#some of You people ... interesting folk

[royalarchivist]

Hope everyone enjoyed today's QSMP Cinema event!

As expected, many VODs were unfortunately muted for certain animations because of copyright issues. I know some of the artists weren't able to catch everyone's reactions to their work, and I'm sure there are many other fans & VOD watchers who missed out too.

LUCKY I was able to archive Foolish, Roier, Cellbit, and Quackity's reactions to all the animations, and for anyone interested in viewing them, I'll be uploading them to Google Drive and will post the links here when that's available.

[moiraimyths]

Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.

Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)

Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!

For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^

[mewkwota]

hello, if i may join in on the character ask thingy, may i request mmx zero? (idk how much you know about that series, but just thought i would shoot my shot, also your art is a treat to see :D)

My unfocused self misread your question and I thought you said MMZ somehow, so here we go, you got two Zeros. (It's the same guy)

Send Me a Character

And I will tell you my:

First impression Following my deep dive into the Classic series, I would simultaneously check out the X series. So I'm actually fairly familiar with a good chunk of the characters there, especially X and Zero.

For those who have tracked me down here from the Deviantart days, you'd see I worked greatly on Classic and X prior to delving more personally into Battle Network (as I should've been in the first place).

Zero's design is a bit busier than X's, but I still find parts of it to be appealing. And I made it a very known fact my kiddo's hair is derived from his. So I am not immune to the pretty locks either. ^^;

I was also intrigued with his backstory and character. You may notice a big theme I like to work with in this series is "family", especially since it typically involves unconventional ones that aren't quite related by blood (they're robots, but also Zero's case is complicated). So not only did I find it interesting to depict a disconnect of Zero from his "roots", but he also finds some connection in X's side. Maybe not from everyone, but at least Dr. Light tries to understand him, even in-game.

And of course, I love seeing his dynamic with X, even when it's the very simple interactions. They compliment each other so well, especially since they don't quite fit in anywhere else.

I also like that Zero's VA gave him such a unique voice, the tone Mr. Gilbertson uses sounds so pleasant in my ears.

Impression now I still think Zero is appealing, and nothing much has changed there. But I don't think you can make me choose between him or his buddy.

I am aware of his great bias in the community for how overshadowingly cool he is, but I'll take him over the other Ryoutarou Okiayu character that does virtually the same thing elsewhere. Maybe it's because he's a robot, and I have a soft spot for them.

Favorite moment He and X get called "cute" in PxZ2 and that guy got cranky about it. Though, Zero didn't quite deny it in his response either.

"We may look cute, lady. But..." Yes that's because you two are.

Idea for a story A lot of people, me included, seem to agree that Zero and Roll could get along well. But wouldn't you wanna be on good terms with your best friend's older sister? Anywho, I have a few lighthearted ideas where the two would hangout, one of which involves working together to get something for X's birthday.

After all, wouldn't your best friend's older sister probably know what he wants the most?

Unpopular opinion I would pick MMX Zero over MMZ Zero any day. I don't think the story or atmosphere of the Zero series is bad, not at all! The premise and everything is a very unique turn in the franchise. However, it's just not my thing personally. Maybe other people ruined it for me.

Favorite relationship Take a look at the years upon years of art I have of this guy (and half the things I said here) and I think it'd be obvious. L(///L )

Favorite headcanon This is partly a friend's fault, but Zero's favorite spot is X's right shoulder. He'll get a little protective over it.

[shikai-the-storyteller]

I'm so bad at actually remembering to recommend fics I like, but I was just reminded of "You And Me Were Built for Violence" and I wanted to take a moment and recommend it to folks if they haven't had a chance to take a look at it yet! It's a Fuga Impossivel + 2b2t crossover fic where Tazercraft are washed up on 2b2t shortly after their escape from Alcatraz and are found by none other than FitMC. It's got some great Fit/Pac content and some really good Tazercraft content. 10/10 fic! There's only two chapters so far, but they're both very satisfying and well written.

[thedreadvampy]

btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.

having said which

as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"

which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.

like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.

like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer

and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.

but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.

personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.

idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.

[uncanny-tranny]

Comparing oppression can sometimes give you insight as to what other groups of people go through. It teaches you what you have in common with people seemingly different than you are, and teaches you how you are different and how you can ally yourself better with other peoples.

However, if your goal is to prove you suffer the most between you and another person, you'll likely find that there is no conversation, just an endless barrage of back-and-forth to prove which of you deserves to be listened to.

The reality is that you don't have to be in the most pain in order to be listened to. So often, we are inundated with this idea that the person suffering the most is the only one who ought to be listened to, and it sends the message of "holy shit, I guess I don't matter. I guess I deserve to suffer if others are going through worse," and that's just unreasonable and unfair. Who has it worse is entirely contextual and changing, and sometimes it is subjective - as in, something that is earth-breaking for you is an average tuesday evening for the guy next to you.

Kill the cop in your head that says your voice will only matter if you prove yourself. Listen to other marginalized people and know it isn't a competition to see who can prove themselves most worthy of tine and energy. Our resources can (and should) be multifaceted and able to help a variety of peoples.

[miodiodavinci]

(single loud AA) (the forest goes silent immediately after) (birdsong returns moments later)

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[mlobsters]

xkcd

[405blazeitt]

the conversation on artist merch and manufacturing is one i'm interested in because i like having my digital pictures as physical objects now and then and i don't know enough about the ethics or economics of it to have a real stance on it, but i do know enough about it to know that a lot of the folks talking about it don't know enough to be talking about it

[doedipus]

The concept of a kglw album with orchestral backing is neat. The concept of it being a part 2 to an album I found really underwhelming is a bit frustrating.

[catlokis-blog]

LMFAO i shouldve known your takes were bad from the gman adoption stuff but uncle barney? really?

its like nobody appreciates a good headcanon nowadays

[popsicle-stick]

wanna make a folk costumes of britain zine sooo fuckign bad.........

[vanishingmoments]

people buying vintage electrical test equipment and using it as synthesizers is one of the most annoying and cringe trends in recent memory. Fuck Heinbach.

[epickiya722]

I think with popular ships when people say "it's boring" many factors can play into them.

Maybe you don't care for one or both of the characters, the fanonized version of said ship is so wrong but sadly it's the popular version of that ship, it's just your ship, all that whatever.

But it's the same case for even the less popular ships.

It may not be as popular, but that wouldn't excuse it from being boring to somebody.

[freebooter4ever]

I think they didn't read the rest of Baker's letters because they just weren't really that gay lol. The "dirty" bit was probably the gayest they could dig up 😭 the evidence in this doc is really shoddy. Then again, if it was solid it wouldn't take a century to clock him

Sigh, yeah. Its so complicated. :( Like im all on board to accept any gay sports heroes who tear down the stereotype of gay men having to be effeminate and non athletic. And I absolutely hate when society will blatantly erase a very out and open historical figure's homosexuality or queer identity for mainstream stories/movies (cough stupid effing bendydick cucumbersnoot). We see this happen especially to women who were known to be lesbians during thier lifetime, and then modern biographers just gloss over that. So it's believable that it could have happened to this hockey star!

Unfortunately i kind of doubt it. The ONE big 1917 quote they actually gave from the letters between the supposed lovers was the hockey guy overseas writing to his friend back home about how he never understood the huge amount of affection his friend bestowed on him until now when he's missing him so much. And then he talks about the photo. This totally sounds romantic, and like someone discovering their sexuality for the first time (he was in his TWENTIES it is completely plausible if he was anywhere on the demi or ace scale that this guy just never thought about romance till now). But i think it ruins the 'researcher's theory that he and his friend were living as open lovers in 1914-1916. And it definitely feels in the podcast as if they are glossing over details in order support their theory and hoping nobody bothers to actually go do the research themselves. Another thing i found in my very cursory research last night is that apparently his friend introduced him to the woman he would get engaged with back in 1915 - she didnt meet him in the war!!!. And this guy wrote home to his dad about how he wanted to have a 'long talk' with his dad about his failed engagement. That totally sounds like the set up for potentially being a beard situation. But instead of presenting the facts and speculating on those words and letting the listener put them together the podcast barely uses the real words of the hockey guy's letters and tries to spin a narrative around it that doesnt feel real.

And i 100% do not believe this man committed suicide because he was afraid to return home and face homophobia. And the podcast just presents this like it's plausible and not their own wildly subjective opinion.

This is why it's so important to check sources and to always seek out as close to primary sources as possible.