#some of my fav scene

[cthutocats-art]

[imvec]

Scene from chapter 7 (!) of “living is a gamble, baby (loving's much the same)” by @stbot

And their ‘fake’ wedding

[yoylite]

“I have no remorse in saying that you! Are! Up for elimination!”

[mobius-m-mobius]

#so unserious 😂💖

[beaulesbian]

dramatic coats flapping in the wind

[shittalkingwiththesuriel]

The BEST scene in ACOSF

[faderiftss]

HAPPY BIRTHDAY, SAINT LOUIS

Louis de Pointe du Lac, b. October 4th, 1877

[iooiu]

teens being teens

[brothermayihavesome0ats]

Criminal Minds S01E01 - a scene analysis/things I noticed

(The text in the images is the same, I just worried you can't read my handwriting)

1. In the beginning scene where Gideon is asked to return to the BAU, the way the characters are positioned is representative of their power dynamic or role within the BAU at that point as well as representing the dilemma within the scene

- Reid is in the background since he is the youngest and least experienced, also the least in focus atp. He's also positioned in front of a map, which could be foreshadowing for his ample ability of geographical profiling

- Morgan is in front of Reid but still behind Hotch and Gideon

- At first, Gideon is positioned as the main focus with the camera showing him debating returning to the BAU for the first time since the Boston incident. As Hotch tells him that “the order came from the director” the camera focus switches as in the team “came back into focus” as Gideon realizes he has to come back.

- The camera then focuses on Hotch since he is the leader of the team. This shows that now that Gideons dilemma isn't the only thing in focus, the team has dynamics and roles which are also a large aspect of the show

2. In this scene with the family of the unsub, although the family isn't centered they are very clearly the focus of attention due to the clear blue colour tint around them. This suggests the grief they are in after finding out their family member committed a crime. The family is surrounded by green tints as well, showing their grief is surrounded by the unsubs world (explanation in next observation)

- In the next scene if you look at the family portrait you will see that everyone in the family except the unsub is in blue, showing that the entire family was affected by his actions in their grief but also that he stands out from them.

- When Elle comes in from the left in the next frame, her red outfit is a contrast to the blue. She is from the outside world, an outsider to the family's grief.

3. The general lighting in this scene shows an outside world (the warmer lights in the hallway) and the inside world of the unsub, with the darker green colors. In the frame pictured, the unsub is looking away from the outside world.

- Gideon is wearing red to contrast the green

- The family portrait shows how the unsub is an outsider with the rest of the family positioned in a tight triangle and him in the bottom right corner, also wearing different colors from the rest of the family

- The family photo is centered in this scene, showing a clear contrast between them surrounding the unsub versus him now being all alone

- The table in front of him is empty, showing he has no future in front of him. In a few seconds Gideon places his book in front of him, showing that the only future now is the BAUs work

- There is a chair facing backwards behind the unsub. This is like an interrogation, so the two chairs are for the two unsubs. But because the team doesn't know this yet, the chair faces away from Gideon, the interrogator.

4. Following the train of thought about the colors, we can see that the car the unsub used to lure the women into is red. The contact with the outside world is red, and in the scene where we see him kidnap a victim we can see he is wearing a green jacket as he locks the girl in the red car, showing that she is being locked away by the inside world of the unsub.

5. In this scene with Hotch interrogating the unsub, he is centered as he walks into the interrogation room to show his importance.

6. In the scene at the very end of the episode, the unsub is once again shown in green lighting. His truck is shown in red, while Gideon is also in green. This shows how Gideon Has stepped into the inner world of the unsub, and is looking out on the outside world from within as he realizes who he's talking to.

Colour contrast throughout the episode:

[tomboyyyaoi]

cutlery

[walrus150915]

I feel like people underestimate Ballister's actions in the movie and dumb him down to be just a guy with sad big eyes when he's literally a metaphor for transphobic gay men who participated in the system based on violence and hate. He's so much more than what fandom makes him out to be and he's quite flawed

Like :/// yes he's cute but let's not infantalize him???

[midnightdemonhunter]

SO EAT YOUR FRIENDS THEY'D UNDERSTAND CAUSE THEY WOULD TOO

[huanted-dennys]

i find it funny that in tfp, megatron is such a big intimidating guy, he looks down on every one (either metaphorically or also physically) and it gives him an air of being powerful and unmovable

and than every once in awhile he’ll lean down to get a better look at soundwave’s mask, like a mom trying to read a meme ur showing her, i just think it’s funny that soundwave gets this dumbass to practically kneel too see what hes saying. doesn’t even tilt the visor up just feels salty like “no u tall mfer, get down here!”

[rivereleven]

Virgil + a sort of scene redraw (so spoilers for Episode 5)(not a really lore important scene but nonetheless!)

[leojfitz]

time stamp roulette ✷ young royals 1x04

[took-my-breath-away]

Top Gun (1986)