#sometimes that isn’t even a metaphor

[fictional-worlds-are-exquisite]

one of my current cats seems to trail me like a bad smell when my mood drops these fuckers are too intuitive

[laurzvahll]

sol/solkara…

[loadsofcats]

Hate hate hate digitalisation hate only being able to pay with credit cards hate touchscreens instead of people hate cashierless shops hate how ai is causing less jobs and less privacy and hate generated art and generated stories and aaaaaaaaagggghhhhhhhh

[felrott]

I’m still raw dogging the destiel archive btw, it feels kind of like wading through mud if I’m honest

[deadsetobsessions]

Sea Cryptic! Danny AU- Pt. 7

[Pt.1] [Pt.2] [Pt.3] [Pt.4] [Pt.5] [Pt.6] [Pt.8] [Pt.9] [Pt.10]

“I’m having a child.”

Danny stared at Batman.

“…Uh, congrats?”

Batman whips out a stack of paper and a pen. “It’s you. Sign here and initial the highlighted spots.”

Danny instinctively, from years of dealing with Vlad, whacked the stack right out of Batman’s hands and into the bay. He doesn’t even feel bad about littering this time because, “Begone, fruitloop!”

Wait, no, that’s not what he meant.

“I mean- I have parents!”

“Not for long.” Batman muttered and then did a double take. “You have parents? How?”

Danny gasped, placing a hand on his chest to clutch his metaphorical pearls. He ignored Batman’s mutters. Everyone knows the vigilante has an adoption problem. At least, everyone who lived in Gotham did, as everyone who didn’t was somehow convinced that he “worked alone” or some bullshit like that. “Are you naturally this insensitive or were you dropped on your head as a baby? Obviously I had to come from somewhere.”

“They’re still… alive?”

“And kicking,” Danny said, inching away from yet another rich weird guy trying to adopt him. “Mostly the kicking part, though.” He said, remembering the sparring sessions. His mom could kick his as six ways to Sunday with nothing but jiu-jitsu and still have time to work in the lab.

“I see.”

“I’m charging you extra for the emotional upheaval. I have trauma regarding rich people trying to adopt me.”

Batman sullenly handed over a thousand.

“Sweet. There’s a group of shades down here asking if you could find their murderer. Apparently the serial killer is still at large.” Danny pointed.

“Of course. Tell me everything.”

The adoption papers disappeared as Batman went into detective mode.

Danny shoved the cash into his glowing chest and breathed a sigh of relief. He needed to make rent this month so it was a windfall running into Batman.

——

“Hey, Tim?”

Tim woke up from his Power Nap. “Huh?”

“Phantom’s complaining that Batman kept trying to adopt him.”

Tim blinked. “Uh.. what does that have to do with me?”

Danny stared at him, a patiently amused smile on his face. “Just in case the rumor about the Wayne’s sugar-daddy-into the Bats was a thing. Other than that, we might have to confront Batman to get him off of Phantom’s back. ”

“You… want to confront Batman.”

“Hey, man, Phantom’s a friend and it’s ride or die.” Danny snickered. It was literally die, with his Phantom side of things. He held two fists up, and wound them, like Popeye right after eating spinach or something. “And if Batman bothers Phantom, we ride at dawn.”

“Batman doesn’t come out unless it’s dark, though? Or for the Justice League.” Tim grinned. He mentally classified Danny under his “to go to” list. That’s where Bart, Bernard, Cassie, Kon, and Garfield were. If he starts shit, he could count on them to have his back and cause even more shit. Danny, wanting to fistfight Bruce over the man making Phantom uncomfortable? He absolutely is making that list.

“Then we ride at, like, dusk. Or uh, like 10PM. I gotta get my beauty sleep.”

“You’ll definitely need it,” Tim inconspicuously texted the group chat, which quickly blew up.

“Shut up,” Danny playfully shoved Tim. “Wait, can Batman even legally adopt? Isn’t being a vigilante illegal? And how can he adopt someone dead?”

Tim dramatically flailed and splayed over Danny’s carpeted living room. “Dunno about his identity,” he lied to Danny, like a liar. “But Gotham has a bunch of laws for the undead/restored to life people so there’s probably enough gray space there.”

Danny spluttered. “You guys have undead friendly laws?”

“Yeah, geht do you think Grundy just chills out? Plus, we have like a minor resurrection event every few years. It usually doesn’t stick but sometimes it does. Bruce pushed for those laws when Jason came back to life, except he doesn’t actually want people to know he’s like, alive.”

“Jason died?” Danny blinked. Well, that would explain the vibes. “Huh. So what’s up with his rank vibes then?”

“Rank vibes?” Tim pressed record on his phone.

Danny nodded. “Yeah, you know how Phantom’s got like a really chill green vibe?” Inwardly, Danny snickered at his pun. Chill. Yeah, he meant that very literally. “Jason’s got kind of a rank green vibe. He’s kind of stinky? Definitely never introduce him to Phantom.” Danny’s senses got worse in his ghost form.

“Jason regularly showers, though?!”

“Not smell! Like, a spiritual smell?”

“You can smell souls?!” Tim sat up. “Bro, you’re a meta?!”

“Uh.” Danny hesitated. “Yeah. I can smell souls. It’s a thing. Everyone from my town can do it.”

“What?!” Tim paused. “Wait, can Phantom smell souls?”

“Yeah. We’re, uh, from the same town.”

“Danny, what the fuck?”

“Hey, don’t look at me like that, you’re the one with a soul-sick brother! Not to mention, you’re kinda stinky too!”

“Hey!”

“Soul-stinky nerd man!”

——

“I stink?!” Jason spluttered out, extremely offended.

“The Lazarus pits. He’s most likely smelling traces of Lazarus pit on you, you imbecile.”

“We need to speak to Phantom. This instant.”

“I dunno, B. Danny sounded like he was gonna break your face if you bothered Phantom anymore.” Dick snickered.

“Yeah,” Tim chimed in, from his seat in front of the Bat-computer. “He was pretty serious.”

“Are we just gonna glaze over the fact that they’re from the same town?!” Stephanie exclaimed, practicing her moves on a training dummy.

“How does that even work? What does that mean? I thought Phantom was an immortal?” Duke asked.

“We also can’t rule out time-travel.” Barbara slammed her baton into a training dummy, twisting her wheelchair in an agile maneuver that left the dummy on the floor.

“No bothering Phantom.” Cass proclaimed.

“That’s quite right. You all have a warm dinner sitting above your cave and should it remain uneaten, I assure you that sherbet Sunday and crêpe Tuesday shall be canceled.” Alfred stepped in. The Bats, threatened, scrambled to ditch their gear and go upstairs.

[physalian]

How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

—

All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.

[shorthaltsjester]

so, so many thoughts about ashton’s words and position re the gods but nothing really struck me as much as “i’d like to see them pray to us.” (or whatever the exact wording is) because yeah, that’s extremely ashton, that’s the same attitude of a person who has been hurt and broken by life in an unfair manner and tried to absorb a shard because they thought it would fix it, ignoring all warnings that it would make it worse, and then insisting it wasn’t about power, despite the fact that it explicitly was about power — the power to render their life fair. it becomes increasingly clear every time that ashton opens his mouth that, along with being an incisive translation of certain kinds of punk politics to exandria, ashton is more set on vengeance than justice, even if he insists his motivation is that the gods are a source of injustice, it seems more like what he admitted after the shard: he’s spent his life looking for someone to blame, and while he’s happy to hate himself, it took a while for them to realize they were an agent in their own story, culpable for the life they’ve lived. ashton looks at the gods and sees a metaphorical vehicle of all the harm and hurt and pain that’s befallen him due to people in positions of power and cannot (or refuses) to see that a) the gods position isn’t actually all that powerful without the mortals who choose over and over to fulfil divine will for good or evil or in between and b) the gods already have a relationship to mortals that is akin to prayer.

and this is all extremely in character, as much as a lot of ashton’s comments echo many a political stance that makes me roll my eyes, it’s always with an attitude of yes of course ashton would say that. what is mildly more irritating (or perhaps concerning) is the readiness with which aspects of the audience concur with ashton’s assessment, when we have seen countless interactions of gods with mortals that shows us that the gods, though not actual prayer, have a very similar kind of belief in mortals that they ask of those who believe in them. like, vox machina had two episodes dedicated to talking to the gods, where it was revealed that the everlight didn’t just know pike but has beholden to her as the one who brought her back into import. where vex proved herself to pelor not just through completing his challenge but by having long been an imperfect but true source of good for the family she’s chosen that they convinced pelor that vex was a suitable champion by pointing out that she has earned several of their belief, she protects the same city pelor blessed with the sun tree, she’s protective and protected, and her heart and her intelligence are equally sound when it comes to her ability to make judgements, (all things we’ve learned since c1 are important to pelor) resulting in pelor deciding he would also believe in her. where ioun pointed out that while she keeps all stories, scanlan is a storyteller, and what could she possibly cherish more than that.

each god when vox machina spoke to them was quick to correct them when vox machina suggested things like their paths being determined or their lives being beyond their control or the world being down to the will of the gods. vex apologizes to the everlight for not realizing that the gods were really beings and she tells vox machina that she doesn’t ask for the belief of all, only those who wish to give it, as the gods chose to give mortals the ability to choose as they wish upon anything, including their faith in the deities. when vox machina asks pelor to whether they should do something with vecna’s eye, he insists that they make the decision whether they’d like to destroy it or use it — he will help however they decide, but he insists it’s on them to choose the outcome. they speak with ioun, who knows their and every story, and she tells them that the gods do not choose the individual fates of mortals, it is up to every person to choose who they will and will not be, and sometimes that guides them to places the gods have predicted, but never without the choices a mortal makes to arrive there.

the concept of belief throughout the three campaigns has been an complex and ever shifting one — as it deserves. in campaign 1, it’s largely in the context of coming to understand what it means to believe in gods when they obviously do exist, but what are you believing in, and why might you choose not to. in campaign 2, jester’s presence complicated things by pointing out that it isn’t just the divinity of the gods that earns them their power but that belief itself is a kind of divinity and with yasha, caduceus and fjord we see that the role of the gods isn’t just power-granting, it comes to be an essential part of many of those who follow the gods. and in campaign 3, we’ve seen both of those explorations come up but the difficulty is we have none of the perspective of someone who actually believes — even fcg was new to worship couldn’t offer much insight on what the loss of the gods might do to people who believe in the gods not because they grant power but because like jester they were lonely and the found a friend in one, or if like yasha they were lost and were saved by one, or if like fjord the asked for help and were aided by one. to be clear i don’t think this a weakness of the story being told — i think it’s a particularly interesting aspect of bh’s position, but i do think it weakens the perspectives of thinkers like ashton who haven’t even heard what a god means to some people, let alone taken seriously the pain that losing the gods would constitute for countless people.

so, ashton might be particularly charged against the gods — even to the point of being the only one to outright make a noise of disagreement when it’s brought up that while bells hells disagree on specifics, they all agree on saving the gods — and he has plenty of reasons to have that position that can easily result in the audience going, yeah, i understand why he’s made that judgement. but that is not the same as hearing what ashton has said and going (with all the knowledge we the audience have that ashton does not) “he’s right, actually” when there are two campaigns telling you, explicitly, “he’s not.” and this isn’t me saying things can’t be revealed that complicate or recontextualize knowledge from previous campaigns, i’m just saying that, thus far, if anything, campaign 3 (especially downfall) has only cemented the degree to which the prime deities have to believe in mortals.

truly the first thought i had when i heard ashton say his line about the gods praying to mortals instead was the fact that several of his party members received a vision from the raven queen asking for help, that fcg asked the changebringer if she was scared and she said yes, that earthbreaker groon looked at imogen and saw her self-doubt And the belief that bells hells has in her anyway and kord reached through him to tell imogen that she had the potential for greatness and that the gods are counting on her. the prime deities have long been praying to mortals, they believe in the power of mortals (for good and ill) — that’s exactly what downfall was about. the power that gods still have is entirely mediated by the mortals who believe in them, who choose to believe in them. the power of mortals does not have those bounds, and while that doesn’t mean they get to sling 9th level spells at will and multiply their damage by 10, it does mean that, in this particular moment in exandria, ludinus’ power is a much more likely (and, historically and contextually proven) source of injustice than the prime deities.

beyond the magic limitations and considering the ill-fitting metaphor of the gods as being a position of power in a sociopolitical sense, the distance of the gods means that if they want to manipulate people into maintaining their position, it’s quite difficult to do. in comparison with ludinus “cult tactics” da’leth, it strikes me as odd when the parts of the cr audience react to the prime deities doing things like . allowing mortals agency (which, as every existentialist writer ever has correctly pointed, out is both a burden and gift) as if it is actually a long-con manipulation or something.

anyway, TL:DR, ashton is an a interesting character whose beliefs and ideas make sense given his placement in the story and their experiences, but an audience who has seen campaigns 1-3 and says they agree with him with their whole chest should definitely consider either a) rewatching or b) taking a critical thinking or media literacy class

[solarmorrigan]

No one looks like they did in high school forever (be kinda weird if they did, honestly). Changes catch up with everyone sooner or later. For Steve, it seems to have happened sooner.

Personally, Eddie is in favor.

It isn’t that he hadn’t thought Steve looked in good in high school – god knows it isn’t that (Eddie may have thought Steve had been an asshole at the time, but he’d been a pretty one). It’s just that high school had been a time of basketball and swim meets and carefully watching his diet and carefully curating his appearance to match what he’d thought other people would want to see.

The time since graduation has been spent putting on the type of muscle that would better facilitate fighting monsters and keeping a band of misfit children safe (because after three times around, Steve hadn’t quite been able to bring himself to believe that the Upside Down was really gone), being fed by a rotating cast of mothers who appreciate him being there for said misfit children, and in letting himself decide how he thinks he looks good.

The first time Eddie really gets a good look at Steve after he’s left high school, he’s gone from lean muscle and looks a bit closer to the tank that Dustin’s been insisting he is. The first time Eddie sees him in action, he decides he wants to climb Steve like a tree.

Broad shoulders, strong biceps, solid core, thick thighs, that ass—is it objectification if you’re dating the guy and also madly in love with him? Whatever—Eddie is of the opinion that the time since high school has been very kind to Steve, appearance-wise.

He’s startled to realize, then, that Steve does not always share this opinion.

It doesn’t happen often; it’s rare enough that even Robin almost misses it, and Eddie is a big enough person to admit that she’s a more experienced Steve-watcher than he is.

For the most part, Steve is comfortable in his skin; he knows he looks good, he knows Eddie thinks he looks good, he knows what he’s capable of, and he’s pleased with where he is. Some days, though – some days just aren’t good days.

There are times when Eddie will catch Steve lingering in the mirror, frowning over a shirt that used to fall differently, or a pair of shorts that used to fit a little more loosely. He might reach for one of the cookies that Claudia sent them home with after their last dinner over at the Henderson household, before faltering and grabbing an apple instead (or, sometimes, nothing at all). He might wear extra layers, steal one of Eddie’s slightly oversized flannel shirts, go on an extra run, or he might not be in the mood to cuddle up to Eddie in bed (in spite of the fact that Eddie knows how much he loves getting to be the little spoon, even if he still refuses to say it out loud).

Most of these things by themselves don’t really have to mean anything, but somehow, Eddie can always tell when it’s one of those insecure days.

(And if Eddie had ever thought when he was younger that Steve Harrington could feel insecure about the way he looks, about his body, he might have cracked a crass joke about King Steve’s obvious need to overcompensate for something. Now, though, he knows better. Also, he’s a tiny bit more mature than that.)

So when he comes into the living room one afternoon to find Steve practically crammed into the corner of the sofa, curled in on himself just enough to suggest that he’s trying to take up less space, Eddie decides that that will just not do.

Eddie loves Steve’s confidence. He loves the space Steve takes up in his life (metaphorically and literally). He loves Steve, and he sure as hell isn’t about to let him spend the day feeling bad about himself, so he ducks back into the bedroom for the book on his nightstand and then plops down on the other end of the couch.

He reads for a little while and doesn’t really have to worry about getting too distracted from his plan, because he always finds himself tilting towards Steve like a compass to magnetic north, whether he’s actively trying or not. So he reads, and he shuffles around on the couch a bit, and he lists to the side a little, and then he’s finally just close enough to Steve to plausibly ask, “Hey, d’you mind?”

Steve glances up from the magazine he’s been reading, brows furrowed. “Mind what?”

Eddie points to the way Steve’s legs are drawn up almost to his chest. “Stretching your legs out? I wanna lay down.”

And normally, Steve doesn’t hesitate – hell, normally, Eddie doesn’t even need to ask; it’s almost as if he can just tell when Eddie wants to rest his head in his lap and automatically moves to welcome it. Today, though, he rolls his eyes.

“We have pillows on the couch for a reason,” he says, jerking his head towards the throw pillows at the other end of the couch (as if Eddie could forget the throw pillows; they’d spent a goddamn hour at the furniture store staring at the choices and had walked out laughing about how boring and adult and great it felt to be decorating their apartment with fucking throw pillows – but that isn’t the point).

Eddie scoffs. “Why would I settle for a pillow when I could have something way more comfortable?”

“Yeah, there’s no way my lap is better than a pillow,” Steve drawls.

“Baby, your lap is the most comfortable resting place known to man,” Eddie states, so dramatically intoned that it makes Steve laugh, even though Eddie is fairly serious. “Now why would you deny me my favorite place to lay my head?”

Steve rolls his eyes again, but obligingly (if slowly) stretches out his legs and rests his socked feet on the coffee table to make space for Eddie.

“Thank you,” Eddie says primly, before flopping down on the couch and making himself comfortable with his head situated on Steve’s lap, then giving a demonstrative little wiggle to settle in. “Yep, that’s the stuff. Perfect.”

“Man, shut up,” Steve mumbles, turning back to his magazine.

When Eddie glances up to check that he hasn’t gone too far, there’s a bit of a flush high on Steve’s cheeks, but no real displeasure on his face, so he doubles down.

“I will not. Not until you acknowledge the perfection that is your thighs,” Eddie declares, pressing his head further back into Steve’s lap. “Firm, but with just enough give–” he reaches up and pinches the side of Steve’s thigh, smiling innocently when Steve jolts and glares down at him, “always warm. Perfect.”

Steve turns his eyes resolutely back to the magazine he’s got balanced on the arm of the couch. “Not perfect.”

“Well, sure, perfection is subjective, means different things to different people, blah blah blah.” Eddie waves his hand in a vague ‘et cetera’ gesture and accidentally smacks Steve in the arm before he turns his head (and his hair is absolutely going all staticky after being rubbed against the fabric of Steve’s sweatpants, which is going to be a nightmare later, but that’s a problem for future Eddie) and presses a kiss to the spot just above Steve’s knee. “But they’re perfect to me.”

For a moment, Steve is still. Then he shifts slightly in place, and Eddie has the feeling that if he were standing, he’d be shuffling from foot to foot.

“And I have it on pretty good authority that my opinion counts for something,” Eddie goes on. “So if you ask me—which you should—your thighs are one of your best features.”

Finally, Steve glances back down at Eddie. “You think so?” he asks, soft and a little hesitant.

“Absolutely. One of my favorite parts of you, on a rotating basis with every other part of you,” Eddie says, grinning when Steve scoffs, because this time Steve is smiling, too. “What? There are so many good features, I’ve gotta make sure I pay them all equal attention.”

And the thing is, Eddie does know that what got Steve into this mindset in the first place was spending so long seeing himself as valued only for what he can provide physically: a handsome face, a lean figure, a human shield, the Party tank – whatever it is. Most of the time, Eddie makes sure Steve knows what he loves about him as a person, not just about his body. He could gain one hundred pounds, he could lose all muscle mass and be as skinny as a rail, he could look like anything, and it wouldn’t matter, because Eddie loves him.

But that doesn’t mean Steve doesn’t also want a little reassurance now and then that Eddie loves his body, too – which Eddie does, and is happy to provide.

“And today, I’m paying attention to your thighs,” Eddie concludes.

“Stop saying ‘thighs,’ it’s starting to sound like gibberish,” Steve shoots back, but there’s a pleased tilt to the corners of his mouth now.

Eddie hums. “I especially love when you let me lay in your lap. Love having your legs under my head. Or wrapped around my head.” He waves his hand around his face, smirking up at Steve. “Just, in the vicinity of my head, really.”

Steve loses the battle with the laugh he’s been trying to hold in and it overtakes him, shaking with mirth under Eddie while Eddie smiles along with him.

“You’re ridiculous,” Steve says, once he’s gotten his breath back.

“I’m just putting it out there,” Eddie says.

Steve cocks one eyebrow at Eddie and turns back to his magazine with a smirk. “Uh huh. Well, I’m a little busy right now.”

“Oh, sure, me too,” Eddie says easily, bringing his book up over his face as if he’s going to continue reading, even though he isn’t even sure he’s on the right page.

They do settle after that, though, quiet and close and comfortable being draped over and under one another. Steve’s hand finds its way into Eddie’s hair and cards through it absently like he’s petting a cat. Eddie would probably purr like one if he could.

“Love you,” Steve murmurs, glancing down as he flips from one page to the next.

“Love you, too,” Eddie replies, tilting his book away just enough to smile up at Steve.

Maybe later Eddie will get to prove how much he loves Steve’s thighs wrapped around his head. Maybe not. For now, though, he hadn’t been lying – just this is perfect.

[Prompt: Resting your head on your partner's lap]

[cocoreallylovesraiden]

How MK1 characters sleep with their S/O (liu kang, bi han, kung lao, raiden, shang tsung)

This is very casual and nonsensical but pointless useless headcanons give me life sorry; I might do this for other characters but idk which oops

Liu Kang

- I am in-between the idea of him needing sleep at all (being a god and all), but either way I think he would be in bed with them to spend time together.

- Mattress hard like a rock, so you’d be better off laying on top of him for any kind of soft squishy comfort.

- Likes the physical pressure on being laid on, would secure you in place with a hand on the small of your back, or cradling you closer if you lay your head in his chest.

- During the summer months he would be too hot to comfortably lay on, so either he just longingly stares at you back (rip) or holds your hand in the middle of the bed.

- Wakes up/ gets out of bed at the asscrack of dawn and folds the spare blanket next to you so its like he’s still there… and then becomes annoyed that you’d rather cuddle the blanket than wake up and see him.

- Laughs at you when you want to buy more western soft pillows or fluffy blankets, but he gets them anyways and then now HE can’t sleep bc it’s weirdly soft.

- Will read as you sleep in his arms, and has resorted to using your unconscious elbows to flip the page bc his hands are being held hostage.

- Likes to watch you as you sleep and tries not to smile when you twitch from a dream, even when you drool onto the pillows; is content to do so until sunrise.

- Sometimes tho in the middle of the night when you roll over you just see two military grade flashlight beacons glowing in the dark staring at you like an eldritch monster.

- “Hello, dearest 😊.”

- He says, like you didn’t almost piss the bed in fear.

Bi Han

- Has a meticulous string of tasks and duties he must fulfil before he can even think of getting into bed, and he still manages to be under the covers same time every night.

- Becomes VERY cranky if you are not in bed with him within 15 minutes and when you eventually settle into bed, his back is turned towards you and he huffs like a dramatic housewife.

- Self-assigned big spoon (non-negotiable) and loves resting his face in the crook of your neck, his favourite way to rest after a long day. He isn’t the best with words (in terms of emotional vulnerability) and uses little actions to let you know how he feels.

- His hair gets EVERYWHERE. It’s in his mouth. It’s in YOUR mouth. If you have long hair, have fun waking up 20 minutes earlier to sleepily untangle your newfound spiderweb of human hair.

- Doesn’t toss and turn and is a very light sleeper- it’s required of his job. At the smallest sound his eyes are open, and he cannot rest until he’s gone and checked the locks and such.

- You know when Asian dads wake up at 4am and just go hack and cough in the bathroom yeah that’s him… that’s how YOU wake up.

- You both look like hot fucking garbage in the morning it constantly looks you both are two struggling new parents who had a metaphorical baby keeping them up all night.

- Debates smothering you with a pillow if you snore and keep him up before a busy day.

Kung Lao

- I hope you’re a heavy sleeper.

- His snoring sounds like sails ripping, it’s so loud he scares himself awake sometimes.

- “BABE WHAT WAS THAT?”

- You girl….

- Doesn’t matter what season it is, what temperate, you two are always still too hot and on the verge of breaking into sweat, even after you’re dressed down to just underwear.

- Maybe you fall asleep a safe distance away from him, but halfway through the night its like looking an abstract painting of human limbs, his foot is on your stomach and your face is smashed against his knees. Chiropractors are scared of you two.

- You both complain about how annoying the other person is to sleep next to, but can’t sleep alone at night- the bed feels too big or too cold.

- It’s like when you wake up from a nap not knowing what country you’re in, drenched in sweat and covered in those red lines but every morning.

- Talks in his sleep and you have several videos in your camera roll having incoherent conversations with sleepy Lao.

- “Hey baby… Are you asleep?” “Not now babe imgndh tm running for presdidentnt”

- Yeah king you do that!

- He SWEARS that he’s a big spoon but likes being the little tiny eeny weeny teaspoon looks at you with the ugly goo goo gaga eyes until you relent and wrap your arms around his waist.

Raiden

- I don’t care unless it’s past a certain time in your relationship he will sleep on the couch or DIE

- He is traditional to an almost irritating extent YOU WILL NOT DIE IF YOU SEE MY UPPER THIGH OH MY GOD

- But let me tell you once y’all do share a sleeping space its over for you… He uses that farmer strength to squeeze the life out of you. Like Kung Lao where you fall asleep laying next to him and wake up in the alligator death roll fighting to breathe.

- Death by beefy man arms sounds great until you need to pee and have to scrap at 6am against an unconscious man (he is winning).

- Likes it when you nuzzle under his chin, but when he’s really tired, he really just wants to lay on your chest and have you smooth his hair.

- Feels a certain need to be the Bigger Strong Man but secretly wants to be cuddled and babied a little, just doesn’t want to ask for it.

- Doesn’t matter because however you sleep, you’re waking up to that child-holding-their-favourite-teddy-bear GRIP.

- Likes to chat about both your days before falling asleep, and will verbally ask like “are you asleep?” And then stop moving, breathing, thinking because he’s scared to wake you up. You have to smack his face half-awake like RAIDEN YOU CAN BREATHE before he relaxes.

Shang Tsung

- Idgaf if he’s a man and if you’re a woman, he is the girlfriend.

- Wants you to kiss the top of his head and stroke his hair, you can feel his ugly ass smug smile against your skin the entire time.

- Even if he does love you, I can see him being unable to sleep with his back turned to you; he has to be acutely away of what you’re doing (sleeping. Your tired ass is sleeping.)

- Unless of course he’s being the little spoon. Rolling eyes emoji.

- Another very light sleeper, but when he’s deep in sleep he has reoccurring night terrors, and maybe even sleep paralysis, so he clutches you tightly like he’s scared you’ll up and leave him.

- When he wakes up he’s probably frozen, so he grounds himself by listening to your heartbeat or readjusting your hold so it’s tighter and more compressing.

- Doesn’t matter if it’s a big ass bed or stack of pelts on the forest floor, you are not allowed to move a SINGLE INCH away from him. You two occupy 25% of this bed’s real estate.

- If he wakes up first, he is slipping out without a word. If you wake up first and god forbid, try to let him go, his eyes are snapping open and looking at you so judgementally.

- Throws your boots at you if you oversleep like. Wake up you Lug. We have things to do.

- Looks amazing the moment he wakes up and makes fun of you for having bed hair and overall being uglier than he is.

- Pokes your cheek and makes your head loll about if he wakes up first and chuckles at how cute he finds it, catches himself being mushy, then pinches your nose so you wake up.

[thewertsearch]

I guess everyone is reacting to their parents' deaths in this arc. Dave's relationship with Bro has always been a little... complicated, so this should be a very interesting conversation.

TG: oh my fucking god […] TG: we just got done talking and agreed it would be awesome if you didnt bother me for a while […] GC: OH GC: TH4TS R1GHT GC: 1 FORGOT! TG: it was five seconds ago

Girl, get your damn timelines in order!

GC: D1D YOU LOV3 H1M D4V3? TG: no

I believe you.

There's something about the Strider brothers which I noticed a while ago, but haven't had the opportunity to talk about. This is the perfect moment to discuss it, though, because it explains a lot about why Dave is the way he is.

So - let's talk about the Strife fights.

When John first attacked his father with a hammer, I decided to roll with the assumption that this fight was symbolic, rather than literal. John loves his dad, and it can be safely assumed that he doesn't want to kill the guy.

Instead, this scene serves as a stand in for the familial strife between father and son. John finds his father's parenting style to be mildly frustrating, and their interactions sometimes feel like a fight to him.

Likewise, Rose (probably) isn’t actually going for Mom with those needles. Instead, their fight represents Mom’s 'ironic' negligence, and the gifts that Rose refuses to believe are from the heart. The Lalonde relationship is clearly more fraught than the Egbert one, but I don't think Rose actually wants to skewer Ms Lalonde.

Jade doesn't really fight her Grandpa, but their Strife clearly demonstrated how deeply in-denial she is - not about his death, but about the fact that her life isn't normal. She's desperately trying to have the same childhood that John and Rose are describing, but she can't, because she doesn't have a parent to bicker with.

Now, I'm sure you've guessed where I'm going with this. What, exactly, did Dave's Strife scenes represent?

Well...

...first of all, it's worth noting that Dave is the only Player to explicitly describe the events of his Strife to a third party. We've never heard John reminiscing about bludgeoning Dad, but Dave's constantly complaining about getting beaten up by puppets.

And - rather more worryingly - Dave is the only Player to retain his Strife injuries, even after this ostensibly 'metaphorical' fight is over.

In fact, one of those Strife injuries still marks him to this day.

The point I am obviously dancing around is that I don't think Dave's Strife was a metaphor at all. Unlike his friends, there's no pretense to these fights. They're literal. Dave's brother routinely attacked him.

Odds are, this was Bro's way of 'preparing' Dave for the game he surely knew was coming - but you don't need me to tell you that he took it way too far. The guy might have been Dave's assigned Guardian, but he really shouldn't have been raising anyone.

[l0vem41l]

mean when i'm nervous.

「 tws + notes: no tws, unedited as BAWLS, dc writer newbie but im very enthusiastic abt the comics and shows and movies, dog metaphor but insane and unsubtle, explicitly vigilante!reader in dick grayson’s part, dramatic asf but not really angst 」

「 gn!reader, can be platonic or romantic <3 」

↳ ft. bruce wayne, clark kent, richard "dick" grayson, and john constantine

author's note: so. we all know what my favourite thing right now is (⌒_⌒;) i still adore everything i used to write for,,, but i’ve been on my comic motives recently (*ﾟｰﾟ*) ! reading dc mostly but spider-noir and deadpool have been picked up along the way!!! um. anyways. if i get comfy enough, i might do more dc stuff but i get that this isn't my exact audience on this blog— sorry my loves (´＿｀。) </3 might write a part two cuz i love jason. and booster gold. and like every single one of them (´▽`ʃ♡ƪ) halfway through writing this i realized everything feels very literal, so i feel the need to mention that this is not dog hybrid reader stuff but if u fw that u can imagine it that way

perhaps the habit of burning bridges you’re actively crossing isn’t a good idea. and you’re not an idiot, not in the slightest— but even if you were, everyone knows that needless self destruction when developing relationships is counterproductive.

you strike the match anyways, like it’s just a force of habit. another instinct.

if you spent life knowing that the hand only beats. why would you expect it to do anything else when it’s lowered towards you?

you learn to keep your hopes down, ears alert, and teeth sharp. you learn to get used to the taste of blood. to make things messy and complicated, and to end things when they need to be ended, because god knows it’s only self preservation when you do it.

you learn that the only way to survive is to bite— to hurt before something hurts you.

and one day, an unfamiliar hand that extends towards you decides to feed instead.

why do you still bare your teeth?

▸ BRUCE is unsure why he sticks around. he’s understanding, but also reasonably frustrated with your antics. it doesn’t evade him that they stem from something deeply rooted in your past— but he doesn’t know what to do about it. if there is anything to do.

at his core, he's a detective. he's got an eye for digging into strange pasts and a knack for knowing things he isn't supposed to. but in spite of his paranoia and hunger to know, bruce doesn't pry too much. he can do research on his own, without you ever having to realize.

you’re self-sufficient, he’ll give you that. you’re unsure sometimes of whether he’s proud that you can take care of yourself or irritated that you consistently insist on doing so. he’s unsure too. not like he lets you know.

it’s a mutual understanding the two of you share— he stays, you bite. yet bruce, unsurprisingly, doesn’t mind being bitten. he’d hope that the reason he’s sticking around is for the selfless reason of making sure you’re alright. though, the reality is, you’ve grown on him, whether you realize or not.

bruce has always been fond of strays.

▸ CLARK is nothing but patient. and that scares you beyond reason.

he sees the way you bare your teeth whenever someone gets too close for comfort to you. he knows when to back away, when to speak, when not to— he’s always attempting to never make you feel backed into a corner.

somehow, it makes you more anxious seeing just how much he understands about you. he knows just how to coax you out of the corner of your cage, how to bring you in closer, and it almost, almost convinces you to let your guard down.

the thought of that is terrifying.

you try barking, you try biting— and none of it works. clark doesn’t coddle you when you’re wrong— but he’s absolutely nothing but gentle. patient and understanding, sometimes you wonder how a man of steel can be so soft for someone like you.

▸ DICK isn’t dumb. it’s fairly easy for him to put two and two together. quickly, he figures out what he’s dealing with when he encounters you.

his conversations with you are never without a note of levity— a deliberate action on his end, you’re certain. he knows, you know, and because of it, everything feels oddly tense around him, even with the attempts to banter.

it’s too late to run. his observant gaze has caught a glimpse of you through your one way glass, and he’s chosen to meet your eyes with a smile. there's a sense of foreboding that gnaws at your gut, anxiously anticipating what might be lurking under that grin of his.

on his end, there are no malicious intentions. he doesn’t really have ulterior motives when it comes to you.

most times, he chooses to defend you and be the one standing at your side when no one else does. you don't understand why he insists on offering you friendship when all you do is pull away.

after a long night of patrolling the streets of gotham, you find the two of you leaning on the railing of a rooftop side by side. your eyes are on this cityscape of gotham. his are on you.

“you keep on insisting i’m not as bad as i seem,” you mutter under your breath.

late nights make for loose lips. he’s pleasantly surprised to hear you continue the thought instead of attempting to take it back.

“do you just hate being right?” you snort, allowing your gaze to flit over to him just for a second.

"no." dick smiles, shrugging his shoulders nonchalantly. “i think you just hate the fact that i could be.”

▸ you tried not to bother with CONSTANTINE. the day the two of you met, you didn’t even introduce yourself.

john constantine’s presence alone reeks of trouble, as acrid and suffocating as the cigarette smoke that clings to his tan trenchcoat. you are attuned to things like that. he notices.

one thing you actually enjoy about him? he doesn’t chase. he’s a nosy one, for certain, sticking his nose into places no one in their right mind would— but for the most part, he steers clear of yours. initially, you think it’s because your urge to be left alone by him is so prevalent that he’s just chosen to heed the warning and not approach when unwanted.

but he’s not a man known for abiding by rules. he’s much more curious with you than you notice or prefer. in a way, your distance has made you more myth than man, more tale than tangible— you are a rumor passed through whispers between lips, a silent shadow lurking in the corner of the room… and he loves a good mystery.

“c’mon. you're actin’ like ‘m gonna bite your head off, luv,” he chuckles, lighting up the cigarette between his fingers.

i'd probably be the one doing that if i got any closer. you keep that thought in your head, standing with a gap between the two of you as always.

he doesn't miss how you avoid looking into his eyes like his gaze could murder, instead, focusing your gaze on the cherry of the cig, burning bright red.

“not much for a wee natter, hm?”

the quick shake of your head only makes his smirk grow. you could just walk away… so why exactly were you sticking around?

“fine by me. quiet company’s welcome.” that’s a sentence he’d probably never say to anyone else. in a strange way, he feels like he knows you well enough to be comfortable with the words that hang in the air.

it’s weird. you’re completely unknown, and yet, an irrational part of his mind keeps nagging at him to look just a little closer at you. sometimes, when he listens to it, he catches a glimpse of something silent in your eyes— an all too familiar pain of a person who can’t help but hurt the things that they cling onto.

so that’s why you’re keen on keeping everyone at arms length. it almost makes him laugh to think how similar the two of you are, plain as day, and yet unnoticed by you— a person who won’t even meet his eyes.

— reblogs always appreciated!

[weskie]

Earned (Albert Wesker x gn!Reader)

no warnings, wesker lives au, extremely loose followup to this, wesker receiving affection, i think he deserves it, if that's wrong i don't wanna be right | Fic Directory

Sometimes you can see through the cracks of his cold, unbothered demeanor.

There’s something… fragile under all of it.  Buried beneath decades of shielding himself from the worst this world had to offer, from dealings with the dregs of humanity and a life manufactured and directed without his knowledge.

You remember how volatile Wesker had been after discovering the truth from Spencer.  The cracks you peer through now had been wedged clear open back then.  Salt dumped into the not-so-metaphorical wound.  You found him in a fit of rage when he finally came home, destroying his entire office just to cope in the only way he could think of.  Splinters of debris gave way under your footsteps and he glared daggers at you, daring you to come closer, daring you to cross the fray into the eye of the storm.

His reluctance to let you touch him weaned with every passing second that you smoothed your thumbs over his cheeks.  It was startling to see his typically calm exterior eroded so completely. You’d never seen him so… shattered.  It wasn’t until later that you’d understand that the foundation of his entire life had been swept out from under his feet. But, even then, you had an inkling that something had truly shaken him to his core.

“Who am I?”  

You’ll never forget the flare of amber glowing brighter in his eyes as each word fell from his lips over and over, nor the bruising grip he had on your arms, until he hid his face in the crook of your neck– secretly so desperate to hide from the haunting revelations of his life.

And you don’t forget it now as you run your fingers through his hair, cradling his head on your lap while he rests.  His recovery had been long and arduous, and it had humbled him more than anything possibly could have.  His dependence upon you had been a nearly insurmountable sore spot, but you wager it taught him a truth so incredibly foreign to his perception of the world.

Vulnerability can be okay.

At least it can be with you.  You’re not out here to stab him in the back or raw deal him for a larger cut in some grand scheme.  You’re not a multi-billion dollar pharmaceutical company pulling his strings nor the corpse that once orchestrated the entire marionette show.

You’re someone who loves him– adores him. 

It’s taken him a very long time to truly believe that, much less accept it.  You will forever be his greatest weakness and strength, all rolled into one.  You are leverage for anyone who wants to truly hurt him, but you are also the ferocity with which he will unmake them for even considering it.  

Worse yet? 

You are the only reason he’s glad to have not perished in that volcano.  Wesker remembers only flashes of his dreams while cocooned in Uroboros, but he knows, without a shadow of a doubt, that he dreamt of you.  That it was your voice that pulled him through, your presence that he reached out to in his near comatose state. It was you who he sought after waking, despite how his body screamed to cease his movements.

So maybe…

Maybe it isn’t so wrong to let those cracks open up when he’s with you.  Maybe you should see the parts of him locked away from the world.  You should know the little boy thrown into the best boarding schools money could buy, the one who wondered if he had parents like the others did, who sought academic excellence so that he’d have even a fraction of the love he’s seen bestowed upon others by right of birth to those who could love them– to the man he is now, stripped of his pride and still always left to wonder what his true name had been.

Long ago, he asked you a question under much different circumstances.  Have you earned me, he’d said.  As he peeks through his farce of sleeping to take in the sight of you looking at him with endless love, only one thought lingers in his mind.

You have.

[ihtherik]

When You Bare Your Teeth It Almost Looks like a Smile

Pairing: Astarion x Female!Tav (not described)

Astarion’s POV

SFW/Fluff/Angst (seriously there’s no s€x here)

Summary: Set in Act 2 when the group begins scouring Moonrise Towers and Astarion and Tav encounter Araj Oblodra, the Drow blood merchant. She won’t take no for an answer, and learns why that is a very very stupid thing to do.

~3.2 K words

Bit of a deviation from the canon interactions/dialogue and what the outcome is because ummm little guard dog with her love that most certainly does doesn’t need one is a trope I LOVE and needed to vomit out a lil flash fic at 1 AM last night to perform catharsis help I also kind of made myself sad

I may get this posted on my AO3?

I also will post the next part of Turn My Heart to a Spade soon!!!

“Oh, but I’d prefer if you did.”

The sneering Drow’s reply to his assurances that he would not bite anyone doesn’t quite register for Astarion before she lets slip another gut-reeling string of words, this time directed at you.

“I assume he belongs to you? Judging by the way he’s clung to your shadow since you walked up…” her laugh is mirthful, the metallic smear of red around the blue-grey skin of her eyelids crinkling and cracking in her amusement. “It’s a truly remarkable boon, to have had a spawn at your beck and call during your trek through the Shadow-cursed lands. I’d be remiss and dishonest to say I’m not jealous.”

His pale brows furrow as an unfamiliar emotion hits him. Maybe unfamiliar isn’t right, but he’s been so long separated from it that encountering it again feels like meeting a stranger he’s all too wary of.

Much like how he felt when he met you.

Kind, generous, trusting, infuriating you.

Oh, how he loathed being proven wrong. Having his tried and true skills of determining who people are and what they want sidestepped, his—sometimes hastily drawn—conclusions about things tipped on their heads like a cat swiping a cup off a table. Mostly by you. Endearingly and maddeningly.

For Gods’ sakes, he is supposed to be the unpredictable, unreadable, unflappable one. It’s his armour. His sodding lifeline. When one is in control of their faculties and has only themselves to rely on, their ability to save themselves is entirely up to their skills, or lack thereof.

But you, you whose only purpose was to take a fall or stab (sometimes literally) for him, has somehow managed to get him to willingly hand over the one thing that could kill him.

His trust.

It had kept him from trancing, some nights, gnawing the inside of his lip to shreds while going over every possible scenario in which his trust could be wielded against him.

Yet thus far, you’d not only permitted, but encouraged him to hold the other metaphorical end of it.

Both in battle, and in his bedroll.

He wonders most days if you know. If you’ve caught onto what he’s now realized was a very poorly conceived ploy. He has to tell you, at some point.

There’d been a humbling, blind fierceness in every fiber of your being when you last drew your weapon for him—looking up at the devil Yugir as if he didn’t have his crossbow bolt aimed right between your glaring brows. You swung and hacked and sliced like it was your soul you were fighting for, not his.

You’d done more than received his trust, you’d earned the right to hold it.

And here he is, silently watching, pleading, mentally tugging on the other end like a child grasping at their mother’s shirt—hoping you feel it.

“He has a name,” your voice appears as even as ever to the average onlooker, and certainly to this Drow; but there’s a strain, a warning that Astarion can detect that, to him, feels like the gentlest tug back from your end on the rope.

“Is that so? How quaint,” the Drow tilts her head. Turning her attention back to him, she appraises him from his boots up to his curls with a gaze that makes that strange, ugly feeling swell again. “Do indulge me then, what are you called, spawn?”

“Astarion—but-hold on—“

“Well, Astarion,” the way her tongue flicks over every syllable of his name puts a crinkle of disgust on the slope of his nose. So unlike how you say it. Usually uttered, quick and delicate, the ‘Ah’ nearly clipped off—shortening it to ‘Starion. Familiar and sweet and warm. “I’ve dreamt of being bitten by a vampire since I was a young girl.”

His disbelief manifests in the way he stutters over his words, managing to compose himself into a semblance of his normal character by the end of his reply. “You—What? I’m sorry, You—you want to be bitten?”

“To feel your life’s blood slipping away? To dance between the edge of life and death? Yes, I want it.”

Though he’s already decided that this woman is, in fact, a stem short of a brain, the arrangement she proposes catches his attention. And not in any way that’s enticing. A likely dangerous and potentially faulty potion in exchange for drinking her blood is a shoddy deal at best, and a revolting one at worst. Her blood smells foul. Acrid. He can’t pinpoint exactly what it is, which only worries him more. Not a sort of sickly sweet smell of decay like Gale’s. Nor is it twinged with something medicinal like Halsin’s, or like the pleasant muddle of Shadowheart’s half-elven and half-human blood. And certainly not like yours.

Putting on all the politeness he can muster, which is already more than the Drow deserves, he replies.

“I will have to…erm, decline.”

“Excuse me?” The Drow scoffs, displeasure creasing the space between her brows. “This is a once-in-a-lifetime opportunity, and you’re squandering it.”

“I gave you my answer,” he shocks himself with the lack of grace he speaks with, voice lowered and snarling. He used to be so good at evading people like her. What the Hells has gotten into him?

Tutting, the Drow turns back to you. “Can you talk some sense into your obstinate charge?” Addressing you like he’s not in the room, with scant more respect for you than she had for him.

Proving the Drow’s earlier observation right—as loyal as a bloody mutt—he looks to you, anxiety tightening the muscles over his stomach. The scenarios begin to churn in his mind, the worst among them not even that of you asking him to bite her to get the potion—but instead acquiescing his wants in front of the Drow only to reprimand or even punish him in some way later.

They come to a hilt as both he and the Drow await your move, holding his breath.

Then, you do something that manages to stun, relieve, and thrill him all at once.

You smile.

Though a half of a head shorter than him, and barely a few inches taller than the Drow, your presence seems to swell to intimidating heights among the three of you.

“My, you are slow on the uptake, Ms. Araj,” you speak with a lowered, gentle voice, one which commands the both of them to listen carefully—maybe even get closer, though at this point the Drow would have to have a death wish to get within stabbing distance of you. How dreadful, and disappointing, to Astarion; that the ominous and certain threat in your voice still yet seems to fly over the Drow’s head.

And how entertaining it will surely be to watch her pomp crumble in a few moments.

“My dear companion deigned to give you his name and answer, twice. I would pity the other acolytes and pilgrims here—if I cared for their lives—for the mere cruelty it is to converse with you in any capacity.”

Dear companion? Now this is new. And not…entirely unpleasant.

“I’m—sorry, I—“ the Drow’s poise wavers, though outrage still lines the edges of her voice.

“You will be sorry, if you do not shut your Godsdamned mouth while I speak,” you let the full fury of your voice be felt, though you have yet to raise it past what can be heard within five paces of the Blood Merchant.

As a meager credit to the Drow’s intelligence, she does snap her jaw shut. Astarion’s lips curl all the higher with each passing second.

“As I was saying—though I do not pity the acolytes here for the ordeal it must be to give you some form of station here, I think I have reason enough to remove you from it. For how you have treated my—for how you have treated Astarion,” your smile beams brighter, not a crease beneath your eyes to suggest you’re anything but seething. He realizes, in a way, you’re baring your teeth for him. The near possessive slip seems to loosen the anxiety in his frame, slightly. But your self-correction helps more.

“You may be a True Soul, but you don’t have any authority to—“ the Drow’s lips suddenly quiver shut again, but clearly not of her own doing. Astarion glances at you and his own tadpole wriggles as he feels yours come to life.

“I should have been more specific,” you sigh, your tadpole holding the Drow rigid. Brushing past him, you beckon with your finger as you move towards the balcony’s doorway across the room. The Drow begins to follow, feet shuffling awkwardly as the fear wells in her eyes. He’s not used to feeling planted to the floor, but for a moment he can only watch in gleeful disbelief at what you’re doing. He picks up his feet at the Drow crosses the threshold and slips out to the balcony with the two of you.

“When I said I had reason enough to remove you from your station, I meant that in less of a bureaucratic sense—I mean literally remove you from it,” you continue to hold the conversation calmly, one-sidedly, as you turn back to look at the Drow from the stacked-stone guardrail. You point and snap your fingers, gesturing to the one spot on this balcony where the stones have broken off and fallen down to the inky, boulder filled shallows at the bottom of the tower. The Drow moves even more resistantly as the psionic force from your tadpole urges her to obey, but eventually she stands at its edge.

“Tell me, Araj, would you like the once-in-a-lifetime opportunity to feel what it’s like to fly? All you have to do—“ you lay a hand upon her back, just between her shoulder blades, giving her the slightest nudge. “Is step off.”

Astarion hears a strange, strained sounding humming, and realizes it’s the Drow trying to plead behind sealed lips.

“Oh—but it’s a simple exchange, really! And I’m a woman of my word. You step off, and I cast ‘Fly’ upon you. The only risk is if you fall too quickly, well—then my spell won’t reach you in time…and I’ve only seen it happen once before, but to fall from this height? Your body would pop like a champagne bottle thrown to the floor. Skin and muscle and bone will split, and all your warm guts and blood will burst and spray everywhere. What do you say? In my mind, it’d be plain idiotic to squander an opportunity like this.”

You turn back, meeting Astarion’s eye. Within yours, he can see a volatile mix ready to explode. Wrath. Outrage. A cruel hunger for revenge.

But even with those powerful emotions threatening to overtake you, there’s a tenuous thread of patience still wavering. Patience, and a question: that which asks for his permission. To not merely act or speak on his behalf, but decide whether or not to take this woman’s life for the affronts to his dignity and autonomy.

Indignation. Righteous indignation.

That is the feeling that’s been gnawing at him, the words for which he couldn’t recall until now. And it’s all because of you. Because you’ve refused to let him think of himself, talk about himself, treat himself, like a loaner to his own body and mind. Stepping off the wall, he approaches the two of you with a swagger.

First taking hold of a strap on the Drow’s armor, he then plants a steady foot on a piece of the stone guardrail to hold himself upright. Looking to you with a reassuring smirk, you step back, and with a rough shove Astarion sends the Drow’s upper half forward, dangling her precariously over the edge of the balcony. He lets her moan and protest wildly behind her teeth for a moment longer before nodding to you, and you release her from the hold of the tadpole. She takes a ragged gasp, as if preparing to scream, and he leans in to her ear.

“Now now, Araj, let’s not arouse any undesirable attention from the guards, hm?”

Stifling a groan of fear, her arms unsteadily pinwheel in the air as her feet try to find solid stone, and not the edge which Astarion has forced her onto.

“I think I’m feeling generous, so close to the overwhelming splendor of the Absolute—“ he mocks the name of the so-called deity that had proven itself a thorn in their group’s side thus far. “Whom, need I mention, blessed and deemed me a True Soul, just like my dear companion.”

Throwing a conspiratorial smile your way, it deflates only slightly to see your face set so tightly, all but trembling in anger. Not at him, of course. With a sigh, he tuts and yanks the Drow from the edge, throwing her to the stone floor of the balcony further in. She scrambles back from the both of you. Following her towards the door with unhurried steps, he tilts his head in the same mocking way she had before addressing her once more. “The next time someone tells you ‘no’, Drow, I suggest you not argue. You might not be so lucky next time.”

—

The two of you eventually reconvene with the remainder of your group, and after determining your next move you all settle within an abandoned wing of the tower for the night.

Neither of you relay what happened to the rest of your companions—and in turn don’t find an easy opportunity to address it with each other, until the others have gone to bed.

He finds you hunched over your pack, inventorying your potions yet again—worrying and fidgeting his hands and fingers as he approaches.

“I think we’ll come across more, we’ve not unlocked every door in this bloody tower,” he offers—sounding uncharacteristically optimistic. It betrays just how uncertain and uncomfortable he feels about what he’s actually come over to say to you.

“Ah, I know. Just a bit paranoid since we got here. We had our asses kicked out in Reithwin, then again when we took care of Raphael’s dirty laundry—and to walk in to that whole spectacle with Thorm? Gods above—“ you huff, coaxing a genuine smile to Astarion’s face. Finally you turn, rising from your crouched position with a tired, lopsided grin. It falters as you take in his expression, and Astarion worries he’ll collapse in on himself if you look at him for a moment longer like you currently are.

Like you’re concerned about him. Which you are. Like you care for him. Which you do.

Like you love him.

“Everything alright, ‘Starion?”

“Oh—yes, of course I’m fine-“ he stumbles over every word, his charming, easy, impervious shell cracking. “It’s just that…I feel—awful.”

You push aside your own exhaustion, giving him your full attention—of course you do. You ask him why. He’d almost rather pull his own fangs out than confess what he’s about to. But as you listen, as you take in everything he hurries and tries to explain or make excuses for, your expression does not change. Not for the worse, anyway. Those same shining, gentle eyes hold his, and make his undead heart swell. He makes sure to express his gratitude, for how you stood up to the Drow—but even more so for letting him decide.

“Well—yeah,” you sheepishly look down at your feet, scrubbing at the back of your hair. He almost can’t take it, how wonderful you are. “I wasn’t going to rob you of that satisfaction,” you joke. Sighing, you meet his eye again. “I was ready to kill her, Astarion. You know I was. But then… I wouldn’t have done anything for you. Not really. Who’d’ve been empowered if I’d done it? Definitely not you. So, sorry for almost doing that. I was…well, I was fucking pissed.”

He’s not sure if he can recall how to breathe. How could you be apologetic right now, when you were ready to defend him like some knight in shining armor? He came here to apologize to you, not the other way around.

“Hells, darling, I might find an opportunity to make you a villain yet,” he offers you a small smile, voice soft.

You reciprocate, your cheeks dusted with a blush illuminated by the few candles lit outside your tent.

“So, um…what you said—about forcing yourself through-does that mean our—erm,” you try to be so cordial, so empathetic, even though pain seeps from every pore at the implication of what he said.

“No—no, darling,” he rushes out, taking a breath. “Being…close to someone, it just…it was always something I did, had to do, to lure people back—for him. I—want us to be different. I know we are. But intimacy feels…” he struggles to articulate it, feeling your eyes on him even as his own flit around the shadows of the room. “…tainted. I just…don’t know how else to be with someone, no matter how much I’d like to.”

“I care about you, Astarion,” you murmur after a heavy pause, and he manages to find your eyes again.

“Really?” He asks, throat filled with a bubble of emotion that threatens to burst.

And where words failing him and the inability to wield his body would normally make him feel completely hollow—a useless husk of a man—the embrace your arms suddenly surround him in makes him seem…whole. Solid.

And unfortunately, capable of dragging him down to the depths of sadness and pain with how heavy he now feels.

However, your arms around him remind him that you’re there with him. That you will be there with him no matter what, Gods and Devils and Mindflayers be damned.

Astarion remembers how to use his own as realizes they’ve been merely hovering, outstretched, and hugs you back. You tighten around him, sighing into his shirt.

He closes his eyes, nuzzling his face into your hair, into the crook of your neck—looking for those places he’d be happily cradled in for the rest of his thus-far miserable life.

When you eventually pull back—Astarion’s hands linger at your waist, his fingers almost curling around your shirt to tug you back in.

“You’re—um-full of surprises,” he musters a shaky smile, which you reciprocate, warmly.

“I am yours until you tire of me, Astarion,” you offer half-jokingly, the gravity of which does not go amiss in his mind.

“Well, unfortunately for you, I don’t sleep—so don’t get your hopes up for being rid of me, darling.”

Your eyes crease, nearly obscuring your irises as you smile.

“I love you, Astarion,” the words are carried from your lips on a breath as it slips out—falling tenderly as a kiss to his ears and piercing as true as an arrow through his heart.

You can tell as much, stepping forward into his arms once more to squeeze his hand and reassure him. “You—you don’t have to say it back. I just want—need you to know that. In the event we die tomorrow or something. Very real possibility, given our dwindling potions.”

“Oh. Well. If we’re telling each other things we need to know, I suppose I should tell you how I’ve been building a stash of potions I’ve erm…borrowed from you, then. You know, clearing guilty consciences and all,” he counters, squeezing your hand back. “I’ll share them with you—as a last resort—of course.” You snort, and then fall into a fit of giggles that he’s dragged into all too easily.

After a considerable effort and a number of failed attempts to stop laughing, a sharp ‘Tsk’va’ uttered from Lae’zel’s tent nearby finally manages to silence you both as you slip into his tent, you staying awake only long enough for him to clear the bedroll of clutter and shake the blankets out.

As you settle your cheek on his chest, snuggled up to his side, his lips press idle kisses to your forehead and hair, desiring to commit your smell, warmth, and weight in his arms to memory.

He eventually slips into a trance—for once, one not filled with crimson eyes and shadows and death—but your sweet smile, laugh, and the way those three words he once longed to forget sound in your voice.

[five-thousand-loaves-of-bread]

be constantly in own world for me (level 2/3 autism) mean like. think pretty much only about self. understand only self. entire world just me n special interest, sometimes/often times not even include own basic needs, like “hair greasy clump body itchy need shower” (unconsciously feel bad sensory, n make very uncomfortable annoyed easily frustrated, but don’t consciously know am feeling extra irritated or that am feel this way because need shower). n world often limited to thing in front of me. n sometimes not even include thing in front of me. see it (as in physically capable of vision) but not see it. n thing, people, any that not put infront of me for while, stop realize they existed in first place.

n be in own world, only think only able know self, mean that, see self as normal, as norm. everyone (this abstract concept of other people that have memorized like you memorize history fact for test), everyone like me. not even “am like everyone,” but that everyone is like me. everyone same ability as me. everyone think like me.

“everyone think like that to extent”

right. to extent. thing is am far greater than that normal “extent”

to point that average day, ask me, n would only able explain that, “think everyone same ability as me, everyone think like me. everyone exist like me.” stay at vague generalization because not able think any deeper not able think of examples. to give example in this situation mean on some level need have ability understand “am think this normal but others may think it abnormal for them”. n. most times not have ability to second part, because in own world theory of mind.

sometimes try force it. try really hard force it. try really hard think, look at other people, try make sense try find what exact different. but can’t force something not have ability. so go back rely on scripting. sometimes advanced scripting n rephrased scripting.

special interest in something social-related let me cheat little bit. appear more capable. like break down complex autism community disability community dynamics. but am videotaping camera. computer analyzing research data. not participant. it thankfully happen, but it only happen because special interest allow it be part of own world, n it only part of own world because can only see these (supposedly very humanly n organic n messy) interactions as flow charts, maps, equations, inanimate objects. closest metaphor may be, with this special interest lens that allow these social dynamics enter own world, am looking at these “people” these social dynamics similar to regular person playing the sims n thinking of sims character made out of code that they control.

rare rare times able suddenly realization of outside world. usually happen in flash. n then end. n then left to chase that feeling trying so hard remember what it felt like so can memorize it like another history fact to memorize for test removed from source removed from emotion, to make self appear know what am talking about know more than am capable of, next time someone ask, “isn’t everyone like this?”

just had flash of that that lead to write this whole thing. but already gone. something about… “those funny ‘gen z fix up work force’ stories. they actually people same age as me?’” something about sudden realize what people my age my life stage expected do usually do. something about think am so normal but actually am missing out “so many” things (what things?).

friend tell me “by be young person who severely disabled you missing out so much on same age activities”. n. inside think, (i am but) “don’t know. …am i?” n for it be genuine question, or disbelief question.

n respond with “haha, yea.”

it not lying. it just script. am don’t know what my script means.

don’t follow up by ask me “so what you think you missing out on?”

don’t know. don’t have that script (a script am don’t know meaning to) yet that make other people think am understand, either.

[please don’t say you “relate” or “feel same” “this me” or similar unless am know who you are.]

[johannestevans]

Big deep dive into themes of sexual violence and rape culture as portrayed in Alien (1979, dir. Ridley Scott)! About 13k.

---

Here is a horror film about rape — and not just rape, but forced impregnation and reproductive coercion — that doesn’t use the word rape, doesn’t use words like sexual violence. Although the reproductive threat remains the same and the alien herself is phallic in appearance, the xenomorph’s assault is a degree removed from “actual” on-screen sex, so those words are never needed. The xenomorph penetrates her prey via her facehuggers, and through this process, impregnates them against their will, sometimes without even their awareness. It is a direct parallel to sexual violence amongst human predators and their victims but is not in itself sexual when presented on screen.

Because it doesn’t use those words, we strip off the assumptions people have about the gendered aspect of this sort of violence. In the sci-fi setting, using a unisex cast and also introducing androids as well as human beings, we also strip off the forced binary of male and female.

In Alien (1979), it’s not just cisgender women who are at risk of being forcibly impregnated with a dangerous parasite that could kill them as it grows inside them, as with human pregnancy as assumed by cis society — it’s everybody. And because the monster is an alien — a big, clawed alien that’s very penis-like in its design — there is not the same ability for the filmmakers to in some way romanticise or downplay the violence of the assault.

There’s no need to humanise the rapist or explain that he’s a lonely man who just wants female companionship, really, and shouldn’t society provide for a man like him? Isn’t the real cause of his violence against women that no woman provided for him, to cater to his needs as a man?

There’s no need to humanise the xenomorph or her facehuggers — they are alien creatures who seek only to breed and survive. They have no voice, only violent action.

But here comes the real horror of the film and what ramps up the terror inherent in it: yes, the xenomorph and her children are acting only on instinct, but Earth’s society is thinking about the value of it. The xenomorph’s offspring might be worth money. They might be converted into weapons and fire power, and scientific advancement.

In real life, the damage is losing the rapists who work at the company, or dealing with the media fall-out that might occur if rape victims spoke up about toxic work environments, or the legal fees that might be incurred — and thus, victims are silenced, let go, the working culture makes certain to defend and further enfranchise abusers while silencing and disenfranchising victims.

In Alien, The Company does what any company does in our society. It measures the damage caused by not just the assaults and the coerced impregnation and the death that will be caused in the result, against the potential profit of the xenomorph’s DNA, no matter how scary or violent or traumatising the xenomorph and its behaviours are.

Alien (1979) then becomes a perfect metaphor and parallel for sexual violence in our society — and especially as a male victim of sexual violence myself, but also as a transgender man, it really cuts to the core of the horror of it for me.

Yes, it’s terrifying to be raped, but it’s not terrifying because men are strong, and they all want to rape women, who are always so pure and innocent — women rape other women or men or nonbinary people; men rape other men and the same; corporations and other for-profit enterprises might work towards invasions and corruptions of individual bodily autonomy because it benefits them monetarily or societally; other political and governing bodies might work toward the same.

The terror of rape is in the invasion of your body against your will, your powerlessness to stop it or defend yourself, whether by force or coercion. It’s in the collapse of your desires for your body and its purpose as you see it to that of another person’s, or a third party’s.

And when that rape can come with the threat of pregnancy, there is a further terror — can you access emergency contraceptive and/or abortion services? Will they be delivered to you without prejudice and without delay? Will you be forced to submit to further invasions of your body, having a rape kit done, being tested for STIs, and having to describe your assault to police or to other violent authority figures, who as you describe it, will demean and undermine you, and do anything to discredit your testimony? Will you have to flee your state or country to get medical services to end a pregnancy? Will you be blocked off from these and forced by the state to carry a pregnancy to term, on top of having already been raped by an individual?

Unlike many other horror movies about rape, no one gets raped in Alien (1979), and then at the end, does a stirring monologue to sad piano music about how, yes, they were raped and attacked, but they couldn’t possibly kill “an innocent life” by having an abortion, because any female rape victim’s natural instinct is, of course, to want to be a mother to their rapist’s children. Anti-abortion activists aren’t putting facehuggers on their posters and their propaganda.

Read more on Patreon / / Read more on Medium

[fabled-fiction]

Not Canon

Spider!Reader x Miguel O’Hara Implied

Summary: You’re a Spider and so is Miguel, which means it just isn’t meant to be. No matter how hard Miguel tries to convince himself otherwise.

Word Count: 687 (issa short blurb)

Warnings: SPOILERS FOR SPIDERMAN: ACROSS THE SPIDERVERSE.

You weren't canon.

At least, not for him.

There was a very specific formula that everyone had to follow, that he had to follow.

It has his word, basically his gospel. In order to keep the multiverse, the infinite web of realities together from collapsing in on itself. Never diverge from canon events.

He knew if he got too close to you he would absolutely diverge, or worse. You would get close to him and your world as both of you knew it would crumble.

And oh how he loved how much you loved your Earth.

Your Earth, the one that you fought oh so valiantly to protect. You were different from the other Spiders he could tell. Sure every Spider took their role with grace eventually, they always did. Some took some convincing while others only needed a few days. But you were different. 

You didn't even question your role after you were bit. Despite having no idea or clue as to what a Spider person was, it was like you immediately knew that you were destined for greatness after that bite. You transformed your role almost as quickly as that spider had transformed you. 

That's why you were recruited for the Spider society. It was an easy decision, sometimes he thinks it was too easy of a decision that he had made. That Jessica had made, that Layla had barely put a word in for. You were a Spiderperson for less than a month, but just like your role as a Spider you took your role in Spider society in an instant. You were a natural. 

Maybe it was the fact that your spider events weren't necessarily the same as every other spiders. That's what Miguel told himself whenever he let his mind wander a  bit too far, whenever he wanted to convince himself that maybe your timeline could be different. That you and him could pursue each other. 

He told himself that whenever he found himself looking too long at footage of yourself. Whenever you were away from the society, valiantly defending your Earth from the known enemies of the Spiders whenever they decided to finally pop up in your reality. Or just when you were here, thwiping about and teaching new charges about their roles in the ever expanding web.

Whenever he found his heart beating a little too fast. 

Whenever he had himself almost convinced that his aching hand could finally be cured by the hold of yours.

You were supposed to end up with an MJ. Those were just the rules. Just because you had not found your MJ yet didn't mean Miguel could occupy that space until the time came. Cause if he was being honest with himself the minute he made you his he wouldn't step down. He had taken the role of someone else before, he had replaced someone else’s role on another Earth.

That Earth was gone now, because of him. 

He would not go through that again. 

He wouldn’t let you EVER go through that.

Whenever he found himself lecturing the newest recruit that was taking the news a little too hard that a loved one had to die, saying his infamous speech about how saving one person was not a valid reason to doom thousands that little voice in the back of his head would begin to speak up. 

Because if he was being honest with himself, he was a hypocrite. 

And maybe that was the irony of his situation. That he was already breaking canon, that he would break canon just for you to be happy. But it was his canon, and other’s canons that he was metaphorically sacrificing just for yours to remain.

He would let a thousand Earths fall to ruin before he could even imagine letting you see yours fall. 

“Hey Miguel, you got a second?”

He would let every Earth burn just for a moment with you, you didn't even have to ask.

Because that's all he would allow himself. Faint moments, passing glances, and a few words exchanged. It was just barely enough to satiate his thirst for you. But it was enough to get by.

Because he wasn’t canon.

At least not for you.