#solas theory

[wepepe-draws]

you think Solas's staff in a shape of an arrow is weird??

WELL that similar staff is in DAI and it's called DREAMWEAVER, I just realized that when I restart my DAI pt.

also it caused fire damage, very perfect bc I always specialized Solas with fire magic.

How you can get this staff :

and there are no schematic for this staff, you can upgrade it. But you can't craft it.

I'M GONNA EQUIP THIS STAFF TO SOLAS FOR THE ENTIRE GAME HA!

[schomp-mazda]

My Dragon Age: The Veilguard Theories

I wanted to go ahead and write something somewhere. Then I can return after my playthrough and see if anything was right!

That veil is coming down. It’s a big, dramatic ending for sure. The thing our heroes have worked so hard to prevent is happening. But actually, it’s not that bad. The game is called The Veilguard, and that’s our main group here. Wouldn’t it be ironic if the veil was opened, and these people became guards to entry?

All of a sudden, dwarves can access the magic of the fade. Just magic for everyone in general will increase. The chantry has such a stranglehold on the use of magic. It will also shake their beliefs. The maker didn’t put up the veil. It was Solas, and he has taken it down. Spirits would be able to commune with people more freely. Perhaps elves and who knows who else will not age so quickly? Who knows! There’s so many possibilities! I think tearing down the veil will provide a lot of new possibilities for future games. Why not explore that?

But there are serious downsides to this happening. So I believe it’s a question of how far the writers will allow it to go. Obviously we have the Evanuris, and at least two have escaped already (Ghilan'nain and Elgar’nan). Veilguard will allow us to take care of them. But there’s more Evanuris and the Old Gods locked away in the Black City.

What’s particularly dangerous is that this could make it easier for the darkspawn to corrupt them. We already have confirmation that Ghilan’nain and Elgar’nan have been tainted by the blight. (Which I think this takes away any moral obligation to not kill them, as they’re just powerful zombies at this point).

But, again, I point to the fact that this opens up so many opportunities for future games. The Fade will be accessible, but the Black City will remain locked. Future conflicts of games can allow players to explore the Fade more, and maybe even the Black City. The Fade is a spirit realm, and can be just about anything you imagine. This would allow players to explore vast realms that don’t contradict decisions made in previous games. We have a whole new word to explore now.

Perhaps DA5 could be about journeying into the Black City to kill the rest of the Evanuris and the Old Gods once and for all.

Not to mention, there’s also demons. Demons are spirits that have been twisted away from their intended purpose. Like, a pride demon can come from a corrupted spirit of faith or wisdom. But spirits are a reflection of the waking world. They cannot create, only reflect. So the power lies with all mortals to create a world of kind spirits.

I just think the themes of freedom, giving control and power back to people, specifically magic, would tie into this ending very well.

As for Solas, I think killing him will be optional. But I think for the players that hate him, he could sacrifice himself to tear down the Veil. And for those that want to see him live, he could successfully tear down the Veil and reunite with Lavellen.

There is the theory that Solas is a pride demon. Which I think is so so juicy and crazy. I mean, he’s been separate from the Elven pantheon for a reason. We know pride demons are some of the most powerful demons. Solas also means pride in Elvhen. So if that’s true, I think Solas’s ending would be a kind of death, then rejuvenation into a spirit of wisdom or compassion or something. So you’d get this big ol death scene, and the tearful reunion scene. Again, I think this would give something to players who both love and hate Solas.

But, I’m not totally sold on this theory. Spirits can only reflect one aspect of mortals. While Solas has all the complexity of a being with a soul. (However, if Solas is a tricky way of saying Solas is soul-less, I will jump off a bridge.)

Weekes said Solas mirrors the player. If they approach him with an ego, he will bristle at that. If they approach him with an open mind, he will be thoughtful and open too.

I think it’s more likely Solas is thematically tied to spirits. As someone whose story is so tightly entwined in the Veil, he has aspects of spirits/ demons. But his story is also very much about the elves. His connection with the Evanuris, and his dedication to Elven freedom I believe confirms he’s an elf. He’s an extremely powerful elf, but he’s still a mortal person.

That’s all I got. I may revisit this before Veilguard’s launch to fact check myself. I don’t wanna contradict anything already in lore. But I’m curious if I get anything right!

[corseque]

(video) Trick Weekes describes another rule they follow when writing Solas (which explains why players have had completely opposite reactions to him)(x)

[liaragaming]

Thanks, I hate this.

So, is anyone talking about the possibility that Solas is trapped in the very prison he locked Ghilan’nain and Elgar’nan in? And that, assuming it’s in the Black City, he’ll be constantly exposed to the blight until he’s sprung out?

It leads me to this mural from the 2018 trailer.

It depicts Solas standing in opposition to the wolf as the world burns. Correct me if I’m wrong, but we haven’t seen anything thus far that would offer more insight into the specifics of that aspect of this mural? Solas also sounds terrible in the single line of dialogue, and the sound editing immediately had me thinking of how the companions sounded in the In Hushed Whispers sidequest. I was so convinced that this was indicative of Solas using the red lyrium idol in his desperation to bring down the veil and that he’d ultimately be found corrupted and in a terrible state.

I was wrong about that but perhaps not about the corruption side of things because I think Solas is getting blighted, and we’ll be dealing with that (finding a cure/another solution and contending with him in his wolf form until that’s sorted out), in addition to everything else burning to the ground in Thedas.

As a solasmancer who deeply wants him and Lavellan to have a chance at a happy ending, this theory of mine has me shaking in my boots a bit.

[calwyne]

Just saw this posted on Twitter by @NearlyRemy and lost my mind:

My off the cuff translation:

Do not be sorrowful, my heart,

The way of endurance rewards, and

Guides you to our love,

And our joy

- Solas

(Cries happy tears in a corner)

[an-established-butt-dent]

"What have they done to you,

Old friend."

Trapped in the fade, Solas comes face to face with the remnant of his spirit.

The Dread Wolf was his wisdom, mirror to his pride. In the wake of the wrathful Evanuris, it too, has succumbed to their taint.

Or, where I'm making wild plot speculations surrounding Solas trapped in the fade. while turning my brainrot into art pieces and gifs. I'M PACING MY ENCLOSURE. Looking for crumbs and scrabs of Veilguard. Please Bioware I'm begging, feed me. 😭

[nadas-dirthalen]

Dragon Age: the Veilguard Was Packed with Lore — But Many of Us Overlooked It

— PART ONE — [ 2 ]

Welcome back, friends and travellers. If you've been here a while, you'll know that I wrote 30,000 words of predictions in the week and a half before DA:tV released. But here's the most surprising thing—I was right, for the most part.

I spent my first Veilguard playthrough grinning (and then sobbing) at all the lore reveals. And here's the thing: I think most of us missed a lot of them, including even me.

So let's begin with...

Titans: Dark and Light, Compassion and Rage, the Eternal Hymn and its Endless Listeners (1/2)

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

Alright, pals. If you've been here a while, you know how this goes. I always start by listing what we're going to cover, like anyone who's never fully recovered from academia.

Today's Discussion:

What Veilguard (Re)Taught Us about the Titans

The Titans the first Shapers of the known world.

The Titans are beings of the Abyss.

The Titans are sleeping, dormant—but alive.

Dwarves are the Titans' children, created to tend them.

The Evanuris mined the Titans' bodies to create people.

The Titans—the Earth—fought back.

What Veilguard (Re)Taught Us about the Titans

The best thing about Dragon Age, as someone who loves the series to death, is that its worldbuilding is consistent, but also bears the unique quality that we, as players, are not aware of it all. Our protagonists in each game don't know everything; the people they learn from also don't know everything. We learn what we can through codices that are all biased and need an extra layer of decoding. This is a feature, not a bug.

It also means that we did not know how to understand the Titans before. Even my 30,000 words of theorycrafting, especially my piece all about the Titans, had elements of speculation. I had to check that speculation against other sources like the Chant of Light, which is a source that we REALLY did not know how to decode when it was revealed piece by piece in DAO, DA2, World of Thedas, and Inquisition.

Here, I'm going to break it all down, piece by piece.

The Titans were the first Shapers of the (known) world.

It is said in the Descent DLC that Titans are enormous beings whose singing shapes the world. Their existence predates much of Thedas, if not all of it. The Titans are called the first Shapers for this reason, and in Veilguard it is restated several times over that they did, indeed, shape the world—for instance, by Cole in Inquisition.

"Their ancient shapers were mountains drawn of all their wills, walking their memories into valleys of the world." —Cole dialogue.

Inquisition told us so much more about the Titans than just that, though. The Titans have a realm all their own, a counterpart to the Fade, mentioned over and again in the Chant of Light and referenced as a quest name in Inquisition.

Here lies the abyss: the well of all souls.

The Titans are beings of the Abyss.

Now, it's important that I mention right here that the Chant of Light has existed long before Inquisition. In fact, its tale is what opens DA:O as the game begins. Recently Eurogamer stated that BioWare has had a massive lore document for the 20+ years of its existence, and I believe that there is no truer example of this than in the Chant of Light itself.

The Abyss, for a long time, was a mystery to us. Inquisition cleared it up a lot—not only with its game content, but with World of Thedas' publication shortly thereafter.

Not only is the Abyss referred to in many elven codices, but we go there. The key locations of the Descent DLC—the Forgotten Caverns, Bastion of the Pure, and the Wellspring—are in a region called the Uncharted Abyss.

Now, with Harding, we go deeper into the Deep Roads than the average dweller. The same is true in that instance: venture down far enough, and we reach a Titan's heart.

We find a Titan's heart there. But the Titan does not wake—none have before DA:tV, and even then, they have not fully woken. Because, for as long as we have known...

The Titans are sleeping, dormant—but alive.

"It's singing. A they that's an it that's asleep, but still making music." — Cole dialogue.

There is so much Cole dialogue in Inquisition that speaks on the sleeping Titans, on their old songs that once sang the same, on how they will never wake up, that it would be folly to try and post every codex here. Suffice it to say: Cole knows of the Titans, knows of their songs, and knows they are asleep. He is one of the pathways to our knowledge of the Titans in Inquisition, and his words are peppered throughout the game.

The Chant of Light also makes reference to a mountainous Maker, who oft speaks about a forgotten mountain. When Andraste meets the Maker "in darkness unbroken," specifically, these words are used:

The Maker Appears to Andraste (7) Eyes sorrow-blinded, in darkness unbroken There 'pon the mountain, a voice answered my call. "Heart that is broken, beats still unceasing, An ocean of sorrow does nobody drown. — Andraste 1:7

Heart that is broken, beats still unceasing — a being who has been broken, but whose heart still beats. We can hear that, in the Descent DLC.

Veilguard confirms that both sources are true through Harding, her personal quest, and the codices for the Dwarven people.

Records that exist outside of Orzammar mention "great sleeping Titans" and "the First Ancestors." — Codex Entry: Harding's Notes: Orzammar and Titans

Harding's experiences in Veilguard, in this way, serve to prove Cole right. That is a deliberate narrative choice: BioWare's way of saying, Yes, this is true. Yes, you should take Cole's take on Titans as correct.

We also know, from Cole, that this state of being is permanent. Not only are the Titans asleep, but they don't know how to wake.

Songs screaming far away. It wants to wake up but can't remember how. No one should be here. — Cole dialogue.

This becomes crucial information in Veilguard, and central to the main plot. It serves as the backdrop for what actually matters most to the characters living in Thedas right now, which is...

Dwarves are the Titans' children, created to tend them.

By now, a lot of people have seen this reveal in the art book: the dwarves were created to tend to their Titan hosts/makers. But we knew this before—we just didn't know it in context, and therefore we did not believe it to be objectively true of Thedas.

In truth, we've known about the elves and the dwarves' origin since the Chant of Light came out in full with World of Thedas volume 2.

At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities. — Threnodies 5:5

I talk about it in more depth in my Chant of Light dissection, but what this verse says in context is that the dwarves (the Maker's second children) are beings crafted by the maker: bodies made of lyrium, souls made of the same "dream and idea, hope and fear" as the original spirits.

This concept has already been massively hinted toward with both Valta (who has become The Oracle in DA:tV) and Dagna, who both connect to isatunoll during Descent and Inquisition's base game, respectively.

We've known about the Evanuris' horrible crimes since before Inquisition, as well, for the same reason and from the same verses in the Chant of Light.

Until, at last, some of the firstborn said: "Our Father has abandoned us for these lesser things. We have power over heaven. Let us rule over earth as well And become greater gods than our Father." (8) The demons appeared to the children of earth in dreams And named themselves gods, demanding fealty. — Threnodies 5

With the context given to us by Trespasser and Veilguard, we know without a doubt that the Evanuris are those "jealous spirits" that comprise the Maker's first children.

And just like the Chant describes, they sought to conquer the earth: the realm of the Titans.

The Evanuris mined the Titans' bodies to create people.

Trespasser taught us so much of what we needed to know about the Evanuris' and Titans' conflicts. Its codices in the Deep Roads outline how it was Mythal, specifically, creating some of the first elves in the coffins found in that zone. The Temple of Solasan features coffins of the exact same kind.

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris. — Codex: Torn Notebook in the Deep Roads, Section 3

My (updated) translation: Isatunoll Mythal gives you dreams Lyrium within Becomes Solas evanuris Little stone boy You give nothing to the Titan (anymore) Forever, forever.

Trespasser reveals that Mythal mined the bodies of slain titans and rendered their demesne unto the People: she conquered Titans and used their bodies for her own ends. The hints about these actions, however, are not exclusive to Trespasser, nor to Solasan. These seeds were planted all the way back at the Temple of Mythal.

Elgar'nan, Wrath and Thunder, Give us glory. Give us victory, over the Earth that shakes our cities. Strike the usurpers with your lightning. Burn the ground under your gaze. Bring Winged Death against those who throw down our work. Elgar'nan, help us tame the land.

This codex to Elgar'nan makes reference to Elgar'nan giving victory over the Earth (capital-E, the Titans). Trespasser would follow this up with much context—that it was Mythal who was first known to have slain Titans, "rendering their demesne unto the People."

I theorized that Mythal's mining of Titans for lyrium to make elvhen bodies was what angered the Titans, based on codices in Trespasser and the Temple of Solasan. (I go into much more depth there!) Veilguard confirms this theory in Solas' Memory #4: A Memory of Manifestation.

Solas: I have the Fade. Besides, this talk of taking on a solid form. When you took the glowing stone to build your body, did the earth not shake? Mythal: The lyrium gives us the strength we had when we were of the Fade. We are the best of physical and spirit.

Mythal's crime was what took the war with the Titans in a new, darker direction. It was what would set off the chain of events that would change the very nature of the world—and it was foreshadowed, back in Inquisition, by Cole.

The Titans—the Earth—fought back.

"They made bodies from the earth, and the earth was afraid. It fought back, but they made it forget." — Cole dialogue.

In this post, I theorized that it was Solas' creation itself that caused the first Titan to "go red." That is to say, to change its nature and fight back. I used codices from Trespasser and Solasan to get there, as well as one paragraph from World of Thedas and this codex on Fen'Harel that describe the Forgotten Ones as "beings of terror, malice, spite, and pestilence."

Thinking about those words, and specifically terror, I read the codex in the secret Deep Roads room in Trespasser with fresh perspective.

For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire. The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast.

Terror. The first of the turned Titans. The fire/plant/ice imagery also caught my eye, and when I went back to Solasan to check, there were many hints that this was, indeed, where Terror came into being. (For more, go look at the most recently linked post in this section!)

Huge implications for Solas aside, what this codex taught me is that Titans' natures could change. This was confirmed in Veilguard many times over, yes—but my point here is that Inquisition taught this to me, just a few days before I gained the context of Veilguard. This was never a retcon! However, this lore plays exactly to BioWare's rules: we did not have the full context, and so almost no one read that Deep Roads codex as it was meant to be interpreted—including me, the first few times I read it!

It was only when I'd seen the achievement icons before Veilguard's release that it all clicked for me. All of the lore of Inquisition and everything before it made sense. That was never a bug, never a retcon, but a genius twist on BioWare's behalf: one that almost no one guessed at for an entire decade.

One that changes everything.

Titans, we know for certain now, behave as spirits. Obscure hints in World of Thedas, Inquisition, and the previous games have been confirmed in Veilguard. This new understanding changes not just the Titans, not just the dwarves, but reframes everything we know about the entire history of Thedas and how its magic system works.

______

Thank you for reading! It means a lot when people engage with these. And don't worry: I'm not nearly through with them. It's taken me a while to compile everything, but with more of Veilguard added to the wiki every day, it's a lot easier to compile things for these posts!

(Immense thanks to the wiki staff, of course. <3)

Up Next: Titans and Spirits are far more similar than we think, and it means everything.

[macenlace]

Thinking about how in "All New, Faded for Her" when the Inquisitor asks Solas why he thinks the circle mages forcefully summoned his Wisdom spirit friend, he says something like "well maybe for knowledge or wisdom but if that's the case, they could have just talked to it in the fade and it would happily share that. If they summoned it against it's will, they likely wanted info it didn't want to share"

The implications behind him being coerced into coming into the physical world for his "Wisdom" when that could have easily, happily even, been shared by his spirit form in the fade.... I wonder what the info was they wanted from him. Probably how to sunder the titans if I had to guess.

[bardandbear]

Theory: Solas isn't doing it to save the elves, he's doing it to save the spirits.

With the new information coming out about Solas's plan in in DAV and the much-memed back and forth between Solas and Varric, I think we may have gotten the wrong end of the stick regarding what is at stake, or why Solas is doing what he's doing. There has been increasing back and forth about whether the Veil should come down in the decade since DAI, but a lot of conversation has focused on a) the collateral damage necessary to do so and b) elven immortality. The assumption being that Solas has decided that any collateral damage (with opinions varying from 'some' to 'apocalyptic' in what they expect that to look like) is worth it to bring back ancient elves, aka 'his people'.

However, repeated dialogues throughout DAI and Trespasser paint a different association - Solas refers to the elves as 'our people' when convenient (eg when trying to get the Inquisitor on side following their first confrontation with Corypheus). When you or other characters ask him about what he considers to be 'his people' he either dodges the question, or to Abelas:

Solas: There are other places, friend. Other duties. Your people yet linger. Abelas: Elvhen such as you? Solas: Yes. Such as I.

While this seems pretty straight forward, it begs the question what the ancient elves, what the Elvhen actually are. Think about the origin of Elvhen as a deliberate identifier, rather than just using 'elves' which Solas repeatedly rejects. Breaking down the word the answer may have been staring us in the face this whole time: vhen is translated to 'people', and El is the root for spirit. I think there is a very good chance Elvhen literally translates to 'spirit people', and that has been the key distinction all this time.

What that functionally meant before the Veil (spirits that chose to manifest personality/bodies, spirits that were bound to bodies, perhaps 'possession' or symbiosis was the norm) is yet to be determined. But the connection to spirits is what Solas considers his people, which is why appeals to save 'this world' will ultimately fail for him, even in a state where he acknowledges mortal beings are 'people':

Inquisitor: We aren't even people to you? Solas: Not at first. You showed me that I was wrong, again. That does not make what must come next any easier. Inquisitor: You'd murder countless people? Solas: Wouldn't you, to save your own?

While many players would consider the current world state 'acceptable' to those living in it, that discounts the perspective of those trapped on the other side of the Veil. The spirits are very clearly suffering, which will not improve while the Veil remains, and it's why Solas can't just live with 'this world'.

[fenharel]

hurting because solas never wanted a body and never wanted to fight "he never wanted a body but she asked him to come", "he wants to give wisdom not orders" but he did it anyway. "i pulled you from the fade you loved and sent you into war. i used your wisdom as a weapon… and it broke you." inquisition forced him to slow down and just be himself. "solas, bright and sad, observes and accepts. spirit self, seeing the soul, solas, but somehow sorrows." lavellan nourished that. seeked out his wisdom. his purpose in the world. never twisted him, loving him as he was. she craddled the part of himself he wants to be in her palms. the part that was beaten and bruised and abused a millennia ago.

[lathbora-virann]

I never noticed before (presumably because this shot in the cutscene only lasts for a second) but when you seal the Breach, Solas does the same thing he commands all the mages do to give you more power.

And not only that but I realised the pose looks like he's praying to you.

And then I thought about Cole's "worship makes you more" and then I thought about everything that came after and then I had a thousand other thoughts...

[nerdmomma14]

Lovely lovely followers and mutuals...I have made about 12 timelines collecting major events from 7600 ancient to 9:45 Dragon. Should I share the rest of them?? @walkingbomb @rosieofcorona

[kcwriter-blog]

I've been thinking about how we the players know so little about Solas compared to what the writers and developers know about him and how that affects the way he is written.

I mean we know he is an ancient elf. We know he was powerful enough and skilled enough to create the Veil. We know he and Mythal were friends. He doesn't seem to have liked Andruil and Falon'Din much. Skyhold belonged to him. He removed vallislin. He tried to free slaves. He had kind of an underground railroad thing going. He seems to have had a lot of money secreted away. He painted even back in Arlathan. A lot of statues seem to have been made of him. People in the Vir Dirthara knew he created the Veil but were surprised that he would do something like that. He seems to have always had an affinity for the Fade and spirits. He enjoyed whatever version of the Game nobles in Arlathan played. He was cocky and hot blooded, always spoiling for a fight. He is capable of love and friendship.

I think that's all and it really isn't much. Everything else anyone says about him is pure speculation. It makes meta fun but its easy to get too caught up in our own ideas.

We speculate about him based on things we learn from his personal quests and what we see in Trespasser but we don't know anything for sure. Was he a slave? Was he a spirit called out of the Fade by Mythal and given a body? Did he manifest a body like Cole? Was he just a normal elf born in a small village to the north? Was he a noble and privileged or did he work his way up? Did he join the fight against the Titans? Was he a genius who theorized that the waking world and Fade could be separated? Did he use untried magic because his back was against the wall and he couldn't think of any other way to save the world? Was he a friend of the Evanuris so they trusted him enough to fall into his trap? Was he one of them?

So many questions. The writers have tried to portray him sympathetically. They want us to empathize with him. And I have to ask myself why? He is one of the antagonists. Wouldn't it be easier to portray him as not having any redeeming qualities? And yet, he is basically described as the hero who lived long enough to become the villain.

I know his detractors believe he is a genocidal, racist maniac but that doesn’t track with everything we learn about him as high approval or romanced Inquisitors. It certainly isn’t born out by his statement that he is doing his best to minimize the damage.

He truly believes what he is doing is best for the world and is willing to break it and remake it. What does he know? But more importantly, what do the writers know? Fen' Harel has existed since Origins. Devs have always planned for him to make an appearance. That means the valleslin has always been a mark of slavery even if the Dalish didn't know. The Creators have always been horrible, slave owners even if the Dalish don't remember. Which means Solas has always been the rebel fighting for what he believes is right.

Why do the writers see him not so much as the villain (although Epler uses that word constantly - he is usually the only one though) as they do a somewhat noble person who keeps making mistakes? Why is he portrayed as just a sad man who can't see past his regret and guilt. What was he like? What changed him? What did he know about the Veil before he put it up?

I get that a lot of people don't like the idea of being tied to him in Veilguard but maybe the writers did that so we have no choice but to get to know him - the good and the bad. Maybe we finally get to know Solas the way the writers and developers know him. I'm looking forward to that.

[lilllithdraagon]

@lunadys and I have been talking. And maybe this is controversial, but we've always maintained that the Veil has gotta come down. It's like so many people hear, "The veil is thin here, the Veil thin here." And Sera MOCKING Solas for how much he says that. AND HOW EASY TEARS IN THE VEIL FORM. And somehow, the idea that the Veil is unravelling seems to go over some people's heads.

It is breaking apart. It is in TATTERS by Inquisition. We've been holding it together with ducttape and a dream.

It's like the floor is rotting out beneath us, and he's ripping it up. But everyone is SCREAMING "Where will we walk!" and risking the collapse of the entire house to stop him.

Why are we all so adamant that Solas shouldn't bring it down in a more controlled and humane manner? He outright SAYS there is no other way. He outright SAYS every other option is worse. He wants you to find a better way, but in the nine years since the last game, how has that been going?

Varric went up those stairs trying to get through to Solas. And presented him with the same speech they have been giving Solas for a decade. I think SOLAS might have actually been getting through to Varric. In that hushed conversation.

So when Solas says, "I have taken measures to minimise the damage." And ROOK decided that he wants to know what the worst case scenario will look like first hand, and kicks out the flooring supports.

I am shit scared.

And from the look on Solas' face. So is he.

[thevulturesquadron]

Sure, why not. In retrospect, he wasn’t subtle.

[calwyne]

From the new ‘Making of Dragon Age: the Veilguard’ behind the scenes video: 👀

“As we’ve gone through DAO, DA2, Inquisition… magic has become more and more present, and part of that is because Solas has been slowly preparing this ritual for longer than anyone in the Dragon Age universe is really aware of.”