good for you, i do everything to avoid it because i usually get the sugar i want/ need from fruit. ofc there are those few people that can literally eat it— practically drink— as much as they want, so don’t be scared of it because it is sugar. remember, it still is a 100% natural source of sweetener. this is what just works for me, that being cutting it out from my diet completely.

* chia seeds— they are an excellent source of fiber (when i have them, its when i need a pick-me-up; like rather than breaking my fast completely by having solid foods, i’ll always have less that a tbsp with a glass of water instead). just keep in mind calorie content.

* chili peppers/ hot sauce & seasonings— a really good way to help boost your metabolism and limit what you eat; if spice makes you uncomfortable, try to start slowly and build a tolerance (i like to pickle/ jar the chili peppers i get and i usually just add few to my meals, or, i use the alternative: hot sauce).

* gum— it’s a staple, but try to lean towards the sugar free option. (i like fruit flavors most; i just can’t chew the others on an empty stomach easily. sometimes i treat a piece as if it’s a meal and that typically it works for me. it really honestly makes me just drink more water, which is obviously an added bonus).

✧☾𖤓

* fasting— be mindful that metabolic adaptation can occur in as little as two weeks so don’t overdo; the goal is to continuously lose weight. but again, if u do break a fast, it’s okay. please don’t beat yourself up: just accept it and move on.

* we all know this, but distraction; find ways to keep yourself occupied— research something interesting, do something you like, or try something new (there’s infinite possibilities, just keep exploring).

* continuous movement— doesn’t matter what, just burn calories (ex. i try my best to walk at least 10k steps everyday at work, even if i decide to workout or not that night. on my days off i try to focus primarily on reps.). mindset: even a little exercise is better than nothing.

* brushing your teeth— i was actually skeptical about this one, but it does work (i like to do it all; brush and then floss, mouthwash, and then do whitening strips or whatever when i’m really craving something).

* food log/planner— i know that this is controversial, but i personally like to plan out ahead of time (as in weeks) of what exactly i’m going to eat and when/how long i’m going to fast, including meta days. i count calories usually that ‘scheduled’ day before i eat so i don’t go over. i mainly just do this to make sure i’m getting enough of everything, or at least a taste, so i don’t get horrible cravings and binge really bad. however, do NOT obsess; it’s important to treat it as a guideline.

[sitp-recs]

Hi Liv, I loved the hidden gem list that you did in the past. I discovered so many new authors thanks to you. I love going back to my all time favourite authors but I also love discovering new ones. Would you or any of your followers have any hidden gems recs ? Could be long or short fics. Thank youuuu

I’m so happy to hear that! The hidden gems series is very dear to my heart and probably my favorite project. I started a s2 back in 2022 and have a few lists saved in my drafts, maybe I will revisit them in the new year… we’ll see! I found some additional rec posts that might interest you here, here and here. I haven’t read much this year, but if you’re looking for new-ish works I’d highly recommend the fics below, and also my reclist for the h/c fest. I’m sure my followers have more recs. Enjoy! 💜

Train Song by @fw00shy (T, 1.2k)

"Imagine: An extended summer vacation," Ginny said when she first pitched the trip to the group. "Fine," Hermione said after only a moment's hesitation, to which everyone cheered, because everyone knew she was the only one who could figure out how to make the Hogwarts Express fly.

All I Think About by @skeptiquewrites (T, 4.5k)

Sometimes all it takes is one perfect late summer night in June.

mind the gap by @cavendishbutterfly (E, 5k) - MCD

The first time Draco died was by far the worst. Once Potter started living with him, it got better.

everything you should say by icarusinflight (E, 7.5k)

They're not friends. But when Draco offers help, Harry takes it.

Tarry, Tarry, Wait For Me by @toomuchplor (E, 8.5k)

"I can't ask it of you," Draco says, quick and awkward, "I just thought you should know, I thought you needed to know, but none of this is your fault."

Seasons by @greattemptation (E, 9k)

Seconds pass, and it’s like he can see Draco worrying the sliver of glass in his heart, looking for a way to press it out, to expose the wound to the sun. It’s life; Harry can be patient.

Necro-romance by @thehoneybeet (E, 9k)

The first time Draco kills Potter, it's by accident.

like a scratch on the roof of your mouth by @eleadore (E, 9k)

Two weeks into the new year, Draco Malfoy saves Ron's life in a spectacular fashion.

coyote ugly by @garagepaperback (E, 10k)

One night, every month, Harry is a coyote. Malfoy has a silver tooth. Sometimes, he cuts Harry’s hair.

draco malfoy's substitute murder service by @oknowkiss (E, 10k)

When Harry joins the Curse Breakers shortly after his twenty-fifth birthday, he’s surprised to find himself assigned to the Department of Creatures, Cryptids, and Associated Calamities.

When the Flood Comes by @academicdisasterfic (E, 10k)

Nine years on from the war, Auror Potter is upholding the Ministry of Magic's rule of law. Senior legal counsel Draco Malfoy is challenging it.

Wobble Week 2023 by @moonflower-rose (E, 12k)

Potter can't keep his hands off himself. Draco can't look away.

With Hands Full of Dusk by @corvuscrowned (E, 15k)

Harry thought he'd found what he was searching for after the war. But as the quiet life he's earned begins to unravel at the seams, he finds himself searching instead for an elusive, mythical creature found only in lore and legend - with none other than Draco Malfoy as his companion.

Rich Friend by @sorrybutblog (E, 18k)

As far as Harry can tell, Draco Malfoy is still rich as hell. He’s just not a wizard anymore. Featuring: Draco Malfoy trying to make it as a Muggle pop star, Harry Potter as our confused and horny hero, bad driving, good music, and the mysterious magic of falling for someone.

Waking Up Slow by @sweet-s0rr0w, @ihopeyoubothstaysafefromharm (E, 22k)

'Twas the night before Christmas, although it’s July / Draco’s a shopkeeper, no-one knows why / There’s hiking and witch caves, freak snowfalls and more / Bad Christmas jumpers, nosy neighbours galore / Narcissa’s here too, but… something’s amiss / And what’s in those chocolates that’s making them kiss?

Sun Thief by BlackRose532, @floydig (E, 28k)

Or: Harry beats up a pimp and isn’t sorry about it, Draco deals black market potions, and they’re shagging. Again.

Truth to Materials by lately, @toomuchplor (E, 54k)

In which Harry learns to appreciate art and other pleasures of the flesh.

[dresshistorynerd]

His family owned the arsenic mine and he divested his interest in it eventually, though of course profiting off of it was certainly a hypocrisy he engaged in for several years even after becoming a socialist. I can't really ask much more than he should have done it sooner, since he could hardly decide how his father had made his fortune. I agree that his continued denial of arsenic poisoning was insane, but his factory did stop using arsenic in 1879, 6 years before he send that letter. And he didn't use the other poisonous dyes that were used frequently at the time. I'm sure his position on arsenic specifically was influenced by his family's fortune coming from arsenic mine and the need to be defensive about it. My point was rather that there has been no debate at all past many years weather viscose method is dangerous to workers or not and still it is used, even though the owners know and believe it's dangerous, which clearly he wouldn't have approved of. Overall his factory was reported to have good working conditions, much better than what was typical at the time.

I know he was a Victorian man and while I fully admit I very much enjoy his writing and work, I'm not hero worshiping him. I do have many criticisms for him, but surviving under capitalism in a way where he tries to make some positive impact is not one of them. I know every write up on him loves to paint him doing business as a hypocrisy and a point of criticism, but I find that very silly. He never became rich with his business, though it did most of the time bring him enough money to live a comfortable life (though there were times during which the business was not as great and he lived a less middle class life), because he despised commerce and did it enough in order to do arts in his own terms and survive. This whole criticism feels so much like that meme "you criticize society yet you live in society, curious, I'm very smart".

I would much rather criticize him for his racist attitudes. Even though he was anti-colonialist and opposed the British Empire and he didn't believe in inherent biological racial qualities, he did accept the premise that there were distinctions between races, he just thought those were caused by the living conditions of different peoples both environmental and the material conditions forced upon them. It's still racist. He was also clearly ignorant about many different cultures, especially non-white ones, and did sometimes engage in cultural supremacy. He also was part of feminist causes, but he very much did uphold very binary gender roles evident in the way he wrote about men and women, even as in some ways he tried to oppose them.

Edit: I took this comment in a way it wasn't intended, understanding now better the point, I can agree that it would have been better if I had brought up some of those valid criticisms too in the original post. For context, here's the additional exchange we had!

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no egency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

[l3tm31nn0w]

Mr. Reed (Heretic) NSFW Alphabet

He has a chokehold on me y’all 😭

A = Aftercare (what they’re like after sex)

Mr. Reed is quite doting afterwards. He makes sure you get cleaned off and offers you a drink and a snack. His age shows here and sometimes you have to shoo off his insistence to give you another blanket, you’d rather have him come warm you thank you very much!

B = Body part (their favorite body part of theirs and also their partner’s)

It’s absolutely cliche, but his favorite part of his is his mind. He loves to manipulate and titillate you using only his words. If he can’t choose his mind he’d say his mouth. He knows you’re always won over by his smile and he can also use it to pleasure you until you’re screaming.

His favorite body part of yours is your tits. He loves burying his face in them while you ride him.

C = Cum (anything to do with cum, basically)

He loves coming inside you, but only if you’re on some sort of contraceptive. He does not have a breeding kink, it’s more about defiling you. If he’s not coming inside you, he likes coming on you or on one of his religious artifacts.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

His ultimate fantasy is to take you to a church service with a remote vibrator inside you.

E = Experience (how experienced are they? do they know what they’re doing?)

He’s been around the block a time or two and is very experienced, but is always willing to learn something new from you if you bring up a new position or kink. He’s constantly bragging about how he’ll fuck you better than the “silly little boys” closer to your age.

F = Favorite position (this goes without saying)

Cowgirl. Grandpa gets tired ok! He also loves having you looming over him, but knowing he’s still the one in control.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Depends on the session. He’s absolutely capable of being the goofiest man on earth, cracking jokes while he’s eating you out, sometimes saying something so corny and ridiculous you have to pause to get your giggle fit out. Other times he is deadly serious, either in a romantic sense or in a way that demands reverence.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He has a brown happy trail speckled with silver that leads to a well groomed patch of hair.

I = Intimacy (how are they during the moment? the romantic aspect)

Mr. Reed can be painfully romantic when he wants to be. Caressing you, telling you how much he loves you. With just a look he can give you butterflies.

J = Jack off (masturbation headcanon)

He’s a pervert and lived a very solitary lifestyle before you came around so he’s no stranger to jacking off. Now that you’re around he loves to plant himself in an unexpected spot and have you find him pleasuring himself.

K = Kink (one or more of their kinks)

Oh buckle up he has no shortage!

*wax play

He loves using his holy candles to drip hot wax all over your naked body.

*orgasm control and overstimulation

Mr. Reed loves combining edging and overstimulation, he views it as a way for you to prove your devotion to him

*degradation

He relishes in telling you what a nasty little slut you are, but always emphasizes you’re HIS nasty little slut. How romantic. If you come from a religious background he will work that into his scathing remarks.

*hierophilia

While he may not be religious he gets deeply turned on being surrounded by all his holy items and books.

L = Location (favorite places to do the do)

His “church” office in his house. He gets incredibly turned on by defiling you in front of all those religious items. You’re like a sacrifice on his altar over and over and over again.

M = Motivation (what turns them on, gets them going)

Control of course! Having you blissfully wrapped around his finger is his biggest motivator.

N = No (something they wouldn’t do, turn offs)

He’s very grossed out by the concept of breeding kinks, he thinks they’re disrespectful to woman and that you’re more than your uterus. It’s also the ultimate fuck you to biblical culture to fuck for fun and not to make a family.

O = Oral (preference in giving or receiving, skill, etc.)

He prefers to give, it’s one of the easiest ways to control you and put you at his mercy. He’s incredible with his mouth, usually painfully slow and teasing. He usually won’t shut up when he’s going down on you: making jokes, degrading you, or telling you what a good girl you are (it just depends on his mood)

P = Pace (are they fast and rough? slow and sensual? etc.)

Grandpa HAS to be slow, but god does he make it worth your while. He will spend hours edging you going between eating you out and fucking you until you’re in a daze. It makes you his perfect little compliant puppet by the end of the night.

Q = Quickie (their opinions on quickies, how often, etc.)

He doesn’t really do quickies, but his one exception is having you suck him off if you offer.

R = Risk (are they game to experiment? do they take risks? etc.)

Mr. Reed is game to experiment in anyway you’d like. He doesn’t really want to inflict actual physical pain on you though. He prefers psychological torture.

S = Stamina (how many rounds can they go for? how long do they last?)

Again, GRANDPA. He’s over 60 so you better make that one round count! Trust that he always does though. He focuses in on making you feel good for a long time, dragging out the process. It also makes you easier to control the longer he drags it out.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

He loves using toys on you. Overstimulating you and turning you into a blubbering mess is one of his favorite things to do and vibrators make that sooo much easier. He also loves fucking you with a dildo and degrading you while he does so.

U = Unfair (how much they like to tease)

Mr. Reed is DEEPLY unfair. He will tease you until you’re in tears begging for release. Sometimes he’ll drag it out for hours, always with you fully naked and him fully clothed. To him this a way to worship his one true religion.

V = Volume (how loud they are, what sounds they make, etc.)

He’s a TALKER. He’ll make jokes, degrade you, or praise you. He knows you’re able to get off on his voice alone and takes full advantage of this. He’s not afraid to moan and every time he does you relish in him letting go, even just a little bit.

W = Wild card (a random headcanon for the character)

Has a big thing for lingerie. He’s constantly buying you new outfits and having you put on little shows for him. Sometimes he’ll want to role play with you as a stripper and him your customer.

X = X-ray (let’s see what’s going on under those clothes)

Average size, circumcised.

Y = Yearning (how high is their sex drive?)

Not the highest simply because of his age, but he’s always down to pleasure (or torture) you. When he wants you he will have you though, he’s not forceful or anything but he becomes annoyingly clingy.

Z = Zzz (how quickly they fall asleep afterwards)

He will always tend to you first, making sure you’re ok (see aftercare). You’re usually asleep before him and he loves holding you close as you drift off. Beware though: once he does fall asleep this fucker SNORES.

[myriadparacosm]

Sitcom AU - 1. The one with the bride

wolfstar; jegulus; dorlene; panryly; rosekiller

"What I mean is that it's not right."

"Isn't that kind of homophobic?"

Marlene scowls at Pandora, who quickly pinches her lips together with a coy look, making Remus chuckles in his cup of tea.

"No, no, hear her out," Sirius cuts.

"Two male penguins?!"

"Still can't believe you didn't hear about that before," Peter mentions, stirring his new cup of coffee.

"They got an egg too?! When they have been trying to steal one but they get a reward instead?!"

"That was one solution to stop that behaviour," Remus sagely comments.

"If I did that, I wouldn't be given a child!"

"You don't want one, Marl'."

"Thank God for that too— ouch! Fuck! I'm on your side!"

"Just accept that penguins have more rizz than you," Mary says before ducking at the pillow. "Hey!"

The waitress clears her throat from behind the couch and Marlene smiles toothily at her to lose it as quickly when facing them again.

"As if you have any."

"Shouldn't we be happy that gay penguins are accepted and loved? Especially if they raised a little baby!"

"I believe, their chick was also a lesbian," Remus comments

"Their child too?!" Marlene exclaims in shock. "What is going on in this world?!"

"I could present you someone if you are that desperate," Pandora gently offers. "I have this co-"

"I don't need help!"

Sirius grimaces with a nod. "You do."

"Like you are any better, slag."

"I'm on your side!" He argues with a waving hand that she slaps away. "Cunt!"

"On her side against— queer penguins?" Peter wonders.

"I just can't bloody believe it."

"Sometimes, I wish I was a penguin," Remus mutters and pauses at all the eyes jumping on him. "Erm."

"And you call me desperate."

"You literally have a feud with penguins now?" Mary points out.

Sirius laughs before looking up just in time for James to walk in Hogwarts. Marlene sighs, not bothering to glance since these two always predict whenever their other half is around.

"Hi James!" Pandora greets.

"Hey," he grins even if it's a tad sadder than usual while he puts his wet umbrella against the rack already full. "Whatcha talking about?" He asks, sitting down next to Sirius who scooted over and immediately puts his arm on his shoulders.

"Marlene discovered animals can be queer," Peter explains. "And wants to fight a couple of penguins."

James laughs, turning to her. "But that's so cute!"

She scowls at him. "They have it so easy while we have to bloody pay taxes and they got a marriage and child for free, how is that right?!"

Mary leans toward James. "She got a bad date last night and-" she shrieks at the kick in her back, getting her face smashed in the couch's bottom. Marlene cackles evily just as Mary rounds on her. "You better not have used your shoes on my new shirt!"

The waitress pays them no mind, used to their antics, as she nods at James' order before walking behind the counter.

"Knee."

"You're such a cunt. Don't come whine to me about pain from your trainings because I'm never massaging you again."

"You alright, Prongs?" Peter asks. "Where is Lily?"

He shrugs. "I'm alright. She had work to do so," he says and smiles at Sirius who squeezes him with his arm. "I'm really fine. Just a bit bummed out."

Remus offers a supportive smile, leaning out of his armchair to pat his knee. "You're still friends."

James sighs and takes the cuppa from the waitress' hands with a polite smile. "I know… It's just that I kind of hoped her- us, to be it."

"It's her loss, mate," Sirius says with a startle at Remus' slap on his arm. "What?! It's the truth!"

"Lily is our friend too," he retorts with a pointed look but Sirius only rolls his eyes.

"At least it ended well."

"It might be awkward for some time but everything will be fine," Pandora promises. "You just can't picture her naked anymore."

James blushes. "I wasn't going to! And I know that, I'm just disappointed that it ended up— like that."

"You two dated quite quickly," Mary points out. "It's not that uncommon to realise that despite your attraction, you were both better off as friends."

"And that she is a lesbian."

James scowls at Marlene. "First off, she was almost never attracted to anyone before. Second, she is attracted to me. Third, she is trying to figure it out so don't push her around, Marl'."

Pandora nods. "Yes, I want Lily to stay our friend too. She is lovely."

"Why do you assume I'm going to bully her? I'm just sharing facts!"

"Because you are one," Mary sniffs and flips her off when she sticks her tongue out.

James watches them with an amused grin and meets Sirius' eyes with his own unsure gaze. "She would like that too but she is worried. I told her that it doesn't change anything but…"

Sirius pats his cheek before petting his hair. "Don't worry. I'm sure it will be fine."

"She might only need some time," Remus agrees.

"Breakups, as nice as it went for you two, is still hard," Mary adds with a sorry look. "You were both— intense."

Peter shares the sentiment with a nod as they watch James drinks his cuppa and Sirius brushes his wet hair to cheer him up. He smiles at them, lips wordless for several tries before rolling his shoulders.

"I still love Lily, maybe not as much as a lover like I wanted but at least we are. She offered me a chance to try and… If I'm honest, I felt it for a while."

"Oh, Prongs."

"No, it's fine," he promises with a quick comforting smile at Sirius. "I was happy. Think she was too but you know, no sparks or anything. Comfy but more like friends with benefits rather than lovers."

"Shouldn't it be like that?" Marlene wonders, putting down her cup on the coffee table. "Maybe you only got through the honeymoon part."

"We can't really judge on that," Peter slowly says. "No one has been in a serious relationship more than you. Even Re-"

"Let's not talk about him," Remus interrupts.

Sirius glances at him before settling back on James. "I'm sure there is someone out there that will give you all the sparks you want."

James sighs. "It's stupid but I had everything planned. Now I have to plan another wedding, with someone else, in God knows when but I want to find my soulmate-"

"Lobster-"

"To build our lives together and get married," he finishes with a fond but torn expression.

The doors of Hogwarts slam open and the rain furiously takes advantage of that small gap before it closes after a figure stumbles through on heels. The cafe falls silent, everyone doing a double-take at the long white wedding dress, beautiful despite its soggy state.

"And I want a pony!" Pandora blurts out with eager eyes at the apparition.

The disheveled black hair clashes with the long veil scrunched up in it while the bride frantically looks around with wide bloodshot eyes, which almost pops out of her skull when landing on a gaping Sirius.

"Oh my God," he gasps out, hand frozen in a tangle of James' hair as he straightens up in his seat.

With blank and tears brewing eyes, the bride stumbles to the couch, completely missing the step of the entry but she saves herself with a thunderous look and nails digging into the couch.

"Sirius! Oh my God, there you are," she gasps out.

"Holy crap," Marlene blurts out.

Sirius stares at the bride before jumping out of his seat. "What are you doing here?!"

The bride scowls, angrily pulling at her skirt before throwing it to point out the obvious. "I went by your apartment but then I only found your landlord who told me you might be here-- which you are and I finally found you..," her voice cracks the more it goes as her already ashen face blanches.

Sirius is quite close to follow her by the weak step he takes but stops himself. James is as flabbergasted as him but by his frown he mights have recognized her. Remus glances between them before almost inching over the edge, ready to stand up.

"Pads?"

"Hum, would you like a cuppa?" The waitress asks with a worried frown.

The bride almost glares at her, ramming her dress in one hand, before turning back to Sirius.

"I need your help-"

"How the hell are you even here?! Found me?"

"Sirius can't actually be secretly married, is he?" Peter whispers but Remus is at lost of words.

"I know all your whereabouts."

"Can someone explain to me what's happening?!" Mary exclaims with a barely hushed tone, leaning against Pandora's shoulders to stare at them closer.

Sirius jerks, glancing frantically at them until he lands back on the bride who started to breath heavily.

"Oh my God, breathe!" James says, standing up with a gesture at the couch. "Sit down, catch your breathe."

She ignores him. "I need your help, Sirius-"

"Did you just run out of a wedding?!" He exclaims.

"Yes, mine! You— ne fais pas l'idiot !" She argues with big gasps of air, chest bobbing not by much despite the speed under her corset. "I ran off because I couldn't do it, not anymore. I… I just can't. I had to crawl through a window but I had no idea where to go except to you," she gasps out with a fever splattered on her cheeks, "I think I broke my ankle because of these stupid heels."

Sirius takes a deep breath, leaning onto the couch to look at her legs, before looking up. "What's your shoe size? 13, right?"

"What? No, I'm not a child anymore, Sirius! 5," She says, exasperated.

Every patron are still watching when Sirius jumps over the coffee table to get to Mary. She can barely make a noise before her shoes are grabbed and she shrieks when Sirius only tugs harder.

"Sirius! Stop!" She shrieks, clawing at the rug when she is dragged, before throwing a disbelieving look at them. "Wha- can anyone help me?!" She gasps when one of her shoes finally gives up and Sirius almost falls on Pandora before he does the same for the second shoe.

No one moves and even the bride seems stunned by Sirius, who walks up to him to hand him over Mary's shoes. James gapes at them.

"Padfoot?"

"My shoes?!"

"Free heels."

Sirius throws blindly the pair of sparkly heels on the couch, helping the bride stay upright as she tries to put Mary's shoes on with one hand while the other shakily holds on the dress. Mary, baffled, glances at the heels before taking them with a shrug.

"Sirius?" Remus cautiously calls.

"Don't come in the apartment for like, an hour at least!" He calls as he leads the bride outside, helping her as keeps tripping despite the new shoes.

They watch them through the windows, along with everyone else, while Sirius hastily tries to untangle the veil from her long black hair before throwing it out on the street as they disappear around the corner. Pandora turns to gape at them in excitement.

"What just happened?!"

Remus slightly shakes his head and turns to James. "Prongs?"

He jerks to face them, still standing in front of the couch, and his mouth finally shuts with a loud noise. "Huh?"

"Have an idea who that was?"

"She looked a lot like Sirius," Peter comments.

James nods, clearly in his thoughts, before sitting down with a last look at the windows. "It's Regulus."

"Who?"

"Sirius' brother."

"Sirius has a brother?" Peter asks in disbelief. "Since when?!"

Mary frowns. "Hum, then explain why his brother was wearing heels and wearing a wedding dress? Stealing my shoes?"

"You are wearing the heels," Pandora points out.

"Because he stole them and they are clearly expensive— even if they don't fit with my current jeans."

"He is trans," Remus says. "That's the brother who didn't want to run away with him when they were younger?"

James nods, glancing at the windows again. "Regulus."

"You knew?! How come didn't I know?" Peter asks.

"Wait, is he a trans man or a trans woman because I'm lost," Pandora interjects.

"Trans man," James explains. "He— well, their parents aren't quite accepting that part but he still stayed with them. That's why he looks so… not."

"God, was that a forced marriage and forcing him to stay a woman?" Mary asks in horror. "Wait, is it Regulus as a man or? Strange name."

"That's the name he picked for himself."

"You knew him from your private fancy school?" Peter wonders and looks at Remus. "But you weren't there, so how did you know?"

"Erm, Sirius might have mentioned it to me," he admits. "Barely…"

"Oh my God, their parents must be going crazy. They are just insane-"

"Holy crap, Sirius with tits is hot." James stares in disbelief at Marlene, finally coming back to earth by the looks of it with a slight scoff. "What?! I never thought that would happen! And they look terrifyingly similar!"

"I thought his family was in France," Remus mentions, confused. "How did Regulus find Sirius like that?"

"Should we go check on them maybe?" Pandora asks, straightening up on her knees. "He said to not come to the apartment but maybe we can bring some warm food and drinks for them. Make Regulus feel welcome."

James gasps. "Do you think he is going to stay?"

Marlene frowns at him. "Wait… Didn't you have this huge crush on Regulus?! I remember something about Sirius' sibling!"

Mary cackles at James' vivid blush. He makes a rude gesture at her while Pandora smiles fondly at him, joining him on the couch to rub his shoulder. Remus smiles with a sorry on his lips, remembering James' infatuation on his best friend's brother back when they met during university where Sirius only showed up sometimes to visit with no mention of any sibling except for James.

[1-up-chump]

Random assortment of magneto headcanons

He's fond of sweets, but nothing overtly so sweet it feels like your mouth is rotting. His favorites are anything cream or jelly filled and/or powdered. However he's slightly embarrassed to eat them because he always ends up a mess somehow, so he stuffs his face with them in secret.

As a child he always wanted a pet rabbit, as an adult he secretly still wants one if life will ever allow him some peace and time to take care of it.

Hates needles, they give him too many bad memories and he needs to have someone to hold his hand and calm him down if he absolutely needs an injection. Otherwise he'll panic out of instinct.

Prefers early spring or early autumn, likes the transition of seasons more than anything else. He likes the symbolism in it.

Often has nightmares and trouble sleeping, will have a strategy to take discreet cat naps where no one is looking to compensate the lack of sleep. It's impossible to sneak up on magneto when he's sleeping (unless he's in a deep sleep or knocked tf out)

Whether mutant or human, he cannot say no to a small child being polite while begging him for something, especially if they give him a cute little expression. Not immune to cutness. He absolutely cannot refuse them if they ask for a hug

Speaking of hugs, magneto has the warmest most protective hugs. You'll always feel secure and protected. He's really just a big teddy bear but will never admit it or see it himself personally.

Is ticklish, but good luck trying to get him. He flails and growls threats but if you find his weak spots (underarms, hips, lower back, belly, back of knee, under chin) he's as helpless as a kitten. Loses control of his abilities so anything metal around him is going to levitate and curl slightly.

Is a happy and friendly drunk, jumps at any chance to show off his theatrical nonsense. Often has giggle fits. He gets sleepy very easily while drunk. Very clingy very touchy feelie, good luck getting a drunk magneto off of you.

It's hard for him to relax due to his trauma. Whenever he does manage to let his guard down he gets struck with sudden anxiety and his walls are back up. He secretly desires Xavier to dive into his mind and make his mind shut up, force him to relax, cover up these anxieties and traumas so he can have some peace. But charles would never do it unless erik verbally asks him to, but Erik's pride would never allow it. So he suffers in silence, and rejects Xavier's other attempts to calm him.

The sight of any child near a window high up or a ledge gives him terrible anxiety. He'll do anything to get the child away from potentially falling even if its not that dangerous a height. Even if it makes him seem mean or scary. He has his reasons why.

He stims with metallic balls or cubes, it helps him focus but he's been recently told he looks like a dramatic jackass when he does it. He does not care.

There are only two beings that truly intimidate him but comand his respect, storm and thor. Because lets just say he's had a taste of both their lightning and would rather stay on their good side.

Around the holidays he makes an attempt to reach out to his children wanda and Pietro. To varying degrees of success but he tries.

Thinks spider-man is annoying as hell. Thinks venom does a better job but is unnerved and disgusted by him so he rather wants to keep his distance.

Thinks dates and other romantic outtings should always be around nighttime because it's more romantic.

Sometimes has intrusive thoughts of eating certain metals because they look aesthetically pleasing enough to eat. Not iron deficient but due to his mutation he just craves iron.

Being around too much electronics gives him a headache. And in turn he can cause them to not work because he's subconsciously trying to get rid of them with his magnetism.

[dovalore]

parkour civilization but i slowly turn everyone into some sort of creature

design notes under cut

billiam

apparently he's supposed to be a turtle, but who better to guard treasures than a dragon? he's a dragon now and his name is billiam (granted, he did get bribed into opening the vault but who said that dragons can't get a little greedy sometimes huh)

on that note, did you know that 'bill' is short for 'william'?

when i first saw him i remember thinking that he was some sort of slime because the only thing on the front of his face are his nostrils and i mistook those for eyes, so he's got a big beak

there are some turtle elements to him, like big webbed hands and his aforementioned beak. his tail was inspired by a snapping turtle's. proportionally, it's shorter than a snapping turtle's because a short chunky tail is cute

distinguished gentleman who's a little bit whimsical

the rings on his fingers are there for visual interest and i think a fancy guy like billiam would want to accessorise a little, as a treat

name is currency related because banker, initially i thought about ingot and coin, but billiam won out in the end because it's silly

changed his suit from black to green because black suits bore me and i'm starting to think that i might have some kinda beef with them

actually being the fancy man he is, maybe he could have multiple of this exact same suit in different colours, ties too

bys

same species as emf and ley

name comes from abyss

i went into this design knowing that i'd absolutely have his eyes covered by something, but i had nothing else to really take inspiration from visually, so i thought about water buckets

what do water buckets in minecraft make? waterfalls

what do waterfalls do? they cascade

you know what else can be described as cascading? really long hair

boom, there's an idea

his hair ended up becoming silky smooth because i wanted to have a little nod towards my through process by adding a water-like shine to it

he ends up becoming kind of intimidating during his battle with evbo, so now he gets to reflect that outwardly

personality wise he's chill

he only wears pants because the rest of him is covered in dense fur and he doesn't really need it

bys refuses to get a haircut so it ends up covering his face all the time unless you look at him mid parkour

other name ideas i tossed about were 'cascade' (from above reasons) and 'nor' (from honor, specifically because he was honest about what he was doing right at the end)

cascade wasn't chosen since it's not 3 letters, nor was kinda... eh

bys from abyss works out since the abyss is dark and you'd usually hear the word in context of the ocean, which is water, he's the water bucket guy

[viaviavie]

a painted white rose, still so red | extra blurbs for future exploration (?)

warning: book 7 spoilers under the cut, injuries, attempted murder(?), angst galore

I'll get the fluffier stuff out of the way before the angst hits you under the cut. SOOOOO, Ace definitely kissed you once last minute before the ending of a time loop. There were definitely some loops where Ace figures out his dreaming ability a lot faster, and handles the grief a lot better. In those loops, he's definitely found assurances in knowing that he'll probably see you again in the next loop. He has left a kiss once before the events of Book 7, and the moment he saw that his feelings were reciprocated, he cannot help but feel sad that he's going to forget about this experience.

Ace did get a few nicer daydreams of you. Preferably, he prefers the dreams where it's you and him going on dates, holding hands, or the ones where he manages to protect you. In some timelines, he reacts very badly to them and avoids you for days because he can't get those intimate images out of his head. In other loops, he's quickly makes peace with it and appreciates those images for what they were.

The other First Years get so spooked when Ace starts saying random stuff about you that a normal friend couldn't possibly know. Ace, how the hell did you know that the Prefect doesn't like sleeping near the window because it's dusty? You've never even been Ramshackle before! Grim claims that Ace is a major stalker for knowing your favorite snack, your hobbies, or those little quirks of yours that he seemed to grown accustomed to long before he met you.

Discarded concept: I considered a concept where Yuu's injuries are visible based on how they died in previous time loops. Rather than just having dreams, only Ace sees a new injury. Sometimes they are well hidden, like the briar thorns that had wrapped around your limbs or the snake bites that were easily covered up in bandages or sleeves. Sometimes, they are not so easily hidden, much like that mark on your face caused by Riddle's hand or the way your neck is covered in dry scales due to Leona's magic. You never really catch on that Ace could see them, he never says anything about it, even when you show up one day with burn marks after a bad dream regarding Book 7.

Ace dreams very frequently about Book 7. Based on deduction and observation of his dreams, Ace deduces that your chances of surviving the first six overblots are likely. However, Malleus keeps showing up in his dreams and each time he does, Ace's hope dies a bit more. The prefect is always falling asleep in those bad endings, and it gets to a point where Ace is often on edge whenever Malleus is around. The fact that Ace cannot even see beyond Malleus' overblot, which makes him want to try everything to get you as far away from Malleus as possible. It doesn't work, and it changes nothing, much to his despair.

On a darker note, Ace has considered killing the prefect out of mercy. It has been attempted in one or two time loops, but it never really happens. Ace never dreams about snuffing out the prefect's life himself, and it just shows how much he dreads losing them. I imagine it's an angsty scene where he's about to throw hands when the prefect insists on going to Lilia's farewell party, but he falters. He scolds and gets angry at the prefect for caring so much, and it kills him when you still insist to go when you have failed enough times.

Ratio-wise, the prefect in this fic had to restart at least 100 times. 45% of those deaths were due to the other six overblots, while the rest were simply because you couldn't wake up from Malleus' unique magic.

My biggest angst hitter; We are hit with that little twist that the Prefect was aware that Ace could foresee the bad endings. The Prefect did try to confront Ace about it in previous timelines, but all it did was fuel his paranoia and protectiveness to the point that he died himself in front of them. Ace never gets dreams where he dies, only the loops where the Prefect does. You never mention a word about his abilities after that incident.

Which poses the question; if Ace can only foresee the bad ends where the Prefect dies, were there any other bad ends where the Prefect had to see him, or their friends die? (possible sequel fic :0)

Ugh but the concept is so sad, even worse than this one. The Prefect probably had to force bad endings to occur if any of their friends perished first, just so that they can do things 'correctly'. Poor prefect, they must be so tired.

Overall, I found that Ace's dreams are more of a living hell for him. It's rather ironic that for all that he dreamt, he gets put to sleep by Malleus and dreams again. I do wanna explore what this implies for Ace's personal dreams while under Malleus' spell.