#so that it gets back to its archival purposes

[the-hermit-witch]

i have decided to journal a bit about my journey in trying to reconnect with practicing and all, and I think I figured out a way that might be good to start reconstructing my practices. I will write down in this journal reflections, thoughts and feelings, but most importantly I will collect there all bits and pieces of things that used to bring me joy in my past pratices as well as new things that might be nice to try out. It's going to be a chaotic journal to figure myself out basically, so hopefully that will work out.

[elliwoods]

In such a weird spot right now, very much debating a reblog sideblog

I know tumblr is all about "reblogging is good for the ecosystem!" which, yes! Reblogging is such a help for art! But at the same time I am one of those people who doesnt follow people who reblog too much because I get stressed out easily when there is too much stuff on my dash to catch up with. Which leads to me missing out on some cool peoples art. And I KNOW I am not alone in this mindset

I am currently trying to keep a balance between 'reblogging enough to get attention on smaller art posts' and 'not posting enough to cause people to unfollow me' but ah, thats hard....

[kurokeip]

Ouuhhhvbhgh the anxiety of having people perceive me as krk mod... the way I Know people are talking about me and making assumptions about me... the way nobody will believe me even if I post an apology for the Fourth time. But I'll just end up doing it anyways because I Have to

[mostlysignssomeportents]

Even if you think AI search could be good, it won’t be good

TONIGHT (May 15), I'm in NORTH HOLLYWOOD for a screening of STEPHANIE KELTON'S FINDING THE MONEY; FRIDAY (May 17), I'm at the INTERNET ARCHIVE in SAN FRANCISCO to keynote the 10th anniversary of the AUTHORS ALLIANCE.

The big news in search this week is that Google is continuing its transition to "AI search" – instead of typing in search terms and getting links to websites, you'll ask Google a question and an AI will compose an answer based on things it finds on the web:

https://blog.google/products/search/generative-ai-google-search-may-2024/

Google bills this as "let Google do the googling for you." Rather than searching the web yourself, you'll delegate this task to Google. Hidden in this pitch is a tacit admission that Google is no longer a convenient or reliable way to retrieve information, drowning as it is in AI-generated spam, poorly labeled ads, and SEO garbage:

https://pluralistic.net/2024/05/03/keyword-swarming/#site-reputation-abuse

Googling used to be easy: type in a query, get back a screen of highly relevant results. Today, clicking the top links will take you to sites that paid for placement at the top of the screen (rather than the sites that best match your query). Clicking further down will get you scams, AI slop, or bulk-produced SEO nonsense.

AI-powered search promises to fix this, not by making Google search results better, but by having a bot sort through the search results and discard the nonsense that Google will continue to serve up, and summarize the high quality results.

Now, there are plenty of obvious objections to this plan. For starters, why wouldn't Google just make its search results better? Rather than building a LLM for the sole purpose of sorting through the garbage Google is either paid or tricked into serving up, why not just stop serving up garbage? We know that's possible, because other search engines serve really good results by paying for access to Google's back-end and then filtering the results:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

Another obvious objection: why would anyone write the web if the only purpose for doing so is to feed a bot that will summarize what you've written without sending anyone to your webpage? Whether you're a commercial publisher hoping to make money from advertising or subscriptions, or – like me – an open access publisher hoping to change people's minds, why would you invite Google to summarize your work without ever showing it to internet users? Nevermind how unfair that is, think about how implausible it is: if this is the way Google will work in the future, why wouldn't every publisher just block Google's crawler?

A third obvious objection: AI is bad. Not morally bad (though maybe morally bad, too!), but technically bad. It "hallucinates" nonsense answers, including dangerous nonsense. It's a supremely confident liar that can get you killed:

https://www.theguardian.com/technology/2023/sep/01/mushroom-pickers-urged-to-avoid-foraging-books-on-amazon-that-appear-to-be-written-by-ai

The promises of AI are grossly oversold, including the promises Google makes, like its claim that its AI had discovered millions of useful new materials. In reality, the number of useful new materials Deepmind had discovered was zero:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

This is true of all of AI's most impressive demos. Often, "AI" turns out to be low-waged human workers in a distant call-center pretending to be robots:

https://pluralistic.net/2024/01/31/neural-interface-beta-tester/#tailfins

Sometimes, the AI robot dancing on stage turns out to literally be just a person in a robot suit pretending to be a robot:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

The AI video demos that represent "an existential threat to Hollywood filmmaking" turn out to be so cumbersome as to be practically useless (and vastly inferior to existing production techniques):

https://www.wheresyoured.at/expectations-versus-reality/

But let's take Google at its word. Let's stipulate that:

a) It can't fix search, only add a slop-filtering AI layer on top of it; and

b) The rest of the world will continue to let Google index its pages even if they derive no benefit from doing so; and

c) Google will shortly fix its AI, and all the lies about AI capabilities will be revealed to be premature truths that are finally realized.

AI search is still a bad idea. Because beyond all the obvious reasons that AI search is a terrible idea, there's a subtle – and incurable – defect in this plan: AI search – even excellent AI search – makes it far too easy for Google to cheat us, and Google can't stop cheating us.

Remember: enshittification isn't the result of worse people running tech companies today than in the years when tech services were good and useful. Rather, enshittification is rooted in the collapse of constraints that used to prevent those same people from making their services worse in service to increasing their profit margins:

https://pluralistic.net/2024/03/26/glitchbread/#electronic-shelf-tags

These companies always had the capacity to siphon value away from business customers (like publishers) and end-users (like searchers). That comes with the territory: digital businesses can alter their "business logic" from instant to instant, and for each user, allowing them to change payouts, prices and ranking. I call this "twiddling": turning the knobs on the system's back-end to make sure the house always wins:

https://pluralistic.net/2023/02/19/twiddler/

What changed wasn't the character of the leaders of these businesses, nor their capacity to cheat us. What changed was the consequences for cheating. When the tech companies merged to monopoly, they ceased to fear losing your business to a competitor.

Google's 90% search market share was attained by bribing everyone who operates a service or platform where you might encounter a search box to connect that box to Google. Spending tens of billions of dollars every year to make sure no one ever encounters a non-Google search is a cheaper way to retain your business than making sure Google is the very best search engine:

https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task

Competition was once a threat to Google; for years, its mantra was "competition is a click away." Today, competition is all but nonexistent.

Then the surveillance business consolidated into a small number of firms. Two companies dominate the commercial surveillance industry: Google and Meta, and they collude to rig the market:

https://en.wikipedia.org/wiki/Jedi_Blue

That consolidation inevitably leads to regulatory capture: shorn of competitive pressure, the companies that dominate the sector can converge on a single message to policymakers and use their monopoly profits to turn that message into policy:

https://pluralistic.net/2022/06/05/regulatory-capture/

This is why Google doesn't have to worry about privacy laws. They've successfully prevented the passage of a US federal consumer privacy law. The last time the US passed a federal consumer privacy law was in 1988. It's a law that bans video store clerks from telling the newspapers which VHS cassettes you rented:

https://en.wikipedia.org/wiki/Video_Privacy_Protection_Act

In Europe, Google's vast profits lets it fly an Irish flag of convenience, thus taking advantage of Ireland's tolerance for tax evasion and violations of European privacy law:

https://pluralistic.net/2023/05/15/finnegans-snooze/#dirty-old-town

Google doesn't fear competition, it doesn't fear regulation, and it also doesn't fear rival technologies. Google and its fellow Big Tech cartel members have expanded IP law to allow it to prevent third parties from reverse-engineer, hacking, or scraping its services. Google doesn't have to worry about ad-blocking, tracker blocking, or scrapers that filter out Google's lucrative, low-quality results:

https://locusmag.com/2020/09/cory-doctorow-ip/

Google doesn't fear competition, it doesn't fear regulation, it doesn't fear rival technology and it doesn't fear its workers. Google's workforce once enjoyed enormous sway over the company's direction, thanks to their scarcity and market power. But Google has outgrown its dependence on its workers, and lays them off in vast numbers, even as it increases its profits and pisses away tens of billions on stock buybacks:

https://pluralistic.net/2023/11/25/moral-injury/#enshittification

Google is fearless. It doesn't fear losing your business, or being punished by regulators, or being mired in guerrilla warfare with rival engineers. It certainly doesn't fear its workers.

Making search worse is good for Google. Reducing search quality increases the number of queries, and thus ads, that each user must make to find their answers:

https://pluralistic.net/2024/04/24/naming-names/#prabhakar-raghavan

If Google can make things worse for searchers without losing their business, it can make more money for itself. Without the discipline of markets, regulators, tech or workers, it has no impediment to transferring value from searchers and publishers to itself.

Which brings me back to AI search. When Google substitutes its own summaries for links to pages, it creates innumerable opportunities to charge publishers for preferential placement in those summaries.

This is true of any algorithmic feed: while such feeds are important – even vital – for making sense of huge amounts of information, they can also be used to play a high-speed shell-game that makes suckers out of the rest of us:

https://pluralistic.net/2024/05/11/for-you/#the-algorithm-tm

When you trust someone to summarize the truth for you, you become terribly vulnerable to their self-serving lies. In an ideal world, these intermediaries would be "fiduciaries," with a solemn (and legally binding) duty to put your interests ahead of their own:

https://pluralistic.net/2024/05/07/treacherous-computing/#rewilding-the-internet

But Google is clear that its first duty is to its shareholders: not to publishers, not to searchers, not to "partners" or employees.

AI search makes cheating so easy, and Google cheats so much. Indeed, the defects in AI give Google a readymade excuse for any apparent self-dealing: "we didn't tell you a lie because someone paid us to (for example, to recommend a product, or a hotel room, or a political point of view). Sure, they did pay us, but that was just an AI 'hallucination.'"

The existence of well-known AI hallucinations creates a zone of plausible deniability for even more enshittification of Google search. As Madeleine Clare Elish writes, AI serves as a "moral crumple zone":

https://estsjournal.org/index.php/ests/article/view/260

That's why, even if you're willing to believe that Google could make a great AI-based search, we can nevertheless be certain that they won't.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/15/they-trust-me-dumb-fucks/#ai-search

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

--

djhughman https://commons.wikimedia.org/wiki/File:Modular_synthesizer_-_%22Control_Voltage%22_electronic_music_shop_in_Portland_OR_-_School_Photos_PCC_%282015-05-23_12.43.01_by_djhughman%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[obsessedwhyyes]

Chasing Lightning

Summary: You've spent all day teasing, tempting, taunting - you've really tested Astarion's patience this time. But pushing his boundaries is your favourite past time. Now, here you are, over his knee, about to receive the punishment you longed for, all according to your devious plan. Not that you'd ever admit it, of course.

Rating: Explicit Word Count: 2003 Pairing: Astarion x Fem!Reader Content: Shameless smut, bratty reader, Dom!Astarion, spanking, light BDSM elements, rough sex, PiV.

Gif by silverformymonsters on Tumblr!

A/N: This, uh... Yeah, no, this is just shameless smut. I am so sorry. Behold, my spanking fic, written in a moment of madness.

You lay over his knee, eager, anticipating - a willing sacrifice on the altar of his desires. Each trail of his fingertips across the bare skin of your backside is a promise of what is to come.

You deserve this, you think to yourself. All your teasing, all your temptations. The way you pressed yourself against him when no one was looking, your face a pretty picture of faux innocence; the way you swayed your hips as you sauntered ahead of him, glancing back to meet his eyes, knowing they would be heavy with that predatorial hunger which ignites the flames of arousal deep in your belly. All part of your plan, which he is more than willing to oblige.

You hear Astarion’s voice, dark and dripping with honey.

“I propose a game, darling. A test of your intuition, shall we say?” You hear the wicked smile in his voice and it sends shivers of sweet anticipation coursing through your body. “I'll think of a number, one through ten, and you'll have to guess it based on how hard I spank you. Guess wrong, and I'll spank you again - the same strength - until you guess correctly. Understand?”

“Yes,” you breathe, wilfully yielding to him . There’s an intoxicating power in surrender. Your submission is a choice, freely given, and that makes it all the more potent.

In yielding, you become more. More alive, more aware, more you than you've ever been. The world narrows to the point of contact where his hand meets your skin. You are the ocean, and Astarion the moon, pulling you into new shapes with the inexorable force of the tide.

“Very good,” he purrs. His thumb rubs the gentlest of circles on your wrists as he binds them behind you with his spare hand. “Of course, if it becomes too much, just say the word. I can be merciful… on occasion.”

The game begins, a dance of unseen touches and breathless anticipations. Astarion’s hand hovers above you, its presence like the charge before a lightning strike.

“Let’s start with a simple one, shall we?”

His touch against your bare arse is a whisper at first, cool fingertips ghosting across your skin. More caress than slap. You shiver, every nerve alight with anticipation.

“One,” you murmur, more exhale than voice.

Astarion’s chuckle vibrates through you, a low rumble that you feel more than hear as you bury your face into the fabric of his shirt. “Oh, my dear. We’re barely getting started.”

The next strike lands with purpose - a sharp, precise sensation that blooms across your skin. It’s not quite pain, not quite pleasure, but something exquisitely in between that draws a gasp from your lips.

“Four?” you venture.

“Warm, but not quite.”

He strikes - the same strength once more, as promised.

“Three!” you gasp, revelation and pleasure mingling in your voice.

“Good girl,” Astarion praises and gods, how those words affect you. They sink into your skin, sweeter than honey, headier than wine. You crave his approval like air, each word of praise stoking the flames of your arousal higher.

The dance continues, each strike a new verse in this poem written on your skin.

Smack.

Five is a starburst of sensation. You feel this once, twice, three times until you finally guess correctly.

Smack.

Seven lands with the force of a thunderclap, reverberating through your body and leaving you trembling in its wake.

Smack.

Nine leaves you gasping, teetering on the knife-edge between pleasure and pain. The sting melts into a deep, throbbing warmth that pulses in time with your racing heart.

With each strike, each caress, the heat builds, a delicious tension coiling tighter in your core.

Four. Two. Six. Six again. Eight.

You find yourself arching slightly into his touch, eager for more, your body's reactions beyond your control.

Then, finally, comes ten.

It cracks across your flesh like lightning splitting the night sky, a white-hot streak of sensation that sears itself into your very soul. For a moment, the world whites out, every nerve ending alight with electric sensation. You cry out as the sensations overwhelm you, the number torn from your lips. The pain is exquisite, pushing you to the very limits of your endurance.

In the aftermath, you float in a sea of endorphins, your body humming with the echoes of Astarion's touch. Each point of contact throbs in time with your racing heart, a map of exquisite sensation etched onto your inflamed skin.

His cool hand soothes over the heated skin. The contrast sends fresh shivers through you, and you moan gently in response, despite yourself. Your skin is hypersensitive, your mind a mess of exhilaration and desire, eager for more, more, more.

Through the haze of lust, Astarion's voice chimes clear. “My, my. Such enthusiasm,” he purrs. “Tell me, darling, did you spend all day dreaming of this? Because I certainly did… in excruciating detail.”

You turn on his lap to look up into his eyes, suppressing a smile. “Who, me? I would never!”

Astarion's eyebrow arches, smirking at your obvious lie. “Is that so? So the way you rubbed yourself against me all morning like a worg in heat was just a coincidence, was it?”

You can't help but giggle at his accusation, which only seems to fuel his amusement.

“Do you have any idea how long you left me aching today?”

“I'm sorry,” you pout.

“Sorry who?”

“I’m sorry, Astarion.”

You don't mean it. And he knows it.

You could be good - a sweet, obedient little thing. But to be bad - to challenge him, to tease him, to test his patience until he finally brings you to heel - why, that's just so much more fun.

“That’s better,” he coos, his voice and his praise caressing you like silk along your skin as he gazes back at you, expression equal parts warmth and something much darker - hungrier - beneath. “Cheeky little pup."

He pauses, and the air becomes heavy with anticipation.

“But I'm not done with you yet.”

He rises and shifts you in a blur of motion, bending you over the edge of the bed, leaving your face buried in the soft sheets. Suddenly, you're exposed to him, your arousal on full display, and you feel the air against your hypersensitive flesh. Yet, in this moment, there is no place you would rather be than at his mercy. You are eager, dripping with expectation.

In the midst of your lustful haze, you hear the rustling of clothes - the familiar sound of his trousers unlaced. It sends your imagination soaring. Your core aches with what is to come.

But Astarion, the cruel man he is, doesn't enter you. Not yet.

Instead, you feel the head of his cock slide maddeningly, agonisingly slowly up the slit of you. You feel him become slick with your arousal as he slides down, and back up your slit once more, just barely skimming your clit, which throbs desperately with need. Such delicate, teasing touches - enough to drive you to madness.

“Do you want it?” He purrs.

“Mmhm,” you mumble pathetically into the fabric.

“Tell me, love.”

“I want–”

He inserts himself before you finish, colliding with you with the force of planets, stealing the breath from your lungs. The union is electric, a completion so intense that it borders on painful.

His desperation is evident, at odds with the image of restraint he was attempting to conjure as he ruts into you with wild abandon. His hands are everywhere at once, desperate and searching. Your own fingers claw at the fabric of the bedsheets, mindlessly, drunk on the sensation of him.

Astarion’s hands soon settle on your hips, pulling you to him as you collide again, again, again. You aid him, pushing yourself against his hips with each thrust, needing to be closer, always closer. You move together in a frenzy, chasing that elusive peak with single-minded determination. The world beyond ceases to exist; there is only this moment, this need, this all-consuming desire.

Breaths come in ragged gasps and are punctuated by moans and whispered pleas. “More,” you beg; “please,” you exclaim, though you're not sure how he could possibly get any closer, any deeper within you.

You feel his hand slide beneath you, and you lift your hips to greet him. Your throbbing clit welcomes his expert touch as he begins to unravel you as easily as he picks locks. He rubs circles around the bud, gently, in stark contrast to his wild rutting - indicative of the tiniest threads of self-restraint which remain within him, spared only to bring you to your peak. But gods, in the heat of the moment, you are especially sensitive, and his touch quickly brings forth rippling waves of sensation which threaten to overwhelm you. Your body twitches of its own accord and you know your climax fast approaches.

Your own voice surprises you, high and desperate. Soft whimpers escape your lips, growing in intensity and frequency as the tension builds.

Behind you, Astarion's sounds are a primal counterpoint to your own. His usual smooth tones are roughened by desire, a gravelly undertone that sends shivers down your spine. Low growls rumble from his chest - they speak of a hunger barely contained.

As you both near the edge, your voices mingle and intertwine. The sounds blur together - gasps and moans, growls and whimpers. The volume rises, unchecked and unashamed. You care not who hears you now.

It is you who first reaches the point of no return. A cry escapes your lips, raw and primal. Your body quakes, and pleasure crashes over you, a torrent of sensation that drenches every nerve ending. You're swept away in the deluge, currents of bliss pulling you under, spinning you in their depths.

His release soon follows and, although you don't see him, you feel the intensity in the air, in his increasingly erratic pounding, in his breaths. A growl rumbles from deep in his chest, vibrating through your bodies like rolling thunder. His grip on you tightens, fingers digging into your flesh as he releases into you, claiming you as part of his tempest.

He collapses against your back. His weight is solid and grounding like the calm after the storm. He pants slightly, aftershocks rippling through you both like distant thunder.

Slowly, the world comes back into focus.

Astarion's weight shifts behind you as his arm drapes lazily over your wrist. You feel his cool lips brush against your ear, and he nips it gently.

“If I didn’t know any better,” he muses, “I would say you enjoy being punished.”

You can’t help but laugh, the sound still slightly breathless. “If that’s what I get for misbehaving, I might have to do it more often.”

"Careful what you wish for, darling," he murmurs, and you can hear the smirk in his voice. "I have a whole arsenal of 'punishments' at my disposal. This was merely a taste."

“Is that a promise or a threat?”

“Why not both?” he replies, his tone rich with suggestion. “I do so enjoy keeping you on your toes.”

As he rises to his feet and helps you to yours, he kisses you, his gentleness a stark contrast from your earlier activities. Where there was an inferno, now there is now the warming comfort of the hearth. Where there was urgency, now there is patience. Eventually, you find yourselves settled once more, cocooned in the soft comfort of the bed. The lingering scent of your encounter mingles with the fresh smell of clean linens, a heady reminder of the night's activities.

“Alright?” Astarion’s voice is soft.

You nod, words unnecessary in this moment.

As you nestle closer to him, a contented sigh escapes your lips. Being bad certainly has its thrills. But these moments, wrapped in Astarion’s arms - these are treasures in their own right. The mischievous spark in you knows you'll seek out more opportunities to 'misbehave', but for now, you revel in this gentle aftermath, every bit as intoxicating as the storm that preceded it.

No Pressure Tags: @silverfangmarks @roguishcat @sparrowbard @chonkercatto

Masterlist can be found here.

[slayfk]

does having my horse descriptions stolen by a big horse twitter account mean i’ve made it big …

sigh … i got them to take these two down at least, but i had to call each one out individually to them for them to do it and they said it was just an accident that they were extremely similar and that a conscious effort had been made to NOT make them similar… i feel bad making like an actual “callout” since they took the posts down and said they felt bad but when i contacted them about it they only took one post down until i specifically asked them about another so they seemed to be trying to just get away with what they could...unsure

i'm not upset about the images because the purpose of the horseimagebarn (aside from funny descriptions) is to sort and archive horse images so people can find the exact kind of horse image they're looking for with ease...what bothers me (as i am not exactly "upset" as that's a bit intense, more just annoyed and disappointed) is the use of my descriptions

i surprisingly put a lot of effort into my posts so it sucks to see someone with one of the biggest horse image/meme accounts on twitter that i previously really enjoyed and looked up to all of a sudden start stealing my posts and even when they don’t, they use really similar tone and phrasing to mine which would be fine on its own but combined with the stealing it makes me feel very strange like someone is just trying to be me somewhere else and getting a lot more attention for it (attention is not why i do this, but it's just like an extra kick to the penis to see them have so much of it for my work!!)

p.s. to combat this i did make a horseimagebarn twitter just to repost screenshots of my posts as it feels wrong to be upset about plagiarism on a platform i am not on, and maybe if that account sees that i am active there they'll stop rewording my posts … so i’ll just be reposting my stuff there to hopefully prevent something like this from happening again :,) there won't be any new content on twitter as tumblr is my home and i care about it one horsillion times more so don't worry, this is literally just to repost my tumblr posts to discourage further plagiarism

not telling you to follow that because i really don't care about that and it's the same content as here but i wanted to inform you in case you see someone with the @ horseimagebarn on twitter that's me don't worry

anyway yeah... if you know which account i am talking about don't harass them because i do NOT want to be the one to start horse image community drama (dischorse as we have coined it), hopefully they'll go back to their original style of post and it'll all be okay!! shoutout to my wonderful friends in the horseblr discord for helping me check the account and figure out the plagiarized posts i love you fellows

[leveragehunters]

Downloading fanfic from AO3

I've been downloading a lot of fanfic lately for personal archival purposes, and I figured I'd share how I do it in case it's useful to anyone else (and so I have it written down in case I forget!).

There are lots of different ways to save fic, including the file download built into AO3, but I find that this gives me the nicest ebooks in the most efficient way.

(Under a cut cause long.)

Download Calibre: https://calibre-ebook.com/ or (clickable link).

Calibre is about the best ebook management and control program around and it's free. You can get it for windows, mac, and linux or download and run it from a portable storage device (I'm using a windows PC).

Install it and run it. It's gonna ask you where you want to put your library. Dealer's choice on this one. I recommend your internal drive (and then back up to external/cloud), but YMMV.

If you want to keep fanfic separate from the rest of your ebooks, you can create multiple libraries. I do, and my libraries are creatively named 'Books' and 'Fic'.

Customise Calibre

Now you're gonna install some plugins. Go to Preferences on the menu bar (far right), click its little side arrow, then choose 'Get plugins to enhance Calibre'.

At the top right of the box that pops up is 'Filter by name'. The plugins you want to get are:

EpubMerge

FanFicFare

Install them one at a time. It will ask you where you want them. I recommend 'the main bar' and 'the main bar when device is attached' (should be selected by default). When you're done, close and reopen Calibre.

The plugins you just installed should appear on the far right of the toolbar, but if you can't see one or both of them, fear not! Just click Preferences (the button, not the side arrow), then Toolbars and Menus (in the 'Interface' section) then choose the main toolbar from the drop down menu. That will let you add and remove things - I suggest getting rid of Donate, Connect Share, and News. That'll leave you room to add your new plugins to the menu bar.

(Do donate, though, if you can afford it. This is a hell of a program.)

Now you're ready to start saving your fave fanfic!

Saving fanfic

I'll go through both methods I use, but pick whatever makes you happy (and/or works best for what you're downloading).

ETA: if the fics are locked you can't easily use FanFicFare. Skip down to the next section. (It does ask for a username/password if you try and get a locked fic, but it's never worked for me - I had to edit the personal.ini in the configuration options, and even then it skips locked fics in a series.)

Calibre and FanFicFare

You can work from entirely within Calibre using the FanFicFare plugin. Just click its side arrow and pick from the menu. The three main options I use are download from URL, make anthology from a webpage, and update story/anthology.

Download from URL: pick Download from URL (or just click the FanFicFare button) and paste the fic's URL into the box (if you've copied it to your clipboard, it will be there automatically). You can do more than one fic at a time - just paste the URLs in one after the other (each on a new line). When you're done, make sure you have the output format you want and then go.

Make Anthology Epub From Web Page: if you want a whole series as a single ebook, pick Anthology Options, then Make Anthology Epub From Webpage. Paste the series URL into the box (if you've copied it to your clipboard, it will be there automatically), click okay when it displays the story URLs, check your output format and go.

Update series/anthology: if you downloaded an unfinished fic or series and the author updates, you can automatically add the update to your ebook. Just click on the ebook in Calibre, open the FanFicFare menu using its side arrow, and select either Update Existing FanFic Books or Anthology Options, Update Anthology epub. Okay the URLs and/or the output format, then go.

Any fic downloaded using FanFicFare will be given an automatically generated Calibre cover. You can change the cover and the metadata by right clicking on the title and picking edit metadata. You can do it individually, to change the cover or anything else specific to that ebook, or in bulk, which is great for adding a tag or series name to multiple fics. Make sure you generate a new cover if you change the metadata.

Browser plugins, Calibre, and EpubMerge

You can also use a browser addon/plugin to download from AO3. I use FicLab (Firefox/Chrome), but I believe there's others. FicLab: https://www.ficlab.com/ (clickable link).

FicLab puts a 'Save' button next to fic when you're looking at a list of fics, eg search results, series page, author's work list etc. Just click the 'Save' button, adjust the settings, and download the fic. You can also use it from within the fic by clicking the toolbar icon and running it.

FicLab is great if you're reading and come across a fic you want to save. It also generates a much nicer (IMO) cover than Calibre.

You can add the downloaded fic to Calibre (just drag and drop) or save it wherever. The advantage to dropping it into Calibre is that all your fic stays nicely organised, you can adjust the metadata, and you can easily combine fics.

Combining fics

You can combine multiple fics into an anthology using EpubMerge. This is great if you want a single ebook of an author's short fics, or their AUs, or their fics in a specific ship that aren't part of a series. (It only works on epubs, so if you've saved as some other format, you'll need to convert using Calibre's Convert books button.)

Select the ones you want to combine, click EpubMerge, adjust the order if necessary, and go.

The cover of the merged epubs will be the cover of the first fic in the merge list. You can add a new cover by editing the metadata and generating a new cover.

Combing with FanFicFare

You can also combine nonseries fics using FanFicFare's Make Anthology ePub from URLs option by pasting the individual fic URLs into the box.

Where there's more than a few fics, I find it easier to download them with FicLab and combine them with EpubMerge, and I prefer keeping both the combined and the individual versions of fic, but again YMMV.

Reconverting and Converting

Once I'm done fussing, I reconvert the ebook to the same format, to ensure everything is embedded in the file. Is this necessary? YMMV, but it's a quick and easy step that does zero harm.

If you don't want your final ebook to be an epub, just convert it to whatever format you like.

Disclaimers

Save fanfic for your own personal enjoyment/offline reading/safeguarding against the future. If it's not your fic, don't distribute it, or upload it to other sites, or otherwise be a dick. Especially if the author deletes it. Respect their wishes and their rights.

This may work on other fanfic sites, eg FFN, but I've never tried so I don't know.

If you download a fic, do leave the author a kudo or a comment; you'll make them so happy.

This is how I save fic. I'm not pretending it's the only way, or even the best way! This is just the way that works for me.

[silenzahra]

⚡ An electrical aura ⚡

Ah, it feels so good to be back with a new story after so long! 😌

As I mentioned here, in this fic you will find one of my favorite topics to consume in any kind of fanwork:

✨⚡ Protective Luigi ⚡✨

I would've liked to post this story a couple of days ago to coincide with Mario and Luigi's birthday (even though the story has nothing to do with the date itself) as a way of celebrating their bond as brothers that we all love and adore so much 🥹💚❤️

Still, I'm glad I can share it now as this is one of the many fanfics I've been planning to write... for more than a year 😶

And at long last, here it is! 😄

@pepperycar @bberetd @vulpixfairy1985 @megamagimugi @roscolate

@peaches2217 @zocchini37 @itsavee4117 @keakruiser @multicolour-ink

@dragon-fly34 @eleventhhourfactor @stripetkattelalala54-gf @kelbreyworshipper @doodleydoo101

@c-lavanda @teegeeteegee and anyone else who might be interested: hope you enjoy! 💖

And as always: you can keep reading under the cut if you'd like! 👇

(Please remember that likes, comments, kudos, reblogs and any kind of feedback is always more than welcome 🥰)

⚡ An electrical aura ⚡

TW: Blood, violence (not too much though)

Luigi doesn't like being separated from his brother.

It was hard enough having to leave him behind when he got sick to go in search of the antidote. Luigi swallows as he remembers how scared he was when he saw Mario's skin turn green after consuming that strange mushroom and how his feet practically flew to the Mushroom Kingdom embassy, carrying his twin in his arms, to take him to the princess and try to get him help.

This time, however, at least Luigi has the comfort and relief of knowing that his brother is safe, even if he’s not at his side.

The moment they came across that first barred door, Luigi immediately understood that his twin wouldn’t have a chance to follow him, that he’d have to go on alone and that Mario would have to find his own way. Luigi gave him a glance full of consternation and, for a very brief moment, his brother returned exactly the same look. Before, of course, forcing himself to hide it so as not to show discouragement in front of his little brother and, instead, give him a reassuring grin.

Luigi smiles to himself as a pleasant tenderness spreads across his chest and warms his heart. That's his big brother: always ready to appear strong and confident to protect his younger sibling and not to worry him, all with the purpose of preventing Luigi’s anxiety from getting any worse.

Looking around, Luigi puts his hands to his chest in some sort of reflex action, trying to keep the warmth that the thought of his brother brings up inside him. For, not to his luck, everything around him is ice and more ice. Joke’s End is an inhospitable, deserted, cold place. It certainly serves its purpose of functioning as a kind of graveyard for jokes, for while the other places in the Beanbean Kingdom that he and Mario have visited had much more cheerful names and were also full of life, this place is far from the mainland and, except for the monsters and that strange blue girl with the scepter that has greeted them, it’s also the loneliest place in the entire kingdom.

Luigi hugs himself as he continues looking at his surroundings with a parched throat and a sense of dread growing inside him. He’s never felt so alone in his entire life.

He only hopes that this ordeal is about to end. He followed the path marked by the place itself, hit the necessary blocks and battled alone against various monsters, despite the insecurity produced by not having his twin with him so that they could perform their combined attacks.

Not to mention the several occasions on which he’s been able to see Mario through a barred door without either of them finding a way to bridge the distance between them. All those times, Luigi has clung to the bars as if he could make them disappear in his fingers so he could finally be reunited with his brother, and Mario hasn’t hesitated to approach him and place his hands on his twin’s, gazing at him affectionately while he gave him words of encouragement and, again, smiles filled with confidence.

“Soon we'll be together, Lu,” he assured him, and Luigi could practically touch the certainty that permeated every word his brother spoke. “We'll soon find a way, you'll see.”

Despite his anxiety and his many insecurities, Luigi has never doubted Mario. He always believes in his promises, unquestioningly, because he knows that his twin wouldn't tell him if he didn't truly believe in them and if he wasn't willing to do everything in his power to keep them.

And he always does. Mario has never, ever failed Luigi. Not once in their entire lives.

Therefore, Luigi trusts. He trusts Mario blindly, just as he has since the day they were born, and he’ll continue to trust him until the day he dies.

So that's what keeps him going: the certitude that Mario's words will come true sooner or later. The assurance that everything his brother tells him is as true as the sun will always rise at the end of the darkest night and the light will shine again. Just as bright as Mario’s smile.

This time, whether they manage to reunite depends on a strange puzzle that, once again, they must solve by working together, even though they’re physically separated. This is not the first time, of course: when they’ve seen each other through barred doors, it’s been because they had to hit twin blocks in unison in order to activate different mechanisms, and there have even been times when they haven’t been able to see one another but have felt each other's presence through the thick walls of ice that make up Joke’s End.

As Luigi hits this last block, he hears a sound coming from outside. Both he and Mario have just crossed walkways that ran parallel to each other and converged at two different doors in the building, and they’ve helped each other to move forward until they’ve reached, at least in Luigi's case, a dead-end room. After hitting the block, Luigi retraces his steps towards the walkway he has just crossed and discovers that a frozen bridge has emerged between the two.

“Yes!”

Luigi can't and won't hold back the squeal of relief and excitement that bubbles up from his throat. Without wasting any time, he runs across the footbridge to cross to the other side and begins to follow the path that Mario must have taken. He wonders if he’ll bump into his sibling, if he too has started running, if he’s as eager as Luigi is to hold him in his arms. The smile on the younger plumber’s face widens, for he’s sure that Mario feels the same way. He’s about to join his big brother in a tight embrace, and this time, he won’t let Mario get away from him again.

Then, as he climbs up some latticed platforms, a high-pitched scream rings in his ears and is suddenly cut off.

Due to the surprise, Luigi almost stops in his tracks as he feels how the air escapes from his lungs and an icy fist grips his heart. And it has nothing to do with the cold prevailing in the place.

It only takes him a moment, however, to resume running, giving his legs more speed.

“Mario!”

He leaps over some ice blocks and manages to reach the next room. He skids across the ice when he realizes that he’s at a high location and that, to his right and left, there are two sets of steps leading down to the bottom of the room.

And down there, right in the middle, is Mario.

The blood runs cold in Luigi's veins as he discovers his brother lying on the ground, completely motionless, with traces of dirt on his clothes and a red stain crowning his forehead, his hat fallen just short of his head. With a horrified gasp, Luigi doesn't give it a second thought: he runs to the edge of the step, bends down and jumps, landing in a crouch a short distance from where Mario lays. He moves practically on all fours towards his twin, his heart pounding in his chest and his eyes so wide that he thinks they'll end up popping out of their sockets.

“Mario,” he mumbles in a nervous whisper.

He carefully places a hand under Mario's head and slowly lifts him up as he slides his knees under his body to try to give him some comfort. He pulls him closer as he continues to whisper his name, but his brother does not respond. There’s blood on his neck and one of his knees, Luigi notices. Feeling the anguish growing inside him, he examines the crimson stain on Mario's forehead, as it seems to be the most serious wound. His white glove is immediately covered in red. Wheezing, Luigi raises his hand in front of his face and stares at it, blinking in awe, as if his brain is having trouble processing what his eyes are seeing.

Mario's blood coats Luigi’s fingers.

The distress that floods him begins to transform, little by little, into something different. Something that causes small sparks of electricity to sizzle around him.

It is then that he becomes aware of their presence.

Luigi blinks a little to focus his eyes, as they’re blurry, he doesn't know why, and lowers his hand without any haste. He places it protectively on Mario's chest, which, fortunately, rises and falls, evidence that he continues to breathe, albeit slowly and heavily. Luigi pulls him a little closer to himself, his hand still holding his twin's head with extreme care. His breathing is getting more and more arduous and laborious, and his cheeks are getting wet, but he’s not even aware of it.

In front of him stand three of the many monsters that plague the place. Luigi has faced several of them before, both alone and in the company of his brother, so he recognizes them immediately. A Glurp, which spews toxic clouds that have on occasion poisoned him or Mario, causing his sibling to be extremely grateful for Luigi's efforts to carry extra Refreshing Herbs in their luggage. An Ice Snifit, whose spiky chunks of ice have frozen his soul and against which only his brother's Firebrand has been effective enough to eradicate its effects.

And lastly... a Clumph.

His green skin makes Luigi think of a nurse’s uniform. His purple hair reminds him of a bunch of grapes.

And finally... that huge club that he carries everywhere.

In all likelihood, this Clumph is the main reason why his big brother is lying unconscious in his arms.

Out of pure instinct, Luigi squeezes Mario a little tighter as his brow furrows. How dare that damned Clumph hurt his twin in such a way. How dare he stand there, in front of him, carrying his club on his shoulder as if he hadn't just dealt it with all his might on Mario's forehead. How dare he give him that goofy look with which he pretends to be completely innocent.

How dare he.

“How dare you,” Luigi mumbles without even being aware of it.

The particles of electricity around Luigi have increased in intensity and power. His breathing has accelerated so much that snorts escape from his mouth, and the hair on his arms has bristled under his green shirt. The plumber hears the roar of thunder, but he can’t tell where it comes from. He does take a glimpse of a glow that illuminates the place green, though. Without taking his eyes off the Clumph, Luigi reaches an arm over Mario to grab his brother’s hat and places it under his twin’s head as he lays him extremely gently on the ground. Then, taking his time, he stands up. His enemies don't miss his every move either, the Ice Snifit and Glurp ready to attack.

Luigi, however, is not going to give them the slightest chance.

His veins burn so much that he feels like he's going to explode at any moment. Rage has invaded every inch of his body and is spreading through his nerve endings like a thunderstorm that threatens to burst and destroy him in the process.

Luigi is more than willing to let it out.

He can't remember ever feeling this way, either before or after acquiring his Thunderhand, but he's not going to hold back. These enemies dared to touch his brother. They dared to attack him when Luigi was finally on his way to reunite with him. They dared to inflict Mario a wound that has robbed him of consciousness. They dared to spill his blood.

It will be the last thing they will do in their lives.

Anger controls his every move when Luigi unhurriedly steps over Mario's body and walks heavily towards his rivals, as if he were nothing more than a puppet in the hands of the strongest wrath. Although they try to look determined and ready to fight, the monsters sense the aura that surrounds Luigi, the aura of someone who is willing to do anything to get revenge, the aura of someone who will stop at nothing to protect what is most precious to him in the world.

An electrical aura that brings thunder at lightning in its wake.

As he walks, Luigi clenches his fists at his sides and rebellious sparks escape from them. He feels that both his mustache and his hair under his hat have bristled, and his cheeks are now so dampened that he feels them cold, but he doesn't care. He continues to move, his breathing harsh and uneasy, his heart pounding in his chest, and he feels an unexpected surge of satisfaction sweep over him when he realizes that his enemies, cornered, have bumped into the icy wall of the building surrounding them.

They have no escape.

Luigi's fury, on the other hand, does.

Growling under his breath, the plumber closes his eyes and allows the energy pulsing in his veins to take complete control.

His arms rise up, his palms pointing towards his enemies. Electricity courses through his body, surging from deep within him and rushing to his hands. Against all odds, a sense of warm calm invades Luigi as he feels his electric magic dance up and down, flooding every inch of his body, reaching every corner of his essence and causing a fleeting smile to play across his lips.

He has never felt so powerful.

Before the first streak bursts from Luigi's fingertips, his eyelids part, but there’s no trace of pupil in his gaze.

There’s only room for electricity.

Luigi's eyes are entirely white as his power begins, at last, to be released. Jets of light, sometimes blue, sometimes green, emerge from his hands, lethal, deadly, and it takes Luigi a moment to realize that he’s begun to emit a low snarl that, gradually, turns into a scream with which he frees all the emotions that boil inside him. The fear of losing his brother. The rage for what they’ve done to him. The thirst for revenge, which had never before blinded him so much.

In fact, Luigi realizes that everything he sees is white. An immaculate white, dotted with sizzling green and blue flashes, which prevent him from checking what his magic is doing, what his hands are causing. Nor is he able to perceive any sound, as if his ears were underwater, in a completely silent limbo that has cut him off from the outside world.

However, he quickly decides that he doesn't care. He doesn't care, because he feels invincible. He’s filled with fierce drive that fuels his power and begs him to go on, to not stop, to continue giving it free rein. The euphoria of the moment is so strong that it becomes addictive, something Luigi clings to with all his might.

It's all for his brother.

Mario deserves that and more. Mario deserves the whole world.

Despite Luigi’s blindness, which, he hopes, is temporary, the image of his twin appears clearly in front of him. His beloved Mario, always so cheerful and smiling, always ready to fight for those he loves, always ready for battle. Always determined to protect Luigi and spare him all harm, but also full of unshakable faith in his little sibling.

A faith that has always been Luigi's driving force throughout his entire life.

If it were not for Mario, Luigi simply wouldn’t believe in himself. If it were not for Mario, Luigi wouldn’t have learned to fight, both for himself and for those he loves. If it were not for Mario, Luigi would not be who he is today.

If it weren't for Mario, Luigi wouldn't be here right now.

So he's not going to give up. He’ll continue to defend his brother the same way Mario has always defended him. He won't let those damn monsters get close to his sibling again. He won't let them get a chance to hurt him again.

He won't let them get away with it.

However, as he unleashes all his power and his unstoppable energy travels through his body and gushes from his hands, Luigi empties himself. He empties himself of the fear of losing Mario forever. He empties himself of all his anger, of all his resentment against the beings who have dared to harm his twin. He empties himself of all his thirst for revenge.

And he empties himself, also, of his electric magic.

Which carries with it a great part of his vitality.

Luigi blinks several times as the sparks around his vision begin to dim and the blinding white gradually fades. Before he can see anything, however, he notices his knees hit the icy ground, his legs unable to support him, and he begins to become aware of the noisy panting he’s emitting. He closes his eyes again and squeezes his eyelids tightly shut as he brings a hand to his chest in an attempt to calm his racing heart and regulate his rapid breathing. His entire body trembles violently, and he continues to see sparks, only, this time, there’s no trace of those green and blue flashes in them. All he sees is blackness and darkness.

A darkness so enveloping that it threatens to drag him into the deepest and most absolute unconsciousness.

Despite his exhaustion, Luigi can’t afford to faint now. This is no time to rest. He has to check what has happened while he was in that kind of electric trance, what has become of his enemies. He has to check in on Mario.

His brother needs him.

But the darkness is so tempting... What if he only lets himself be dragged along for a moment? Just enough to rest and regain his strength. Besides, his eyes are already closed. What's the difference if—?

“Lu?”

Luigi's eyelids flutter open as he lifts his head with a jerk. He only takes a moment to gaze at the frozen wall in front of him, empty, which makes him imagine that the monsters must have fled, frightened by the fierceness of his power.

But that’s not important now.

His head turns at lightning speed as he compels his exhausted limbs to move. In the midst of his wheezing, a wide grin blooms on his face as his eyes meet another pair, of the same limpid blue, gazing up at him in awe.

“Mario!” he exclaims.

Not wanting to waste any time, he propels himself onto the icy ground to stand up, only to drop to his knees again two seconds later, this time next to Mario. His brother watches him with half-opened eyes and a tired smile glistening on his lips as well. Luigi places a hand in his sibling’s hair, careful not to touch his wound so as not to hurt him more, and his heart fills with joy as he notices how his twin reaches for his hand.

When their fingers intertwine, they join with a force more sweeping than that of a hurricane and more intense than that of the most devastating thunderstorm.

“How are you feeling?”

“Was it you?”

The brothers share a few knowing laughs when they realize that they’ve spoken at the same time. They look at each other fondly, amused, and Luigi, feeling his heart calm at last, gladly gives the floor to his twin.

“I'm a little dizzy,” Mario confesses, his voice a faint murmur. “It hurts...”

He attempts to bring his free hand to his forehead, but Luigi gently restrains him.

“Don't touch it,” he asks, concerned. “You’re wounded, but I'm sure this will help.”

He begins to rummage in his pockets without letting go of his brother's fingers. He doesn't notice that his twin can’t take his eyes off him.

“Was it you, Luigi?” he asks again.

“What do you mean?” Luigi asks, pulling the fabric of his right pocket to try to get a glimpse of its contents.

“The electric shock,” says Mario. “I woke up and saw... Lightning bolts. Electricity. Blue... Green. And... I heard thunder.”

Luigi notices that his brother struggles to speak. Stressed, he begins to rummage in the chest pocket of his overalls, ignoring the fact that he feels exhausted too. Where the heck did he put them?

“Luigi.”

His twin's voice, tinged with a certain urgency, as well as the squeeze he gives his hand, cause Luigi to finally look up. He’s speechless when he notices the fixed, penetrating glance, bursting with curiosity, that Mario is giving him. He can’t help but be slightly startled and even blush, and immediately resumes his search.

“I-I don't know what happened,” he mumbles nervously, and he’s not lying.

“Lu, did you...?” Mario takes a few seconds to ask his question. “Did you just unleash a thunderstorm?”

As his fingers finally grab the 1-UP Super he was looking for, Luigi closes his eyes for a moment and takes a deep breath.

The truth is that he has no idea what just happened. He only knows that several emotions swirled inside him the moment he saw Mario's blood staining his glove red, and that he experienced them in a more overwhelming and powerful way than ever before. He’s never felt that fire in his chest, that tingling in his arms, that sensation of being unstoppable that has taken over his soul and has demanded to gush from his hands with more force than ever.

Luigi had no clue he was capable of such a thing.

“Lu?”

Mario's voice urges him to open his eyes again. His heart shrinks in his chest as soon as he notices the lingering worry in his brother's eyes, not yet completely lucid, but enough to be worried by his silence. Luigi tries to smile and shrugs as he holds out the mushroom.

“It's nothing,” he assures his twin. “I'm fine, but you're not. Eat this.”

“Luigi.” Mario lifts his other hand to push away the shroom. “Tell me what happened. Please. What did I see?”

Luigi will never cease to be amazed that his brother, even with a bleeding wound on his forehead, can still display his innate strength. He knows Mario too well to know that he will never give up, that he’d still want to talk to him about what happened even if he were on the verge of unconsciousness. So, defeated, Luigi offers him a deal.

“Eat this,” he repeats, “and we’ll talk about it.”

Fortunately, his suggestion seems to appease Mario. After watching him for a few seconds, his brother eventually lowers his hand and allows Luigi to give him the 1-UP Super. Luigi knows how much his sibling dislikes the taste of mushrooms, but by now Mario has learned to tolerate it: he closes his eyes and swallows them almost all at once, and always lets out a little whimper of protest that warms Luigi's heart. Mario may be his older brother, he may be the bravest and most capable person he knows, he may have always protected him since they were little, but in some ways he still reminds him of a child.

And yet Luigi admires his sibling for being able to eat something he doesn't like. He struggles every time.

Within seconds, Mario's wound begins to heal. Luigi watches, dumbfounded, as the blood recedes and the skin practically regenerates, eliciting a small grunt from Mario that causes Luigi to squeeze his hand and stroke his hair in an attempt to comfort him. His brother purses his lips as he squeezes back, and Luigi smiles as he witnesses Mario trying to contain the pain and not show himself vulnerable despite the fact that, here and now, it's just the two of them.

To Mario's relief, the shroom soon completes its magic. With his forehead completely healed, Mario opens his eyes, once again glowing with his distinctive energy and vitality, and rests them on his twin. Luigi, however, is so relieved to finally see his older brother safe and sound that, as soon as he begins to sit up, Luigi throws his arms around Mario’s neck.

He doesn't even realize that he’s started to cry until he tries to speak and the lump in his throat prevents him from doing so.

Mario's laughter is like a balm that warms his heart. His brother laughs fondly and puts an arm around Luigi while he raises his other hand to pat him affectionately on his head. Still hugging him, Luigi smiles, and a strangled chuckle escapes his system as he swallows to try to quiet his crying.

“It's good to see you too, little brother,” Mario whispers.

He presses his cheek against Luigi's and Luigi closes his eyes, his heart fluttering in his chest. There's no telling where his smile ends and Mario's begins. He could stay like this forever, clinging to his sibling and feeling his twin's arms around him, providing him with a warmth more intense and comforting than that of the most blazing fire as they protect each other from any evil coming from the outside world.

Luigi needs nothing else to live.

After a few seconds, Luigi notices that his brother tries to pull apart from him to look him in the eye, but the younger plumber finds himself unable to stand up straight. His whole body feels strangely limp, as if it didn’t belong to him, and it’s impossible for him to do something as simple as opening his eyes.

Luigi then realizes that the fatigue caused by the force with which his electric magic has emerged from his body is causing the upper part of his body to slip to Joke’s End’s cold, icy floor, as both him and Mario are still on his knees, and he finds himself unable to break his fall. Mario's voice, full of alarm at his little brother’s condition, reaches Luigi’s ears muffled, and he just can’t make out his twin’s words. He does feel how Mario holds him tightly with one arm, trying to ground him, and Luigi finds himself clinging to him with what little strength he has left in his body. He rests his head on his twin's shoulder while he closes his eyelids, just for an instant, to rest for five minutes, nothing more.

For this reason he’s unable to resist when he notices that Mario brings something to his lips. Without hesitating, Luigi opens his mouth and allows his brother to give him what the green clad plumber immediately distinguishes as a 1-UP Super. He’s barely swallowed it when he begins to feel its effects: a small spark of energy springs up in his heart and starts to spread through his body in slow but intense waves, finally giving him back the vitality that the magnitude of his power had taken from him. Soon he’s aware of how Mario's arms support him while, in Italian, his brother whispers soft words of encouragement, waiting for the shroom to take effect with the little patience that Luigi knows his sibling has, but which he always displays when it comes to him.

Luigi lets out a small moan as he regains control of his body, holding on to Mario's shoulders to slowly sit up. He immediately hears his twin greet him as if he had just woken up, which, in fact, is not far from the truth.

“Hey,” Mario says softly, his tone full of gentleness. “Can you hear me, Lu? How are you feeling?”

Luigi notices Mario's fingers cupping his cheek and can practically feel the concern that tinges his voice. Still clinging to his twin's shoulders, Luigi hastens to smile, looking at him, and nods, wishing he could wipe all traces of worry from Mario's blue eyes in one fell swoop.

“I feel wonderful,” he declares.

His tone must be more convincing than he thought, because, in front of him, Mario's face begins to calm down: his frown relaxes, his eyes recover their usual spark, and a smile blooms on his lips that mirrors Luigi's, as if his brother were an earthly representation of the sun and he, the moon that feeds on his glow.

“Thank goodness,” Mario replies, giving him a gentle pat on the back.

Both his voice and his face are brimming with relief. Luigi instinctively closes his eyes the instant he notices how his twin begins to tilt his head towards him. Warmness bursts in his chest as his forehead meets his brother's, and the smile that spreads across his face at the contact is wide, serene and placid. Despite the ice that surrounds them, despite the coldness that reigns in the place where they are, far from any trace of civilization, Luigi could almost swear that never before, in all his life, has he felt more wrapped up in the warmth provided by the mere presence of his older brother.

When, seconds later, the twins separate, they give each other wide and calm smiles, both filled with joy at being together again. Mario's expression, though, gradually turns into one full of curiosity.

“So...” he says before patting Luigi's back again. “It was a thunderstorm, right?”

Luigi can't help but cringe a little. How is he going to tell Mario about something he doesn't even know how it happened? In fact... should he? What if his brother starts to see him in a different light? What if...?

What if Mario stops loving him?

“W-well...”

He doesn't realize that he's started to fiddle with his hands, as he usually does whenever he's nervous, until he feels Mario's palm, warm and pleasant, resting on his fingers before gently squeezing them. Raising his head, Luigi meets the equally sweet and affectionate gaze of his brother, radiant with all the love he feels for him.

The sight is more than enough to soothe Luigi’s racing thoughts.

“Lulu,” Mario says, still smiling, “you don’t have to be ashamed. What you did was amazing!” he exclaims, chuckling smoothly as his eyes sparkle with excitement. “You unleashed a thunderstorm all by yourself, little brother. Do you realize how incredibly powerful you are?”

Luigi stares at him in silence for a few seconds, trying to process the reality of his twin's words.

Or, he corrects himself, trying to process the fact that Mario doesn't seem at all horrified by what his younger sibling just did.

“In fact,” Mario continues before Luigi manages to come up with a response, “you're so powerful, Luigi, that not only did you get me to wake up even though I had just been hit in my head, but you made the monsters run away. Or at least,” he adds as he looks to and fro, “I don't see them anywhere.”

Looking at Luigi again, Mario winks at him as he holds both of his brother's hands in his, Luigi's fingers resting on his left palm while his right continues to tap him lightly. Luigi blinks slowly and closes his mouth at last, for he wasn't even aware of having it wide open. A shy smile begins to bloom on his lips.

“They fled like cowards in the face of the bravery and courage of my mighty little brother,” Mario then says, imprinting his voice with a proud tone that causes Luigi's smile to widen and his cheeks to start burning. “Do you hear me, monsters?” Mario suddenly shouts, turning again to one side and the other, and grabs Luigi's wrist with his right hand to raise his younger sibling’s arm in the air. “Don't even think of coming closer if you don't want to suffer the wrath of the Green Thunder!”

Luigi can't contain the laughter that escapes from the depths of his soul at the nickname his brother has just bestowed upon him, as well as his enthusiasm when boasting about him and the vigor with which he shakes Luigi’s arm. Luigi doubts that any monster is going to be scared by that, but, maybe, just maybe, what he just did is not... bad. Maybe his power has gotten out of his control, but, after all, he hasn't caused any harm.

And, besides, he’s achieved his purpose: to keep those monsters away from his big brother and prevent them from ever having a chance to harm him again.

When his laughter starts to fade, he notices that Mario was laughing too. Now he looks at Luigi with eyes sparkling with affection, and the younger plumber returns a radiant smile that he hopes will convey the same feeling to his brother. Seizing the fact that he’s still holding him by one hand, Mario begins to pull him up and they both stand up at the same time. Mario, however, doesn’t let go.

“Thank you for protecting me, Lu,” he says heartily, giving his fingers a little squeeze.

Luigi can't help blushing and massages the back of his neck with his other hand.

“You always protect me,” he replies, shrugging, “and besides, I don't even know what I did...”

“What do you mean?” Mario sounds both intrigued and confused.

“W-well...” Luigi takes a few seconds to try to find the right words. “I don't know what happened, Mario,” he declares, looking him in the eyes. “I just know that I saw you lying there, and you were bleeding, and...” He sighs, looking away again. “My Thunderhand took control. I didn't even know it was capable of creating a thunderstorm,” he admits, dejected.

Luigi drops his shoulders and massages his arm with his free hand. Mario still holds his other hand, but Luigi senses that it's only a matter of time before his brother lets go and walks away. Surely he doesn't admire him so much anymore. Surely he doesn't see him in the same way anymore. Surely...

“Then,” Mario's voice interrupts the torrent of his thoughts, and a new squeeze on his fingers causes Luigi to turn to him once more. Mario's warm smile disarms him completely. “Maybe we can find a way together that you can do this while maintaining control.”

At first, Luigi isn't sure he fully understands what his twin is referring to. It takes a while for his brain to register what his twin means: that Luigi should learn how to be in control in case he needs, or wants to, create another thunderstorm in the future.

It hadn't occurred to him that there might be a way.

“You’ll see how they will call you Green Thunder then,” Mario adds, amused, and gives him a gentle punch on the shoulder.

Luigi chuckles at his joke, and an idea suddenly comes to his mind.

“Do you think you could do something like that with your Firebrand too?” he asks, curious.

This time it's Mario who stares at him dumbfounded.

“Well... I hadn’t thought about it,” he admits, putting his hand to his chin and tapping his finger pensively.

“Then that’s one more thing we have to research,” Luigi suggests, suddenly filled with a determination that only Mario could have infected him with. “What do you think, big bro?”

“Fair enough, little bro” nods his sibling, giving him another wink.

With no need for words, the two break contact in unison, only to raise their arms and high five. Luigi laughs, feeling not only relieved that Mario still loves him the same way, but pleased that they’re going to further investigate both his electrical power and his twin's igneous magic. He hopes to come up with an appropriate nickname for Mario and his Firebrand in the process.

“I guess we'll have to get out of here first,” Mario adds jokingly. “Let’s-a go!”

“Okie-dokie!”

And, together again, they set off.

[realmermaid333]

A Guide to Using the "Inspired By" Function on AO3

The "inspired by" function allows writers to display fanfics that inspired their own fanfic neatly in the "notes" section via a link. It is used to credit inspiration, for archival purposes, and also for translations, remixes, and podfics.

It is a very fun function because it encourages community, and even gives your readers something else to read while they wait for your own fic to update. It can help people who really like a certain trope or writing idea easily find another fic just like it. And, if you use the function, the writer you are inspired by can choose to link it back to their own fic. So, at the end of their fic it will say, "works inspired by this one," and list yours.

"How can I tell if I should use the "inspired by" function or not?"

You should use the inspired by function if you are directly inspired by another fic. I have done this twice, and it is splendid. One of my besties and I have fics that are attached by this function. It's like they're holding hands via "inspired by" links :' )

If you read a fic, and at the end you're like, "Wow, this was totally radical, and now my gears are turning with an idea just like this one, but I'm gonna add my own spin to it." That would be a moment that calls for the "inspired by" function.

A situation that doesn't call for the inspired by function is two fics that are similar in trope, but the second one was not inspired by the first. For example; let's say person A writes a coffee shop AU fic, which is a very common trope, and person B also writes one, but without having ever read person A's fic, or without directly getting the idea directly from person A. Person B was not inspired by person A.

Let's say person B did read the fic, then also eventually decided to write a coffee shop AU that was completely different, and had very little in common with A's fic. That would not be a moment where the "inspired by" function would be necessary. B could use their own judgement to gauge how inspired they were by A's fic.

But, let's say person B really, really loved person A's fic, and wanted to show everyone another coffee shop AU. Person B very well could still use the "inspired by" function just to have the link. Or, they could just link the fic in their "Notes" section, but i personally think the inspired by function is a little easier than creating a "notes" link on ao3 LOL.

However, I have seen some people just list a fic they are inspired by in the notes section without any issues, but I encourage people to use the inspired by function. If you're unsure, maybe ask the author that you're inspired by if they care. If you ever don't use the "inspired by" function, and step on another writer's toes, just simply talk it out and credit.

"But, Mermaid, if I use the "inspired by" function, won't it look like my fic belongs to the original person?"

No?? I am including this because I've seen a surprising amount of people say this and it bugs me. If you use the "inspired by" function, it links the fic you were inspired by in the "notes" section in first chapter. That's it. It doesn't say, "this fic belongs to this other writer," lol. It says, "Inspired by (insert fic) by (insert author)," one single time. After that, it will not be listed in future chapters. Your name will always be on it, and it will only be listed on your account like usual.

To conclude, you should use the "inspired by" function if you are directly inspired by another person's fic. if you're not, then don't use it. Easy peasy. I encourage its use because it's very fun, it is part of fandom etiquette to use it when needed, it allows people to recommend fics similar to theirs, credit another person's idea they used, etc.

[luviestarz]

choi beomgyu fic recs!

✿ a night to remember — choi beomgyu - @jeontaeil-archived (beomgyu takes you out on a lovely date to his old workplace and after hours of having fun, neither of you are quite satisfied. too impatient to wait till you get back home, or to his car in the least, you don’t think twice before getting down and dirty right then and there. at the end of the day, how many people can proudly admit that they’ve fucked in a trampoline park?)

✿ airport crush | choi beomgyu NSFW - @boba-beom (while waiting 4 hours for your next flight, you see a cute guy at the airport and decide to kill some time.)

✿ a star called you | c.bg - @scintillasofbeomgyu (yn and their friends run the campus radio for which yn is the host of the evening show “dear sputnik”, where they share stories and hope to create a healing space for all students— even though many don’t listen to it. little does yn know, their biggest fan, angel313, is choi beomgyu— the boy they’ve silently had a crush on for the past four years.)

✿ nap of a star - @blue-jisungs (you’re taking a nap on your friend’s lap)

✿ sk8ter boi -> c.b - @gyusrose (you never thought in a million years to be attracted to a boy like beomgyu. His baggy clothes, scrappy shoes, long hair just wasn’t a click with your elegant dresses, tight skirts, ballet dancer- self , but somehow he managed to steal your attention.)

✿  stoner!bestfriend!beomgyu x fem!reader - @universecorp (as much as beomgyu tries to deny falling in love with you, even after he claimed you saved him from believing his whole purpose of life was to be bad luck, his heart cannot tell a lie.)

✿ honeymoon - @beomsight (thoughts about how you and bf!beomgyu are in that honeymoon phase where you’re constantly all over each other)

✿ who’s home? - @iknowyuu (reader's guardians unexpectedly come home in the middle of a cuddle session.)

✿ sweet. - @tyunlatte (beomgyu is whipped for the reader, that's it. that's the plot. just something short and sweet to make your hearts ache.)

✿ who’s that girl! - @h00nerz (after coming home from vacation to discover your boyfriend of over a year cheating on you, you find yourself to be in search of a new place to live. lucky for you, your friend’s cousin is moving across the state, leaving a room open that’s yours for the taking. the only problem? it means you would be staying with three guys.)

✿ a lost bet! - @heart2beom (you lose a bet to beomgyu and out of everything you'd think he'd ask of you -- money, to pour freezing water on yourself out in the snow, hell, you thought it'd be more likely for him to ask you to jump off a cliff and survive than telling you to take him out on a date.)

✿ strawberry kisses - @tyunlatte (when you accepted your boyfriend's sweet request to do his makeup, you weren't expecting the fiery turn that your little makeup session was going to take)

✿ 𝐩𝐫𝐞𝐬𝐞𝐧𝐜𝐞 - @sungbeam (gamer/streamer!choi beomgyu x f!reader)

✿ call you later - @heart2beom (beomgyu swears women fall at his feet and he's in fact, single by choice—what better way to prove this to you than collecting the numbers of random people on the street?)

✿ forever only you. - @mazeinthemoon (when an old friend draws your attention away from your boyfriend, he can’t help but get jealous)

✿ [🐯] i got you - @qqtxt (the best parts of beomgyu's morning always involve you)

✿ white dress - @fairyyeo (i recommend reading this!!!! pls go read its so good)

✿ photobooth. - @ev3rm0re-q (even though you and beomgyu have been together for three months, you two have yet to share a kiss. on his day off, the two of you venture outside and come across a photo booth. perhaps a few pictures might finally motivate the both of you to take action.)

✿ tokyo - choi beomgyu - @beomie3 (the neon-lit towers which surround you are mighty bright. but in his eyes, you shine brightest. the adventures of two lovers in tokyo. ~coming of age film~ vibes.)

✿ strawberry chapstick | choi beomgyu - @lluringli

[ihavemanyhusbands]

Vidas Pasadas (Past Lives)

PART ONE: THE SHOW MUST GO ON

Mini-Series Masterlist

Also on AO3

Pairing: Cooper Howard/The Ghoul x Latina!Reader (Spanish speaking)

WC: 2.5k words

Series Summary: Before the great war, you were an actress—A good friend and frequent co-star of Cooper Howard. After two hundred years in cryogenic stasis, you’re being sent to New Vegas as a performer, but on the way there, things don’t go quite as planned.

Warnings: MINORS DNI, series is 18+, canon typical violence, some angst, friends to lovers-ish?, some miscommunications, eventual smut, chem use, there’ll be some Spanish in there for sure (with translations), cursing, the ghoul being the ghoul, aaaaand that’s all I can think of for now but lmk if anything else!

A/N: This is INCREDIBLY self indulgent, but imagine yourself in these shoes for a moment why don’t you? :) hope you enjoy! pt.1 dedicada ao meu amor @the-devils-littlegirl <33

——————-

The holotape was a little over two hundred years old, but it was in relatively good condition. It contained a talk show interview with two actors who were promoting a Western film. The image was in black and white, fuzzy with time, and the voices sounded tinny. 

“So tell me, both of you, what’s it been like working on so many pictures together?” The interviewer, Holden Boyd, asked. “This must be — what, the fourth one?”

“That’s right. You know, Holden, in all my years in this industry, I have never met anyone more professional,” Cooper Howard, the handsome hero of the film, turned to you, sitting beside him. “But she also knows how to keep things balanced between work and play. We laugh a lot behind the scenes, actually.”

“Really?” Holden asked, leaning forward with renewed interest. “Well, that doesn’t surprise me, you two have some incredible chemistry on screen.”

“Well, gee, Coop, do we really?” You couldn’t help but grin at him, making him chuckle. “Maybe that’s why we keep getting cast together.”

“And how’s his Spanish? Are you teaching him any?” Holden asked you. 

“I’ve certainly tried,” you said, raising an eyebrow in amusement. “Say something, why don’t you?”

Cooper’s smile turned sheepish, shaking his head. “Errr… No muy bueno, pero intento.”

His thick southern accent made you and Holden laugh, invariably charmed. In the background, claps and cheers from the live audience, equally smitten. Cooper always knew how to win people over, it was like second nature to him.

“He’s a natural!” Holden exclaimed. “Say the line Coop, you know the one.”

Cooper cleared his throat, squared his shoulders and pretended to point a gun, his expression fully serious.“Feo, Fuerte, y Formal.”

An eruption of cheers, louder than before. You clapped in delight, smiling ear to ear as you bumped your shoulder against his playfully.

“Ah, I see you’ve found our tapes,” the mechanical voice of vault thirty-one’s overseer startled you. 

You looked down at… it, still not used to interacting with a motorized brain suspended in some sort of tank. Bud, you thought it said its name was. Vaguely familiar, but your memories were still hazy, having been in cryogenic stasis for so long. 

“Why do you have these?” You asked.

“Everything pertaining to Hollywood was preserved for archival purposes. Feel free to watch anything you like,” Bud said. “We have all of your films, as well as interviews, press clippings, and pictures.”

You looked back at the screen, crossing your arms over your chest and trying not to shudder. You had me, too. You thought, stomach turning. A shiny toy shelved away for later use.

You’d gotten a spot in vault thirty one in exchange for compliance — after all, the future would need entertainers, right? And the nostalgia factor would just sell so well. You would be totally set for whatever came… or so they’d said.

It hadn’t seemed like a terrible deal at the time, but you hadn’t truly realized how tremendous the losses would be. Or how much things could veer off course in two centuries. 

Cooper was gone, and so was everyone else you had ever cared for. Bud hadn’t said what happened to your former co-star, but it didn't need to. 

 You had entered the vault all by yourself, with no family or spouse to consider. And just a few days ago, you had been greeted by that same loneliness when you’d emerged from the pod. 

Some things never changed, it seemed. Perhaps New Vegas wouldn’t be a terrible distraction, all things considered.

“Feels like it was only yesterday…” you said, keeping the melancholy out of  your voice.

“Doesn’t it? That’s the best part of the stasis pods. Keeps one fresh,” Bud said, chipper. “How’s your head feeling, by the way?”

“Better,” you sighed. “Barely any pain left.”

“Oh, good. You should be ready to travel to New Vegas in a couple more days. I’ve been in touch with a trusted courier that should be able to escort you there safely.”

A tinge of fear in your chest. “How… bad is it out there?”

“Well, er, it’s… not great. But we’ll get there! I’ve heard New Vegas has a lot more going for it than these parts,” Bud said quickly, not wanting to linger on the negative. “Vault twenty one, where you’ll be staying, was turned into a hotel. Lots of people passing by. I’m sure it’ll be easy for you to attract the crowds.” 

Stepping towards the projector, you ejected the holotape, unable to watch any more. The memories would consume you far too easily, if you let them. That life had crumbled to dust long ago, and there was nothing you could do to change that, either.

What other choice did you have but to trudge forward?

“For both our sakes, Bud, I really hope that’s true.”

————————————-

As with most things, Bud had severely understated just how bad things were on the surface. The sight of it had instantly struck you— Nothing was left but ruins and desert plains stretching as far as the eye could see. No one but you and the courier — a weathered, gruff looking middle-aged man — around for miles.

You’d left your vault suit behind in exchange for the clothes you’d worn when you first went in. You were also given a small survival pack, a tranquilizer gun, and a pip boy, but that was the extent of your belongings.

 The courier handed you a hat and an old scarf to cover yourself from the sun and the sand, instructing you to keep close before whirling around and starting to walk.

Did he even say what his name was? You couldn’t recall, but you were too busy being in shock to care too much.

It was all so unceremonious, unlike what you’d been used to in the past. No cars or any other mode of transportation, no roads to smoothly cruise on. No kind words offered for your departure, except for Bud’s overly enthusiastic Good luck! before opening the vault’s enormous door. 

“Say, how long do you think the… trip is going to take?” You asked, trying to keep your fear at bay. 

“Around three weeks, give or take. That is, if the weather holds and we keep a good pace during the day,” the courier said. “Can’t be out at night around these parts.”

You swallowed hard, wondering what sorts of dangers lurked out there. You had some stunt training, but no actual fighting skills. Hopefully, the tranq gun would be enough, but you also suspected your companion had far deadlier weapons.

Better to stay on his good side, you thought.

“First stop’s at a town called Filly. Got some quick business to take care of there, so we’ll be spending the night,” the courier continued when you didn’t respond. “Keep your head down and let me do the talking. Don’t want anybody to recognize you.”

You nodded, letting out a long sigh. 

“Hopefully they’ve got showers there,” you said, imagining how calming the hot stream of water might be. 

The courier looked at you over his shoulder, incredulous, and barked out a laugh. Your face heated up at his ridicule, mumbling something about vault dwellers to himself with a shake of his head. 

You walked in silence for the next couple of hours, trying to guess what area you might be passing through. Briefly, you wondered if the ruins of your old house still stood somewhere, and if you’d be able to find them. 

But you reminded yourself not to dwell on what no longer existed. 

Soon enough, you started to see signs of humanity. A few stragglers here and there, but the courier steered you in different directions whenever he spotted larger groups. Raiders, he’d told you, a grim look on his face.

 You hurried your step, wanting to put as much distance between you and them as possible. Bud had given you a very basic rundown of what you might encounter on the surface, but while some of it was hard to believe without seeing it firsthand, raiders did not fall under that category.

Still, despite the danger, at least you were reassured that you weren’t the only people left around. 

Filly was a ramshackle town made up of scraps;  A small testament of humanity’s endurance. Vendors were hawking questionable food and other wares at the outskirts of it, the tight pack of more bodies making you nervous. 

Your senses were invaded by smells and noises and even the occasional passerby bumping into you. Life was still brimming, as chaotic as it may seem. Somehow, it made you feel the smallest flicker of hope.

The courier led you through the crowd and down a rickety stairway towards a small square, where there was a little more room to move. The sun was beginning to set, bright tendrils of orange and gold tinting the sky. 

For a brief moment, you stopped to look at it, moved almost to tears by the simple beauty of a sunset. At least, that hadn’t changed either, and you vowed to never take them for granted again. 

“This way,” the courier said, urging you to move. 

Unbeknownst to you, someone had taken notice of the two of you. More specifically, the courier. A hit had been placed on him, worth three hundred caps. There was no reason given for it, but he hadn’t thought to ask questions, anyway. He didn’t much like meddling unnecessarily.

He surreptitiously followed behind, keeping his distance so you wouldn’t notice him. He already stuck out like a sore thumb, what with being a ghoul and all. But, like any bounty hunter worth his salt, he still knew how to lay low.

The courier led you into a repurposed building that rented out closet sized rooms. You paid with a few of the caps Bud had put in your survival pack, relieved that you wouldn’t have to share a room. 

The courier was curt but prudent, in his own way. You were just a task to him, and you knew he would protect you as best as he could because of it. You had nothing against him so far, but you didn’t want to take your chances regardless. 

“Stay in your room, I’m gonna head out for a bit. I’ll bring back some food,” he said, turning to leave.

“Wait!” You hurried behind him, out into the open, where it was growing darker. “Wouldn’t it be better to, uh, stick together?”

“It’s private business,” he grunted, annoyed. “Besides, you’ll be safer in there.”

“But—”

“Hey, you,” you heard from behind you, followed by a commanding whistle. “Sabinez, is it?”

The courier looked up, his eyes immediately widening. “Oh, fuck.”

You followed his gaze, finding a… cowboy. His face was mostly obscured underneath the brim of his hat, but his lack of a nose was still strikingly apparent. Radiation burns marred what little skin you could see, the rest covered in old, tattered leathers. 

A ghoul, from what Bud had described. The see-it-to-believe-it kind of danger. Your stomach dropped.

He was pointing his revolver at the courier – Sabinez –  finger about to squeeze the trigger.

“No, please!” You exclaimed, panicked. 

Foolishly, without even thinking about it, you stepped in front of him, arms extended in an attempt to further shield him. The ghoul raised his hairless eyebrows, both amused and surprised.

“I need him,” you said, heart beating so fast you feared it might leap out of your chest. “Please.”

“How sweet,” the ghoul said mockingly, one hand on his chest. “But as it turns out, sweetheart, I need him, too.”

Before you could react, he raised the barrel of the revolver infinitesimally and fired. A dizzying moment in which the bullet whizzed by your head, and Sabinez’s body slumped behind you, his blood spraying at your back. 

Any onlookers that had stuck around scattered to safety, not wanting to be next in line for whatever the ghoul had planned. You let out a choked sound, too shocked to even scream. Shuddering, you slowly looked over your shoulder, only to avert your gaze quickly.

“No,” you murmured, horrified. “No, no, no…Fuck!”

It was just your luck, encountering death the very first day you finally returned to the surface. You wondered if you should fall to your knees and beg for mercy, but your body refused to move.

The ghoul’s spurs clinked as he stepped towards you, and you raised your hands in surrender, keeping your eyes down.

“You the cargo?” He asked, tilting his head to one side in curiosity. “Let’s get a better look at’cha.”

You whimpered as he grasped one of your arms, his other hand tugging down the scarf that covered half your face. He seemed to hesitate for a moment, eyes roaming over your features.

“Look at me,” he ordered, voice low.

Swallowing hard, you finally dared to look up at him. Tears clung to your lashes, a stray one running down your cheek. He looked more skeletal up close, his eyes sunken in, cheekbones prominent, and of course there was the cavern where his nose would be. 

He removed your hat next, letting go of you and taking a step back. There was something in his expression you couldn’t quite decipher, but you felt a creeping sense of deja vu the longer you looked at him. 

“You…” he said, something like recognition in his voice, as well as disbelief.

“I–Please, I don’t know w-what he did to you but I don’t–” You started to babble, but he interrupted. 

“Where were y’all heading off to?”

“U-um, New Vegas, uh, sir?” You tried to smile placatingly, but it was watery and would slip away at any moment. 

Not only was it strange for him to see you alive and in the flesh, but you were also fearing him. He remembered your earnest smiles, genuinely pleased to see him. Then again, you hadn’t yet recognized who he was. 

He wasn’t entirely sure he wanted you to know, but he also didn’t really want to let you go on your own way. Plus, he’d just killed your only guide, so it was only fair that he took on the job and saw it through.

That way, he could try to find out more about all that had happened, without giving himself away.

“New Vegas, huh,” he mused, letting out a low whistle. “That’s a long ways away, especially if you don’t know where you’re goin’...But it’s your lucky night, sweetheart, ‘cus I just so happen to know the way.”

“R-really? I could pay you if you’d h-help me!” you said quickly, rummaging through your pack to show him some caps. “I’m not sure how much would be enough but… I’ll be making more once I start working.”

“Don’t get your panties in a twist now, we can do some negotiating later,” he drawled, lips curling in a smirk as he looked up at the building behind you. “Hope you don’t mind us bunking together.”

Your entire face heated up. “Uh, you can take his room. It’s already paid for.”

“Well, what a generous fella he was,” he said, tossing your stuff back at you. “Jus’ don’t come runnin’ when you get nightmares. I ain’t much of a cuddler.”

----

[mewintheflesh-2]

Without You

Rating: Teen and Up audiences

Archive warnings: None

Characters: Francis Mosses, Original Characters

Tags: Unrequited Love, heartbreak, Song: Without You (Strawberry Guy), Crushes, Unrequited Crushes, Francis Mosses has sensory issues (briefly mentioned), minor blood and injury, Francis deals with the qualms of being a retail worker (kinda), men crying, emotional hurt, hurt/no comfort, not beta read, Reader is gender neutral.

Word count: 1,800 (rounded down)

Summary: Francis wasnt having a good time.

And you're not about to make it any better

Also posted on Ao3

Francis sighed solomly as he gripped the now empty milk carrier. Hard enough to leave imprints on his hand and whiten his knuckles.

His black leather shoes clicked and clacked against the cold, concrete sidewalk. The sunset painting everything around him in a golden light. It'd be nighttime soon.

He lifted his free hand to his head and clutched his sweaty hair from underneath his hat. He was so tired. He just wanted to get home and sleep.

But he mostly just wanted to talk to you.

Even if you only really talked through that thick, protective window, youd been making more and more conversation with eachother each time you spoke, getting to know eachother more and more each day.

It wasnt long before Francis' lovesick brain fell head over heels.

It was everything about you. The way you looked, with a smile rivaling the warmth of the sun, and just as dangerous to his heart and mind. You always seemed to know exactly what to say to him to pull at his heart like a puppet on a string.

If he didnt know any better, hed say you were doing it on purpose.

He wouldnt mind either way.

Francis slugged up to the reception window, a weight lifted off of him at the sight of you at your desk.

He pushed his ID and Entry Request inside the letterbox for you to receive, planting his hands on the metal shelf jutting out of the wall just below the window; watching you expectantly with a simultaneous aching and soothing feeling in his heart.

After a minute of shuffling papers and opening folders, you look up at him.

"Hello, Francie." You smiled warmly at him.

There it was.

That nickname.

God how it made his heart swell. 

'Francie.'

Such a cute nickname

and it was just for him, gifted from you.

"How's your day been?" You tilted your head slightly at him, setting down and organizing his identification and sliding his profile back into the appropriate folder.

Francis looked at you for a second before frowning. "Not great." He sighed as he shook his head softly, looking down at his shoes.

Your eyebrows knit together in concern, a frown adorning your lips.

"I'm sorry, Francie. What happened, if you dont mind me asking?" Your voice was so warm and soft as you leaned in closer to the window.

It made Francis' heart flutter for a second before he had to think back to all that had happened earlier.

"It's just a lot of little things building up. I'm probably more upset about it than I should be." Francis looked down at his hands, and then up to you.

The expression on his face was just killing your heart. 

"Im all ears." You speak softly as you push your chair in closer to your desk, and by extension, the window.

"If theres anything you need to say, then say it. Its always nice to get things off your chest, dont you think?" You smile softly at him, pushing your chair closer to your desk, and closer to the window by extension.

"Are you sure?" Francis looked around, almost worried. Surely he'd be taking up your time on your job if he did that, right?

"I have all the time in the world-- and I'd rather be talking to you than anything else right now." You assured, that deadly warm smile on your lips again.

The words made Francis feel warm and soft.

A small smile appeared on his face for a brief, fleeting moment. 

 Francis stared at you for a moment, as if asking for approval to speak.

You nod.

He sighed, looking down at the metal shelf infront of him as his ungloves hands tapped at it, wondering where to begin.

"Its just- work has been just awful today.  Someone had left their dog outside, as soon as it saw me it wouldn't stop chasing me, i tried to run away, but it eventually caught up to me and bit my leg.

It wouldnt let go until I had to pry it off of me. And even then it didn't leave me alone for awhile. Not until it's owners came back to take it off of me." 

You frowned, trying to open your mouth to speak, but Francis kept talking.

"And because of that dog, i dropped and broke multiple milk bottles on the sidewalk. So after the dog got taken off of me, i tried picking up the glass since I didn't want anybody accidentally stepping on it because of me, but the shards cut me. Badly. Even through my gloves."

He held his hand up to the window for you to see. There were bloodied bandages wrapped around his hand, and several smaller cuts on his bare fingers. 

You cringe at the sight.

"I had to take them off to clean the wounds, and everything has just been sensory hell ever since." Francis' face draws to a grimace.

"And to make things worse, I had to deal with people yelling at me for being incompetent for losing their deliveries."

He clenched his jaw, his expression doesn't look anything but sad.

"Even though it wasn't even my fault. I'm not the one who left their dog outside. And just to top it off, I've had a horrible migrane all day, and It's just-" He inhales and groans,  collapsing onto the metal shelf infront of him.

"I just want to take a break. I just want to rest."

He mumbles as he tucks his face into his folded arms.

Silence, for a moment.

"Francie........... That's awful-- I'm so sorry. Is there anything I can do to help?" You frown sympathetically as you push you chair forward even more, squishing yourself against your desk and placing a hand on the window infront of you.

Francis lifted his head to look up at your hand, and then at you.

"I think talking to you and going to sleep is  enough for me to feel better." Francis smiled briefly before registering what he'd said, casting his gaze anywhere but you after he realized what he'd spoken.

You laugh softly. "If you say so."

Silence for a bit, as Francis regains his composure.

He lifts himself up, slowly propping himself on his elbows on the shelf, leaning his head on his knuckles, huffing out a breath of air.

"...How was your day?" He asks after a beat, head tilted curiously.

You smile, retracting your hand from the window. "My days been pretty slow, but im meeting someone later, so im pretty excited for that."

Meeting someone?

...

Francis blinked for a second. His expression faltering to a look of sadness for just a moment.

No. Surely you didnt mean it like that.

"Meeting someone...?" He echoed.

"Mhm." You smiled softly at the thought. "We met just a few days ago. He seems pretty nice, I'm excited to get to know him more." You lean your head on your hand, mirroring the man behind the glass.

"A-ah.......... Congratulations." Francis did his best to refrain from letting any indication of his emotions fall upon his face as he straightened himself out; but he couldn't help but frown. 

"Francie? Are you alright?" You tilted your head the slightest bit, voice a catalyst of concern for the man standing on the other side of the thick, protective glass. 

"Mhm. I just remembered something. Apologies." He held the brim of his cap between his pointer and thumb, pulling it down over his eyes the slightest bit to avoid looking at you. But he really couldn't help himself.

"Oh, alright. Is there, uh, anything I can help you with?" Your voice was calm and careful in a way that just broke poor Francies heart even more. "About what you remembered- I mean." 

"No, no. It's fine. Thanks for the offer." He shook his head softly, forcing a small smile as he looked down at the shelf infront of him.

"Of course, Francie." Your eyebrows knit together in concern. "Just let me know if there's anything I can do for you. You can tell me anything." 

"Mhm. Thank you." Francis took a quick glance at the door, before looking back in your direction-- though nowhere near directly at you. You put together he was probably signaling to you that he wanted to leave now.

"I'll see you tommorow?" Your voice was soft, sweet, a delicacy and a curse to Francis' ears.

There was a light buzzing noise as you pressed the button to unlock the main entrance. 

"Mhm. Goodbye." He waved at you softly, only actually looking into your eyes for a brief, fleeting moment before walking away. 

"Goodbye........." You spoke quietly, a soft pit in your stomach as you watched Francis dissappear through the doors.

You were so caught off guard by his sudden change in behavior you nearly forgot to lock the door again.

He usually liked to stay for as long as he could.

Was it something you said?

You frowned, leaning back in your chair and fidgeting with some papers.

You'd have to ask him about it tomorrow.

Again began the waiting for your neighbors to return to their apartments.

Francis opened his apartment door with shaking hands, keys jingling as they were set on his kitchen counter.

With a heavy sigh, he flicked on his lamp, enveloping the room in a warm yellow glow, trying to keep his composure.

Slowly but surely he kicked off his shoes, grabbing and throwing his hat onto his dresser.

Just as he was about to unbutton his uniform he was hit with a sudden disgusting, sickening feeling in his chest as tears welled up in his eyes.

He shook his head, eyes squinting involuntary as he let himself fall onto his bed.

He lied there, staring at the ceiling, trying to ignore anything he was feeling.

But no matter how many times he tried, something still peeked through.

He inhaled sharply through his nose as he flipped himself over onto his stomach, nestling his face into his soft pillows.

The feeling in his chest was too intense to bear, he could feel his breath become sporadic, unsure if it was because his face was buried in his pillows or otherwise.

He inhaled sharply once more, this time followed followed by a small Hic as his throat began to close up.

No, no, he wasn't going to cry. It's not that big of a deal. He's fine. He should be happy for you if anything.

But. With everything that happened up until that point. He really couldn't help himself from letting his emotions get the best of him.

Hot tears soaked into his pillow as his hands clutched at his hair violently, hissing in pain as his wounds flexed open.

He grits his teeth, another hic escaping his lips as he opened his eyes into the pillow.

Nothing but a warm, yellowish void.

 He pushed himself up and flipped onto his side, curling into himself, yanking a blanket over his shoulders before clutching his head, throbbing in a burning pain once again as he cried quietly.

He didn't even turn off the lamp before he'd passed out.

Silent, steady breathing, wet cheeks illuminated by the soft yellow light of his lamp. 

Tired eyes, finally getting their well deserved rest. 

An aching heart, beating slowly, deep inside his chest.

[dokidokitsuna]

O.R.C.A.’s Directory

(Finally coming back to this concept after several months ^^;)

O.R.C.A. in #re_rise doesn’t just run Alterna in the background and give you orders– it’s a system you interact with regularly as the player; a database that facilitates your adventure and keeps track of your accomplishments. It is accessed through terminals placed at key spots on each site, which you have to find, activate, and physically walk to if you want to use them.

Most of the contents of the Menu (except the Sunken Scrolls) are now consolidated into O.R.C.A., along with a few bonus features~

Alterna Archive: Basically the Alterna Logs– all the information about Alterna’s history, from creation to collapse (referencing my rewritten version of this backstory, of course). As you clear lab spaces with different weapons, earn Golden Eggs, activate terminals, collect Nostalgic Devices, etc., the files will be decrypted line by line. Basically, anything that contributes to your percent completion of the game will count towards this…so just enjoy Alterna the way you like, and you’ll eventually reveal the entire archive without too much extra effort. ^^ This story is O.R.C.A.’s gift to you; your reward for reawakening its home.

Lab Notebook: Notes written by the ‘mysterious researcher’ currently working in Alterna, earned in order from newest to oldest, so we can gradually learn what the Fuzzy Ooze is and why he made it, as well as his origin story and true identity (in his own words~). These replace ‘Log.exe’ from the actual game. Lab notes are found by reaching computers hidden within the lab spaces, kinda like the Power Egg packs. They are purposely placed in the more challenging spaces, and you must clear the space in order to take the note with you– if you wanna learn the main antagonist’s secrets, you gotta put in the work. ^^

Wellness File: Records of Neo Agent 3’s responses to the environment, once you obtain the biometric monitor in Cryogenic Hopetown (more on that later). This is essentially an account of how the player character is feeling at each point in the story– a new entry will be created after each encounter with a major character (Deep Cut, the King Salmonids, the Squid Sisters, etc.) or a particularly interesting Alterna landmark. ;)

Nostalgia Index: List of all the Nostalgic Devices you’ve collected, which Alterna citizens they belonged to, and what they used them for. The citizens’ names are redacted, but you do get to learn a bit about the different kinds of people who lived in Alterna, and connect with them through the items they left behind.

Skill Tree: Basically the same as the in-game version, minus the Hero Shot buffs– in #re_rise you don’t get the Hero Shot until you gain the Hero Gear in the last stretch of the game. Instead you borrow from weapons’ lockers placed around Alterna…meaning you can carry the weapon of your choice as you explore each site, offering you a wider variety of strategies to use on those balloon challenges, for instance. ^^ But I digress…

Camera Roll: One of the Nostalgic Devices you can find is a digital camera, and once you’ve obtained it, you can take pictures with it and upload them to the terminal (as well as your regular photo gallery, when you’re back on the surface). The Alterna Camera comes with its own special filters, and characters you aim it at will pose for you. ^^ This feature is basically just for funzies, but if you can snap a picture of that large figure lurking in the shadows, you’ll earn a special clothing item.

Messages: Occasionally you will receive mysterious messages, warning you with increasing severity to stay out of their laboratory (and bring back their golden eggs…sure sounds familiar). Are these warnings for their sake or for yours…?

Map: Even the site maps are only accessible through the terminals, they’re not available whenever. Maybe that would be a controversial choice…but I think it’d be okay in this instance, since (a) the Alterna islands are pretty small, and (b) I’ve invented a fun system that might help– the Sticker Beakons! ^^

Around Alterna, you can find Sticker Sheets with 3 Sticker Beakons each, to place and replace wherever you want on any island. They shine like actual beacons so you can use them to navigate while you wander around on foot, and once you reach a terminal you can jump to them like normal Squid Beakons. They come in different shapes and designs like the stickers from Hotlantis, and double as actual stickers you can place on your locker, once you’ve found them in Alterna. ^^

I feel like forcing the player to walk around is more forgivable when you give them something cute and customizable like this to play with. :D If you want to use all 18 Sticker Beakons on one island at a time because you’re super directionally-challenged, you can. If you want to use them to simply mark your favorite Alterna landmarks so you can jump to them easily, you can do that too. 

Maybe as a compromise, I might add a ‘Return to Nearest Terminal’ option in the Menu…but I think encouraging the player to get out there and actively explore can’t hurt. Part of my philosophy with this re-concept is to make Alterna an interesting place that the player would WANT to explore, and all these added collectibles are part of that.

[theoutcastrogue]

My thoughts on the best strategies to preserve human knowledge and creation in perpetuity

1) don't put all your eggs in one basket

archives need to be paper and digital, public and private sector, centralised and decentralised, fully legal / by the book and rogue, in vaults and cabinets and servers and torrents

create as many redundancies as you can: make copies, and copies of the copies, and copies of the copies of the copies, ad nauseam; anyone anywhere who can make copies, should

spread the physical hubs (paper stacks or servers) geographically, in as many places as possible; you never know what kind of natural disaster or man-made horror will take out a whole building, city, region, or continent tomorrow

2) entropy is a bitch, think longterm

pick methods that are more likely to last

schedule regular copying: you gotta transfer the stuff to a new medium before the old one falls apart, so have some idea when it's expected to fall apart

3) keep converting to new formats

no format becomes obsolete instantly, there's always a transition period; use transition periods to furiously convert everything

4) indexing and searching is as important as the content itself

self-explanatory

5) eyes on the prize: the end goal is public access

if a random nobody, with no status and no money, can't access it easily, freely, and anonymously, the job is only half-done; you've built the back-end and neglected the front-end; get someone to complete it ASAP, because now it's just sitting pretty and isn't doing anything; or isn't doing enough, in any case

bonus: use. fucking. torrents.

It is truly bonkers that the bittorrent protocol is not being used for archiving. It's an ideal method for digital archiving and it should be standard procedure. If a university has stuff on a hard disk, it can put it on its server, and if it can put it on a server, it can torrent it and seed it 24/7. If the same archive is useful for another university on the other side of the planet, that one can download it and then stay in the swarm, also seeding it. If a library or city council anywhere on earth finds the archive of interest, it can do the same. The more the merrier, every download is a potential redundancy and every seeder is an actual redundancy.

If you got space to store it, you got space to share it. And of course, any private individual can at any time join the swarm. So we get excellent preservation (with multiple redundancies, spread far and wide geographically) AND public access, global and free, which is what preservation is FOR in the first place! It ain't for the heck of it, it ain't only for the eyes of the elite, it's for everyone, that's the purpose, that's the end goal. If that's not your end goal, you're doing it wrong.

[flagbridge]

I Saw the Phantom Proshot at the NYPL

Happy 36th birthday to Phantom's first preview on Broadway! I was going to save this post for the actual 36th, but I figure all of us need some more Phantom Broadway "original" content since the official Insta accounts are reminding us today that Phantom is no longer (though it should be) on Broadway. I'm going to post about what I saw, and I'll follow up on January 26 with all my answers!

Some time ago, @or-what-you-will and I went to the NYPL's Theater on Film and Tape Archive, and viewed the archival pro shot of the Original Broadway Cast of Phantom of the Opera, filmed live on May 25, 1988. There is only one copy, and its purpose is artistic preservation (not commercial distribution--the library owns it). It was kept under lock and key during the show's run. All information about how to access the archive is on the website. I can't really tell you anything more besides what's out there because it will become identifying. You get set up in a room with monitors and can pause and rewind, although you can't touch the media.

This was not my first TOFT proshot, but it was the best-filmed. Some, there's a single camera just parked, or there's some generation loss because of when the tape was transferred to digital. This had absolutely vivid colors, a multi-camera shot, and brilliant and clear soundboard audio. I heard lyrics I have never heard (especially during Notes when everyone is singing over one another), the sound balancing was so good. It was as transformative as seeing it live.

These are all the notes we took while there (apologize if they can seem disjointed) More below the cut.

ACT 1 NOTES: 

-Multicam shot

-amazing audio (soundboard), vivid colors

-Raoul/Barton is crying in his voice during the auction

-there’s a “voice” that sounds like a woman singing with the overture (maybe a theramin?) We jumped in shock at this. We've never heard this before, not even on soundboard.

-Sarah Brightman comes on stage during the Hannibal rehearsal, moving across the stage with Meg during “Rome not Roma”--so she dances in the front row during the Hannibal ballet

-Hannibal ballet then has 10 dancers and since Christine is in the whole thing, there is slightly different choreo

-there’s a synth under Meg’s “he’s there, the phantom of the opera” 

-Firmin lights a cigarette and Andre (Future Phantom Cris Groenendaal) stops him right before “Think of Me’ which makes the “Defense de Fumer” on the back of the curtain make even more sense

-Think of Me Gala skirt is not as full (but of note, Carlotta’s Elissa costume is much more ornate than we have now or even at the end of Broadway)

-Raoul sings slightly different notes in Think of Me. Steve Barton goes down a few notes on “young and innocent” (it’s not belted) and is clearly wistful. 

-The think of me cadenza is absolutely effortless

-The “Bravi, Bravi” is haunting and perfectly sound balanced!

-Meg can actually sing and the Angel of Music harmonies work

-Raoul (Steve Barton) is nervous before going into the dressing room. He taps his fingers on the banister and takes a deep breath before going in

-He’s also nervous inside the dressing room–you can see him going from seeing an old friend to suddenly having feelings, being attracted to her. When he’s standing behind her he has a slight moment when he nearly touches a lock of her hair. 

-Raoul is wearing a ring on his right hand (signet?)

-Steve Barton says MY Little Lotte

-Christine (Brightman) is excited about meeting the Angel of music and has a wanting and longing in “Enter at LAST master” (in a way that Lily Kerhoas does now and we haven’t had many Christines who do this) 

-The picture is VERY CLEAR and NO WASHOUT when we see Michael Crawford appear in the mirror for Phantom’s entrance. You see everything

-When the door opens for Raoul to the dressing room after they go through the mirror, it opens slowly (vs banging open). It’s the same tempo that Phantom moves to take Christine through the mirror

-1925 Phantom silhouette vibes at the first “sing for me” 

-Not a particularly aggressive cape twirl, but def a twirl. 

-They get VERY close on “turn your face away”, almost kiss (like, Russians, Panaro/Joseph close) 

- he has a nice portcullis sprawl but she does not press against him, there is visible space between them the entire time

-”Caress” and “hear it, feel it” are explicitly seductive, the former in how it’s sung, the latter because he self-caresses on “feel it”

-the “Touch me” in touch me/trust me is half sung/half spoken order, she strokes her hand over the mask and he does not pull away

-He does have a little panic when she faints and he covers her with the cloak. He’s holding her hair when he sings to her there

-At the unmasking, MC holds for a brief moment before covering his face with his hand so the audience gets a peek of the deformity (before “damn you”) 

-Vixen not viper

-Crawls on knees, not stomach. We get…lots of crying and whimpering 

-Christine sees his face a lot during this sequence. MC lowers his hand as soon as he’s on her side of the stage from “secretly dreams of beauty” to “Oh Christine”, when he turns away–but she is looking at him the entire time. MC is angled right by a mirror shard so we can see a bit of the deformity reflected back

-Right before “come we must return”, MC is about to cup her face with both his hands before changing his mind–she starts to reach for him as well. 

-His Mandarin robe is much longer than we have now (ankle length vs calf length) 

-This Giry has witch vibes

-Steve Barton is playing eager puppy Raoul and it shows even though he looks older (Barton was 35 at the time)

-The sound balancing is so good that you can hear lines you don’t normally hear during Notes 1 and Prima Donna–including the Managers thinking that Christine has just been off with Raoul all night. 

-Sarah Brightman does a different pose on the bed as the pageboy during Il Muto. She crosses her legs vs putting her hands on her hips. 

-Firmin yells “the role of Christine Daae” to the proscenium, clearly directed at Phantom

-Barton Raoul’s “There is no Phantom of the Opera” comes off more as “Christine this is just some dude” vs “he doesn’t exist at all.” 

-Raoul loves Christine so much. He strokes her hair gently to comfort her right before “No more talk of darkness”--his eyes are soft and he’s genuinely caring and concerned (vs trying to be a hero) 

-”All I ask is for one love one lifetime”--different lyrics, she does it twice (This is on soundboards from the time)

-Raoul puts his face to Christine’s hands at the proposal. 

-Christine is clearly kissing his cheek right next to his mouth during the kiss (the final lair kiss is a real kiss) 

-Christine’s “I must go” is not as playful as we often see it later. She really is trying to go. 

-Raoul is nervous at “Christine, I love you”--he lowers his head for a moment worried that he said something wrong. He’s excited when she replies “order your fine horses”

-AIAOY Reprise: Michael Crawford is partially slumped over the angel, he’s holding hands with it to the audience’s right, and arm is slumped over on the left. We get a lot of anguished weeping, and little distressed moans as Christine and Raoul sing, there is rocking and head shaking and then covering his ears. It’s a HUGE difference then when he stands up fully for “You will curse” (he does this again during final lair between “unfeeling scrap of clothing” and “pity comes too late) 

-He also roars before standing

-The Phantom laugh/cackle continues well into the chandelier drop into intermission at the light cut out for about 15 seconds. 

Act II

-Carlotta masquerade costume has no mesh in the skirt–it’s much more of a see-through skeleton crinoline, so the feature is the purple tights

-Not surprising since Sarah Brightman is a dancer, but Christine does the proper choreography during Masquerade--she's the center of attention. Barton also does quite a bit of dancing.

-There’s an organ (almost like a circus organ) underlying the finale during masquerade

-Red Death double doesn’t run down the stairs, he stays at the top

-Giry/Raoul exchange after masquerade–both holding the lantern and super closeup

-Reyer is clearly gay–coded. Some voice and hand gestures during Sitzprobe

-Wishing–only one “help me say goodbye” (when did the second one get added?)

-”Far-reaching” gaze, Wandering Child is a duet

-Piangi says “conquest” is assured (at some point, this became “congress”)

-Michael Crawford imitates Piangi until “past the point…”

-Sarah as Christine is listening intently to Phantom’s voice and immediately noticed something is off–she doesn’t figure it out right away but she notices something. She is suspicious the entire time. It's not clear when she knows for certain.

-Christine never flees from him, during the first caresses, he hovers over her body, she turns to kiss him, he turns away, her hand lingers on her back, before she gets up to sing her solo part away from the table

-Michael Crawford’s hands are in in his crotch when Christine’s singing on the other side of the stage (“you have come here”)--he’s moving his palms in his lap the whole time, his hands are shaking, we only get glimpses of him, most of this part it’s focused on her

-There is none of the arm waving circling while their hands are held, she takes his hands, he switches his grip to hold one of hers, and they keep them on him

-She figures it out when she reaches down–she’s holding his hands above him and she pushes her left (our right) hand down and he pulls and she notices something–we can only see to his upper waist but her hand disappears and her expression changes, it’s implied he has an erection

-she doesn’t ever feel the mask, either accidentally or on purpose

-She doesn’t actually ever try to escape. It’s not the current West End or the past blocking–but more accurate in that she is aware of the situation and plays along. She keeps going with the blocking

-they both get up and keep singing, neither drags the other to the centre, they move together and keep singing 

-The last “return”--he sings it at the unhooding, she doesn’t

-”Say you’ll share with me”--he is really pleading and almost crying on “say you want me” 

-The managers don’t come out to try to usher her offstage, she doesn’t signal to them to stay

-When Phantom gives her the ring, she takes it, but doesn’t put it on–she just holds it

-He doesn’t scream at the unmasking, he just looks shocked and sad

-Ratcatcher order is different–it’s after Raoul and Giry’s first lines, that’s the indication that Giry needs to turn around, Giry screams

-Phantom is crying at “flesh” and through “unfeeling scrap of clothing”, he’s also hunched over through this sequence, and then stands to his full height at “Pity comes too late.”

-Phantom makes a big show of raising the portcullis, hands fully raised

-Raoul swats at Erik with one hand (the other is still on the noose) when Phantom grabs Christine on “start a new life” 

-Phantom is probably the “minimum” amount of rough as we see Phantoms be with Christine in this sequence, as in, he’s definitely scary and menacing but he’s not harming her. He does grab her and spin her around on “start a new life with me.” There are a few wrist grabs (which is book accurate). He’s realizing more that his plan is absolutely crumbling. We get some shots of him on the organ looking panicked.

-Phantom makes a low growling noise before “you try my patience”, which is delivered quickly and almost casually. It is not menacing as some later Phantoms do. 

-”Pitiful creature”..MC’s hand is subtly shaking by his side

-The kiss: the 1st one MC stands with “claw hands” at his side, on the second one, the “claw hands” start shaking

-MC hunches over after he burns the noose

-He stands over the monkey, conducting it with one hand, he is mimicking the symbol clashes, he doesn’t touch it or cover its face

-When Christine returns the ring, his hand shakes as he takes it, he’s hunched over again. 

-She does seem conflicted about leaving, but she doesn’t press her hand back around his, she holds out the ring and his hand shakes as she takes it. She doesn’t linger very long. 

-He says a second “I love you” after she’s gone.

-He’s about to say it a third time, he says “I love…” and then see the veil, and grabs it and screams into it, and then turns and sees the boat leaving

-He sobs and keens a lot

-Raoul bends in the boat to caress Christine’s face on “say the word”)--this is halfway across the stage as opposed to during the stage right exit.

-Deliberately cracks voice on the "can" in “you alone can make” 

-MC Cradling the veil like a baby at the very end

SEND ME YOUR QUESTIONS! You can put it in comments, reblogs, AMA or DM's. I will answer all of them on January 26!

[dark-frosted-heart]

Roger Barel Main Route - Chapter 15

As usual, can’t guarantee 100% accuracy on this. I’m doing this for archiving purposes and you can probably find a better translation out there.

Ale ran around the lawn of Crown Castle’s gardens, his fluffy fur similar to freshly-baked sponge cake flowing with his movement.

Kate: The weather is nice and it’s fun running around with Ale.

Ellis: Hehe, it is fun. Kate’s happy face is cute.

Liam: Since Kate and Ale came, we’ve had more time for stuff like this.

Ellis: Yeah, you’re right.

(Ever since I’ve started helping out with looking after Ale, I’ve naturally been able to spend more time with everyone outside of missions)

When I squinted at the bright sunlight, I caught a figure through a window.

(Ah, Roger!)

When our eyes met, I waved at him in his room.

(...I hope I’m not making some kind of face. Am I smile naturally?)

(Ah, but he could hear my heartbeat from there if he wanted to…Calm down, calm down)

I acted as if everything was the same as usual, but my mind was full of memories from last night.

~~ Flashback ~~

Kate: If I were to fall in love, then I’d want us to fall together.

Because of that, I won’t ever confess that I like you until you believe that love exists.

~~ End flashback ~~

(I did pretty much just admit that I liked Roger)

By the time I noticed how the drug named Roger made its way into my body, it was already too late.

However…it didn’t matter how much I liked Roger if it was unrequited.

(Yeah. I want Roger to like me back)

Kate: …Looks like I’m more selfish than I thought.

Liam: Hehe, you’re talking out loud. Is it about Roger?

Kate: …How did you know?

Liam: If anyone didn’t, then they’re seriously ill. They should be sent to a hospital for being so clueless.

(I guess it’s that obvious…)

I looked away in embarrassment and Liam smiled beautifully like a rose.

Kate: I boasted that I’d be able to teach him about romantic love, but ended up falling for him…I’m so frustrated and embarrassed.

I don’t know why I can freely admit my feelings to anyone but Roger himself.

Liam: It can’t be helped. The human heart’s the most unpredictable thing in the world. It’d be so much easier if your heart followed your brain.

Liam’s eyes were downcast as he smiled. It felt like he wanted to abandon everything, like he was touching death’s fingers.

~~ Flashback ~~

Roger: Would it be good or evil to make curses disappear from this world?

You don’t have to answer me now. When it comes to you, let me know.

~~ End flashback ~~

(...The more I learned about the Cursed, the less I was able to answer the question)

Alec and Roger’s past, Lance’s death, Ellis who was next handed the Briar Bushes curse, and Liam before me.

(Values change so rapidly that it’s puzzling)

(But I shouldn’t stop thinking about it)

Liam: I’d like to see it. Roger being so smitten with you, I mean.

I’d like to see it too.

I hope it happens.

I’ll do my best. +4 +4

Kate: Then I’ll do my best!

Liam: Yeah, that’s the spirit. Unlike me, Roger’s a rational one. That’s why it’d be interesting to see someone like him be madly in love.

Kate: Hehe, was that a wicked look just now?

Liam: I’m cursed with being led by my own curiosity. So you’ll have to excuse my wicked interest.

(I don’t know if you can make curses disappear)

(I wonder if that’s a good thing. However…)

Kate: I promise when Roger’s smitten with me, I’ll let you know.

Sometimes it’s the small promises that are important to live for.

Liam: I’m looking forward to it.

As I smiled back at Liam, Ale and Ellis came back from playing.

(Ah, that’s right)

Kate: Um, do you know a place where I can get some beautiful flowers? I thought you two would be familiar with what’s popular.

Liam: Of course, but are they a present for someone?

Kate: You heard about how a Cursed One named Lance died the other day, right? I heard he was buried at a public cemetery and wanted to go leave some flowers.

(Lance won’t ever come back…so I hope he can rest peacefully)

Ellis: Then how about sharing the flowers from Victor’s garden? He grows flowers as a hobby. I saw him walking around with flowers this morning and I’m sure he’ll share them if you ask.

Kate: Hehe, I wasn’t aware. I’ll go ask him then.

Liam: That’s fine, but I’m worried about you going to the cemetery all by yourself. Lately, young people have been getting attacked or going missing.

Ellis: Do you mean the incidents Victor and Will are investigating?

(I do remember the barkeep saying something like that)

Unfortunately these incidents weren’t uncommon in Britain given its large population.

There is as much darkness as there are people.

(It could be related to how the girl Lance liked was killed)

Liam: I wish I could go with you but I have rehearsal…

Ellis: Sorry. I have work at Jude’s company.

Liam: Ah, Harrison might be free this afternoon.

Kate: I can’t be a bother to everyone! I’ll be fine going alone. I’ll just take Crown’s carriage to the cemetery and come back before it gets dark.

Liam: Oh? Then I guess we don’t need to worry too much.

Ale: Arf arf.

Kate: Ah, seems like Ale will be coming with me.

Ellis: Then take care of Kate, Ale.

Ale: Woof.

--

Victor had gladly shared his flowers with me and now Ale and I were being rocked around in a carriage.

When I glanced out the window, the carriage stopped not too far from the cemetery.

(Huh? But the cemetery’s still a bit of a ways down)

The coachman got off his seat, opened the door, and signed to me.

(“The road ahead…is too narrow for a carriage to take to the cemetery…”)

I somehow managed to read the sign language that I had just recently learned and tore a page out of my notebook to write a reply.

“Thank you. Please wait here, I’ll be back soon.”

I passed the paper to the coachman and alighted the carriage.

--

The sky started turning red as dusk approached.

(The cemetery’s really close. I’ll be in and out in no time)

We walked down the path leading to the cemetery.

For a while, the only sound was the grass being blown by the wind until— 

Ale: Arf arf arf.

Ale, who was walking ahead of me, suddenly turned and started barking.

Kate: Ale, what’s…

The bouquet fell from my arms.

I felt a cloth smelling like chemicals press against my nose and lost consciousness— 

--

Elbert: …

Elbert wandered around the castle looking for something, his face paler than ever.

Then—

Roger: Yo, El. Have you seen the ‘lil lady around? I wanted to get her to do some work for me, but haven’t seen her for a while.

Having found who he was looking for, Elbert rushed over to Roger.

Elbert: Roger. Listen to me calmly. It’s possible that Kate was kidnapped.

Roger: Kate? What do you mean?

Ellis: What you just said, is it true…?

They turned around and saw Jude and Ellis who had just come back from work.

Jude: The princess got kidnapped? By who?

Elbert: I’m not sure. Earlier in the garden, a coachman came up to me looking terribly disturbed. He said that he dropped Kate off not far from the cemetery, but no matter how long he waited, she never came back. He went to go look for her, but only found Ale. Here, he gave me this.

He handed Roger a piece of paper with “I’ll be back soon” written in Kate’s handwriting.

Roger: …

Ellis: Kate wanted to go leave flowers on the grave of the Cursed One who passed a few days ago. She said she’d take a carriage and be back before sundown, so she’d be fine.

Jude: That’s Saint Cemetery. Got a road so narrow that carriages pass through. Somethin’ must’ve the moment she got out.

Elbert: We don’t know what happened, but we can’t waste any time. What do we do, Roger?

Roger: …

There was nothing reflected in Roger’s eyes.

Elbert: …Roger?

Elbert waved his hand in front of Roger’s face and the latter blinked in surprise.

Roger: …

Ellis: Roger, are you okay?

Roger: Yeah…sorry. Just…a little shaken.

Elbert and Ellis: …(°ロ°)

Roger took a deep breath as if to calm himself, eyes now focused.

Roger: This likely has something to do with the recent incidents. Let’s tell Victor first and then gather the rest of Crown.

--

When news of Kate’s disappearance broke, all of Crown assembled.

Victor: Her Majesty gathers information from the masses. If Kate was kidnapped, then it’s believed to be related to the incidents.

Ellis: …So it is related to the incidents targeting young people. But why?

Jude: Human traffickin’, kidnappin’, murder for fun, there’s all sorts of reasons.

Victor: As you’re aware, Will and I have been looking into the culprit. Unfortunately, we haven’t been able to identify them yet. However, based on where the victims have gone missing, we’ve been able to identify possible bases.

He spread a map of London out on the table.

Four areas were circled in red—

Victor: If Kate was kidnapped, she could be in any of these locations.

Roger: …

Victor: We don’t have time to waste. Crown will split into four teams and search each location.

Jude: I’ll be collectin’ a huge reward when I find the princess.

--

Jude: You’re up, ya dumb dog. Lead us to our dumb Fairytale Keeper.

Roger: Ale, I’m counting on you.

Ale: Woof.

A team of Roger, Jude, and Ale boarded a carriage and were now passing through a dense forest.

— Suddenly, the piercing sound of horses neighing was heard and the carriage screeched to a stop.

Roger: What the…?

Nica: Wie geht es dir (How do you do), Crown? Pardon me.

There was a polite knock on the carriage door and one of “Vogel’s” twins boarded the carriage.

Roger: You…

Nica: I just saw the Queen’s aide looking pale*. I heard Robin has gone missing?

Roger: If you already know, then get out. We don’t have time for you.

Nica: Don’t want to. Did the good doctor forget that we’re here to deepen our friendship? I’m telling you I’ll help you. I might be of some use?

Jude: …Oi, quack. We gotta move.

Roger: If you don’t wanna get kicked out then behave, older twin.

Nica: Allerdings (Of course), I’ll behave.

The carriage started moving again— 

Only Nica was happily petting Ale in his lap, as if he were on his way to a holiday resort.

His POV | Next

-

*Alternatively, red with anger. 血相を変えた was used, which in a literal sense, means ‘to change facial expression or color’. It’s contextual and in this case, Victor could be either.