#so so so satisfying and lovely

[markiafc]

watching behind every good man 1967 and missing baby queen 2022 so much. and many other chinese trans documovies, featuring scene and/or sequences where the subject dresses themselves in private or behind-the-curtain, so to speak. sometimes it feels rather voyeuristic and exploitative, but sometimes it's very sweet and intimate, and just wonderfully mundane.

[chloesimaginationthings]

You know Henry’s final speech went hard in FNAF

[novelconcepts]

Rio is gonna be so pissed that she hunted her situationship for centuries, finally got her to surrender to her kiss, gave her a truly lovely little burial—

—and Agatha promptly figures out how to become a ghost fourteen seconds later.

[hinamie]

in spite of everything, I had fun <3

[cashmoneyyysstuff]

kaminari complains to his friends about how gross it is that you and katsuki kiss every morning in front of your classroom door. like, have some compassion for the singles, yknow ?! his friends tell him to just drop it.

what they don’t know is the reason he kisses you every morning is to guess which flavor your lipgloss is. and he’s a little too proud when he gets it right.

[chiropteracupola]

a little victorian boy and his elderly maiden aunts

[i love @pangur-and-grim's weird cats and wanted to draw them beatrix potter style]

[beebeedibapbeediboop]

The forest king and the postwoman

[biggest-gaudiest-patronuses]

going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:

There is never a satisfying answer to ‘Why didn’t they love me?’

like wow babe. good fucking point

[arttsuka]

I made @wolfythewitch 's fox Bill design out of polymer clay

It's pretty thin (so thin I'm afraid it'll snap in half anytime I lift it)

Front and back side:

[earl-of-221b]

I can’t explain what blue eye samurai makes me feel…….its a typical revenge story, a man sets out on his hero’s journey to kill the four men who have wronged him. A lone ronin, wide brimmed hat and sword in hand, roaming Edo Japan on his vendetta. But he’s not a man. He’s a woman. And how has he been wronged? What’s she getting revenge on?

On the fact that she exists. She wants revenge on the four white men that could possibly have conceived her. Who got her Japanese mother pregnant with a blue-eyed child. And not just any blue-eyed child, but a girl child. How is she possibly supposed to live in the world like that? For the wrong of being conceived, for the wrong of being born, for the wrong of being birthed into a world that will never love or accept her, she will kill her father.

I don’t know what level of convoluted self hate that is. Is she a child of rape? Or a child of a whore? Halfway through I realise what she told herself at the start couldn’t possibly be true - it’s not really for her mother. Her mother wasn’t the root of her vendetta, she wasn’t really doing it for her. When she leaves that farm and leaves the chance to live a simple, legitimate life as a woman, she goes right back to hunting down the men. Those men personally wronged her.

And then there’s so much to be discussed surrounding the way she grew up, because as a boy child and a man she can afford so much more than life has dealt her. Her swordfather who took her in out of the love and care in his heart had no shame in teaching a mixed man his art. The face of a ‘demon’ is fine. But not the identity of a woman. Shh. Don’t say it. Don’t confess. He knows and doesn’t want to hear it.

And because she’s lived that way her entire life for safety and security, she’s so completely alienated from being a woman, perhaps she really is he. But not really by choice. Or is it? The thing she does best is the art of killing, the art of men. Gender is a prison and gender is a performance and she has to choose which to perform. The times cannot reconcile hatred and violence with a woman. So she lives as a man.

So she can get revenge on her father, for revenge on herself.

[uncanny-tranny]

Amatonormativity has destroyed so many people's understanding and acceptance of themselves, and it's heartbreaking.

Yes, it is normal to be in your 20s, 30s, or older and not have lost your virginity, had a first kiss, or a partner. It is normal to say that you aren't ready for those things, too! It is normal if your life doesn't follow the "college graduate -> engagement -> buying a home -> 2.5 kids and a dog" trajectory that so many people have idealized.

So many people associate maturity with losing your virginity, or having a first kiss, or a serious relationship, and I think that's a dangerous association. Maturity isn't gained through those things, and you don't have to have those experiences to be considered "mature" or "grown." It is not a bad thing to go at your pace. Nobody else can live your life but you. If you end up having those experiences, that's great! But it should be done because you want to experience them, not because you feel "broken" and "immature" without them.

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[seren-dipitous-art]

Just so everyone can appreciate my shading, here’s a flat colour version of my TimKon frame.

[trashfire-nia]

Just manhua Wei Ying being a smitten princess

JUST LOOK AT THEM I'M---

[ruporas]

birthday party (id in alt)

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.