#so of COURSE it was never going to work
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lusilly · 1 year ago
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i've been writing earth 28 for 11 years (i officially coined the universe # in april 2012) and i still cried like a baby while driving 7 hours yesterday because i listened to the mary lambert cover of teenage dirtbag and thought about 15yo lian
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steddiealltheway · 1 year ago
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(Part Two aka the final part to this)
As soon as Steve parks outside of Eddie's trailer, he races to Eddie's car door and opens it for him.
Eddie shoots him a bewildered look as he makes his way out of his car. "I can open my door, you know."
"But a proper date opens the door for you."
Eddie snorts. "So this is already starting?"
Steve shrugs as he follows Eddie to his front door. "I need all the time I can get to prove you wrong. Plus, I need to see this charm you insisted you have."
Eddie opens the door and dramatically guides Steve inside, quickly closing the door behind them. He stuffs his hands in his pants and avoids eye contact with Steve, staring off as if contemplating something. Eddie shakes his head and looks back at Steve. "Welcome to my home," he says holding his arms wide.
Steve glances around and nods. "It's cozy. I like it."
"No need to lie to me, Harrington."
"I'm not," Steve insists and laughs humorlessly. "I mean, you should see my house. It's huge but extremely uncomfortable. My parents hired a decorator and insisted that we couldn't make a single change. It's just so..."
"Nice to look at but not nice to live in?" Eddie asks, finishing his sentence again.
Steve nods quickly. "Exactly that."
Eddie gives him a small smile and leans back against his kitchen counter. That same distracted look crosses over his face.
Steve can't help but walk closer to him and say, "Eddie?"
Eddie snaps out of it and asks, "Why are you here, Harrington?"
"To prove you wrong and help Dustin," Steve answers easily, leaving out the part about how he needs to know where this will go.
Eddie hums in response and pauses before asking, "So, you're not going to use this against me."
Steve sighs. "Maybe I would've in high school, but no. I won't tell anyone how much I'm going to 'woo' you." Steve throws up air quotes around the word woo which makes Eddie smile a bit.
"Then can I tell you a secret?"
Steve nods.
Eddie pushes off the counter and steps toward him. "I've never been on a date before."
Steve stares at him for a second. "And Dustin still asked you for help?"
Eddie scoffs and walks past him. "No need to rub it in."
Steve runs a hand through his hair and follows after him. "Sorry, that was stupid to say." He grabs Eddie's hand gently and waits for him to turn to him. "I'm sorry," he says sincerely, "Not cool."
Eddie just gives him an unimpressed look.
"It's just hard to share Dustin. I'm used to him only going to me for help. I don't know. It probably sounds dumb."
"It doesn't," Eddie says, squeezing his hand.
Steve glances down at their hands, having forgotten that he had even grabbed Eddie's in the first place. He runs his thumb over the back of Eddie's and says, "Let's do this trial run."
Eddie pulls his hand away and runs it over his face. "Steve, I don't know how to go on a date."
"Which is exactly why we're doing this and whatever else you have planned for Dustin and Suzie after the movie date. Plus, I still have to prove you wrong." Eddie pulls his hair in front of his face nervously. Steve reasons, "Plus, this can be practice for any future dates."
"A date with Steve Harrington," Eddie says with a laugh.
Steve shrugs. "Why not?"
Eddie eyes him and breathes out, "Okay."
"Okay?"
"We can do this trial run, but just because I'm new to this doesn't mean you'll have an easier time winning me over."
Steve smiles and saunters up to him. "Are you sure about that?"
Eddie's eyes flicker down to his lips and back to his eyes, immediately making Steve's heartbeat stutter. He doesn't expect Eddie to card a hand through his hair smoothly, tilting his head back and making Steve's knees buckle a little. Eddie smirks. "Careful, you're not the only one who needs to prove themselves."
He backs away quickly and moves to his kitchen, rummaging around before coming up with a bag of popcorn which he pops in the microwave. Steve clears his throat, trying to gather himself before asking, "How have you never been on a date before?"
Eddie raises an eyebrow at him.
"I mean, you have all the... charm stuff down."
Eddie smiles. "So, you're already admitting to my charm."
Steve just puts his hands on his hips unimpressed.
Eddie's smile falters before he answers, "Okay, I mean I've hooked up with people at the Hideout, but no one's stuck around to actually go on a date with me."
Steve nods but replies, "That's hard to believe."
Eddie shakes his head. "Let's just say that it's easier for you than it is for me."
It feels like Steve's had this conversation before with... Robin? But why would it feel so familiar? He glances back at Eddie who has a bit of fear in his eyes.
The microwave beeps and suddenly it hits Steve.
He watches as Eddie grabs the bag, cursing slightly when the steam hits him. For some reason the revelation makes Steve feel a bit more nervous as the chance of something happening increases dramatically.
"Hey," Steve says, "It's okay if you're... you know."
Eddie's head snaps up.
Steve holds his hands up. "I promise I won't tell a soul."
Eddie relaxes a bit, but he stays behind the counter as he asks, "And you still want to do this trial run knowing that...?"
"Yeah," Steve says a little bit too enthusiastically, "Now I can be sure that your judgment of my skills is accurate."
This makes Eddie laugh loudly, and Steve immediately smiles. "You know, I think I'm finally starting to see why Dustin likes you so much."
"And why the ladies love me so much?"
"Don't push it, Harrington," Eddie says, pointing a finger at him before grabbing a bowl to put the popcorn in. He grabs the bowl and gestures for Steve to follow him to the couch. "So, you're the expert here, what do you recommend?"
"Like movie options?" Steve asks as he makes himself comfortable.
"Movie options, seating arrangements, where to put the popcorn..." Eddie trails off.
Steve tucks his feet under himself and shrugs. "Depends. If we were Dustin and Suzie I would say to watch something cheesy or something science fiction that they both enjoy. Dustin should definitely watch to see if her hand is free to hold at any point, but that's about it for them."
"And how would it change for us- or me?"
Steve smiles and scoots in closer, throwing an arm over the back of the couch. "If it's here then definitely get as comfortable and close as you want. As for a movie, it depends. Do you actually want to watch the movie or do you want background noise?"
Eddie rolls his eyes. "Classy."
Steve laughs. "No, no, I don't mean like hooking up. I mean if you just want to talk and get to know each other maybe make out a little, you want to pick a movie that you've both seen and won't be upset missing." He glances toward a stack of tapes near them and points at one. "Like Back to the Future, great movie to comment on and talk during, but I wouldn't be upset about missing parts. But I'm guessing you're like Dustin and Star Wars would be a no-go for missing scenes. At least, I was that way when watching."
"You've seen Star Wars? Which one?"
"The one with the little teddy bears."
Eddie hums in response.
"So, what are you thinking for a movie?" Steve asks.
"Back to the Future would be nice, but maybe we do like thirty minutes so we can get to my part of the date without you falling asleep on me," Eddie suggests.
"You already have an idea?"
Eddie shrugs and looks away. "It's kind of always been a date idea in the back of my mind."
"Secret romantic," Steve teases, hand dropping down from the couch to Eddie's shoulder, squeezing lightly.
Eddie tenses up a little, so Steve asks, "Is this okay?"
"Yeah, I'm just not used to it," Eddie answers honestly.
Steve nods and pulls away, moving to put the tape in the VHS player before coming back to the couch. He sits a little further away from Eddie and says, "We can keep our distance if that's more comfortable with you."
Eddie just nods and looks ahead at the screen, tilting the bowl of popcorn toward Steve who takes a handful. He tries to find something to say, but he's struck by sudden nervousness and wonders if Eddie's right about him cruising based on his looks because usually by this point whatever girl he's with is giggling and practically climbing into his lap to get closer to him.
But then Eddie relaxes a bit and throws his arm around the back of the couch which fills Steve with relief. "So, how did you get so close to Dustin? He goes on and on about you, but he never has told me that story."
Steve shrugs, trying not to give away how much the question freaks him out. He tries to keep the answer as close to the truth as he can. "He's friends with Nancy's younger brother so he's kind of always been around I guess. One day, I was bringing flowers to Nancy to apologize for doing something stupid, but Dustin found me instead. He told me that Nancy wasn't home and that he needed a ride and help with something, and the rest is history."
Eddie narrows his eyes at him. "I feel like there's more to the story."
Steve shrugs again and shoves a handful of popcorn in his mouth.
"Like the whole bat with nails that Dustin didn't even look twice at. The story between you two doesn't make sense."
Steve swallows his mouthful and moves closer to Eddie. "What if I told you that it's a story I'll have to come back to another time?"
Eddie twists toward him and tilts his head. "Do you really think that's going to make me less curious? And I see what you're doing trying to distract me with your charm."
Steve tucks a strand of hair behind Eddie's ear and asks, "Well, is it working?"
Eddie just shakes his head and says, "You wish, pretty boy." Nonetheless, he turns back to the movie leaving Steve to privately panic over the way the nickname makes him feel.
And maybe he wants to torture himself or something because next thing he knows, he's asking, "Well, how would you have distracted me?"
Eddie's head slowly turns to him, eyebrows raised. "Do you really want to know?"
Steve blames morbid curiosity as the reason he nods in response.
Eddie sets the bowl of popcorn down - and the implications of that scare Steve shitless - and he moves until their knees are touching. He gets a thoughtful look on his face as he recalls their conversation. "So, I was saying something about how the story between you didn't make sense. And instead of agreeing with it, I would've said something like. You know what doesn't make sense? How someone so gorgeous ended up here with me."
Steve flushes red but simultaneously snorts in response, "That's a horrible line."
"Yet, you're the one who is blushing."
Steve raises his eyebrows and says, "Well, if I got a do-over and time to think like you, then maybe I would've done something like this." Steve leans in and puts a hand on his chest, slouching down so he has to look up through his lashes to say, "Maybe that's a story for another time because right now... I have other ideas about what we could be doing."
Eddie stares down at him, hand slipping off the couch to trail up his back and into his hair. "And here I thought that you had said more intimate didn't mean sex."
Steve smiles and hopes Eddie can't feel his heart pounding in his chest. "It's true, but I also told you that some movies are great background noise to make out during."
Eddie's eyes flicker down to his lips, and Steve can feel his eyes start to flutter shut.
But then, Eddie abruptly pulls back and says, "Okay, yeah, you got me. I understand the Harrington charm."
Steve only smiles slightly, feeling the disappointment settle in his chest at losing the chance to kiss the boy.
"So, I think date part one is covered. Onto my part?" Eddie asks, already standing up and rushing to stop the film.
"Yeah, sure," Steve says.
Eddie glances at him and pauses before beckoning him to follow him. Steve gets up immediately and follows Eddie to where he assumes his room is and suddenly gets a wave of panic.
Eddie glances back and must catch the look. "Relax, I'm just grabbing you some warmer clothes."
Steve nods but stays in the doorway, glancing around at Eddie's room. Something about it feels so Eddie that he can't help but smile at it.
"Here," Eddie says, thrusting a yellow sweater into his hands, "I haven't worn it in forever but it should keep you warm."
"Thanks," Steve says, stripping off his jacket to throw on the sweater before putting the jacket back on. "But why do I need more clothes?"
Eddie smiles. "You'll see." He grabs the blanket off his bed and walks past Steve to the front door. He opens it and says, "After you."
Steve gives him a look of confusion before heading out the front door. Eddie follows behind him and closes the door before grabbing Steve's hand and leading him around the trailer to a ladder which he immediately starts climbing.
Steve tries to advert his eyes from the view Eddie's giving him before he follows him up the ladder, grabbing Eddie's hand once he makes it to the top in an attempt to steady himself. He's never been the biggest fan of heights, but he doesn't want to admit that to Eddie who guides him to the middle of the roof. He lets go of his hand to lay out a blanket and immediately lays down on it, patting the empty spot next to him.
Steve lays down and lets out a deep breath as he sees their view of the night sky, glittering with stars.
"Pretty amazing, right?"
All Steve can do is nod. He doesn't know if he's ever really taken the time to stare at the sky and appreciate its beauty.
"I like to go up here to clear my mind sometimes. But I've always thought it would be nice to share with someone else. But maybe Dustin and Suzie can just lay out in his yard instead because I think it would be life or death before I let one of them up here. Dustin would break a leg or something."
Steve chuckles and glances at Eddie only to find him staring at him as if trying to gauge his reaction. "Thank you for taking me up here," he says sincerely, going as far as reaching into the space between them and intertwining their fingers.
Eddie's hand squeezes his as he turns to look up at the stars, looking so at peace with the world that Steve can't help but stare at him.
Eddie glances at him. "Look at the stars, Steve. You're wasting your time staring at me."
"The stars are here every night though, so maybe I want to spend all the time I can looking at you."
Eddie turns to him with a conflicted look on his face. "Is this your Harrington charm?"
Steve shakes his head. "It's just the truth." He sighs and looks up at the sky. "Do you ever wish you could start over knowing everything you know now?"
"Yes," Eddie answers immediately, thumb running over the back of Steve's hand. "What would you change?"
Steve considers the question for a moment before turning to Eddie and saying, "Everything."
Eddie looks back at him and asks, "Would you change this?"
Steve's eyes search Eddie's, wondering how he wants him to answer the question, but he answers honestly, "I wouldn't have been such a dick earlier, and I would've changed this from a trial date to a real date."
Eddie whispers, "There's nothing stopping it from changing now."
Steve shifts onto his side and looks down at him. "Are you sure you want a date with King Steve of all people?"
Eddie shakes his head. "I don't think that's you. So why don't you prove me wrong?" he asks, running a hand through Steve's hair before resting it on the back of his head.
Steve lets Eddie take the lead to slowly drag him in, pausing when they're close enough to be breathing each other's air. "Are you sure you want this?" Eddie asks.
"More than you could possibly know," Steve replies before closing the gap between them and gently brushing their lips together before breaking the kiss to look Eddie in the eyes and make sure he's okay.
Eddie just pulls him back in and kisses him as if he's pouring everything he's feeling into the kiss which Steve returns just as passionately, unable to deny the truth that no kiss has ever made him feel this way before.
He cradles Eddie's face as they deepen the kiss and Eddie tries to pull him in impossibly closer, both hands making a mess of his hair until Steve pulls away, breathing hard before moving in to kiss him again as sweetly as he can before he rests their foreheads together.
They both try to catch their breath, and neither dares break the silence between them.
Eventually, Steve gives Eddie a gentle kiss on the forehead and rolls away onto his back, finding Eddie's hand and intertwining their fingers again.
They both stare up at the stars, not looking at each other until Eddie finally breaks the silence to ask, "Steve, where do we go from here?"
Steve turns to him and squeezes his hand. "I don't know," he confesses. "But what if we didn't think about it now? What if we just see what happens?" Steve asks, not wanting to think of the reality of their situation.
Eddie nods. "I like that idea."
So, they both turn back to the stars, wishing that their paths will be able to cross again.
Little do they know that their wishes will be granted soon.
(Super quick happy ending in the tags)
Tag List <3 (Sorry this took longer than planned):
@estrellami-1 @resident-gay-bitch @7-starboi @steves-yellow-cardigin @anaibis @saramelaniemoon @big-ol-regret @piemaker-from-gallifrey @queerriotgrrrl @sharingisntkaren @zoeweee @goodolefashionedloverboi @l0st-strawberry @dragonmama76 @pluto-pepsi @its-a-me-a-morgan @tiny-enthusiast @aol19 @pansexualhousecat @paintsplatteredandimperfect @thesuninyaface @messrs-weasley @gemini-local @paperbackribs
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esmes · 10 months ago
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that wouldn't be too painful, would it? 🎥 @theriddletrades
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xxplastic-cubexx · 7 days ago
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it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent
#xmen#xmen comic#krakoa#cherik#snap chats#until the divorce of course but until then its actually so funny#how you really couldnt go a page or two without one or the other and the other one was close behind#ice climber ass duo over here. the delightful children from down the lane kind of proximity what the fuck was their PROBLEM#i feel like if one of them was teleported the other would just materialize right next to them thats how close they were#fuuuck what was the issue where sabretooth and co are in like. Brain Prison or something#and victor imagines charles but everyones like 'wait its weird if its just him where's magneto'#ITS SO FUCKING FUNNY and i NEED to know what issue that was .... to add it to my collection ....#also killed me how in immoral x-men issue 1 charles was yappin bout erik bein gone#and- God Bless Who i forget i think it was hope- was just 'can you please shut up about your dead boyfriend im begging you'#moira stronger than me if i had to deal with thing 1 and thing 2 on a daily basis i woulda snapped sooner frankly#ig when you live ten times through The Most Bullshit ever youre numb to most things but still. my god theyre so obnoxious#sorry im cackling at the bit in HoX where charles is about to announce krakoa to the world and erik's putting his hand on his shoulder#and you justs see moira in the back like dawgggg right in front of her .... can you two get a room#GENUINELY no im GENUINELY surprised they dont share a bedroom#im not even talking sharing a bed im taking my shipper goggles off im actually baffled they dont sleep in the same building#obvi id be lyin if i said i didnt love it tho To Be Real .. genuinely love seein them work together as a team .. until they werent </3#in every timeline they WILL divorce each other that's just the rule. actual canon event it cannot be changed or stopped its integral#ok ramble over. but not really not in spirit cause ill never be over this ill die before i am#im gonna go eat now i think i think thats something i As A Human has to do at least once a day
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dukeofthomas · 4 months ago
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why does every reconciliation fic go like this
#my dc posting#jason todd#red hood#jason todd fanart#ugh i forgot to change tim n dick's skin colours aa i already put my drawing stuff away whatever#bruce wayne#dick grayson#tim drake#<- main offenders#no but. jason will be making some absolutely great points#ill be cheering him on like YEAH know ur fucking value good job call them the fuck out dont fall for their shit!!#then there will be one (1) event n suddenly the author pulls a complete 180#all of jason's valid issues n complaints r swept away without ever being solved#at most he's given a few flimsy excuses or justifications#n suddenly hes all happy n dandy w them#like 🤨🤨🤨 what!!!#like nothing changes nobody makes any effort but apparently one sentence going 'omg no it wasnt like that jason 😭' is enough to sweep#everything under the rug#like why have i never read a fic where anyone actually works to change. to right the wrongs theyve done. to apolgoize and do better.#aside form of course jason going 'i see now that murder is wrong i was stupid n angry for no good reason good thing the pit madness has bee#solved/managed better n i have apologized to Poor Little 10yo Baby Tim whom i hurt and traumatized So Badly how will he ever forgive me...'#'fuck my family wtf is wrong w these assholes' 'i killed the joker for like 3 minutes' 'i love you i have no further issues aside from#Teenage Angst which will be cured via being told my anger is disproportional and of course one (1) hug form my Dearest Father'#when will i read someone 'pullin the alfred card' and jason respondin w 'fuck alfred'. he deserves to be an asshole w the way hes treated..#ok ill stop now im just. very done w this stuff
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milkweedman · 10 months ago
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It is interesting how much math comes into even the most basic of like. Making things. Making almost anything. And often not numbers necessarily but proportions and geometry. I think all the time about how castles were built with geometry at the heart of it. And I use the same kind of proportional math to make socks fit. And none of my pieces are ever knit with a prime number of stitches--because you use factors to make neat colorwork and ribbing and different stitches. Idk ! I remember constantly thinking 'how the hell is THIS gonna come in useful ?' But it always does. Math is at the heart of everything, and knowing how to apply it is a tool of critical importance to Thinking Up A Shape And Making It.
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Finally back, with a lil more of Chill's Artist Admiration Sketchbook; making fanart for blogs I like :D
@kingspacebar
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Accessoires and colours my beloved <3 <3 <3
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patrickztump · 1 year ago
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these are the last blues we’re ever gonna have, let’s see how deep we get…
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one-bunny-a-day · 1 year ago
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30/11/2023
what're they dancing to?
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dragzo · 10 months ago
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oh Red Son no-
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towerofluin · 4 months ago
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C’mon Raph, don’t noogie the elderly
(Or: finally, communication)
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ohitslen · 1 year ago
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College (uni??) AU catering to my own interests as it should always be hehe :)
#projecting my major on Vash because them mfs who have changed from the med field majors to that one have some tragic things to tell#and also because I think that Vash would be such a wonderful designer I don’t know why it’s a gut feeling#Nai the law major because of course he would have you seen the guy#he would be a personal injury lawyer because lore#fun fact Nai rested for a semester after the incident with Vash while Vash took two.He never told Nai he would be changing majors#so it was a big big shock for him. they fought again but yk I’ll explain more on that if anyone is interested#as to Kni and WW I thought it’d be funny if they shared a common subject that required a lot of team assignments#and they can NEVER work out together. being an absolute nightmare to the rest of their group#separately they are great to work with. even if Kni can come off as too bossy sometimes he is actually a great leader#and WW would always deliver things on time exactly as it was asked from him#but Kni and WW just never really matched. Kni was too rude at times when WW made a mistake and WW would always clock him if he passed a line#like insulting his reasons for wanting to study security#one day Kni tells him at the beginning of a new semester where they both have unfortunately landed on a shared subject again#“you are not suited for that sort of job Wolfwood. you should simply give up and why don’t you go play role model to your little kids’’#then WW beats him again and then is like hey yk what you’re kinda right. and changed majors and he feels so much more at home studying#education/teaching than security. he fucking hates some things but the end goal makes it worthy#Trigun Uni! AU#because I don’t know how differently a college and a uni work#trigun#vash the stampede#nicholas d wolfwood#trigun stampede#vashwood#trigun fanart#wolfwood#vash#Nai saverem#millions knives#lenssi draws#pen!
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ratatatastic · 4 months ago
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"other guys joke that theyre not allowed to bring you around their wives..." "you gotta have to ask ekky about that one thats on him"
WSFL Inside South Florida | 4.11.24 (x)
he was so serious and focused on answering questions and then immediately gets thrown a curveball at the end that is "hey so some are saying...im not saying who... but some not naming any names... HOWEVER that you are so hot possibly sans shirt... you are not allowed near the wags... how do you respond is this true..."
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throwing his head back to laugh because he got his bonded dpair's quote thrown back in his face while trying to talk about contract extensions and fishing...
"thats on him" the way he cheekily shrugs a shoulder and flicks his head...man whos well aware who started that rumour and will not stand idly by while revisionists rewrite history NO ONE ELSE HAS SAID SUCH A THING. NO ONE ELSE HAS JOKED ABOUT SUCH A THING. AND IF THEY "HAVE" ITS ONLY BECAUSE OF ONE (1) MAN AND ONE MAN ALONE.
and it was in fact "on him" because that quote comes from a miami herald article about forsy FROM FEBRUARY. A 2 WHOLE MONTHS BEFORE THIS INTERVIEW.
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Miami Herald | 2.10.24 (x)
and like all things it always leads back to ekky when it comes to anything forsy-related, the personal menace of the team. and also his bonded soulmate or whatever. may god bless this beautiful little freakish relationship.
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katabay · 1 year ago
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ANDREY STAMATIN
Keep a close eye on Peter. You'd become desperate and turn into a villain without him.
I spend a lot of time thinking about daniil and peter, but something just clicked into place for me with andrey. so!
I am. currently untangling this thread of thoughts about the stamatin twins and daniil and this kind of. triangle that's happening. a three fold bullet for sure, the kind of recognition-awareness-understanding where three people become one, but to step back from that. when daniil and andrey talk, there's a specific shape of peter that stands in his conversational absence. so: triangle formation. it's opposite-adjacent-complementary to daniil and peter's conversations. it all goes back to that first conversation you have with andrey. it's giving knife. love it!
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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narcissusneverknewme · 4 months ago
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they wouldn't let me write the live action Disney adaptions because I would have had the best Ping you have ever seen. He and Shang would have had chemistry that took your breath away. They would be Yearning. the audience would be Yearning. it would be electric and terrifying and by marika would Mulan/Ping be hot. Shang is obsessed, the audience is obsessed. there would be hardly be a person in the attendance that doesn't Get where Shang is coming from. who wouldn't rend their clothes and scream to the heavens over Mulan/Ping. she takes no prisoners.
and yes, Shang kisses him in the snow as he cradles Ping's injured, dying body.
and yes, from the opening scene to the rolling credits he's going slowly mad.
and the first time you see Mulan she's dressed in the most feminine, floaty, light-colored dressy robes, with bone white makeup and painted lips and you fall in love with her. and there's something underneath, too. and it's so intriguing.
and then she shows up as Ping, and it takes a while to get used to, and it's kind of funny and awkward. but then it looks better and better to you. and soon you find you can hardly bear it when the camera turns away from him for even a second. and Ping isn't awkward to be around at all, he's stunning and brave and resilient and determined to be kind and you're desperately in love with him and you decide he looks incredible in the warriors' robes, actually. and his smile makes you want to kiss him. it makes Shang want to scream. and to kiss him.
and then comes the last leg. and she's got the gender-neutral robes, the "neutral" stage makeup. the loose updo. and you've never been as attracted to anyone in your life as Shang is to her. and you get it. you really, really get it. and wow the way the cuff of her sleeves and the silhouette of her robes make your heart clench. and the way her posture, her gait, make a new kind of sense. you can feel this is It. this is The Costume. you're obsessed and Shang is obsessed.
And then in the end, she's wearing pretty soft-colored robes and it makes you think for a moment that she looks like she did at the beginning. but then actually something makes her strength visible too. is it the cut of the costume? her posture? the framing of the shots? Yes it is. and you know, when Shang shows up, You know he can see it too. and he doesn't want to stop looking any more than you do. and he isn't going to even when you do.
every kid that ever watched my Mulan would recall it as Formative, like y'alls Danny Phantom but on the sickest steroids ever invented. She'd be irresistible. and so very gender.
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miraculouslbcnreactions · 1 month ago
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Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.
S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)
So what I’m asking is…what do you mean “Chloe doesn’t have growth”?
I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)
I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).
That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.
But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.
Character Establishment
When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.
When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.
For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.
Character Growth
Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.
Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.
Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.
Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.
Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.
This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!
Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)
As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.
This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.
Let's Talk About Chloe
Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.
Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.
Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.
The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.
Let's look at some examples to drive home what I mean.
Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:
Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!
And this confession from Antibug:
Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.
So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.
That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!
In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:
Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)
and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.
Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:
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[Image description: Chloe and Andre hugging and looking very happy to be together]
Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.
Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?
Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.
The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.
This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.
Then, in the heightened emotions directly after the Zombizou win, we get this:
Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.
A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:
Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.
And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.
Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.
Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:
Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!
For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.
Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:
Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)
Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!
As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.
So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.
I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.
Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!
Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?
Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.
To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.
#ml writing critical#ml writing salt#chloe deserves better#I did initially think that they were going to redeem Chloe#But they only ever did the initial setup work#They never committed to anything#In fact I though Queen Bee's intro was the writers saying that she wouldn't be redeemed#And that the hero Chloe thing was just a fakeout to make people watch season two#Which is still what I think Queen Bee was#The writers love cheap fakeouts like ending a season on a mass reveal that then goes nowhere#Chloe's writing is par for the course and not anything especially bad compared to the rest of the show#Queen Bee was just an excuse to make you keep watching#Chloe was never getting redeemed or even properly damned#Is that deeply frustrating? Yes#But it's also the most logical read of her story with strong backing in the text itself#I'm not a fan of the conspiracy theories about the writers sabotaging her on purpose#That's just not how this goes#Sorry to disappoint but occam's razor applies to writing too#Bad writing is just infinitely more logical than a bunch of writers purposefully risking their careers to get back at online randos#Chloe stans are just not that important or influential#I can point to so many shows where people came up with insane theories to justify the bad writing and it's just...#I get the desire for complex reasons to explain why a thing you loved failed you but that's just not a logical conclusion in most situation#Nor is it all that healthy to go down those conspiracy rabbit holes. That's just going to damage your mental health#Curious to see the reaction to this one#Remember we're talking about fiction here and play nice please
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