#so sad so many people want to call it bad

[shuyume]

i need to write an essay on the first ch of thh it is nothing short of brilliant. the way they set you up for a run of the mill vn with a bit of a gorey twist and then kill your waifu, force you to accuse her of instigating a crime, and then ask you to contemplate the morality of playing judge, jury, and executioner is oh so incredible

[axolotlclown]

So I finished Moominvalley season 4 and here is my review:

Of course, spoilers ahead! It's long. It's detailed. It's a bit much, and I spent hours writing it.

I greatly disliked this season, not just from one particular angle. When Moominvalley first came out, it was advertised as the first narrative-style adaptation. This would imply one concrete story that ran throughout the show. They said the story would take time and required patience, but there was a larger narrative story. What was that story exactly? In the beginning, each character was established with certain flaws that they needed to grow from.

For Moomintroll, throughout season 1, we see him struggle with his father's expectations. He never quite makes his own decisions—either doing what he's told or what other people in his life would do. In the last episode of the season, Midwinter Ancestor, Moomintroll is told by Too-Tikky to not open the closet door. Going against her wishes, he does so anyway. This is the first instance of Moomintroll making a decision for himself. In the end, it was a bad decision, and he regretted it, but it still was a big moment. We understand the importance of this journey when he changes out the picture by his bedside table. It was a baby photo with his parents; now, it's a photo of Moomintroll fully grown. This was meant to denote a journey of independence.

We see him continue with this struggle in season 2. The Hobgoblin's hat adds to the internalized identity crisis. During the lighthouse arc, Moomintroll is mostly doing his own thing, somewhat. Although, I think that cutting out his glade from the book sort of hurt this theme of independence. I hoped that they would revisit that somehow, but they never did. In season 3, Lonely Mountain, we see a sort of regression with Moomintroll. (Ignore how this affected Snufkin, I'll come back to this later.) When Moomintroll unpacks his things, we see a collection of items that represent Moomintroll's past. One of these items was the old baby picture. Aside from this episode, we don't see any notable growth from Moomintroll this season.

In season 4, we watch Moomintroll fall right back into his father's shadow. He continues to struggle to carve his own path. The set up for Comet in Moominland was promising, but ultimately did not deliver. When Moomintroll goes against his friends to make a decision for himself, it turns out to be a bad decision that he regrets later, and someone else has to guide him out of the situation.

Moomintroll ends from the same place he started as a character. All growth is erased and ignored. While this is the most egregious example—with him being the protagonist—he is not the only character that this happens with.

Snufkin probably upsets me the most, as he had so much potential to be the most interesting character in the series. In season 1, The Spring Tune, we see where Snufkin is starting as far as his strengths and flaws go. What particularly intrigued me was his relationship to attachment. We see that Snufkin ultimately fears abandonment, and he copes with this in conflicting ways. He wants to be with Moomintroll out of fear of being left behind, but he is afraid that he feels this way. He tries to create distance between him and Moomintroll in an attempt to ease what he experiences as pain. This is demonstrated further in the next episode, The Last Dragon in the World, when he frees the dragon. We see his struggle with responsibility and commitment in Snufkin and the Park Keeper.

In season 2, The Hobgoblin's Hat, Snufkin is explaining to Moomintroll what the King's Ruby is. The ruby functions as a metaphor for love throughout the season. Moomintroll imagines that the Hobgoblin must love this ruby, while Snufkin argues that he only wants to possess it. While both may be correct in their own ways, they fail to understand each other. As a result, Snufkin decides to leave Moomintroll out of fear of being possessed himself under the false pretense that he is helping with the hat (he did not). We never visit this plot point again.

Snufkin has some large developments in season 3. In the Lonely Mountain, we see Snufkin break down his walls and let Moomintroll in. He acknowledges his responsibility to him and his longing to see him. Unfortunately, this aspect of his character is completely abandoned in season 4.

Back to season 1, Snufkin and the Park Keeper, we get a flashback in which Snufkin is enjoying a party with Moomintroll until he is overwhelmed by the presence of others. He winds up abandoning Moomintroll and the valley. He does this again in season 2, The Hobgoblin's Hat, as discussed above. In season 3, Snufkin and the Fairground, Snufkin chooses not to abandon his responsibility to Moomintroll or the valley. When faced with an uncomfortable challenge, he chooses to stay and support Moomintroll.

In season 4, The Great Cold, when faced with a crowded challenge, Snufkin abandons Moomintroll again. While he appears later in the episode, it felt disingenuous to me. The original problem had already been solved. In Comet in Moominvalley, Snufkin does not abandon Moomintroll. In fact, he makes an active effort to stay by his side. But it feels strange, almost undeserved? We saw so little of Snufkin this season, and when we did, he spent his screen time backtracking his progress.

In season 3, Lonely Mountain, Snufkin has a small monologue about listening to the campfire as the sparks dance and fly. Well, the whole episode was about listening. Anyway, that was a call back to the season 1 episode, The Invisible Child, in which Too-Tikky tells Moomintroll that there are many lost souls in Moominvalley that needed to be heard. The screen then cut to Snufkin leaving the valley. It would have been really cool to find out what that meant!

His abandonment issues never really get addressed. Refusing to let Snufkin meet his father was just baiting the audience. It was also just bad writing! What's his deal—where's his lore?? Who made him like this? Why is he so afraid of intimacy? Why are basic fundamental questions about this main character being left unanswered?

It really is disappointing. Every adaptation (and the books, if we're being honest) treat Snufkin like a stoic hero. He doesn't want to be looked up to, yet he's always painted as a character that you should. This is the first adaptation that gave him flaws. He felt like a character that needed growth and time. He was never given either.

I won't spend so much time on Snorkmaiden, even though she was robbed, too. She never grew to be more independent apart from Moomintroll. In the same vein as Moomintroll and Snufkin, her character ends exactly the way she started. All of her character growth vanished in seasons 3 and 4. I love this version of Snorkmaiden. I certainly prefer it to her other portrayals. But the writers screwed her over so bad, it's heartbreaking.

None of the characters actually learn or change. Everyone sort of becomes a static character, which makes any semblance of a plot impossible to write. For the fun of it, I will try to decode a plot, anyway.

So, you're not crazy. Moomintroll and Snufkin were set up to be endgame. There was a way to make Moomintroll and Snorkmaiden endgame in a satisfying way, but the writers chose against it. It's a very suspicious backtracking that reeks of queerbaiting, but let me explain the narrative romance angles first.

I feel unsatisfied with the ending Moomintroll and Snorkmaiden got. Throughout seasons 1 and 2, they would frequently lie for each other's approval, and jealousy was a common player. They would ignore each other when someone more interesting came along. Ultimately, what led to the break up in season 2, Farwell Snorkmaiden, was the understanding that Snorkmaiden was just more mature than Moomintroll. In her own way, she was ready for a serious committed relationship, and Moomintroll was not.

However, there was never a formal conversation of them getting back together. They just sort of were? And all of the problems in their relationship were never resolved. They still lied to each other and ignored one another for something shinier all the time. It was irritating. These two became no better than Sniff in the end. I'm standing on business with that.

I'm also not convinced that Moomintroll and Snorkmaiden can have a healthy relationship after the finale. They will definitely break up again. They haven't resolved any of the issues that led to their original break.

Okay, so Moomintroll and Snufkin. Let's chat about that for a while. The first three episodes establish Moomintroll, Snufkin, and their relationship together (in that order). We, as viewers, are led to believe that their relationship (either romantic or platonic) is the key to understanding the story. Throughout seasons 1 and 2, every single motif for love (lanterns, fires, the ruby, etc.) that is introduced is done with Moomintroll and Snufkin. Regardless, different expressions of love and intimacy were the focal point of the show. That was almost completely abandoned in seasons 3 and 4. While turning the focus on the greater community could have added depth, it ultimately detracted from the close personal relationships that were driving the narrative.

So, the Groke. She does not just represent fear, she is a reflection of each character's own fears. I loved this! I thought it was a really cool concept, and the ways that she was portrayed in seasons 1 and 2 were excellent. Here's the thing. In her introduction in season 1, Night of the Groke, we are also introduced to lanterns/fires as a motif about love. The Groke is chasing love and craves acceptance. It's not quite something you can catch, and trying to is a failed endeavor. Brilliant episode. We saw what Snufkin's greatest fear was earlier in the season (loving Moomintroll), but we needed to pay more attention to see Moomintroll's fear. I think it was complex. On one hand, with the lanterns, Moomintroll could also be afraid to love Snufkin. However, as we saw at the end of Moomintroll and the Seahorses, he needs to learn independence before he can love someone. This was also reinforced through Snorkmaiden in Farwell Snorkmaiden. The fires and lanterns were constant reoccurring motifs (not just for Moomintroll and Snufkin, though that's where the focus is right now). Rewatch the season 3 episode, Lonely Mountain, and that one monologue that Snufkin gives will start to make sense.

By abandoning these important motifs, the Groke's conclusion feels unfinished. It just felt wrong. In the end, she did just represent fear. This completely erased the layer of depth that she had to start.

For Moomintroll to learn to be more independent and self-reliant, he needed to learn from Snufkin. For Snufkin to learn to accept love and responsibility, he needed to learn from Moomintroll. They were the keys to each other's growth. When they were together, the plot moved. When they weren't, the episodes felt like filler for the most part.

Also, small detail, despite the change in one photo (the baby photo to grown Moomintroll) the photo with Moomintroll and Snufkin never changed. Which narratively makes no sense.

The writers originally set this up for them to be romantically involved. Which, given the context of their dynamic in the books and comics, makes sense. It's not as much of a stretch as people are trying to gaslight themselves into believing. These characters were originally heavily queer coded. However, the original text is sort of a tragedy. No matter what happened, Moomintroll and Snufkin could never truly be together—no matter how much they tried. This mirrored Tove Jansson's relationship to her first fiance Atos Wirtanen as well as her relationship to her own queerness. However, it looked like Moominvalley wanted something different. Queer people had enough tragic stories told already. This one would tell queer kids that it was going to be okay, and that they were going to find love. Tove Jansson's original message about love and freedom was finally going to be understood.

Instead, not only was this potentially beautiful story abandoned, it was mocked. In the season 4 episode, Midsummer Meddling, there was a scene I found quite shocking. Sniff had convinced himself that he was to fall in love with somebody. One of his "love interests" was a male scarecrow. This is the only openly queer semblance of romance that we got and it was played off as a joke. In the final season. They didn't even backtrack Moomintroll and Snufkin, they just completely ignored everything that was set up.

In the final episode, Comet in Moominland, there was an incredibly brief exchange between Moomintroll and Snufkin about who looked up to who. This would have been a fantastic place to give these characters some sort of conclusion, but we don't get that. In all of the 45 minute special, the characters are never prioritized. In the whole season, even. Really, not a single character got a satisfying conclusion, but Moomintroll and Snufkin were the most important.

This is a powerful and historic piece of queer media. Tove Jansson's queer legacy was so iconic that she was directly cited as an influence in the legalization of same sex marriage in Finland. Her work proved to further the queer community. Despite sodomy laws and fear of incarceration, Jansson continued to do what she could to tell her own queer story. That is what Moomin is. That is its legacy.

I was prepared to defend Gutsy if Snufmin didn't go canon. At the end of the day, it's usually TV execs threatening to pull the whole show off the air. The show was too costly to risk any interesting writing. However, the writers didn't recover, and some of the writing just felt downright melicious at times.

Anyway, if you love slice-of-life content, you probably loved this season and the show's conclusion. It is such a shame that the creators promised something completely different from what the show turned out to be. It's no surprise that viewers are disappointed.

I do have one more thing to say ☝️😀. This is going to hurt Moomin's mission to expand to the US. It's been very obvious that they have been trying to expand to North America. Brave and bold writing would have caught the attention of new viewers. Instead, few Americans are going to recommend this show to others. Aside from that, the next logical move is to make an American adaptation. Good luck trying to find a competent YA cartoon creator that won't threaten to walk off the project if they can't have Snufmin. That being said, they'll have better luck making that canon here anyway. (Everybody say, "thank you Rebecca Sugar and Pendleton Ward.")

Well, in the end, I don't think the fight to make Snufmin a real, transparent queer story ends with Moominvalley. I can say, though, that the prioritization of profit over respect and love for others is not at all what Tove Jansson would have wanted.

Seasons 1 and 2 were peak, and season 3, episode 8, was batshit insane. That is all.

[bunnieswithknives]

sorry if idk this but what do you think about Wordgirl now in 2024 do you still like it do you still want to make art or talk about it or are you just done with all of it forever and plus i seen that you haven't made art of it since 2022 so you just done with all of it oh yeah and what about The Magnus Archives + Wordgirl ao3 fic too like is that just going to be and i know that your working on 2 au's now just wanting to know that's all

My interests tend to come in intense bursts and then fade. Unless something like, big happens like it gets a reboot its unlikely I'll be coming back to it anytime soon. As for the fic I don't have any current plans to finish it unfortunately.

[penisbilt]

the bittersweet but absolute flood of relief that comes from admitting defeat at living independently, to have to move back in with parents. we tried! we gave it our best shot for almost 3 years! but living like this (being on our own) is just not possible for us at this time of our lives. we've finally proved it to ourselves that we can't do it. it'll be okay to let ourselves rest now

[girlthativealwaysbeen]

it would feel so nice to work towards a career that has meaningful impact and makes millions of people happy

[watercolor-hearts]

.

[devilsskettle]

sdc is at her best when she plays acoustic or when penelope scott is remixing her shit but i don’t think she’s quite figured out how to mix her own music for the pop sound she’s going for. i think it’s only a matter of time before she gets better production value (bigger budget + more resources) and i love her songwriting anyway so i don’t give a shit about slightly poorer editing or whatever but the songs she’s releasing officially rn do sound like demos

[not-souleaterpost]

When you deleted your reddit acount because the Soul Eater reddit doesnt like your posts

Nah but for real, say what you want about tumblr, but reddit is so much more anoying - but maybe thats most social media, tried uploading videos on tiktok only to get copyright stuck the same second or just have them deleted for vague comunity guidelines shit, maybe I was too hard on youtube.

I know crying about reddit is pathetic but I dunno, just let me vent lol, idunno gotta get my shit together, too many distractions and other bullshit.

[honeyvenommusic]

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[713-4th-ward-g]

.

[sensitivegoblin]

Vent

[hedgehog-moss]

The tragic thing when you're at a craft market is that the woman with the warm smile who seemed like a genuinely lovely person when you stopped by her stand to make small talk, is always the one selling ugly little cups decorated with modern movie characters. Meanwhile the woman next to her who sells adorable water jugs decorated with Old-Timey Bucolic paintings of flowers and farm animals, looks like she's doing people a favour by selling them her stuff. She is not lovely or even polite but she doesn't need to be, her stand is printing money, she knows what tourists in a rural village potters' market are looking for and it's a pretty jug with a curly handle and featuring little chickens and children wearing clogs. Not a modern-looking coffee cup with a gremlin or E.T. painted on it.

You text your mum to ask if you should buy an ugly gremlin coffee cup because the vendor is really sweet and not very popular and she texts back NO. We've talked about this. So many times. Buy what you like. You really like the water jug featuring a little donkey pulling a little cart—but you've been here a while and no one has bought anything from the really kind woman, which hurts. You text your mum a photo of the gremlin cup with a sad emoji. She replies, It's hideous. (It's not that bad.) (The photo was taken from far away, she can't even see it very well. She's just trying to get you back on track.) You're about to join the queue to the Popular Stand to spend your only 20€ note on the donkey pitcher when you see a man stop in front of the nice lady's empty stand and pick up an ugly cup, which makes you happy. The man asks for the price then tells the nice lady, "It's not worth it" and puts the cup back on the shelf and walks away.

On your way home from the potters' market you call your mum and ask her if she would accept an ugly gremlin cup as a gift from you because, well, your kitchen decoration is more Old-Timey Bucolic and you don't really want this cup. Which you now have, on account of an inescapable series of events. There is a dismayed-yet-unsurprised silence in response and you say defensively "She looked happy to finally make a sale!" and your mum says, give me the ugly gremlin cup, I'm sure it's not that bad.

[youraveragecatastrophe]

*emerges from the Carmen Sandiego (2019) french dub covered in blood*

[chaepink]

can u make headcannons on sub!yan’s tendencies in the relationship?

also can i be 🉑 or 🌝 anon?

dating sub!yandere boys hcs ♡

sub!yandere boys when they date you.

wc: 1.1k+ words | masterlist

dom!fem!reader, unhealthy relationship, mention of killing/murder, both sfw and nsfw!, mention of feminization, bondage

note: yes you can be 🌝 anon!

— your yandere would be possessive of you, even more compared to when you two were just friends

— well, you thought you two were just friends. he already assumed you two were together sometime earlier during his friendship with you

— he would do anything for you in order to make sure you're happy and safe

— a friend of yours is getting too touchy with you? well the next day that friend is ignoring you and when you confront them, they look at you scared and quickly scurry away from you. did your yandere do something to them? surely not

— a weird guy keeps following you around your neighborhood? well a couple of days later you see on the news that his body has been found near a river and weirdly enough, you havent seen your yandere on the days before the guy's death

— you complain to your yandere about how a teacher gave you a bad grade on something you worked so hard on? suddenly your grade changes to a A and that same exact teacher suddenly resigns from the school

— he'll try his best to know where you are most of the time and try to follow you back home to make sure you're safe (though its really obvious, you don't acknowledge him so he thinks he's actually doing something)

— but no matter how scary and possessive they are of you, they just want to be good for you, really

— its almost as if they're a puppy for you, always there for your beck and call

— give them a simple command and they'll do it immediately, no questions asked

— ask them to buy you a snack from the nearest store? he'll return back with a bagful of others that he thought you would like

— they're super clingy and always want to be near you

— somehow they manage to have the same exact classes that you have and at the same time. maybe you guys are just lucky? little do you know that your yandere hacked into the principal's computer to change his schedule to fit with yours

— if you're sick, they would immediately fetch you some medicine and make so many bowls of your favorite soup that you're not sure you could finish them all

— they would be so sad when you're sick cause that means they can't be as close as they usually are with you :(

— in bed, nothing changes at all. rather, he becomes even more infatuated with you

— they're still so good and obedient for you, always following your commands. its cute

— like what i said with him doing it with no hesitation, your yandere is eager to do what you say

— tell him to get on his knees? say less as he's already doing so, staring up at you with such innocent eyes

— tell him to open his mouth for you to stick your fingers inside? he opens wide and sticks out his tongue in such a sinful manner, hazy eyes absolutely begging you to make him choke on your fingers as drool drips down his chin

— order him to suck your strap and get it all wet? he's quick to get in between your legs and get his hands on the fake dick, his mouth going straight to bobbing it up and down and gagging as it hits the back of his throat. he'll try to subtly grind his hard on against your foot without you noticing but you do anyways but he's being a good boy so you allow it

— and oh my god is he so shameless in public

— no hesitation in telling you what he wants you to do to him when there are people around

— you'll be at brunch with some of your friends and suddenly you'll feel a hot breath on your ear, such sinful words coming soon after

"im wearing lingerie under my clothes, your favorite set too. wouldn't you like to just ruin me right here and now? make me cry and look so pretty while you show everyone im yours?"

— safe to say that you immediately dragged him to the family bathroom and fingered him until he was gripping onto you for dear life, begging and crying out for you to stop and take pity on him (he's lying about wanting you to stop)

— when you're out with errands or just at work, he'll take such sinful pictures of himself to send to you randomly

— the pictures would include his legs spread out, a obvious bulge in his underwear, and something adorning his body whether its lingerie, a maid outfit, or rope that's tied so tightly on him

— if he's feeling like teasing you even more, he'll send whimpering audios that beg you to come home and fuck him and if you listen close enough, you'll hear some wet noises that let you know that he's masturbating

"f-fuck, [name] come back s-soon, please? i-i miss you so much! i- ah! i-im wearing your favorite outfit right now! i'll be a g-good ngh boy waiting for you ♡"

— itll end up with you rushing home after you're finished to fuck him dumb in that outfit, making it stained with his tears and cum

— he knows you can't really get him pregnant but your yandere just loves those straps with cum in them that you can just shoot inside him whenever you're fucking him fast and rough

— that'll make his eyes roll back and head throw backwards as he lets out such a loud mewl at the feeling of your fake cum filling him up

— and afterwards he'll tease you by using his fingers to push the cum thats gushing out of his hole back in before licking his fingers

— although your yandere is a good boy for you most of the time, theres times where he's a brat

— he'll talk back to you whenever you command him to do something or cum without permission

— but just some long edging or overstimulation will break him and turn him into a sobbing mess

— tying his hands to the headboard and keeping his legs spread apart whilst a vibrator is inside him on the highest setting is his favorite punishment

— your yandere thinks you don't know that since you do it all the time but you actually do know it, you just love the way his face is stained with his drool and tears while his chest and the sheets underneath him is covered in his cum afterwards

— such a slut but we love him for it

ty for reading to the end! ❤ - chaepink

╰┈➤ masterlist | rules

[torgawl]

i'm so obsessed with wriothesley's concept. his constellation being cerberus, the fortress having the 3 headed dog insignia and also being the literal representation of the underworld is just so cool. the fact they mixed catholic influences too with the whole noah's arc plot is kind of crazy. he's just that guy!!!

[warblingandwriting]

I do feel bad for some of the Youtubers because there are a few that are clearly documentarians, like they’re doing extensive research into a topic, contacting people, conducting interviews, genuinely making informative art that is really good, and that can genuinely stand up with ‘legitimate’ documentaries a lot of the time. And those poor guys get blasted because there are also a derth of low-grade tabloid-y channels that make four hour long smear pieces on some random internet personality whose crime was... having friend drama or maybe being kind of an annoying person, and then they call those documentaries even though all the ‘research’ they did was reading a forum page that said bad things about the person and hatewatching/reading their videos/posts.