#so yeah they exist now i guess

[tamymew]

here i am, back again, with random ass sketches that may or may not be older than a month (and draco and aela, ofc)

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[hoofpeet]

Are you safe?

yah 👍 tl;dr our NOW-ex landlord harassed us for 7 months after trying and failing to run a rental scam. We had an eviction hearing this morning and literally 5 minutes after leaving the courthouse our now-CURRENT landlord sent us a lease to sign and agreed to let us move in this weekend. So yeah a lot of shit happened but 👍

[writer-room]

I've decided the only reason Lloyd, known descendant of dragons, didn't tell this to Egalt, who refuses to train non-dragons, is for the same reason he never mentioned he's the First Spinjitsu Master's grandson. It just never came up. Nobody asked him directly about it. And besides, he's only like, one-fourth dragon, so does it really count? He doesn't look like a dragon, and he has never in his life considered himself a dragon. Mentioning his ancestry to Egalt probably would've just made him look like some hotshot, or make him more annoyed. There's no need to bring up such a silly little fact. He's sure it won't be important later.

[michaeljoncarter]

ALSO, like with just about everything about wyll in the full release version i m o, the way his interactions with mizora throughout the game were just sorta ported over without much tweaking to make them fit in with the new version of his character is so weird and clunky and just.... uncomfortable

the fact that mizora was mortal in the original version of the story was kind of an extremely important detail that not only wyll's entire character quest but also their entire relationship and history hinged on. the ea version of mizora was half-human, not a full devil, and according to dnd rules as i understand them, that means she would've had a regular human lifespan. (eta: yes, she's still called a cambion in the full version, but my issue is at some point between ea and full release, all the differences between cambions and devils apparently just up & vanished) so if ea mizora and ea wyll, who were around the same age, met when wyll was 17, that means they met when mizora was also somewhere in the range of her mid/late teens

there's obviously still an unhealthy power imbalance there with her being his patron and all, but there's a pretty big difference between a teenage boy being manipulated by an equally as young teenage girl into signing a pact vs a teenage boy being manipulated by a fully immortal & presumably-already-grown-at-the-time woman into signing himself into her service

and the flirty/sexual dialogue being left in makes this 100x worse. originally, mizora and wyll were explicitly in a romantic relationship that had just ended right before the game started (like literally right before. as in he told you that the nautiloid snatched them up WHILE he was in the middle of giving her his breakup speech (lmao)), but there is literally ZERO reason for the full release version of their relationship to have such a weirdly charged undertone to it??

you can't just take the dynamic of "toxic high school sweethearts who just had an insanely messy breakup 3 days ago after dating for 5+ years" and slap it onto "grownass woman who manipulated a teenage boy into signing his life away to her 5 years ago" with zero acknowledgement of the fact that that changes literally everything??

like sorry, this isn't just petty exes bickering anymore. this is now reading as nonstop sexual harassment, and to someone without the context of this happening due to a messyass rewrite (or even with it tbh), it's weird as fuck that some characters get entire arcs dedicated to unpacking the trauma that comes from being trapped in this exact dynamic, but with wyll, neither he nor the player ever get a chance to try to stop it or even really acknowledge the fact that it's happening in any significant way

the sloppiness of this whole rewrite is actually insane to me

[overthinkinglotr]

Everything in the Amazon lotr series makes perfect sense when you learn that the show runners have literally no experience working on tv shows. None. 😂 J.D. Payne and Patrick McKay have barely any experience in the entertainment industry. And like if you check their IMDb, their only credits are a Flash Gordon screenplay for a movie that wasn’t made and “uncredited” writing on the 2016 Star Trek movie (meaning they weren’t an official part of the production but talked to J J Abrams every now and then.)

The only way I can praise the Amazon show is the way you’d praise something written by a kid…”like wow this is your first try? Your first time ever working in tv and writing a fantasy story? This is good for a first try! Nice work! Your mom should hang it on the fridge!” The real question though is like, why didn’t they give biggest budget of any tv series ever made to people who had literally ANY experience showrunning ahsjndndnd.

To be honest I’m baffled at people who say this show is “desecrating tolkien” because like…first off, desecrating tolkien can be super cool. He sucked sometimes. Second, “desecrating tolkien” implies they were creating a story that had something specific to say about Tolkien, and they knew how to use their medium to convey what they wanted to say. But like…they didn’t. The Amazon series can’t desecrate tolkien, it’s relying on tolkien as a crutch to tell an amateur story that would be literally totally incoherent without you filling in the blanks with prior knowledge gained from the books and from other better adaptations.

I’m baffled at people trying to act like Amazon is being progressive with this series when its sorta like…the peak of conservative Hollywood nepotism? Two upper middle-class white dudes with literally no idea how to run a tv show because they have never been part of the process, ever, were gift wrapped the highest budget for any tv show ever made— not because they deserved to make the most expensive tv series ever made, but because they were upper middle class white dudes who happened to know famous people in Hollywood. People work in television their whole lives for the chance to be a showrunner and these two mediocre white dudes who have barely done any professional writing were handed the most expensive tv series of all time.

And it shows! It explains why the show doesn’t feel as expensive as it is. The process was “run” by people who literally have never needed to understand how creating a tv show works.

Everything feels so clumsy, unfocused, and generic because it’s being showrun by people who do not have enough experience to know what they’re doing.

It feels like someone’s first published work because it is. there’s some vague generic theme about being corrupted by darkness but it’s portrayed with all the grace and subtlety of showrunners who have no experience telling stories professionally, don’t understand how to do it, and so are just turning to the audience and flatly saying what the themes are supposed to be in bland boring language. (They couldn’t even find relevant quotes from the books to use instead— at least then it would sound pretty. Tolkein’s language is almost entirely absent from the show. :P)

There’s a lack of specificity— the tone veers wildly from “epic and idealized like the Pj films” to “relentlessly gory and cruel like GOT,” and almost no quotes from the books appear in the show despite language being so important to the feel of middle earth— because the showrunners are too busy struggling to learn the basics of showrunning for the first time to figure out things like “how to set a consistent tone.”

Characters turn to the camera and spoon-feed the audience information like we’re stupid and constantly reiterate exposition from previous episodes because the show runners have never worked on tv shows before, and don’t have enough confidence to trust the audience to understand anything.

The pacing is so bizarre and wonky, and the introductions of important characters/McGuffins is so clumsy, because the showrunners have never done this before ever on any tv show.

The show doesn’t look like the most expensive tv show of all time (even though it is) because the show runners don’t understand how to budget visual effects effectively. Tons of expensive labor is wasted on dream sequences and meaningless one-off plot beats that don’t add anything to the story when they could’ve been spent on the actual important emotional story moments.

And of course the way the show handles gender and race is so hollow because it’s driven by two white male nepotism hires tackling these topics for the Very First Time. They decide to handle sexism in middle earth by making it a world where patriarchy just doesn’t seem to exist(?), but they’re also not willing to actually genuinely imagine what that would look like. so we get a world where “there’s no patriarchy” but most the warriors/leaders are still men, all the women still dress in feminine clothing/hairstyles and all the men have masculine clothing/hairstyles, no women are butch and no men are effeminate, a woman fighting/showing up in battle armor is framed as a big cool reveal, and every single relationship is suffocatingly heterosexual (and there isn’t even the possibility of queer relationships/homoerotic subtext.) They had three POC play some of the side characters but were careless in how they handled them, in a way that’s a disservice to the talented actors— for example the character they marketed as “the first black elf in tolkien” is immediately thrown into a plotline where people are racist to him for being an elf and then he’s captured into slavery and spends a few episodes in chains driven around by white orcs with whips in a way that makes you realize the creators were too white to think about the optics of this. They also don’t tackle the root issues with the way tolkein portrayed race (the idea that different races are different Species with immutable personality traits) and just take his racist assumptions for granted. Meanwhile, every scene where people are “fantasy racist” against white blonde Galadriel for being an elf is handled with all the grace of a white teenager who just realized racism was maybe Bad writing their first fiction story saying Deep Things About Society for a high school assignment. Can you imagine how much more thoughtful writing we would’ve gotten from literally ANY of the far more talented experienced female and poc directors in Hollywood, people who understood how to tackle gender/race in their writing and who understood how to actually run a show? But no, the show has to be handed to two white dudes who have literally no experience writing for tv and no relevant credits, just because they’re white men who are well connected, and we have to trust tHese people to condescendingly explain the importance of diversity to us like we’re children. And then we have to pretend to like it because theres a massive right wing backlash against the show for being “so woke” (when it isn’t). ANSJSJJDJDJD

I just kinda…don’t understand? Why give so much money to people who have no experience and don’t know what they’re doing? People whose only qualifications are being random white dudes who know famous people?

It feels like such a waste of money and resources to throw so much into what’s essentially a training exercise for people who’ve never run a show before. The Amazon series is longer than the first two PJ films but it doesn’t feel that way because the showrunners don’t understand how to use a medium they have never worked in.

Like Peter Jackson had never directed anything on the scale of LOTR, but he had directed plenty of movies (with the writers who later partnered with him on lotr) before he was allowed to make it, AND had spent years pitching his scripts around Hollywood and helping develop the technology used for the visual effects. Heck, Ralph Bakshi had made animated movies before, and Rankin/Bass had worked on tv specials. As much as all those adaptations are flawed like?????????? I genuinely don’t understand why you wouldn’t hire more qualified people for the most expensive tv show of all time. or even just. Anyone who had literally any qualifications at all.

But I guess I’m thinking about this all wrong because…their lack of experience is likely why they were hired. Because of the complicated legal and rights issues happening behind the scenes, Amazon likely didn’t want to hire anyone who would have a coherent vision and a clear idea of how to execute that vision. The show needed to bow to the mandates of Amazon but ALSO the copyright issues (they don’t have the rights to actually adapt most of the stuff dealing with the history they’re adapting), the mandates of the Tolkien estate (who were allowed to make whatever petty changes they wanted to the story at any time) and the mandates of New Line Cinema (who were allowing Amazon to ape the style of their movies to get l publicity for their brand but are also completely willing to enforce copyright and demand change if they felt Amazon was stepping on their toes, and etc etc). Amazon needed inexperienced people who would go along with whatever they were told to do. Someone who had a clear vision and knew how to execute it would fight against the dumb corporate mandates. Someone who has literally never worked in tv before would assume Amazon knew best and do whatever they were told.

I don’t know, I feel the same way I do about the hobbit films where it’s just—it’s such a waste? It’s such a waste. It’s such a waste of time and a waste of labor, on a project that (because of weird corporate nonsense) has no clear artistic vision and only exists to be part of a lucrative Brand(tm.)

I won’t be watching the next season— I assume the the future seasons will be “better” because the show runners have now had their very first season of experience working in television ever (good for them and congrats on breaking into the industry for the first time etc etc), but that doesn’t change what a massive corporate waste the first eight hours were— again, that’s longer than the first two PJ films but it doesn’t feel like It because it’s so directionless and devoid of a clear artistic vision. Idk as long as the only Lord of the Rings adaptations we’re legally allowed to get are massive Mega corporate ones funded off the suffering of all the underpaid Amazon workers who die in the warehouses, you would think the adaptations would at least be good XD. Again, can you imagine what more experienced and talented directors with a long history of working in TV, and who were free to execute their artistic vision, could’ve done with such a giant budget? Can you imagine if corporations didn’t waste an entire season of television as the world’s most expensive training wheels for people who’d never seriously worked in tv before? Can you imagine how much good art we could get if Hollywood was actually a meritocracy? Idk dudes, idk.

[wiverntiles]

Luz: Guys where did Eda go? King: They got arrested. Luz: How the hell- Eda: bursts in through the window The cops are after me, I thought it would be fun to steal crackers and throw them at people.

[dark-falz]

I've been crafting for renn faire and i thought u guys might appreciate this but also do u guys think I'm doing too much

..."No"s only

[chibishortdeath]

Great googley moogley it’s all going to shit! Every day becomes exponentially more terrifying!

And all perfectly timed to just right at the start of what’s supposed to be my adult life where I get my shit together and be useful and productive!

[trashcanwithsprinkles]

so since chen zhongli didn't have a connection to raniya, would he have one with venti? they're traditionally seen more often together (i joined like ~1.5-2 years ago i think it's because of last years lantern rite they're seen together but they're could be more i'm missing) and they're dynamic is always so funny i think it'd be a shame if they didn't know each other somehow

(but also knowing venti he probably would've blown up zhongli's phone by now lmao)

also as a second thought what is going on in like inazuma and fontaine if it isn't too like spoiler? do they have something mirroring the sokoku decree since there's no visions? is ei still in government to help the closed borders policy?

would neuvi have a position similar to his in teyvat? or is he just a dragon of myth like how rex lapis is?

sorry if that's too much i just love the aus you create and i love fleshing universes out

honestly? venti and zhongli have only appeared together in like one lantern rite scene and one poetry event and that's literally it, so i wouldn't say they're 'traditionally more often together'. on both times it was hu tao's fault anyway? so i don't think we've had zhongli expressly seek venti out like ever. but the reason why they have indeed interacted the most when it comes to inter-archon relationships (which isn't saying much because the only other ones who've interacted are furina and zhongli so like. venti doesn't seem like an outlier if he only has one extra instance over her) is because they're the only original two. so they know the other the most out of the rest, because again. only original two

so as for zhongli not having a connection to rukkha in this au and not having one to venti either; the only reason they know each other in-game is because of the archon war.

there's- there's no archon war in this au, at least not one that involves them. so like-

no. idk how to justify any of the archons having met each other imma be honest, which is why they haven't

as for the other nations- since zhongli isn't anything remotely resembling an authority figure in liyue, then neither are any of the rest, so no, ei isn't in office. ei and makoto are probably living normal lives as like- the descendants of a fabled samurai clan who now run a kendo dojo together after their father died or something idk. i could absolutely see their dojo and their sword arts being like- the same ones the shogunate's men use? so ei and makoto would be like the official sword art teachers of the entire military. that way we can keep sara a simp in any timeline LMAO also inazuma probably did have a closed borders policy but like in the past. so now they're all about trying to catch up for time lost in getting to know other nations and having other nations enjoy their culture. so the kamisatos are thriving is what i'm saying

neuvillette is a bit of a spoiler imma be real. not in that neuvillette is going to appear and matter (sorry), but in that if i try to tell you what's up with him i'm going into spoiler territory bc you can extrapolate that to other things, so no. but i CAN say that he's like- a judge. like of the justice system. maybe a lawyer? but i think judge fits better bc you know. he's a normal human guy, same with chen zhongli. furina is a famous actress but she does have a law degree bc i think it's interesting that she was essentially the prosecutor of fontaine, from what we saw.

[piplupod]

feels like the isolation is a gushing wound and going to the centre is just a small bandage. i think perhaps i am not really ever going to feel okay unless something miraculous happens. i am retaining some semblance of sanity now that I'm leaving the house and socializing with non-family more than once a week, but i am still hurting more than I can really tolerate and I don't know what to do about it. there doesn't seem to be a fix for this that I can enact.

[chronotopes]

sorry to still be on those polls but genuinely some of those responses are so distressing to me. the belief that trans people should go through that self discovery process in monastic self isolation and never receive input from the people who love them Until They're Ready is so genuinely bleak and indefensible, regardless of whether or not you're ideologically consistent about which audiences you think the suggestion is "appropriate" for. and furthermore the idea that a cis person getting erroneously told theyre trans by One Person is somehow equivalent to a trans person getting coercively held to agab standards by The Whole World...... like come on. come on.

[aeolianblues]

I'm not an extrovert. At all. In everyday life, I'm a yapper, sure, but I need someone to first assure me I am okay to yap, so I don't start conversations, even when I really want to join in sometimes! It's just the social anxiety acting up. God knows where from and why I lose a lot of my inhibitions when it comes to talking to people about music. I don't know where the confidence has suddenly sprung from. I've made a crazy amount of friends in musical circles, either just talking to people about common music or (since it is after all in music circles) talking to bands about their own music. I let out a sigh of relief any time an interaction goes well, because in truth it's going against my every instinct. I wish I could do that in everyday life

[tblsomedoodles]

i find it adorable that not only did the "just do both" option win by a lot, but Morgan and George tied. You guys essentially said "send both" twice lol : )

Well, i guess i've got a couple submissions to fill out, i suppose. wish me luck!

[greensaplinggrace]

“the safest hands are our own” still the worst marvel quote of all time

[scalproie]

*shaking and crying* where is Urizen