#so yeah some kids are cool

[agustdiv1ne]

just an anon popping in to ask if youve seen the preview clips of sookai on return of superman where those two babies gave them a peck on their cheeks and if youve been as emotionally damaged as i am 🥹🥹🥹🥹 and i simultaneously also hear my ovaries screaming LOLLL

yes. i cried. i don't rly like kids (well. some of them are cool idk) and i am sooo scared of getting pregnant HOWEVER that clip made my little grinch heart grow three sizes 😭😭😭 they are so good with kids wtf i would maybe consider going through the hell of having kids if one of them was the father </3

[swiggity-swexual-i-am-asexual]

I love seeing Danny Phantom showing up and being like ‘don’t ask too many questions but John Constantine I own your soul. All of it. Lmao sucks to suck bitch’, and he’s usually all Ghost King Full Regalia as he does it, at least in front of the Justice League, but consider—

He just shows up as Danny Fenton.

“yeah I got bored and collected the pieces like Pokémon. Gotta catch ‘em all” says the 5’2 teen who looks like a stiff breeze could trip him. He denies being a sorcerer, or a magician, concedes he’s maybe psychic but mostly he’s just…. The kid of two mad scientists—who have a basement lab where they opened a portal to what he SAYS is not hell but no one is frankly CONVINCED, by the way—and he hasn’t decided what to do with Constantine yet besides getting Danny into some r rated horror movies, but figures he should tell the dude probably.

“What’d you even trade for some of his soul contracts?”

“Don’t worry about it”

They worry about it

[mercurymacaroons]

arrives 15 min late with a latte

......sup

[beatcroc]

what kind of frivolity would you engage in, mecha?

<

---

[ricky-mortis]

Howdy hello- guess who made a wings au :)

More to come with this eventually- I’m working on my designs for other characters at the moment, but for now we’ve got Red-Tailed Hawk for Curt and Eagle Owl for Owen.

For DMA I had Barn Owl wings because a) Barn Owls are beautiful and I wanted to draw the wings for them, and more importantly, b) Owen would probably want to disguise his wings, and it would make sense if it was as a different type of owl. I just assume he’d dye his feathers in some way or another. Look- just don’t think about it too much.

[xxplastic-cubexx]

erik will genuinely jump at any chance he can to steal charles' last name and be so catty about it i know this for a fact WHAT is his deal

[Magneto (2011)]

[failyaoi]

Johnshi/Kencageblade/Swordblade kid oc just dropped (read tags for more info)

[buttercupshands]

I'm REALLY busy with work rn BUT that doesn't stop me from falling into GF rabbit hole because THAT BOOK....

It feels like 2015 again wow

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[thereallycoolmonsterithoughtup]

marcille overcomes her internalized homophobia with the power of friendship

[aroaessidhe]

2024 reads / storygraph

The Brightness Between Us

twisty YA sci-fi, sequel to The Darkness Outside Us

17 years later, Ambrose and Kodiak are raising their two surviving children on an isolated planet

their rebellious daughter wants to explore further, but after making a small discovery she learns there’s more about their circumstances than she knew, while her reserved older brother is going through some strange experiences of his own

with a dual narrative of Ambrose and Kodiak on earth before they leaving to space, finding out the truth about the titan mission, and learning more about the resistance in a dying world on the brink of war

[autistic-katara]

icl i would be at least a little happy with almost any ending for stranger things but one thing that would ruin all of it would be an epilogue (of a decade or more later)

[spaghett-onaplate]

depression is really weird actually wdym i spent 2.5 years of my life in bed

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[val-the-protoss-simp]

I ONCE AGAIN FORGOT ABOUT THIS DAMN BLOG

CURSE MY ADHD AAAAAA

ANYWAY

Part three of this ask, the Nerazim

Part 1/3 the Tal'darim

Part 2/3 the Khalai Part 3/3 the Nerazim <- you're here

Anar. The oldest of N&N babies. Nothing much to say about them aside from that they're a reclusive phase smith (or the Nerazim equivalent to one) They’re good at what they do and they know it, which can lead to them coming off as rather arrogant and full of themselves. They also have your average "oldest child syndrome" and tend to parent their siblings, who are adults and literally hundreds of years old in most cases, which once again is something that often makes them look patronising.

Elyon. A very underdeveloped character for now. I keep putting their writing off because I don't feel like I can portray their story adequately just yet. Yet. They're half Khalani, half Nerazim, the oopsie baby of Zhakul and Tali and because of this mixed heritage, they struggle to “decide” who they want to be in a world where the Nerazim and Khalai society haven't really integrated yet. In a world where not many mixed protoss exist just yet, they fel like they don't really belong in either society and grow up shy and reclusive because of this.

Their end game was to become an Alyssar. Because this little bean is, like, so hungry for knowledge. You know how humans are inherently hungry for money? Elyon’s like that, only with information. Anything is fair game, from knowledge about botany, philosophy, terran theater plays, the way plasma based engines work, molecular structure of a sandwich, etc. They don't necessarily want to do anything with it, like become a doctor or a politician or even a scholar, they just want to have it, to know, to understand. Eventually a few centuries down the line, they move their ass to Ehlna and join the other Alyssar. 

You could also argue it's a coping mechanism. Elyon will live for centuries, like all protoss, but their terran family won't. The grief that strikes them when Jake passes away (and Zhakul's visceral reaction to it) as well as the horror of seeing Harper get older and older in front of their eyes while they stay young, frightens them. So they occupy their brain with other things just so they don't have to think about this, and learning about crop rotation and quantum entanglement seems to be the thing!! 

Elyon also keeps their cords uncut despite frequently feeling the societal presure to do otherwise. This is mostly because it's the only way they get to feel close to one of their fathers, Talizun, who is a previously mangled zealot currently enlosed in the shell of a dragoon. They especially begin to rely on this bond after Jake's passing.

Nanzak. A very tall, very lanky middle-aged protoss lady. (middle-aged for THEIR standard. So she's like 600 years old) Very quiet, reserved, may come off as cold, unfriendly or even mean to others, but really she just likes her peace and personal space.

She's a performer and a dancer originating from a nomadic tribe deep within the midnight deserts of Shakuras. I really like the idea that a sense of family and tribes is very strong within certain Nerazim communities and Nanzak comes from one. The desert tribes have a different outlook on life, which then takes shape in their customs and culture. She'd be considered sort of an outsider in the more urban areas, mostly because she sticks to her tribe's customs and doesn't want to mitigate it whatsoever. She's proud of who she is, very secure in her place in life and society and if someone doesn't like it, that sounds like a them problem. 

She's absolutely and irrevocably in love with her short husband, who she has like seven kids with (something very usual with the the protoss, since most have like two to three offsprings in life IN TOTAL) Speaking of-

Narzul. As mentioned previously, he's Nanzak’s short husband and a complete opposite of her when it comes to personality. He's social, loud, kind of a joker, open and curious. Also quite clumsy compared to her (everyone is clumsy compared to her)

He's a very skilled medic who was travelling all over Shakuras in his youth to quench his thirst of curiosity and that's how they met. They've been together for like four centuries now, have seven kids and are absolutely that couple in public that is way too comfortable with PDA. You know the one. He also absolutely will start talking about his wife and how much he loves her and how cool and perfect she is every chance he gets and won't shut up for hours. Your fault for asking.

After Haven and Shakuras boot up their diplomacy programme, he eagerly joins as the protoss's designated medic. Mostly because he's very very curious about terran medical science and wanted an excuse to to eagerly study it. Now he can do that while there's also so many terrans running around that he can talk to about their whacky boddies?? It's like a dream come true! (he WILL ask about your bowel movements nearly every morning buckaroo you better get used to it) which eventually leads to him being curious about different aspects of terran culture as well.

He also has a role as a sort of an emotional anchor (???) during the time Zhakul is expecting Elyon. This is an unplanned baby that neither Zhakul or Jake feel like they're ready for and are lowkey (highkey) panicking about it, especially Jake, who doesn't feel like he could ever be an adequate father figure to anyone ever. Narzul helps midigate that in a way only a wise old man that's seen it all can do.

Ulzea. The one thing I can say about her is that she’s very pink in my head. And that’s about it fjdvikjbvf

Funny how she’s existed for about *checks watch* fourteen years and there’s barely anything to say about her (even her name, Ulzea, was recycled from a different character that I renamed last year) This is because she was never really a person to begin with. I make it no secret that this entire AU is based off of my frequent daydreaming from when I was a teenager trying to cope with an unfavourable family situation. The thing with daydreams is that they make for an excellent distraction and are a good tool for coming up with ideas, but they make terrible stories when they’re put on paper, namely because of their overly long, complex and often nonsensical narratives that are more aimed to the be self-gratifying to the daydreamer rather than be fully realised, balanced stories.

But I digress. Ulzea is a victim of this. I think the best way to describe her would be that she’s to Zhakul what Vorazun is to Artanis during the events of LotV, that being that she acts as an exposition dump whenever he needs to listen to some Nerazim lore. Ulzea is worse than Vorazun, given that Vorazun is still, you know, a character of her own with her own personality and growth and so on. Ulzea never had this.

The reason why I never talked about her is because she’s essentially been written out of Zhakul’s story because of this. She was more of a narrative device for me to arrange my headcons about the Nerazim rather than anything else, which I achieved by having her dumping this information onto Zhakul, who only just got to Shakuras after living with terrans for some sixteen years and had no idea how to be a protoss. She’s just no longer needed as a character because Zhakul learns of his heritage in a more organic way, but recently I’m thinking about bringing her back if not for any other reason that she’s pretty (also because Zhakul just. Needs more protoss friends who are close to his age)

Uszadar. One of Narzul and Nanzak’s several babies. He lives in the more rural parts of Shakuras, specifically around the crater where the Xel’laga Temple is situated, but due to his lifestyle tends to be mostly nomadic. 

I have a terrible habit of fixating on small features and details in media that regular people don't tend to give a shit about, which is also a case here. I love the kakarus. I have loved them since I first played Brood Wars at the ripe age of six. They were my favourite critter in the entire game and stayed as such to this day as well. I always envisioned them as, like, flying mounts for the protoss because kiddie me was obsessed with dragons, dragon riders and the 2002 Dinotopia miniseries that featured the skybax. So big flying lizard-thing mean alien ride too, yes? 

Anyway, the joys of having my own AU means I can do whatever I want, so I say the protoss ride kakarus. It's mostly something done in the more rural parts of Shakuras because the more urban areas just use modern technology for the transport of cargo, people and messages. At this point it's the equivalent to how us humans keep horses. Something that used to be widespread and important for the function of society is nowadays mostly a hobby. Uszadar is mostly on the practical side of things, still utilising kakarus for transport and to reach the more rural parts of Shakuras, as well as doing conservationist work for the species, preserving their natural environment as well as studying them both in the wild and in captivity. 

Meaning that, yes, he's a horse girl. 

Zeredar. Once again, this is one of Nanzak and Narzul’s babies. She was originally gonna die during the second invasion of Shakuras but then my friends convinced me to let her live (boo) so she continues to unleash herself on the rest of the world. I see her as someone with a very dry sense of humour, which often makes her come off as rude or mean. She’s also the kind of person who can keep an absolute deadpan expression while telling the most hilarious joke you have ever heard. She’s also very dramatic and sassy, something she gets from her mother.

Funnily enough, however, I also see her as a fairly cheerful person, similar to how her father is, despite what her sense of humour may suggest. It’s a bit harder to see this side of her, you have to get to know her better first, but under all that sass and sarcasm, she has a generally positive outlook on life and people, doing what she can to see the best in everyone and everything. She’s very proud of her work and is confident in it's quality, similar to her oldest sibling, and is also a very confident person overall.

The injury she suffered during the invasion doesn’t slow her down one bit and she continues to find beauty and happiness in her life regardless of it.

Zhakul’s mothers

Yeahhhhhhh…they don’t have names ifgvidhvvd

I’m pretty sure you can see a trend by now aaaaaaaaaa

They’re just as old as him, turning 14 years this year, but unlike him, they're are barely concepts. Which is fine in the case of this particular story, given that it’s not about them and they more or less exist so Zhakul can have certain aspects of his backstory set in place, like that he’s related to Vorazun through one of them, or that he eventually decides to walk in their footsteps as an elite member of the Matriarch’s personal Shadow Guard.

They were fully dedicated to their duties and very happy as only a couple, never intentionally trying for a baby. Which is partially the reason for why Zhakul is born when they’re fairly old, being in their early 700s. They both loved him very very much and would happily claim that the few years they got to spend with him before their untimely deaths were the happiest years in their long lives.

Both of them die a few months before the events of WoL. With the zerg invasion beginning anew, many protoss colonies were evacuated as a safety measure, including the one they were escorting. This was during the time the Dominion was kicking its Hybrid Program into overdrive and needed, um, material, to be able to build these guys from. I see you know where this is going. The ship on which the protoss were being evacuated on got seized by Dominion secret forces, resulting in a great loss of life, which included both of Zhakul’s mother. 

AND SPEAKING OF-

Zhakul!! My baby, my little innocent bean, precious cinnamon roll, too good for this world, too pure. Oh, how good it feels to torture him-

Um. Anyway.

This is the oldest OC I have. Period. He was conceptualised in summer 2010 when Wings of Liberty first came out and I played through the campaign for the first time. I fell in love with this game all over again, and came up with Zhakul as a way to organise my thoughts on it because I just could not stop thinking about it. Many things in the AU changed, he mostly remained the same. From the day I first imagined him up until now, he underwent very minor design changes and very small changes to his overall story. This is because he is perfect and has no flaw-

The only other character I can think of that I am more attached to other than him is Jake (who is also nearly as old as Zhakul) who he is essentially attached to the hip to and an integral part of his story, just like he is in Jake’s. They meet shortly after Zhakul is rescued by the Raiders from Castanar, where he was held captive and experimented on. The story of how the Raiders dumped him on Haven is a bit long and I think I already spoke of this on this blog anyway (???) He then integrates into terran society and becomes a part of Jake’s family, almost being like his adoptive brother but not really because he’s an alien being raised by humans. Still, he’s loved just as much by them.

He continues to suffer from terrible anxiety and rather intense ptsd episodes from when he was held captive and experimented on, which was something his terran family did their best to help him with, but there’s only so much therapy made for humans, by humans, can do to help an alien, not to mention when said alien struggles with trauma as heavily as Zhakul does. This eventually results in him severely hurting Jake in one of his episodes by slashing his chest open, after which he panics and runs away from Haven to Shakuras.

(How does he get to Shakuras? No idea. Its been a plothole for the past fourteen years.)

There he gets a bit of a culture shock because he’s been living with terrans for the past sixteen years or so and has no idea what it means to be protoss. Essentially, he’s a terran in protoss skin and I remember that one of my favourite things to think about was how confusing his learnt mannerisms would be to everyone else (like how protoss tilt their head instead of chuckling meanwhile us humans do it when we’re confused. I imagine this lead to quite a few SituationsTM)

A lot of stuff happens here. Zhakul originally only ran away for the sake of running away but eventually figured out the protoss will surely be able to offer better help than terrans? So he gets it into his head that he will go to whatever equivalent of therapy the Nerazim have and then come back to Haven, because more than anything he yearns to be with his family and with Jake. A lot of things happen here, namely events that include Dal and Tali, showing that him that he cannot deal with his issues by burying them deep inside him and pretending they’re not real, but rather by admitting to himself that they happened and learning to accept it and let go. 

A lot of Zhakul’s story is about trauma, coping with it and about healing from it. About learning that your past does not define you as a person and that it’s on you to decide who you are, not other people. The past cannot be erased, so why continuously dwell on it? Mistakes are made, relationships are broken and lost, but being forever attached to all of this and pondering how it could have been different is pointless. What you can do is learn from it, change your future, put effort into being the best version of yourself that you can be, for the sake of yourself and those around you.

He does eventually come back to Haven to make amends, but what happens is once again long and convoluted and more focused on Jake rather than him, because the gremlin human also needs his own character arc. They end up leading a pretty interesting life together, full of adventure and other various shenanigans, but writing about that would end in a much longer essay than this is already. Anyway, Zhakul is my baby and a personal favourite, the One That Started It All and my favourite punching bag.

[face-breaker]

me making settrigh more honey badger than wolverine + giving him an addiction to sugar & sweets + reading about how honey badgers actually do have a sweet tooth, hence their name