#someone elses rehearsal

[transsexual-dandelions]

Besides the intense drinking culture of both the Gallaghers and the general south side, the addiction gene from his parents you can never escape. A major, the near sole contributing factor of lips alcoholism is from college. He is almost entirely isolated. He is a first generation college student (high school was easy, it was nothing. He’s never done this before.) He’s from a “low income family”. Everyone else grew up “comfortably” (read: rich). He doesn’t know anyone and doesn’t have a way to connect, it’s near impossible when you’re different, you have these fundamentally different backgrounds and childhood experiences. But parties? Drinking? That’s what he can do, what everyone can do. And so he does. And then he just doesn’t stop. Why would he? It’s normal, it’s comfortable, it’s connecting, everyone loves a good party, that he can do. It feels like the only thing he knows.

[biblicalhorror]

Life is.. a lot right now

[90sbee]

when a woman does something stupidly tender to me and i am haunted by gay thoughts for her for about 3 years

[dhmis-autism]

trying harder to pay attention to yellows dialogue so i can write him better and. literally. love that thing he does where he talks like hes in a sitcom

( “What do you think it means to have a job?” / ”Yeah, what an adventure. Yup,we really did have the laugh of our lives. But still, nice to be back at home,eh?”/ “Let’s go see this real family in action!” )

[imjustavenuxwithaboomerang]

istg if they don't bring back milo for chandler's trio night performance i'm going to scream

[hearty-an0n]

nobody ever talks about how disability can be embarrassing as fuck

[queerlycarter]

man ever since i became sicker and my heat intolerance skyrocketed im like. jealous of most other people for whom heat is merely uncomfortable and not actively dangerous. and because i have horrible emotional permanence i dont even remember what that's like.

i used to LIKE the heat. i used to work outside all summer in 90°F+ 90%+ humidity and i was FINE. what????? now i cant even be outside in 80°F for 2 mins without feeling two seconds from passing out

[supercantaloupe]

why did dan just text me the program of a concert happening tomorrow evening

[callixton]

production managers when they remember it's their job to reach out to venues and coordinate emails.......

[eggmeralda]

no feeling worse than hearing there might be another group chat that you're not in

[aberooski]

I honestly wish my birthday wasn't in 2 weeks. I always get really depressed around my birthday.

[unproduciblesmackdown]

"Ed Iskandar talked with God. Then it was Lucifer’s turn. Now he was addressing Adam and Eve.

[...]

Right now, Iskandar was rehearsing the plays from Act I, including Madeleine George’s 10-minute piece about the Fall of Man, which she gives the elaborate title,  “A Worm Walks Into A Garden or The Fall of Man, an experiment in motive and comedy.”  In it, Lucifer tells dumb jokes to Adam and Eve, as a way of seducing them. Adam finds them funny. Eve doesn’t.

“You’re missing a crucial part of your anatomy,” Lucifer says to Eve. “The funnybone.”

Lucifer is being played by Asia Kate Dillon.

[...]

Dillon was writhing and entwining themself around Eve.  Suddenly Chase Brock, the show’s choreographer, got down on the floor and started to writhe on the floor along with Lucifer. Brock had researched the earthworm, and showed some pictures of earthworms to Dillon on his laptop to suggest other moves they could make."

"50 different plays by almost as many different playwrights is a massive undertaking in which each vignette varies in tone from the one before it.  The actors playing the characters do not change from play to play; this forces the performers to be as comfortable and convincing with farce as they are playing tragedy.  It is also fascinating to contemplate the mental and emotional gymnastics that each performer of The Bats (the resident acting company of The Flea) must have undergone to ensure that each character maintains the same internal psychological throughline when they appear in different plays by very different authors.

The first act deals with the Old Testament books and the Nativity.  In playwright Dale Orlandersmith’s Song of the Trimorph, the angels in Heaven mindlessly worship God (a deliciously petty, yet shrewdly authoritative Matthew Jeffers), who takes it as His due until Lucifer (Asia Kate Dillon) starts to question whether love without choice means anything.

Dillon’s beautifully delicate, white-haired devil is one of the show’s most complex figures. Watching them evolve from nuanced philosopher to diabolical heavy to world-weary cynic, depending on the vignette, is fascinating.  The narrative speeds its way through the Bible. Highlights include Madeleine George’s surprisingly feminist take on the Adam and Eve story; Hwang’s marvelously urgent Cain and Abel tale, which posits the first murder as a story of vengeance against a capricious God; and Mallery Avidon’s whimsically horrifying tale of Noah’s Flood, which also entails the deaths of everyone who didn’t make it aboard the Ark.

[...]

The show’s second section deals with the Life of Jesus, with Colin Waitt’s astonishingly variegated boy-next-door Jesus shifting from an idealistic dreamer as he travels with Mary and Joseph to a forceful, almost angry philosopher when he argues with Lucifer about the nature of love to a bratty dolt when he confronts Gabriel about his inevitable fate.  The fact that the playwrights clearly have a different idea of Jesus’s personality sets Wiatt a complex task:  He has to make his Christ the same in all situations; whether he’s being comic or tragic, Wiatt is convincing and moving in a performance of stunning versatility.

Indeed, his likable turns in Gabriel Jason Dean’s beautiful Christ Enters Jerusalem makes his ferocious agonies in Qui Nguyen’s Christ Before Herod and his subsequent crucifixion all the more heartrending. The third act deals with Christ’s resurrection and humanity’s fate at the Day of Judgment, and includes a series of plays set in modern times, as well as God’s final words to Lucifer, Jesus, and to us.  The show’s final Day of Judgment coda by Jose Rivera is an essay of forgiveness and unexpected love."

"Overall, the point of view of The Mysteries leans toward deism, the Enlightenment philosophy that presents God as a kind of clockmaker who created the universe, then left it alone to run according to its own laws. We see God squabbling with, then abandoning, Lucifer, setting in motion the events of the Bible, but even in Eden he is surprisingly enigmatic.

[...]

And, as one of the thieves killed with Jesus prophesies, it may all be for naught; he conjures up a future in which "the religion founded -- haha --upon your existence will be held up to justify the slaughter of millions over hundreds and thousands of years, for the brutal sins of domination and exploitation, the lynchings, the massacres and genocide, the relentless militarism. Everything you stood for will be erased."

[...]

In any case, the company is an almost constant joy. Among the more striking performances, [...] Asia Kate Dillon is a compelling presence as Lucifer."

"Four dozen playwrights take four dozen spiritual positions, which allows bubbles of radical reimagining to emerge only to sink again beneath the waves. For instance, our very first playwright, Dael Orlandersmith, paints Lucifer (Asia Kate Dillon) as a sweetheart Cordelia type refusing to curry favor with an insecure God (Matthew Jeffers). The fallen Light bringer keeps popping up throughout, and yet while Lucifer makes a number of solid points—many vigorously antichurch—they're still costumed as a blood-smeared reptile. Does evil exist? Or does it only exist when it can dress super cool?"

"It begins with a scene in heaven where we meet the lavish Angel Chorus that will be with us for the duration of the play, and witness Lucifer’s expulsion from heaven, something like in Milton’s Paradise Lost.

[...]

We also meet the rebellious Lucifer in that first scene in heaven, played with dazzling cynicism by Asia Kate Dillon, and at the same time the angel Gabriel, played by Alice Allemano, who, obedient to God, in contrast to Lucifer, struggles valiantly trying to make sense out of God’s commands and following through on them.  These two, Lucifer and Gabriel, played by tall, striking people, fine actors who resemble one another, hold the vast array together like bookends.

The scenes in the Garden of Eden are delightful, played, appropriately in the nude, by Jaspal Binning as Adam and Alesandra Nahodil as Eve.  Throughout the play, Biblical episodes are interpreted by the many playwrights in non-canonical ways and the first of these is brilliant:  the knowledge the first couple gain through their disobedient eating of the apple is — how to tell a good joke and how to enjoy one!"

"Act I – The Fall begins with Creation and Lucifer’s fall from grace with God. Lucifer is played by a steady, radiant Asia Kate Dillon who reappears frequently to mix things up with earthlings and the rival angel, Gabriel, played by Alice Allemano makes goodness alluring. God is played by an extremely patient and multi-dimensional Matthew Jeffers whose sense of humor humanizes the Lord."

"As starting points, Dael Orlandersmith’s “Song of the Trimorph (Lucifer’s Lament)” and Liz Duffy Adams’s “Falling for You” are somewhat too abstract, particularly “Falling for You,” which has Lucifer wonder, “How can there be love in the absence of being?”"

"Starting with the Fall, we are introduced to the Angel Gabriel and the fallen angel Lucifer, played by two equally lissome and brilliant young actors, Alice Allemano and Asia Kate Dillon. They compete for God’s affections by using a chorus of singing punk angels."

"Asia Dillon as Lucifer brought the precise mixture of demonic delight and fragility necessary for such an adaptation: watching their performance was like looking at a raw cut in the bowels of the earth, brimming with fire and unimaginable sadness."

(no relevant quotes, but throwing in a brief pdf of a grantee project report that focuses on Engagement)

[iamrizaka]

I think I caused my friend some psychological trauma. Today at the rehearsal she decided to joke around and asked about ten people to jump. They all either jumped or looked at her dumb. Before she finally found me.

I heard her say "She's pretty light" and when she asked me SHE TURNED HER BACK ON ME. I LITERALLY JUMPED AT HER, THINKING IM GETTING A PIGGY-RIDE

Needless to say, she didn't expect that. We both fell on the ground, she was on top of me. I couldn't stop laughing after we got up

[tchaikovskym]

just uploaded my thesis!!!! yeehaw your girl is one defense away from mastering biology

[nevertrustablueberry]

so they just cut the band from our show the day before opening wtf

[fingertipsmp3]

Had to reschedule my online interview and now I’m nervous lol