#some of these are just there to fill quotas because i had no idea what to put but some I am super passionate about

[in-the-undercroft]

I did this on my iPad last night/this morning but favorite/least favorite classes of the main HL crew. The text next to their names state the electives. I wish I gave the top row some more space but oh well. Do any of you guys have opinions on this? Was fun character building.

Here are my longer thoughts/explanations.

For my MC, Emily, I kinda based it off my play style and also what I enjoyed but also what made sense. DADA made sense as a like. I enjoyed potions and I super enjoyed the Arithmacy puzzles so I kept that. For dislikes: I hated the astronomy tables, too fiddly. Also I never used to Transfiguration spell. And Divination, well, HP colored my view of the class and I never would've taken that class so I'm pretending I'm taking the 3 electives(Thus D+B+A)

Sebastian obviously loves DADA. Mr best duelist of our year. He also enjoys his Ancient Runes elective and History of Magic. I see him being super studious and not minding the book classes. I don't see him liking the more hands on classes like Potions and Beasts(Which I never would've picked as his elective but whatever, he was in a cut scene).

With Ominis, I've gotten the same line that Weasley is prepping him for Transfiguration NEWTs already at least twice. I think it may be NPC dialogue but I also haven't noticed it on anyone else so let's pretend it's canon. I feel like Charms go hand in hand with that so I was like what's another that Ominis would like... Charms??? Also I 100% headcanon that Aritmacy was common ground with him and Emily to bond without the rest of their friend group in the way. Especially when things got rough with Sebastian. That was their place to just be them without having to think about dark arts and relics and curses. But we know in game he doesn't like Herbology or Potions. I feel like Potions frustrates him because it's probably very sight based with are particular it is(As Sharp insists, one sneeze can ruin everything) and it's hard to adapt. But he and Sharp worked together a lot in the early years to find work arounds. Lots of after class sessions and trial and errors and ingredients already being cut. I could do a whole post about this.

With Natty, Charms is clearly her best subject and she's in Crossed Wands so DADA was a good educated guess. I also feel like Ancient Runes for some odd reason. I don't think she minds Divination for Divination but because her mum forces it on her and the embarrassment of her mum teaching it.

Obviously Poppy loves Beasts class and Herbology. I also think she would enjoy astronomy. She seems very hands on learner. She would find History of Magic so boring(And yes, I didn't let myself say everyone hated HoM). I also feel like she is morally opposed to also the transform *animal* into *object in Transfiguration and hates that class because of it and views it as inhumane.

[genderkoolaid]

Okay so. I have a problem with this.

Not the statement that trans girls & women can and do experience real trauma from being closeted, that's very true & should absolutely be recognized. The closet can be traumatizing. I would say that it's true that it is straight/cis male privilege to be able to be "normal" in society without having the weight of internalized phobias & the fear of being outed. Growing up trans is very rarely straightforward or free of conflict, internal or external.

But that's not the extent of straight/cis male privilege. People can see you, assume you are straight or a cis man, and then treat you in ways you would not be treated if you were seen as queer. That doesn't negate the areas where you AREN'T benefiting from privilege. It's just that privilege is way more nuanced than "you got it or you don't."

There are, undoubtedly, situations in which a closeted trans girl got some kind of better treatment because she was perceived as a cis guy. But her resume getting preferential treatment because it has a male name on it doesn't mean she doesn't or will not experience transphobia, misogyny, trauma, etc. or that experiencing male privilege at Any Point Ever makes her a privileged male oppressor. That's radfem thinking.

Once again I am asking people to read the section On Male Privilege from The Transfeminist Manifesto which talks about this & why trans people don't have to have an all-or-nothing relationship with male privilege in order to be recognized as oppressed. We have to get out of this black and white thinking on privilege & recognize that marginalized people benefiting from it at certain times or in certain situations does not mean they are not oppressed. Privilege is a patchwork of experiences; the experiences of a cis straight gender conforming man are going to build to a different overall experience with male privilege than a GNC gay trans man. Our idea of & language for (what we currently call) privilege desperately needs an overhaul.

(Also, any trans group's experience cannot be reduced into a single narrative. There are transfems who have always been clocked as queer from a young age, and grew up painfully aware of their femininity & were punished for it. There are also transfems who weren't super feminine as a child, who grew up perceived as a normal cis boy, who may even feel that they were a boy and grew up into a girl/woman. Transfems don't need to have had a traumatizing childhood of being obviously feminine & harassed for it in order to not be a Male Oppressor. there's no Trans Trauma Quota you, an individual, need to fill to prove trans people are Really Oppressed)

[lostacelonnie]

how would honkai 3rd play out if otto was wearing cursed long shoes that gave him an ungodly urge to kick people on the ass and he had to fill a one kick per arc quota and he couldnt take the shoes off because he was cursed into liking them

FIRST OF ALL this is literally my favorite ask i've ever gotten so thank you. second of all i hope you dont mind how chaotic this is but i literally wrote everything down exactly as it came to mind, didnt proofread before posting, and also i barely remember half the older arcs. third of all this is a long post so readmore blast 💥

where dreams began + the end of destiny: im sorry but i genuinely dont know what he was even doing during this time. im just gonna say if any anti entropy personel was caught by schicksal they were just unfortunate enough to be the victim.

under the falling sky: you know that scene where he fucking shoots hua. when shes Not Quite Dead Yet he kicks her to add insult to injury

from the deep ocean: once again, i have zero recollection of what he was doing. does he even appear on screen? oh wait yeah in that one bubble universe where he has an orphanage or whatever. good lord i have no idea who that guy would kick. weren't theresa and children the only people there? oh i dont remember this part of the story At All. wait wasnt there a scene where joachim got mad at him or sth? for killing his father? well there you have it. out of character for that particular otto but it's time for a child to get punted

a shooting star streaking across the night: clueless. any suggestions welcome. perhaps void archives gets it, as it is the only one consistently around otto

elegy to yesterday: during world serpent's attack on the divine key testing site, otto Sees His Chance and disguises himself to infiltrate the battlefield for the sole purpose of kicking someone. all the valkyries present know its him bc of the ridiculous shoes but frankly they dont care bc hes a good distraction

here lies bellflower: yet another arc i dont remember. just like, In General. other than the parts bianka was in [yes i am a parody of myself] and the general gist of what happened. so idk </3

taixuan dream: he kicks senti in self defense. moments before being strangled

remaining flames: not really in this one is he. WAIT ACTUALLY NO wasnt his consciousness attached to some random HoD puppet to get the core???? then i guess he just kicked another one and nobody cared bc HoD puppets are just Like That

thus spoke apocalypse: as recompensation for all the confusion earlier, he gets to kick a lot in this one. first of all the false god otto boss fight is different, adding an attack. The Kick. second of all, while fighting in the space near the imaginary tree, he can finally kick as many of them as he can

following his death, afterlife-otto has to defend himself from the angry mob of all the people that died because of him Somehow. and so he gets to kick people until someone inevitably steals the shoes from him in order to reverse the roles. this goes on for eternity. The End

[polarisbibliotheque]

So like, less of a suggestion and more of a question - I recently found your works and have just been blown away by the details (like, seriously, you're on the top of my favorite writers list) and just how... perfect you craft everything? I genuinely inspire to be like you, but the problem is that I've hit a rut - I'm super unsatisfied with my writing, and whenever I try to get back into the writing zone, I just fall flat. Is there any advice you could give on how to improve one's writing? What would be your tips and tricks at getting into that writing zone?

(Do apologize me taking SO LONG to answer, but I had some health emergencies the last couple of weeks and ended up in the hospital – I’m doing better now, chilling at home and trying to recover. My doctor is 90% sure I have Crohn’s Disease and I’m having many ups and downs trying to find a proper treatment that I seem to respond to. BUT…)

…I hope you are aware of how much you made me smile, blush and almost indulge into my teary eyes upon reading this. Hahahaha seriously, thank you SO much!! I can’t even thank you enough, I’m just in pure awe that another being in this big ol’ world we live in thinks so highly of my writing!!

I mean, not even I think that highly of my writing. Notice a pattern? ;)

One thing I learned being an artist – not only writing, I also draw, play the piano, write music on my free time/when inspiration hits, everything creative, I’m there, doing it – is that we’re never really satisfied with our work. We will always think we could’ve done something better, and we’re definitely going to be pretty “meh” about a lot of things we do – even when other people think it’s a masterpiece.

And that is good! We’ll always strive to perfect our skills! You just have to remember to appreciate the work you do even when you’re not completely satisfied with it. You will get to where you want to – but then, you’ll wish to improve even more! And that is awesome!

But hey, I do have some tips and tricks on improving and getting into that writing vibe!

For the people getting to the party now, my main tip on improving is here, in the first part of the answer for this ask! Now, now…

(long post below, as expected YEE BEEN WARNED!)

Regarding improving:

Read. A. Lot. Hahaha I know that’s quite an obvious one, but it’s really important. Personally, I think reading mindlessly just to fill a quota of “I read 25 books a month” doesn’t work. It works when you absorb it – when you allow yourself to plunge into the world of the book you’re reading, feeling the characters, the emotions, the settings… That helps you build your “mental library” so to speak! And sometimes you’ll find things and expressions you like that you might use both on your daily speech and while writing – for instance, I have this awful thing of saying “there’s a lack of wings to my words” whenever I’m speechless, because of Homer’s Odyssey. I freaking LOVE that book, I loved that expression, I use it all the time, and it has definitely bled into my writing.

WRITE! A LOT! Write bad stuff, good stuff, short 2 pages thing-ys that you go “hey that’s a good idea!” but you’ll never actually turn into a full story, random scenes, fanfiction, stupid fanfiction, serious fanfiction, self-indulgent stories, stories for your family, stories for yourself, stories for whoever wants to read or not, dreams that could be great stories… The point is to write. It’s much like drawing or playing the piano: if you don’t practice, you won’t get better and you won’t develop your style. The more you practice, the better you get! So don’t be afraid to write bad stuff, cringy stuff, or ridiculous stuff – or even stuff you thought would be awesome and turns out bad, or stuff you think will never turn into anything that turn amazing! One way or another, you’ll be refining your craft!

Identify what you like on writers you admire. I started noticing that while reading The Silmarillion. The Lord of the Rings is my favorite book since I read it for the first time when I was 15, but I didn’t pick up The Silmarillion until I was around 22 – and by then, I started underlining with a light pencil all the phrases I liked most, something my mom did on her old books when she was around my age. I then started taking a look at what I liked about Tolkien’s writing so much – and in other books too: what kind of phrases seemed to resonate more with my soul. Which ones brought tears to my eyes and a smile to my face. And then I notice I tend more to the unconventional ways of describing things.

For instance, instead of going like “she was beautiful, with pale skin under raven dark hair, blue eyes shining on her fair face” I tend to go for the unconventional, sort of eerie, not so much taken for granted kind of describing “her beauty glowed like the first pale star to glisten in the evening sky, under a deep sea of dark, velvety hair, making her eyes twinkle like sapphires with a smart look while carrying the light she kept in her soul”. If I had to, the second one would be how I’d describe Arwen or Lúthien, giving them that ethereal otherworldly beauty they have. It's also the one that evokes more feelings inside of me rather than just a mental image.

That’s why I try to describe some things in a different light. When I’m writing, I want people to feel something – but how can you describe that feeling of joy when you hug someone you love and the whole world fades for a minute? That’s when I go for the “his heart bled with gold while his hands never wanted to let them go. For a minute, time seemed to stop and there was nothing else but his heartbeat intertwining with theirs, beating as the same song – even if theirs was more melodic while his was more melancholic. It was that kind of tune that made his lungs not remember how to breathe and his eyes pour – while his lips reflected all the gold that cascaded from his heart.” It’s a quick (rather ridiculous) example, but I do think about some things: how when I feel like that, I tend to have a hard time breathing and I do cry, but it’s because I want to smile so much I cannot contain it. Then I try to describe those feelings with metaphors and poetic stuff because I’m a melodramatic bitch.

Jokes aside, it’s because I like that sort of writing that has that beauty behind it – or more of a melancholic approach. It’s what resonates the most with me and I adopted it, even if sometimes it feels too… Abstract. I like that ability of people piecing the abstractness together and having their own interpretation – and that’s what makes people have different feelings while reading the same thing.

Is this for everyone? Absolutely not. I bet some people despise all that poeticness I like to put on words to lace them like a painting, you know? So, the more you re-read the things you like, you’ll start identifying what resonates with you and you can apply that to your own writing!

And that doesn’t mean you’ll have to be locked on that writing style as well. I’m currently trying to finish a book (I hope someday I can publish it) which is a cyberpunk style story, with lots of inspiration from Cyberpunk 2077, Blade Runner, John Wick (yes, Keanu Reeves sends his regards) and all that poetic writing doesn’t quite fit there. I’m using more of a direct approach, but there’s a lot of existentialism and reflecting on overcoming grief, trauma, owning your own life and contemplating one’s own mortality – and that’s where that poetic, metaphoric, melancholic, bittersweet characteristic of my writing style comes into play. And then everyone starts cursing and shooting each other again :)

Having a style doesn’t mean getting stuck in it – it means knowing when and where to use it!

Now regarding getting into the writing zone:

I freaking ADORE music and it helps me A TON while I’m writing. It’s like setting the mood. I’m trying to be sexy, or mysterious, or having that vampire-y vibe? Depeche Mode playlist it is. Fight scenes? Metal and Electronic. I need to freaking focus and get to work without thinking too much about the music (or start dancing like crazy whenever a song I love comes in and there I am, dancing and singing in my room at 3 a.m)? Piano playlists – classic, modern, everything and anything, as long as it is piano.

Playing music that goes with what I’m writing also helps. For my cyberpunk book, for instance, I put on the Cyberpunk 2077 OST playlist/radio on, or I search for “Cyberpunk Ambience/Playlist” on Youtube and let it roll while I write. For my King Arthur stories (yes, still working on them), I put on Celtic music compilations, Enya, Loreena McKennitt or the piano playlists. For my vampire stories, be the medieval or the near-future one, dark piano, Dark Wave, etc. Perhaps searching for that one playlist that has to do with your story setting and listening to it for some time might get you in the zone!

I also usually write deep in the night. Because I’m a spawn of Dracula. After everyone at home has gone to sleep, I make myself some hot tea, sit on my computer, start listening to music and write. That’s because I know I won’t be interrupted, and I can do just that. Sometimes, I start writing at 1 a.m, other times earlier, other times later. Try to notice when your ideas seem to flow better and when you get more into the zone – but please, don’t be unhealthy as I am and go to sleep at a decent hour. I’m not an example here with my sleeping schedule hahahaha

Cringy moment: when I’m stuck, I act the last scene I wrote as one of my characters in the shower and, usually, ideas start to come in (and I have to get off the shower). Hahahaha now that’s just a weird one, but I have NO idea why, my best ideas arise in the shower. Water has a weird effect on me, so sometimes I just stand there with warm water pouring over my head and, lo and behold, I’m exiting the shower in a hurry because I just got my writer mood back HAHAHA so maybe some very mundane activity – like cooking, taking the trash out, cleaning the room – might be where your writer brain will come to life. You never know.

Needless to say, I talk to myself a lot, sometimes as if I’m talking to the characters. That is a very bad coping mechanism I developed when I was being bullied at school – I used to pretend Dante was with me when I was alone or something had happened and I needed someone by my side, so nowadays I have a very easy time writing this man. I started doing that with some of my characters, and that goes for repeating lines or part of the stories I’m writing to see if I can get un-stuck. It’s not the greatest of things, but it works. My neighbors might think I’m crazy, though xD

When I’m completely unmotivated or I keep staring at the blank page without being able to write, I try to immerse myself in what I’m writing about. So, if I’m stuck on my cyberpunk book, I watch some Cyberpunk 2077 let’s plays, I re-watch the Edgerunners anime, I re-watch Blade Runner, I re-read some parts of Do Androids Dream of Electrical Sheep? or I, Robot, I listen to Blade Runner’s soundtrack, I even try to play Cyberpunk 2077 (while praying not to get motion sickness or not having my pc exploding from overworking). If I’m stuck on my King Arthur works, then I re-watch the 2004 movie (may the gods bless Ioan Gruffudd and his wonderful Lancelot and Mads Mikkelsen as my beloved Tristan), re-read the 3 books on the Chronicles of Arthur series, listen to some Celtic music, research Arthurian stories for hours on the internet, search for my encyclopedias at home to see if they have something on King Arthur, read obscure translated manuscripts from ancient times on it … So, immersing yourself on reading, researching, listening to music, watching movies, playing videogames, listening to stories, watching series, reading mangas, watching anime, documentaries, going to the movies, basically doing anything that has to do with the theme you’re writing, may get you in the mood. Next time you sit down to write, it might flow wonderfully!

I don’t force myself to write, though. If I do, I usually can’t write a single decent word and I’ll hate it. If things aren’t flowing – and this I learned with my mom, who also draws – I leave it for a while and go do something else. Maybe I’ll have some warm tea, or watch a completely unrelated movie, or read my current book, or talk to my parrot in the kitchen, play some piano, draw a little, or just take a good nap. My mom says it refreshes the head and the eyes, and when you come back to it, you’ll be a lot more inclined to find things that weren’t working and let those creative juices flow.

I also have a very weird search history and I’m not ashamed of it. All writers do, and it’s better to have a weird search history than not knowing what you’re talking about, honestly. And sometimes, researching takes a lot more time than writing and might get you motivated – time spent learning is never wasted. Even if you’re learning what kind of dates grow in Greece and are offered to Apollo (bless his heart).

Sometimes, I write something completely unrelated, with a very different theme, and stupidly goofy – and that gets me back to the writing vibes. Sometimes there’s just this need of writing something for the sake of writing, and you just want something foolish to make you smile like a goof. It’s valid and it might be your ticket out of writing-rut-land.

Now some little uncalled for advices:

I spent too long being self-conscious and too serious about it. If it’s not your style, don’t force it. Some people need structure, other people thrive in chaos – know what’s your style and go for it. I hate planning novels, for example. But I will outline the main points of the story and the ending – the rest, well, the characters have to show me whatever else they’re doing, and I have to go with it. Sometimes there are huge arcs I didn’t plan as a main point of the story, but they pop up in the middle of it and they are important – I like leaving that room for impromptu writing/creating. So, find out how it works for you, not how it works for everyone else.

You don’t have to create masterpieces right at the first time you’re writing. Take my King Arthur thing-y for example. I wrote the full story when I was 15. When I was in college, I decided to re-write it. And then, when I was at work, I decided to re-write the re-write. And now, I just took all my files, read them, thought about it all, outlined a whole new story and decided to write anew. Not re-write, but take all that work and write as if I had never written anything before – in the original file, the main characters were 15 years old and in school, now they have their jobs at Universities and work on the secret society that is now a lot more fleshed out and built with loads of new characters around (including a new one I created yesterday after months not thinking about it).

If I hadn’t written the Twilight-sort of embarrassing thing when I was 15, I wouldn’t have this whole universe, characters and story to build upon nowadays. It wasn’t a masterpiece, but it was a good idea – and I’ll keep working on it until I’m happy with it. It’s been 13 years I’m working on it now, maybe when it reaches its 15th anniversary, I’ll be able to finally let it see the light of day!

Don’t listen to the “NEVER DO THIS!!” advices. Seriously. Writing is a form of art – and, as in all art, there isn’t a right or wrong. By all means, see what people are saying it’s bad and you should never do – I watch and read those advices so I can learn to be better too! – but don’t take it to heart. As Captain Barbossa would say, it’s more of a guideline than rules set in stone. Sometimes, something people say you should NEVER EVER do is something that works perfectly fine for you and your style of writing. Learn to make up your own mind: learn new things, listen to advices, but absorb those that resonate with you and leave those that don’t. That’s how you create your own opinion about things and how you find your writing style!

One fun thing to point out on this as an example: me, my mom, my sister and my dad ADORE reading. My sister loves Jane Austen, my mom is a super fan of Dostoyevsky and Russian literature, while my dad lives for Isaac Asimov and all things sci-fi. I love sci-fi, my mom can’t stand it. I read Dante’s Inferno in a week and my mom couldn’t get past the first verses. My sister can’t read poetry at all and is terribly bored by Lord of the Rings. My dad read my Chronicles of Arthur books and even told me to buy the complete the series. Me and my sister enjoyed Khaled Hosseini’s books a lot, but my mom never felt like reading them.

All of this to say: it’s not a matter of who’s more intellectual than the other, it’s a matter of who likes which kind of literature and writing styles. Some people are more comfortable with one way of writing or a certain kind of literature and can’t stand others – and that’s ok. Writing is pretty much the same. THERE ARE NO FIXED RULES! BE A REBEL!

If it helps you: character sheets. Around 8 years ago – or more – I searched and searched online for the character sheet that could help me the best. I had never done it before and thought it was quite useless, until I downloaded one and started filling the infos on my main characters of my Arthurian sort of story. Lo and behold, they became SO MUCH BETTER and that’s when I started rewriting everything: I understood all characters a LOT better and made better decisions when writing them. It doesn’t work for everyone, though, but it’s a lot of fun for me. Currently, I don’t use it much because I now know what are the main things I need for my characters to seem alive, but it’s always nice to have a reference when you’re writing.

My cyberpunk story, for instance, it has A BUNCH of characters with scars, different hair colours, different eye colours, the way they dress, birthmarks, cyber-implants, cyber-prothesis, dressing styles… And sometimes I get lost in it. So it’s nice keeping a character sheet when I go like “wait, she has burn marks on the left arm or the right arm…?”

And keeping a file on worldbuilding might be helpful as well. I noticed that writing my cyberpunk thing. The first thing I wrote was a huge file explaining the city, the factions, the districts, people’s styles, who are the viruses, the sub-types of viruses, the political parties, the police and secret police, the difference between artificials and organics, how does access to the world works, what is the Ocularis system, the most important corporations, their names, their owners… And all those things will probably never appear on this story.

But I felt a HUGE difference. Instead of info-dumping right at the beginning to make the reader understand how the world is built and how it works, I started it right at an important point in the story. No one knows anything about how things work, but, as the characters speak to each other, they talk about so many things that the reader catches things and pieces together how all things are organized.

Don’t try to explain everything. Tying with I said before, if you have a very good idea of how things work, how the characters relate to each other, how they react and how they think, you won’t need to info-dump. I usually think I’m seeing my characters going about their day and that is ALL I’m describing: what they are saying, feeling, thinking and doing. If I feel something is missing for people to fully understand, then I add something quite minimal to help. But I don’t overexplain: people are intelligent and they can piece things together.

Don’t go full Marvel movies and explain everything as if no one can understand unless you say it. Go Nolan and try to make people understand with images, feelings, glances, metaphors and such. It’s very effective in writing! (Don’t get me wrong, I do like Marvel movies, but they have become those kinds of movies that require little mental effort because literally everything will be explained in a huge monologue or through dialogue. You don’t always need dialogues – and if you say “oh that’s too ambiguous and people won’t be certain about it” that’s the beauty of art: it’s always up to interpretation)

Having someone to read and give you feedback might be very helpful too. I have a few friends every now and then I send some of my stories so they’ll read and give me an honest feedback. I try to listen to their opinions and refine my work – but if I think they critique doesn’t make sense, I thank them anyway and keep on doing my thing. Like I said, know when to take what makes sense and when let go of something that doesn’t. Also: feedback is NOT a personal attack. DON’T TAKE IT TO HEART. See it always as something you may need to improve – and you’ll improve quicker.

At the end of the day, writing is art. And all art is relative.

Your art will be great to some and horrible to others – and that’s ok! Again, learn to NOT make it personal (the critiques, I mean, because art is always personal and that’s wonderful, I think).

And repeat after me: you will not please everyone. The point is to make yourself proud. You’ll find your people along the way.

Do it because you love. Do it because it comes from your heart, from your soul. The world has become so filled with content, mindlessly created by artificial intelligence so we will keep consuming, that things have lost so much of their soul.

To make art, to write, is to have soul. If you have that heart, that passion in your work, it will show – and people will follow. When you sit to write, don’t make it a chore, don’t make it an aesthetic tiktok post, don’t follow the routine of this or that famous artist – do what you have to do and let your heart flow. Do it for you.

I think that’s the main advice I can give. Don’t do content to post on social media and look good, do your art. Push your boundaries, test new things, write in ways you never did before, but do your thing.

When everyone is doing the same thing over and over again, you’ll realize your words will stand out by doing what you want to do.

Again thanks for attending my TED Talk xD

[excelsi-or]

summoned (pt. 1)

hi everyone! it's been a g e s, but we're back! i've been travelling since about May, and definitely thought editing this story wasn't going to take as long as it did. anywho, this is the demon fic that i teased a while back. kinda different from anything else i've put out before. it's inspired by Good Omens by Neil Gaiman and Terry Pratchett, definitely a book worth reading if you haven't yet. let me know what you all think :)

pairing: lee jihoon (woozi) x fem OC/fem reader

w.c. 2.5k (i'm not sure what i'd classify this as tbh. silly, maybe?)

"You want what?"

"A venti and medium–" The rest of what Jeonghan says gets garbled as he speaks. Not from lack of phone connection, but just because she has no idea what he's going on about.

As she stands in line, her eyes skim over the menu in a vain attempt to find anything similar to what she'd heard Jeonghan say. When she reaches the front of the line, she's still clueless.

So, she tries to sound out the garble in the hopes that this barista can translate.

"Venti and me–I mean, grande, fructi paemoni–nope, pomegranate?"

Before she can see if the man has been able to understand anything she said, she feels all the air sucked out of her lungs. Sound disappears and she thinks she's passed out. When she gasps for air, she looks around to get her bearings.

Time seems to have slowed, not stopped.

Her brow furrows, as she tries to gauge if she's had some sort of early life stroke. On a whim, she turns, about to walk out of the place. But she jumps back at the man dressed in a suit now present in front of her. He has dark hair with an undercut, his hair silky. His skin is fair; his body toned, at least based on the way he fills out the suit. But it's his eyes that catch her attention. They're black, seemingly catching no light.

And then he opens his mouth to speak, and she notices the sharpness of his canines.

Vampire?

"Hello, human. Thank you for summoning me." The man's tone is flat, as if he's tired of giving this speech. "I am not a genie. If you ask anything of me, you must give me your soul in exchange."

The furrow in her brow deepens. "Soul? So, you're not a vampire."

If the blackness of his eyes could get blacker, they do. "I am a demon. You have summoned me."

"You're a what?" She juts her thumb back in the direction of the barista. "I was ordering a drink. I wasn't summoning anything. I was literally about to leave, because I thought I was having a stroke!" She lets out a long breath to reign in her hysteria. "I didn't summon you."

The demon looks confused. When she blinks, there's suddenly a piece of paper in his hand. He recites her name, the time, the date; all of which she agrees is correct. Then the demon recites what she said and she holds a hand up to stop him.

"I did not say–what did you say I said?"

"Veni ad me, fructus daemonium."

"I definitely didn't say that. I said something like venti and medium--grande, fuck, Jeonghan oppa's order. I think he wanted some pomegranate fruit something."

The demon stares in disbelief. "So, you didn't summon me."

"God, no. Wait, can I say 'God' in front of you?" She shakes her head, likely stopping herself from rambling than deciding whether 'God' is appropriate in front of a demon. "Regardless, I didn't summon you. And I don't need to trade my soul for anything."

The demon huffs. His dark eyes go over her once and then to a pocket watch. "Look, I have a--what do you humans call it--a quota of sorts. A quota that needs to be filled this millennium."

"What?"

"Human, I have a quota to fill. A certain number of souls to collect. And it has been a very slow start this millennium." The demon snorts. "Fewer young souls are being given up and He prefers the young ones."

"Sorry, Mr. Demon, I really did not mean to call on you or summon you or whatever." She looks back at the café, where one woman has finally put her cup down and a man has finished pressing the period key on his keyboard. "Have you slowed time for everyone? I don't want to be late for my creative meeting."

The demon tilts his head. "There's nothing you want that you would trade your soul for?"

"No, not really."

"A lover who can't be yours, oodles of money," the demon's perfect brows furrow, blinking a couple times, "fame, eternal youth?"

"I'm… pretty content right now." She swears his eyes turn green; she takes a step back. "Seriously, Mr. Demon, there's nothing I want to trade for my soul."

"Call me…" It's his turn to look around the café for inspiration. His eyes catch sight of the barista's name tag. "Call me Jihoon."

"Uh… you can't just leave?"

The demon's expression deadpans. She thought the expression he'd greeted her with was his deadpan expression. This is a bit more horrifying. "I can't just go back to Him and say 'oh, she dialled the wrong number'."

"I can't just have you following me around," she protests. "Won't you ruin my chances of getting into Heaven or something? Being reborn or whatever happens when you die?"

This makes the demon–Jihoon–chuckle. "If you believe in any of those things, human, then I would assume you assume that the beings or forces that control those things are always watching."

"I… don't know if I understand what that means, but whatever. Mr. Demon, you can't–"

A guttural voice replaces Jihoon's bored tone, and he glows red. "Don't tell me what to do, human."

Another step back.

The two of them stare each other down. She knows that a demon probably doesn't need to blink, and she'll lose whatever stare down this is. And he's told her he won't leave.

"Okay. Fine. Stay. But, Jihoon," she winces at the name, doesn't suit his demon image, "you better be visible to everyone. I'm not going to let you con me into giving you my soul to stop people thinking I'm crazy."

Jihoon blinks in surprise. He hadn't thought of that. "Fine, human. I'll be visible."

"And you can't wear the suit. I only have one friend who wears a suit and he's a lawyer. You're probably not going to go off and finish a law degree."

Jihoon's eyes narrow, and now, she's sure they turn green. "Then, what," he pauses, "do you expect," pause, "me to wear?" This silky voice is more threatening than that demon voice he'd used before.

She tries to brush it off by breaking eye contact. There's a guy in the corner of the café that catches her eye. The man is dressed in a denim jacket with a hoodie underneath, plain jeans, and Converse. She nods at the stranger.

"I'm a demon, not a… a college student." If demons could spit venom, this one would.

"Well, I'm also not a college student, Mr. Demon, but that's what guys I know wear."

In a blink, he's dressed in a red hoodie, black denim and black Converse. "Any other requests?"

Best not to push her luck. "No."

Suddenly, she feels a burst of air go through her lungs and the familiar thrum of the café fills her ears again. It's almost too loud now. She turns to the barista and he's reciting her order.

"I think you're asking for a venti and grande very berry hibiscus?"

She waves her phone over the card reader. "Sure."

This barista, non-demon Jihoon smiles at her. "Great. And the name?"

When she arrives on time to her creative meeting, she slides the drinks across the table to Jeonghan and Seungcheol. She collapses into the seat next to Jeonghan, who addresses the problem she’d nearly forgotten on her rush over.

“Who’s the new guy?” he asks.

She grimaces and looks over at Jihoon standing by the door. The demon stands with his arms crossed over his chest, clearly unhappy to be here.

“That’s,” she clears her throat, “Jihoon. He’s…” She studies the demon, who isn’t inclined to help her come up with a lie. Jeonghan, Seungcheol, and Hansol all wait for her to fill in the connection. “He’s my friend that’s visiting. One of my brother’s friends… that came to the city.” This lie eases the knot in her chest, but why is he here? “He doesn’t know the city very well yet, so I… I said that I would take him on a tour after the meeting.”

Her three friends take a second to process this information, before Seungcheol breaks out into a smile. He leans forward on his elbows, so he can look past Hansol at Jihoon. “Hi, nice to meet you. I’m Seungcheol. This is Hansol. That’s Jeonghan.”

Hansol, who is sat across from her, waves in Jihoon’s direction. When he makes eye contact with her, she notices the very slight furrow in his brow.

She shakes her head in response to his unasked question.

Jeonghan doesn’t notice the exchange; if he does, he doesn’t say anything. Instead, he begins the meeting and jumps right into the collaborative contract that she and Hansol are working on. They’re collaborating on a large mural in the city, and the city has just provided feedback on the loose design.

Seungcheol, Hansol’s manager, jots down notes for Hansol.

“So, they want less colour? Why did they choose Hansol then?” Seungcheol shakes his head as he writes.

“They want three colours only,” Jeonghan explains. “Preferably the primary colours in their colour palette.”

“My line work can’t be coloured in with three colours,” she says. “There are skin tones.”

Hansol raises his hand and turns his sketchbook towards the group. He tends to multitask during meetings, which is why Seungcheol takes his notes. “I can just adjust my design. We might not be able to do 3 colours only, because I still want the depth to come through. But I agree, we should keep the skin tones. The whole point of the mural is diversity, and that should be real.”

She looks to Jeonghan. “Can you get them to compromise on skin tone and maybe 6 colours instead of 3?”

Jeonghan makes a note of it in his notebook and then moves onto the next slide.

By the time the meeting ends, Jihoon has his eyes closed, arms still crossed, as he leans against the wall.

“Is he okay?” Jeonghan asks as they collect their things together.

“Uhm, yes, I think so.” She slings her tote bag over her shoulder. “We’ll redo the thumbnails, so that they can choose which set they prefer.”

“They were asking for an earlier deadline, but I told them that would be unlikely with all the things they asked you and Hansol to change.”

Hansol finishes chatting with Seungcheol and motions with his head towards the door. “I’ll walk you home.”

“Oh, that’s–” Hansol’s eyes dart to Jihoon, and she understands the offer. “Right. Sure, okay. That’d be great.”

She wonders if she can just leave Jihoon behind. Do demons actually sleep?

When she meets Hansol at the door, she asks him how his comic is coming along. She says nothing to Jihoon and they walk right out of the room.

Hansol shrugs, glancing at Jihoon, but saying nothing about it. “Seungkwan said he doesn’t like where the story is going.”

“Yeah, but that’s because you’re making it dark,” she snorts. She readjusts her bag. “And you know how Seungkwan is about dark stuff.”

Hansol nods. He presses the call button for the elevator. “I guess that’s true.”

She knows what Hansol’s thinking. “He’ll catch up.”

Sure enough, Jihoon saunters their way.

Hansol reaches for her hand and gives it a squeeze. The elevator door slides open and she squeezes Hansol’s hand back twice.

One initial squeeze asks if you’re okay.

One back means yes; two means unsure; a tight squeeze is no.

Hansol frowns at her, but she can’t explain. While Jihoon hasn’t seemed particularly threatening, he’s still a demon.

Periodically on their walk to the subway, she glances back at Jihoon. The demon keeps his distance, but always seems to have her in his sightline.

When they reach the turnstiles, this is the first time she waits for Jihoon to catch up.

“You need a ticket,” she tells him.

Jihoon nods, refraining from rolling his eyes. “I have it sorted.”

She assumes he’ll do some blinky magic that the turnstile will miss. That is, until she and Hansol have passed through, and suddenly the guard manning the booth comes running around. The two of them turn and see a man holding Jihoon by the arm.

“Sir, you need to pay to get in here.”

The red glow begins to pulsate around Jihoon, so she quickly intervenes. “Sorry, he’s a friend of mine that’s visiting. I think he got confused.” She glances at Jihoon, whose gaze is just as steely. 

Okay, earthly solutions only. Her mind runs as quickly as possible.

“Can I pay you for his admission? We’re only going a few stops.”

The guard glares at Jihoon, but when he turns to her, his expression softens. When she smiles, his face relaxes further. “I’ll let the others know. Where are you getting off?”

When he stalks back to his booth, eyeing Jihoon, she tugs once on Jihoon’s denim jacket. It’s warm to the touch. “Come on, Demon. We gotta go.”

Jihoon’s head snaps down to look at her. “Either put a ‘mister’ in front of that or call me Jihoon.”

She pauses to consider her response. Provoke the demon or let it be.

“Jihoon, when you tell me you have things sorted, please, keep it sorted.”

Jihoon looks as if he’s about to argue, but she cuts him off. Her voice is low, so only he can hear. “If you wanted to take my soul, you would have taken it from me already. So, either I need to willingly give it to you or you need to kill me.”

Jihoon’s expression hardens, but he pulls away.

“Now, come on.”

She catches Hansol’s arm and drags him after her.

“Do you have a boyfriend I don’t know about?” Hansol frowns.

“He is not my boyfriend.”

Hansol checks over his shoulder. The icy stare isn’t directed at him, so he wonders if she’s aware of the look. “Can he hear me?”

“Assume yes.”

“Can you tell me what’s going on?”

“Even if I could explain, you wouldn’t believe me.”

He scoffs. “Do you realize who you’re talking to?”

“That’s how unbelievable it is.”

Hansol lifts an eyebrow, his hand reaching for a bar as the train lurches forward. “Well, now I’m more intrigued.”

“When I figure out how to tell you, I will.”

Hansol catches her fingers and gives her hand one squeeze.

She lets out a breath and squeezes back once.

part 2

[journey-to-the-attic]

That's for linking the role swap au I forgot about it but I loved it so much-

Now my only problem is where Zhaoxi should be placed in the AU, or if all, for the dads to romance. I had. Many thoughts on this (some more disastrous than others). Sorry in advance if this AU you were happy to be Zhaoxi free.

1. Least horrible (in my opinion) option. Zhaoxi was a creche teacher at the time and IK was one of his many kids to watch over. Probably blames himself partially on turning a blind eye to IK wandering around (not so much as turning but he was busy with many kids) and how that 'led' to her death (I doubt Diavolo or Mephistopheles willingly aired out the king's dirty laundry, so this is assuming no one knows the truth about IK's death). One day while mourning the death of IK (either he stopped being a creche teacher or he does it under false cheer), a newly arrived and brooding Lucifer runs across him and the two be sad old men together about the deaths of their loved ones (even if Lucifer's brothers are still with him, his sister is not and his brothers' dying still hurts too). Sad old men bond over being sad, then try to be happy despite the sad and help each other slowly heal. Only for Zhaoxi to spot demon IK later at the exchange and just frickin. Collapse. Watch out Devildom you might have another fallen angel soon.

2. True dad pairing. Sonno and Lucifer. Impossible and I refuse for all their sakes. I admit to touching on this in my thoughts (as Sonno, if I'm spelling his name right, is IK's creator and Father as an angel) but I refuse. I refuse.

3. *True* dad pairing. Solomon and Lucifer. Very weird in context to their relationship in the actual game/Jtta but Solomon in this AU has raised IK for x amount of years and possibly more closely falls into the Father category for IK. Possibly wouldn't work because Lucifer is religious figure turned angel in this AU so it can never be something official on the eyes of the Devildom masses (even if he fell I remember you mentioning that you doubted the demons would accept a fallen angel as King, would they accept a fallen angel as Queen?). Bonding over rascal IK and her antics with the brothers, Lucifer soon becomes the poster angel of angel-demon exchange program. Briefly thought if Solomon may have tried and failed to tempt Lucifer when the angel was a man but not sure. Could be a Thing where Lucifer's pride was not his downfall (at that moment) because his belief in his flock and brothers kept the tempting Solomon at bay. But also not the point of these thoughts so.

Sorry for the brain rot especially when you aren't on this AU specifically and there are other pairings besides Zhaolu I know but. Yeah.

Hi and have a nice day. Don't forget to hydrate.

okay this is not meant to be the takeaway, but i love the common thread that having a dadly connection to ik is enough to link a pair up

so re: scenario 1 - the swap goes human -> demon, ik is specifically demon-who's-a-fallen-angel, so technically zhao would be a demon - but if he just falls later in the timeline, this still fulfills the condition. though diavolo would have to have a really good reason to do that - which is assuming he hasn't straight-up banned exile as a punishment

(also, slight tangent, i gave myself this idea by saying "fulfill the condition": consider that this is an au within the universe itself. as in, this is an alternative timeline that is connected to the jtta one, in the same vein as all the universes in everything everywhere all at once or the spiderverse movies. idk where i'm going with this but the idea of some higher cosmic being playing dolls with these characters, making them suffer to fill some kind of story quota... which i'm now realising is basically just what we do every time we invent an au whoops. think the special ending(s) in pathologic)

actually this made me think of something: given sonno's very overbearing rule in all universes, i wonder if in this version of the celestial realm, the regular angels don't actually know that dissenters get exiled and fall, they straight up think they just die

i imagine diavolo knows from early on, and part of the reason it takes him so long to get the yikes and rebel is because his dad convinces him that exile is the kinder option over actual execution, so it's only once he's forced to banish a harmless fledgling that he fully registers that hey this is fucked up

re: scenario 2 - sonno and lucifer is so insane a concept, not least because it 1. could make lucifer diavolo's stepfather, and 2. in this au, could also make diavolo ik's stepbrother - and for these reasons it is so fucking funny (sonno is dead by the present of this au, but his remnants could always come back as the Big Bad of the whole story)

i feel like whatever solomon and lucifer have going on in scenario 3 could be this au's equivalent of solomon's constant "pact? pact?pact? pact? pact?¿", but solomon starts doing more of a "diplomatic partnership?diplomatic partnership?¿" thing sbjhdfbs

(also i know the 'least horrible' metric is probably in relation to the insanity of sonno/lucifer - but the way the precedent is set + order the scenarios are given in makes it sound like solomon/lucifer is the most horrible option lol)

[shihalyfie]

This is potentially a very loaded question so feel free to not answer if you don't feel like it, but how do you as a woman feel about the handling of female characters in Digimon (anime of course, but also games, manga and even the Digimon themselves)? I've seen takes of all kinds from women over the years so I'm curious how you feel. But again, no pressure to answer if you feel uncomfortable with the subject or too daunted by all the material on the table.

Oh man, I don't mind talking about the subject in itself, but what makes it hard for me is just that the Digimon franchise just has so many things at once with so many different writers and different writing philosophies that I can't really treat the entire thing like a monolith. Especially when you have things running the spectrum from Cyber Sleuth (where female characters arguably drive the narrative far more than the male characters) to Next (which has gotten me angrily ranting about the absolutely awful way it treats its girls, a rant which I would prefer to not subject my followers to).

So before I go ahead, I do want to make sure anyone reading this understands that I'm just talking about my own personal experience and feelings regarding the situation, and I'm very sure that other people will feel differently. I definitely don't feel qualified to comment on what's the ideal way to write female charaters in media or whatever (as if there's even one right answer to that!); I can only truly comment on myself and my own stances on it. (And of course, the OP graciously asked specifically about that, but I just want to make sure nobody reading this post misunderstands!)

Well, I will say that if there's one thing that does seem to be consistent (and I say consistent, because Next absolutely violates this one and Frontier does kind of dangerously toe the line), it's that I haven't really seen Digimon fall victim to the problem of what I call making its female characters the Designated Girl Characters™. Explaining what that is is kind of tricky, but a lot of shounen series will have this very strong "consciousness" of its female characters like they're there to fill a quota, and thus treat them in a way that's kind of alienating. Or in other words, "they section off this character very weirdly in a way they would never do for the male characters." (Note that while Ruki's character arc is made with strong consciousness of her being a girl, the whole point is about condemning the idea she should be treated like some novelty just because she's a girl, so I don't count it as this.)

It was really refreshing to see a 1999 anime portray the girls as mingling with the boys like it was no big deal, and I do wonder if Adventure setting this precedent is a big reason later series have followed in this regard. Adventure through Frontier were made with heavy female creator influence, something that the fandom really tends to downplay (especially because a lot of people suspiciously avoid acknowledging their importance, like how everyone will talk about Hosoda but nobody will talk about the fact Yoshida Reiko wrote the scripts for everything he did, or how people virtually ignored Seki's existence compared to Kakudou until very recently). I think a lot of that shows in its writing; of course, that's not to say there aren't things that really could have used improvement (I think Izumi's treatment in Frontier is the one pretty much everyone universally agrees really left much to be desired, and Tomita even outright admitted he's not very good at writing girls, although that frankly kind of surprises me given how much of his other work has involved writing girls really well), but at the very least it does show a bit more conscientiousness about its female characters than you would see in other shows where female creators were either nonexistent or clearly had no influence in the staff room.

On the flip side, there's also things that were more tasteful in execution than may have even been intended; Sora's character arc isn't that much about her femininity in practice, and Juri does come off as better than your average damsel in distress character, but that doesn't change the fact that the nuance is still there (and that in the latter case a certain writer has outright indulged in that), so all I can do is just be grateful that it didn't get worse.

I guess in the end, my stance is "give or take". I like a lot of other kids' shows (including shounen) that have been better or worse than Digimon's average level, and Digimon itself is so varied that I think it just kind of mingles in there. There are things I like, things I don't like, but at the very least there haven't been too many things that crossed my personal boundary of "absolutely not" (there are, there just aren't many). I think Adventure and 02 in particular are often accused of being more malicious towards its female characters and "screwing them over" than they were intended to be, since a lot of it seems to be a combination of wanting to portray its characters a little too realistically and simply just accidental bad circumstances of how it presented (the fact Hikari's two most famous episodes are by two non-regulars on the series who seemed to be huge fans of portraying her with a brother complex really did not help here), and things like "the same things that feel personally relatable to me are also things that read badly to others, so I understand why people don't like it but I also feel kind of weird when they imply that this kind of concept is inherently Bad" (a lot of things related to Sora and Miyako fall into this category for me). And I mean, part of the reason Miyako became my central character back when I wrote fanfic more often was that I just found her to be an incredibly complex character for the kind you'd usually see in shounen works; I honestly don't know of many other things that would portray someone like her sympathetically instead of cramming her into a "hysterical woman" trope box.

There's also the fact that there's a lot more adult-oriented Digimon media coming up nowadays, so there's that awkward situation where "female character representation" starts having a blurred boundary with "waifu character". Which is not to say that I mind the idea of male fans also liking the female characters I like, but more so that when you get into this territory, I start getting conscious about whether the female characters are more obviously being written in a way to "please the male fans and make them into fanservice material" than it respects them as characters. And I mean, I say it's a blurred boundary for good reason; the aforementioned Cyber Sleuth characters do kind of have that (especially in their character designs), but they are actually written as good characters with agency, whereas you have things like the Adventure girls in tri. who are ostensibly written to follow up on their Adventure character arcs but came off to me as being uncomfortably shoved into the Waifu Character Fanservice troping boxes, especially Mimi and Hikari. (Hooters outfit Mimi and brother complex Hikari are among the few things that I would say have crossed a serious line with me.) So again...give or take.

I will say that the American English dub had a somewhat more misogynistic nuance in the way it treated Mimi, Miyako, and Hikari (it had a lot more condescending tone in the way it portrayed Mimi's airheadedness/materialism and Yolei's penchant for fangirling while also expecting Kari to just put up with Davis harassing her, and it exacerbated the already-kind-of-uncomfortable feelings I had about the unsympathetic way Sora is portrayed in Our War Game!), but it's not to the extent I felt it derailed the entire narrative.

As for the Digimon themselves, the feminine Digimon design sexualization didn't bother me much when I was younger (I remember I really wasn't bothered by Angewomon's design at all), but it does bother me a little more now, especially since you have more designs like Venusmon these days (really? really?). But then there are also really good designs like LovelyAngemon and Mastemon that are just plain cool! And then even designs aside, there's a difference in the way each work portrays them; for instance, you can tell certain anime had more fun with the chest jiggles on the same Digimon that other series were not weird about at all. Maybe the fact Adventure and 02 weren't really weird about Angewomon's design was exactly why I didn't notice it very much back then?

Well, that got long and very rambling, but I hope that answered your question to some extent!

[oneatlatime]

The Deserter

How is this the first time anyone's had the bright idea to try disguises?

Sokka's sarcasm coming dangerously close to breaking the fourth wall here. Some pretty strong lampshading.

(edit: going through this just before posting, I realised this line is pretty much a sarcastic thesis statement for this episode, maybe this season.)

This is too cute. This episode both Appa and Momo understand english.

Saviour of the World, everybody.

There must have been a Gang goes to the Mall episode I missed where Sokka and Katara bought their stealth cloaks.

Say what you like about the Fire Nation, they do have gorgeous architecture.

Katara perfecting non-verbal burns with the mask-switching.

Flaming Fire Flakes have the honour of filling this episode's Beat Up Sokka quota.

This is actually less violent than the actual Punch and Judy. Poor puppeteer has to sew a new earth kingdom soldier for every performance.

Dovebending!

I know Aang is characterised as fun and fun-loving, but maybe don't take off your disguise in the middle of a group of your enemies? Is this going to devolve into an "Aang is stupid" episode? Because we just did that last episode.

And now he's sulking because he missed the chance to be outed in front of the whole crowd? Aang has no brain this episode.

Of course the fire nation would have fireworks. I find it interesting that the more artistic methods of bending have survived a century of war. Unless there's a combat style where soldiers bend dragons at the enemy, you'd think that bending for fun and entertainment would have been condemned by now as useless to the advancement of the fire nation.

Raise your hand if you didn't see this coming.

I have very little patience for Idiot Aang, especially when his idiocy revolves around needing to be the centre of attention.

Appa just murdered those guys.

How did Sokka figure out that Chey was a fire nation soldier just from looking at his face? Everyone in this world so far is borderline faceblind, what with the number of times that our main three have passed unnoticed. And yet Sokka gets one look at this Chey guy and clocks him as fire nation? How? Chey doesn't have a different accent, or a giant F on his face, or even a helpful identifying Zuko scar.

"Some say he's mad. But he's not. He's enlightened." Regardless of what he is, this is not how you ought to sell him.

Why doesn't anyone ever listen to Sokka? He's always right when it counts: they did get clocked at the fire nation festival, the fortune teller was a crook, Jet was untrustworthy, Katara was going to get them in trouble with the pirates. Hasn't anyone in-universe noticed the pattern yet?

So Chey is a cross between a fanboy and that one awkward kid that no one likes, and Aang is this episode's idiot. But who are the hat guys? Are they like the third through ninth deserters from the fire nation? They don't seem anything like the people at the festival, so they aren't the locals.

Zhao the asshole is back. An idiot and an asshole this episode. I suspect this episode won't be a favourite.

Ever so fed up with having your good advice ignored that you involuntarily plank?

I have no idea if this deserter guy (NOT going to try to spell that one phonetically) actually has the ability to tell what disciplines someone knows by the way they walk, or if that's Chey's fanboyish tendencies coming out. But if it's true, being able to tell someone's abilities and skill level at a glance would be an incredible advantage in a fight. No wonder they promoted the guy a bunch.

And so rather than do the sensible thing as Sokka suggests and leave, Aang leans even harder into his idiot tendencies. Sigh. You should absolutely go talk to the firebender who just told you to fuck off by proxy. What could go wrong?

I'm grasping about 40% of this fish speech. On the other hand, I'm getting the discipline speech 100%. And agreeing with it too. This episode's whole opening vignette was about how Aang lacks self-discipline. Setting aside the fact that going to the festival was a bad idea in the first place, they could have attended unnoticed if Aang had mastery over himself. This deserter's got Aang clocked.

Do you get the feeling that this deserter's negative experiences with fire are perhaps colouring his view a little? He does make a good point though: mess up with airbending and someone has a bad hair day. Mess up with waterbending and someone gets wet. Mess up with earthbending and someone gets squished. Mess up with firebending and someone gets roasted. There's a bit of a jump in the seriousness of the mistakes between air/water and earth/fire. And we already saw Aang mis-bend water and send all their supplies down the river, so it's not like the deserter is wrong to think Aang's not ready. Plus, of all the elements, only fire does its own thing when you're not looking. I bet the very first thing firebenders learn is not how to make fire, but how to control/snuff out an external fire.

Love this visual. Roku's statement is true, which once again calls into question how much of Aang is a unique person as opposed to a conglomeration of previous avatars. But the deserter's right here - Aang doesn't have the self-discipline to learn fire right now. I don't know if learning water and earth first would get him that discipline, but it would certainly buy him a few more months of maturing.

If I had to be an army deserter on the run from an evil imperial power, this is certainly the place I'd choose to hide. So pretty.

Sokka isn't an oaf!

This is going to go so badly. This deserter guy is 100% right to start with the basics, but Aang is the opposite of a willing student. He's happy to learn, if they do it his way, which is jump straight to flashy fire and burn everybody's eyebrows off. Not to say the deserter is a good teacher - he's certainly not suited to Aang. But people strong armed by spirits generally don't bring their A game.

It seems to me like bending fire is almost more about leashing fire than using it.

Wasting his time? Didn't it take Aang his whole life so far to master airbending? And he thinks spending a couple of hours on the basics of firebending is wasting his time?

Dear Avatar writers: My comment about Aang burning everybody's eyebrows off was supposed to be facetious. Could you dial down Aang's idiocy this episode just a little bit please? Feeling really sorry for the deserter here.

This deserter's got sighing down pat. I get the impression that he's had decades of dealing with hotheaded idiot students.

Zhao was his student? That's a neat way of doing combined backstory and parallel story in the present. I thought it was a flashback but it's actually what's currently going on. Neat.

"Learn restraint or risk destroying everything you love." Good lesson even outside of a bending context.

This golden forest throughout this episode is absolutely gorgeous. Although it seems to be stuck in eternal sunset (not complaining).

I was right! Firebending lesson number one isn't making fire, it's leashing fire.

"But I'm ready to do so much more" Hell no you aren't. The fact that you say that with a straight face after A DAY of lessons proves you aren't.

You mean you failed the lesson. Congrats.

Hey look. Exactly what the deserter said would happen is happening. And so an innocent pays the price for Aang's hubris. Ain't that always the way?

Hell yeah Sokka. You tell him.

Here's a good lesson for Aang to learn, unfortunately at the expense of Katara's arms: sometimes sorry doesn't cut it. Since Katara's arms are injured, is she currently unable to bend? With the amount that her self-image is built around her bending, this is going to double suck.

Katara can auto-bend?!? Instinctively? That was lucky.

Hey deserter guy: while your insight into waterbending healing and the firebending mindset is certainly valuable to Katara and the audience, maybe a recently-burned teenage girl is not the best target for your talk therapy?

Master indeed. That's got to be the single most impressive firebending move yet. Look at that. That's one guy!

See Aang? If only you squatted a little lower, you'd be able to pull this off.

Aang still hasn't learned his lesson. Impulsively firebending should have taught him to be less impulsive. Instead it teaches him to make dramatic blanket prohibitions on firebending and throw himself head first at Zhao with no plan.

If Zhao is an admiral, and the deserter's former student, does that settle Chey's admiral/general debate on the side of admiral? Or do fire nation military branches do cross training?

Now it's Zhao having the hubris problems. Does he really think that 8 guys, only 4 (?) of whom are benders, can take down Mr. Firewall?

The way Zhao's voice actor delivers the line "until I got bored" very nearly redeemed his whole character. Suddenly not just an asshole, but a human too. Given how abrasive the deserter is, I'm almost sympathetic.

Who wins in the fight of Aang's hubris v. Zhao's hubris?

This is a very cool move. It seems that Aang only has hubris problems when he's trying to bend fire - he's back to his usual self when he bends air. Can the element have that much of an effect on the mindset?

I'm really liking this delightfully one-sided fight. Aang really redeeming himself for his early-episode idiocy.

This should not work on a well-adjusted adult.

"I don't know why, but I thought you'd be better than Zuko." Tragically, Aang has no idea how savage that line is.

"Jeong Jeong said you had no restraint" says the kid who, up until this scene demanded it, had no restraint. A stinger of a line that is undermined in context.

Literally.

How many outfits did Aang pack? Because air nomad tailors aren't exactly thick in the air these days.

Was that a whole camp of deserters? And they've all gone into hiding?

Getting the first fishhook out with a second fishhook: when logic goes too far.

Final Thoughts

Zhao really screwed up this time. He and his men are going to have to walk back to their ship.

Roku really screwed up this time. Katara wouldn't have been burned if Roku didn't intimidate the deserter into teaching Aang.

Chey really screwed up this time. If he hadn't brought Aang back to his camp, he'd still have a settlement to live in.

Aang really screwed up this time. If he hadn't insisted on both attending the festival and outing himself at it, he never would have led Zhao to the deserters' camp.

Just a thought: maybe spiritually bullying a scarred veteran into teaching combat basics is a bad idea?

I really want to like this episode. Beautiful setting. What Sokka and Katara stuff there is, is great. Appa and Momo even get a funny joke, and Appa gets to murder some people. And most importantly, the deserter is RIGHT. THE WHOLE TIME. And he was right to insist on not teaching Aang. Roku really blew it. Everything the deserter knew would happen if he taught Aang did happen, because he knows firebending, and he knows how students like Aang approach it (and let's be honest - he's not the right person to teach Aang anything). Now Aang's thrown up a mental block around firebending that will have to be surmounted no matter what he says he will or won't do. At least Katara uncovered a new skill.

I have not seen Apocalypse Now, but this is Apocalypse Now, right? In which case I know why Aang doesn't work for me this episode: he's in the wrong genre. This episode is actually quite serious. Chey may call the deserter enlightened, but Chey's an idiot. What the deserter is, is broken. He's another victim of the fire nation. He's also easily the most skilled firebender we've seen so far, with deep insight into at least part of the nature of his element (I say part because the episode itself suggests that his view is overly negative by having him point out the sun as a source of fire, which isn't inherently destructive - it just is). The deserter is a person you absolutely should listen to, saying things Aang absolutely should hear, albeit he says them rather harshly. But Aang is in peak kid's cartoon mode this episode, and the deserter (and most other characters actually) are in Vietnam-era War is Hell movie mode. It makes Aang jarring throughout, to the point that I was mad at him for most of the episode.

That being said, Aang almost (almost) completely redeemed himself in that last brilliant fight. 'Hoisted by his own petard' has got to be one of my top three favourite narrative devices, and that Zuko dig was the icing on the cake. As I said above, it's a goddamn tragedy that Aang doesn't have the necessary context to know how much that dig hit home. Then again, Sokka and Katara would probably appreciate it more than Aang. I feel like they're more appreciative of petty vindictiveness.

Speaking of Sokka, great to see the continuity from last episode's lesson: ride or die for Aang until it's family on the line. Sokka will gladly take Aang to the north pole until Aang steps between him and his father, at which point he's on his own. Sokka will gladly take Aang to the north pole until he hurts Katara, at which point Sokka will rub his face in the dirt. And, honestly? At that point of the episode, Aang's flaky hubristic 12 year old idiot side was so annoying to me that I was rooting for Sokka in that fight.

We know Aang's a bit of a softie, but someone who didn't know that just saw Sokka face down the Avatar for the sake of his sister. Takes courage.

It was also nice to see Sokka and Katara more united than usual in their opinions. While Katara was willing to give things a chance, neither of them was all that enthusiastic about anything that happened this episode. Usually Katara blindly follows Aang and blindly opposes her brother, so it was nice to see her more (not fully) aligned with both sense and Sokka.

It's not really touched on, but Aang really screwed things up for the various deserters. They weren't exactly comfortable where they were, but they seemed settled, safe, and provided for. Now they're presumably on the run. Oops.

If I could excise Aang from all but the last fight of this episode, it would be a serious contender for my favourite so far. But as I cannot excise him, this one is thoroughly middle of the pack. This episode had some serious stuff to say about the horrors of war from a perspective I defy you to find in any other kids' show, if only Aang would sit down and shut up for a minute.

[probablyanalienindisguise]

Remembering Tumblr is a place of art, writings and ideas. So here's an entire ramble about the Jurassic Park movies and why the inaccuracy of the dinosaurs is a part of the plot

Anyways so the movies revolve around dinosaurs and stuff right? The usual plot points are always there, but it's a sci-fi thriller movie about dinosaurs and people tend to forget about the whole sci-fi part. I mean the scientists created dinosaurs but never had the complete strand of DNA as stated in the first movie, leading them to replace the rest of it with frog DNA by filling in the gaps. Which later turned into a whole problem in itself with the thing with the fact that they can breed by switching around a few things with their gender, similarly to some species of frog when faced with a female dominant environment.

Such asssss the dinosaurs ‼️

But the whole problem wasn't the dinosaur DNA, nono it was the frog DNA being mixed around with others to fill in said gaps.

It's my leading point as to why I don't understand why people hate Jurassic Park simply because the dinosaurs aren't accurate, when that was the whole POINT.

They ARENT dinosaurs.

They're amalgamations of different DNA strands combined to RESEMBLE a dinosaur, with maybe a little dino dna in place to create a base. And in later movies revealed to be even more fucked up combinations of DNA to keep the publics interest.

They're monsters made to look like dinosaurs, where intelligent and dangerous are key factors that the scientists like putting into creatures that weren't meant to exhibit such thoughts at such a level.

The premise of these animals in the movies was always "Are they actually alive?"

Because yes dinosaur, but also not dinosaur.

They're talked about constantly like objects, even though they are very much alive and living. Yet are constantly in a state of being created to look and act scarier in order to keep the quota that they're nothing but assets on a building board.

But really the scariest part is "Oh, what's scarier than teeth?"

Teeth and intelligence.

As the movies move on, these scientists create the dinosaurs to be stronger and smarter. Feeding into the amalgamation with the idea of a dinosaur in order to create what would be a marvel; not a stability.

Instead of mindless killings, the dinosaurs are aware of what they're doing. Which is considerably worse than if they ever were just instinctual actions.

Both Jurassic world movies had at least someone point something out, basically just saying that the splices of DNA weren't real dinosaurs.

Notice how it's quite often pointed out with subtleness of a simple sentence yet is used to determine the point of the movies. That once again, they aren't dinosaurs.

Both Indos were there in order to bring the plot point to closure, making it simpler to understand.

That amalgamations of DNA will never be a real dinosaur no matter how much it resembles one.

The books did a much better job getting this point across though I must say, as they enjoyed bringing the horror aspect of it all there. Just showing even more how they're obviously lab created monsters.

Anyways shout out to all the little kids out there who were absolutely convinced the dilo could spit venom because of Jurassic Park. (Me fr) 🥰

[maestro-of-clockwork]

[[ dhmis tv show teacher ideas ]]

[[ so over time, i've gotten ideas for the dhmis tv show teachers and so while i'm still trying to mentally flesh them out, i figure i should jot the ideas down to hold you guys over til i have something concrete!

i'll have em under this cut so it doesn't take up too much space:

briefcase guy

i'm thinking he'd be the cut-throat businessman type, the kind who absolutely does not care who he has to hurt, betray or manipulate to further his career. he wouldn't hesitate to scam people if he had to, so long as he fulfills his sales quota and gets his way. it'd also be plausible if he was greedy in that way and cut corners to keep as much money as possible. also, no matter how much brendon will ask him for connections to publishers or at least a little exposure for his novel, he flat out does not care and thinks writing or creating art isn't a "real job". he has no name yet, but if you guys have any suggestions, feel free to say, though i'd like it to start with a "b"

mortimer (coffin guy)

now i know i said in the past that it'd be interesting that he could be the embodiment of death, but i think it'd would make more sense in the logic of the show i've established that he was also created by lesley & roy. another thing about that detail would be that there would be a reason that he's under their thumb like the rest of the cast is. as for his personality, it's different from the actual show, similar to how the web series teachers were different people behind the scenes. he's serious and deadpan most of the time, and someone who likes a bit of dry humor and sarcasm. he's still a mortician, but as i'm writing this, i'm thinking i should add the little twist of him practicing some of his skills on the trio. nothing is personal about it, of course. to him, he's just trying to get better at his job. that, and he never does anything that would outright kill them: he cuts them open and looks at their organs in a mock autopsy, but makes sure they don't lose too much blood and makes sure that every organ is back in its proper place.

lily & todney

lily and todney are just as strange as they are in the show (besides the messing themselves part bc let's be real, i don't feel comfortable writing that even though it's played for laughs). they're really uncanny, similar to antonio, except it's much more obvious. they have little self-awareness and act kind of like a hivemind in some way. i feel like they'd be like those twins in that one scene in the shining, staring people down sometimes until asked what they want before finally speaking. like not speaking unless spoken to, but only when they're not teaching about family at that moment...then they don't shut up speaking of their family, they barely have any sentience and are basically barely-living props but the twins adore them anyway and somehow have a kind of telepathy with them like they do each other. the twins and their family are mostly reclusive and stick to themselves, like how they describe a family. they're co-dependent on each other and don't realize it because they haven't been "programmed" to. going on the programming bit, it's a deliberate decision on roy's part that their mother isn't there. it's to create that conflict and feeling of emptiness it gives them to want to fill that void by trying to make doi their pretend-mom. they know he's not really their mom, but to them, a pretend-mom is better than no mom because "a family isn't complete without one".

warren the "eagle"

warren is first one i got to having ideas about. his insecurity, loneliness and desperation for attention and to be liked is what really drives him to do what he does. like in his episode, he's clingy and ignorant of other people's feelings in favor of his own because all he knows is what he wants and how much he wants it. he has some level of awareness but he craves a real connection so badly that he's toxic in how he goes about it. he wants to impress people with things like his podcast and his "business sense" to the point where there's no room for other's wants or needs. the kicker is that he doesn't think any of this is what drives people away. whenever he loses a potential friend, he takes it very personally. to cope with how hurt he is over these lost connections, he convinces himself that he was just too good for them, as implied in his presentation. he has no self-worth, so he builds these lies and pretends he's a confident and accomplished person when he really isn't. as you might expect, antonio's already got plans for him. after all, insecure people frequently catch his interest

choo choo man (i forgot the name i had for him)

this poor man is a fossil. he's very forgetful and doesn't really know what he's doing half the time, basically like the stereotype of an old grandpa you see in movies. even antonio would make jokes about how old he is, as ironic as that is. he's not a nice person even to older people when he's not taking naps, you can find him listening to old timey-music or rambling a bit about his pre-programmed memories as a train conductor and how life was back then. although his thoughts get jumbled up sometimes, you can still get an idea of what he's trying to say. i feel like he'd have really good life advice if you read between the lines of what he's saying, and would generally be an easy-going person

electracey

first off, i imagine they're very passionate about music and playing the guitar! they'd probably be the type of person who feels like music is a part of who they are, and that's how they express themself. i feel like you could ask them to play any song that famously uses a guitar and they'd absolutely be SHREDDING that guitar with almost supernatural skill. mostly it's due to their passion, but i think their being an android would help with that as well i also feel like they'd be an outgoing and upbeat person whose positive energy is infectious, and if the trio wasn't desensitized, i think they'd actually look forward to their lessons. speaking of, i also think they'd really take an interest in electricity, how it works, how it came to be, what you can do with it, etc.. they'd think it's super awesome that it brings people all these possibilities and especially what it's done to advance technology when it comes to music

aaand that's all the ideas i have for now! hope you guys like these concepts because i know i like em so far! ]]

[zerodderty]

Undertale Yellow feels like, and I don’t say this lightly, the Advent Children of UT/DR

Looks really cool, *is* really cool in a lot of the ways that count, even hits home sometimes… but also nobody who touched the production ever really “got” the original, so it’s just kinda hollow

That’s not always a bad thing, fanlike reverence leads to new ideas being created usually when people try to replicate the things they like about a work while cutting back on the less important bits. But when you tie it to this worship of the original text you get all these… janky halfhearted copies.

Like, oh, we gotta kinda have a Papyrus. Here’s your robot section. Didn’t you like Undertale’s Neutral Route? There’s some quieter comparison points where you can feel the thought that went into making UTY a fun reflection of the original. But also sometimes things feel needless, like they’re there to fill a quota.

The pacing gets this the worst- the actual main cast is introduced two thirds of the way through the story, so most of the early areas are JUST old Undertale zones without the humor or charm. Pacifist in particular suffers because of how much importance it puts on characters and scenarios that a first time player will have No time to care about.

The themes here are…. Incoherent. Copying Undertale’s structure so hard means that unintentionally a lot of the same Determination, Empathy, Content Consumption stuff gets reiterated, while the new stuff about Justice and Consequences feels like its totally shoved to the ends of each route where characters will start talking as if walking around doing random encounters and occasionally stumbling into bits with characters who immediately fall in love with you and proceed to do three bits before leaving means we’ve had some Deep Meaningful Arc together that is climaxing only now.

Which is to say at some point in every route characters will start ranting about Justice and Heroism in a way that just feels really goofy since it always comes out of nowhere. I can see the narrative bones of a fun western romp, but its buried under all this Undertale flavored fluff that makes the early game feel charming but hollow, the midgame feel abrupt and slow, and the endgame feel interesting but wayyyy too fast and undercooked for whats come before it.

And then there’s the Cool parts. The character design is just fifteen levels of weird, everyone is the same sort of lanky furry creature with these big mysterious angsty backstories that mainly serve to funnel people towards the two big endgame superbosses of Pacifist and Genocide. And they certainly are big, taking the form of long, multiphase endeavors with more than a few totally unbalanced attacks that go more for flash and overwhelming density than anything else.

And hey, I can’t say the flash doesn’t work…? I think with Deltarune as a comparison now, the weird reality breaking freaks of Jevil and Spamton feel a lot more interesting of a Sans followup but sure yeah, I can’t say that these anime powerups don’t look sick even if they feel a little disconnected from everything. But it feels like they exist at the expense of everything else as these all encompassing fixation points.

And hell, UTY is probably the *most* restrained Undertale fangame here, because you can tell in the base encounter design that clearly the developers liked the idea that Undertale was a game with encounters in it, even if the bits aren’t always as funny or charming they’re at least there and well executed. I like the random monsters! They’re probably my favorite thing here because they don’t feel exaggerated or cast aside to better focus in on the Cool Stuff

I dunno, I feel weirdly conflicted that a game so technically competent at emulating Undertale and so clearly passionate in its aims feels so uneven and clumsy. I’m glad it exists, I’m glad I played it, I just wish it was more… good. Maybe it’s in part that I got into Undertale from its influences (Homestuck and weird quirked up JRPGs) that it feels so weird to have those influences diminished to better do the Cool Stuff, but I feel if UTY wanted to just do the Cool Stuff it would have been better served not being so tied down to living up to the already lofty task of Undertale 2 without feeling like a direct to dvd and home video sequel.

[beardedmrbean]

Bangladesh’s new leader is clear: this was not his revolution, and this was not his dream.

But Muhammad Yunus knew the second he took the call from the student on the other end of the phone last week that he would do whatever it took to see it through.

And the students had decided that what they needed was for Prof Yunus - an 84-year-old Nobel laureate - to step into the power vacuum left by the sudden resignation of Prime Minister Sheikh Hasina and lead the new interim government. He accepted immediately.

“I'm doing this because this is what the youth of the country wanted, and I wanted to help them to do it,” he explains during a private briefing for select journalists at his office in the Jamuna State House.

“It's not my dream, it’s their dream. So I'm kind of helping them to make it come true.”

Prof Yunus was sworn in on Thursday after months of student-led protests culminated in the fall of the government, and is still trying to gauge the scale of the job in front of him.

Most pressing, he says, is the security situation. In the wake of the violence which left more than 400 dead, the South Asian country’s police had all but disappeared - the country’s police union had announced a strike, and traffic was being guided by the students, while hundreds of police stations had been gutted by fires.

“Law and order is the first one so that people can sit down or get to work,” Prof Yunus says.

Monday saw the first glimmers of progress as officers returned to the streets. It is a first step, but security is far from the only problem.

The government entirely “disappeared” after Sheikh Hasina fled the country, Prof Yunus says.

What was left behind after 15 years of increasingly authoritarian rule is “a mess, complete mess”.

“Even the government, what they did, whatever they did, just simply doesn't make sense to me… They didn't have any idea what administration is all about.”

And yet in the face of the chaos is “lots of hope”, Prof Yunus emphasises.

“We are here: a fresh new face for them, for the country... Because finally, this moment, the monster is gone. So this is excitement.”

Reform is key, according to Prof Yunus. It was a simple demand for reform of a quota system which reserved some public sector jobs for the relatives of war heroes, who fought for the country’s independence from Pakistan in 1971, that sparked the protest movement in the first place.

But it was the brutal and deadly crackdown by security services which followed that saw it grow into demands for Sheikh Hasina to stand aside.

Reform is desperately needed, says Prof Yunus, pointing to freedom of speech - heavily restricted under Sheikh Hasina’s government, the prisons filled with people who sought to speak out against her.

He himself alleges he was a victim of the crackdown on freedom of speech. An outspoken critic of Sheikh Hasina’s government, Prof Yunus - lauded for his pioneering use of micro-loans but regarded as a public enemy by the former prime minister - was sentenced to six months in jail in what he has called a politically motivated case.

But there are other, more radical, ideas in the pipeline.

Each ministry will have a student seat in it, an acknowledgement of the role they played in bringing the previous administration to an end.

Already, Nahid Islam and Asif Mahmud, students who led the anti-government protests, sit in his cabinet.

And then there is reform of the judiciary. Already, the students have put pressure on the chief justice to resign.

Prof Yunus argues the judiciary was failing to act independently - instead allegedly taking orders from “some superior authority”.

“In the technical terms, he was the chief justice,” he says. “But actually, he was just a hangman.”

There will, he acknowledges, be decisions made that not everyone agrees with, but he hopes it will be better than what has come before.

“Whatever experience I have in my work... So I'm not saying I can run a government. I'm saying that I have some experience of running some organisations. I'll bring that as much as I can. There will be people who like it, people who dislike it. But we have to go through with it.”

[miracleandplagueau]

What are your thoughts on the season 5 finale?

INHALE (S5 finale spoilers, duh)

Before I start, disclaimer, I didn't watch most of the season 5 episodes in full. I mosty watched the important lore things and completely gave up on filler. That being said I didn't need to apparently, so let's just get on with it.

✦ PART I. What the actual fuck just happened.

The entire episode felt like some kind of fever dream, like it was written by a 10 year old just starting their journey with original characters, power systems and stories on general and had little idea how to tie the plots together in a satisfying way. Unless we count the mass reunion of everyone from the past whereas I hoped that the NYC and Shanghai specials were just ""fun episodes"" in the vaccum.

The whole plot of both episodes is basically Marinette is badass for 1.5 episode, but fails at recognizing that Gabriel (cough cough THE Monarch) is way beyond redemption and fucks up the entire world (not really, will be explained later)

I'll say it right now, I hate how miraculous went from a magic-focused story to ending on so many science involving plotlines. I mean, come on. He suddenly got himself a laser to turn the miraculouses to rings, created brand new jewelry with floating displays. It sucks, I hate it all over.

✦ PART II. Gabriel and his shenanigans

Personally, I hate the one-wish quota. No matter what happens, I've always seen it boil down to two outcomes - either the villain is stopped from making the wish and he has to be dealt with in a regular way or he succeeds in making the wish and faces no consequences in the end because the world has changed so much

It's the latter with Gabriel, but at the same time not exactly. He succeeded in making the wish, bailed on everyone and get this - he not only got what he wanted, he also got away with it scot free. No, I don't care If he was trying to do the "good" thing by bringing back his dead wife because he loved her. He did horrible, horrible things to get to that. I'll tackle the lack of consequences a bit later on.

✦ PART III. After-wish consequences

HA what the fuck am I saying, CONSEQUENCES? IN MIRACULOUS LADYBUG? That's fucking hilarious. Apparently, not only Marinette doesn't have to worry about being called out, because Gabriel put n the earrings and suddenly he's the most lucky bastard in the universe. Spoiler alert: that's not how it works.

During the scenes that showcased how Emily and Nathalie are alive, how his house is no longer grim and is instead filled with life and roses and bushes. It was nice, It really was.... visually. It's one to look at it and think "yeah, that's a nice finale" and other to look at it while knowing the context.

Oh and by the way, Emilie. So happy we got to see her.... for 5 seconds without counting the video. SHE'S SUPPOSED TO BE THE MOTIVATION FOR GABRIEL TO REWRITE REALITY?!? I'll forever be salty about that.

Going back to the wish for a second and the outcome of making the wish,,, are you fucking serious. I thought the world was supposed to be rewritten when the wish is made, not fixed? What kind of wish did the fucker make, because clearly he brought back TWO people and nothing else seems to have changed. And do not get me with the "Oh but he sacrificed his life for the wish!!--" BULLSHIT. HE WAS AN HOUR AWAY FROM TURNING INTO DUST SMARTASS, THAT IS NOT A WORTHY SACRIFICE OF BRINGING SOMEONE FROM THE DEAD AND HEALING SOMEONE.

I'd at least enjoy it a little If he vanished. Like went poof, gone, no more Gabriel, because then the sacrifice would hold some weight. He gave up his existence so that Adrien is happy, but nooo motherfucker got a STATUE IN HIS HONOR.

Nobody took the blame for the Hawk Moth/Monarch situation either. To people of Paris he just appeared, caused chaos and destruction before fading away after GABRIEL AGRESTE SUDDENLY HAD THE POWER TO GIVE CIVILIANS WITH HIS NEW RINGS POWERS OF A HERO. Nobody found it weird? No? Just me? Okay.

✦ PART IV. Marinette more like Marynette Sue

Marinette was especially unbearable this finale. The fact that she was the only one who fought Monarch, that she's the only one that knows his identity, that she just casually got two most powerful miraculouses all for herself. It just. hurt me physically.

She thought she can be steven universe fr

✦ PART V. Can Adrien stop being a plot device FOR TWO EPISODES

I'm sorry, is this too much to ask for? Is it too much to ask for Adrien to have a part in anything here. During my watch, I can confidently say that I forgot that Adrien existed and yes I know that he's closed off in a padded room, because Gabriel wants to "keep him safe", but come ON at least give us a take away back to him seeing Gabriel on the screen, struggling with the nightmare or considering taking the whole Miraculer deal. It shouldn't be like that in the first place where the secondary main character, the second hero is left to rot while the strong female lead do everything seamlessly.

In the end, the only thing he did is kiss Marinette and take Gabriel's rings. He didn't even find out about his father being the literal Monarch, It felt so cheaped out I dunno. It could've worked If he had a bit more part in the actual fight.

✦ PART VI. Oh yeah, and about Lila's cliffhanger (and season 6 and 7)

WHO THOUGHT OF THIS BRIGHT IDEA?! (I know damn well who did)

I hate the fact that Miraculous will actually continue with Lila as the new butterfly holder. I hate the fact that she got what she wanted and that she will continue to BE there. I do not give a single fuck about Lila and I will not be watching beyond season 5 because for me, the show of Miraculous: Adventures of Ladybug and Chat Noir has ended and it has ended horrendously at that.

✦ PART VII. The little positives the finale had

I liked Bug Noir's design. VISUAL DESIGN. and the animation in Agreste's garden.

I also actually really enjoyed Tikki and Plagg's true forms and Gimmi's fun attitude. They really gave them that great look where you go "Oh yeah, these guys aren't JUST bugs and are actually something greater than a human being" and I like that a whole lot..

PART IX. Finally, final thoughts

There are so many things I still have to say about the finale like the Adrienette, other characters like Luka, Nathalie, Kagami's mother also getting away scot free (for now) and blah blah blah but I am TIRED. I'll likely talk about it in the future or just hopefully forget that it exists.

This one is rough as fuck I know but I'm just writing it as I go

In short, man, am I glad this is over. Am I glad this is over.

Thomas, get your fucking shit together, because middle schoolers write better and more consistent stories. Bringing in all your half-assly written characters to just fight a distraction of sort and having your main character face the villain all alone because she's a strong female lead is not good writing thank you for coming to my ted talk

[jayde-jots]

Just got back from watching the Transformers One movie, and I can't wait until it comes up on streaming services because I really wanna re-watch it! Spoilers under the cut-

If I had to change anything about it, I'd say add a little more to why D16 went rogue, like give us some of what he was thinking instead of him just voicing it. Maybe he was treated particularly badly compared to Orion when he wasn't there? That'd then make me want to root for him to kill Sentinal. The whole movie I saw him as like Orion until he got the transformation cog, that's when the change became a little obvious. I know he was just told his life was a lie right before he got the cog but I interpreted it as it was the cog that started to make him more aggressive. I can't remember which of the primes D got his original cog from, but I feel like depending on the prime they got the cog from should've affected their personalities. Anywho, great movie and I can see it getting an easy sequel. My favorite scene was when the new big tall Orion walked into the minor's quarters and now stood at twice their heights, and Jazz acknowledged it! I hope to see fan art of some of the minor bots using Orion as a climbing structure. Now for me to do the tumblr thing and fanfic out about this movie. This could easily have also been a shattered glass introduction, I can't wait to see someone do that. I also have my own little fun what if in mind, it's a stupid one but what if a much older Optimus like after the quintasons and after the Decepticon War happened, he gets sent back in time? Maybe he stops Sentinal himself and takes his younger self and D16 under his wing, making sure the both of them are okay and are on the right path. Just a stupid idea but I want some wholesome brotherly fluff between Orion and D16 that didn't fill my quota in the movie.

[borzoilover69]

I read the details about your Ultimate Jake post and found it fascinating! The way he and Ult Dirk contrast as the Comedy and Tragedy is very well put and shows how they stand apart yet are eternally emerged together!

I was curious about John/June and Karkat accompanying Ult Jake in this scenario to parallel Rose and Terezi out on the Theseus ship. Is there any significance to why you chose these two besides the shared love of movies and the mutual issue of relationships Jake and Karkat have?

Also why is Dave dead and forced along on this mad cap adventure?

Ok, so to be honest, i wanted to parallel Dirks trip, but also there's a very important reason Jake chose John/June, and it's to do with the retcon abilities John/June possesses. How else do you shove yourself into a story and retcon some bullshit ex's cosmic suicide note but by getting the one person who can reverse death itself? Like I said, while Dirks entire thing is hierarchy, finality, Jakes is reversal, acceptance. From what I've heard about HS2, both John/June and Jake face being relegated to side characters deemed irrelevant however them filling typical hero quotas. John/June, able to inherit the wind, the freedom to change, Jake, if able to conquer the challenge of being a page, able to do anything he puts his mind to.

For Dave, ironically it was at first to parallel poor dead John and Jade, but also because in my mind, whatever bullshit universe LE jake is from, Dave had to die to ensure it happened. I suppose you could say they killed time because time continued to stretch on and nothing happened, so they had to kill time to get to the good part. Hahaha. Like pressing a remote to fast forward time to someplace interesting in a story! I haven't decided whether it'd be funnier if he was the one who took the hit for John/June in the final fight, or if Jake just turned up and realised he had to kill him.

There is no reasoning behind karkat as much because to be perfectly honest I was just looking for a figure to fill the third spot and my mind just went "ykw toss karkat in there". I will have to consult but i'm up for changing it or hearing your ideas.

Thanks for this ask. :)

[sea-owl]

You know what? If you tell me right now that your Isekai AU (and all its variations) are because Lady Danbury decided to stir shit up, I would 100% believe you. This would be something she'd do for shits and giggles. Like maybe she was Modern!Portia's closest friend who she confided in that she really wanted a family and a person to love her and Lady Danbury was like "You know what? Say no more" and isekai'd her to the regency era. But of course Agatha 'ShitStirrer™' Danbury didn't end it there (ofcourse not, what do you think she is?? A simpleton??) And Isekai'd the spuses and Bridgertons as well but fron different timelines just to watch the chaos unfold, make betting pools and matchmake these poor unfortunate souls to her heart's content.

You know when the idea of Isekai AU first came up Portia's life in the modern world really didn't go that far besides how she came to the knowledge and then truck-kun more than likely took her out. But the further that I went into it and the more variants that popped up the more I played with the idea that Lady Danbury had something to do with it.

Lady Danbury has always meant to be a neutral (and chaotic) character in the au. She's the one who pulls Simon (and later Gareth) out of their homes after Portia accidentally changed events during one of her half awake episodes where past life and current life memories mixed together. She's also the one who informs Violet of Portia dipping out of the ton, and later Lady Danbury finds Portia and that's how Simon gets introduced to her. She's the side character having fun in the background with a martini enjoying the chaos around her.

But the bigger this got the more I thought about Lady Danbury's role and the more I thought the more I came to the conclusion that yup she definitely is the one who isekaied Portia.

How I would frame it is that Lady Danbury, known as Professor Agatha, because she's gonna be known by as her name damn it, in the modern world, was a mentor to Portia, I'm thinking a college professor that she still talked to after she graduated. She is also was the author of the Bridgerton series that she wrote under a pen name. Lady Danbury was surprised to find out Portia was a fan of the series when she saw her rereading one of the books during her break.

"I would have never guess you were a fan."

Portia blushed, carefully marking her place in the well read book. "In a way. You know I never really had a family."

"And you're too guarded for love," Lady Danbury added.

Portia playfully glared. "And I chose to focus on my career." She let her fingers trail across the book. "I enjoy the dynamics of the main family but I actually feel more connected to the villains throughout the series."

Lady Danbury raised an eyebrow. "The villains?"

Portia nodded. "They were like me once upon a time, starving for love. Except they didn't get the chance or it came too late as their minds were already twisted beyond help. Of course they should still be held accountable for the actions they chose to take as adults but I don't know. Maybe if they given that chance earlier things would've turned out differently."

"Interesting," Lady Danbury hummed. "So no love for the love stories Ms. Career Woman?"

"Haha." Portia shrugged. "They're okay, kinda cheesy, kinda predictable. Honestly the Bridgertons had more chemistry with their villains than the love interests. The love interests were just kinda there, or showed up at the last minute to fill the romance quota."

Lady Danbury pondered over that as she reread her books, and dug up those old first drafts where the villains weren't the villains but second love interests. Portia's thoughts, they were some of Lady Danbury's thoughts as well after she had time away from the series. She wrote it when she was young, before she found her true writing style.

Perhaps Portia was right, perhaps the villains just needed a chance early enough to turn things around.

"Let's have some fun then," Lady Danbury smiled as she grabbed her books and first drafts. "I can't wait to get the betting pool started. I hope you're ready my dear."

Lady Danbury chuckled when she heard the news that Lady Featherington disappeared right after her fourth daughters birth and the letter from Violet appeared asking about her friend. Oh this will be fun indeed.

Let the games begin.