#so we're in this city

[gummi-ships]

Kingdom Hearts 3 - Scala ad Caelum

[puppetmaster13u]

Meme Prompt 10

[uselessgaywhovian]

good news everyone, my character has been presented with an opportunity to get railed

how to bring up to your dungeon master that your character might be better if she got railed

[captainkirkk]

I've always been obsessed with 'character & community' fics, and I'm devastated that they aren't more. There's never enough fics about superheroes & the city they protect, rulers & the people they serve, teachers & the wider school body, captain & his soldiers.... I can never get enough of them

[keymintt]

some public art illustrations for a change! these were printed on vinyl for the sides and top of a traffic cabinet !!

[heybiji]

"Do me a favor and put your arms around me."

[cgerice]

Soup is on that blurry Bruce Wayne wave

prev

[victorie552]

Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).

It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.

Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.

And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!

So, Point 1: Many, Many Parts, basically Maglor's FA WIP

My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.

(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)

Archived.

My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.

Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.

(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)

(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)

(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)

So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.

(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)

Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included

This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.

But the Siege started. And the Noldor kept dying.

It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.

Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.

The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.

(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)

Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.

It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.

After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.

Lament for Maedhros was sung repeatedly. There was no one to hear it.

Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.

[lavellane]

thinking about how that solavellan ending actually Works for lavellans who want that hopeful ending but arent as forgiving abt the whole situation as veilguard presented it. and i do think in ashara's case, yes, she goes with him out of love, but more so out of duty. post trespasser she drops the name lavellan in favor of her family name, dhavise, since her place in the clan had already been cast into question and her allegiances with the chantry/solas are cause for doubt as to whether she's even welcome back anymore. but i think by the end of veilguard she's reaffirmed her identity as Lavellan no matter what, and truly does see herself as the Keeper of not just her own clan but of her whole modern people, and with that rekindled purpose she chooses to watch over them all by way of watching over fen'harel. protecting them by protecting him from himself. which ironically is the reason the dalish HAVE keepers in the first place

[ismyteadoneyet]

Theories and predictions about 'Oathbound', and The Kingsmage Oath in particular

okayokayokay yes, I know, I can think of nothing else but Legendborn these days, but ngl I feel such a desperate need to write this out to get more thoughts on it. We already know quite a lot about the Kingsmage oath, right? But as the title of the third book suggests, I believe we will learn a whole lot more about it in Oathbound and I cannot fkn wait lol

[Major Legendborn and Bloodmarked spoilers ahead, read at your own... volition, tihi]

Alright. So. First off, disclaimer - I don't currently have my physical copy of Legendborn closeby to reference stuff, so if any of this is debunked in the first book please correct me! Most of this is sprouted from Bloodmarked! I don't think we got that much info about the Kingsmage oath in Legendborn but it was also quite a while since I read it lol

Theory no. 1

First off, the thing that made me start off my 10-message long rant about this to my Legendborn-partner-in-crime to begin with, is the fact that the two "participants" of the oath are connected to the degree that, not only does the Kingsmage feel if the Scion is in danger, but the Scion in question also feels the things the Kingsmage feels. Selwyn even explains that this is partly why he attacked Bree during the trials in book one during the infamous "graveyard scene":

" 'You remember that I planned our partnership during the trial. Planned to trick you, corner you, and kill you. I knew Nicholas would feel a desire to kill someone that night, because it would come over from me to him through the bond. I planned for him to eventually discover that the person he'd wanted to... was someone he-' [Sel] shakes his head, eyes hard. 'That it was you.' " - Bloodmarked, page 366

...and

" 'The morning after the first Oath, [Nick] came to me. Said he'd felt my desire to kill you and begged me to leave you alone, because of what it did to him' -[Sel] taps his chest- 'here. He said it felt wrong, wanting to hurt you. ' So I knew that what I sent through the bond would poison the part of him that was beginning to love you. Knew that if I failed, he'd have to live with the memory of wishing his girlfriend dead. Not just the memory, but the feeling of wanting to kill you himself, with his bare hands. Murderous intent like that is one of the worst feelings in the world. Haunting. Destructive. And for someone like Nick... it would tear him apart in a way he'd never forget and never heal from. And I did not care. I believed I was right, all in the name of duty.' " - Bloodmarked, pages 366-367

Both of these show the bad effects of the bond. Sel can actively affect Nick's views of the people around him, and influence his actions, and I believe that this is shown by how Nick beheaded that one guard without hesitation, that one time.

"I didn't kill Zhao for my father." Nick's eyes burn. "I killed him for me." Sel's eyes widen incrementally. "We should...come back to that." - Bloodmarked, page 467

The interesting thing about this is the way Sel has been so sure that Nick would "never hurt another soul", and yet, here he is, rejecting Sel's reasoning that Nick killed Zhao because of his father, and instead hammering home that "no, I did it for me." Because, and hear me out on this, Nick is, in the moment of the kill...oathbound to a Merlin actively fighting his own demonia from taking over.

Bree also brings up multiple times that "Nick has become a killer, the dangerous thing" after witnessing the murder (which, when I read it sounded a bit silly since Sel has tried to murder her multiple times and even explained in detail how he planned to do that specific thing but oh well lol), but in relation to how we've seen Sel act throughout Bloodmarked, and keeping the Kingsmage Oath in mind, it makes sense. Because is it ever explained how Sel's descent might also be transferring to Nick through the bond? If it is, I don't remember seeing it.

Also, Nick being so incredibly calm and no-hesitation about killing Zhao (in one of the more brutal ways he could have, even), makes me fully believe that it was either 1. not his first kill, or 2. he is more affected by Sel's demonia than Tracy wants us to realize. During the scene where Sel and Bree watch him kill Zhao, Sel is still void cuffed, which to me means that he is still actively fighting his demonia from taking him. Sel doesn't get his void cuffs off until the fight with Erebus where Bree root-boosts him back to his normal, balanced self, which happens after Nick's kill.

The synopsis of Oathbound hints at Nick having "secrets to share with the Table", and we know absolutely nothing about what he spent all of Bloodmarked doing. We only followed one half of the whole. If Sel was only half-successful in "poisoning" Nick with murderous intent towards Bree in Legendborn, when he hadn't yet lost his humanity... Do you see where I'm going with this?

Tracy herself shared a fanart of Nick doing The Thing, and quoted the artist with something along the lines of "Nick should scare you!" and "Ruthless Nick is the correct opinion to have!", and considering that Nick is now, by the end of Bloodmarked, bonded to a fully succumbed Demon!Sel, what does that make Nick?

Theory no. 2

Now, onto the more fun side of the oath (or, more heartbreaking, depending on how you read it, I guess lol)

I have seen a few people being put off by Nick and Bree's relationship in Legendborn because it, to some degree, reads a lot like "insta-love". And sure, love at first sight and all that stuff but how long has Bree known Nick, really? A couple weeks, maybe? I however, have another theory to this.

Again, the two participants of the Kingsmage Oath share feelings both ways, as explained by Sel:

" 'When did you worry [about losing your humanity]?' [...] 'When I started to see what I believe Nicholas sees when he looks at you. Only a monster could look at you and want to destroy you, Bree.' " - Bloodmarked, page 368

And of course we are led to believe that Nick, the "blond, good-hearted knight in shining armor" is the good influence, right, and Sel being the "tall dark and handsome demon" is the bad influence on the two...

...But what if it was the other way around the entire time?

[Sel:] " 'I was raised not to trust myself!' " - Bloodmarked, page 368

[Sel:] " 'I don't know if that's in the cards for me.' [...] 'If I'm allowed that wish, it would be truly something. But wishes are dangerous mind games we play with ourselves. The only way to win is to not play.' " - Bloodmarked, page 475

Sel was raised as a weapon and a shield for the Scion of Arthur, and has never been treated as anything else. He was never allowed by anyone else nor himself to put himself and his own feelings first. So when he is suddenly struck with feelings for Bree, it makes sense for him to "blame it" on Nick, automatically. He couldn't possibly be the one with romantic, wholesome, fluffy feelings towards someone else, right? To Sel, it would feel wrong. "Illegal".

" 'Why didn't you [leave]?' 'Because my judgement is not what it should be around you, Bree. It never has been.' " - Bloodmarked, page 369

"It never has been," huh? Now, I find that to be a very funny choice of wording, Tracy, since the over-arching conflict in the entirety of Bloodmarked is related to mesmers and witheld information.

And the fact that Bree's mother and Sel's mother knew each other.

" 'The woman that helped you hide the memory. Was that Sel's mother?' My mother smiles, fond and sad at once. ' Yes. Natasia.' I have to ask. 'Do you know where she is?' She glances at Sel, and I know her answer is for his ears and mine both. 'No. Even if I could speak to her now, she would not tell me.' " - Bloodmarked, page 447

We also know that Sel's mother was the one who mesmered Bree in the hospital. But what if both Bree and Sel were mesmered at some point? What if the romantic feelings Nick felt for Bree the moment they met was actually Sel's feelings for Bree, coming over through the bond?

Another thing that speaks to this, I believe, is the use of the phrase "call and response", which Bree uses a lot when talking about herself and Nick,

" And then [Nick's] mouth is on mine, and every call and response we've ever felt pales in comparison to this one. " - Bloodmarked, page 377

...but also how she describes the relationship between Arthur and Lancelot:

" I shiver. Even [Lancelot's] voice affects me like Nick's does. 'Arthur?' he asks. And I reply, 'Lancelot.' Call and response. That's how it is between me and Nick. How it has always been. " - Bloodmarked, page 132

I believe, again, that this "call and response" thing is what I personally believe is what might be bringing Nick and Bree so close so fast. They are both scions of what I see as one of the most bromantic knights in the entire Order. Of course they out of all people would find a connection soul-to-soul right way. And that on top of Sel possibly knowing Bree before Legendborn even happens? It's no wonder that both of the two boys feel so comfortable gushing about her being "beautiful forever" in that one bloodwalk that one time, lol.

In conclusion, I guess the big question at hand is "Where does Nick's feelings end and Sel's feelings begin?" Where is the line? Is there one? I'd like to argue that the fact that Sel's first instinct, when he first starts feeling "what Nick is feeling" towards Bree is to kill her, is denial in the most severe degree. He is the first character from the Order Bree meets, accidental or not, and even though Tracy has said that she wrote Legendborn without a set goal for the endgame-couple, I'm willing to believe that that has shifted towards a BreeSel outcome after the mayhem of a character-development-arc that is Bloodmarked.

The fact that I am a BreeSel believer might also be influenced by the fact that we simply have not seen Nick in A While lol

And if not, I'm willing to root for a Bree x Sel x Nick throuple lol. As long as Sel is part of the endgame setup, I'm good.

Just please let Lark be left alone for William even if Lark and Bree commit to a Kingsmage oath, Tracy, I beg

[infinitelystrangemachinex]

Veilguard vaguing:

It's not automatically a good thing, actually, that the game de-emphasizes or even outright removes racism against elves, and bigotry against other groups, from the story

[carlyraejepsans]

i think i might be legit happy for the first time in my life.

i got out. i actually got out.

[merrinpippy]

on masks

so shockingly miracle mask has huge mask theming in like every aspect. basically every significant character is 'wearing' a mask literally or metaphorically, except for luke who remarks in ludmilla's costume shop that he doesn't think any of the masks suit him (since the events of the previous game luke can be authentically himself now.) this is fun to notice on its own, but there's more to be discussed than just the presence of masks.

every mask in miracle mask backfires on its wearer to some degree! the most obvious case of this is descole and the masked gentleman straight up underestimating their own mask/s and failing to see their plans to the end, and the resulting consequences. dalston and henry's masks of stoicism turn out to have kept them from years of friendship they could have enjoyed, and paint them both as suspects in the masked gentleman case. angela's aloof facade and distance from everyone around her allows her to be kidnapped for a significant portion of the game without anyone but the professor noticing (and even then, he notices that something's up with her, but chalks it up initially as not knowing her anymore). less obviously, emmy's mask only means she'll end up hurting the people she has come to care for even more when the time comes.

most interesting to me, though, is hershel! even as a teen he's remarkably reserved, though clearly passionate. he keeps himself very controlled, and seems to care very much about coming across to others as helpful, grounded, and 'normal'. the interests that we know he has he keeps locked up, literally hidden away in cupboards, not to be acknowledged aloud to himself or others. he never gets angry or ever really displays any stereotypical teen behaviours apart from awkwardness.

now what this means is he is treated as the reliable one who will nonetheless go along with whatever randall wants him to do. he's never particularly assertive (something he will learn to be as an adult) so his willingness is taken for granted. he's put in mortal danger in akbadain because it never occurs to randall that hershel's protests are anything more than for appearance's sake.

and when randall falls and hershel is alone, he yells! he falls to his knees, completely overcome. he cries. he pushes through. and when he reaches angela and henry, alone, covered in dirt, looking completely haunted... they don't even ask him if he's okay. angela bodily shakes him. in the past and present, nobody treats hershel as if he's been through something traumatic - to everyone else, he was either a bystander to or complicit in randall's death, but controlled, mild-mannered and rational hershel is never considered a victim in his own right even after years have passed for everyone to think on it. years after the fact angela apologises to hershel... when she realises she needs his help. and henry immediately accuses him of betraying randall's memory and abandoning him.

and to be clear this isn't me saying oh they're evil or whatever but it's significant that they acknowledge how the trauma affected them and their behaviour from that point forward but it doesn't occur to them that hershel's behaviour and life trajectory was also altered forever! because hershel has for his whole life masked so well that to everyone else he does not have an interior life that isn't puzzle solving.

and the absolute funniest thing about it is that when hershel confesses this all to emmy and luke.... it's immediately back to the investigation, "where do we go now professor!" i'm sure there's no reason to ask if hershel's okay, he's probably unaffected by all that, let's go! readers i laughed out loud. tfw you mask so well everyone forgets you're a person

[michiruze]

Still thinking about the new Defunctland video and I am happy that this time, Defunctland managed to UNITE Latin Americans, Southeast Asians, AND older Americans through ONE video.

The Kid City video felt like Defunctland saw that some of his non-US audiences noticed that his content, while amazing, are very US-centric (though not his fault), and decided to cover a theme park trend that came from outside of the US (and is big outside of the US) this time.

I know that it's probably coincidental. He probably intended the new video to be ABOUT the American theme park chain Wannado but during his research, discovered that the concept of Wannado originated in Mexico and through that, found out about La Ciudad De Los Niños (part of the origin story of Wannado -- which came from Mexico, and is big in Latin America) and Kidzania (which took off in Asia), then....well, the video now is about something that non-US audiences can reminisce for once!

That's MAGIC and now i feel glad that now I can follow Tumblr's Defunctland reaction posts without feeling left out for not being American, for once.

It's also interesting how some Southeast Asians latched onto discussions about La Ciudad De Los Niños with Latin Americans in the wake of this video too. Truly, Kevin Perjurer has ignited a small Latin American-Southeast Asian solidarity moment.

On a more humorous note I see a number of Americans going "wait we do not have this in the US" (since Wannado closed in 2011) and I'm here like "THE TABLES HAVE TURNED, AMERICANS. WE SOUTHEAST ASIANS CAN HAVE OUR DEFUNCTLAND MOMENT NOW"

[hyperspecific-music-charts]

[vibinwiththefrogs]

Often I just cannot comprehend the lack of curiosity so many people have towards the rest of the world... Different cultures, people, languages, food, architecture, stories. To me this is what life is about, this is the most awe inspiring.