#sometimes routes feel like a set-up and it shows

[kanyniablue]

haha i used too many tags on that last post

[n0tamused]

HSR characters as dragons

A/N: Hellloo, it is I once more with my dragon rambles. This time we're moving onto HSR a bit more. I do hope you all like how these turned out, and if you'd like any specific character turned into a dragon, please do lemme know in the comments or reblogs. Idk when I'll do the next part, but I do plan to continue this little series.

Content: Dr. Ratio, Luocha and Blade as dragons, x reader, gn reader, fluff, angst(Blade's part)

Dr Ratio:

-A lot don’t consider him a dragon, and they’d have a point since visually Dr. Ratio does lack in the stereotypical dragon aspects, and he himself would classify himself as a “gryphon” much more than a dragon. 

-Nonetheless, he makes the list of many dragon related magazines and novels and research papers

-Dr. Ratio is huge (doctor- you’re huge!)(not sorry) in this dragon form, he certainly does not lack in mass either, hiding quite the muscular form under all the feathers and fluff which he pays a lot of attention to

-One of the life goals he has set is that search for knowledge and more knowledge and to cure the illness called ignorance and stupidity. This life-long dedication has brought him to a lot of places, and a lot of forgotten where he truly hails from.

-Due to his size, he usually cannot fit in many places, and since he frequents cities, schools and so on, he is more often seen in his human form, handling his business accordingly and swiftly. He is calculated, and sometimes considers his beastly form something that represents 2 things. 2-The future version of what he wants to achieve; dragons and gryphons are often classified as hoarders of knowledge, being one of the wisest species that there is, and if he could achieve that peak form, he might have a better time fulfilling his goal. And 2-A representation of a more negative side of himself, driven more by beastly instincts. Quite the contradiction to the first point, which led Ratio to some insecurities about his form. He doesn’t want to risk being impulsive or acting on animalistic impulse, so he doesn’t take on the form that often at all.

-He doesn’t flaunt it either, but that doesn’t make it any less impressive of gorgeous to look at when he does take on the form of the giant bird-dragon

-Due to his build, he is quite well prepared should a fight arise - but as per his morals and protocol, he would much rather take the diplomatic route. Although if the intimidation factor would have any good use, he may arrive at the negotiation site in his dragon form, showing off his size and big claws before reverting to his human form when he lands.

-Don’t let anyone convince you otherwise, but his fur and fluff is so soft and he also smells really nice. (I could fall asleep in his fluff and never wake up)

-He is really cautious in his dragon form, stepping lightly and gingerly around anything that could be damaged or broken easily, specifically you. Speaking of that - for a dragon his size he really does step lightly. His footsteps don’t echo or tremble the ground like you may expect, and also similarly - he flies very silently. You don’t hear him approaching at all.

-He would let you pet him only after a lot of nagging, feeling a bit embarrassed mentally about the situation as he just sits there and then there’s you, a tiny human hopping around him all giddy and with stars in your eyes as you pet him and maybe even try to climb him. He’s grumpy, but he is flattered- especially since it is you bringing forth all this mirth and compliments for this beastly form, and also him as a human too

-He’s also ambidextrous, both in human and dragon form. 

-.... I'm tempted to say that in dragon form he can also use his hind legs as hands too due to this... like bro is skilled okay, knowledge gave him writing buffs lmao

Luocha:

-(pretty dragon pretty dragon-)

-A very kind looking dragon, gentle and smelling of spring and reminiscent of a bountiful harvest with his pale gold scales and flowing golden mane.

-It is unknown where exactly he came from, as he sort of just appeared one day and came to exist within the people’s memories

-Some of the jewelry decorating his mane and body were gifts from some youngsters he came across. He accepted these gifts and polished them before putting them on himself, wearing the gifts with pride, earning the trust of the locals smoothly and swiftly with his humble demeanor

-He is well versed in medicinal herbs and has offered his aid to many individuals, even fellow dragons. While he does frequent his dragon form a lot, as it also makes carrying wares easier, he is still human and both dragon and human need to eat. While he has offered free services to those in dire need, he does charge others, and although his prices are not high, the price is still there.

-Some claim he uses magic to grow his herbs, since everyone that got their wares of herbs from him claim that they instantly felt better, after a sniff or a first sip. 

-His front legs are a bit shorter, making his hips stand a bit higher when he is walking on all fours, but he is also able to walk on his hind legs, and his front legs are very flexible. He can harvest and plant his own herbs just fine in his dragon form. His heavy tail gives him a great balance and if need be he can run very fast. He is quite agile, whether it be on 2 or 4 feet and, despite the gentle nature, can fight.

-You can often catch him laying down in some sun-kissed spot near the city, surrounded by kids after his business hours, all kids admiring his form; playing with his mane or claws or scarves on his body, one kid is braiding little braids on one side, and there’s a kid that somehow  climbed their way up onto his forehead, holding onto his bangs for dear life. Luocha lays his head down, huffing as the kids exhaust themselves jumping and playing. Although if the sun is setting he doesn’t hold back on telling them to go home or telling them some ghost tale to scare them back into their parent’s arms. 

-He does love picking you up too if he is feeling cheeky, setting you on his back or his head as he walks back to your shared residence in that place.

A:n: Luocha is one of my favorite designs that I’ve done so far, look at him auhfoisfahofsg

Blade:

-Once a young, moon-kissed and pale dragon was now a shell of his former self, with only small patches of pale fluff standing out as a faint reminder of what he once was.

-His illness made spiky protrusions grow from his underbelly and it ruined his maw as well. However formidable it all made him, dark and scary, he was in constant pain.

-He is rarely ever seen, and ever since the ‘incident’ he has become a ghost tale to scare the kids with, a warning to any other long-life species as to what may happen if they follow down his route and what can happen if they're struck with the same illness as him

-Blade avoids any reflective surfaces in which he may look at himself, as that can sometimes make his mara flare up. He often spends his time in solitude, be it doing missions or spending his time in forgetfulness. Forgetting has become a hobby now, staring at the dark walls of some cave he found as he slowly realizes his memories are shrinking. It's as if all his puzzle pieces are being taken away from him, thrown away or hidden from his clutches.

-Blade frequently takes the form of the dragon, the pain seems more manageable when he is huge and terrifying. A lot of people that catch a glimpse of him also stay far far away, and unless they're the object of his mission - he won't go after them either. The sight of him alone is terrifying. 

-Big curled horns that are dark gray like the dark side of the moon, and if you look close enough there's small shimmers in the shadow clad corners of his scales and horns. Up close he is…pretty in his own right, his subconscious struggling to keep the remaining pieces of his past intact through physical attributes.

-His long flowing mane is soft and well kept, even if Blade doesn't particularly pay much attention to it, or the other fluff spots on his body. 

-He doesn't know where the jewelry in his hair came from, but there's something about it that forbids him from removing it. 

-The red sash around him was put there by Kafka and you, and if often maintained by you two. And there's something intimate about tying the bow at his back or putting the big golden clips into his fur. It's the trust he puts into you, and while it may seem like such a mundane action like helping someone button up their shirt, it means a lot more when Blade is in question, someone who doesn't let anyone else touch him or go near him.

-I think it is safe to say that this bad boy can fight. And fight he does. His mara has hardened his teeth further, and if any fall out during a scuffle, another one will take its place soon after. Although he is a bit long, he is quite strong. The only disadvantage he has is the fact that he is flightless. His species might as well fall into some branch of a drake. He can breathe fire though, and that ability has served him before in making weapons - these days though he doesn't use it much. He has teeth and claws, and that's enough. 

-During more easy days, he does like having you around, when his mara is silent and not dragging him under, your presence is comforting. He'll just lay down near you and soak in your presence. He will scoff or huff if you decide to shuffle closer, but he will most likely give in in times like these. Touch him, run your fingers through his fur, the fluff and the mane, he'll close his eyes and sigh. 

Size chart:

-Listen, I had a hard time trying to figure out sizes for them since they'd almost the same, but in the end I settled with this.

-Dr Ratio > Luocha > Blade

-Blade is huge but he is more long lol, and if it came to a hypothetical fight with either of the other two, Blade is winning no argument there, unless they yank him into the skies and slam him down idk

-There is a little difference in size between them tbh

Ⓒ n0tamused. Do not repost, translate, edit, and/or copy any of my works. Likes, comments, and reblogs are appreciated.

[thelonelyshore-if]

Meet me at the cabin. Please.

You weren’t sure what to make of it. A cryptic late night text sent from your younger sibling, begging you to meet up at your family’s old lake home. The plea for help was as concerning as it was confusing. As far as you knew, neither of you had set foot in the cabin in a decade. You had your hesitations, but Willow seemed desperate. You couldn’t help but oblige.

Everything goes downhill fast when Willow's research into childhood ghost stories lands you in a town that doesn't exist. A town where people go missing at an alarming rate, where things that aren't quite human run businesses with hungry eyes, where time runs differently.

A town you can't leave. 

Something about Easthaven is wrong. A supernatural fog permeates the town, so thick you could choke…but you’re one of the only people who seems to notice it. You’re quick to realize the fog keeps the residents ignorant, keeps them passive, keeps them trapped. When people who have long since gone missing start coming back home, you realize Easthaven’s mysteries go deeper than you could have ever imagined.

Explore the magic and the horrors of the small town of Easthaven, team up with the few others who can see through the fog, and do everything you can to make your way back home.

The Lonely Shore is an 18+ supernatural horror story (and mystery) inspired by works such as Midnight Mass, The Mist, Scarlet Hollow, and Gravity Falls. A story about how sometimes places can feel like people, how easy it is to do terrible things for those we love, and how small towns have a way of eating you alive.

FEATURES:

Play as male, female, or nonbinary; trans or cis. Choose up to two sets of pronouns or input your own. Customize your appearance and develop your personality throughout the game. 

Romance or befriend a cast of characters. Options for ace and aro routes, as well as three polyamorous paths.

Customize Willow, your younger sibling. Select their gender and determine what your relationship with them is. Will you rebuild a broken relationship? Or let a good one go down in flames?

Explore the world of Easthaven, a town that exists outside of time, separated completely from the rest of the world. A place where tragedy is mundane and death is around every corner. Encounter the Fog, the source of all of Easthaven’s horrors.

Build up to one of five distinct magic styles as your character comes to life; including necromancy, clairvoyance, manipulating the Fog, becoming something monstrous–or suppressing your magic instead, having it come out in uncontrollable bursts.

Solve the mystery of the Returned: citizens who have been missing for months, years, decades but who have recently started coming back home.

CHARACTERS:

Jaylen 'Jay' Jones (M/F)

A veterinarian-in-training and member of the town's Search & Rescue team who has seen Easthaven's horrors firsthand. A kindhearted but wary person who cares more about keeping people safe than they do about solving the town's mysteries. They're tired of losing people.

Yasmin Bakir-King (F)

The local librarian, a fiercely clever widow with very little patience for nonsense. Very outgoing, she's one of the most well-known figures in town. She starts the story unaware of Easthaven's dangers but very quickly gets thrust into the middle of the town's latest mystery.

Amir/Amara "Croft" (M/F)

A reclusive, ill-tempered horror author who just so happens to be the town's latest newcomer…until you show up. Croft came to town with their share of secrets, and there's nothing in the world they want more than to escape Easthaven.

Beck Dawn (genderfluid)

Fun-loving and reckless, Beck is an adrenaline junkie who can't seem to stay out of danger…despite being completely unaware of the town's secrets. A magnet for trouble, it's no surprise Beck lands right in the middle of Easthaven's latest mystery.

Ravi Singh (M)

Easthaven's local mortician. Ravi is easygoing and quick to laugh; though sometimes his humor leans towards the macabre. But his easy smiles don't cover up his almost chilling comfort with the Fog; nor do they get rid of the pile of skeletons in his closet.

Perri Loveless (M/F/NB)

Runs one of Easthaven's three radio stations. In the day they play music, and at night they host a supernatural-themed call in radio show, The Lonely Shore. Perri is an enthusiastic (if a bit awkward) person whose theories tend towards the unbelievable. It's unfortunate that, despite all of their theories, Perri has no idea what's actually going on in Easthaven.

And…

"Willow" (M/F/NB)

Your little sibling. Flighty, impulsive, and outgoing; their fascination with the occult is what lands you in Easthaven. Your relationship can range from best friends to sworn enemies. Will they be able to save you from the mess they've made?

LINKS:

DEMO | ROs | Content Warnings

( current wordcount : 225,095 without code )

[girl-of-many-fandoms]

Ocean Blue Eyes // 2

Pairing: Percy Jackson x Reader

Warning: none

Part 1 Part 2

MASTERLIST

---

From afar Percy could easily make out the silhouette of the girl who unknowingly stole his heart. He couldn't take his eyes off of her as she sat on a log staring out into the horizon.

The cool breeze caressed her skin sending a shiver up her spine. Y/N regretted leaving her zip-up jacket in her cabin but she didn't initially plan to sit here this long. However, when the sun began to set she couldn't leave without taking in the beauty of the sky. Hues of yellow and gold painted the sky as the sun slowly said goodbye to Camp Half-Blood.

It's been a few days since her and Percy shared a moment together a couple feet away from where she currently sat. She vividly remembers the way he stared at her, his touch, the way his soft lips felt against hers.

Percy has been trying to find a way to talk to Y/N. He wasn't sure if he had made the right choice kissing his friend or if he blew his shot entirely. He saw her shiver once more and removed his grey hoodie before making his way over to her.

Y/N jumped slightly at the feeling of something being draped over her shoulders. She didn't have to guess whose jacket now laid on her shoulders as the familiar and comforting scent of her friend filled her nostrils.

"Hey you."

"Hey stranger."

Percy joined her on the log and for a moment they didn't say a word, they just sat in each other’s presence, both trying to figure out how to approach the elephant in the room.

"So uh-"

"I'm so-"

The pair giggled at their attempt at sparking a conversation. The blue eyed demigod gestured for her to go first.

"Ladies first." He said.

"Well...uhh..how have you been?"

"Seriously?" Percy quirked an eyebrow at her with a smirk on his face making Y/N’s cheeks heat up. Y/N nodded her head causing Percy to laugh.

"Fine. For the past couple days I've been trying to figure out if I may have eternally screwed up our friendship and I might have since you've avoided me since then."

"I wasn't avoiding you." Y/N immediately got defensive but Percy proceeded to list out the many occasions she avoided him.

"Oh really? You haven't jogged past my cabin since then like you normally would, you've changed your route. I tried to have lunch with you yesterday but you took off when you saw me heading towards you. You also ditched training with me to train with Clarisse."

Truth be told he was hurt. Hurt by the fact that she chose to avoid him at all costs. Y/N turned to face him and he did the same, their knees now touched each other.

"I only kept my distance because I didn't know how this conversation would go. I wasn't ready to hear you say that you made a mistake by kissing me and that we should remain friends, isn't that what you're going to say?" Although she didn’t show it, she was anxious. She didn't know what words were going to come out of his mouth but she was betting on him regretting the kiss.

"For someone so smart, you're so clueless sometimes." Percy's lips turned up into a smile, watching as confusion etched its way onto her face.

"What?"

Without giving her a chance to think about what's happening, Percy cupped both her cheeks with his hands and pulled her in for a kiss. Y/N didn't hesitate to kiss him back as she gently held onto his forearm.

This kiss was much more intense compared to the last one as they both tried to pour all their emotions into it. Somewhere along the line they both remembered they needed air and slowly broke the kiss. Percy pressed his forehead against hers and interlaced their fingers together.

"Did that say I want us to be just friends?"

"No, not at all."

Percy kissed the top of her head as she snuggled closed into him. He didn't know where this would take them but he knew for sure that he would do anything for the girl in his arms.

As for Y/N, she too didn't know what the future holds but she was certain that they'd face whatever comes their way together.

[toxycodone]

𝘸𝘩𝘰 𝘵𝘩𝘦𝘺'𝘥 𝘧𝘢𝘭𝘭 𝘧𝘰𝘳 !

𝘤𝘸. 𝘯𝘰𝘯𝘦

𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳𝘴. 𝘭𝘢𝘪𝘰𝘴, 𝘬𝘢𝘣𝘳𝘶, 𝘤𝘩𝘪𝘭𝘤𝘩𝘶𝘤𝘬

Laios:

I genuinely think Laios is attracted to the unconventional or stereotypically attractive. Anyone with unique features, personality quirks, etc. If you don't fit in, you're more willing to catch his eye.

He finds it difficult to really like? Gain an interest in someone who doesn't really "stick out". I think it's clear with the way he treats Kabru that like! People kinda are a blur to him! So! anything that makes someone stick out will catch his interest and he'd be more willing to remember them + actually continue to think about them.

MUST. Share his interest in monsters/animals. This is very important. Like there must be a shared interest there whether its just about anatomy, behavior, etc. I just think he needs to be accepted to talk about this and share fun facts. He likes it. Cooking or an interest in food would also be another plus.

Also just? He likes really easygoing people who aren't super judgemental. Laios is really unapologetically himself and he gets chewed out for it by his friends enough. He's very self aware when it comes to his own issues (esp by the end of the manga) so. Yeah. Just someone who he doesn't feel the need to mask around.

Honestly, maybe someone childish would fit his vibe too? I mean this in a more lighthearted sense. Like someone he could play tag with or goof around in the woods with. He missed out on being a kid for a while, and he's still kinda interested in stuff like that (bug collecting, cool rocks, etc.). Even in post manga he still wants this.

Also uhhhh beastkin/monsters/whatever of any kind get bonus points. Do they have to be this way? No. But. It would definitely do some favors to be feral/wild in some way like this.

Kabru:

Okay I am not saying this is healthy or anything, but Kabru is ridiculously attracted to fixer-uppers. The main character/savior/hero complex kicks in and he cannot help it.

This can either be super good for him if the person is like. not terrible and is actually okay with this. but uh. that isn't always the case. Bro is often setting himself up for some sort of situationship most of the time. He cannot catch a break.

But he totally needs to be confronted about this to have a relationship work out. Hope you can be at least a little assertive!

Oh and the people pleasing. It's going so far. Please, I-....

He needs to be stopped.

Ultimately. He's gonna go after the people who show the least interest in him and this SPECIFICALLY comes from his own insecurities as a person.

But in the end he's gonna truly fall for someone who can put their foot down and confront him about these issues. He's so insightful and perceptive when it comes to others and can easily point out and help you with you're own shortcomings. But he is super blind to his own faults. Legit does not. Even realize.

He honestly needs someone to help him grow, because in my eyes I can see him like even post manga being pretty stagnant here so . Yeah. You don't need to be like some badass assertive person either. As long as you can just sit down and have a serious conversation w him about this I think it'd go well.

And he'd fall for you because I think it's the first time he genuinely sees someone who recognizes things that are bad about him + still loves him despite that + wants him to grow as a person and assert his own wishes and needs more. Yeah. I just have a lot of feelings about that.

Chilchuck:

This goes two ways.

Non Toxic Route

He'd easily see himself falling for someone mature and responsible. It would start out as just a professional admiration but it would slowly become more intimate as Chilchuck starts to enjoy their more unique personality traits (and even ones he'd consider annoying) --like being feisty, or maybe they're picky, or they can be silly sometimes. That type of thing.

It's a total slow burn with him.

But he also likes people who are more lowkey. Chilchuck is not a "falls for you immediately/puppy love" kinda guy. He's jaded and has a past and has KIDS so. He needs to be treated gently and not rushed into things. Anyone who lets him come to them and start to be more affectionate without demanding it...yeah. Handle him with care PLEASE.

And speaking of this...he wants to keep up appearances since he does value his professional life and has kids and an ex-wife. So he wants someone that can blend into this life without causing drama or more headaches (his party gives him plenty. pls.)

"Toxic"/Not Gonna Last Route

Chilchuck is easily motivated by the more basic pleasures of life, so I can definitely see him having a bootycall that becomes some weird "what are we" type of vibe.

He's like...in the back of his mind the type to enjoy a "dirty little secret". Something he thinks only him and this person know about. But as time goes on he eventually gets emotionally involved with them and is like "we need to cut this off".

It is an extremely painful breakup on his end for sure and makes him more jaded when its literally! His own fault.

[jesncin]

Caped Crusader, "Safe Diversity", and Catwoman

We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.

I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.

(spoilers for all of Caped Crusader)

Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.

The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:

"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."

I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.

What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.

"He didn't have the right look. He didn't have the right face."

"The camera is kind to some, but cruel to others."

This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.

It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.

Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".

This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):

"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."

In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.

There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.

I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.

In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.

CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.

But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.

I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.

I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.

Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.

You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.

I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.

Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.

Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.

This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.

The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.

Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.

While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).

We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.

"All anyone cares about in this place, are these white privileged assholes."

It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.

Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).

It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.

Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.

In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.

All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?

It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.

Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.

But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.

If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.

In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."

[ryescapades]

hihi :333

sooo i was rotting in bed and was reading ur dazai like reader and i liked it alot 😼

so what if reader is a like a vice captain of a another division and acts like dazai and likes to tease and mess around with hoshino and narumi (basically just likes to mess around with everyone) so it's kinda hoshino x dazai like reader x narumi

thank u + have a great day 😸

(ur writing is really good 😜)

characters: hoshina soshiro x gn vice-captain dazai!reader x narumi gen

genre/warning: fluff, attempt at crack, leaning more towards platonic (bcs idt there's any ounce of romance in this... apart from like,, a few dirty jokes lol), set in a joint training camp between multiple divisions

a/n: omg yall rly love dazai!reader huh xD and thank you for the req ,, you're so sweet !! sorry for the delay, i'm glad my work could be your source of enjoyment while u were bedrotting haha

1.23k wc | narumi's ver | hoshina's ver

if someone's ever asked to describe you, they'd usually say something along the lines of humorous, arbitrarily smart or even ridiculous sometimes.

but for those who are unlucky enough to be close acquaintances with you, they'd rather say you're an anomaly. someone who is unpredictable and whimsical at times but intuitive, intelligent and too sharp-witted for your own good.

after years of knowing you, narumi gen has never had a day of peace whenever you were within his vicinity. it's always something or the other.

"why am i here with you again?" narumi grumbles under his breath, feeling icky in his own combat suit out of nowhere. the wind atop the highest building in the city where he's located at blows, ruffling his dual-toned hair.

your lips lift into a cheshire grin. "oh? have you already forgotten what vice-captain hasegawa said? my platoon is assigned to work with you, captain." you remind.

the man exhales before rolling his eyes. "i'd rather get eaten by a kaiju than have you here chasing after my ass," he mutters, and it makes you smile even wider. "what a shame. i'd have loved to have a tap on that ass," you sigh oh so woefully.

narumi halts in his steps, body rigid as the tips of his ears burn hot at your claim. "w-what the hell did you just say, you—!" he doesn't get to finish his sentence when the building suddenly shakes vigorously, sending everyone to tumble on their feet.

narumi clicks his tongue when a massive body of a snake-like kaiju slithers from below, looming over you two and the rest of the officers. "took you long enough to show up, damn reptile," he glares at the monster.

the kaiju hisses before spurting out a spray of some dark, viscous liquid. "watch out!" someone bellows from somewhere as everybody scatters, dashing away from getting hit by the sizzling and corrosive substance. narumi grips on your arm, pulling you behind him as he takes a step forward and readies his gun.

he doesn't get far as the snake starts lashing its heavy tail around, tearing more at the building and trembling the ground from the force. at that point, the building might as well just collapse from how tilted it's becoming.

"everyone, get off the building now!" you shout the order, helping your platoon members stand back up straight. your hand abruptly shoots out to hold the railings when the building is no longer standing straight, stabilizing yourself so that you wouldn't sway from the staggering force.

your eyes dart around as narumi, who has been distracting the kaiju from attacking the other officers while they're moving to other platforms, turns to you. "there's no time," he grits, noticing there's no escape route for both of you.

suddenly you hold his bicep, gaining his attention. narumi's about to ask what was wrong when you start running to the edge of the inclined building, dragging him along. his eyes widen in realization.

"wait, wait, no, what are you doing? y/n, hold on, NOOOOO—" the next thing he knew, he's already free falling from a tilted 150 meter building after being forced to jump off from it, his heart plummeting down alongside his physical form.

his scream is cut off when you yell at him to 'hang on tight, captain!' over the wind, the whizzing sound of something caught in his ears before there is a sudden jolt, and then the two of you are suspended in the air, swinging steadily from side to side.

he's convinced that he might've experienced a temporary death in the middle of that free fall.

when the two of you finally manage to get back on your feet, narumi quickly turns to you with a snarl, "are you crazy?! you could've told me first we were going to plunge ourselves into our impending doom!" he shrieks.

your eyes shine with mirth. "crazy? i was crazy once—" he interrupts your musing with a loud, stretched out groan, running a hand through his hair in frustration. "just focus on your job, vice-captain." he sighs in relent, eyeing the grappling hook gun that you had used.

he should really file a complaint on your behaviors to your captain one of these days... at least that's what narumi has been telling himself for the nth time after he started getting roped into your shenanigans one too many times. he wonders why he hasn’t done so until now.

"well, all in all, you're welcome for saving that cute little ass of yours, captain." you send him a wink as you walk away, causing him to combust where he stands when your words finally register in his head, embarrassedly throwing out curses with his vulgar mouth at your disappearing back.

narumi swears with you around, he's gonna grow literal grey hair and die young, and it's not because of a kaiju.

˚ ༘♡ ⋆｡˚ˏˋ°•*⁀➷

“i heard the mission yesterday went well?”

you turn around when you hear hoshina approaching you from behind. “as well as it could possibly turn out. why? were you worried about me, hoshina-kun?” you tease, focusing your eyes on him now instead of assessing the officers who are training just a few feet below the watch tower you’re at.

hoshina scoffs, “please, i was more concerned about narumi who was unfortunate enough to get assigned with ya. and that’s sayin’ somethin’ cuz i barely even care about him,” he reproaches.

you snicker, shrugging nonchalantly, “i just gave him a little jumpscare, that’s all.” hoshina doesn’t believe that ‘little’ one bit so just he hums, “well, whatever i guess. he’s a big boy. he could handle whatever shit show ya put him through,”

at his words, your eyes gleam under the striking ray of the sun. “oh, he’s a big boy, alright…” you drawl, lips curling upwards in a smirk. hoshina mentally facepalms himself. “don’t ever make a dick joke about captain narumi around me again. that’s disgusting,” he grumbles.

suddenly a new voice interrupts you, “make a what about me?” narumi butts in, thick eyebrows furrowing in suspicion and mild curiosity. your eyes light up even further. “oh, captain narumi! nice timing! we were just talking about your d—“

“do not finish that sentence, vice-captain y/n,” hoshina glares at you. you only send him a pointed look, smiling innocently at him. the captain’s gaze bounces between the two of you. “were you two talking shit behind my back?” he crosses his arms angrily, though you and hoshina can only see a grumpy child who’s about to throw a tantrum and start stomping his foot on the ground.

“whatever makes ya think that?” hoshina counters.

“you’re not answering the question, bowl-cut bastard,” narumi argues back.

you decide to chime in, “you see, vice captain hoshina here—“ the man in question tenses, ready to oppose whatever claim you’re about to make before someone calls out in the distance, “narumi!” it’s hasegawa.

the three of you turn to look, and narumi visibly deflates at his own vice-captain’s scowling face. he sends you two one last glare, pointing at himself with two fingers and back at you two next, as if to say ‘i’m watching yall,’ before storming off.

hoshina huffs, and you let out a chuckle as you watch narumi getting smacked on the back of his head by hasegawa.

you sigh almost dreamily, “ah, i just love to push your buttons,”

“i’m going to push ya off this tower if ya keep this up,”

i'd like to believe that narumi is the cake-less one out of the two (it's canon actually. the empty cans in narumi's room told me so).

also this is me giving yall something to smile and giggle at before i drop the next part of OTST :)

--

©🅁🅈🄴🅂🄲🄰🄿🄰🄳🄴🅂. do not steal, translate or repost my work anywhere else !

[kinjedl]

A new migrant's perspective on how Tumblr works

So, basically, how Tumblr works is this:

We are all, all of us, in a series of caves. Some of the inhabitants of the caves have dug little holes or access routes to the surface, where strange things like blue tweeting birds dwell. Some of us have fled here from a site the alien rules, and a few of us are splitting our time between their weirdly bright and shining domes and our comfy moss-covered holes.

From within your cave, you can dig tunnels. Some people choose to dig tunnels up to the top of other peoples' caves just to observe. Occasionally they might sneak down and steal a choice morsel to drag back to their own hoard, sometimes they just observe. Some tunnels don't lead to the caves owned by other individuals, but instead to dumping grounds where people shove copies of things that they think are related to a single topic. There's no actual rules to that, per-se, it's just a sortve rule by collective consensus about what kinds of things should go in that cave. Sometimes things get shoved in there which don't really belong, but that's fine too.

Some people cultivate their caves to reflect their own specific sets of interest - maybe their hoard has a theme, a motif, a genre. Some people just grab whatever looks shiny and show it off to whoever comes by to look.

When you find something that's interesting, you can - and should - grab it and run back to your cave and put it on display. As everyone knows, piracy isn't stealing, since it makes a copy, so the original is left untouched. That's how things spread down here. There's no real pacing to it, so sometimes someone will make a thing, show it off, and no one will notice that it's there until later, at which point it might take off running through the caves as everyone grabs a copy. Sometimes it does that in fits and starts. Sometimes it hits a particularly nutrient rich patch of the caves and grows way out of control, far beyond its original creator's intentions. Like a slime mold that hit a big ol batch of protozoa. The slime mold thing is probably more accurate than it should be.

The point isn't the spread, though. Tumblr works opposite of how most other big content sites like Facebook and Reddit and Twitter work. In all of those, the point is to yell at the top of your lungs and get as many people to hear you. If you can't get enough people to hear you, you might spend billions to buy the platform and try to buy more of an audience that way, because the audience is the point.

On Tumblr, instead, the audience is irrelevant. The treasures you can bring back to your cave are the point. The point is to hoard and collect and grow your shinies. It's nice to show them off (because who doesn't like it when their hoard is admired?) but it's the having and the getting, not the giving.

it's more work than reddit or facebook or twitter, because no one is out here trying to tell you what should go in your hoard. Everyone everywhere else has strong feelings on what kind of kitsch and treasures and knickknacks you should have. Here, you have to dig. You'll find a lot of trash in the process, but you have the choice of where your tunnels lead, and which garbage pi... other people's hoards you're sifting through, so it's a friendly sort of grubbing in the dirt that feels comfy once you're used to the muck.

I like it here.

[yourheart-inmyhands]

Hey so I have a kinda weird request, you have the right to ignore this of course.

How would Beidou, Yae Miko and Jean react to object of their love would say that they see them like their older sister (basicaly friend-zoneing them)

hi hi! sorry it took me so long to get to this, it took me a bit of sitting on it to get a good response formulated! sorry for the wait :3

Warnings: this post contains yandere-themes, including kidnapping, love potions/drugging, mentions of conditioning/brainwashing, mentions of Stockholm syndrome, and other potential topics. Please read at your own risk!

Beidou:

She’s understandably crushed by this, while she encourages the members of her crew to behave like family and considers them as much, she wants you to see her as more. She’s already an older sister figure to others, she wants to finally mean something more to someone.

Beidou takes a few days to collect her thoughts, skilly avoiding you and holing up in her quarters on the Crux as she contemplates her next course of action. She might be crazy and reckless sometimes, her history can speak to that, she isn’t one to rush in without a plan.

She emerges with a new confidence, her usual swagger in her step as she confronts you once more. She tells you that she wants to take you on a trip and to pack your bags, enough for a few weeks. And no, you can’t decline.

“C’mon Doll, go get packing, an adventure awaits us.” A chuckle follows her words, her hands waving you off in the direction of your home. She follows behind you, helping you gather your things and carry them back to the Crux.

Beidou doesn’t tell you where she’s planning to take you, and the crew’s lips are equally as sealed, but the sudden shine in her eyes, the extra bit of stretch to her grin, and the way she can’t seem to keep away from you, all tell you that it’s certainly going to be something interesting.

Beidou decides to take you on a fairly long goose chase. While she claims you’re headed in the direction of one nation, you’re actually headed in the other. It takes a long while before you notice that you don’t really ever seem to reach a destination, just stopping in at small harbors and cities to restock food and supplies before setting off again. 

Her plan was essentially to trap you on the ship with her, have you sleep in the captain’s quarters with her, and spend every moment you physically could with her. She wanted you to become reliant on her presence, to want her around the same way she wanted you around.

It’s a fairly shaky plan that relies mostly on you developing some form of Stockholm syndrome, but she’s insistent it will work. It has to. She needs you.

Yae Miko:

While she can understand where you’re coming from, it also frustrates her greatly. Of course, she’s very good at not letting it show, but she didn’t spend all this time doting on you and loving you like no other just to be seen as a sister.

She doesn’t let the sudden news interrupt your relationship though, if anything she’s just more insistent in the little ways she loves on you. A hand on the small of your back when you two walk together, tucking stray strands of hair behind your ear for you, the little things. Little things that she wants to make your heart flutter like how you make hers soar.

The longer it takes to win you over the more frustrated she gets, her centuries alive could not grant her enough patience to put up with this. But she remains cordial, acting as if everything is ok and normal. Until she can’t keep up the act. 

“Just hold still darling, it hurts less that way.” Yae smiles as she watches you struggle against your rope bindings, she knows they aren’t comfortable and don’t feel the greatest, that the rough rope bruises and chaffs your skin, but it would have to do for now. She can’t trust you to be free just yet, after all, you haven’t proven your love and devotion to her.

Yae jumps into the drastic route of kidnapping, keeping you confined in a place that only she and a select few others are aware of. She’s with you all day every day for the first week or so and after that, the hours vary. She does still have duties to uphold at the Grand Sakura Shrine after all.

When she’s with you though, it’s time spent conditioning you into new behaviors and mindsets, making you dependent on her and her love to even function. If you cannot open your eyes and see that you do love her, then she supposes she’ll just have to show you herself.

When she’s not with you, you’re given some freedom to explore the strange area, but nothing too grand. You’re kept confined to a room, a door the only break in the walls, with basic decorations and furniture. Yae didn’t spend too much time decorating, she didn’t want you getting too attached to this place, after all, she plans to take you back home someday.

Jean:

Jean is possibly the most understanding about all of this. Not only is she already an older sister, but she’s also a leader and considered like family to a lot of Mondstat. This isn’t to say she’s not upset by this though, it hurts her deeply.

Deeply enough that she spends a few days burrowed in her office, drowning her aching heart out in mountains of paperwork. Eventually, Lisa lures her out with the promise of helping to change your mind, which Jean is hesitant to do.

She respects your decision and your choices, but she simply can’t imagine life without you. So it’s no surprise that she does accept Lisa’s help, who in turn recruits Albedo.

It doesn’t take long for Lisa and Albedo to come to a solution. Between their combined knowledge and power, creating a love potion was simple. Unorthodox sure, but Lisa was confident it would work, nobody would even know. Albedo was in it merely to see how one responds to being under its effects.

Jean is hesitant to give it to you, her hands turning the bottle over and over in her hands as she considers whether or not she wants to do it. There’s a small part of her that feels guilty about it, about taking such a large part of who you are from you, but the large part of her is dying to hold you in her arms, to leave kisses all over your face, to properly call you hers.

It’s almost startling how easily she finds herself giving it to you, inviting you over for some tea to apologize for her absence and her reaction to your rejection. Everything about it feels so normal, what reason would you have to believe your drink has been spiked.

When you take the first sip and it tastes funny should’ve been the first sign something was wrong, but at Jean’s insistence that she was sure she had made it right, you settle for taking another sip, eventually finishing your whole cup. A smile graced Jean’s face when she saw you set the empty cup down.

It didn’t take long for the effects to set in, after all, you’d consumed quite a bit. Seeing you looking at her like she put the stars in the sky like she was the greatest person you’d ever met, melted all of Jean’s doubts. Screw feeling guilty, Jean was happy you finally loved her back.

[carnalconcinnity]

I relate to and feel represented by Towa heavily in that he exhibits Schizoid Personality Disorder unlike any character I've seen before. It was in my head for a while but I couldn't get a hold of Slow Damage to find the evidence for it myself until now, I sort of just used to look at Towa, squint my eyes and mouth the words 'I'm onto you'.

This will be a long, indulgent post, I have not finished said game and will probably update when I do especially after Madarame and Fujieda's route. This is based on patterns I've seen so far in the game as well as some spoilers I came across. Read at your own... something or other.

SzPD's main characteristic is the lack of interest or ability to form relationships. Towa is on the side of a lack of interest rather than ability. One way I see SzPD in him is socially, he's indifferent and blunt or when he makes an attempt to spare feelings he's evasive, he maintains this distance with everyone around him. He doesn't chase after romance; sex and pain are stimuli that allow him to feel something beyond crippling apathy. It doesn't stop there though.

When he wants to, Towa knows how to adapt, negotiate and manipulate others. This can often come as second nature to many with SzPD, not out of malicious intent but through a way to protect themselves by setting the relationships they do make on their own terms. He interchanges between inarticulateness and eloquence according to Akhtar's Profile, selectively choosing what he gives away and what he keeps to himself.

Finally, Towa's art model in the moment, whoever it may be, can easily be considered his 'interest person'. Again referring to Akhtar's profile, those with SzPD can be capable of excitement with carefully selected people and likewise they tend to have a penchant towards typically darker and unconventional things as a form of coping. Combine those two and you have Towa's heightened interest in the selected few when he unravels their darkest desires.

A second way I see SzPD is through his feelings of unreality, schizoids tend to be seen as 'detached observers', there's a lack of motivation or drive beyond the few things they want to do. Towa doesn't hold any long-term ambitions and has no real sense of urgency over anything, he's often dragged outside by others around him or if he bar-hops and searches for hookups. He also holds a sense of grandiosity towards his indifferent observation, the line that stuck out to me the most was when he said to himself, 'All the more proof that life was easier when you didn't care about anything.' A view you will often see from Schizoids time and time again in response to other people's emotionally charged issues.

Towa sometimes dehumanizes himself, describing himself as a 'single minded robot' when painting, playing a role when granting his art model's wish like he did for Asakura or by referring to 'Human Beings' as though he isn't one of them. Obviously as a child Towa was horrifically abused and treated like a 'thing' instead of a person and a result of that he has a weak sense of self, he has a tendency to cave in around more dominant personalities. This can be another thing that goes hand in hand with SzPD, entering into a 'Master/Slave' type dynamic in social relationships (SchizoidVision has a post on this concept, here) As I've explored, Towa has the faculties to play the 'master' in these dynamics like with his art models but he takes a 'slave' role with the main leads that hold the potential to lead into even worse dehumanization in the bad endings.

Thirdly, a way I see Schizoid in him is through his emotions plain and simple, he hardly expresses strong emotions or reactions to anything and everyone sees him similarly, that he's aloof or uncaring. It shows even more in how he doesn't care for social validation, praise or criticism does virtually nothing. He sometimes feels accomplishment for finding his inspiration to paint but Rei ends up being the one posting it on Roost's blog. He isn't dependent on other people's opinions whatsoever. A huge part of SzPD traits.

Finally, the use of his internal fantasy and how it obsessively consumes his time. When he begins painting he becomes utterly immersed to the point he neglects food or sleep, you can't snap him out of it forget any sort of practical responsibilities. This reflects in SzPD in how daydreams tend to consume a lot of schizoid's lives, often preferring it over reality. It can interfere heavily with day to day tasks, I can say there's multiple times I haven't left my room, eaten or slept over a period of time when I get an urge to create something or lose myself in my own head.

Overall, there's so many boxes he ticks so far it's as if he's become the box himself. I connect with him a lot for these reasons and he can easily be considered a major comfort character and face for my page, plus somehow I find the time and dedication to write this essay when I have my abandoned assignments just begging me to make a start on them. (I won't until I feel like it.)

[yazthebookish]

I loved all of what Sarah highlighted in her interview today and I'll elaborate a bit especially on the romance part:

In Maas’ fantasy worlds, love interests often exist as fated “mates,” with invisible strings between them that are powerful and often poetic. Readers can see the literary metaphors, like complementary powers between two characters. But other times, there are no metaphors, with their connection initially seeming random.

She's too attached to the mate trope and I like that she gives us different cases and scenarios for it, otherwise it'll be boring.

“Sometimes, I will write a scene with two characters that I’ve planned for them to get together, and then they have no …” She shakes her head slightly at me. “It’s like holding two dolls and being like, now kiss! And they won’t. … And then sometimes a different character will walk in and they will just” — she snaps.

I yelled at this part because it's as if she plucked the scene from Azriel's bonus chapter and used it as an example. Those parallels between Elain and Gwyn are intentional. It doesn't mean Elain is bad it's just their dynamic doesn't work as a couple and it was obvious to the author. I know she didn't specify who this was about but like, come on, who tried to kiss and which character showed up in a bonus chapter after that depressing scene and gave a glimmer of hope?

“It feels like magic in a way where, as much as I tried to plot out things years in advance, I let my characters guide a story. And they usually wind up with the people that they need to be with and who offer them the most growth and joy.”

I love this so much and allow me to speak about my favorite ship and its because the snippets we saw of Az and Gwyn together especially in the bonus chapter brought out a lighter version of Az. His scenes with Gwyn were light-hearted and the bonus chapter ends on a hopeful note for them. It's hard to deny that connection between them whether you theorize she's luring him or they're mates, those theories wouldn't exist if she had no ties to him (she's in his own chapter like come on).

I go the philosophical route with my next question: We’re talking about fate here, but at what point is a character the agent of their own fate? What happens if someone rejects their mate? (Listen, if I were Fae and I didn’t like my mate, whatever God chose for me is not my business.)

People are jumping the gun and assume this example is set to be Elucien but... we have Helion and Lady of Autumn likely being an example of a tragic rejected mates story (if you read ACOWAR and their history it's obvious they're mates). Maybe it's Mor and Eris and that's the secret that ties them to each other. We have other characters from other series too.

For a convincing mate rejection story in my opinion, it needs more than one book or it's a case that we see with side characters where we can see their history and the long-term implications of a rejected bond.

It's too easy of a story to have one person's central conflict be the words "no I reject you" and they're done. Again, this is not exclusive to ACOTAR but also her other series.

“That’s something I find to be very interesting,” she replies. “What if the forces that be put you with the wrong person? Or what if you just decide, eh, I’m not interested. … There’s a lot to explore within the concept of mates and your agency about it.

The concept of agency is something many readers in the fandom discussed especially when it comes to mating bonds and there were arguments on (would Rhys fell for Feyre if she wasn't his mate or would have Cassian fell for Nesta if she wasn't his mate). We know that some mates don't work out but stay together because their dynamic is unhealthy (Rhys's and Tamlin's parents). We got examples of a loveless mating bond already.

We also saw that Nesta didn't immediately accept the term "mate" because it would mean cutting off her last tether with humanity. It's not a matter of "you're my mate" "yes I'll be with you", the dynamic between the mated couple is important to explore.

“I’m not going to say if I am exploring it in future books or not,” she continues, “but it definitely offers a wealth of things to explore with this concept of freewill and what is true love. Is it something that’s destined? Or is it something that you make? Is it both?”

This part aligns with what I think about Elucien. We never had a mated pairing who knew they were mates but are not in love with each other. Every mated couple found out they're mates when they were already in love.

Can a destined love turn into true love? Or do you settle for a destined love without love being in the equation. Love wasn't in the equation for Rhys's parents, but love was the equation for Feysand and Nessian. Elucien was left unexplored for a reason and both Elain and Lucien view each other by label "mate", they didn't have a chance to get to know each other. So it's going to be very interesting to see them navigate their feelings for each other despite the mating bond.

I didn't expect her to elaborate a lot on this but I love that she did and I hope in future interviews she gives us more good bits about her writing and examples of the decisions she took for some characters and couples.

Didn't expect this post to be long but happy reading! I'm still reeling from HOFAS 🥲

[alexanderwales]

Addendum to the post about Stardew Valley type games:

You know how in games like that, everyone has their set daily routine that changes according to the days of the week, the seasons, etc.?

I think it would be fun to have a game that's just that. You can see what path everyone walks and what they do every day, it's all lines on the ground to you from a bird's eye view: these people are creatures of habit. But their daily routines aren't just something that happens, it's also something that affects them. Bridget spends every day going to stare out at the sea, and it makes her a little bit more sad every day, because it reminds her of her father, who passed away when she was little. Nathan searches for bugs in the woods, hoping that if he gets the right one, he can bring it to show the woman who runs the museum.

So in some sense, this is a train game, but with people instead of trains. Everyone is on their tracks, and possibly there are interrupts to their schedules, but mostly what you're doing is nudging the tracks in various ways and trying to minmax their social interactions and routines.

So if Bridget is staring out at the beach feeling lonely and sad, you can nudge Nathan to go hunt bugs there instead of in the woods, and if you nudge him correctly, he'll end up at the beach at the same time Bridget is doing her mope session. And then, because it would be weird for them to both be at the beach in silence, they get to talking, and their little friendship meter or whatever fills up. And then, at some particular threshold, you get a notification that their routing has changed. The lines on the ground are redrawn, the schedule is updated, and Bridget and Nathan are friends now, and there's no reason for her to be at the beach anymore, because that lonely void has been filled. In the new routing, Nathan and Bridget hunt bugs in the woods together, hoping to find an interesting one but mostly just hanging out.

Your goal is to make everyone as happy as you can.

There's a lot that I'm still trying to work out here, I had the idea five minutes ago. For one thing, I'm not sure how the player should actually go about adjusting the routes. I guess I'm envisioning it like what Google Maps shows you, where you have multiple routes and can select different ones. Or maybe there's an option to change the destination sometimes, if it's one where the actual location doesn't matter. Kids will always have to go to school, but their mother has a choice of different part-time jobs so long as she's making a little extra income, so you can route her to either the doctor's office where she'll be a receptionist or to the mayor's house where she'll clean up. Some routes are therefore locked down hard for various reasons, while others are more flexible. And as the game goes on, which is which will change: someone who sort of didn't care where he was whiling away his time will get a job that's very important to him, two lovebirds will want to spend all their time together, but the carpenter divorces his wife and suddenly has a lot of free time on his hands, or the electrician finally finishes fixing the lighthouse and now is just sort of waiting on orders.

The other major question is how much we're exposing to the player in terms of the whys of our little train-schedule people. I think trying to do this with any more text than a handful of cutscenes would be a fool's errand, and instead you'd want to abstract it out as much as possible. Characters would have Motivations, Goals, Tasks they're making progress on each day, Friendships, Romances, and in general you should be able to look at their route and say "okay, this is motivated by this, this is motivated by that". I think Friendship Points are a kind of ridiculous concept, but they would work here, with each "stop" on the route adjusting friendships and romances up or down on the scale. Tasks gain some completion with every route completion, which is another way the game progresses forward.

The last major question is ... how do you build this? How do you create a town of thirty or so people with their own individual routes in such a way that a player can figure things out and be satisfied with each small solution? Because this is sort of a puzzle game, and as laid out here, it's the same "board" the whole way through, with everything interlocking. I think maybe you could map out the early game pretty easily, solve some trivial problems with a bit of extra routing, have everything else "locked" and unknown to limit scope, but I'm unsure how you advance past that.

Perhaps there's a version of this game where everyone has their routes but we're only looking at tiny slices of the whole town at a time, two or three routes that we can figure out. Maybe there's a man who doesn't care what his job is, so we make him the teacher, which frees up a woman to take a different job she loves, which means that she winds up in the gardens after work and meets a gardener we diverted there, and together they start a pottery club, which becomes a new event that people can be diverted to.

And at the end of the game, everyone is in the job they're best suited for, you've made people couple up, you've fixed all the problems, and the little clockwork town is humming along.

[strangelittlestories]

Here in the end times, it feels like everyone got a little weird.

That'll happen, you know? In a city of bondage rooftop pirates, predatory psychic business suits, and tacticool kindness cults; in a world where the sun's gone all high contrast, low brightness; in a time where isolation is a synonym for safety ... let's just say the 'Overton Window of Normality' has shifted.

Yep, when the light broke, we all got a bit strange.

All except for Simon, that is.

Simon is perfectly normal. Simon is swell. Simon still stops by Nero's for a coffee in the mornings and the Coffee Mafia *serve him* (I think just out of confusion).

Simon goes into his co-working space three days a week. Sometimes he works on his screenplay. Other times he goes through long-dead databases and de-duplicates records. If you ask him why, he'll just say that he gets tired of working from home all the time and needs a change of scenery.

Simon keeps a spreadsheet to track the good places for salvage in London-in-Darkness. He has different tabs for foodstuffs, fuel, clothes, makeshift weaponry, and a dozen other useful categories. He sorts them according to quality, abundance, known predators, level of contrast corruption, and convenience for his commute. Ask him to show you his v-lookups sometime.

If you haunt the high buildings like I do, then you'll see him sometimes, scuttling about in his scruffy converse, jeans and hoodie. If he sees you see him, he'll wave.

It's not that the various predators, gangs and high-contrast memetic hazards avoid him, exactly. They continue their usual routes; their patterns of search, destroy and throw-a-wobbly. But somehow they just ... miss him. He'll be overlooked or have a miraculous lucky escape. Occasionally, he'll get captured for a few days and spend the time working on his yoga routine, before the next localised burst of spectrum distortion gives him a chance to scarper.

You might be tempted, if you run across him, to join Simon.

You might hear him say things like: "Why don't we pool our resources" or "Let's catch up sometime" or "I've set up a mini golf course in the Tate Modern, if you fancy it" or "Do you want to listen to some Bruno Mars? I think I have one of the last unscratched CDs."

I urge you: do not listen to him.

He means you no ill will. Simon is *normal* and *nice*.

But nice is not kind. Normal is not benevolent. And sometimes, people overlook that the world will hurt those less lucky than them without really thinking about it. And it is *normal* to protect yourself in that way. It is *nice* to gloss over difficult things.

Simon lives a live that is orthogonal to the rest of us. His plane of existence is ever so slightly out of sync.

Yours isn't.

He is a last unchanging remnant of a world that was.

You aren't.

If you meet him, you will want to follow him. His is a world of order and predictability, of self-care days and flexi-time, of secret film screenings and hidden menus in bougie coffee shops. You will be enchanted by the way he talks about getting plenty of natural light, the way he complains about his commute, and how he still tips twelve percent.

But I beg you: do not heed his Simon song. For it is the song of Bruno Mars and you will be dashed on the funk rocks.

Don't go with him, the world that keeps him safe does not exist anymore.

And when I see Simon scuttling through the streets with a new friend, I am sometimes glad that it is gone.

[yandereheathen]

The Cost of Protection [Yandere elf guard x Fem Reader] 18+ Chapter #1

Based in Barovia (Curse of strahd, some dusk elf lore spoilers) Warnings: Non-con touching/kissing/ some violence, obsessive treatment, death threats necromancy?

Living in Barovia was hard enough; trying to do business in it is quite the other. Besides all of the ghosts, Undead creatures, and living under the tyranny of a centuries-old whiny vampire, everything was complicated. Still, you had your own set of struggles. Your Tavern was not necessarily famous, but it did good business. You had your regulars, Travelers who would sometimes come and try their hand at defeating the vampire lord Who you never saw again unless it was their Undead body, and some other travelers who were peddling wears pies, toys, weapons, anything that you could imagine then there was the common folk and Crafts People. Everyone was welcome in your Tavern. You offered a warm smile, a glass to drink, and whatever you could scratch up to cook that day; however, you had one unwelcome guest who changed your path forever.

 Maverick

 It wasn't uncommon that Dusk elves would come into your Tavern. They followed Vistani and often went through the cities of Barovia on a standard route, and more and more did you feel like you saw them integrating with the town, so seeing one dressed in a guard uniform was unusual but not unheard of. His long dark hair was braided up in leather twine, and his eyes were the standard golden color, but you did see a tiredness in them. He was only an inch or two shorter than you. After all, you were pretty tall for a human, but he was well-built and had hands that showed both work and strength. His smile and his voice were the things that stood out most. It had a ruggedness that you admitted caused a little heat in your cheeks the first time you spoke with him.

  Speaking of the first time, You remember clearly the first time he stopped by your Tavern. You treated him sweetly, flashed a smile, and put your arms down in front of him, looking up at him with innocent eyes leaning at the bar.

"Anything to drink, sir?"

You Tend to be flirty with everybody. It was basically in a bar person's job description. Still, you noticed that some visitors would give you an extra coin or became regulars if you gave them special treatment. However, his smile made you a little uneasy, almost excited. It was a smile that said he appreciated your treatment and wanted more, how much more you didn't quite understand that time. Did you know that that smile would lead to many other things? He just put your hand just under your cheek and, tilted his head, and said

"I think a beer or mash number 8 would be okay before I have to eat. I could live off your voice and those beautiful eyes forever.

 You just left thinking he was making some flirtatious joke, pulled his draft, and handed it to him. From what you've gathered, asking him simple questions about his life gave you non-committal answers or general mods. He was pretty new around town and it was just getting to know all of the local businesses, and he heard that you could get a good cup for cheap and that a cute shop girl was serving the drinks. You laughed again at his flirtatious joke, but you noticed that his eyes never left you from your lips to your shoulders, down your neck to your chest. Even to your backside, when you were turned around and helping other customers with their drinks, you didn't think much of it then. Still, it definitely left you a little unnerved.

 After that, he became one of your regulars. You knew his drink by heart, you knew what he liked to sit in at what time, and you learned exactly how to speak with him. Not too much, but he did enjoy hearing a little bit about your day. He wasn't much of a talker, but you don't mind, or you did not have the time. 

One night, a set of particularly Rowdy young men was causing ruckuses in your Tavern. You tried to compile them with free drinks and sweet words, but you needed more. It all came to a head when one of them tried to get handsy on you, and he was greeted with a sword to his neck. The man went still as Maverick whispered in his ear, pressing the dagger a little bit closer enough to cut into his neck. He looked at the other two men and said in his low, deep voice. 

"Oh, did you both want to be next? As much as I would joy putting all your heads on a platter and making it for the next stew, this one would not appreciate making a mess of her Tavern. How about all of us be nice to you all? Get the hell out of here before I make an example."

 They tried to avoid messing with a guard, let alone a dusk elf. There were rumors of them knowing dark magic. Magic rants to them after the travesty of their women being wiped out, dark magic that was taught to them by Rahadin, the right-hand Master of the lord of the world. The ability to raise the dead and control minds are abilities right from hell."

 They all scurried off. You were thankful, bowing to Maverick and taking his hand, promising free drinks for the rest of the night. Still, he took your hand and looked at you, his golden eyes hidden behind something mischievous, something lustful that weighed heavy on your heart. In your chest, you felt the heat rise up from your stomach.

"Darling, we can make a better arrangement. How would you like me to offer my protection?"

 You looked at him, confused, but still held his hand, your head tilted. 

"I would always be thankful, but isn't that what you usually do? I wouldn't want you to give me special treatment."

 "Oh well,"

 He takes your face and his hand. Squeezing your cheeks ever so slightly, 

"If you give me special treatment, I'll give you and your customers special treatment. After all, you wouldn't want anything to happen to you, your Tavern, or your customers, would you, darling?"

 He forces your eyes up to his and brings your lips closer. The rest of the Tavern, already daunted by the commotion, looks away. You simply nod in agreement, and he lets you go, patting your shoulder and laughing good-heartedly. 

"well, perfect, I think I'll take my first payment tonight."

 You panicked, thinking about how much she could get into the day, and said, 

"How much are you asking for? I've already offered you free drinks. I don't know what more I can do.-"

 He cuts you off, putting his finger to your lips. 

"Don't worry. You have everything that I could want to need."

 And he walks off.

 After closing, when all of the lights in the streets were out and the spirits were already roaming the streets, you clutched to your apron, putting up the last of the chairs. The candle lights were just barely about to go out. You counted up all of your money from the day, and while you made enough of an earning, you were very worried that he would not have enough to pay for this new extortion. You had heard stories of guards and heroes extorting young men and women for protection. You did not think it would happen to you that living in a place of cold and darkness was curse enough, but it looked like the fates had a little more for you. 

You almost didn't hear him come in as he stuck his hands around your waist and up your throat. You tried to yell out, but his hand covered your mouth, and he kissed just the side of your ear as you immediately felt yourself wanting to flee. Then he whispered in your ear, 

"Oh, now that's a pleasing darling. As much as I would have so much fun chasing you, I don't have the time tonight to have my cute little rabbit." 

He put his hands down your hip, lifted your dress, and ran his hand up your thigh as he kissed your jawline and neck. You stammered, still trying to get free. 

"You said you wanted payment. I'm really to pay. The draw is open. Take what you want. I don't care. Please, just don't hurt me."

 You cry through your struggles, but he just laughs, nipping where your neck and your shoulder mean, 

"Oh no, my little rabbit. As much as it delights me to hear you after having to endure hearing you simper over every man who can give you coin, I'm finally able to take the prize that is Rightfullymine after all that will be our deal."

 He lifts you up and plenty down on the closest table, the wood scratching into your shoulder, your head banging painfully on it. You cry out in pain. It is silenced by his mouth crashing into yours in a kiss. A rough kiss. He pins your hands down, holding his fingers In times with yours as his tongue searches into your open mouth, wrestling to pin it down. You see his golden eyes boring into yours like a beast unleashed. You stand there stunned, unable to move with his weight pushed against you. Even with your slight height Advantage, his trained muscle and sheer force can do nothing. 

He breaks apart, your lips bruised and your tongue hanging out of your mouth, a stream of saliva connecting both of your mouths. 

"Please, why are you doing this?"

 You manage to choke out as you feel him grinding into your lower half just underneath your dress. 

"Well, it's pretty simple, my cute little rabbit. I only joined the guard because I was bored, and I thought I could find some fun beating up the locals or helping young maidens. Still, I saw you, a bright Lily, and a swamp of muck to see simpering and pampering to everybody who entered your Tavern was so endearing I knew I needed to have you. I knew that you were mine, don't you understand? When elves mate, they mate for life, so that means."

He cried to you rougher you feel his hard cock rubbing into your own sex with a need want to be inside you. 

"You will be mine for the rest of your life. I will ensure that. If you don't want to be mine, it's pretty simple- you don't have to."

 You blink this as he lets you sit up, but he still stands between your legs.

"You mean you'll just let me go. You won't do anything?"

 You look at him, hoping that this is some weird pass, and you would know he would just leave you alone. But your hopes are soon crushed.

"oh no, my darling, if you say no," 

he moves in closer, and his sword falls at the back of your neck. 

"I will kill you and make sure you are raised as a zombie who has no free will and who is forced to do my bidding for the rest of your Undead life. Do you understand me, my cute little rabbit?"

 At that, you feel a heat emanating from his sword, a Blackness clouding around the edges of your eyes, and you know that his promise holds truth. Your body goes rigid and shakes, and tears silently stream down your eyes as he takes you in his arms, rubbing your back oddly comfortingly or trying to be with his sword. His other hand grips your bottom, pulling you closer as he snuggles into your neck, inhaling your scent.

"so you decide to make, my darling. Either I can have you here of your own free will, where I will love and protect you in this Tavern, or I will have the pleasure of seeing your beautiful blood dripping down your chest. I can have you as my perfect little Undead doll."

 "The choice is yours. You pretty little rabbit."

[hiding-in-my-blanket-fort]

A few headcanons for a relationship between Rip Wheeler and a shy, quiet, introverted fem!reader:

Protective!Rip dialed up 10000%

Walker ain’t even allowed to LOOK at you, much less speak to you beyond “yes ma’am” and “no ma’am.”

Whenever you go into town, Rip insists he goes with you, or he sends someone with you. He doesn’t like you going alone.

When things get rough on the ranch, he insists you stay in the cabin where it’s safe.

Rip tries really, really hard not to bring work home with him. But sometimes, it happens. And when it does, he’s clipped and cranky and there’s just this thundercloud hovering over him.

When he accidentally barks at you, and he sees you flinch, withdrawing away from him, he knows he messed up big time.

He’ll give you space and take that time to calm down. Then he’ll kiss your forehead and apologize for snapping at you.

One of his favorite things in the world is coming home to see you sitting on the porch, waiting for him.

Sometimes, you feel a little bad because he’s so tough and you’re not. But whenever those doubts slip out, Rip insistently shakes his head and he’s very happy to see that you manage to stay soft in a world that is unkind.

It’s a common occurrence when you’re talking to someone - in town, a ranch hand, etc - that Rip will be standing behind quiet, shy little you, while he’s back there glaring daggers and looking intimidating as a bear.

You are literally the only person on earth who can tease him about it and get away with it.

“Did you do your mean face?”

He just raises his eyebrows slightly, amused. “My what now?”

“Your mean face. That expression you use when you don’t want people lookin’ twice at me.”

You attempt to mimic him - puffing yourself up, putting on a stern face, narrowing your eyes - and it’s a rare thing to make Rip Wheeler laugh but you manage it.

Most of the time, Rip appreciates how shy and quiet you are.

And then there are other times, where it scares the hell out of him. You couldn’t hurt a fly but the world he knows, the world he exists in every day, could snuff you out as easily as a breath of wind on a candle flame. So he worries about you quite a bit.

And on very rare occasions, you and Rip butt heads about your differing perspectives.

He will always choose the gruff, direct, blunt route. To you, this is brash and comes across as callous.

You will prefer the sensitive, tactful option. To him, this is pussy-footing around the issue and it’s better to just deal with it.

Sometimes, you never truly reach a middle ground because you’re both so different. But you love each other like crazy so you agree to disagree.

You rarely set foot in the bunkhouse. Ever. It’s noisy and loud and Rip absolutely does NOT encourage you to go in there.

But you’re curious about it too because he spends a lot of time there. It’s such a big part of his life, alongside the ranch hands.

Ryan and Lloyd pester Rip about bringing you around so they can finally get to know this girl he’s gone soft for.

When Rip continually says no, Ryan and Lloyd tag-team you, inviting you to play some cards and have some fun on a Friday night.

When you show up, you realize you are leagues outside of your comfort zone. But Rip is glued to your side, shooting threatening looks at everyone to be on their best behavior while you’re around.

But as you warm up, the other ranch hands take a liking to you. Your quiet ways are refreshing in a boisterous bunkhouse of loud cowboys.

You’ll quickly learn how to speak up to be heard as they become more comfortable around you. It doesn’t take long before you start trash-talking like the best of them.

After that, the ranch hands have practically adopted you and they’re eager to show you how to rope, ride, etc.

Rip would rather not repeat the experience. Meanwhile you have a little extra bounce in your step.

“They liked me!”

He laughs softly and touches your cheek. “Of course they did, honey. Why wouldn’t they?”

You shrug and snuggle under his arm.

“Guess I just always thought I wasn’t tough enough for you, that’s all. That was fun though. We should do it again.”

Rip hums and shakes his head, brushing a kiss to your temple.

“That would mean I’d have to share you again, darlin’, and I ain’t makin’ a habit of that.”

Writing tag

[orchideous-nox]

wolfstar, rosekiller, jegulus kink thoughts??

I need to refresh my Wolfstar memory so this is a perfect excuse to yap about them a bit to get my brain working!! This turned out to be a mix of kinks and general sex takes so enjoy!

Wolfstar

I want to say they are a bit vanilla. Some people go down the puppy play route but I just can't envision that for Remus especially, that being said I did write a fic called bark like you want it, baby to test how I felt about it and it sent me into a Wolfstar writing slump. I think Sirius definitely has a praise kink, maybe it starts off that he thinks he wants degradation but then Remus tells him how good he feels or like after a particularly long session of fucking he tells Sirius that he did good and Sirius is like ✨oh✨ and it becomes a thing.

Remus likes pulling Sirius's hair and giving him hickeys in places only they can see until he leaves one on his neck, and it sets something off inside him because everyone can see it and with the way Sirius drapes himself over Remus, there's no questioning who gave it to him.

As someone who cannot ever get behind a daddy kink, it's something I'd never write into a fic but in my cowboy wolfstar fic where there's an age gap, there's a "sir" thing going on that after rereading I was lowkey loving for them. Sirius loves giving up the power to Remus but sometimes Remus loves being taken care of so aftercare is really important to them.

Jegulus

So aside from the obvious James having an oral fixation and getting off untouched sometimes from eating Reg out, maybe a touch of degradation, I think there's definitely some soft dom energy coming from Regulus. He's bossy, he knows what he likes and he is okay with using James to get off. And James loves that, he is there to be a dildo with a body attached, he will do whatever Regulus needs him to do. He's definitely said to James "you have the honour of fucking me, do it properly" if he's not listening when Regulus wants it harder or faster or rougher.

There's definitely some biting, Regulus is so pale and James loves seeing the marks on his skin when he gives him hickeys because they show up so nice, and Regulus shows them off to him wherever possible. James gave him hickeys on his thighs? Reg is wearing no pants around their house, letting James see them. I guess it's maybe a possessive thing?

Regulus can definitely be a brat when James is more dominant, he'll resist instructions for as long as possible to cling onto control even if he knows that he'll enjoy whatever James wants to do to him. I think Regulus doesn't have a gag reflex, or like he does but barely, and he loves showing that off to James and lets him just fuck his throat. He also loves being tossed about when he's not in control, he's like a bop it, bend it pull it twist it bop it.

Rosekiller

Yes. My friend Alex ( @futurequibblerjournalist ) mentioned in an ask that they're like that scene from Brooklyn Nine-Nine where Pimento is like "Okay, here are the ground rules: you can punch me, kick me, pull my hair. I am A-okay being stabbed. Biting and scratching are on the table." Like that's just Rosekiller's version of vanilla. No blood, no orgasm.

As someone who writes Rosekiller smut extensively, I have definitely returned to biting, spitting, hair pulling, choking and a mix of praise/degradation. Barty will pretty much let Evan do anything, like he literally let Evan stab him in my demon barty fic multiple times and played around with necro which was an interesting one but for Rosekiller I will try writing anything. To them, death is a challenge and they are tiptoeing around that line of how far they can push it and they find that so hot.

There's so much I can say about Rosekiller and kinks, about how Barty will only bottom for Evan because he trusts him to give up control and for him to not use that against him, he likes Evan using him in any way possible, including somnophilia. Evan and his morbid interests loves getting clinical with sex and experimenting with how far he can push Barty's body before it's too much. They can also very much get lost in each other, they are the definition of two halves of a whole and trust each other entirely so will try anything and everything and often find they enjoy it.

I think if you look at my ao3 you'll get a pretty good idea how I picture Rosekiller and their kinks but I'll never stop adding to the list of fucked up scenarios they take advantage of.