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gingiesworld · 20 hours

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I Am Not Matt

Leigh Shaw x GN! Reader

Warnings: Angst, Unhappy ending

18+ MINORS DNI

Taglist : @mothertoall2 @natashamaximoff-69 @canvascoloredin @wizardofstories @louxbloom @wandanats-goodgirl @the-ox-fan20 @ladyqueenxoxo @aemilia19 @wandaromamoff69 @mfd-101 @dorabledewdroop @marvelogic @dopeyouth @karsonromanoff @bimad @reginassweetheart @machyishere @gemz5 @pawiie @duckiekong (If you want to be added to my taglist, please DM me or comment)

Ever since Y/N had come into Leigh’s life, she had finally started to believe that she could move on, move past the grief that swallowed her whole. Y/N had always surprised her with flowers when they came home from work, took her out on spontaneous dates and even cooked her her favourite meal. Even though those gestures made Leigh see just how lucky she was to have such an attentive partner, she slowly started to withdraw herself from the relationship. The nights they would spend together between the sheets became little to non-existent, the spontaneous dates never really happened as Leigh always came up with some sort of excuse as to why she didn’t want to do it. Even when she received flowers soon fizzled out, Y/N soon started to realise that she was pulling further and further away. They barely spoke anymore, everytime Y/N would start up a conversation, Leigh would completely shut it down almost immediately.

“I’m off.” Y/N would say every morning when they saw her in the kitchen having her morning smoothie, their heart broke a little when she only shrugged. So they left without a single word off of Leigh. They spent their day working under the hot sun, wondering what had went wrong between the two of them.

“You look like you could do with a drink after work.” Jim stated as he helped Y/N by holding the plank of wood in place for Y/N to drill it into place. “Trouble in paradise?”

“You could say that.” They answered him.

“Then it’s settled, we’re having a drink and you can tell me all about it.” He told them before they both moved on to their next tasks. The day soon went by fairly quickly, work and banter with their colleagues slowly taking their mind off of their failing relationship. Soon they found themselves sitting in a booth at a bar not too far from the construction site. “So, talk to us.” Jim told them once they had their first drink.

“You know Leigh and I have been together for a couple of years right.” Jim nodded and waited for them to continue. “I think she.” They took a deep breath. “She’s pulling away from me and I don’t know how I can fix it.”

“Have you tried talking to her?” He questioned as they just nodded.

“She doesn’t even talk to me anymore. There’s no communication with her and I am trying, I am really trying to do everything I can to try and make it right and make it work.” They rambled on as they played with their glass, swirling the liquid within. “I don’t think she loves me anymore.” They whispered sadly before they downed their drinks.

“How long has this been going on for?” He asked as Y/N shrugged.

“Months.” They told him honestly. “We don’t even sleep in the same bed anymore, I know she gets out of our bed once she thinks I’m asleep.”

“Do you think she could be cheating on you?” He asked them as they shrugged.

“I don’t know.” They looked at him sadly. “I just, I love her more than anything and I don’t think she will ever feel for me the way I feel for her.”

“Well, I think you really need to make a decision, you have got to do what makes you happy.” He told them. “If your relationship is failing, and you’re the only one who is putting in all of the effort, it’s best to jump ship.”

“I was going to propose on our next anniversary.” They admitted. “I already have the ring and everything prepared.”

“I’m so sorry buddy.” Was all he could say before Y/N grabbed their wallet and left, paying the tab beforehand. They hadn’t realized the time when they had gotten home, seeing Leigh sat on the sofa, her eyes glued to the door in which they entered.

“Where were you?” She questioned them angrily. “You were supposed to be home hours ago!”

“So you finally noticed me?” They sneered as they moved towards the kitchen. “You’ve spent months ignoring me, forgetting I even exist.”

“Have you been drinking?” She questioned as they just laughed at her. “Are you cheating on me?”

“Why would I cheat on you, huh?!” They questioned angrily. “You know that is something I would never do! I don’t make promises just to break them, and I am not Matt.”

“No, you’re nothing like Matt.” Leigh seethed. “He knew me! He loved me!”

“If he loved you, he wouldn’t have cheated on you!” They yelled. “I wouldn’t ever cheat on you. You know the kind of person I am, when I want a relationship, I want to know that there is a future. You know very well I don’t do flings and I never saw you as just a fling.” They looked in her eyes sadly, reaching into their pocket. “I wanted everything with you, I wanted to build a life and a future with you. I love you so fucking much.” Their tears started to fall as they spoke. “But I know that you don’t love me, I was just a means to help you to try and forget your pain. It’s more like an addiction to you, and once I wasn’t doing it for you anymore, you go back into this place. You shut everyone out, everyone who loves, when was even the last time you spent time with your mom or Jules these past few months?”

“I see them every day.” She answered them with a scoff.

“At work!” They yelled. “You haven’t seen them at any other time! You go to work and then come home. Maybe you go to the store on some days to get you endless bottles of wine.”

“This isn’t even the point I was getting at!” She yelled in frustration, making Y/N laugh loudly.

“You haven’t spoke a single word to me, and you have the nerve to think I would hurt you.” They told her shakily. “You have no idea how much you have hurt me, you shut me out, I had no idea what I had done wrong, I was trying to figure it out for months. But, I had done things the way I have always done them since I first asked you out. I continued to do all of the things that made you smile, or laugh. I genuinely thought we had a future.” Leigh watched as Y/N had completely detached themselves from her. “I do love you, but I can’t do this anymore.” They told her as they pointed between themselves. “I can’t keep allowing myself to get hurt because I love you so much. It’s not fair on me.”

“What are you saying?” Leigh questioned, the first sound of regret in her voice.

“I’m saying it’s over.” They told her bluntly. “Us, we’re done. I’m done.” They sighed as Leigh just watched as they moved towards their room, grabbing a bag before packing some of their belongings. “I’m going to sign myself off of the lease.”

“You can’t.” Leigh whispered as she watched them from the doorway.

“I have to.” They told her as they zipped up their bag. “I need to leave before what we have kills me, and you need to move on. Just because you’re still alive while he’s not, doesn’t mean that you can’t learn to love someone new. You deserve to be happy Leigh, you just need to heal first instead of hiding from the pain.”

#leigh shaw x you #leigh shaw x reader #leigh shaw x y/n #leigh shaw imagine #leigh shaw #elizabeth olsen x reader #elizabeth olsen imagine #sorry for your loss

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queen-of-the-avengers · 1 day

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Dangerous Liaisons

Pairing: Loki Laufeyson x Female!Reader

Word Count: ~2.5k

Warnings: angst, prison!loki

Summary: You do your best to make sure the prisoners of the prison you work at get the utmost care that you can give them. The prison gets a new inmate, one that you see yourself connecting with.

Squares Filled: prison au (2021) for @lokibingo

Author’s Note: any and all comments are greatly appreciated <3

You leave the prisoner’s cell with a heavy sigh. Most of the time, you like your job because that means you’re healing people but not when they try and kill you, too. This American prison is one of the worst in the country because it houses the worst of the worst, the most dangerous individuals known to man. Your brother often tells you that you should quit and work in the hospital he works at, but you actually like it here as weird as it sounds.

Some of the prisoners are a menace that makes you want to quit your job, but there are other prisoners who think of prison as a rehab and try to get better. They’re still the most dangerous men due to the nature of their crimes, but at least they’re trying to become better.

You’re here to nurse anyone back to health because believe it or not, there are a lot of stabbings that happen here. You do your best to take care of the inmates as much as you can without letting the job affect you that much. Mental health is just as important.

You walk back to your station in the middle of the prison where the other nurses are gossiping. You try not to participate in the gossip especially when it comes to the other inmates, but it’s hard not to when you work so closely with one another.

“What are you two whispering about?” you ask.

“Did you hear? We’re getting another inmate.”

“Really? Aren't we at capacity?”

“I’m not sure.”

“Who is it?” you ask.

Neither women know the answer to that. All they know is that he is probably the worst of the worst, and that’s saying something. It doesn’t take long for the new inmate to get here, and you’re looking out the window for him. A herd of guards walks down the hallway with the new inmate stuck in between them. You gasp when you see the prisoner. You know who that is. You’ve seen him destroy New York while you were safe in your house in another state.

Loki’s chains connect his ankle handcuffs and wrist handcuffs, only allowing him enough room to take a small step forward. He has a metal muzzle on his face, covering just his mouth. He can use magic so they thought putting a muzzle on him was best to keep him from using it. He doesn’t look bothered about being here but maybe he’s really good at hiding his true emotions.

Loki looks at the nurse’s station and locks eyes with you. Even though there is a muzzle over his mouth, you can see the smirk on his face. His eyes are a powerful blue that gives his expressions away. A shiver rolls down your spine from how intense his gaze is. You’ve met and been with men who knew how to take your breath away, but never has someone been able to do that just by looking at you.

Plus, it doesn’t help that he’s extremely good-looking.

From what you can see, he has cuts and bruises on his face from what, you’re not sure. The guards take Loki to the most secure prison cell in the place. The place had been under construction for a while, probably getting Loki’s cell ready. The warden walks into the nurse’s station and approaches you.

“Consider him your new patient.”

“What?”

“I don’t want anyone else but you with him. You’re the best nurse I’ve got on staff, but don’t tell the others,” he jokes.

“Oh...kay,” you say slowly.

“Don’t worry about him hurting you. We have taken extra precautions to ensure everyone’s safety. There are guards in place if the chains fail, but they won’t. Tony Stark made them.”

“Do you need me to do it now?”

Preferably within the hour. We don’t want to give him an excuse to be let out.”

You go as soon as you can just so you can get this out of the way. You don’t know Loki, only what he’s done, but you know more than most that your actions don’t define who you are. Look at some of the prisoners here. They know what they did was wrong and are trying to better themselves for it even though they may never be released from prison.

You gasp when you see Loki chained up like some animal. The muzzle is still on his face and a chain is hooked to the chain connecting his arms and legs. That chain is connected to a hook on the floor so he can’t escape. Loki is a magical being that is over a thousand years old (yes, you did research on him). If he wants out of the chains, he’s getting out. Why isn’t he? Why did they let him take him? The other inmates have free roam in their cells but Loki is chained to the ground.

How is that fair?

You walk up to Loki and look into his blazing blue eyes. They’re like oceans. He looks like he’d be the quiet one even without the muzzle on.

“Hi, my name is Y/N. I’ll be your nurse. I’m here to clean you up and make sure those cuts aren’t going to get infected.” He doesn’t say anything, obviously. “I’ll be by every day to make sure your wounds aren’t infected and to check your vitals to make sure you’re not sick.”

You roll over a table and put your first aid kit on it, pulling out the things you need. You use a cotton swab to clean up the blood around the edges of the wounds before dabbing a paper towel on the wounds gently. He doesn’t seem to be in pain and if he is, he doesn't show it.

“Let me tell you a little bit about me so you’re not uncomfortable with me. I started working here about six years ago. It’s not always the best but I love what I do. My brother who is a doctor wants me to work in his hospital but I don’t think I’d ever leave here. When I’m not working here, I like to do ceramics. I have a kiln at home where I make my own bowls and other little sculptures. I don’t need the money but I like to sell them. People seem to like it.”

Loki has a twinkle in his eyes as he listens to you ramble. You do that when you’re nervous, and he really makes you nervous. You continue to ramble as you clean his wounds, finishing in just over an hour later. You leave his cell and return to the nurse’s station in thought. You did minor research on Loki when he attacked New York, and you set a reminder to do some more when you go home tonight. It doesn’t matter what anyone at this prison has done. No one should be locked up like an animal. Your coworkers don’t share the same views as you, but everyone is entitled to their opinion.

When you return to work the next day, the first prisoner you see is Loki. There are guards located outside of his cell twenty-four-seven but you don’t think Loki will escape… maybe. You walk to his cell but the guards don’t move from their spot. Each prisoner gets an hour of your time each day with the more severe cases getting an extra one. They like Loki to be last so that you can focus on everyone else and not give him special privileges, but there is no way you’re putting his health risks below others.

“Excuse me.”

“We can’t let you enter.”

“What did you just say?”

“The warden said--”

“I don’t care what the warden says. My job is to take care of prisoners with wounds, and Loki has several cuts not only to his face but upper chest. Cuts that if left untreated will get infected causing him to be sick and possibly die. Even if he didn’t have anything physically wrong with him, you have him locked up like some animal so he isn’t getting exercise. His muscles will start to atrophy. Now, do you want me to report that to the warden or do you want to step aside and let me do my damn job?”

Both guards look at each other before stepping away from the door. You lift your nose up and yank the door open before walking inside. Loki looks up when he sees you and almost smiles at the determination on your face. You roll the same first aid cart over to Loki and remove the bandages to check on his wounds.

“Oh, don’t look at me like that. What was I supposed to say to them? It’s not right how they’re treating you.” You grab more cotton swabs and wipe away the leakage that’s expected to come from the wounds. “Anyhow, aren’t Gods supposed to self-heal?” You pause. “That’s what I hear you are. You and Thor. Gods. Norse Gods, actually. Sorry, I ramble when I’m nervous. You make me nervous.”

You grab the stitches to stitch two wounds together since they are deep enough to leave a scar if not properly healed.

“I read about you when I got home last night like some stalker fangirl.” Your eyes widen. “Which I’m not, by the way. I just… I saw what you did to New York on TV. I know what you did in Germany.” His eyes grow sad. “Don’t worry, I don’t think you’re as bad as they say you are. We all make mistakes, right?”

Of course, he doesn’t answer. You take your time in stitching up the two wounds before cleaning the rest of them and putting bandages back on them. Next, you check to make sure the restraints aren’t on too tight because you’d hate if you were the one being restrained and it was uncomfortable.

“Are you uncomfortable?” you ask. He shakes his head in response. “Have they brought you any food?” Another shake. “Are you hungry?” This time, he nods. “Okay, I’ll be right back with something to eat. Any preferences?”

Your joke makes the edges of his eyes crinkle. He’s smiling underneath his muzzle. That’s a good sign, you think. You leave and head to the cafeteria to get a tray of food for him. You sneak in one or two extra items just because you’re feeling generous. The door to the kitchen slams open and the warden walks in with fire in his eyes.

“What do you think you’re doing?”

“No, what do you think you’re doing? Are you keeping food from Loki? He deserves to eat.”

“A monster like him doesn’t deserve that. Plus, he’s not even human.”

“If he doesn’t eat, he’ll die,” you glare.

The warden shrugs as if that doesn’t bother him. He looks at the tray in your hands before leaving. You roll your eyes and continue filing the tray until you have more than enough for him. The guards don’t give you any trouble when you return back to Loki’s cell. He looks up and sees the food. He has to admit, he is hungry but he doesn’t think he’d accept any food if it didn’t come from you. You two have only known each other for less than two days but he feels a sort of connection with you that he has never made with a human.

You roll the first aid cart over to you and clear off the top before putting the tray there. With both hands free, you reach up and touch the clasp of the muzzle.

“I’m going to take this off now. I don’t think it’s right that they have this on you like some kind of animal.”

You remove the muzzle but Loki still doesn’t say anything. Since his hands are chained, you have to feed him but he doesn’t seem to mind. You take your time and ramble on about the different sculptures you’ve made, momentarily forgetting where you are.

“I’m not gonna put this back on,” you say about the muzzle once Loki has finished everything you brought to him. “Like I said. I don’t think it’s right.” With the muzzle off, you can see the hint of a smile on his face. Loki shifts and you look at the restraints on him. “Don’t tell anyone, but I’m going to loosen your restraints just a little. They look tight.” You use the master key and loosen his restraints, allowing him some more room to stand properly and move about. “Is that better?” He nods. “I’ll be back later with more food and to check to see how you’re doing.”

You take the empty tray and leave his cell. You spend more time checking on the other prisoners than you’d like only because two of them got into a stabbing match in the courtyard. After you get done with them, you go back to the nurse’s station to grab some snacks from your lunch box. It’s better than eating that slop in the cafeteria.

You’re the last one left in the nurse’s station since all the others have gone home for the day. You have more patients than the others because most of them request you to fix them. It doesn’t matter what someone did, you’ll treat them the same way you treat everyone else. It’s better for your conscious.

All of a sudden, the lights go out in the station only for bright red lights to replace them. Alarms echo down the hallway, and most of the prisoners become erratic from the sound. Someone has escaped. They only put those alarms out when someone has escaped from their cell. It better not be Jacobson. He has a habit of finding new ways to piss off the warden.

You continue putting food on the tray when you feel a breeze a your back. The door is open. You look up and see a figure standing behind you through the reflection on the window. That’s not Jacobson. For one, he’s a very lanky short man. The man behind you is tall… very tall. You’re frozen in fear because you have no idea who is behind you. If he wanted to, he could kill you without a second thought.

“Hello, darling.” The man steps underneath the red light and you see those piercing blue eyes. You turn to face Loki as he walks closer to you. His voice is much deeper than you thought it’d be… much more raspy. You must have loosened the restraints too much. He reaches out to you and tucks your hair behind your ear. “Don’t be scared. I won’t hurt you.”

“I’m not scared,” you say truthfully.

“Good girl,” he grins. “I wish I could stay but I have somewhere I need to be. Believe me when I say I’ll be back.”

He leans in and presses a gentle kiss to your cheek. Just like that, he’s gone. You believe him when he says he’ll be back. Funny thing is, you’re kind of looking forward to it.

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weirdsht · 2 days

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Disillusioned 17 . Heterogeneity (2)

a/n: my body's crashing but midterms are ending soon so hopefully I'll be able to sleep

tags: implications of torture (squint really hard to see it), yandere-ish if you squint, Cale is unconscious again

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are currently closed but my ask are still open (read pinned)

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_____ was walking down in the halls just outside Cale’s room. With nothing better to do after talking to Rosalyn, they decided to go out and help Pendrick heal injured soldiers outside.

However, not 10 steps in and a certain red-haired man is shoving them back into the room they came from.

“What are you doing out? You should be lying down.”

Surprisingly enough, it’s Choi Han who spoke up and not Cale.

“Even if you heal fast there’s no way a wound that severe has fully closed up.”

The swordmaster had a look of disapproval on his face and _____’s poor heart just dropped. Never in their life had they seen Choi Han this disappointed with them.

“What did you even do yesterday? We still don’t know what happened.”

Cale tucked the healer in bed tightly as if they didn’t wake up just half an hour ago. _____ tried to get back up again but thought against it when they saw how the golden dragon was guarding the door with Choi Han guarding the end of the bed.

“I really don’t need to rest more, I swear my wound is almost healed.”

“Almost healed is different from fully healed. You will stay in this bed until we go back to the underground villa. I won’t take no for an answer.”

That shut _____ up.

However, the silence did not last long.

“Start explaining what the hell happened yesterday. Choi Han told you that you told him about how you discovered something.”

Cale sat at the end of the bed. Meanwhile, Eruhaben moved to sit on the couch with Choi Han taking over his place to stand at the door.

“Huh? Oh yes, it was also back when you guys went to Paerun Kingdom.”

The healer forgot for a moment about what they did yesterday. Mind too clouded by the things they talked about with Rosalyn earlier.

“My powers work like a transfer right? Oh right, Eruhaben-nim didn’t know, I’m sorry. So usually I would absorb someone’s wounds or whatever and then I would give and multiply my vitality right?”

Eruhaben started wondering how he got surrounded by so many unlucky people before his death. However, no one in the room knew about his thoughts.

“It got me wondering if I can do the opposite. You know, transfer and multiply my wound and then get their vitality or something along those lines.”

“Huuu”

Cale couldn’t help but sigh and pinch the bridge of his nose.

“You do know that this wasn’t what Ron meant when he told you to create something of your own, right?”

“It wasn’t? But isn’t it still a good idea.”

“_____-nim… that’s not…”

Choi Han started wondering why his serving two self-sacrificial young masters. Just like with the gold dragon, no one else knew about his thoughts.

“Yes, I know… Rosalyn-unnie already scolded me about it. I’m really sorry, I won’t do it again.”

“And what exactly are you sorry for?”

Cale’s gaze looked as though he was ready to get disappointed by whatever the healer was about to say.

“No really, I know what I did wrong this time. I’ll try not to put myself in danger next time. I’m really sorry for worrying everyone, I know I acted rashly.”

“Try?”

Eruhaben’s voice rang out for the first time since they got inside the room.

“I mean it’s a good ability… I was just unlucky this time because that half-dragon got away before I could steal some vitality… Plus, wouldn’t it be super helpful? Like imagine I have just a tiny cut but when I transfer it to the enemy it can become a lethal wound.”

While Cale is glad _____ is more lively and doesn’t act like a puppet anymore, he's not happy about this newfound stubbornness. Where did the healer even learn it from? But just like the other two men, no one else knew about his thoughts.

The commander doesn’t want to restrict the healer’s movements or freedom. Not only would it be annoying to have to constantly look after them, but it would be similar to how they used to live when they were with the Perduellios.

But at the same time, this discovery is dangerous when left alone.

“Haaa, you’ll only use that ability when it’s an emergency or when I allow you to. Unnecessarily use that power again and see if Beacrox will prepare any more desserts for you.”

Not Beacrox’s desserts, _____ loves those.

The crestfallen healer only nodded in agreement. But honestly, they don’t fully understand why everyone is acting as though they have no self-preservation. It’s not like they won’t heal. Did everyone miss the part when _____ said they can absorb another person’s vitality?

If there’s someone in their group who has no self-preservation it’s gotta be Cale, not them.

True to Cale’s words _____ didn’t get to help out in anything for the remaining time they were in Caro Kingdom. Every attempt of theirs would get shut down by everyone. The healer thought it would get better after they fully healed.

Yes and No

After resting for a bit in the super rock villa, _____ has been allowed to go back to their regular duties. However, Cale stuck the healer to him like glue. From war battles to stealthy operations to more battles. From the Caro Kingdom to the Roan Kingdom to the Western Continent to the Empire. No matter where Cale went _____ is with him.

Well, not like _____ has a problem with it so they just let it be.

Plus they know that if they want, they can ask Cale anytime to leave them in Leeb-An City or the underground villa.

But they didn’t because just as it eases Cale’s mind to have the healer with him (not that he’d admit it), _____’s mind is also at ease whenever they are with Cale.

Or so it was.

If _____ hated Adin and the White Star before, they loathe them now.

"I-I don't understand, his body is completely fine. I have also replenished his energy however he won't wake up."

It’s been more than a week since the day Cale fainted. Yet he still showed no signs of waking up. To some extent, the healer could tell that the redhead’s body needed rest from overexerting.

But almost two weeks?

Who wouldn’t worry?

The only silver lining to all this is that it gave the Medicus some time to ponder about their feelings. Gave them time to think as to how they’d handle this garden called love whose flowers are blooming more and more in _____’s heart every day.

Ultimately they have decided to not do anything.

What _____ has concluded these days is that the form of love they want to give is support. For them that's what love is, supporting your loved ones even if he's unaware of their feelings. Being there whenever he needs them and expecting nothing in return.

And that’s exactly what the healer did.

They helped in any way they could. From healing the injured to helping with the paperwork. Sometimes Rosalyn and Raon had to remind _____ that they must rest, that they were overworking themself, and that the matters of the empire could wait until they got some rest.

_____ tries their best to listen. However, they would be seen doing the same thing again two days later.

“Cale seems to have like-minded people around him. Are you also not interested in a noble title?”

Alberu and _____ are sitting across from each other. Both working on their own pile of paperwork.

“Under no circumstances was I ever interested in such things Your Highness. However more than that, I believe it would be unfair for our citizens if the Perduellio’s rise again when they got such a light sentence.”

The crown prince nodded in understanding. As someone who is always thinking about what’s best for the kingdom and its citizens, he could tell where the healer is coming from.

However, there’s a mistake in what _____ said.

A light sentence? That’s far from the truth.

Even thinking about what happened to that family sends a shiver down the quarter Dark Elf’s spine.

The official statement for what happened to the Perduellios is that the entire family have been stripped of their title and all their assets have been seized by the crown. As far as everyone knows they are now somewhere living as peasants.

But isn’t it weird that no one has seen them?

Cale has been… looking after them, for the lack of a better word. Alberu may not know the full story but he surely knows the extent of the young master’s anger.

He low-key wishes he could erase from his mind the condition of that cell and its inhabitants.

“However Medicus-nim, are you aware that you can’t live in hiding forever?”

Alberu pushes his other thoughts away. Why bother dwelling on them when only he, Cale, Tasha, and Beacrox know what happened? For now, he’ll focus on this paperwork and his conversation with the healer.

“Very much so your highness. I have lived my entire life hiding. What is a few years more?”

_____ paused for a second to take a second look at the document they are currently reading.

“However your Highness, the same thing cannot be said for you. This is prime time for you and the other Dark Elves.”

Alberu lets out a hearty laugh at that.

“Of course Medicus-nim. Yet you got one thing wrong. This is also a prime time for you. Worry not as I will surely allow you to live as Roan Kingdom’s Medicus once more. Consider it as my reward for putting up with a certain redhead.”

_____ tried to deny it. Tried to say that they did not need such things. Nonetheless, Alberu did not relent. He and Cale had already agreed that they would let this poor healer live out their life after being used like a tool since childhood.

Plus the blonde is seriously getting tired of Cale ranting about how suffocated _____ is having to wear a mask all the time even if they don’t complain.

"It's fine to be greedy sometimes you know? Sometimes it's all right to take whatever it is you want."

Alberu did not look at _____ as he spoke. Instead, he's looking at the unconscious commander on the luxurious bed.

_____, who understood what the crown prince meant, felt embarrassed. Their face turned into a light hue of pink as they thought of a retort.

However, Alberu did not let them do so. He simply motioned over to the healer with his glance before continuing the paperwork in his hands. _____ followed suit, and soon the room was filled with silence again, the only exceptions being the rustling of papers and their pens scribbling.

bonus-ish: sometimes I can't help but comment while I'm wrting lol

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year2000electronics · 2 days

Note

Honestly my favorite thing about you by far is how you build on aus and fanon of old without being needlessly cruel and disparaging to it. OG reverse falls had a lot of issues, but people tend to get lost in dogging on it as opposed to embracing the beauty that comes with creating new content for it with hindsight and maturity that the fandom of old didn’t have. Basically just thank you for being so kind. Anyway my second favorite thing you do is draw reverse ford like a silver fox you’re so fucking real for that

thank you!! i really do try to be kind and positive about stuff as best as i can when it applies, i know fanon stuff gets a lot of flak for often being derivative or just very shoddy at times but its like. idk. ive always seen the bridge to better fanon being lifting up and supporting what you do like, because the more lamenting that happens the more you end up just sorta chasing this giant invisible strawman of "you guys" who are "making the thing i dont like instead of the thing i like" (as a pretty relevant example, ill see posts pop up in tags complaining about "you guys'" humanizations of a certain triangle... -_- )

because like its true! sometimes fan stuff is dumb. because we're all creating stuff out there so some of its going to be dumb. even some gravity falls stuff is dumb. roadside attraction is dumb. parts of the wendy crush arc are dumb. which is why i want to lift up parts of something i like and when i do point out stuff i dont like i always want to kinda be constructive about why. and i do think that trying to build something i like attracts people! i think they pick up on the passion there! and it just feels so much more rewarding than if i were to complain all day. idk. its all about striking a balance and its something i like to think about and ruminate on a lot as someone who participates in the community of fandom.

its also a bit of a glass houses thing to me, because i dont think i can even claim to have fanon that like, doesnt suck. not in a self deprecating way you just have to understand where im coming from here... because im the type of person who loves to ruminate on how the relationships between people affect them and how it makes their story, which ends up meaning i go REALLY hard on shipping! and someone could point to me and be like "wow youve got Yaoi Brain" or something! and i draw my human bill as a skinny white guy because idk i just Do! and people could call that derivative if they so wished! if i was going around proclaiming that i could 'be better' and 'fix bad fanon' it would just feel ironic to me. because sometimes the art i make isnt perfect too. and im fine with that. its a part of my art to me.

anyways thank you for the ask and the gateway for me to ramble :] i always like talking about this stuff. here's silver fox ford gleeful again

#mothra answers

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gurugirl · 1 day

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Hi, idk really why I want to ask you this but sometimes I just feel so insecure about the fact I’m still a virgin at 23. I haven’t even kissed someone. I’ve always been so insecure about my looks that I’ve never wanted to get intimate with someone, and i know I’m not ugly but I just feel like now the fact I have never had anything makes me feel repulsive. I’ve been on dates but I’ve just never felt that interested in them? I like my alone time too and I feel like I can’t be bothered trying to force a relationship when I want to work on myself. I’m going travelling in 6 months for a year and I doubt I’ll meet someone when I’m travelling so I’ll be 25 almost when I come back and still a virgin. Is that bad? I know I should take things at my pace but I just feel like there must be something wrong with me if I don’t really want to with anyone I’ve met who’s been into me? What should I do?

I got wordy here so a read more was necessary ↓

Hi hon. I say this anytime someone asks me about having not met some milestone yet - but you still being a virgin at 23 really doesn't define you at all and it's not weird. I bet I could post a poll right now and ask who's still a virgin past the age of 23 and you'd see a lot more virgins than not. In fact, I just had a recent anon who is also 23 and a virgin (pretty sure I posted this ask yesterday - check the #ask tag on my blog if you'd like) so you're not alone. Not even close.

Milestones, especially something like when you should lose your virginity, should all be done away with. There's no timeline for something like that. And I'm sure you've heard it before but you definitely want to enjoy your first time having sex and do it with someone you trust and not force yourself to get it over with. While I think virginity is mostly just a social construct, it can be a big deal to us as individuals.

You aren't repulsive, there's nothing wrong with you, and you get to decide when and with whom you do have sex with. No one but you. I actually think you sound like you have a good head on your shoulders. You've gone on dates and have made the mature decision that you weren't that into the people you dated, you know you're someone who enjoys your alone time (me too hon), you already know better than to force a relationship (some people don't get this concept bc they're scared to be alone and by the time they realize what they've done it's too late), and you're about to go on a year-long travel which is huge and there would be so many people your age terrified to travel for a year. You're brave, adventurous, and smart.

I think you're way more amazing than you realize, just from this ask I can pick up how mature and emotionally intelligent you are. Don't compromise. You're doing absolutely amazing. And also don't discount yourself that you're not going to perhaps meet someone on your travels. Who knows what will happen? Maybe you'll still be a virgin after the year is up - but that's perfectly okay too. Be open to what could happen and keep doing what you're doing.

Also, it's going to benefit you to not talk badly about yourself. Start telling yourself how impressive and how unique you are. Do away with saying such negative things. Seriously. No more of that that! You're going to be just fine. Remember that you're still young, you're smart, and you're about to do something that most people in this world cannot say they've ever done, nor would they be brave enough to (enjoy wherever your travels take you!).

xoxo

#ask

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my0favorite0art · 1 year

Text

CurbItKirby Masterlist A.1

Masterlist A.2

Masterlist B (OCs w Molina face-claim)

A masterlist of @curbitkirby's Alfred Molina character fics. The masterlist had to be split into parts due to tumblr's link limit. The lists are sorted alphabetically by character, if you can't find what you're looking for check the other lists!

Note: up to date as of May 28, 2024

Stephan Arden

flirting

Manuel Aringarosa

priest kink

“Big Boss” (The Devil has a Name)

cockwarming Boss under desk

Boss notices Reader's tongue piercing

Boss likes Reader's ink

Jim Bussey

touch-starved oral fingering

ghost sex

Tiny!Reader Borrower AU

lonely reader

Oswald Cobblepot/Penguin

Catburglar!Reader tries to steal from Penguin light angst

Catburglar!Reader violence first meeting

Catburglar!Reader rough sex light degradation

Catburglar!Reader rough sex jealousy light angst

Catburglar!Reader gun violence angst

Reader gives Oswald a gift

Catburglar!Reader cockwarming cheating angst

Catburglar!Reader hurt comfort sex bathing

Dom!Reader gets eaten out

sex pollen caning object insertion

Young!Penguin fucks Waitress!Reader slut shaming

Journalist!Reader sex pollen drugged sex breeding kink dubcon

What festive bondage Catburgler!Reader

Catburgler!Reader dark angst noncon threats

Dark!Oswald x Driver!reader

Dark!Oswald x Driver!Reader violence jealousy

“Colonel” (The Treat)

Mimi introduces Reader to the Colonel spanking

Leland Drury

priest kink

confession booth sex infidelity breeding kink blasphemy

Leland helps newlyweds consummate p.1

Leland helps newlyweds consummate p.2

Leland helps newlyweds consummate p.3

Disobedient Part 1

Disobedient Part 2

Andres Galan

Reader gives Galan's daughter a ride and he asks them out

Boss!Galan marries reader spanking breeding kink p.1

Boss!Galan marries reader spanking breeding kink p.2

Virgin!Reader unprotected sex pregnancy

lactation kink pregnancy sex

nipple piercings phone sex

cockwarming drabble

exhibitionism hot tub sex

angry jealous Boss!Galan rough

Armand Gamache

workplace sex blowjob fucking

Widower!Armand werewolf angst

there's only one bed

car sex

power imbalance rough sex degradation

Jordan Greene

past sexual trauma face slapping angst p.1

femdom p.2

Jordan x dominatrix!Reader p.1

Jordan x dominatrix!Reader p.2

Maxim Horvath

Apprentice!Reader dom/sub caning

Horvath fucking Apprentice!Reader mirror kink

Horvath and Reader get high

dom/sub Horvath aftercare fluffy

Apprentice!Reader cockwarming wax kink

Dom!Reader power struggle face riding

Horvath shrinks and eats out Tiny!Reader

angst degradation cock worship p.1

angst self-degradation oral sex p.2

Horvath invites you out with ulterior motives p.3

Widowed!Reader Horvath arranged marriage

Alpha!Horvath Omega!Apprentice!reader heavy angst p.1

Alpha!Horvath Omega!Apprentice!reader heavy angst p.2

#so some construction is going to have to happen #*power tool sounds*#Stephan Arden #Manuel Aringarosa #Big Boss #Jim Bussey #Oswald Cobblepot #Leland Drury #Andres Galan #Armand Gamache #Jordan Greene #Maxim Horvath #Reader #self insert

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lucabyte · 1 month

Note

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

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