#some I embrace
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“actually you have a fundamental misunderstanding of canon—” good. I want to misunderstand it.
#thoughts#late night thoughts#canon#fanon#fandom#/s#mostly joking#some canon I truly wish to cast into the sea and never understand comprehensively#some I embrace
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dinosaur in a lab coat - would you trust her with operating the centrifuge
#my art#oc#mockley#anthro#furry#dinosaur#i like the headshot especially so i'm including it too#unintentional redraw of the mockley ref from back in may. this is the natural mockley pose i guess - this is her official render#so i included the symbolism thing again with some slight edits#grhaggh i love her i'm ripping her to pieces with my mind.....my doddery old bint#okay i've got a lot to do tonight. why i did this today of all days i don't know but for people who want art from me#keep yer eyes peeled#also i'm gonna also use this for oc-tober. lol#for the monster prompt. mockley's a monster...literally to us and more metaphorically in her universe#also for ages i was trying to make mockley's species a dinosaur but like evolved. different and weirder#now i'm like embracing full dinosaur i'm too tired to make up a new species i can't....i surrender
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Late night slow dance 🎶
#i think Al is a remnant of the past that luci should embrace#literally#please imagine your fav slow dance song to accompany this#I woke up in the middle of the night and drew this#some radioapple nation in Japan were up and kept me company#hence the translation haha#I keep wanting to say ‘rough week’ huh?#BUT IT’S STILL NOT OVER#hazbin hotel#my doods#hazbin hotel fanart#alastor#radioapple#lucifer hazbin#Lucifer Morningstar
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shipping isn’t about what the writers or actors say is or isn’t romantic. shipping isn’t even about romance a good percentage of the time. shipping is about seeing The Dynamic and going absolutely hog wild in your mind and your friends dms about it.
#free yourself of the shipping shackles set upon you by the powers that be#embrace crackships and rarepairs and fucked up het ships that ought to be diagnostic criteria of some kind#omg cactus shut up#your friend and humble narrator#todays grimpop song is not strong enough by boygenius#I don’t know why I am the way I am not strong enough to be your man#ship talk
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I have always thought the way biphobia and transandrophobia work inside the queer community are rlly similar. I wish more bisexuals that r passionate abt bisexuality and combatting biphobia, also cared about transandrophobia!!
#like sometimes I still don't rlly feel like I fit in some bi communities bcuz I'm a trans man#I feel like having a healthy view of manhood and embracing all your trans siblings is super beneficial to bisexuals#transandrophobia#bisexual#☽☾
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Kiss gun!
Based on this tweet!
#oooh they are so dumb UAAAAA#I only have two Vashwood moods and it’s the horrible knowledge of existence and the perishment that comes with it#and silly coocoo *airhorn*#today we got the second one. like Russian roulette you will never know what I will drop next#there is some additional parts to that tweet that I’ll doodle soon! it’s such a funny thing they are dumb and we should all embrace that#they deserve to behave in the most embarrassing ways affectionately and enjoy every ounce of it#I’m letting them be happy see? can I claim the sixty billion double kissis???#trigun#vash the stampede#nicholas d wolfwood#vashwood#trigun fanart#vash#wolfwood#nicholas trigun#meryl stryfe#milly thompson#not sure which version this would be but I’m so tagging them all OQNWM#trigun stampede#trigun maximum#lenssi draws
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The thing is, I can get behind most of the desicions bells hells have taken regarding predathos, it’s more that the road to getting there didn’t really work or was sometimes skipped over entirely in favor of circular discussions.
'Keeping predathos sealed will never work in the long run now that the truth is out, and we'd rather see us as the ones controlling it/keeping it from harming people than risk ludinus/someone else using it as a weapon in the future' and 'the exandrian accord will never agree to anything that would risk predathos being freed/endanger the gods and therefore we must make this desicion without their input' and 'as long as the betrayers exist as gods there will be a risk of a second calamity and it’s wise to seek a way to minimize that power differential' and 'if the gods remain gods and predathos can't be killed they will eventually clash and mortals will suffer in the struggle' and 'the primes will never seek to kill the betrayers or assist mortals in doing so because that is their family' and 'the gods themselves have been hurting and unable to heal since leaving tengar, and perhaps the change of permanently becoming mortals not as strictly tied to their domains will allow them change previously withheld from them by their natures' are all valid arguments.
But the hells rarely if ever touch on these arguments, rather focusing in on individual slights and imagined ideas of the gods being tyrants needing to be humbled. They never slow down to discuss the practical implications of the changes they want to implement (the gods will be back on their side of the divine gate now!), or to consider the good the gods and their followers do (have we already forgotten the changebringer helping fcg find self-worth or the everlight helping resurrect Laudna?), or the nuance behind their harsher decisions and actions (aeor was going to murder them! the primordials were in the process of exterminating all mortals!!), or the sacrifices the primes have made to protect mortals (they went to war against their own family!), or the importance of faith to much of the exandrian populace. No matter how many sensible arguments there are for the end decision, if the characters won’t engage with said arguments leading up to it while dismissing anything opposing it the decision will still feel largely empty and self-centered in the end.
#i feel like an issue that has plagued this campaign is that the cast know matt wants them to make some big decision#that he’s driving towards something bigger/stranger than just 'keep predathos locked up or kill it'#but they’ve struggled to find good narrative reasons to strive for it#and just kind of gone in circles instead of broadening the understanding and scope of their characters#like if you're standing in predathos' cage and the choice is either leave or embrace it ofc you want to embrace it#we all want to see the big beast!!#so from a game perspective it makes sense (push the button fight the monster) but from a narrative one it struggles#critical role#cr3 spoilers#cr3#nella talks cr
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You know, I feel like we're not talking enough about the fact that Alastor has in his room a full reproduction (?) of a swamp-forest that's highly likely very similar to the one where he was killed. Talk about being morbid.
Edit: someone pointed out in the comments that the swamp-forest is called bayou. It's a kind of ecosystem in Louisiana.
#And he was eating a deer in it#And we know he kind of embraced his deer identity#Idk I feel like there is some symbolic meaning related to his feelings about his death that I'm not fully grasping#Maybe something connected to his obsession with power because by doing this he's stating he isn't affected even by his own death?#Which is an act as shown first of all by the panic attack he had when he did almost die against Adam#And second (if it's still canon) by his fear of dogs#Still I find this interesting#hazbin hotel#alastor hazbin hotel#alastor#alastor the radio demon#the radio demon#alastor hazbin#hazbin hotel alastor
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I NEED to know what CosWan think of Hazel’s parents/their lovely neighbors compared to Timmy’s bio fam
They see moments, sometimes. Scary moments where it hit them like deja vu. But, aside from their initial fears when meeting their neighbors, they find it hard to think of the Turners in the same breath as the Wells family.
Hazel’s parents are just so… different. Relieving even. There's a lot of "Never"s with Hazel's parents. Cosmo and Wanda can leave Hazel’s side for long periods of time, without worrying.
Not that they ever stop worrying. They still do. But its a first that their worries are unwarranted.
Bitties Series: [Start] > [Previous] > [Next]
#fairly oddparents#fop#fop a new wish#fop timmy turner#fop hazel wells#fop cosmo#fop wanda#fop timmy#fop hazel#timmy turner#hazel wells#cosmo#wanda#asks#clownjacket#itty bitties fop au#OUGHGH. for some reason the 2nd panel would NOT cooperate with me. agonizing.#ougghghhg the relief coswan had. when they met hazel's parents#the way mr wells just embraces them when they visit. or that mrs wells is so open around the idea of hazel spending time with her neighbors#the trust the Wells family has with each other and with their neighbors. its so good. coswan loves hazel's family#its nothing like the turners thats for damn sure#looking back at this art and i can already see all sorts of issues with it. blaugh. gotta fix it all up in the next art batch
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endlessly thinking thoughts about cr characters, morality, and selfishness (likely place for me to be, given that my day job includes endlessly researching ethics and meaning of life) but in light of bell’s hells most recent illustration of their insularity and individualism, I’ve been really like. Trying to unpack why I find it particularly egregious in this party when obviously mighty nein were notoriously self-interested, especially at the beginning, and when vox machina had quite a few moments where their horses were far higher than they had any reason to be. And again, I really want to make it clear her that I don’t hold self-interest or selfishness to be some abhorrent and unforgivable thing, in fact I think its incredibly normal especially given the context of main characters in a story told through game mechanics that flourish on the interest of the individuals making the choices. I’ve written before about how one of the throughlines that I’ve seen in laura’s pcs (since I’m someone who particularly enjoys looking at the moral outlooks characters develop) is a common thread of morality that’s highly dependent on their own interests. And like, this is a positive throughline to me! Without getting into my own views on morality, it is particularly compelling to me for characters with isolated upbringing (which applies to vex, jester, and imogen, each in different ways) to develop a moral code informed by that isolation, and in vex we see her moral code is ‘anything goes if it protects those I hold dear’, in jester we see a moral code that doesn’t care about morality as much as it cares about the chance to care and be cared for, and in imogen we see a moral code developed in response to her very unique experience of hearing the darkest parts of people and judging them on those (which to be clear, i am not judging her for that fact, I think it makes extreme sense for someone who hears the thoughts the people have to be horrified by those things, but it does mean her moral system is almost completely backwards, where intention holds more weight than action, which perhaps makes sense of the popularity of defending all of her ideas and choices and the Right Ones by certain parts of the fandom that insist leftism is hidden in the dnd real play). And that’s all to say that, out of the cr parties we’ve seen, I don’t think any single member of bell’s hells is uniquely more or less selfish or more or less of an asshole than previous characters. And in fact, I tend to be quite fond of selfish characters, I have a well documented history of cherishing them well beyond the cr fandom. But the point is that my calling something or someone self-interested is not a value judgement in this context, it's a descriptive claim about the traits a character exhibited.
Imogen, who has insisted time and time again re: the values of the accord that she would not be swayed by the temptation of predathos because she recognizes the importance of this fight, only to turn around and pretty immediately open herself up to predathos to fulfil the most threatening part of ludinus’ plan is self-interested. I cannot conceive of any other way to describe her choices. And her being self-interested doesn’t mean she can’t also be altruistic at times, but I will be clear that I don’t think her risking killing herself as she attempts to bring down the god-eater that she released is particularly selfless. In my best faith interpretation I’d say she’s pretty middle of the road in that choice. But I bring all this up because a comparison I’ve been seeing is that bell’s hells aren’t as mean as the mighty nein or even vox machina in certain moments and that it doesn’t make sense for the fandom to view bell’s hells as likely to be villains when the same wasn’t true of the previous two campaigns, and I think I have to pretty emphatically disagree, and not because I don’t think there aren’t moments in both campaigns that feature extremely high levels of assholery and villainry from pcs – I mean, some of my favourite cr characters are percy and jester, both of whom i’d say are ‘good guys’ due to the pure luck of the found familys they fell in with and both of whom often suggested plans that were. Not okay. To say the least. But ignoring the difference between suggesting fucked up plans and walking your god-eater infused bestie back towards the troops sent to support you in keeping that entity contained, the other big difference I’ve noticed in my own introspection on how I react to bh vs mn and vm, as well as which things i cherish about previous campaigns that were really missing from c3 to what I think is the story and the character’s detriment (staying away from the shape of the narrative, just because others have made posts that put words together better about that than I can) is that while members of vm and mn remained self-interest to the end of their campaigns and have reasserted those habits in appearances since, the parties as entities working in exandria had both, to echo ashton’s apt suggestion to ludinus, grown up.
Like one moment I think of is beau and fjord’s convo in the nein hells episode, because beau is being her asshole self and fjord is being his ‘I care about My People and I’ll think about the rest later’ self (i say affectionately but certain parts of the fandom I recognize would view derogatorily) – clearly they’re not the kindest people as they discuss bell’s hells, but two notable things are (a) they still treat the hells with the respect and use their means to help them prepare for the battle coming, even when they hear the horrifying thought that the hells aren’t certain they’ll choose to save the gods, all the nein request is that they choose the kind option (b) they say none of their doubts to the hells themselves – likely because they have the empathy to realizes that its a high stress situation that won’t be made better by a reminding the hells how small and likely ineffectual in the universe they are – and their comments about cannon fodder are ones made in jest to each other. Even taking that in the worst faith interpretation, the jokes that beau and fjord make in a private conversation has absolutely zero influence on bh. This is quite different than bells hells, after like. as clearly betraying the accord they promised to assist (even if their intentions are ‘good’) as is possible, belittling the religious armies sent to support their endeavor to keep predathos sealed as they all feel the weight of an irrevocable change occurring in exandria, one bells hells has first account knowledge now that it IS incredibly willing to eat mortals, and laudna and ashton, the members of bells hells most often cited by certain fandom spaces as characters who have gone through so much and it only made them kind and strong, look into the faces of people facing literally existential threat and laugh and mock them. That is, mighty nein as individuals is comprised of some of the, perhaps, most asshole pcs, but The Mighty Nein as a party is committed to treating others the best they can, to leaving things better than they found them (a quote that I think is particularly exemplary of the dynamics of self-interest at play in the mighty nein, since it originated as a blatant illustration of molly’s notion of self-importance but developed to become a kind of commandment that the nein became committed to fulfilling). The opposite is true of bell’s hells, where orym and dorian at least both seem to have motivation beyond themselves, imogen’s changes but has shown she is capable of letting go of her ‘intention reigns’ requisitely individualistic perspective, and chetney plays up his selfishness but has shown himself to care quite a bit for people beyond their party but bell’s hells as an entity is uh, pretty self-interested.
To clarify some of my thoughts here in the spirit of the wicked renaissance happening rn, I’ve always felt that for good was an incredibly apt song for the mighty nein, because it really nails that feeling that perhaps they didn’t change each other as individuals to become better people on the grand scale, maybe they’ve just changed each other permanently, but they (and I would agree with this) view each other as having changed each other for the better (e.g., I don’t know if I could say whether jester is a morally better Individual at the end of the campaign, but I can say with certainty that she fulfils and makes moral choices in her work as a member of the mighty nein). And I don’t know if this can be said about bell’s hells – I think they have certainly influenced each other and changed how alone many of those characters felt, and that is not a slight on the story, it can be a great centre for a story to focus on how a relinquishment of the feeling that one is alone in the world can change them. But for the most part, that hasn’t been bh’s story, their story instead has been about validating their refusal to become anything beyond what they insist was out of their control. And not to get to annoying philosophy student about it but bell’s hells are maybe some of the most explicit examples of sartrian bad faith I’ve seen in fiction in a hot minute, because their insistence that they treat their wounds as incurable and entirely out of their hands has led to them limiting their own potential because many of them ignore their responsibility as people to make choices in their own lives. In contrast, at the end of the campaign, mighty nein are still assholes as we all like to refer to them as, but in the context of an apocalypse, I think I’d prefer the assholes like fjord – who is certainly being truthful when he says he doesn’t care about what harm comes to 200 people when jester is at risk but who also, as they traverse into aeor, is insistent that their group won’t be running away from whatever apocalyptic threat awaits them, even if that means dying in the fight – than I would an asshole like ashton – who promises to fight for the little guys but who then turns around and acts upon a philosophy that says the strongest will survive. When you look at the mighty nein, it is incredibly easy to see the fingerprints of change they’ve left upon one another, and even to see the boundaries they place on one another’s asocial behaviours through their presence in one another’s lives (more recently the group chastising jester’s fond words about ludinus is a good example, but others are yasha’s pressuring caleb and essek to move on from their wizard talks as they collect paper in aeor instead of venturing further toward the battle they have to fight, or fjord and jester’s frustrated conversation in the ukotoa reunion about how fjord made a stupid decision and he doesn’t regret but he feels dejected and jester checking him on the fact that they still need to figure out a solution). It takes some extrapolation to see how bells hells have changed each other in more than aesthetic ways, if they have at all. Because the catalyst for change is pressure to do so, and aside from moments where it was truly change or be left behind, bh doesn’t challenge each other unless forced to by morri’s trials or delilah’s interruption and on the very odd occasion an interesting game of rollies-spin-the-bottle.
And it’s interesting because the asshole behaviour of the mighty nein, like bell’s hells, stems from being left on the outskirts of society and the mistreatment that comes with that, so seemingly the change from being alone to being with others is one that actually insists upon being challenged to grow and change. I mean, just looking at the starting points of the characters, there’s an intriguing amount of stark similarities between their pasts; jester and fearne were both people loved dearly by the family they grew up with but who were loved within the confines of a gilded cage, ashton and beau both have an glaring self awareness that their anger at the world has a very particular source (their parents) but use that as justification rather than a means of self reflection, yasha and orym are trying to navigate a world in the wake of an incomprehensible loss and a sense of duty, fjord and imogen are both seeking out knowledge of their own powers and unknowingly retreading the paths of their missing and presumed dead parental figures. The idea that bell’s hells are uniquely mistreated by society in the history of cr player characters is, politely, laughable. Absolutely they’re mistreated, and I think it could be fair to say these characters are more defined by their isolation than others but I think that has more to do with the lack of downtime rp than it has to do with the context of their suffering.
What I have loved about the mighty nein is that in their realization that the bonds they forge with each other are undermining the truths most of them had taken to be true – that they were alone and without a place in the world – they are also forced to realize that no longer being alone and isolated comes with the weight of social responsibility. And this was born out of a willingness the mighty nein had to call each other out and that the players had to allow their characters to be wrong and get called on it. Because that’s the friction of living with other people on the small party scale and the large world scale – in the mighty nein’s ability to survive as a people who cared for each other even when they didn’t agree or when they made decisions that they couldn’t understand, they were constantly developing their ability to care for the very same world that left them alone. Because in campaign two, the world as a whole had the role that the gods have in campaign 3 – why should a party of nobodies, treated like shit by the world and the people in it go through the effort of saving it?
And the mighty nein answered, in their own imperfection and assholery, that nothing is ever just one thing – one of the things I cherish most about campaign 2 is its commitment to ambiguity, allowing the complexity of the world to go unsolved because there is no solution to the fact that life is immense and sometimes incoherent. I don’t think its a coincidence that I’ve seen some of the people lamenting the idiocy of fandom members like me who think that it actually isnt a leftist win to destroy the world in the hopes of spontaneous justice arising in c3 are the same people who criticised c2’s conclusion with the cerberus assembly for not being leftist (a word which for them means . the aesthetic image of a rebellion sparked and not the unending commitment to doing what you practically can to make life more just for those around you – whether they’re particularly kind to you or not) enough. The conclusion of c2 emphasizes that the choice to make the world a better place isn’t something that can be achieved in one single sweeping action that will wipe the boards clean – there is no murder of all the members of the cerberus assembly that would’ve solved the problems that caused the assembly’s power. There is no forcing of the god’s out of exandria that will deal with the actual issue undergirding both bh and their blorbo-moralized fans' criticism of the gods, which is that mortals are cursed with the burden of free will, and being mistreated by other mortals means constantly having to try and make sense of the fact that someone chose to do something cruel to you (and, sometimes, that you made a choice that allowed that cruelty to occur) – a burden made much heavier when the person who hurt you is your cult-indoctrinated mother, or your cult leader father, or the person in the mirror. The mighty nein take up this fight, and the complexities of their individual identities begin to heal in the light of a commitment in their relationship as friends and as a team to improve the world, even on the small scale. Bell’s hells remain gridlocked and stagnant and unwilling to change in an unspoken turf war of self-interest because they’ve insisted (influenced in part by the context of the campaign 3 narrative but, as others have aptly pointed out, that narrative was much more influenced by bh’s lack of curiosity regarding anything except their own minds) upon finding a solution to a problem they’ve decided is earth-shatteringly (quite literally, to the people of ruidus) unjust based on, aside from encounters where fellow mortals were the primary oppressors, their own testimony of the god’s not listening to them and the obvious villain’s parallel testimony. Something I’ve really been chewing on lately is caduceus words to fjord about his role as a paladin of the wildmother – that maybe it just means that someday, someone will pray for a miracle, and there fjord’ll be and the weight that has given that fjord’s bond to ukotoa came from his desperation not to die and his willingness to accept whatever help would be offered, that fjord could now be the person that reaches out to someone in need, and that the hand he offers won’t come with a curse. And I think that’s really the poignant difference between bh and mn for me, that for bh, their experiences of injustice, though did make them personally bitter, did not make them morally misanthropic.
Comparatively, Bell’s Hells chose to ensure that, because the gods never answered their prayers, they shouldn’t be permitted to answer anyone else’s. Is this an understandable position? Sure, for the walls of a preschool, not really for a group of characters that I will ever be in any way inclined to view as something close to heroes. While it’s true that there are parts of life that are beyond our control – somethings happen to us that we have no say in, and they cause injuries both physical and mental that we are left to heal without any rhyme or reason, it is still our responsibility to heal them. And if you choose not to, well, then you’ve chosen not to, and are responsible for the consequences and judgements that choice might amount to.
Anyway, sorry this is all over the place but TLDR: calling bell’s hells as a party self-interested is actually just descriptively correct – they can save members of the party made up of their close friends and still be self-interested – and while the individual members of bell’s hells actually aren’t all that uniquely self-interested in the history of cr pcs, the party is uniquely self-interested in how they’ve chosen to navigate the world an their responsibility to the people in it.
#cr spoilers#cr meta#this is some very bad writing on my part but this is like draft 10 of compiling my thoughts on this particular comparison#and i need to save my editing brain for thesis editing so. embracing the 'make bad art' but. write bad essays. this isn't an essay#its projectile word vomit but alas#critical role#critical role spoilers#bell's hells#the mighty nein#mighty nein#cr2#cr3#my post#long post#(truly i'm sorry for the length i have overwrite disease)
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Peace 💚💙
#destiel#dean Winchester#castiel#spnfanart#wiggleart#this is going to be my inner mood for the foreseeable future btw#mellow and chill and colors and destiel#lots of destiel#EMBRACE YOUR WHIMSY PEOPLE#BE CREATIVE#anyway lol#I’m writing down some creative projects I wanna try!
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happy pride month. i did not make this up for th ememe
#knight rider#kr#michael knight#kitt#art#doodles#comic#gay#knight rider fanart#mk2000#this has happened in at least.... 2 or 3 episodes i think#that's kinda gay michael#kitt was either going to say he's not an infant or something about how that's a word he only hears directed at attractive women#and michael is not. going to deal with one of those answers. doesn't even wanna know which he was going to ask#im going downtown tonight if i die and this was the last post on my blog it would be so so so so so funny#anyway my mom and my aunt both follow my instagram and watched knight rider in the 80s. so. i embrace whatever happens ;;#im still thinking about ''why dont You ever get me flowers'' or however that line went.#likE YEAH MICHAEL YOUR CAR HAS SAVED YOUR LIFE *NUMEROUS* TIMES. GET HIM SOME FLOWERS.#SCREAMS. why is this show so fruity i feel insane#gio if you see this when you build your kitt you need to take him to pride parades with little rainbow flags stuck off the windows#FLAG is only one letter away from F-
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Interview with the Vampire - Season 2, Episode 5
Candyman (1992)
#interview with the vampire#candyman#the vampire armand#daniel molloy#daniel robitaille#helen lyle#devil's minion#armandaniel#idk if there's a candyman/helen ship tag#amc iwtv#funny to me there are technically 2 daniels in this#2 daniels no waiting#so anyway#what if you were an interviewing reporter or researcher of some sort#who looked pretty with tears in your green eyes#and your actor was in subspace or literally hypnotized#and a hot supernatural man was beckoning you#to willingly embrace a weirdly romanticized death#and he was presenting himself as more of a concept than a person#what would you do??#crazy to be posting this on christmas but i finished it last night so here it is
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Nikolai and Price going to an evening game of poker with some of Nik's "friends", John sitting with his guard up as he's surrounded by a group of dangerous international criminals, all of them carrying guns, all of them glancing at him with a curious look. Price is uncomfortable but doesn't show it, while Nikolai is awfully relaxed considering the situation.
The evening goes on, drinks, cigars and hearty laughs are shared around the table, the bets reaching numbers Price doesn't even make in half a year. It would be a problem, if he wasn't winning most of the rounds, piles of cash gathering around him as he feels the tension build in the room. One of the younger guys, another russian speaker, starts getting an attitude about it around two hours in, and Nikolai immediately puts him in his place with a single sentence Price doesn't understand, his voice booming, as intimidating as he could be, a heavy silence falling inside the room as the lad with an attitude sits back down, eyes not even daring to look at Nik. The silence is only broken by Nik again, a warm laugh leaving his lips and the other men joining him, their nervousness barely hidden.
It had been so easy for Nik to command the room, and even after the tension had diminished, Price could see how much respect these men had for him, while also clearly being scared shitless of the man. Price had rarely felt more attracted to him as he did at that moment, and the wink and smirk Nikolai gave him when he noticed him looking in his direction absolutely did not help.
John eventually left the table, excusing himself for a moment but squeezing Nik's hand briefly as he got up, moving deeper in the building they were using for their game.
A minute later and it's Nik's turn to excuse himself, quickly finding Price who immediately grabs him by the collar of his open shirt and presses his lips against his, Nik hungrily returning the kiss and pushing John against a nearby wall.
When they return to the table, hair tousled, face flustered, all it takes is one glance from Nikolai to shut the others up. This is his territory, this is where he's comfortable, surrounded by dangerous men who show him respect and never dare to cross him.
It's easy for John to forget how natural this all is for his partner, and if Nikolai brought him here tonight to assert his dominance and show off a little, just so he could impress John, well, that mission sure was a success.
#cod#nikprice#cod nikolai#john price#captain price#nikolai cod#yeah okay I couldn't fall asleep last night and the sudden thought of shady poker night came to mind#I just fucking love seeing Nik just fully embracing his shady side#I think most of the time he'd keep this side of him separated from Price#but come on he knows the effect of him being the top dog in the room would have on John#he gets to have a little fun with it from time to time#follow up to this: they leave and have some fun in their car because they are hungry and impatient 👍#anyway yeah idk I'm just blabbering at this point#just throwing ideas into the void and running away don't mind me#my writing#I feel like I need to apologize for this this is probably written so badly but VSHVSHVNUV at least the thoughts have been shared
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Ivan hugging the wagyein feels so deep to me. Ivan doesn't think of himself kindly in canon, almost to a self-deprecating extent. When he's shown being close to such a terrifying creature, touching it so casually. Like he understands-- as if he's comforted by it, accepting it. To me, It's like a metaphorical and symbolic way of him embracing his own inner 'monster'.
(Also like, the way you can compare them too? red eyes/pupils, snaggletooth >< teeth, solitary and protective, eerie?....Ivan....)
#or as if he was ready for his fate as alien food this whole time. Embracing the music yk?#oh this makes me think what if ivan learned some affectionate mannerisms from the alien#alien stage#alnst ivan#alien stage ivan#alnst#ive been thinking about this forever now i can finally put it into words#i likeeeeeeeeeeeeeee#this is also my favorite art of him#he's so calm#i need more of it.....#2FB
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I’m alive I swear (no)
to those of u that sent me asks I promise I will get back to u I’ve been preoccupied with dissecting cats and sliding down my bathroom wall dramatically as I wistfully dream of a world that I am not perceived <3
Twins and Astrid doodles yayy
#httyd#I am full of ideas but they refuse to come out#Astrid is me#winter break is soon and I will embrace it like a long lost lover#astrid hofferson#thorston twins#sometimes I giggle at the wall knowing that tuffnut canonically knows some spanish#rtte
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