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vatelixx · 3 months ago

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The enormity of my desire (disgusts me),

Very very early seasons (1 — start of 2) Spencer Reid x afab!BAU!reader

SMUT!! (and fluff, some angst in relation to Spencer’s past because it can never be too happy, we’re not allowed nice things here). first times & explorations of intimacy.

──── autistic spencer (it’s a central theme to the plot), reader is actually morally good (for once).

Warnings: sub spencer (what did u even expect?), heavy corruption kink, first time for Spencer (all i do is sit around and think about how i’d like to devirgin that genius), HEAAVY praise kink, very very inexperienced Spencer, slight? oral fixation, they’re both just rlly down bad (i told u i would write something light, i delivered), Reader is whipped, Spencer is sooo much worse. Biblical references, Religious imagery, i think i talk about math equations???? And random metaphors/complexes.

w.c: 4k

a/n: i rlly wanted to explore aspects of spencer that criminal minds swept under the rug (cough cough his undiagnosed autism, cough cough his social exclusion, cough cough his crippling fear of forever being alone). Next upload will prob be heavy angst/no smut post-prison spencer (god help me please, i must be a masochist for the way i make myself suffer)

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There’s a lot Spencer hasn’t done.

He knows he’s behind, that he never quite caught up when it came to the taboo of sex and intimacy. Everything, everything, he’s ever had has been centred around exclusion, alienation, he feels like he’s lived on pause. Frozen, never advancing, stuck on ‘go’. Touch isn’t easy for him, interpersonal relationships are worse. He’s different, god he’s heard that his entire life. ‘You’re not weird, you’re just… different’, but maybe he is weird. Maybe his whole existence is just one big cosmic fuck you, because he’s missed out on so much, so much that he can’t understand, comprehend, act out against. Falling behind; this is the only area of life where he continuously comes up short, inexperienced, naive, he’s not used to being incompetent.

He’s never experienced want the way others do. He could never just hook up, fall into the body of another, expose them to the vulnerable elements of his stature. Open himself up to scrutiny. He might be a genius, he might be intellectually advanced, accepted into a multitude of ivy leagues before he was old enough to vote, but there’s drawbacks to his success. Social awkwardness, an inability to blend, mould, be one of the crowd. Sometimes he wishes he was average, something grey and mundane, so far reduced from the person he is now— it would all be plainly simple.

But he’s not, he’s not. So, this is the weight he has to bare for the brain he never asked for.

Pyrrhic victory, he’ll always be renowned for his intelligence. ‘You’re going to change the world kid,’ maybe, but simultaneously, he’ll never get to experience said world. There’s a chance he’ll always be on the outside, watching normal people gravitate towards each other. Live dreary lives of domesticated simplicity. Stacked bills, arguments over money and parenting techniques. Going to bed angry, only to turn around, mid-night, and resolve it, to not sleep on bad blood. To take them off the couch, to settle into predestined sides of the mattress.

There’s not enough possessions in the world he’d sacrifice just to experience love.

Hedgehog dilemma, the challenges of human intimacy. The hedgehogs want to move closer, to preserve heat during cold. But, they are forced, biologically cursed to remain apart, in order to prevent themselves from harming each other. Spencer doesn’t want to be hurt, to hurt, it’s a morbid byproduct of his upbringing; all he ever endured was mockery.

He thought he’d never get to experience the physical, carnal aspects of existence. And sure, he made peace with the notion, accepted the consequences of being born atypical. Learnt to live without.

But then, oh then there was you. Pretty, intellectual you who quite literally tipped his world on it’s axis. Upheaved the most stable of routines. New to the BAU, he wanted you to last. To stay around, endure the worst of the job. If only for his selfish benefit of orbiting in your presence.

He remembers how it all started: Detroit, another case, more budget cuts, forced proximity that sent you spiralling into a shared bed for the night.

“You’re my favourite person in the team.” you admitted, “And I know that’s dumb, because we’ve spoken the least, but… you’re just, so you. That’s a good thing by the way, a really really good thing.”

He couldn’t quite believe you were talking about him. Spencer, who spilt coffee, and slipped into ceaseless tangents about obscure information. Spencer, who walked into walls when you were around, stumbling over his sentences before deftly, very astutely, giving up, walking away mid-conversation. He wore sweater-vests and colourful mismatched socks, it’s not like he was going to be crowned ‘white boy of the month’.

“Not dumb.” Spencer had responded, shifting closer to tangle further into the warm mess of this accidental situation. “That’s good. I like being me.” he mumbled. “Sometimes…. sometimes it sucks. But that’s okay. I think it’s okay?”

He moved to press his face into the crook of your neck, but you were faster, gathering him by tousled hair, forcing him to look you in the eye.

Oh.

“Please. Please.” he whispered, breaking apart, fracturing, “Please like me. And more than in a weird, ‘just friends or coworkers’ way.”

You did. You do. He should’ve kissed you then, but maybe he was scared, maybe he couldn’t quite discern his feelings, separate the logic from the emotional. So he waited, waited, waited until now. Your third date, you take him to an exhibition within a science centre: replica models of the solar system, filling rooms up, papier-mâché sculptures illuminated by light.

Best date ever. You listen, even when he’s rambling about planets, when he’s pointing out that yes, Jupiter’s density is less than water. That, technically, it would float in a bathtub, if one was built to accommodate its size. You don’t care that he’s not exactly the staple-piece for conventionally attractive males. That he’s nerdish, and awkward, and so so inexperienced when it comes to this.

In his apartment, later, much later, he looks at you, looks at you like you’re the one who just solved the fucking Riemann hypothesis.

“What do you want the most? Like,… if you could ask for one thing.” you say, and god, Spencer loves when you pose these deep, hypothetical questions. When you make him think, because you, you are the biggest challenge to his intellect yet.

You. He wants to say. But he settles for ‘Being remembered,’ instead. He works to untangle layers of fabric, your scarf, your jacket, letting out an exasperated laugh when he meets your amused gaze. “Right now though? I think I’d settle for kissing you.”

You cup his jaw, tracing your fingers along the sharp curve, and god he has perfect anatomy. “Settle huh? You should be more appreciative.”

He leans forward to press a chaste kiss against your lips. Drawing away for a moment, just to return because he’s never had this before. Because for the first time in his life, he gets it. He gets physical attraction, even if it took time. He’s kissed, been kissed, yes. But he could count those moments on one hand, and if you asked how many he truly enjoyed, he’d be left with no fingers raised.

“Believe me, i’m very appreciative…”

This isn’t like before, what he felt in the past; he expected something monotone, flighty, a brief fleeting moment of satisfaction. Means to an end. No, it’s actually the best thing he’s ever experienced, and he’s going to become so insufferable after this, because he’s just found out he is very very into kissing.

Correction: he’s very into kissing you.

In the moment between parting, and touching again, he assumes you to be divinity personified. Spencer has never been religious, but something of this magnitude should be canonised. He wants to ask you. Ask you when you became this beautiful. When you became the person he needs to kiss a second time, kiss a third time, kiss until his lips go numb.

A shaky inhale, a pause. “I hope… I hope that it was okay - I mean, it was good for me. Really, really good. Um—“ to be honest, he’s just glad he didn’t say thankyou.

“Yeah, Spence. That was… wow.” you draw your bottom lip between teeth, press into tissued flesh. Jesus Christ. “Wanna try again?”

Yes yes yes yes. He looks at you, pupils blown obscenely out of proportion. Part of him wants to say, ‘why didn’t we do this sooner?’ But that’s not fair; he’s only ready now. Now that he feels, now that he might be a little in love with you.

“Please,” is his answer, and then he’s catching your face in the palms of his hand, tugging your lips back to his, because admittedly, they have ached in the long, extensive period you were apart (53 seconds).

This time it deepens and Spencer sees stars. It’s an astronomical phenomenon, something interstellar— and god, he’s relating kissing to space. They should just tape the word ‘virgin’ to his back and call it a day.

There’s soft little breathy sighs escaping his mouth now, bleeding into yours. And yeah, spontaneous combustion might be a real threat. Actually no, it would hardly be spontaneous; there’s a clear, clear cause, and it just so happens to be your ruinous lips.

This is an entirely new facet of the human experience. The kiss is electric; he’s always been partial toward physics, and right now his veins carry an alternating current.

You know, he could probably write a thesis based on this.

You both stumble back back back until he’s hitting a wall, and yes, thankyou. He’s making all sorts of sounds he can’t justify, and it’s a supernova, an infinite black pool of— oh, he thinks he might die, ascend, transcend, when you press your thumb against his chin, hold your lips at just a little slant from his. Force him to wait there.

“Please,” he’s never been above begging. A worthy sacrifice, one he’ll certainly repeat again because you return to the kiss, and the world around him dissolves.

You’ve got one hand tangled in his hair. Tousled auburn, fingers sinking into strands, pushing all the way down to the root. The other is still cupping his face, keeping him close, keeping him selfishly close actually.

“Spence,” you murmur. And yes. Yes. He likes that. The way his name sounds rolling off your tongue, like it was destined to be there. Like he was destined to be yours.

His world is ending. So is yours. Fuck it, he presses himself against your thigh, and ohmygodohmygod. He’s being loud, he’s actually being so criminally loud right now because apparently he’s the most whorish virgin to ever exist.

“I lied, I lied,” he admits between messy kisses, “When you asked what I wanted the most? It’s not to be remembered, well it is, its on the list. But—“ he groans, kisses you again because talking interrupts matters that are more important. Like your lips.

“I wanna cum.”

Eloquent.

Spencer Reid being dirty? Oh, it’s hot, it’s so hot to reduce someone to such an obscene state. To reduce him, the boyish fumbling nerd (who just so happens to be the most beautiful person in existence) to such a degrading mess.

Still, there’s shock. Not because he said it (you greatly appreciate the indecent things falling from those pretty lips right now), but because—

“You’ve never? Haven’t even experienced it once? By yourself?”

He should be embarrassed, but his lips are red, his eyes are glassy, and the bulge in his pants is straining to be touched. “Never,” he sighs shakilly. “Never, and i’m— i’m starting to understand why it’s so popular.”

He whimpers, pushes himself against your thigh, because the friction, yes. “Is that weird? Please don’t think i’m weird. Because I’m really, really weird. Just maybe… not in that way?”

It’s never been enough. His body sometimes feels numb to the touch, and yet still so very overstimulated. Like he manually blocks himself from feeling, already prepared for the flinch. How does he explain that life hasn’t been kind to him? That he hates his body because of what people made it out to be when he was a child. Stripping him naked, tying him to a goalpost, always the underdog. The one to be targeted, tormented.

“It’s actually kinda hot,” you interrupt his thoughts, and just because you’re evil, corrupt, the worst, you press your thigh harder against his clothed cock, palm covering his mouth when a plethora of whiny sounds escape his mouth.

It’s performative, really. Alone in his apartment, there’s no need for noise control. So when your thumb slips between parted, swollen lips, he knows to suck. The average human hand has between 10,000 and 10 million bacteria, and Spencer does not actually give a fuck anymore.

“To think that you’ve never even felt what it’s like. That you’re gonna feel it with me for the first time. I get to see that shit— god, you’re going to look so fucking pretty for me.”

You draw your thumb out of his mouth, and he has the audacity to whine.

He’s never wanted anything more in his entire life. It’s all tertiary now. Only this matters.

“Please don’t praise me—“ he protests, “I’ll probably finish in my pants.”

“Praise kink, noted.”

You laugh, and he can only groan, curse existence for being this cruel to his overworked, undervalued body. “Don’t— don’t laugh. You’re not supposed to laugh, that can heighten performance anxiety. Increase insecurity, and…” he sighs, “You do not care. Sadistic tendencies, noted.”

“Shut up. Wanna see you.” you say, and he’s just muttering breathless mhm’s, too delirious to function; his body is betraying the last iota of self-control like the little whore it apparently is.

His sweater comes off first, then his top. Discarded fabric, his raised arms when you mutter a candid ‘up’, giving way to exposed skin. In response? Your pupils dilate. Spencer knows because he’s analysing, profiling. If you hate him like this, he’s fairly certain he’ll drag himself into a self-dug early grave. He wishes he was being melodramatic. That your approval didn’t have such a substantial impact on his carefully-constructed ego. But, oh, it does. It does.

Thin, with a long, defined torso, he blushes, rose blemished skin, when your hands drag across his stomach. He’d love to say he reacts sanely, suavely. Urbane to your touch. But that would be a total, discreditable lie. Instead, his back arches, seeking contact, following the path of your fingertips with pitiful desperation. He feels malleable, willing to bend and contort, if only to feel more.

“How can you not think you’re pretty, Spence?” His pants are gone next, then his stained boxers, fabric borderline sheer now, soaked through with pre-cum.

Spencer feels betrayed. His body never responds, not to his own hands, not to his own thoughts. And yet, the moment you’re on him, he’s a live-wire. It’s sick, heinous, double-crossing. Maybe it’s purposeful, done just to spite him. Figures.

“Holy shit, look at you. Look at how perfect you are.” Spencer wants to object, because he distinctly told you not to praise him. However,.. right now, the lights are on but nobody is home. Brain-death, he’s certainly in a vegetative state.

“Ohmygodohmygod,” he whimpers, because no amount of knowledge about human anatomy and physiology could prepare him for how he feels under your touch. No amount of education in the psychology of relationships could inform him of how viscerally wrong the way you look at him feels.

Because it’s not wrong, not all. It’s the most right he’s ever felt, and he’ll tell you that if you’ll just keep it up.

The sounds he’s making are phonographic, lewd, you’ve given up on trying to stifle them now. Where have you been hiding? Your eyes fall, and he wants to blush away from the exhibiting gaze, but he’s just…. too far gone; the thought of your touch outweighs any previous reticence. Then, oh then, you drop to your knees, and shit. He expected your thigh, maybe your hand if he was lucky, not—

This. Your mouth, your tongue, your pretty lips; god, god, is this a sin? Because if it is, he’ll take it.

“Please,” he whines, and he can’t look anymore because the sight alone is going to send him over the edge. He’s gripping the wall, scrambling scrambling for purchase, because he’s trying not to grip you, but how exactly does he keep this respectful?

He’s pretty sure they’re past that, considering your mouth is currently wrapped around his cock, and he’s debauched.

You want this, you want him, he feels like he’s transcended humanity, like he’s become someone, anyone and anything, that deserves the way you’re taking him apart, piece by piece. In the aftermath, he hopes you don’t leave a single ounce of him intact.

“Wanna kiss you. Oh— oh oh,” he’s sobbing now, “Come back here. Miss your mouth— even if it’s,” he looks down and that’s a mistake. “Please.”

Of course it would be Spencer to disrupt the best (and admittedly only) head of his life because he needs you closer.

You oblige, raising from your knees, and Spencer thinks it might be sacrilegious. But then again, he feels religion in your touch so it can’t be too profane. Maybe? He’s not sure, he’s not sure and it doesn’t matter. Ethics and morality have long since disintegrated, sins are engrained into humankind. He almost wants to thank Eve for tearing into the apple, because it’s allowed this irreverence to occur.

Spencer blindly follows you through the apartment, stumbling and muttering until he can collapse against the bed. Baring his pretty neck as his head hits the bedframe. Tangled in sheets, draped over his lap, his deft fingers run across your waist, mapping out the structure of your frame. If only to remember, recite this act of blasphemy.

“Spence,” you whisper, and then his lips are crashing into yours, stealing breath, stealing sanity. He whimpers, murmurs a protest when you draw back, and you can only laugh. “Lets get you off, yeah? You wanna feel an orgasm, pretty boy?”

“Yes, yes please. That would uh— yes.” he’s not even sure how he’s conscious right now. His body, god his body, has endured more pleasure in the last hour than it has for the majority of his life. Your hands scathe, and Spencer is willing to indefinitely burn, if just to feel them one more time.

You only stop to take off your clothes, and surely there needs to be prep? To reaffirm, he knows anatomy, the correct procedure, how the transgression is supposed to occur. And yet, that’s from a clinical, objective mindset. Do this, do that, etc etc. Nothing works out like that in practice.

You’re so wet, panties stained through, he spares a moment to run his fingers across your thighs, hand slipping beneath fabric to graze your clit. The moan that follows has him distracted, thumb tracing circlets, over and over until you’re pulling back to return the balance. The balance, which admittedly is skewed, tipped scales, you’re on top. He falls to the weight of your influence.

And yeah, he’s more than fine with that. Jesus, you drag your panties down, down your thighs, your legs, then they’re reaching your ankles, pooling there for a moment before they’re being discarded, tossed somewhere on his floor — leaving behind a souvenir that yes, yes this happened.

“I can’t,” he says, burying his face into your shoulder when you take him. It’s slow, sinking onto his cock like every inch of warmth will destroy him. Maybe it will. Maybe he doesn’t care, because he deserves this. He deserves to feel after so much repression.

Or maybe, maybe he’s just become the biggest slut known to mankind. Likely.

Your body presses against his, and he thinks he’s going to disintegrate, because he feels so good. He understands now, he understands why people do this. Why it’s integral to the function of most. This is the best day of his life. This. Is. The. Best. Day. Of. His. Life.

There’s this noise, this pathetically loud whimper when you start to roll your hips— and oh your body is wet against him, and you’re so tight, and it’s perfect because he doesn’t have to do anything.

He can just sit here, look pretty, and cry.

He knows he’s a giver, that he’d bleed himself dry for you. It’s a curse, he supposes: so willing to bend backwards for the satisfaction of the people he trusts. But, this is foreign, and he wants to watch you, aimlessly stare, dumb and empty-headed as you wield his body like a weapon. Turn him into something perniciously yours.

Spencer has no reference for what an orgasm is supposed to feel like, and yeah, he’s really good at guessing in these type of situations. Because he’s rolling his thumb over your clit again, and he wants to draw it into his mouth, to see you laid out across bedsheets, writhing, unable to do anything but suffocate him with your thighs.

You clench around him, back arched, releasing a series of strained moans. With one hand tangled in his dishevelled hair, the other pressed against his chest, your face contorts, your body stiffens. There’s no way his incessant whimpering just got you off?

Okay. So you like him desperate. Point taken.

“Please— please, wanna cum. Wanna feel it so bad,” he’s slurring over his words, sentences punctured by devastating whimpers. And look at him, asking for permission, waiting even though his body has been teetering on the edge for so long now.

“Shh, shh..” you press your forehead against his, and he melts. Reoccurring theme. His hand grips your jaw, thumb pushed firmly against your chin, keeping you close. “You wanna cum for me, baby? Gonna give me your first?”

“Mhm— mhm…” is all he can say. When you pick up your pace, he has to burrow his face into the crook of your neck, whimpers messy and broken off, suppressed against your warm skin.

“Oh. Oh…” he repeats, again. Like there’s anything else he could utter, because this is earth-shattering.

It’s the sun, and all eight planets combined, and the universe collapsing in on itself, and he’s bucking, squirming, releasing into you, spilling deep.

He sobs. Breaks down. Because it’s so so good, and he can’t believe he ever deprived his body of this.

Neediest whore to ever exist, apparently.

It takes him a while to come back. Longer to regain motor function, to sink into present day. Life, and expectations, and everything, everything, your touch eradicated.

“Just… just stay like this?” he asks, collapsing against your body after he’s drawn out of you. There’s mess, evidence of your ministrations, but cleanliness seems futile when he’s blissed out, caught in a post-orgasmic haze that yes yes yes he needed so badly.

You card your hands through his hair, watch the way he stares up at you, large, widened eyes, chin resting against your chest. “Hi,” he mutters dumbly.

“Spence,” Spence, Spence, Spence. He could drown himself in that nickname.

“Yeah?” he breathes out.

“You we’re so good—“

He rolls away from you, finding a home for his face in the pillow. “Stop. Stop.” he groans, “Don’t do that. You’re going to destroy me. I’m not… equipped for this, for you. Someone should just sedate me, put me out of my misery, a coma sounds like—“

He tilts his head to the side, relinquishing, “Okay. Sorry. Meltdown over. Can we shower? Then maybe do this again? Which will make the shower inconsequential, I suppose. There’s a new documentary I want to watch, and oh, you still haven’t seen the third Star Wars—“

He’s happy, content, over the fucking moon, to be silenced with your lips. “Yeah,” he murmurs, hand interlocking with yours as you both fall back against the mattress, “Let’s do this again.”

#criminal minds #spencer reid smut #sub spencer reid #spencer reid x reader #spencer reid x you #spencer reid fluff #spencer reid angst #spencer reid #giving him the happiness he deserved #he is my roman empire #his excess trauma is also #my #roman empire #thank u and good night america #i’m not even american

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deadsetobsessions · 10 months ago

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Sea Cryptic! Danny AU- Pt. 7

[Pt.1] [Pt.2] [Pt.3] [Pt.4] [Pt.5] [Pt.6] [Pt.8] [Pt.9] [Pt.10]

“I’m having a child.”

Danny stared at Batman.

“…Uh, congrats?”

Batman whips out a stack of paper and a pen. “It’s you. Sign here and initial the highlighted spots.”

Danny instinctively, from years of dealing with Vlad, whacked the stack right out of Batman’s hands and into the bay. He doesn’t even feel bad about littering this time because, “Begone, fruitloop!”

Wait, no, that’s not what he meant.

“I mean- I have parents!”

“Not for long.” Batman muttered and then did a double take. “You have parents? How?”

Danny gasped, placing a hand on his chest to clutch his metaphorical pearls. He ignored Batman’s mutters. Everyone knows the vigilante has an adoption problem. At least, everyone who lived in Gotham did, as everyone who didn’t was somehow convinced that he “worked alone” or some bullshit like that. “Are you naturally this insensitive or were you dropped on your head as a baby? Obviously I had to come from somewhere.”

“They’re still… alive?”

“And kicking,” Danny said, inching away from yet another rich weird guy trying to adopt him. “Mostly the kicking part, though.” He said, remembering the sparring sessions. His mom could kick his as six ways to Sunday with nothing but jiu-jitsu and still have time to work in the lab.

“I see.”

“I’m charging you extra for the emotional upheaval. I have trauma regarding rich people trying to adopt me.”

Batman sullenly handed over a thousand.

“Sweet. There’s a group of shades down here asking if you could find their murderer. Apparently the serial killer is still at large.” Danny pointed.

“Of course. Tell me everything.”

The adoption papers disappeared as Batman went into detective mode.

Danny shoved the cash into his glowing chest and breathed a sigh of relief. He needed to make rent this month so it was a windfall running into Batman.

——

“Hey, Tim?”

Tim woke up from his Power Nap. “Huh?”

“Phantom’s complaining that Batman kept trying to adopt him.”

Tim blinked. “Uh.. what does that have to do with me?”

Danny stared at him, a patiently amused smile on his face. “Just in case the rumor about the Wayne’s sugar-daddy-into the Bats was a thing. Other than that, we might have to confront Batman to get him off of Phantom’s back. ”

“You… want to confront Batman.”

“Hey, man, Phantom’s a friend and it’s ride or die.” Danny snickered. It was literally die, with his Phantom side of things. He held two fists up, and wound them, like Popeye right after eating spinach or something. “And if Batman bothers Phantom, we ride at dawn.”

“Batman doesn’t come out unless it’s dark, though? Or for the Justice League.” Tim grinned. He mentally classified Danny under his “to go to” list. That’s where Bart, Bernard, Cassie, Kon, and Garfield were. If he starts shit, he could count on them to have his back and cause even more shit. Danny, wanting to fistfight Bruce over the man making Phantom uncomfortable? He absolutely is making that list.

“Then we ride at, like, dusk. Or uh, like 10PM. I gotta get my beauty sleep.”

“You’ll definitely need it,” Tim inconspicuously texted the group chat, which quickly blew up.

“Shut up,” Danny playfully shoved Tim. “Wait, can Batman even legally adopt? Isn’t being a vigilante illegal? And how can he adopt someone dead?”

Tim dramatically flailed and splayed over Danny’s carpeted living room. “Dunno about his identity,” he lied to Danny, like a liar. “But Gotham has a bunch of laws for the undead/restored to life people so there’s probably enough gray space there.”

Danny spluttered. “You guys have undead friendly laws?”

“Yeah, geht do you think Grundy just chills out? Plus, we have like a minor resurrection event every few years. It usually doesn’t stick but sometimes it does. Bruce pushed for those laws when Jason came back to life, except he doesn’t actually want people to know he’s like, alive.”

“Jason died?” Danny blinked. Well, that would explain the vibes. “Huh. So what’s up with his rank vibes then?”

“Rank vibes?” Tim pressed record on his phone.

Danny nodded. “Yeah, you know how Phantom’s got like a really chill green vibe?” Inwardly, Danny snickered at his pun. Chill. Yeah, he meant that very literally. “Jason’s got kind of a rank green vibe. He’s kind of stinky? Definitely never introduce him to Phantom.” Danny’s senses got worse in his ghost form.

“Jason regularly showers, though?!”

“Not smell! Like, a spiritual smell?”

“You can smell souls?!” Tim sat up. “Bro, you’re a meta?!”

“Uh.” Danny hesitated. “Yeah. I can smell souls. It’s a thing. Everyone from my town can do it.”

“What?!” Tim paused. “Wait, can Phantom smell souls?”

“Yeah. We’re, uh, from the same town.”

“Danny, what the fuck?”

“Hey, don’t look at me like that, you’re the one with a soul-sick brother! Not to mention, you’re kinda stinky too!”

“Hey!”

“Soul-stinky nerd man!”

——

“I stink?!” Jason spluttered out, extremely offended.

“The Lazarus pits. He’s most likely smelling traces of Lazarus pit on you, you imbecile.”

“We need to speak to Phantom. This instant.”

“I dunno, B. Danny sounded like he was gonna break your face if you bothered Phantom anymore.” Dick snickered.

“Yeah,” Tim chimed in, from his seat in front of the Bat-computer. “He was pretty serious.”

“Are we just gonna glaze over the fact that they’re from the same town?!” Stephanie exclaimed, practicing her moves on a training dummy.

“How does that even work? What does that mean? I thought Phantom was an immortal?” Duke asked.

“We also can’t rule out time-travel.” Barbara slammed her baton into a training dummy, twisting her wheelchair in an agile maneuver that left the dummy on the floor.

“No bothering Phantom.” Cass proclaimed.

“That’s quite right. You all have a warm dinner sitting above your cave and should it remain uneaten, I assure you that sherbet Sunday and crêpe Tuesday shall be canceled.” Alfred stepped in. The Bats, threatened, scrambled to ditch their gear and go upstairs.

#Danny: not another adoption!#Vlad and Bruce trying to adopt Danny even though he’s got parents:🤝#batman #danny phantom #tim drake #jason todd #bruce wayne #dc x dp #bamf danny phantom #dpxdc #dcxdp #dcxdp crossover #sea cryptic! danny au

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seiwas · 3 months ago

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you're the reason (i got a weakness) | miya atsumu

wc: 2.9k

summary: it’s not that atsumu doesn't like you dressing up like this—in fact, he loves it. just not when you're fighting. not when he can't even call you "baby".

contains: post-timeskip atsumu, arguments and atsumu feeling really sorry, flashbacks, uses the nickname “baby” & “my love”, reader is described as “pretty” and wears heels, hurt/comfort.

a/n: atsumu isn’t a sucky boyfriend he just gets carried away sometimes. song inspo: can you blame me? - kehlani, lucky daye.

part of the in's and out's new year/birthday event | request prompt: making yourself look good to feel good (your partner has something to say to you)

sponsored by @itskilau and @tasoyoru for the @ficsforgaza initiative. please check it out and support if you can!

“Bab—”

Atsumu lingers by your bathroom door, eyes drooping lower and sadder than they ever have. The steam makes the bleached strands of his hair cling to his forehead, his thick eyebrows now damp and flattened.

You sigh, the big, heavy, and deep kind, shoulders dropping as you clasp the lock of your necklace.

He stares.

That’s his job. You always ask him to do it the moment you step out of the shower.

His lip trembles, eyes watery.

“Not now, Atsumu.”

You walk past him as you adjust the towel around your chest, your arm brushing against his. It’s a small thing, a sensation ingrained so deeply into the past two years you’ve been together, but he feels it like it’s the first time you ever touched him—and in a way, it is. Since yesterday, at least.

The silence that trails after you is so deafeningly still, he thinks he can hear his heart breaking.

“Atsumu,” your voice rings.

Who the hell is “Atsumu”?

He’s not supposed to be “Atsumu” to you. He’s “Tsum.” He’s “baby.” He’s “my love.”

Anything but “Atsumu.”

When you close the door of your walk-in closet to change, the metaphorical volleyball of hope floating right into the palm of his hand misses and drops straight to the floor.

It started with volleyball, as all things with Atsumu do.

You’d met him at the rise of his career, just a few years of him being pro. You were friends first, but if you ask anyone around Atsumu, they’d tell you you were never just a friend to him; he’d invited you to all his games and practice matches, spent a bit more time in the locker rooms before going out for dinner with you and the rest of the team.

Osamu has the receipts of all the extra orders of onigiri Atsumu started adding to his regular weekly subscription since meeting you.

Your first ‘date’ was Atsumu treading the very fine line between teaching you how to play volleyball and teaching himself self-control. Keeping an eye on the ball is hard enough, what more when he has to resist staring at you in very cute volleyball shorts too?

As MSBY’s success skyrocketed, so did Atsumu’s—brand deals left and right, solo work trips during off seasons, commercials; the whole thing. When Atsumu wasn’t training, he was either traveling or attending events and photoshoots. Always on-the-go. Moving.

And he knew you understood, knew you knew him and his tendencies to overwork; knew him, and his habit of getting stuck inside his own world. You’d driven to late practices with bento boxes to share, and you’d packed his gym bag more than a few times, brought in extra clothes without him having to say a word.

You’ve managed his lifestyle better than anyone could.

But, Atsumu has a bad habit of promising more than he should, of serving white lies just as easily as he does volleyballs behind the service line.

“Won’t take long, baby. Swear it,” he holds on to the wall by your door, slipping his feet inside his dress shoes. “Pick ya up at 6:00?”

He’d winked at you then, kissed you between your eyebrows and nose before sneaking one more right at that spot underneath your ear.

What he’d give to be able to do that right now.

“Okay,” you giggle, swatting his chest as you nod, “better hurry then, you might be late.”

When Atsumu remembers that moment, the way you’d agreed so doubtlessly, he hates himself even more. You trusted him, have trusted him so wholeheartedly this entire time, so maybe you’re right—

“Would it hurt for you to just be honest?”

—Atsumu has no excuse standing you up on the date he promised you weeks ago all because he lost track of time in some brand event, listening to a potential collaboration on volleyball shoes. Atsumu has no excuse agreeing to “some drinks” right after just to meet the executives of the company.

There are meetings for those things, ones that can be scheduled and agreed upon. Ones that don’t compromise or add on to the already long list of missed dates with you.

“I know you’re busy and I understand,” you sigh, turning the knob of the kitchen stove as you heat up the kettle, “you know I do.”

He stands before you a quarter past 11:00 p.m., cologne long faded and the smell of alcohol spilled on his sleeve. The kitchen island stands like a net on the court, the ball being sent over to his side.

“Baby, I—”

He passes it back.

You turn from the stove, face fresh and hair tied into a messy low bun as you look at him—how could he have ever stood this–you–up?

You take the ball, “Can I finish what I have to say first?”

He nods. The kettle begins whizzing.

“I’m happy and so, so proud that you have all these opportunities,” you reach for the cupboard above head to grab a mug. The box of tea bags sits to your right, a mix of Lemon Balm and Chamomile that Atsumu swears keeps his anxieties at bay during the night. “But at least tell me if you can’t make it.”

You tear open a tea packet, dangling it inside the mug. The kettle whistles, and he feels the onset of a spike.

“Please don’t keep my hopes up every time.”

You turn back towards the stove, turning the burner off as you pour in the steaming water inside the mug.

“Baby, I swear, they just–they started talkin’ ‘bout these shoes, ‘n I thought t’was cool, ‘n the execs–they said the execs’d be there in the afterparty, and—” he breathes, “won’t happen next time, baby. ‘M so—”

“Can I really believe you next time?”

You approach the kitchen island slowly, holding the piping hot mug carefully as you set it down in front of him.

Atsumu stood you up on your date, and you still made him tea.

You hold his stare for a brief moment before you walk away, sadness and disappointment all-in-one.

It is now that Atsumu knows, he’s fucked up.

The ball lands on his side of the court.

And so, he’s spent this entire day trying to make it up to you—breakfast in the morning, right before training (which he absolutely tanked because all he could think about was how sad you looked the night before); flowers that he brought home after lunch time, just to find the apartment empty. It’s only after a full text thread and three missed calls to your phone that he finally gets a response.

“Nail appointment. Going out tonight,” is your reply (using speech-to-text too, he suspects, with how formal it sounds).

Which is fine and dandy to him; you should do everything that makes you feel better after he practically took you for granted. It’s just—he hasn’t even said sorry yet, can’t even call you “baby”, can’t even touch you even though he really, really, really wants to.

And now, with you closing the door on him while you’re changing—there’s nothing else he can do, really, but to walk away and give you some space.

He shifts his feet, dragging them lightly against the wooden floors of your bedroom.

The moment he hears the door of your walk-in closet slide open, he hurriedly sits down on the edge of your bed, acting as if he wasn’t just anxiously pacing, waiting for you to come out.

He feels like shit, if he’s being honest—like how he does when he misses a serve; if not, worse.

You look good. Make-up done to only emphasize the features he loves (which is your entire face, really), and your outfit perfectly accentuating the dips and curves of your body.

He follows you as you exit the room, tailing after you like a lost puppy. When you stop by your entryway, all he can do is watch as you bend down to put on the straps of your heels. And it sucks, because if you weren’t fighting, Atsumu would be right by your feet, crouched low so that you wouldn’t have to.

It’s pathetic and a little helpless of him to just stand and stare in the middle of your living room. He should say something at least, but, you just look so good, and his throat feels dry; his heart all achy and stomach twisty.

He doesn’t want to be away from you.

And it’s not that he doesn’t like you going out looking like this—he loves it. But as soon as you step out the door with a soft “don’t wait up for me” mumbled from your glossed lips, Atsumu can only taste bitter regret at the fact that he wishes he were coming with you.

He couldn’t even give you a goodbye kiss.

The blond groans, pulling at his hair as he rests his elbows down on the kitchen counter.

“Don’t wait up for me,” you said. As if he can even sleep without you around.

The hours go by but they feel like days. Atsumu’s done every possible thing he can do in this apartment and it still hasn’t breached 11:00 p.m.. He’s cleaned down the kitchen (twice!) and arranged the food inside the fridge like those ‘stock up my fridge with me’ tiktoks he’s seen on Sakusa’s phone. The clothes on his side of the closet have been arranged by color and length, with all the ones in his dresser refolded, Marie Kondo style. He’s also pretty sure he’s scrubbed the bathroom down enough that you can probably see your reflection on the tiles of the damn thing. The laundry baskets for both your clothes are now empty, and he’s changed the bedsheets too and—

He’s still restless. The numbers on the clock taunt him, moving up agonizingly slowly. He can’t stop looking at the time, itching for you to come home.

Atsumu is sorry, so so so incredibly so, because you’re right―he hasn’t been fair to you at all, and he needs you to know that he knows it, too.

His eyes go over the clock again, only a minute having passed since the last time he checked it.

Is this how you felt? Every time you waited for him to come home for a date he promised you?

He squeezes his eyes; it hurts him just thinking about it.

That’s it, he decides, grabbing his phone and wallet as he walks out the door.

Atsumu doesn’t check your location often (maybe only a few times). It’s not a trust thing, he swears; it’s just for when he wants to make sure you’re somewhere safe, or in a place he can reach you should you need him there.

And, you clearly don’t need him right now, but, Atsumu is a little selfish, he admits.

Sitting at home with all his regret feels worse than seeking you out to beg for your forgiveness, whether you want him to or not.

He’s barely dressed for the venue as he steps inside the bar, a pair of sweatpants and a white t-shirt with those fashionable Birkenstock clogs on. A few people seem to recognize him, tilting their heads and murmuring among themselves as he walks through door, but none of them approach him, thankfully, except for a server asking if he needs assistance.

His eyes scan the tables first, searching for any semblance of the outfit he’d seen you leave in earlier. The dim lights make it increasingly difficult for him to look for your properly as he squints his eyes some more, narrowing his vision to the people at the front bar this time. It’s after the fourth person he dismisses that he feels himself getting desperate, nearly turning towards the server beside him to ask for help.

Until he spots you—tucked in the corner of the front bar, sitting on the barstool with your legs crossed as you swirl around your drink.

You look bored, and a little sad, chin resting in your hand as you lean your elbow on the table.

He frowns, thanking the server on the side as he makes his way to you slowly. You barely notice him as you bring out your phone, tapping on the screen as you stare at it almost longingly―a photo of you and him some time ago after one of his games. He knows it well, can still remember that day so clearly: when he became a PR nightmare because he couldn’t help but announce your relationship by kissing you in front of everybody.

It makes his chest hurt.

Then, you swipe it open, and he’s close enough now to be able to catch a glimpse of what’s on your screen: your text thread with him, his last message being, “Did you make it safely?”

(You pout, eyes pricking with tears. You didn’t reply to him then because you weren’t ready to fully talk to him yet, still upset and disappointed.

It was easy to make yourself feel better by dressing up and stepping out of the apartment earlier, the promise of good drinks and good company awaiting your arrival; you couldn’t think about how you felt if you were busying yourself with others. But now that all of those feelings have died down and most of your friends have started chatting up other people they’ve found, it’s beginning to hit you all at once just how much you still prefer Atsumu’s company more than anything else.

Your fingers hover over your text box, typing and deleting. Typing and deleting.)

He’s two stools away from you now, and he can barely contain it―

“Baby,” his voice trembles, unsteady.

Recognition fills you as you turn to the sound, half-confused at whether you’re hearing things; whether―

(“Tsum,” you mutter, eyes catching a pair of familiar warm brown staring back at you. His bottom lip quivers, the embodiment of a dam starting to crack, vibrating.

Your emotions are a mess, your breath on hold as you feel tears welling up in your lashline too. You still feel upset, still a little sad, and a tiny bit disappointed, but what coats them all is a sense of relief because—)

―he’s here, standing in front of you like he just rolled out of the house with barely enough time to get dressed (which, you’re sure is exactly how things went), and you’re sliding off the bar stool in the prettiest outfit, looking like the prettiest thing he’s ever seen.

“‘M so sorry,” he breathes out, stepping closer as he grabs your hand, ��Don’t ever wanna make y’feel like that again.” His knee gives way as he starts sinking to the floor, “I won’t do that anymore―”

“Tsum,” you try to call his attention.

He’ll beg for your forgiveness whether you like it or not.

(The interaction is causing nearby tables to look, murmurs and whispers in your periphery as you catch vague sentences here and there. He still is a public figure, after all.)

But Atsumu is unaware, looking at you and you alone as he pleads, “No, please hear me out first. I promise I’ll tell ‘em they can speak ‘ta―”

“Tsum,” you squeeze his hand, whispering more firmly as you try to pull him up.

“Baby, please. Gimme the chance ‘ta show ya that I―”

(You look around and notice even more eyes on the two of you, fond looks on their faces as they prepare their phones for what seems like something momentous. Then it hits you, how this looks―)

“Tsum, please stand up,” you tug at his hand strongly, urging him to stand. His eyebrows furrow as he obliges, only comprehending why when you explain it to him softly, “people were starting to think you were about to propose.”

He pauses for a moment, a slight, “Oh,” as he ponders on it. “Well, if that’s what’ll prove it t’ya, then—”

You roll your eyes, the corners of your lips curling slightly as you hit his shin with your foot and squeeze his hand again, “Don’t joke about things like that.”

Well, it’s not the first time it’s crossed his mind, if he’s being honest.

He sighs, sitting on the stool beside you as he rubs his thumb over your hand again, bringing it close to his lips to kiss softly.

“‘M really sorry, baby,” he mumbles against your skin before moving your hand over his heart. “Don’t ever want ya feelin’ like this again.”

“I know,” you give him a small smile, patting down some of the strands of his hair that stick out, “you didn’t have to come out here though, you know. I was about to go home soon, anyway.”

“Can ya blame me? Seein’ ya off like that?” he grips your hand tighter as his voice softens. “Y’re too pretty to be sad,” he plays with your fingers, intertwining them with his.

You hit his shin again, feeling shy. You always do when Atsumu likes to sweet-talk you.

“Do ya forgive me?” he asks after some time, as you take the last few sips of your drink.

You hum, looking him in the eyes as you nod, pouting, “I don’t like being mad at you, you know.” He lights up, beaming, but you add on, “We still have to talk about it properly, though. Later, when we get back.”

He nods in agreement, holding your hand as you slide off the barstool, guiding you out of the bar and into the car.

(You both do talk about it properly, and the next time Atsumu promises you a date, he blocks it out of all of his calendars, sending the date to his manager even, just to be extra sure.)

a/n: this has been such a long time coming, i'm sorry to those who waited! i hope you enjoyed even though this simmered with me for way too long 😭 i love writing atsumu a little lovesick but i also think he deserves someone who is equally as in deep as he is 🥺

thank you notes: to 🍧 anon for helping me figure out "what would make you mad at atsumu?" and to @ceroseis and @mieiri for always listening to my shenanigans pre-writing!

comments, tags, and reblogs are greatly appreciated ♡

#atsumu x reader #miya atsumu x reader #atsumu miya x reader #atsumu fluff #hq x reader #haikyuu x reader #hq!! x reader #atsumu x yn #haikyuu!! x reader #atsumu x you #miya atsumu x yn #miya atsumu x you #shotorus.writes #shotorus.events #in's and out's event

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cinnamorollcrybaby · 3 months ago

Note

i am living for some angst 👀

especially some satoru angst

Hold me. Console me.

Tags: Satoru x fem!Reader, angst, hurt/comfort, depictions of poor mental health, depiction of a panic attack, Satoru’s a little bit of an asshole here.

An: Same… same. Before you read this and blame me for how fucked this story is, know that one of my moots (cough. cough. @theuniversesnepobaby cough.) was sending me sad angsty edits last night. this is partially her fault too.

Satoru was normally a very doting and attentive boyfriend. He’s the type to beg to be in your presence. He’d kill to feel your touch against his skin. “Casual” isn’t a word in his dictionary. When he loves, he loves loudly.

So when he got quiet with his love, your body started to fill with a sense of dread. Cold and bitter feelings crawled their way between you two. No longer did you two laugh until you were out of breath and red in the face. No longer did he surprise you with gifts or try to scare you when you’re unaware of his presence.

His strong arms hadn’t wrapped around you in so long. The ruthless chill of being utterly alone plagued you, while Satoru seemed fine. He was even taking on extra hours at his job. So many nights he didn’t come back until nearly midnight.

How could he not see what’s happening? How could he not notice how much you’re drowning?

“I’m going out.” His words are flat with no care put into them. He’s telling you because he feels as if it’s obligatory — not because he doesn’t want you to worry.

“Where are you going?” So many times have you tried to reach out. It was as if you two were passing back and forth a candle of your relationship. You had ignited the flame and passed it to him so many times, but each time, he snuffs it out without a second thought — leaving you in the dark. Maybe one more time, you metaphorically light the candle in hopes to kinder your relationship…

“Out.” Flame snuffed.

“Oh.” He’s done it so many times, but it hurts just as bad each and every time. Being single wouldn’t hurt this bad. At least you wouldn’t be getting rejected by your own boyfriend on a daily basis.

“See ya.” He doesn’t even give you a second glance as he grabs his coat and saunters out the door. Another night spent alone. Another night filled with a barely eaten tv dinner and a shitty reality tv show droning on in the back while you doomscroll on your phone.

You two use to watch these reality tv shows together and laugh at the ridiculousness of it all. Satoru would hold you so close to his body, and he’d whine anytime you tried to adjust. When was the last time that happened? You never suspected the end of affectionate gestures would come while you two were still in a relationship.

You check Geto’s story on instagram. Sometimes, you’d catch small glimpses of Satoru in the back. Sometimes they were at a cafe or an arcade together. Tonight, it seemed as though Suguru was at very packed party scene.

You hold your breath in your lungs as you rewatch the story again and again — searching for a white head of hair. Your boyfriend makes it too easy for you to stalk him. Though, it feels like a fitting punishment for the turmoil he’s put you through.

No Satoru in sight. You sigh quietly before you check Shoko’s story. It was less likely that Satoru would be captured there, but he has made his appearances in the past. It seemed like tonight Shoko wasn’t present at whatever rager Suguru was at. She posted a picture of her beautifully written notes. She must be studying.

Nanami never posts on his story, so you don’t even bother going to check his barren profile. Haibara never features Satoru in his stories, so you skip his as well. This leaves you with one last option.

Your hand is a little shaky as you click on Utahime’s story. You don’t know when it started, but your cheeks and ears were wet with tears already. Your body had some sort of sick sixth sense for knowing when something was wrong, and something was terribly wrong.

You had always had your little insecurities about Utahime ever since Satoru indulged that he had a small crush on her back in high school. Of course, these were just fleeting thoughts. Up until recently, you knew with full confidence that you had Satoru’s heart. He wouldn’t stray from you.

You didn’t have that same confidence anymore. Satoru had withdrawn, and it seemed as if he took his heart with him.

You hate being right. You wish you were wrong sometimes. On Utahime’s story, she’s seemingly at the same party that Suguru’s at. Her story is littered with pictures of her with other girls that you don’t recognize, videos of the loud music and people dancing in a crowd, and there’s just one last video on her story that makes your heart sink to your stomach.

Your boyfriend’s pretty blue eyes illuminated by the flash from her back camera. He smiled and laughed as Utahime filmed him. His face was littered with wine red lipstick kiss marks. Utahime had a grab on your boyfriend’s collar, obviously trying to hold his drunk self still while she filmed his crime.

It felt like a punch straight to your gut. You couldn’t even think straight, but you knew you needed to keep this evidence in case she deletes it. Your fingers shakily screenshot the story, logging the picture of Satoru covered in someone else’s affections.

He was out there feeling an overwhelming sense of happiness, receiving kisses from another, dancing to his heart’s content, and enjoying his life while you were sat at home weeping over the loss of your boyfriend.

The tv dinner, now cold and stale, was thrown into the garbage, and whatever little bit you had eaten came up soon after.

The picture was seared into your memory. You didn’t have to look at it to know every minor detail. The way his white hair was messy. His glasses were pulled down ever so slightly to reveal his devastatingly beautiful eyes. His coat hung on his shoulders while his muscular neck peaked out from his shirt.

Every time you closed your eyes, you thought about how many kiss marks he had on his face. How many times had he allowed himself to cheat on you? Was this the first time? Had it gone farther than this? Was it Utahime or some other girl?

You cried yourself to sleep, knowing that Satoru wouldn’t even come home to try to console you.

The next morning, you were disappointed as soon as you woke up. You wished sleep would’ve taken your body and whisked it away far, far from here. Instead, you’re still in your bed, sleeping on a pillow that was stained from your mascara.

If you could, you’d rot in bed all day and try to forget the godforsaken video you saw last night, but you had to make a trip to the restroom.

Forcing your weak body out of bed, you let out a small pained moan. You haven’t eaten a proper meal in so long, and you threw up whatever you did eat yesterday. Your appetite was completely diminished. Satoru use to say that food tasted better when it was shared. He always shared his meals with you, unbeknownst to him, helping you maintain a good schedule for eating.

Your apartment was too bright when you stepped out of the bathroom, and it smelled too much of food. The sizzling on the stove finally caught your drowsy attention.

The man of the hour, Satoru, was at your stove, shirtless and cooking something. Sleeping pants casually hung around his hips, and the dimples at the bottom of his back were so graciously being shown off. Did someone else know about those two little dimples? Even though back was facing you, you could already picture his face, littered with those stupid kiss marks.

Making a b-line for the bathroom, Satoru doesn’t even get the chance to greet you. Your hands were cold and clammy as your body uncontrollably heaved over the toilet. You had nothing left to give, but Satoru was taking everything from you.

Hot tears burned your cheeks as they slipped down your face. You didn’t want to do this. You wished you would’ve never saw that fucking video last night. You should’ve given yourself plausible deniability, but now, you had to face the music.

You slowly returned back to the kitchen after trying your best to clean yourself up. Your eyes focused on Satoru. He was finishing up cooking bacon when his eyes finally met yours and drove daggers through your heart.

“Good morning, sweetness. Something wrong?” He asks with so much care in his tone. You fantasize about hitting him — just once. How dare he suddenly care when you have to check out?

You don’t even know what to say to him. Like, yes, something is clearly fucking wrong, Satoru. I’m dating an unfaithful jerk.

“What are you doing here?” You ask bluntly, wiping your face of the remnants of tears and makeup that had stained your skin. He shouldn’t be allowed to see how badly he hurt you.

“I… live here?” He responds in a questioning tone, furrowing his white eyebrows as he studies your face. “Are you okay?” If only he had asked that question weeks ago, then maybe you two wouldn’t be in this mess today.

“No, and you don’t live here anymore.” You snap, causing him to slightly flinch back — not out of fear but out of surprise. He’s never seen you like this before.

“What do you mean, sweetness? I-“

“Cut the shit, Gojo. Don’t act stupid with me. It’s unbecoming.” You interrupt him completely, not wanting to hear him try to act innocent when you have all the proof you need on your phone.

“Woah. I don’t know what’s wrong, but I don’t really appreciate the insult and the use of my government name. I genuinely have no idea of what you’re talking about.” His voice is firm, laced with sternness, so you can see that he’s not playing around with you.

You take a deep breath until your lungs burn. You want to scream at him, chase him out of the house, and light his shit on fire. Instead, you silently go to retrieve your phone. Pulling up the picture of him with kiss marks all over his face, you shove the screen in his direction.

Gojo takes a few seconds to take in the photo, and he lets his shoulders drop. “This is what you’re mad over, sweetness?” He asks in a much more calm tone, looking up at you with almost puppy dog eyes.

“Don’t call me that.” You snap while swiping your phone back from his hands. “I didn’t think I’d have to spell it out for you, but we’re fucking done.”

“You seriously believe that I would cheat on you?” He asks in that stupid arrogant tone of his, completely ignoring your blunt rejection.

“Why else would your high school crush post a picture of you with kiss marks all over your face!? You look so fucking dumb and in love. I fucking-“ Your throat chokes up as if your body was trying to stop you from saying something you didn’t mean. The words “I fucking hate you” die right there on your lips. Tears fall down your cheeks, and you place your palms over your eyes to hide yourself from his impregnable gaze.

“This, again?” He asks in a frustrated tone before letting out an exasperated sigh, He turns the stove off - abandoning his food before walking over to you. He bends his knees a bit to get on your level. “Look at me.” He demands before his hands go to pull yours away from your eyes.

“Don’t fucking touch me.” You cry out, jerking back away from his presence. Your breath speeds up. The oxygen isn’t having enough time to enter your bloodstream. Your body is vibrating, forcing the air quickly from your lungs. Everything is moving so fast and why the fuck is he so close to you-? He’s suffocating. Fuck, catch your breath. Whyhim?Whyyou?Why?Why?Whatdidyoudotodeservethis???

A gush of air is blown harshly onto your face, and you can feel the bitter cold feeling of something touching your skin. Your eyes see Satoru’s hand holding an ice cube, guiding it along your warm skin on your arm. Your body is so hot that it’s melting faster than he’s moving it.

“Breathe. Match my movements.” Satoru guides in a calm yet steady tone. Your eyes find the way his chest is slowly rising and falling with each breath. You want to tell him to go play in traffic. You don’t need him to ground you. You don’t need him to do anything for you. You don’t need him.

Still, your body matches his slowly. Your breath becomes more stable, and you can feel your heart starting to settle into a more natural rhythm. Your bleary eyes meet his empathetic ones. It’s been so long since your last panic attack, but he remembers just how to calm you down.

It only makes it all hurt so much worse.

“It’s almost over. You’re doing a good job.” He takes his chances at encouraging you. It feels so sickening, more tears flee your eyes. Where had your boyfriend been, and why is he only just now back after he did the unthinkable?

“Sing with me.” It’s an odd request, but it’s something he found that grounds you better than most grounding techniques. Saying repeatable phrases in melodic tone is comforting for your mind.

“No.”

“Come on… Just one time. Your favorite.” He tries again. Metaphorically, lighting the candle and passing it back to you.

You shake your head in response. Flame snuffed. How can you sing with him after what he did to you?

“Come on, don't leave me it can't be that easy, babe” He starts with such a soft angelic voice. You fold in on yourself unable to keep the sob from escaping your throat. What method of torture is this??

“If you believe me I guess I'll get on a plane. Fly to your city excited to see your face.” He continues, lighting that same candle. It’s so small, barely there anymore from how many times you two have tried to relight it.

“Hold me, console me and then I leave without a trace.” The ice cube has completely melted, and his hand is resting on your arm. He slowly guides you to his chest, and you indulge in his warm embrace for just one last time.

“Come on, don't leave me it can't be that easy, babe.” His chin rests on top of your head. You’ve always fit so well in his arms. He’d always tell you that whatever higher power is out there made you specifically with him in mind.

“If you believe me I guess I'll get on a plane. Fly to your city excited to see your face.” His skin is so warm against yours, and your tears are sticking to your chest.

“Hold me, console me and then I leave without a trace.” You finally indulge him, softly joining in on his singing. His body slowly starts to guide you two into a soft subtle sway.

“Come on, don't leave me it can't be that easy, babe.” It’s not that easy. This fucking hurts so bad. Why would your soulmate do this to you?

“If you believe me I guess I'll get on a plane. Fly to your city excited to see your face.” You feel so pathetic — seeking out comfort from the one who hurt you this bad. If your friend could see you right now, she’d slap some sense into you.

“Hold me, console me and then I leave without a trace.”

You’re sniffling softly into his chest, and his hand carefully pets your hair. “Those kiss marks weren’t from Utahime.” He explains in a soft tone. “We were filming a TikTok. The punchline of the joke was that Suguru and Haibara were the ones who kissed all over my face.”

You look up at him with an unsure look on your face, not understanding what he meant. Satoru carefully picks your phone up, and he clicks on Haibara’s Instagram story from last night.

Sure enough, Haibara posted a TikTok of him, Suguru, Satoru, and Utahime. The camera points at Satoru, showing the kiss marks on his face, and the sound plays. “Bro, what happened to your face? Did you do that?” The camera then pans to Utahime to which she mouths the words, “I did not do that.” The camera then pans to Haibara with smeared wine red lipstick on his lips who says, “Then, who did?” The camera is then panned towards Suguru. He also had wine red lipstick smeared on his lips. “Yeah, who?” The two boys start laughing along with Satoru, and the video cuts.

It only comforts your weary heart slightly.

“It was just a stupid TikTok… I should’ve consulted you or warned you… done anything to respect you.”

“This doesn’t take back how awfully cold you’ve been over the last few weeks…” You sniffle out quietly, and Satoru nods his head knowingly.

“I know, sweetness.. I know. I’ve been terrible.” His arms squeeze you a bit tighter — frightened that he was so close to loosing you, still scared of losing you.

“That’s not an apology… or even a reason.” You try to squirm from his grip, but Satoru holds you tighter.

“I’m so fucking sorry, sweetness.” He breathes out a shaky breath, and you realize the shakiness in his voice. Glancing up at him, you feel yourself clam up with the sight of tears in his eyes. Christ, his eyes are somehow even more blue when he cries. “Shit got crazy at work then-“

“You still had time to party it up with your friends. You left me without even telling me you love me.” You finally break away from his grasp. The cheating accusation was only the surface of the main problem.

“You know I love you…” His voice is small, and he wipes his eyes of the tears that are threatening to spill.

“Do I know that?”

“Don’t… don’t say that.. I love you more than life itself.” His shaky hands go to reach for you again, but you move back away from him.

“You’re only doing this because I’m leaving you. If I hadn’t mentioned it, you’d probably still be half assed ignoring me.” You stare at him, and your eyes start to water for the nth time today.

“That’s not…” Satoru bites his tongue, and he runs a hand through his messy white hair. “I came home this morning… saw the uneaten tv dinner in the trash… Your reality tv show was still playing in the background, and I saw how you fell asleep with your makeup messed up… I realized then how much I neglected you… I planned a full day for us to enjoy each other’s presence… Please, don’t leave me for this. I can fix this.”

“How did it feel to look at me everyday when I tried so fucking hard to reach you?”

“It killed me.” He breathes out, and he tries to reach for you again. “Please, I missed you so much. Work was just so fucking much, and I don’t know why I took that out on you.”

You stare at him, and you shake your head silently. “You should go, Gojo..” Your voice cracked as it physically pained you to tell him to leave. Your body craves him more than anything else in the world right now.

“No, please, princess. Don’t do this… I can fix this. I’ll do whatever it takes… just don’t leave me…” Satoru’s on his knees, literally begging you not to leave him. Tears are falling down his cheeks as he bows his head to you.

It’s humiliating, but he’s so humiliatingly in love with you. He’s so dead serious. He’d do anything for you to stay with him.

“Toru..”

“I’m sorry. I’m so fucking sorry. I-I don’t know why I did it. I just pulled away from you, and I don’t know how it happened. You’re the best damn thing that’s ever happened t-to me. Please. I can’t function without you.”

You stare at your boyfriend with concern as his head literally touches the floor beneath him. You don’t even know what to say to him. The thought of leaving him hurts so fucking bad. It steals the breath from your lungs.

“Please don’t leave me… puh…. please stay with me.” He’s groveling at your feet, unable to stop the tears that escape his eyes. The thought of living in a world where you aren’t his girlfriend… he wouldn’t. He’d be a shell of who he once was. He’s nothing without you.

You slowly sit on the floor in front of him, and your hands stroke his soft hair gently. Satoru’s breath slows as he finally gets a grip on his emotions. He realizes just how pathetic he looks. He slowly leans up, and he looks at you. Both of you looked like complete messes, and it was all his fault.

“I don’t deserve you,” He murmurs quietly. “but please, I can make this better… I love you so much, sweetness… I wouldn’t dream of ever cheating on you.”

“I don’t forgive you.” Your voice is barely a whisper. The metaphorical flame is so small and shaky, but if you two both shield it from the wind, it’ll be able to grow once more. “You have a lot to prove me, Toru.”

“I’ll spend every waking minute of my life fixing this. I promise you, sweets.”

and he did. Satoru went back to loving you loudly. He didn’t merely shield the flame from being blown out, he fanned it himself so it grew in intensity. He was back to doting on you constantly, and he did frequent check-ins to make sure you weren’t feeling neglected. He took frequent vacations from work with you. He usually took you two out on holidays to wherever your heart desired, but sometimes you two would use his vacation time to just lounge around the house and enjoy each other’s presence.

Your confidence slowly returned to you over time. It wasn’t easy by any means. It took many nights of Satoru’s consistent reassurance and overwhelming love and support for you to slowly start feeling comfortable in your relationship with him.

He put in the work, nourished your flame, and he never made you feel guilty for having a second thought because when he loves, he loves deeply. Casual is not his strong suit.

#jjk #jjk fanfic #jujutsu kaisen #fanfic #drabble #jjk gojo #gojo satoru #gojo angst #satoru gojo #satoru angst #jjk angst #gojo x you #gojo x y/n #jujutsu satoru #jjk satoru

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physalian · 7 months ago

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How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

—

All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.

#writing #writing advice #writing resources #writing a book #writing tips #writing tools #writeblr #for beginners #sentence structure #book formatting #literary devices

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maypiles · 24 days ago

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But I'm very homesick for arms that have never hold me🎀🪞

PICK A PILE: What Do You Need to Hear, What Do You Need to Know?🦢🩰

You guys are not ready for this one, because let me tell you—Spirit decided to wake me up with a Chihiro x Ariana Grande mashup blaring in my head like an alarm clock, and I just knew. This isn’t a coincidence; this is a channeled message, loud and clear. I mean, who else gets spiritual downloads with a side of TikTok trends? Clearly, I’m favored. Anyway, grab your coffee, your crystals, or whatever you need to ground yourself, because today’s reading is about to serve you layers of spicy revelations, unexpected clarity, and a sprinkle of divine chaos (because why not?). If you're feeling hot flashes, dreaming in metaphors, or noticing all the crows in your neighborhood suddenly staring at you like they’ve got something to say—this one’s for you. Let’s get into it, shall we?

❗This is a collective reading so please take what resonates and leave what does not❗ Please be careful of scammers, I'll never reach out to you and ask you for money or personal readings❗

Pile One🦪

My gorgeous Pile 1, let’s talk, because Spirit came in loud with this one—and I mean literally. The crows wouldn’t shut up, the downloads wouldn’t stop, and my body? On fire. Hot flushes, all over, like Spirit turned the heat up to make sure you get this message. So, let’s break it down.

Signs & Synchronicities

Right off the bat, notifications could be huge for you right now—check your messages, your DMs, your emails, whatever. Something important is trying to reach you, and you don’t want to miss it. Chocolate? Perfume? These are connected to sweetness and self-care, but also attraction and indulgence. Are you finally indulging in yourself, Pile 1? Or are you craving something—or someone—that feels just out of reach?

And crows? Let me tell you, they are not just random birds hanging out. They’re messengers, carriers of divine justice, and omens of transformation. If you’ve been hearing or seeing them, this is your wake-up call. Spirit is saying, ‘Listen, babe. We’re talking.’ And that crow sound? It’s sharp, like a reminder to stay alert, to notice what’s unfolding around you. This message has layers, so stay with me.

The Energy—Hot, Spicy, Intense

This whole reading is laced with heat—those hot flushes all over your body? That’s Spirit igniting a fire within you to finally heal. And when I say "heal," I don’t mean just dust off old wounds. No, this is deep, soul-level healing from something that cut you hard and left you spinning. You’ve been carrying this pain for too long, and Spirit is here, loud and unapologetic, telling you it’s time to let it go.

The Cards

Queen of Swords upright with The Star—This is your clarity and your hope. You’re stepping into your truth, cutting through the nonsense, and reclaiming your voice. The Star says healing is happening, but don’t expect it to be gentle. It’s the kind of healing that burns before it soothes. You’re being guided to dream big, even if your dreams seem out of reach right now.

Queen of Swords reversed with Three of Swords—But let’s be real. You’ve been here before, haven’t you? Trying to heal, only to slip back into old cycles. That reversed Queen shows me there’s still some bitterness, some unresolved pain. Spirit is asking you to look directly at your heartbreak without flinching. The Three of Swords is raw, but it’s also a turning point. Acknowledge it, cry over it if you must, but know that it’s not your forever.

Eight of Wands with The Hanged Man—Once you face that pain, things will move fast. Communication, opportunities, and clarity will flood in, but you need to shift your perspective first. The Hanged Man is here to remind you that sometimes, the only way out is through. Let yourself sit with the discomfort—it’s temporary, I promise.

Seven of Swords reversed with Eight of Swords reversed—Oof, someone’s lies or sneaky behavior might have trapped you in your head before. But no more. These cards are about releasing deception, both from others and yourself. Stop lying to yourself about what you want, Pile 1. Stop pretending everything’s fine when you’re screaming inside. You’re freeing yourself from this mental prison, and let me tell you, it’s about damn time.

The Hermit with Knight of Cups—This is where it gets juicy. After all this introspection, someone—or something—new is coming in. The Knight of Cups is a romantic, a dreamer, someone who stirs your heart. Whether it’s a person, a creative project, or an emotional awakening, this is the spark you’ve been waiting for. But it only comes after you’ve done the inner work.

Nine of Pentacles with Five of Swords—You’re stepping into independence and self-worth, but beware of those who might try to sabotage you. The Five of Swords is a warning: not everyone will celebrate your glow-up. Some people are better left in the past.

Ten of Pentacles reversed with Page of Wands—This could indicate a shake-up in your foundation. Maybe it’s family drama, a breakup, or a financial reset. But the Page of Wands reminds you to stay curious and optimistic. New beginnings often feel messy before they feel right.

Knight of Swords with The Devil reversed—Your determination to break free from toxic patterns is unmatched. The Devil reversed says you’re cutting cords, ditching bad habits, and stepping out of cycles that no longer serve you. You’re unstoppable, babe.

Strength reversed with Ace of Cups—Here’s the emotional release. You’ve been holding it together for so long that you’ve forgotten how to let go. The Ace of Cups is your emotional renewal, your fresh start, your permission to feel everything again.

The High Priestess reversed with Queen of Cups—Spirit is saying, ‘Stop doubting yourself.’ Your intuition has been screaming at you, but you’ve been ignoring it. The Queen of Cups is here to remind you of your emotional depth and wisdom. Trust yourself—you already know what’s right for you.

Eight of Pentacles with The Sun—All this hard work you’re putting into yourself? It’s going to pay off in ways you can’t even imagine. The Sun is your ultimate happiness, your reward for all the effort. Keep going; you’re so close.

Five of Cups with Justice—Justice came out right as I was saying, ‘You’re getting your justice.’ Spirit does not play. This is karmic balance, the universe setting things right. Yes, you’ve experienced loss, but it wasn’t in vain. Everything you’ve endured is leading you to this moment of divine justice.

Bottom of the Deck: Temperance—Patience, my love. Healing isn’t a straight line, and balance takes time. But you’re on the right path.

Split Deck: Four of Cups reversed—You’re waking up, finally seeing the opportunities Spirit has been placing in ront of you. Stop dwelling on what didn’t work and focus on what’s possible.

The Message

Pile 1, you’re in the middle of a transformation so profound it’s practically radiating from your cards. You’re healing, releasing, and stepping into your power. Spirit is here, crows and all, to remind you that justice is on your side. Keep pushing through the discomfort—it’s leading you to a life that’s brighter, freer, and more aligned with who you are.

And those notifications? Answer them. Something important is trying to reach you. Stay hot, stay spicy, and stay open to the blessings heading your way.

Pile Two🥀

The Vibe is Magnetic, and Spirit is Dancing With You

Oh, Pile Two. You didn’t just stumble into this reading—you waltzed in, spinning, singing, and twirling with a vibe so contagious it practically leaps off the cards. Let’s talk, because Spirit is loud and clear with this one. There’s a rhythm here, an undeniable flow, and the details? Oh, they’re dripping with significance.

Signs & Synchronicities

Dancing is huge for this pile. Whether you’re on the dance floor or grooving in your kitchen, there’s something about movement and rhythm that feeds your soul. Singing could be just as vital—expressing your voice, your truth, your essence. You might be someone who loves to accessorize—colorful bracelets that jingle with every step, or those stunning braided hairstyles adorned with beads.

The energy here screams personality—vibrant, unapologetic, and undeniably you.

But there’s a competitive streak too, isn’t there? Whether it’s proving yourself to others or loving that rush of pushing boundaries, there’s a fire in you that thrives on standing out and shocking the world. You don’t back down from a challenge—you lean in.

Now, let’s talk about itchiness. An itchy nose, a sudden rash—it’s like your body is reacting to this energy shift. Spirit is saying, “Pay attention!” These physical signs are nudges from the universe, reminders that something big is brewing.

And then there’s the time zone difference. Are you in a long-distance situation? Maybe you’re straddling two worlds—north and south, winter and summer (Timezone difference, Australia mentioned. HELLO?). But what stands out? Spring. A fresh start, a rebirth, a blossoming.

Also, Aries energy is coming in strong—bold, fiery, determined. Maybe it’s in your big three, or perhaps it’s just the vibe you’re stepping into: courageous, unstoppable, and unafraid to take the lead.

The Cards—Breaking It Down

Nine of Wands & The Devil—Let’s start with the tension. You’ve been through the wringer, haven’t you? The Nine of Wands shows resilience—standing tall, even when life keeps throwing curveballs. Paired with The Devil, though, it’s clear there’s something or someone trying to hold you back. Old habits? Toxic patterns? This card combo screams, “Break the chain!” You’re on the verge of freeing yourself from whatever’s been binding you.

Nine of Swords reversed & Five of Pentacles reversed—Here’s the good news: The worst is over. Those sleepless nights, those feelings of lack and abandonment—they’re lifting. You’re stepping out of the shadows, finding your strength again.

Three of Pentacles & Page of Swords reversed—Collaboration is key, but Spirit is warning you: not everyone in your circle has your best interests at heart. The Page of Swords reversed suggests miscommunication or even gossip. Keep your guard up and trust your intuition about who’s really in your corner.

Four of Swords reversed & Queen of Pentacles—You’ve rested long enough. Now, it’s time to get back in the game. The Queen of Pentacles shows you stepping into a nurturing, abundant energy—balancing your hustle with self-care.

The Star & Ten of Pentacles reversed—Hope is your guiding light, but don’t get stuck chasing someone else’s idea of success. The Ten of Pentacles reversed suggests that your “happily ever after” might look different from what you originally envisioned—and that’s okay.

Queen of Cups & Page of Pentacles reversed—Emotionally, you’re in tune, but don’t let small setbacks throw you off course. The Page reversed is a reminder to keep learning, growing, and experimenting without fear of failure.

Seven of Wands reversed & Seven of Cups—You don’t always have to fight. Sometimes, stepping back and reassessing your options (and there are many, trust me) is the best move.

The World & Six of Cups—A cycle is coming to a close, and it’s paving the way for something deeply nostalgic and fulfilling. Whether it’s reconnecting with a person or rediscovering a passion, there’s a sense of coming full circle.

Strength & Judgement—You’re stepping into your power, answering Spirit’s call. This is a rebirth, a reckoning, a chance to redefine yourself. Don’t shy away from the reflection staring back at you.

Knight of Pentacles & Queen of Swords reversed—Slow and steady wins the race, but don’t let impatience or harsh self-criticism derail you. The Knight is reliable, and you’re building something that lasts.

The Bottom of the Deck

The Lovers—Ah, the heart of it all. This is about choices, connections, and alignment. Whether it’s romantic or not, you’re calling in something—or someone—that resonates with your soul.

Split: Nine of Cups & Justice—Wish fulfillment is on the horizon, but Justice says you’ll get exactly what you deserve. This is karma balancing the scales, so trust that what’s coming is meant for you.

The Message

Pile Two, you’re in the middle of a transformation that feels like a dance—sometimes smooth, sometimes chaotic, but always moving forward. Spirit is asking you to embrace your unique rhythm. Let go of what no longer serves you, lean into the things that light you up, and trust that you’re exactly where you’re meant to be.

That Aries energy? It’s your cue to be bold, fearless, and unapologetically you.

Pile Three🎀

Traveling Through Love, Fireworks, and a Deep Connection

There’s something sparkly and electrifying about this pile, isn’t there? You’re stepping into a story that feels like a whirlwind—like packing up everything in your bags and rushing toward an adventure. Travel is on the horizon, either you’re coming back from a trip, or one is definitely in your future. And it’s not just any trip. There’s a sense that this one will change you, shift you into something more you than you’ve been in a while. But it’s not all about the destination. Oh no, this is about the journey—one full of love, fireworks, lace, and that breathless feeling when you know your heart is about to explode.

Signs & Synchronicities

So many things stand out. First of all, broken earbuds or earphones? That’s a message right there. A reminder that some things, or perhaps even relationships, just don’t stay in one piece. They break, but in the breaking, there’s a deeper connection waiting to be made. There’s an underlying theme of things falling apart to make space for something new and beautiful.

And let’s talk about pink. Baby pink specifically. It’s soft, it’s delicate, but it’s also powerful. Maybe you’ve been seeing pink lately—whether in your wardrobe, decor, or in the most random of places. This is an invitation to open your heart, embrace vulnerability, and trust that love is not only possible but waiting for you.

Then there’s the theme of bags—packed bags. You’re not just physically packing up, though; you’re preparing for an emotional journey. Some of you could be making big moves soon, whether in relationships or lifestyle choices. It’s like Spirit is preparing you for something big, and you’re already subconsciously getting ready.

And fireworks—boom. There’s something that’s about to explode into your life in the most magnificent way. Maybe it’s a relationship, maybe it’s a moment of self-discovery. Whatever it is, it’s going to leave you breathless. Lace could also be significant—delicate, but intricate and deeply meaningful, like the threads of connection in your life.

Travel? I know we’ve mentioned it, but there’s something special about it. You could be reconnecting with someone from your past, or maybe you’re about to meet someone who feels like a past life connection. Someone who’s going to be incredibly dear to you.

The Cards—Breaking It Down

King of Wands & The Devil—The energy here is intense, fire-burning, and possibly a little addictive. The King of Wands is bold, confident, and passionate—someone who knows what they want and goes after it. Paired with The Devil, though, it’s clear that there’s a magnetic attraction here. Maybe there’s a person in your life or someone coming in who embodies this energy—a powerful force that could sweep you off your feet. But beware: there’s something about this connection that could be a little...dangerous. Will it lift you up or leave you craving more?

Three of Pentacles reversed & Eight of Pentacles—You’ve been trying to collaborate, work with others, and build something lasting. But right now, it feels like things aren’t coming together as smoothly as you’d like. Don’t let that dishearten you. The Eight of Pentacles is here to say that your hard work will pay off. Maybe it’s time to focus on yourself for a bit—hone your craft, perfect your skills, and let things fall into place.

Nine of Pentacles & The Chariot—Ah, independence and drive. You’re stepping into your power, learning how to stand alone, but there’s also a rush of energy—like a burst of momentum carrying you forward. The Chariot says go. Whatever it is you’ve been hesitating about, it’s time to take the wheel and drive. You’re unstoppable now.

King of Cups reversed & Seven of Cups—The emotional confusion here is palpable. There’s a lot of energy, but not all of it feels grounded. Is there someone who’s emotionally distant or unstable around you? The King of Cups reversed could indicate that someone close to you is struggling with their emotions, and the Seven of Cups adds to the fog, making everything seem unclear. Keep your heart open, but trust your instincts to cut through the illusions.

High Priestess reversed & Seven of Swords—Don’t let secrets or lies stand in the way. The High Priestess reversed is asking you to trust your intuition, but the Seven of Swords is a warning. Someone may not be telling the truth, or you might be withholding a truth from yourself. Pay attention to what’s hidden—whether it’s in a relationship or in your own actions.

Knight of Cups & Queen of Cups—Here comes the love, or at least, the potential for it. The Knight of Cups is a dreamy, romantic energy, and with the Queen of Cups, this is a deeply emotional connection. Someone is about to step forward—perhaps they’re already in your life—who sees you for who you are, someone who feels like home.

Queen of Pentacles & Four of Wands—Stability, home, family—this is what’s on your mind. You’re looking for something grounded, something that feels like it lasts. The Queen of Pentacles is practical and nurturing, and with the Four of Wands, there’s a sense of celebration. Could this be a wedding, a reunion, or a coming together with someone from your past? Whatever it is, it’s building toward something beautiful.

Strength & Ace of Pentacles—You’ve got the strength to make this new beginning happen. The Ace of Pentacles is all about tangible, grounded beginnings—whether it’s love, work, or both. But it’s going to take courage. Do you have the strength to face what’s ahead? I know you do.

Five of Cups reversed & Six of Cups—Letting go of past hurts, emotional releases, and embracing the lessons. The Six of Cups is all about reconnection—could it be that someone from your past, someone who means the world to you, is coming back into your life? Or maybe it’s just a new love that feels like it’s been years in the making.

Three of Cups & Eight of Swords reversed—Celebration and release. The Eight of Swords reversed is a reminder that you are no longer trapped by your thoughts or circumstances. It’s time to embrace joy, to surround yourself with people who lift you up and support you.

Ace of Cups & Page of Wands—A new emotional beginning is coming, and it’s going to ignite that spark in you. The Page of Wands suggests excitement, curiosity, and exploration—there’s a sense of newness in your emotional journey, and it’s one that’s going to set your heart on fire.

Page of Swords reversed & Star—Communication could be a little off, but don’t let that stop you. The Star brings hope, healing, and renewal. Even if things aren’t perfect right now, there’s a beautiful future waiting for you.

Moon reversed & Two of Cups—Truth is coming to light. The Moon reversed uncovers secrets, and the Two of Cups brings balance, a true partnership, or union. This is about clarity in love. Whether it's someone from your past or a new, deep connection, this relationship is unfolding just as it’s meant to.

The Bottom of the Deck

Ace of Wands reversed—There’s a delay in the beginning, but it’s coming. This is a slow burn, not a flash fire. When the Ace of Wands comes in reversed, it’s a reminder that sometimes, the most powerful sparks take time to ignite.

Split: The World—A cycle is coming full circle, and you’re about to experience completion, closure, or a new phase. The world is a powerful card of achievement, success, and finally coming into your own.

The Message

Pile 3, you’re entering a chapter full of excitement, love, and undeniable fireworks. Whether you’re about to reconnect with someone special or embrace a brand-new relationship that feels like fate, the energy is palpable. Love is coming in hot, but it’s not without its twists and turns. This journey will be full of moments that make you feel like you’re traveling the world, discovering pieces of yourself along the way. Stay open, stay grounded, and let the universe unfold its magic for you. You’re ready.

And there you have it, my darlings. Another reading, another wave of energy to sift through. I hope you caught those messages—whether the fireworks, the lace, or the truth that’s just waiting to spill out. Remember, the universe doesn’t speak in straight lines; it whispers through synchronicities, songs stuck in your head, and moments of undeniable connection. Keep your eyes open, your heart even more so, and let things unfold as they should. Until next time, you know where to find me when you need clarity, a nudge, or just a little dose of cosmic truth. Stay fiery, stay fierce, and always keep a little mystery, darling. Xoxo, May.

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silkscream · 2 months ago

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you're an angel, i'm a dog

ੈ✩ megumi fushiguro x reader

ੈ✩ synopsis: megumi comes home to you.

ੈ✩ tags: fem reader (gets called a girl and wears lingerie), established relationship, fingering, unprotected sex, teasing, mentions of masturbation, megumi is bad at feelings

ੈ✩ wc: 2.5k (what the fuck)

ੈ✩ a/n: its me n megumi n the dog metaphor against the world sorry. yes like the mitski song. could be considered a part 2 of this

Your heart beats faster as you fix the blanket atop the couch. Your mind is calm, but your body isn’t, as if anticipating his return.

Megumi is coming home today.

It’s been less than a week – maybe four days. You weren’t counting. You insist. But he said that it would only be two days.

You feel tense upon his return since things had gone sour the last time you spoke. You were being clingy again, overbearing. Sometimes you wanted to stitch yourself to him and he couldn’t take it.

Your blood stills when you hear the knob to the door of his apartment jiggling. You stayed there often instead of your dorm – he gave you a key.

He’d let you move in if it was an easier process. The apartment was in Gojo’s name, but it’s mostly Megumi’s. He wasn’t going to get your name on the lease to the apartment Gojo paid for. He wouldn’t, not now, at least. Megumi felt crazy for even thinking about it when you’ve only been official for six months.

He unlocks the door and steps inside, a thinly veiled cloud of irritation surrounding him from having to deal with Gojo post-mission. His eyes land on you on the couch, wearing a new lingerie set.

You think you see his eyes widen in surprise for a fraction of a second. He schools it back to a facade of stoicism as quickly as his expression of desire leaves.

“Hey,” you say softly.

“Hey,” he mutters.

You ask him about his mission and he tells you. It’s like pulling teeth to get him to talk about anything so openly that you get to see his feelings, so you take in every expression he makes like it’s something intimate. Maybe for him, it is.

He’s short with his responses. Eyes looking everywhere but you.

“You okay?” you prod.

“Yeah… just, uh–” he exhales and glances at you before looking away. “Distracted.”

“Distracted?” you snort. “Does that mean my efforts of seducing you are paying off?”

His brows raise slightly at your boldness, a faint blush dusting over his cheeks. “Perhaps.”

“C’mon,” you pout. “Is that all you have to say?”

He exhales and properly looks at you this time. You’re wearing a mix of satin and lace – all a sage green, just a touch lighter than the color of his eyes right now. He’d blame it on the dim lighting, but his black pupils are swallowing up his irises, his eyes looking dark forest green from afar.

A hint of a smile tugged at the corners of Megumi's lips. "Alright," he says, feigning a tone of aloofness. "I suppose you look... tolerable."

You scoff. “Tolerable?”

“Yes, tolerable,” he chuckles. “Some might even say pretty.”

“Does that include you?” you mumble.

“Yes. Of course, it does.”

He says it kindly. Like throwing a dog a bone.

It’s funny how much you’re trying. You’re almost as quiet as him, though more eager to come out of your shell around your friends. He liked that you thought this would be a grand gesture instead of telling him you missed him. He’ll tease it out of you anyway. You think you’re doing the same to him.

In bed, you’re often wet-eyed, pouty. Pliable. You don’t know how to ask for what you want, thinking that Megumi must not want you as much as you want him. It’s cute. He can always tell when you’re horny by the way your hands fidget around him. How your stares linger with suppressed longing.

Megumi knows because he’s just like you. He’s just more attuned. He won’t tell you, not directly, but he also likes to tease you a little.

It shouldn’t get him hard, the way you want him so desperately yet try so hard to contain it. You think it would disgust him, but in reality, he wants you even more. It’s beyond disgust or dignity at this point.

He supposes it’s the sense of control he craves. You tease him often for being a control freak and for being so serious during missions. He can’t help it — his technique forces him to be a leader, herding around his shikigami. His Divine dogs adore him.

He notices that, like them, you are eager to please.

You look at him sheepishly, embarrassed of the elaborate display of your body. You don’t feel like you’ve won anything even though he called you pretty. Technically.

Megumi’s eyes soften when he realizes how easily you’re giving up.

“Um,” you mumble, reaching for one of his hoodies draped over the chair. “Are you hungry? I thought we could do takeout and watch movies–”

“What’re you doing?” He interrupts you, glancing at the hoodie you’re starting to put on.

You blush and his cock twitches in his slacks.

“Nothing… just–”

“Come here,” he commands, his voice rough. You make a small noise of surprise as you fall into his lap, the oversized hoodie drowning your frame.

He notices you smell strongly of roses – one of the perfumes you break out for special occasions. He also notices the slight gloss of your lips.

“You smell nice.”

You blink at him, embarrassed. He looks at you in adoration and amusement.

Before you can get out a thank you, he leans in and inhales, nose nudging at your collarbone. He wants to bite you above it, but you’ve put on his damn sweatshirt.

You shiver when his hands reach underneath to splay over your abdomen, right over the lace.

“Why’d you cover up?” he chides lightly.

“It’s… cold,” you mumble. He knows you’re lying.

“I’ll warm you up, then.”

You gasp lightly when he nearly tears the hoodie off you, your nipples pebbling to the cool air. His hands graze your ribs to your hips. His eyes flicker with something predatory when he notices the wet stain on the delicate fabric of your underwear.

“Don’t hide from me.”

“I– I wasn’t,” you huff. “I just thought you weren’t… y’know. In the mood or something.”

He laughs.

“You’re cute. Thinking I don’t want you.”

You glare at him. He thinks you resemble an angry kitten.

“Well, you didn’t react to me when you walked in, so…”

“You don’t have to dress up for me. I do like this, though.” He rubs his hands over your breasts and you reflexively preen into his touch. You look away, assuming he’s just saying this to appease you.

He’s telling the truth, though. Megumi is so good at controlling his expressions that you hadn’t even noticed the hitch of his breath when he walked into the room. It was bad enough to be around you, finding you desirable during mundane moments, like when your bedhead emerges in the morning as he makes coffee. The determined look on your face during a mission when you hone in on your cursed energy.

Hell, he’s gotten hard just watching you read a book. Seeing you like this was something else entirely.

He sighs as he cradles you in his lap, mouth nipping at your collarbone as if to admonish you. You’re so warm, everywhere, and he’s about to snap from the way his cock strains against the confines of his pants.

“Did you miss me?” you whisper.

He pauses, lashes fluttering against your neck. He isn’t the kind of person who says he misses you. He rarely holds your hand. Ignores your use of corny emojis. But then, he pulls away slightly to look at you wholly, and his green eyes are blown out with desire.

“Having no service the whole time was a bitch,” he mutters.

You hum. “So you didn’t get any of the funny videos I sent?” you pout.

He rolls his eyes and shuts you up with a kiss. He’s always careful at first when he kisses you like you’re breakable in his hands, but this time, it’s like lighting a match. He pins you against the couch like he’s starved. Days without seeing your face and hearing your voice made him feel insane.

He groans as you cling to him. He loves how you’re as desperate as he is. Trying to mold your bodies together. He’s impatient to unclasp your bra and fiddle with your garter and underwear. He likes you in the set, but he likes the simplicity of skin-to-skin contact much more.

Megumi splits you open easily on his fingers. He didn’t know what it was like to be so passionate about pleasing another person until he met you, and since your first time, he’s addicted to every reaction you make. He has it all memorized, every spot that makes you moan out. He supposes it’s overly clinical to think about sex that way, but control has been his strong suit for far too long, and you seem to like it far too much.

You whine as your hips buck up, the curl of his fingers already hitting the spot inside your cunt that makes you dizzy.

Once you cum, you’re frantic in helping him undress. You blink at the small bruises that align his abs, frowning slightly, but he knows to shut you up with his tongue in your mouth and his cock rubbing against your slit. He grins when you moan.

“Want me inside you, huh?” he whispers in your ear, his tone almost threatening. “This all you could think about while I was gone?”

“Y-Yes—”

“Yeah? My baby can’t help but cling to me like a little pet.”

You whimper his name, humiliated. He rubs your clit gently and you gasp. After nuzzling your neck, he pulls back and hovers to admire how wrecked you are. He smiles and your cunt pulsates with want. He always looks a little mean when he wants you.

“Can I tell you a secret?” he rasps.

You nod.

“I kinda like it when you’re clingy. I like knowing it’s me you want and nobody else.”

Your eyes flutter, pressure building in your stomach from the warmth seizing your body. You’re so close just from him playing with your clit. When he retracts his fingers, you whine.

Usually, he scolds you or teases you, but he fucks into you instead, without warning. Groans when he bottoms out, knowing how well you fit together. He’s carved you in his image – you’re perfect around him.

He doesn’t talk much during sex, not usually, but he wants to indulge you. Reward you with what makes your face hot, what gets you wet at night.

“Good girl,” he mutters. “Good fucking girl—”

You moan so loud he has half the mind to cover your mouth. His stomach flips. He hooks a thumb into your mouth and watches your eyes water in delight. It makes him ache all over with tenderness.

He ruts into you quicker, hips slapping against yours as he uses his other hand to lift your leg. You feel your head spin with how deep he’s getting, feeling him up to your rapidly beating rabbit heart. Lungs tightening with pressure.

“Oh, god—” you moan, your voice pitched.

He grunts, your pussy swallowing his cock in a bed of warmth. You feel impossibly tight. Tethering him to you. He doesn’t usually get this rough unless he’s stressed. He wants to be gentle.

But fuck, he hated that mission. He hated being in the middle of nowhere, with no service, with only Gojo of all people to keep him company. With only thoughts of you to warm him at night when he had his hand wrapped around his cock.

“Missed this, huh?

“Y-Yeah– missed you–”

He chuckles darkly. It wasn’t what he asked, but it’s easy to make you a desperate girl.

“Megumi,” you whine. “Missed you. Missed you so much.”

“I know, baby.”

“Tell me you missed me,” you mumble.

“You know I did.” His tone is mildly dismissive but the softness in his voice makes you keen regardless. He soothes you with a tongue to your jaw, thumbs hooked on your hips like he’s afraid you’ll disappear.

“You touch yourself while I was gone?’ he mutters, slowing his thrusts as he peers at you with dark, vulturine eyes.

You blink rapidly, unsure of what the right answer is. He slides out until his tip is brushing the inside of you, then slams himself to the brim of your cunt. He grins when you mewl.

“Yes – fuck–

“Language,” he scolds, smiling. He holds your chin in his hand. “So honest. I thought about you too.”

He feels you flutter around him and groans.

“Can you show me?” he grunts.

“Hm?” You’re barely conscious of yourself when you’re full of him, face cradled by him – his angel on Earth. It’s times like this when he feels justified to tease you and call you his pet. Despite never admitting it, he belongs to you more than you belong to him.

“Touch yourself. I wanna see.”

You bring a shaky hand in between your bodies to circle your clit, legs trembling at the extra stimulation. Megumi can feel his gut searing at how your face contorts in pleasure, gasps hiccuping out of your mouth like bubbles when he presses his knuckles down gently on your stomach.

He’s more than willing to sink deeper and deeper into you. Your warmth and wetness and softness help him obscure all the jagged parts of himself. He can forget.

“Feels so fucking good,” he groans. “So good, baby.”

You moan and babble incoherently as you take him, fucked out of your mind.

You’re fucking close. He’s coaxed both of your legs up and onto his shoulders. You can feel him dig into the most sensitive parts of you. You feel drunk on the feeling of his cock.

It seems that your pulses are synced because he smiles at you knowingly. He knows all your expressions, the slight constriction of your cunt around him when you’re on the edge.

He leans in close to whisper in your ear. “Gonna cum, angel?”

“M-mhm… can you– hah–”

��Yeah?” he breathes.

“Faster,” you hum. “Just like – oh, fuck –”

His hips buck and you pulse around him, letting out a choked gasp as you come. Fuck, he should pull out. Going raw was only a recent development, mostly because you’re very persuasive, but he usually likes to pull out and spill onto your stomach. Your tits if he’s feeling more pent-up.

He can’t find it in himself to not come inside you right now, though. You feel too good and he doesn’t want to ruin the buildup of what will be the most relief he’ll have in days of not touching you.

Your face is begging him, taunting him. His eyes flutter as he finally lets himself go, grunting as he spills inside you. He doesn’t realize until after he pulls out how tight his grip on you is. He falls back on his knees, watching your heavy-lidded eyes examine his glistening cock.

“Wow. You really did miss me, huh?” you laugh.

“Shut up,” he mumbles.

#megumi fushiguro smut #megumi x reader #megumi x you #megumi fushiguro x reader #megumi fushiguro x you #megumi smut #megumi angst #megumi fic #jjk x you #jjk x reader #jujutsu kaisen x reader #jjk smut #ree.writing

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allthingswhumpyandangsty · 2 months ago

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Hi! I was wondering if you happen to have any advice for writing smut that *doesn’t* sound like a teenager posting to Wattpad? 😅

before we start, I’d like to say that these are all just what I personally do with my writing / how I personally write. these are not “rules” and if you disagree with them, that is totally fine!

also, there’s going to be explicit language moving forward so you may scroll past this post if (written) porn isn’t your thing! 18+ content ahead!

let’s begin with the focus of your story. instead of focusing solely on “the action”, you can try focusing on “the feelings” too. how the characters are feeling as they’re being intimate with each other. in other words, instead of focusing on the “physical” aspects, try focusing on the “emotional / mental” parts and the “feelings” too. so that your characters also feel something else that isn’t just shallow arousal (obviously, there’s nothing wrong with being so horny that nothing else matters, if that’s your goals then go for it, what I’m saying is sometimes sex can be about something else that isn’t merely the act of coupling, if you get what I mean? the “porn with feelings” tag on AO3 is there for a reason and, yes, porn with feelings can get you just as aroused if not more!)

for instance, instead of “he roughly shoved his entire dick inside her pussy, grabbed her boob with one hand, the other steadied her hip, before he started thrusting and moaning”. you could try “he wasn’t being gentle when he pushed his length inside, feeling her body yield and surrender, engulfing him in one confident thrust. with one hand on her breast, the other on her hip to keep her still, he began moving, making love and declaring to his wife his fidelity in an ecstatic moan.”

how you describe your characters’ private parts affects the mood / vibes your readers get from your work too. I personally prefer using “cock / cunt” to “dick / pussy” because for me, the first set of pairing sounds sexier, more raw and more “mature”, while the latter just gives off the vibes of horny and mindless teenagers instead, which might only be a personal opinion and preference of mine!

that being said, the trick is that you don’t always have to use the exact, direct words over and over again while talking about the genitals. using “cock” sounds sexy and all, but using the word “cock” three times in the same sentence can feel like you’re trying a little too hard to make your readers know this is smut. they already know. and they know what the character is stroking.

sometimes the trick lies in the implication and indirectness of how you describe your scenes. sometimes it sounds more hot to, instead of directly saying what the characters are doing, use implication and metaphor to tell your readers what the characters are doing.

for instance, instead of “he pushed his big, big cock inside her and felt the walls of her cunt squeeze his cock, so he stayed still for a while to savor the feeling of her cunt around his cock before he started moving his cock” you could say something like “he pushed himself inside her, feeling the warmth of her around his length and opting to keep still to savor as much as he could of her tightness before he started thrusting.”

or, instead of “his cock was so huge it made her mouth water” it could be “the promise of godhood between his legs elicited from within her the hunger she never knew existed”

yes, smut is about sex. but sex can also be about other feelings besides arousal. sex can be about vulnerability, the complete trust one gives their partner. it can be about surrendering and submitting yourself to someone. it can be about dominating and controlling someone. it can be about pain and betrayal. it can be about hatred. it can even be about grief and mourning. just in case you want to throw in some feelings or angst and in case you want to describe your scenes with something else that isn’t just mindless arousal.

(again, smut with nothing but mindless arousal isn’t bad. there’s nothing wrong with smut just being smut with no other feelings involved. so this isn’t me saying you have to throw some emotions and depth into your porn, obviously. smut can be just smut and that’s fun and hot enough, and if that’s your thing then you do you. I will always be rooting for you.)

the two most important things while writing smut — as well as anything else that isn’t smut — are 1.) write whatever you want for you and 2.) practice makes perfect.

keep writing. your smut doesn’t have to be perfect the first time you write it, and that’s okay. that’s normal. the most skilled writer out there started out terrible at what they wrote, but the nature of writing is that you get better the more you write.

the first smut I wrote was about 8 years ago and it was terrible. and that’s fine. I’ve come a long way since. the point is: keep writing and writing and writing and you will keep getting better and better and better.

keep writing whatever you want to write, and have fun, that’s the key.

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shorthaltsjester · 6 months ago

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so, so many thoughts about ashton’s words and position re the gods but nothing really struck me as much as “i’d like to see them pray to us.” (or whatever the exact wording is) because yeah, that’s extremely ashton, that’s the same attitude of a person who has been hurt and broken by life in an unfair manner and tried to absorb a shard because they thought it would fix it, ignoring all warnings that it would make it worse, and then insisting it wasn’t about power, despite the fact that it explicitly was about power — the power to render their life fair. it becomes increasingly clear every time that ashton opens his mouth that, along with being an incisive translation of certain kinds of punk politics to exandria, ashton is more set on vengeance than justice, even if he insists his motivation is that the gods are a source of injustice, it seems more like what he admitted after the shard: he’s spent his life looking for someone to blame, and while he’s happy to hate himself, it took a while for them to realize they were an agent in their own story, culpable for the life they’ve lived. ashton looks at the gods and sees a metaphorical vehicle of all the harm and hurt and pain that’s befallen him due to people in positions of power and cannot (or refuses) to see that a) the gods position isn’t actually all that powerful without the mortals who choose over and over to fulfil divine will for good or evil or in between and b) the gods already have a relationship to mortals that is akin to prayer.

and this is all extremely in character, as much as a lot of ashton’s comments echo many a political stance that makes me roll my eyes, it’s always with an attitude of yes of course ashton would say that. what is mildly more irritating (or perhaps concerning) is the readiness with which aspects of the audience concur with ashton’s assessment, when we have seen countless interactions of gods with mortals that shows us that the gods, though not actual prayer, have a very similar kind of belief in mortals that they ask of those who believe in them. like, vox machina had two episodes dedicated to talking to the gods, where it was revealed that the everlight didn’t just know pike but has beholden to her as the one who brought her back into import. where vex proved herself to pelor not just through completing his challenge but by having long been an imperfect but true source of good for the family she’s chosen that they convinced pelor that vex was a suitable champion by pointing out that she has earned several of their belief, she protects the same city pelor blessed with the sun tree, she’s protective and protected, and her heart and her intelligence are equally sound when it comes to her ability to make judgements, (all things we’ve learned since c1 are important to pelor) resulting in pelor deciding he would also believe in her. where ioun pointed out that while she keeps all stories, scanlan is a storyteller, and what could she possibly cherish more than that.

each god when vox machina spoke to them was quick to correct them when vox machina suggested things like their paths being determined or their lives being beyond their control or the world being down to the will of the gods. vex apologizes to the everlight for not realizing that the gods were really beings and she tells vox machina that she doesn’t ask for the belief of all, only those who wish to give it, as the gods chose to give mortals the ability to choose as they wish upon anything, including their faith in the deities. when vox machina asks pelor to whether they should do something with vecna’s eye, he insists that they make the decision whether they’d like to destroy it or use it — he will help however they decide, but he insists it’s on them to choose the outcome. they speak with ioun, who knows their and every story, and she tells them that the gods do not choose the individual fates of mortals, it is up to every person to choose who they will and will not be, and sometimes that guides them to places the gods have predicted, but never without the choices a mortal makes to arrive there.

the concept of belief throughout the three campaigns has been an complex and ever shifting one — as it deserves. in campaign 1, it’s largely in the context of coming to understand what it means to believe in gods when they obviously do exist, but what are you believing in, and why might you choose not to. in campaign 2, jester’s presence complicated things by pointing out that it isn’t just the divinity of the gods that earns them their power but that belief itself is a kind of divinity and with yasha, caduceus and fjord we see that the role of the gods isn’t just power-granting, it comes to be an essential part of many of those who follow the gods. and in campaign 3, we’ve seen both of those explorations come up but the difficulty is we have none of the perspective of someone who actually believes — even fcg was new to worship couldn’t offer much insight on what the loss of the gods might do to people who believe in the gods not because they grant power but because like jester they were lonely and the found a friend in one, or if like yasha they were lost and were saved by one, or if like fjord the asked for help and were aided by one. to be clear i don’t think this a weakness of the story being told — i think it’s a particularly interesting aspect of bh’s position, but i do think it weakens the perspectives of thinkers like ashton who haven’t even heard what a god means to some people, let alone taken seriously the pain that losing the gods would constitute for countless people.

so, ashton might be particularly charged against the gods — even to the point of being the only one to outright make a noise of disagreement when it’s brought up that while bells hells disagree on specifics, they all agree on saving the gods — and he has plenty of reasons to have that position that can easily result in the audience going, yeah, i understand why he’s made that judgement. but that is not the same as hearing what ashton has said and going (with all the knowledge we the audience have that ashton does not) “he’s right, actually” when there are two campaigns telling you, explicitly, “he’s not.” and this isn’t me saying things can’t be revealed that complicate or recontextualize knowledge from previous campaigns, i’m just saying that, thus far, if anything, campaign 3 (especially downfall) has only cemented the degree to which the prime deities have to believe in mortals.

truly the first thought i had when i heard ashton say his line about the gods praying to mortals instead was the fact that several of his party members received a vision from the raven queen asking for help, that fcg asked the changebringer if she was scared and she said yes, that earthbreaker groon looked at imogen and saw her self-doubt And the belief that bells hells has in her anyway and kord reached through him to tell imogen that she had the potential for greatness and that the gods are counting on her. the prime deities have long been praying to mortals, they believe in the power of mortals (for good and ill) — that’s exactly what downfall was about. the power that gods still have is entirely mediated by the mortals who believe in them, who choose to believe in them. the power of mortals does not have those bounds, and while that doesn’t mean they get to sling 9th level spells at will and multiply their damage by 10, it does mean that, in this particular moment in exandria, ludinus’ power is a much more likely (and, historically and contextually proven) source of injustice than the prime deities.

beyond the magic limitations and considering the ill-fitting metaphor of the gods as being a position of power in a sociopolitical sense, the distance of the gods means that if they want to manipulate people into maintaining their position, it’s quite difficult to do. in comparison with ludinus “cult tactics” da’leth, it strikes me as odd when the parts of the cr audience react to the prime deities doing things like . allowing mortals agency (which, as every existentialist writer ever has correctly pointed, out is both a burden and gift) as if it is actually a long-con manipulation or something.

anyway, TL:DR, ashton is an a interesting character whose beliefs and ideas make sense given his placement in the story and their experiences, but an audience who has seen campaigns 1-3 and says they agree with him with their whole chest should definitely consider either a) rewatching or b) taking a critical thinking or media literacy class

#cr spoilers #ashton greymoore #cr fandom #critical role #cr3 #the prime deities #vox machina

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odinsblog · 1 month ago

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I’ve worked for the Washington Post since 2008 as an editorial cartoonist. I have had editorial feedback and productive conversations—and some differences—about cartoons I have submitted for publication, but in all that time I’ve never had a cartoon killed because of who or what I chose to aim my pen at. Until now.

The cartoon that was killed criticizes the billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump.

There have been multiple articles recently about these men with lucrative government contracts and an interest in eliminating regulations making their way to Mar-a-lago. The group in the cartoon included Mark Zuckerberg/Facebook & Meta founder and CEO, Sam Altman/AI CEO, Patrick Soon-Shiong/LA Times publisher, the Walt Disney Company/ABC News, and Jeff Bezos/Washington Post owner.

While it isn’t uncommon for editorial page editors to object to visual metaphors within a cartoon if it strikes that editor as unclear or isn’t correctly conveying the message intended by the cartoonist, such editorial criticism was not the case regarding this cartoon. To be clear, there have been instances where sketches have been rejected or revisions requested, but never because of the point of view inherent in the cartoon’s commentary. That’s a game changer…and dangerous for a free press.

Over the years I have watched my overseas colleagues risk their livelihoods and sometimes even their lives to expose injustices and hold their countries’ leaders accountable. As a member of the Advisory board for the Geneva based Freedom Cartoonists Foundation and a former board member of Cartoonists Rights, I believe that editorial cartoonists are vital for civic debate and have an essential role in journalism.

There will be people who say, “Hey, you work for a company and that company has the right to expect employees to adhere to what’s good for the company”. That’s true except we’re talking about news organizations that have public obligations and who are obliged to nurture a free press in a democracy. Owners of such press organizations are responsible for safeguarding that free press— and trying to get in the good graces of an autocrat-in-waiting will only result in undermining that free press.

As an editorial cartoonist, my job is to hold powerful people and institutions accountable. For the first time, my editor prevented me from doing that critical job. So I have decided to leave the Post. I doubt my decision will cause much of a stir and that it will be dismissed because I’m just a cartoonist. But I will not stop holding truth to power through my cartooning, because as they say, “Democracy dies in darkness”.

Thank you for reading this.

—Ann Telnaes

#politics #ann telnaes #jeff bezos #washington post #political cartoons #editorial cartoons #free press #oligarchy #crony capitalism

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anim-ttrpgs · 4 months ago

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Disabilities and Monsters in Eureka: Investigative Urban Fantasy

Through a discussion with @vixensdungeon (great blog to follow for TTRPG stuff by the way) it came to our attention that some of our more jokey and memey posts and reblogs may have given some people a slightly skewed idea of what Eureka, and particularly the “urban fantasy” parts of Eureka are really about, and its tone. We like to joke around about it, and the “cute monster girl” angle really sells on tumblr.com, but actually playing these types of characters in Eureka is not exactly a power fantasy. They eat people, and often eat them alive. If you find that cute, funny, and/or sexy, well, Eureka is still probably just the game you’re looking for, but that isn’t the main thing. Eureka uses the fact that many of these characters necessarily subsist off the flesh and/or blood of other people as a loose metaphor for mental and physical disability.

Imagine you need something that everyone else has but you don’t. If you don’t have it regularly, you will literally start to waste away. The only way to obtain this thing is to take it from another human being, who also needs it, and others will deny that you need it, and abhor that you need it. It’s not uncommon for people, even “progressive” people, to say something along the lines of “they need to all be killed for the good of society,” even if they don’t realize that’s what they’re saying. You didn’t choose to be this way. This is the reality of monsters in Eureka, and many people in real life.

And then even when you have that thing you need, for now, there are many facets of society that you just can’t participate in because your condition makes them impossible for you, like if a vampire wanted to take a run on a sunny beach. Monsters in Eureka will be challenged by their supernatural weaknesses at every turn, while hiding their abhorrent needs from society and even the rest of the party, and asking why they have to be this way. Finding clever ways to get around and circumvent their weaknesses is a core part of the gameplay of monster PCs in Eureka. Imagine you and your friends want or need to go somewhere, but that somewhere is on the other side of a river. The river has a well maintained bridge. For everyone else but you, a vampire who can’t cross running water, getting across the river is the simplest task in the world, so much so that no one would even consider it a task, but for you, it’s a challenge, and for gameplay, it’s a puzzle.

It isn’t totally hopeless, as many of the jokes and fan comics show (those aren’t just memes, they’re only showing one side of the coin and not the other). Monsters who accept, or even embrace and celebrate their monsterhood, can and do exist canonically, alongside monsters who can’t bear to do what they do. In some cases, these may be the same monster on different days.

I’m going to conclude this post by posting two excerpts from the rules text itself.

Disabilities are Disabling

So why don’t disabilities grant any advantage? It isn’t too uncommon for RPGs to have some sort of “flaw” system, where during character creation you can give your character “flaws” or some kind of penalty, and usually get that balanced out by being able to add extra bonuses elsewhere. Sometimes, these “flaws” may take the form of disabilities.

One particular high-profile indie TTRPG takes this beyond just character creation, and makes it so that if a PC receives a “scar” in combat that reduces their physical stats, their mental stats automatically go up by an equivalent amount, and proudly imply that to make any mechanic which results in permanent consequences or makes disabilities disabling is ableist. We think you can probably tell what we think of that from this sentence alone, and we don’t need to elaborate too much.

We do think, in the abstract, “flaw” systems in character creation are not a bad idea. They allow for more varied options during character creation, while preserving game balance between the PCs.

But in real life, people aren’t balanced. The events that left me injured and disabled didn’t make me smarter or better in any way - if anything, they probably made me dumber, considering the severity of the concussion! Some things happened to me, and now I’m worse. There’s no upside, I just have to keep going, trying harder with a less efficient body, and relying more on others in situations where I am no longer capable of perfect self-sufficiency.

A disabled person is, by definition, less able to perform important daily tasks than the average person. To deny this is to deny that they need help, and to deny that they need help is to enable a refusal to help. This is the perspective from which Eureka’s Grievous Wounds mechanic was written.

When a character is reduced to 1 HP (which by design can result from a single hit from many weapons) they may become incapacitated or they may take a Grievous Wound, which is a permanent injury with no stat benefits. Grievous Wounds don’t have to result from combat, they can also be given to a character during character creation, but not as a trade-off for an extra bonus.

“But then doesn’t my character just have worse stats than the rest of the party?” Yes, haven’t you been reading this? There is no benefit, except for the opportunity to play a disabled character in an TTRPG. This character will probably have to be more reliant on the rest of the party to get by in various situations. Is that a bad thing?

Monsters Essay

All investigators in Eureka: Investigative Urban Fantasy are regular people. They can also be a monster, like a blood-sucking vampire or a broom-riding witch. Importantly, this works because despite their unique nature, monsters are still regular people. You can read more about this in Chapter 8, but the setting of Eureka does not have a conspiracy or “masquerade” hiding supernatural people from normal society. Though they are still largely unknown to modern science, they exist within normal society - and a lot of them eat people.

The default assumption in RPGs has been that monsters are just evil by nature, doing evil for evil’s sake. RPGs that seek to subvert this expectation often instead make monsters misunderstood and wrongfully persecuted, but harmless. Eureka takes a wholly different approach.

There are five playable types of monsters in the rulebook right now, and it’ll be seven if we hit all the stretch goals, but for simplicity’s sake this discussion of themes will just focus on the vampire. Despite them applying in different ways, the same overall themes apply to nearly every monster, so if you get the themes for the vampire, you’ll get the gist of what Eureka is doing with its playable monsters in general.

Mundane investigators have to keep themselves going by eating food and sleeping (see p.XX “Composure” for more information). Well, vampires can’t operate the same way. They don’t sleep, and normal food might be tasty for them as long as it isn’t too heavily seasoned, but it doesn’t do anything for them nutritionally. Their main way to keep themselves functioning is fresh living human blood, straight from the source. To do what mundane PCs do normally by just eating and sleeping, vampires have to take from another, whether either of them are happy with this arrangement or not. They do not, of course, literally have to, and a player is not forced to make their vampire PC drink blood, just like you reading this in real life don’t literally have to eat food. You do eat food if you want to live in any degree of comfort or happiness, and vampires do drink blood or they eventually become unable to effectively do anything.

This is numerically, mechanically incentivized and not simply a rule that says something like “this character is a vampire and therefore they must drink blood once every session,” to demonstrate that the circumstances a person faces drive their behavior. In America, there is a tendency to think of criminality and harm done to others as resulting from intrinsic evil, but people do not just wake up one day and decide “I think I’ll go down the criminal life path.” Their circumstances have barred them from the opportunities that would have given them other options.

People need food; food costs money; money requires work; work requires getting hired; but getting hired requires a nearby job opening, an education, an impressive resume, nice clothes, charisma, consistent transportation, and so on. For people without other options, crime becomes the only method left to meet their basic needs. Would you rather take what you need from other people, or go without what you need? There are people who don’t have the luxury of a third option. Failure to meet the needs of even a small number of people in a society has high potential to harm the entire society, not just those individuals whose needs are unmet.

As their basic need for blood becomes more and more difficult to ignore, a vampire is going to encounter much the same dilemma. There is really no “legal” or “harmless” way for them to get their needs met, even if they do have resources. Society just isn’t set up for that. And no, your kink is not the solution to this, trying to suggest every vampire just find willing participants who are turned on by vampires or being bitten is suggesting sex work. It’s one step removed from telling a girl she should just get an OnlyFans the minute she turns 18, or that women should just marry a rich man and be a housewife that gets their needs taken care of in exchange for sex and housekeeping. Being forced into such a dynamic isn’t ethical or harmless for the vampire or for their “clients.”

“Oh well, then the vampire should just eat bad people!” You mean those same bad people we just described above? Who gets to decide which people are “bad people?” Who gets to decide that the punishment is assault or death?

Playable monsters in Eureka are dangerous, harmful people. They were set up to be.

Society not being set up in a way that allows monsters to make ethical choices brings us to the next theme: monstrousness as disability, and monsters as “takers.”

Vampires have to take from others a valuable resource that everyone needs to live, and the extraction of which is excruciatingly painful and debilitating. No one knows what happens to blood after a vampire drinks it, it’s just gone. Vampires are open wounds through which blood pours out of the universe.

This is a special need, something they have to take but cannot give back. Their special needs make them literally a drain on society and the people around them. In the modern world, there is a tendency to feel that people must justify their right to life, that they must pay for the privilege of existing in society. This leads people to consider “takers” (people who take much more than they give back, such as disabled people) as something that needs to be pruned away for the betterment of everyone else. Even many so-called “progressives,” while they claim not to agree with pruning “useless eaters,” still hold the unexamined belief that people must justify their existence. To reconcile these two incompatible ideas, they instead simply deny that disabled people take more resources than most people, and are capable of giving back less. This sentiment is perfectly illustrated by the aforementioned game’s insistence that disabilities are never a net reduction of a character’s stats.

Vampires and other playable monsters are inarguably “takers,” but in positioning them as protagonists right alongside mundane protagonists, Eureka puts you in their shoes, and forces you to acknowledge their inner lives and reckon with their circumstances. You have to acknowledge two things: first, that they are dangerous, that they are harmful, that they take more than they give - and second, that they are people. Because they are people, Eureka asserts that they have inherent value, a right to exist, and a right to do what they need to do to exist. (We also acknowledge that their potential victims have a right to do what they need to do to exist and defend themselves, but that is a separate discussion.)

One final point to touch on is mental illness. Mental illness is a disability, one pretty comparable to physical disability in a lot of ways, so all of the above points can apply to this metaphor as well, but there are a few unique comparisons to make here.

It’s not the most efficient, but there are a couple of loopholes deliberately left in the rules that allow vampires to sometimes sporadically restore Composure (and thus their ability to function) without drinking blood. Eureka! moments and Comfort checks from fellow investigators can restore Composure.

When writing the rules, we came to a dilemma where we weren’t sure if it was thematically appropriate for monsters to be able to regain Composure in these ways (since it could lessen their reliance on causing harm), but ultimately we decided that yes, they can.

People with mental illnesses may have the potential to be harmful and dangerous, but all the information we have access to has shown that mentally ill people with robust support structures and control over their own lives are much less likely to enact harm, whether through physical violence, relational violence, or violence against the self. This is why we kept that rule in for playable monsters. Being able to accomplish their goals, and having friends who are there for them, makes that person less likely to cause unnecessary harm.

Vampires are especially great for demonstrating this because they’re immortal and they always come back when “killed.” They can’t be exterminated, they aren’t going away, there will always be problem people in society, no matter how utopian or “progressive.” Vampires are a never-ending curse, who will always be a problem whether they like it or not. The question is how you will grapple with their inevitable presence in society and how you will treat them, not how you will get rid of them.

Eureka is as much a study of the characters themselves as it is the mystery being solved by the characters. It is a game about harsh realities, but it is ultimately compassionate. It argues through its own gameplay that yes, people do have circumstances which drive their behavior, people do have special needs that are beyond their ability to reciprocate, many of those people do cause harm or inconvenience to others, and all of them are still valuable.

Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. If you’re just now reading this and learning about Eureka for the first time, you missed the crowdfunding window unfortunately, but you can still check out the public beta on itch.io to learn more about what Eureka: Investigative Urban Fantasy actually is, as that is where we have all the fancy art assets, the animated trailer, links to video reviews by podcasts and youtubers, etc.!

You can also follow updates on our Kickstarter page where we post regular updates on the status of our progress finishing the game and getting it ready for final release.

Beta Copies through the Patreon

If you want more, you can download regularly updated playable beta versions of Eureka: Investigative Urban Fantasy earlier, plus extra content such as adventure modules by subscribing to our Patreon at the $5 tier or higher. Subscribing to our patreon also grants you access to our patreon discord server where you can talk to us directly and offer valuable feedback on our progress and projects.

The A.N.I.M. TTRPG Book Club

If you would like to meet the A.N.I.M. team and even have a chance to play Eureka with us, you can join the A.N.I.M. TTRPG Book Club discord server. It’s also just a great place to talk and discuss TTRPGs, so there is no schedule obligation, but the main purpose of it is to nominate, vote on, then read, discuss, and play different indie TTRPGs. We put playgroups together based on scheduling compatibility, so it’s all extremely flexible. This is a free discord server, separate from our patreon exclusive one. https://discord.gg/7jdP8FBPes

Other Stuff

We also have a ko-fi and merchandise if you just wanna give us more money for any reason.

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

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