#so what are you writing at the moment

[stardstgf]

oh my god besties I spoke to a literary agent last night

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[karalovesallthegirls]

Also have another “first words spoken to you are on your skin” soulmate AU idea where Kara is a journalist assigned to shadow the controversial CEO of L-Corp for the day. It’s a big deal for her to get this assignment, so of course she trips the second she’s near the other woman and tries awkwardly to redeem herself.

The CEO stares at her almost in shock, and then says nothing. At all. Ever, for the entire day.

Kara spends hours following Lena Luthor around trying to fill the silence, but no amount of questions get her to talk. Lena almost seems to be running away at some points - like she’s trying to lose her? - and the few times she’s managed to catch her actually talking to someone she goes silent the second she sees Kara.

She asks around if Miss Luthor is usually like this and everyone looks at her like she’s crazy. Apparently she’s the only one who gets the silent treatment. By the end of her first day shadowing she’s walking away with half a page of observations and not a single quote. Miss Grant is going to kill her.

But that’s okay. It’s fine, this isn’t over. She has four days of shadowing ahead of her and she’ll be damned if she doesn’t finish this with a quote from the woman herself. It’s only a matter of time.

[anna-scribbles]

chapter cards for thirteen: november - april

read on ao3

[yourlittlettoy]

Oh nooOooOoOoOoooo the hero has been captured‼️‼️😱 I sure hope nothing *terrible* happens to her nowww~ 😜🤪😝

Here’s a little behind the scenes with Wakasirasan today (Facilitated by @spiffytickler)! I got to be a SUPER HERO 😌😌~ shame it didn’t save me from any of the unspeakable things that ensued after this pic lmaooo 😰. Who’s excited to see the finished product of this shoot?? LOWKEY, I KNOW I AM 🤣. Curiosity and all to see if it looks just as evil as it felt for me to go through it 👀😅😵. Gambatte @wakasira in your editing! We look forward to your results 🥰

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[teethbomb]

just saw a bad take I need to smash and kill with a rock

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[silkjade]

by the time his eyes drift from the realm of ink and paper, the late afternoon sun has long seeped through kaleidoscope glass, dancing in threads of gold, as it weaves a crown of light and shadow atop her head. the air shimmers with hazy opalescence, and the beguiling tricks of his heart, echo the words penned by his late-grandmother, ‘may my child alhaitham lead a peaceful life.’ ….and he thinks this might be it. for love lies within the transience of time: in the fleeting daylight and the quiet solace, in the comfort found of a life unadorned. and so he makes a decision he dares not say aloud just yet, but a smile curves the corner of his lips, as he endeavors to imagine the tranquility of a life with her — forever.

illustrated by @/_hui.an on instagram; this was my second time working with them, and it was just as lovely as the last ! reblogs are okay, but please do not save or use — thank you ♡

[littlecrittereli]

REPROGRAMMED CHAPTER 7 SPOILERS!!!

I knew I wanted to draw out this scene the second I wrote it. This AU has taken OVER MY BRAIN YOU GUYS DONT UNDERSTANDD

anyways enjoy and weep <3

[rendevok]

your narumitsu art made me weep with joy and I heard you want more requests 👀

idk if this is the right place to put them but I think phoenix coming with miles to try on his glasses for the first time would be sweet :,) miles asking how they look and phoenix being just smitten. the good stuff

Dear anon… you sure know how to pick em! Things got very out of hand very quickly while drawing, and well. You inspired me to draft a comic! I didn’t want to make you wait long, so here are the sketches for the pages relevant to your request <3

Thanks so much, and hope you enjoy~! 💜

[itsdefinitely]

i've. i've been rewatching the sanders sides

[ywpd-translations]

Ride 800: Blue sky of joy

Pag 1

1: A climb's outcome is always

2: decided at a place that's close to the sky

4: You bet everything on it, and when the wheels cross the finish line

5: The winner....

Pag 2 / 3

1: raises their hands to the sky and rejoices

A blessing for Manami, the wide sky is Hakogaku's blue!!)

Pag 4

1: The first day's mountain prize goes to Hakone Academy's number 13, Manami Sangaku!!

3: He clearly raises both his arms up to the sky!! For the third year in a row the mountain prize goes to Hakone Academy!!

The sky... is so blue!!

Pag 5

1: I feel alive!!

2: Hakogaku...!!

Kanagawaaa!!

The kings!!

3: Manami took it!!

He beat Mountain King!!

Pag 6

2: Amaziing!!

3: Manami-saaan!!

You're so cool!!

Hakogaku is so strong!!

4: The strongest!!

Manami-saaan!!

6: Waaaaaa

7: Amazing, what a nice scenery

We really climbed to such a nice place

I don't know why, it's strange...

Pag 7

1: but everything looks brilliant

Pag 8

2: The vividness of the greens

The vitality of plants

3: The birds' chirping

The buzzing of insects

Pag 9

1: I can feel the life of every living being

2: Manami-saan!!

You were so cool just now!

It was so exciting!

Manami-kuun!

I took a video!

3: The scenery looks brilliant, doesn't it, Manami

4: In road racing, “victory”

5: is something that's so important it changes the way your body feels

Pag 10

1: Not to mention that it's against the opponent against who he lost for two years in a row

2: The delight makes your cells vibrate all throughout your body

Here's a bottle!

Ah, thanks

4: Manami, that... you managed to get so far while going through so much suffering, you worked so hard and endured

(I threw it away

But I didn't answer)

5: This is

Pag 11

1: a “rewarded joy” for all of that

2: Manami

Hakogakuu!!

Manami-kuun!!

Pag 12

1: Congratulations

Pag 14

1: Thank you for fighting with all your strength

3: After the mountain line there's still the finish line

Keeping your energies for the team is part of the strategy

4: But you used all your strength until your limit to fight against me

5: So, I'm thankful

Pag 15

1: Ah... yeah, but... I couldn't... win...

Even though everyone worked hard to push my back...

2: You're amazing, Manami-kun

You're even stronger than that time on Minegayama

3: Well... at the time I was still at around 75%, I was still in the middle of it

Yet I could still get a lead on you

5: Honestly, this time, when there were around 100m left I thought I couldn't win

But

6: I didn't know until the very last moment

7: You got stronger too!!

Pag 16

1: No no no no

That's not true at all, not true at all

Woah....

2: I just followed, I just did the best I could

3: Aren't you self aware?

That means

4: I just practiced very hard...

That those two control the practices

Their base power has grown

5: Mo- more importantly, huh... I'm sorry!!

Pag 17

1: Huh.... right before the finish line... uhm... I...

Actually...

3: In my mind I referred to you as “Sangaku” without any honorifics!!

4: In....

6: In your heart?

Without honorifics?

Pag 18

1: Hahahaha

2: Hahaha

Huh!? What kind of reaction is this!? Huh!?

3: I'm- I'm sorry

I just... I was really excited at the end!!

4: It's fine

6: I'm actually glad you referred to me without honorifics, it's like... we got so much closer

No, but... I... huh

I don't dislike it...

7: But I guess adding the “kun” really feels like the most natural thing...

Ugh....

8: Besides

Pag 19

1: While you're shouting inside your heart you don't have to add it

3: And at the end, I too, inside my heart

4: I called you “Sakamichi”

6: That, that makes me happy

Right!

7: Ah... now finally...

8: Uhm.....

Pag 20

1: We fulfilled our promise... thank you

Yeah....!!

2: We haven't reached the finish line yet, so we can't rest (haha)

This... this time, since we raced for the mountain stage we still have to keep running even if our race is over

Looks like there's still a little more to go

Ugh...

Pag 21

1: Buaah, yeah!!

It's Hakogaku's victory!!

2: You're too loud!! San-na!!

It's Hakogaku's victory, buah!!

How many times are you gonna say it...!!

3: I'll say it over and over again!! Manami is stronger than Onoda!!

Ugh...!! Onoda-san..!!

4: Humph

Pag 22

1: Amazing, amazing, he's really so cool!!

Uh... he's cool, I guess...

(Tobirama-kun is acting cool)

2: He did it

3: Yeah, and thanks to him

4: The team's morale is rising!!

6: This is bad... Hakogaku-san's power is increasing

What do we do, Hotshot

Pag 23

1: Don't worry, even if they raise their power, let them do it

5: Or, Naruko, are you worried that their morale is rising?

7: Worried? What is “worry”, some sort of rock?

8: That's right. Us third years, me, you, and Onoda have already increased our base power with a program

Pag 24

1: that was sure to make us stronger!!

3: Kakaka!!

4: Huh... what's that... “base power”!?

Pag 25

1: Does that mean they're getting stronger?!

2: Those two's pressure is suddenly rising!!

Pag 26

2: Imaizumi and Naruko's....!!

3: They're getting stronger... than last year

Is this connected to that time at the beginning of spring...

4: when the third years didn't come to practice for a week?

Pag 27

1: Hakogaku's morale is rising? That's just what I was looking forward

Yeah!! I can't help but feel excited!!

2: The “finish line” is waiting!!

[cherrywhite]

Okay some of these I had written down before chapter 43 but I finally found the time to sit down and make a bingo sheet for the last few episodes. Ranging from Legitimate Predictions to Things I Want to Happen to You Know What? Sure 🤠

Template if anyone wants to make one of their own: