#so so so correct

[catwouthats]

THEY MAKE ME INSANE

Proof below:

Also, I’m fucking crying, I think his arm is like that bc he fell asleep holding the photo.

EDIT: more proof:

[zytes]

this manatee looks like it’s in a skyrim loading screen

[secondbeatsongs]

somehow instead of saying "as a treat", I've started using the phrase "for morale", as if my body is a ship and its crew, and I (the captain) have to keep us in high spirits, lest we suffer a mutiny in the coming days.

and so I will eat this small block of fancy cheese, for morale. I will take a break and drink some tea, for morale. I will pick up that weird bug, for morale.

I'm not sure if it helps, but it does entertain me

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[thestuffedalligator]

So usually when an imaginary friend is a real thing in a story, it’s either a demon or a ghost or some supernatural boogeyman that probably wants to eat the kid they’ve befriended (Mama, a couple of the Paranormal Activity movies), or “imaginary friends” are just treated as a real thing in the setting, and if a child just thinks hard enough they can manifest a friend into existence (Foster’s Home for Imaginary Friends, Happy).

And somewhere in the middle is an area where the imaginary friend in question is real and they are supernatural, but they aren’t malevolent, and they aren’t entirely honest about what they are. Like maybe they’re a fairy or a god or some kind of boggle from mythology, but they just got caught by a six year old and they don’t have time to get into it, so they just go “…Yes. I’m your imaginary friend. We haven’t met. How do you do.” And then they stick around because they do love this kid, and if you’re a boggle from mythology in the modern day good food is really hard to come by.

And at some level. That’s what I think Hobbes is.

[artistic-cocoon]

Saw someone on twt say they wanted to see Percy drawn like Yusuf Dikec and I couldn't help myself

[mariacallous]

[cimicherrychanga]

Because i feel like i might be overestimating what the average is, i shall Conduct Research

This isn't about how many languages you speak, but how many youre able to count up to at least 10 in, since basic numbers are some of the first words you learn in a foreign language and sometimes you catch them without having studied the language at all

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[kabukiyuki]

i am the sanest most normal transformers one ending survivor

[dailypokemoncrochet]

[keymintt]

a comic/zine about coyotes

[theoptia]

Clementine von Radics, from “Letter from Anaïs Nin to Clementine von Radics”

Text ID: For women who are tied to the moon, love alone is not enough.

[ot3]

the interesting thing is that when you say things like 'the united states is beyond saving' people view that as a defeatist statement that is giving up on the hope of a better future, but frankly the thought of a significant number of people on the planet being willing and able to say that there is no place for colonial empires in their vision for the future is, to me, a much brighter and more hopeful political standpoint than the thought of being stuck in a perpetual cycle of choosing 'the lesser of two evils' as the overton window pushes further and further to the right with nothing but enthusiasm from our so-called progressive party.

[zaahvi]

GLORY TO THE RISEN GODS

[awetfrog]

Here to throw them into as many romcom tropes as possible