#so my ideas of religion will be coloured by that
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lilyliveredlittlerichboy · 2 years ago
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Lmao.
I am a science graduate and science enjoyer and have never more than dabbled in any sort of organised religion.
Anon, I recommend reading "A Brief History of Time" by Stephen Hawking. In which he explains quite clearly that if the charge of an electron was off by a miniscule percentage, life as we know it wouldn't be possible at all. If gravity was off by a little bit - stars wouldn't be possible, even. Our existence depends on the very laws of physics being calibrated extremely carefully to allow atoms, molecules to form, to allow stars and planets and any form of life.
That's barely the tip of the iceberg though. Do you know how many things can go wrong in human embryological development? The answer, you may have guessed, is A Lot. a metric fuck tonne of simple things that can go wrong very easily and suddenly your embryo is no longer viable, it dies and gets aborted by the body before the person even knows they're pregnant. This happens more often than you think. It's practically a miracle that humans ever make it from a sperm and egg to a fully developed person, and yet it happens all the time, to the point where we have so many billions of us.
Like yeah evolution is a thing and astrophysics is a thing but if you think they "prove" anything then you simply just don't know how science and research works. Science exists to describe the world around us, first and foremost. To make observations and identify causal relationships. To speculate about what might be happening, to create working theories, and to test those theories and abandon them if they don't work anymore at describing the world around us, to create new theories that describe the world a bit better.
Science doesn't disprove the existence of a god. In fact, science has brought me closer to believing in god than any religion ever has. God isn't just "sky daddy" god is defined different by every person and every culture and it could just be a force that sets the laws of physics so life is viable, and makes a million billion coincidences happen so that creatures can survive on this earth (and elsewhere). I saw it said once that "God's job isn't to make life easy, it is to make life possible." And that really resonated with me.
Anon, please broaden your definition of God and also Science and do some learning. It'll do you good.
Science can 100% disprove God. It can even disprove that something approximating a good could exist or even be possible. Claiming that God can exist, or any magical mythical deity, is literally impossible. Every facet of science and demonstrable reality disproves yours and anyone else's belief in a mythical magical sky father who is somehow omnipotent and omnipresent, but has never done anything.
Sad that your identity is so mixed up with literal desert fairytales.
hmmmmmm i wonder who this is
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undefeatablesin · 1 year ago
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Old sketch of Pre-Yharnam Ruza that I finished and forgot to post ✨️
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youhaveyourfits · 9 months ago
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honestly im thinking of going to church bc im surviving but I think to #thrive I need a place I can go w welcoming open understanding faces. like I could Not go but to go might be what I need to get to a better life even if I don't go forever
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throughdarkeningskies · 10 months ago
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I wish I had more concrete reasons to reject the Catholic faith like a journey of spirituality or something but honestly I was ready to get out of there from as soon as I was conscious. not for any deep moral reasons but because mass was just so fucking boring
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sp4ceboo · 9 months ago
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Atonement: Feyd-Rautha x Reader
A/N: fic i wrote with @triluvial 's lovely idea
tw: 18+, smut but pretty soft, oral (f recieving), so so so so much angst, fluff after tho dw, swearing, hints of sa and pedophilia from the baron, baron is also creepy to reader but not explicitly, u gotta bear with my yapping in the beginning but it gets good i promise, inkpie
wc: 3.9k
headcanons for this universe
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When you married Feyd-Rautha, you were warned of many things. His cruelty, both in and out of the bedroom, his bloodlust, his uncontrollable rage, his violence, his complete and utter lack of mercy. They told you he was psychotic, he was a cold blooded murderer, he was insatiable and that you’d be lucky to last a year with him, and yet, they never cautioned you of his sheer, unerring indifference.
Before your marriage, you fancied that he’d be like fire; raging, searing to touch. You went as far as to wish to tame his inferno. Late at night, when you could not sleep and doubt wreathed your thoughts, you also considered that he’d be like ice, like the colour of his piercing eyes, glacial and cold, devoid of anything soft or sweet.
As a child, you saw him fight in the arena. There he blazed with passion, his victor’s smile a cruel curve upon his face, his knife blade stained dark with fresh blood: he was mesmerising. At that time you were beginning to understand that your future had been sold to this violent man, and you resented your parents for it - now you realise that it went deeper than that, that it was rooted in generations of religion, of whisperings of the Bene Gesserit. Still, even then, you found the way he burned intriguing, and you were drawn to him like a moth to a flame.
But you were wrong. He turned out to be neither fire nor ice, just stingingly, dismissively apathetic. His eyes slide right over you when he happens to pass you in the corridors, as if you’re lower than a servant, lower than the rare rats that survive Giedi Prime’s conditions. You suspected your marriage would be painful, wedded to a man such as he was, but you didn’t think it would be this damn lonely.
You wished he hated you.
That way, at least you’d mean something to your husband. At least then vehement, savage emotion would rise within his gaze whenever he looked at you, not that horrible, polarising blankness. You wish you disgusted him, because then he’d at least he’d speak his mind - you had learnt that he spoke with brutal honesty, uncaring of the consequences.
Maybe to him, that’s all you are. A consequence of being high born, of being the na-Baron. You mean nothing to him, and he treats you as such; to him, you are less than the speck of dust on the floor, less than a grain of sand in his beloved arena.
It’s not that you wish for him to dote on you, nor love you or devote himself to you. You just wish he would look you in the eye and feel something; you’d rather him stare at you in revulsion and call you names that you can’t even think up yourself than the dead, lifeless detachment that clouds his face when he sees you in your shared chambers.
Feyd-Rautha has never laid a hand on you in violence; in fact he rarely touches you at all. The last, and only time he kissed you was during the wedding day, and he makes no moves to be in bodily contact with you any more than he has to be. You are obliged to produce an heir from him, yet even in these infrequent encounters it seems as if it is a chore for him - he takes no pleasure in your body nor does he try to pleasure you, and he makes no sound when he takes you, staying as long as it takes for his seed to fill your womb before leaving without a word. On those nights, your thighs tremble as you stumble to the bathroom, only allowing your tears to fall once the shower water is searing on your skin.
During the first month of your marriage, you did everything in your power to please him. You thought maybe you weren’t pretty enough for him, maybe you were not desirable as a wife, so you always smiled at him, made an effort to fill the silence that pervaded the air around him, bringing up topics you knew he would enjoy, like the arena, like his love for knives and duels. To even that he would not reply, rebutting your questions with monosyllables or simply ignoring you. You stopped once he began to leave the room while you were mid sentence.
It is now your fourth month locked in this marriage with an uncaring man, and all you feel is bleak, crushing resignation. Somehow, Feyd-Rautha seems to take more interest in conversing with his brother than you.
You wonder if he has forgotten your name. He addresses you simply as ‘wife’ - that, and nothing more, the title leaving his lips like an accusatory curse, reminding you that if you did not serve a purpose to him, and if decorum did not restrain him, he’d have disposed of you by now, either by slitting your throat or simply abandoning you outside the palace grounds, not even bothering to end you himself.
The palace in question is lonely, but you feel the loneliest when you lay awake at night, shivering on your side of the bed as Feyd-Rautha slumbers to your right. Tears always prick your eyes during those moments, but you stifle them, afraid that you’ll rouse him with your crying; you do not know what you’ve done to garner his mistrust, but many times you’ve glimpsed the knife he keeps beneath his pillow, the cold blade glinting in the moonlight.
Often you wonder if he has a secret lover, and that is why he does not bother with you. You wake up sometimes and he is gone, but soon you realised that he would visit his concubines, especially after he had bred you. You would finish your shower, unable to wash off the feel that you were dirty, you were just an animal, a mindless thing to produce an heir for him, and he would be lounging in the antechambers of your quarters, ignoring your presence with the three harpies wrapped around him, whispering in his ears and caressing his moonlight skin. They accompanied him everywhere he wished, even in public, and to begin with, you felt humiliated that he would so explicitly show that you were not to his satisfaction.
Now, it just makes the solitude even worse.
You find solace in no one. More than once, you have walked in on the servants laughing behind your back, and as it became evident your husband was uninterested in you, they did not hide their mocking. The Baron’s other nephew you hardly saw, and the Baron himself terrified you: there was something in the way that he stared at you, his beady eyes glittering from where they were set deep within his putrid flesh, that made you feel more soiled than even after Feyd-Rautha took you.
So you remain isolated, speaking only when spoken to, drifting through the palace’s wide, dark hallways like a ghoul, a mourning spectre. You can barely remember your life before, just wisps and fleeting flashes of colour that ridicule rather than comfort you.
To Feyd, it is obvious who you are. A spy, commanded by his uncle to report every single one of his doings to you; he cannot slip up once around you, cannot reveal his weaknesses, that he is desperate to be loved, to be seen as someone whose only use is not war. He sees the way his uncle looks at you, hungry for information you do not have because he does not impart it, the way the Baron comments on you and the way you flinch at his words, pretending that you do not report to him.
Feyd is determined in his resolve to give nothing away. His uncle has held power over him since he was young, he refuses to give him even an inch over him now. He still has nightmares of it, which he wakes up from with his pale skin sheened in clammy sweat, clammy like the hands of his uncle.
Sometimes, he sees the tears in your eyes after he fucks you. The first time, he almost stopped, almost asked you where it hurt, but you turned away before he could, acting, always acting; acting when you smile graciously at him, acting when you ask him what his favourite type of blade is, what his favourite form of swordsmanship is. You are good at pretending, but of course you are - his uncle is the Baron, a man who bathes in power. No doubt he would get only the best of spies.
Tonight, you are not where you normally are. At this hour, you are usually asleep, or feigning it in the very least, curled up small on your side of the mattress, yet the bed is still made, the sheets unrumpled and smoothed down as they were this morning. Feyd thinks that maybe he might catch you reporting to his uncle, so he strides out of your shared chambers, pausing in the doorway to listen carefully; as a boy, he hunted in forests that have now been chopped down and industrialised, but he has maintained his keen ears long after the last wild plant on Giedi Prime’s surface choked on the fumes of pollution.
There’s a soft noise, barely perceptible, that echoes down the corridor to his right. Silently, he tracks it down the labyrinthine passages of the palace, servants scurrying out of his warpath, bowing their heads to him - he wonders if they too report to his uncle, if they travel now to his quarters to inform him of his beloved nephew’s whereabouts.
Feyd wishes he and Rabban were brothers first before rivals. Then he could have someone to rely on, someone who he trusted in this palace built on lies.
Pausing, Feyd cocks his head. You huddle in a crumpled heap at the end of the corridor, your knees hugged tightly to your chest, head low as if under a crushing weight. It occurs to him that maybe the Baron was displeased with your efforts to gain information and made it known to you - a pang of pity tugs at him, for he knows what his uncle’s wrath is like. At least you have been spared from the sole thing worse than that - the Baron’s thirst.
‘What are you doing, wife?’
Your head snaps up, Feyd-Rautha’s unfeeling voice kindling a rare burst of temper from you. Is it not evident to him what you are doing? Or is he just too blind to see the tears streaking down your cheeks? Your words are injected with venom when you speak, and you hope that it stings him for leaving you alone in this cold, dark place.
‘So now I am of concern to you?’
Feyd is taken aback by the indignant arch of your brows, the resentment displayed in your eyes. It takes him a moment to register the harshness lacing your voice - you have never addressed him in this way - and another to digest your words. There’s a bleakness in your wet, tear stained face as you stare up at him, and shock too, as if you did not expect yourself to speak against him this way.
Something clicks into place.
Feyd recognises that look in your eyes. He recognises it, because he’s seen it in the mirror a hundred times before; haunted, harrowed, lonely. He remembers nights when he trembled beneath the cold sheets of his bed, when he was small enough that he felt like he was drowning in the black satin, his eyes wide as the fabric seemed to wend around his limbs, tying him there as he lay fearful of everyone, fearful that his uncle would summon him. Even young, he was so terribly aware of not knowing who he could trust and who would turn to the Baron, bearing information like knives to split open his childish skin and spill his guts on the freezing stone floor.
It broke him. He is barely a shell of a sentient being, repressed emotions wreathing like ghosts around his frame, his eyes hollow, his heart decaying. In his fear, he was blinded, and he pushed you to the place where he had been all those years ago, so terribly, terribly alone - you are stronger than him, for lasting this long.
Sharp, plunging, dread sinks in his stomach, weighs down his soul; he has done unspeakable things to you, treated you like a dog, like a whore - worse. How can you look at him without hatred in your eyes, spite?
Bile rises in his throat, his heart seized by a dark, burning anger. He has done this to you, he has slashed your skin and left you bleeding, and yet all you did was try to please him. In an effort to save himself, he trampled you under foot; in order to keep you out, he left you surrounded by shadows. Feyd has never hated himself so much, has never despised who he has become with this much furor.
Slowly, he crouches before you. Eyes wide, you shrink away, misreading the direction of his rage, flinching when he reaches out a hand. Pressing your back against the wall behind you, you turn your head away from him, fear causing tears to spill down your cheeks: he sees the way you will the stone to swallow you up, knows the feeling.
‘Please don’t hurt me,’ you choke out, hands trembling uncontrollably.
Something deep within Feyd’s soul withers and dies at your words. Forcing his jaw to unclench, his hands to release the fists they held, he shoves down his anger. The fury is for later, for when he has made things right - for now it is you that is his priority. Too late, a voice whispers in his ears, too late, too late, too late -
Gods, he deserves to burn at the fucking stake for this. He deserves eternal hell for this, he deserves worse. He is a fool: a blind, blundering fool, stuffed to the brim with paranoia and cynicism.
He sucks in a breath. ‘I will not hurt you. You have my word, whatever it is worth to you. I - I have made an irredeemable mistake, I - ’
After his first sentence, you have not heard him. Tears of relief soak your face, and you whisper needless apologies for them; it is an arrow through his heart that you fear him so - yet the pain is where it is due, justifiable for the way he has shamed you, belittled you.
‘May I - may I touch you, my wife?’
You do not know why you nod in reply of your husband’s strange request, but the moment you do, strong arms pull you into a solid chest, and a sob leaves you - he is so warm, warm enough to banish the seeping cold embedded in your bones, warm enough to let your sorrow flow anew, soaking his shirt as your hands bunch in its fabric, so that if he is cruel enough to leave you here, at least he will have to fight to do so. You have not been held in a long time.
Each of your shuddering sobs is a knife blade twisting in Feyd’s spirit. He lets the pain wash over him, clings to the way you burrow into his arms, a kind creature in the embrace of a monster. At one point, in the throes of your crying, you beat at his chest, telling him that you hate him, and he takes it with a bowed head, stroking your hair and holding you tighter once you exhaust yourself; this is only a fraction of his atonement.
You fall asleep in his arms. He carries you back to your quarters, and only once the door is closed behind him does he let his tears mingle with yours. Keeping you cradled to his chest like a child, he pours a glass of water for you to drink in the morning, knowing you will be dehydrated; he sets it on your bedside table before laying you down on the mattress.
You don’t let go of him, even in your sleep. His heart clenches, tight in his chest, and he drops a kiss in your hair before lying down beside you.
He believes he will love you, if you will let him.
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Consciousness leaks slowly into your mind, and you blink, squinting through the beam of light that filters in through the curtains. From your months spent here, you’ve realised that Giedi Prime’s atmosphere is normally churned up with violent storms and choked with pollution, so this ray of sun that falls against your pillow, warming your face is far from unwanted - nor is the pale forearm tucked around your waist, firmly so, but not trapping you either.
Your husband’s chest fits snugly against your back, his breath warm and steady against your skin; his fingers splay out across your stomach, gentle, communicating so many things that were left unsaid. Vaguely, you remember falling asleep, nestled against his chest, tears drying on your cheeks.
When you roll over, you’re unsurprised that he’s already awake. With blue eyes softened by the sunlight, he regards you, fingers settled at the small of your waist. Something clouds his gaze, and he shifts, propping himself up on his elbows.
‘I owe you an explanation.’
You wait silently, unperturbed by the way he clenches his jaw. He vowed to you last night that he would not hurt you, and you trust that. Wordlessly, his lips open, then close, and you patiently watch him, far too well acquainted with how this man struggles to let down his guard - even now, you cannot read the twisting of his features, the way his eyes squint as he looks at you.
‘I - I thought you were a spy sent by my uncle,’ he finally confesses. ‘My uncle… when I was younger, he,’
Reaching out, you cup his jaw in your hand, running your thumb along his cheekbone until he relaxes. You see the battle in his eyes, to let go, to tell you the knowledge that he thinks you deserve, but you see with it the years of hurt, of solitude. Something hopeful, something beautiful blossoms within you - the realisation that this wounded beast before you is someone that you could grow to love; you want him to bare his scars to you, those that are long healed and those that still seep with blood.
‘All in good time, Feyd,’ you assure him quietly.
He sighs, touches his lips against your palm. ‘I am sorry, my wife.’
Slipping your hand down to grip his shoulder, you lean closer towards him so you can kiss him. An anguished sound leaves him, and you see clearly how he realises that he has wronged you, how it pains him, and yet how the taste of you awakens something tender within him - you marvel at it, that it has survived, buried within him for so long. Perhaps he will let you love him.
Feyd is neither forward nor insatiable in the way he kisses you. In fact, he pulls away first, moving to get up from the bed despite the way your hands grip his shoulders, and you almost doubt that he wants you before you glimpse the longing in his eyes that lingers before he pushes it down. You wonder if this man knows how to make love or if he just knows how to fuck, you wonder if he feels the same molten feeling in his stomach that you feel and that is why his movements are tinged with nerves as he gently escapes your grasp. It is clear to you: he does not want to scare you.
‘Must you go?’ You ask, tugging at his fingers.
He tilts his head. ‘I don’t know if you want me here, after what I have inflicted upon you.’
A streak of bravery takes ahold of you. ‘Please, Feyd, I want you.’
You delight at the fire that ignites in his eyes upon your words. He wastes no time in returning to your side, dropping a sweet tasting kiss to your lips before taking your chin in his hand, eyes searching yours as he sits between your thighs.
‘Tell me if you want to stop,’ he says. ‘Yes?’
‘Yes,’ you echo, blood heating your cheeks.
Feyd kisses you again, giving you time to rescind your reply if you want, but you just tug at the hem of his shirt, drinking in his sculpted chest when he pulls the black cloth over his head. Delicately, he trails his lips down your skin as he undresses you, his broad hands warm where they encircle your waist, holding you flush to him as his calloused palms explore your body, skimming over your spine and caressing your breasts before settling on your thighs and pulling them open.
You’re terribly aware of how wet you are when his eyes settle on your pussy. Instinctively, your knees tip inwards, your face growing hot at the hunger in his gaze, but his broad shoulders block your legs from closing, followed closely by his hands which gently push them back open. He smiles at the blush high on your cheeks, rubbing his thumb over your ankle in order to put you at ease.
The sound you make when he pushes his fingers into your cunt and curls them almost makes Feyd moan. You tremble for him, bashful, and he can feel himself rock hard against the mattress, aching for the tight clamp of your velvet walls. He wants to bury himself between your thighs, and so he does, your sweet slick exquisite on his tongue - he presses kisses like butterflies to your thighs, your hips, worshipping you as his fingers pump in and out of you to the same pace as your heaving chest.
You look beautiful, gilded by the sunlight, lower lip trapped between your teeth, but he doesn’t miss the way you grip the sheets with one hand, the other clapped over your mouth, panting as he pleases you. Stroking your thigh, he pauses, licking your slick off his lips.
‘Let me hear you,’ he bids.
You blush again but obey him, tremors wracking your body as he sucks on your clit, laving his tongue over it until you throw your head back, eyes rolling as you come, your honeyed moans and hot release exquisite upon his senses. He wants more, needs more of the taste of you, but you tug at his shoulders, whining for his cock, and he’d rather die than deny you.
The way you say his name when he buries himself inside you sets his soul on fire. You look beautiful beneath him, shaking and whimpering from the hot pulse of his length, clawing at his shoulders until he wears red marks that he’s proud to bear, moaning into his mouth when he kisses you. It seems you cannot get enough of him, and Feyd is more than fine with that because he finds himself addicted to the feel of you under his hands, begging him for more.
Feyd remains entranced long after he comes inside you, with you, your cunt spasming around him. You draw close to him, intertwining your legs with his as he kisses your face, your neck, your chest, making sure he has not hurt you, making sure you are sated. Curling your fingers under his jaw, stopping him, you look him in the eye and smile before kissing him, and he finds himself mesmerised again by you.
He is certain you will let him love you. He is yours.
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gh0st-t0wn3 · 10 months ago
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I finally had time to make proper designs for the Trio!
Redson: Ver 1
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Ver 2
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I couldn't decide on if I liked it better with the braids or not so I just posted both, but anyways!
I gotta admit, I used to not like the idea of redson having Bull features (except for a small pair of horn maybe) but the concept really grew on me and now I really love it and wanted to try making my own design and I'm really proud with how it turned out.
I would've added more scars, since Guanyins throne pierced his entire body, but there came a point where it just looked like there was too much going on so I had to get rid of a few scars to tone it down, so we're just gonna say they faded over time, okay? Okay.
I also made him Miao (one of the largest ethnic minorities in southwest China) on PIF's side, and Mongolian on DBK's.
The Miao ethnicity of China has a long history, rich culture, and an ancient folk religion. Adorned in beautiful traditional clothes, possessing natural talent for singing and dancing, they live in uniquely designed indigenous architecture, which I think fits perfectly with how I imagined Princess Iron Fan and with her; Redson.
As for DBK being Mongolian, I saw someone else talking about this headcanon and I just liked it so I decided to use it, I don't really have a specific reason for it, I just thought it fit, not sure why though, it's just one of those things that makes sense even if you don't know why, you know?
Mei:
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I made her taller and gave her a long dragon tail (like really long, it drags along the floor if she's not holding it up), though her scales are pretty much everywhere across her body they're most noticeable on her shoulders, thighs, and face (they're a bit hard to see in this photo because they're kinda hidden behind her hair, but I did give her scales beside her eyes)
I also gave her horns these little spiral designs around them, gave her sharper nails, and designed her ears to look like coral, since she's a water dragon and I thought they looked cool.
Honestly idk what else to say about her design, I didn't have anything specific in mind when designing her, I kinda just had to wing it, but I'm happy with how it turned out :)
(I also made her Bengali, on her dad's side, but it's not really important or has any reason behind it, just a headcanon I've had for a while, don't know where it came from though)
MK:
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Alot of people have speculated that the monkey form we see during the fight against Azure in season 4 isn't MK's full form yet, that we're just seeing a fraction of what he's yet to become, based on the fact that while he has the weird side burns, the tail and the face marking, he also lacks a natural skin tone, they didn't give him a proper nose etc, so I wanted to play with the idea.
I decided to make him this strange mix between human and monkey, leaving him pretty much human with the addition of his tail(s), and weird li'l monkey feet.
(I was also gonna give MK more arm/leg hair, it was in my first sketch, but I forgot to add them when I was doing the line art and didn't realize until after I saved it as a jpeg, so that's my bad, but I'm gonna add it in to any other art I make)
It's also a bit hard to see in this, but I designed his staff with more details, specifically adding dragon-esque imagery to the Golden ends, this is because (for anyone who's new to the fandom/hasn't read JTTW) Wukong's staff was originally one of the several pillars that held up the sea in the dragon palace, until he stole it and shrunk it down to use as his weapon.
I also did MK's clones :)
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Porty MK:
I gave him stripes of coloured hair and gave his tails all different colours, though I don't think he would actually dye it, instead I like to think that he would use that really crappy dollar store spray in hair dye (or hair chalk). I kept the fishnet clothes that I added in my originally design of him for my headcanons post, and decided to give him striped elbow length fingerless gloves.
I also gave him a cropped shirt, ripped shorts and these weird fingerless glove-esque shoes for convenience, since regular shows seem like they would be uncomfortable.
Edit: my dumbass forgot Porty's stupid print jacket 😭
Artist MK:
For Artist MK I gave him overalls and a jacket over it, which he wears specifically for when he's doing paintings so he doesn't ruin too many of his actual clothes (I know I said that this was inspod by Circusapple, which it still is, but this is almost exactly what I wear when I'm painting too, just in different colours).
I also gave him those gloves that digital artists wear so they're hands don't accidently trigger something on the screen because everyone knows that every artist just walks around with their art glove on even when it's not necessary.
Delivery MK:
I have to admit, I was never a big fan of MK's work uniform just being his regular clothes with a work jacket thrown over it so I wanted to try and make him look a little more professional and decided to instead give him a chef coat (similar to the one Pigsy wears on the show as well), with a logo for the restaurant on the chest, along with it I gave him plain black pants, since casual red jeans didn't seem very professional (I know he's just a delivery person, but if you were to look at pretty much any food corporation, even people who do deliveries have to wear uniform, so it's always been kinda strange to me that he's just in regular clothes). 
The shoes were harder to make professional given the whole "half-monkey" thing so I opted to give him the same strange fingerless glove-esque shoes for comfort and convenience, but made them plain black as well.
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writingwithcolor · 1 year ago
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Dark features/people as blessed, white and light people as sick
ladyoftheseastuff asked:
I'm writing a fantasy story where the world is permanently covered in snow & ice. The people share a common culture & are loyal to their city states, but they are not homogeneous in appearance; there will be many, many characters coded as PoC. The main religion centers on the sun, & those with dark features are 'favoured' by the sun god, while pale people or anyone who has white/blonde hair are thought vulnerable to "snow sickness", a disease caused by environmental factors (1/2) & have other rules and customs to gain religious approval. It's dangerous & infectious but not well understood. It affects social standing and opportunities, but it's meant to be tied with ideas of youth, vitality, & fear of aging & sickness: it's not limited to those coded as white. This is a cultural detail and not part of the main conflict, but I want to avoid unintentional allegories/parallels & fetishization. Is this a concept that's too close to crossing any of those lines? (2/2)
This feels less like a means to show dark skinned people in an empowering light and more like a weak attempt at subversion. My primary concern (which you have not specified) is how do the "blessed" class treat the "sickly" so to speak. We have fantasy stories like The Grisha Trilogy and Girls of Paper and Fire, which deal with magical ability/feature-based segregation and conflict.
In both cases there is a sense of entitlement which comes with hailing from the "favoured" class, quite obvious, since there will always be an inherent othering metaphor whenever you create such a division, whether it was meant to be a source of conflict or not.
However, the two mentioned series use the "magical people are blessed, non magical people are to be pitied" arc which is somewhat more subtle than divisions created just on the basis of skin colour.
Disclaimer as I do not have albinism or vitiligo: The latter can be extremely harmful, and not just in a racial context, but in cases of albinism, vitiligo etc.
~Mod Mimi
The pitfalls of subversions
While it is always lovely to see dark features considered in a favorable way, there are some issues you may come across. Such a story could easily end up dressing those you wished to uphold as bad guys in the readers' eyes, even if the story's society and the sun god etc. thinks they're amazing, and white and light people as the victims of dark people, deserving reader sympathy. This may especially be the case based on how these groups get treated in the story.
These sort of subversions lean dangerously into "reverse discrimination" plots which are not overall accurate or favorable allegories for your real, human audience. There being diversity on both sides doesn't necessary fix this issue or remove racial or ethnic implications. On that note, and as Mimi mentioned, being demonized and ostracized particularly for skin and genetic disorders like albinism is already a thing. What does your concept say of them?
I think Dark/Black as good and Light/white as bad is a doable concept. Your concept differs a bit from simply subverting black/white tropes. This is not just Black good guys and night skies being peaceful or neutral. It's not just white/light villains (as opposed to victims) or snow symbolling death or sickness.
White and light people are quite blatantly being declared as sick and unfavored and they may very well be victims in the reader's eye with the dark people being the villainous, unsympathetic bunch. Is this your intention?
More to consider
Such a concept requires thoughtful, careful planning and intentional writing. You should have an understanding of what your story implies to the readers and the real-life takeaways.
I think it's possible to make dark skin the favored skin of the sun god without it meaning white/light people stand in a negative light and are sick or unworthy.
Consider what it is that you like about the concept of your story. Can you keep the essence of whatever it is that excites you about your ideas, without denying a whole group of people favor? If not, how will you go about telling such a tale that is not meant to symbolize a sort of reversal of roles discrimination?
Why does the sun god get to determine what is good?
Are there other gods that might have different strong opinions? Perhaps who is favored varies by time of day, season, region, culture, god?
Can dark skin get its favor without white and light features being deemed unfavorable as a whole?
How big of a deal does this favor have to be? I advise reconsidering it being the point of discrimination to white/light people for all the reasons already described.
No matter the directions you go, please research and get the appropriate beta-readers for feedback on the in-depth concepts and story.
~Mod Colette
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agatharkn3ss · 3 months ago
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Episodes and story predictions (spoilers!)
My restless brain has been on another quest.
Full theory explanation and lots of plot side-notes included below, but the short of it - I think the episodes order is going to be something like this (including previous ones for completion):
Ep. 1 - Westview: Agnes of Westview Ep. 2 - Westview: Setting up the journey Ep. 3 - The Road: Water trial - Jen (blue road) Ep. 4 - The Road: Fire trial - Alice (orange road) Ep. 5 - The Road: Spirit trial - Agatha (purple road) Ep. 6 - Westview: Teen backstory Ep. 7 - The Road: Air trial - Lilia (yellow road) Ep. 8 - The Road: Earth trial - Rio (green road) Ep. 9 - The Grand Finale (Agatha all Alone?)
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BACKGROUND ON THE SYMBOLISM First of all, thank you to the production team for their incredible attention to detail. It is clear they have done a lot of research and put a lot of thought into symbolism and telling the story from the visual point of view. This is what makes theorising so much fun!
The whole show seems to revolve around the Wicca religion (also known as "The Craft" - I see you Teen!) that uses the pentacle (5-pointed star inside a circle) and typically worships Triple Moon aka Triple Goddess aka Hekate (Maiden, Mother, Crone) and Horned God (could be Marvel Mephisto). The magic circle uses 5 elements - Fire, Water, Earth, Air and Spirit. Together they are believed to be the root of all matter. Each element has a set of values associated with them, often also colours. While the colours are not always coded in the same way, I found that this (totally Agatha-unrelated) graphic below fits so well with the show's imagery.
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The moon phases also play a big role in here. There are 8 lunar stages, but only 5 elements, so it will be interesting to see how the show continues to link these two strands (so far we've had Full moon for Water trial and Waxing for Fire). Moon phases are also linked with the stages of life - I won't go into full analysis but check out @shutupineedtothink post who beautifully explained possible connections with our witches.
I only wonder whether the full moon in the first trial was maybe mistaken and it was New moon instead? So that we are just moving through the first 5 phases of the moon? After all, it was Teen who identified it - although he was correct about it being the Water phase.
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Episode 3: Water Trial - Jen - Blue - Full Moon Colour: we already saw that as the events unfolded, the light took on the blue tint, because of the water outside. Jen's own nightmare was all in blue. And the road (leaves, roots, mushrooms) leading to the trial was all blue. Story: Jen being associated with Water elements makes sense. Healing, Expression, Peace and Compassion fit really well with her role as a midwife and influencer (did you all realise that it was the midwife work that Agatha referred to when she explained why she spared Jen and her powers because it was "good work that matters" - a nod to Agatha appreciating maternal values). I don't think we will see much more of Jen's backstory - at least not as a dedicated episode, but only through bits of conversations like by the campfire. It feels like Jen's struggles were to do with a mental block and I think Agatha's pep talk was the one that made Jen realise her real power and, though she might not realise it yet, she might be regaining her magic as she starts believing in herself again. Plus I like the idea of not giving an evil man too much of a screen time because it's not his story. Trial exit: oven... so into the fire (as next trial)
Episode 4: Fire Trial - Alice - Orange- Waxing Moon Colour: red/orange tints were so much more obvious in this trial and the road to trial was orange. Even Alice's hair have some red/orange streaks. And her nightmare in ep.3 had some orange tint to it. Story: Alice also fits so well with the fire element values. Passion, Inspiration, Intuition, Creation, Protection - all of these align with her role as an ex-cop, but also her emotional journey as she thinks herself responsible for everything. Then there is the nod to creation when she overcomes the curse with the aid of a song. She is also (except for Teen) the youngest of them all (Maiden). When she was playing, there were flickers of orange magic between her fingers. So I think she's had magical powers all along but just didn't know about it, because she didn't believe in it. Her Road wish was to break the curse, not to get powers. Trial exit: piano... so into the soul (as next trial)?
Episode 5: Spirit Trial - Agatha - Purple - Half Moon? Colour: post-fire trial the road is purple - the leaves as well as fluorescent mushrooms etc. The scenes look dark and it's hard to see if they have purple tint. Agatha's nightmare in ep.3 was very dark too though. Story: This is the 80s sleep over episode (judging from the episode 5 font). Spirit values are the Soul, the Devine, the Mystery. While it's true these kind of also remind me of Rio, I think it's fair to say that Agatha is a total mystery, with all those many layers and masks that she wears. She is also the soul of the coven and the guide of the trials so far. She might have lied and not have walked the Road before (although I begin to change my mind on that), but she definitely leads the coven. It was her pep talk who guided Jen to the solution. And it was her who figured out Lorna's protection spell and guided Alice to play the song. As the ballad says "(...) we carry on, Spirit as our guide" (for a long time I thought it would be the spirit of the dead guiding them). So in this episode we see Agatha's spirit becoming possessed. So the Road is not just testing Agatha, but the whole coven - see how they manage when their Spirit is not available to guide them - and I don't think it ends well. I believe this is the episode where Alice realises she has magical powers. But because she doesn't know how to use them yet, we might lose her. Peppered across the promos, we see images of Alice wielding her orange power - once inside the sleepover room and once when she's on a broomstick. We also get to see Agatha absorbing someone's power while wearing her 80s jersey. We also see at some point Agatha has a whisper of red/orange magic in her palm. My theory is that although the trial is Agatha's, Rio will play a significant role. After all, they are going to have ouija board that will spell "Death" was in the room with them. And one of the posters for the episode was Rio. Agatha will become possessed and everyone acts scared, and it will be Rio who talks Agatha down. I hope we will get some soft moments between them and that we see some flashbacks of their story to give it more meaning. But then maybe Agatha needs magic to return her soul. Rio can't give it to her (I wonder if they explain to the witches why), so Alice blasts possessed Agatha instead. She absorbs the magic and returns to normal. They exit the trial on broomsticks. However, I think as they are flying away, they get attacked by Salem Seven. This is where Alice tries to use her magic again, but she might be exhausted or just inexperienced and she falls off the broomstick and we don't get to see what happens with her? This is why I think Lilia from the future tries to send her the message "Alice, don't try to save Agatha!" (but it gets split in two visions). I also think we finally get to see Teen using his blue power - maybe to help defend from the Salem Seven? Then leave us all on a cliff-hanger when the other witches realise this. (This would explain why he's poster is for that episode as well - and he's dressed as Billy Maximoff Halloween costume - the Wiccan). The red moon silhouette shows only 4 witches in clear view - I think they are, from right to left: Agatha, Rio, Jen and Alice. In the far left, in the dark, it looks like Lilia is there as well. So maybe Salem Seven kidnapped Teen because he protected Agatha with his magic, and now the witches are chasing them? I think Lilia somehow ends up left behind (I'll explain in later episode).
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Exit: On broomsticks - into the Air (next trial)?
Episode 6: Westview - Teen story The episode list has this one circled in red, so I wonder if it's the "odd one out". Maybe we don't get to follow the Witches on the Road, but see flashback to Teen's backstory, following his blue magic cliff-hanger from the last episode? Maybe we see his family car crash mentioned in episode 1. We see that his parents (the two "perps") maybe don't die, thanks to the air bags, but are in a coma? That's why Teen says he's 100% certain his parents are asleep (or he talks about Wanda and Vision who tucked the boys in their beds right before the end of the Hex). I wonder if the body that Agnes investigates in the woods isn't Wanda or Darkhold, as everyone thinks, but Rebecca Kaplan - Billy's mom. Anyway, Billy Kaplan is at the back of the car and dies. But then two things happen - Death appears (Rio) to collect him, but Billy Maximoff reincarnates into the body and he lives. Hence the "Near death in Westview" hint for Joe Locke's end episode credits. Rio is intrigued and sticks around, maybe finally finds Agatha who is no longer able to hide from her because she has no Darkhold. I think Billy will try to summon the Witches Road by himself - maybe he wants to find his brother Tommy, maybe he wants to bring back Wanda and Vision, or maybe he wants to get back his Kaplan parents? I hope we get introduced to the final character that's missing from the end credits!
Episode 7 - Air trial - Lilia - Yellow - Waning Moon? Colour: Lilia's nightmare in ep.3 had distinct yellow tint. We also see lots of promo material of scenes with very heavy yellow filters. Even the road is yellow-ish at some point. Story: Air values are Intuition, Knowledge, Renewal, Change - this fits well with Lilia's divination abilities, as well with her age. We know she is the oldest witch in the coven and has lived for some 450 years, through many tragedies and the many ways the women were persecuted. Lilia is also always so vocal about the negative stereotypes that surround witches - she mentions green skin, broomsticks, talking to goats. Episode 5 might already give us the broomsticks and in this trial we will actually see Agatha as the green-skinned Wicked Witch of the West, so maybe we will also have a nod to the goat talking bit? That would be funny! Anyway, in this episode we see that Lilia will be Glinda (the Good witch), Agatha will be Elphaba (the Wicked witch) and Jen looks like the Evil Queen from the Snow White, but in her old hag form. And even the "yellow" road would be a callback to the Wizard of Oz. So I think the trial will be about those negative stereotypes and how witches have been perceived. We know Lilia doesn't like having to predict all those tragedies and feels deeply for all the victims. So what if her tarot trial will be about her trying to predict something good because it's something she was never able to do? Or maybe about her trying to use her powers to manipulate the cards to change the prediction into a good outcome? Or - trying to reverse a tragedy that happened in the past. It's interesting that the card she holds in the promo poster is The Tower. The card stands for "sudden, disruptive revelation" - kind of like Lilia's 'blips', and the trial seems in a tower-like room. There will be swords sticking out of the ceiling, threatening to fall down. We also know Salem Seven make their appearance again. So I think Lilia tarot reading will be about sending all those messages to the coven in the past (check my other post to explain the detail) and to send herself the list of the witches name so she writes them down for Agatha. When she succeeds, the timer (sand glass) gets turn upside down, and everyone in the room gets inverted as well - so they are flying in the air? That could mean that the Salem Seven gets impaled on the swords... but eek, I hope Lilia doesn't share the same fate... I didn't see any other characters in the air though. There is also a rumour that we will get another version of the Witches Road ballad - this time focusing on Lilia, so we will hopefully see them using Patti's full potential.
Back to the rest of the coven... I think after the broomstick flight they get separated. Lilia gets to the tower/castle first as she was left behind. That's why we see scenes with only Agatha, Teen and Jen on the Road (yellow filter) and they somehow circle back to the start, where Agatha falls over a pair of shoes they left at the beginning. Alice and Rio are not there - maybe because Alice died and Rio is taking her to the underworld. Or maybe they just separated, fingers crossed. We also see Agatha and Teen looking at a castle in the distance - that could be the castle that Lilia is in, so that's how they rejoin her.
Trial exit: the ground - so that next trial is earth?
Episode 8: Earth trial - Rio - Green - New Moon? Colour: green? There are a few scenes with dark green filter but not much else has been revealed Story: Earth values are Fertility, Wealth, Abundance, Strength and Wisdom. I hope we get to see how Rio is connected to that. The trial itself is the one where we see Agatha and Teen inside a morgue. This ties in well with both Earth and Death - lots of buried bodies! So sometimes I think maybe Rio isn't Lady Death after all, but her powers make her connected to the dead bodies, maybe to bring life? Agatha has her hands on Teen's head, so I wonder if she's trying to finally get rid of his sigil. They somehow pass the trial - which they believe to be the last one. Maybe the trial room gets flooded with soil at the end, and they climb their way through it - back up to the surface in Westview - maybe we will find out that everyone else who "died" on the Road has actually just climbed back to Westview. But maybe Agatha doesn't get out that way and still has to find the exit. At some point she gets angry because she still doesn't have her powers back even though she passed her Spirit trial (she screams "I want my prize!"). Maybe she realises it's the hair locket (or the symbol behind it) that stops her from regaining her powers and she needs to sacrifice it? Can't really deduce huge amount about this episode yet, other than we see Rio in her full chaotic self. She blows a kiss to someone as well (Agatha?). I think this is going to be a big episode, where Rio's true intentions are finally shown.
Episode 9 - The Grand Finale I draw blank on that one. I don't want to guess how they tie it all those strands together and how they show the impact of the Road on the witches lives. But there is that thought that keeps eating at me - in ep.1 Agnes says "If there is one thing we can agree on is that these cases are always about the place. The specific small town, the history of it, the secrets buried beneath it. That's where the answers lie." I think this is important and there is some big foreshadowing going on in there. Because yes exactly - why did Vision choose Westview of all places for their forever home? (Was it even Vision who chose it or was Wanda just made to believe that? The reason she knew about the plot was that someone dropped a file in her car) And after the events, the traumatised people still choose to live there. And Mrs Hart mentioned she would've expected to see "remnants of a failed public transit system" under Westview. I mean, would such a small town need it? I think there is something going on with Westview itself, maybe there will be a big reveal about this Mephisto at the end?
But that essay will be for another time. For now, I think I need to give my brain some rest. What does everyone think? Have I missed anything or are the elements that don't quite line up with the above theories? I would love to know! Thanks to getting this far!
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acidblum · 20 days ago
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— Яitual ²
Rockstar!Ellie Williams x Vampire!Reader (w/c: 2.5k)
DO NOT BUY TLOU
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AO3 PART ¹/SERIES MAS.
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⚠︎ WARNINGS +18 MINORS/MEN DNI, blood consumption, angst (kinda), mentions of infidelity, backstory chapter in a way, less dialogue, less ellie, vampire!abby anderson, references, sex, death, weapons, mentions of religion no mentions of readers skin colour or hair texture.
ⓘ A/N: i’m so sorry pretty people the second part is coming out this late :(, luv yall pls enjoy and share with me your thoughts and ideas about our cuckoo gals<3 also if there's any warning i failed to mention tell me.
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The two infamous covens, a divine picture drawn to the naked eye, a unity, somewhere you could belong-at least that’s what they told everyone when they preached their sermons. Although the consequences included losing your soul for a higher connection..some might claim it was worth it.
All the pain and all the agony started with Selene for Aaron questioned why she bit into the snake when she was asked to not give into the temptation by Kanchelsis—the god of the underworld. It wasn't the apple hanging high from up the tree she was after, she had her eyes set on the shimmering green snake, she smelled the blood and tasted the flesh before she even pierced her canines into the flailing reptile.
What everyone failed to know is that the highest mother was carrying a child when she started feeding on her mortal dutiful husband for he was the only one she was allowed to feed on—as demanded by kanchelsis. bringing forth the mankind of vampires and the formation of the first ever coven to go down in the books, The Ancients. They were and still are known for their reserved nature, never seeking or raising their children to be anything other than thankful and graceful with the humankind.
Selene’s pregnancy went as smooth as it could but it was naught without losses, it seemed that her feeding off of her husband wasn’t the safest option for she killed him whilst giving birth in a moment of utter fury, she sat in the water tub in total shock and distress whilst she was encouraged to push by her maker and the servants surrounding her thrashing body in a circle
Tears well up in her eyes “i cannot bear his child..orphaned, i beg of you my lord”
He ignores her pleas, focusing on the task at hand of making her deliver a healthy child. “Push my lady” squeezing her hand in his long clawed one, her agonizing scream reverberating off the walls of the chamber and into the dark night, awakening all types of demons and creatures alike.
“I can see this head! Come on push my highest mother! Push” the shrill cries of the fragile babe with the tiniest of canines for teeth can be heard by everyone in the chamber prompting them to sigh in relief including the mother who is drenched in sweat with red emerald tears streaming down her face.
and it flew right over their heads, the intensity this child could bring and what his uproar did. Elijah grew into the most rebellious vampire known all over the world, word got out that he is a wanted man for being the deadliest of the whole lineage. That's when the second and last coven was made, in the First Republic of France.
They call themselves the La Brumes, 10 vampires always gloating about their agility and power to vanish through thin air, facing no consequences whatsoever regarding their relation to the french revolution. Elijah made sure to be close to every nobility he could ever get to know including Louis XVI. It is heard around the streets of good ol France that Louis died at the hand of a creature that tore him apart and threw him all around his humble abode..in pieces might i add. And of course the servants and whoever found his pieces had to say that he was found dead in his bed.
He rebelled against his mother Selene and shunned her to a locked palace under an alias. putting her on trial simply for refusing his request to turn even more mortals into vampires around the world—talking all about the “tremendous power” it’ll give the covens. With the help of Kanchelsis, he ensured the highest and the mother of his kind doesn’t see the sun ever again. Stupid was he for he still yet has to face you.
𓃭
The candle lit room seemed to have seen better days, clothes and undergarments strewn all over the floor and around, where your naked form is laying on the lounge chair with nothing covering your lower intimate area but a light satin shawl.
Your observer for the day who is just as equally naked as you was your companion, or maybe lover? Not quite that..even though the both of you were really really close and she was one of the few people who managed to give you a bone thrashing orgasm. not to forget that the entanglements among the coven's members were a bit frowned upon by the higher ups—and all you replied with after making love to her was..fuck the higher ups, your coven or hers can suck it just how she does on a sunday morning.
“What ails your mind now? Do we need to go for a third round??” she questions, chuckling when you snort from your place with your arm under your head. “Now wouldn’t you love that Anderson?” you ask with a raised eyebrow.
You shrug “and let’s not get this twisted, I'm always the one that dominates you.”
she tuts with a sly smile etched on her cheeks “you read me like an open book mon cher” her brush cladded hand moving in calculated strokes against the canvas, focusing on painting your crimson glinting irises.
A smug look graces your face before you exclaim. “But we’re not lovers Abigail..remember?”
she shakes her head “And do you ever let me forget”
Abigail Anderson, the history you’ve had with her extends far back into your teenagehood, when her dad was your dad’s right hand. At first she saw you as a very smug, fragile, mommy dearest type of person, waltzing around in her mothers french garden with your Ted Lapidus glasses on and a red scarf that compliments your eyes around your neck, your figure cladded in a black on black suit. you’ve kept to yourself that day—until your younger brother decided it was a good day to throw you into the Anderson’s gigantic fish pool.
and oh boy was she ready to dunk in and save your poor self from the little fishies. holding your body close to hers where she was wearing a white simple shirt with nothing underneath and some grey trousers, her nipples hardening against the shirt and her eyes never leaving yours—the intensity of her stare definitely left you aching for something more.
she carries you out where your brother snickers and laughs at your sticky and wet form with a nod. shooting him a death glare, eyes shining in pure red, he closes his mouth not uttering a word when you pass him by the door with the water dripping down your back and forming a trail behind you.
“Good luck sister” he whispers.
that day she lent you her clothes—you never returned them. which was a little bit big on your frame. “Hopefully the stench will come out when you shower, there’s a towel behind the door for you, and plenty of hot water.”
“oh you’re not coming with?” you ask, feigning innocence.
she chuckles in amusement, fangs shining underneath her pink luscious lips. taking two steps towards you. “I don't think you’re ready for this” cold icy hand reaching to cradle your equally cold chin, she rubs it once before walking out of the door, leaving you to watch her wet shirt cladded back retort into the hallway.
“you know i really wanted you” you look up at her with glossy eyes and a downturned smile. prompting her hands movement on the canvas to pause, her back going rigid from her place in front of the aisle. shaking her head, inhaling hard “you know i would’ve never been able to hold you down”
you snorted in mockery “oh yeah i was the literal face of Studio 54 wasn’t i? Still I wouldn't have minded if you showed me around instead of gawking from the other side of the dance floor.” a manic laugh spurts out of you uncontrollably “i’ve searched for your face in every mortal i could find..man or woman, i wanted them big, hard, french with a mean streak..but they never were all of that. They were never that perfect, not like you at least.”
standing up, she rests the palette and the brush on the stool beside her. stretching out her back you can hear a few cracks bellow in defiance. walking up to you in slow calculated steps before kneeling down to your level, her big body creating a shadow that looked like it could engulf yours.
“and how can I make it up to you..hm?”
“Does anyone in your coven even know that you’re here? Your partner??” a look of disdain..confusion crossing your face when she holds out the palm of your hand to her lips, light feathery kiss after the other getting plastered all over your lightly held arm. Holding her dead stare you make no effort of moving or reciprocating her advances.
“Isn’t mommy dearest gonna get upset if she knows that i've been between these lush thighs for years?? Day in and night out you’ll have me right here, ravishing you and getting ravished by you and your heavenly sex” she points out looking up at you from her kneeling spot, a vision of art that she is, maybe you should’ve been the one who made her pose for you, you’ll probably end up hanging the portrait on the wall facing your bed..and maybe using it to relieve yourself while you whisper her name, knowing that she can hear you even with thousands of miles between the both of you.
“Bite me” a knowing look crosses her face, almost proud before she does exactly that without uttering any other words. Sinking her teeth into your forearm gulping down your sweet blood, abby’s loud throaty sounds and her humming into your skin sends pure vibrations urging your back to arch in immense pleasure. “Do you know the amount of people who’d love for me to tell them that? Bite me?” you push her teeth off with a low snarl. blood gushing and then trickling down your forearm, the veins around your eyes more prominent than ever.
Sparing her a scrutinizing look while you rise to your feet, the shawl sliding down your body and onto the floor beside her thigh. “And yet you’re the one asking your supposedly sworn enemy to do it” she retorts.
You can’t help but snicker at her whilst you put on your robe “says the one sitting knees down on my floor like a good kitten” words spitting out of your mouth like venom you failed to notice that in a fast whiff of air she appears in front of you, nails digging into your waist, the shine of her eyes speaking a foreign language to you, nose flaring uncontrollably with a lustful look gracing her face. She bites into your neck after a low growl, taking slow calculated strides until your back hits the wall of your room in a loud thud, swallowing your soft moan.
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“I need my sister gone”
“Here we fucking go again, i told you i am not that capable, i can’t kill your sister. Can’t you find a Cerbera Odollam stake or whatever your kind uses to kill each other and pierce it through her heart if the idea of her walking amongst the living haunts you still? It’s been two decades and you won’t let it rest.”
Not liking what she was hearing—the harsh and painful truth from her dear witch friend she mutters. “Your great grandmother did it once on my deranged uncle”
“You said it..deranged, your dear sister is eccentric..but not like him, he went on a killing rampage and it’s literally written down in history which was exactly what he dreamt of achieving and your coven gave it to him on a golden platter when your dad wrote a ‘fictional book’ about him”
Before getting executed by order of the two covens. Your uncle, David, claimed he saw god and that the almighty asked him to form a cult, your mother tried talking him out of it but it just resulted in him killing nearly ten vampires of which are his own including his own child and thousands of humans without hiding his tracks well. He wrote in blood on every concrete wall in the streets of every country he ever stepped foot on including Persia ‘if we burn you burn with us’.
A hunt had to be put in place for him, you were the one who brought him in, bruised and hungry. “I’m sorry uncle but you gave us no choice, who do you think you are? The prophet? What. a. Joke.” a baseball bat wrapped in silver wire swinging left and right in your hand, taking calculated steps towards him.
He was dragging himself on the wet muddy ground, clothes torn, hair matted with blood, reciting verses upon verses in prayer. A sight for sore eyes. not even bearing you a look, the poor man was trying to save himself. little did he know that in front of him was you. “have mercy on me, niece! the lord will save us all through my body”
you look around “i don’t see him saving you right now”
“b-but he is with us! i can see h-“ not taking your chances you swing the bat right at the side of his head, silver wires piercing his skull, hard enough to hurt but not enough to kill his immortal corpse. “Now you’ll get to meet the lord and have some tea together. tell him i said hello.”
𓃭
Ellie’s sleepless nights persisted after that dream she had, rehearsing, eating and writing for their new album had one being in mind…she thought it was very childish, but she couldn’t shake off the presence of it, of her, the vampire.
something she never believed in and never will—that’s what she keeps telling herself. in her young years she and her sister alongside their dad used to watch horror movies of which involved vampires and other monsters. Sarah would cling to their dad whilst Ellie would snicker at her older sister.
“you’re such a pussy”
“language Ellie” Joel would retort without a glance making her sister stick her tongue out from her place cuddled up against Joel. “tch it’s not even that scary..these types of things don’t even exist and if they did they’ll get killed in seconds in the sun” she shrugs.
Ellie continued with conveying her distaste about the paranormal, even when people started accusing them of selling their soul to the devil over their written lyrics and sudden spring into the metal and nu metal scene. interviewers found it funny and had to bring it up every. single. time. she was extremely fed up, she'd nod and and shrug cause why was it surprising that a so called satanist didn't believe in all of that??.
Dina on the other side leaned into it, often times than not taking weird pictures with a drawing of 'punk jesus' that she made, facing extreme backlash on her socials while Jesse posted verses about kindness—their PR team never catches a break that's for certain.
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taglist🗞️: @winkybun
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stagefoureddiediaz · 3 months ago
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So its 2am and I’m still on my ‘911 is using The Wizard of Oz theming to tell Eddie’s story’ soapbox and thought I’d talk about something I didn’t go into in my other 911/Wizard of oz post - the fact that Oz, the Emerald City, the wicked witch of the west and the Wizard are all an allegory for the Catholic Church and Christian faith more widely!
I’ve made quite a few posts about 911 playing into religious iconography and so I thought I’d add to that post count by talking about the (anti) religious theming in The Wizard of Oz more generally and how it relates to Eddie’s arc!
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The Emerald city is designed to look like a Cathedral
The way the wizard of oz - both the books and the film, plays on religious imagery is similar to the way that C.S Lewis played on it in his Chronicles of Narnia series - but where C.S Lewis created a positive allegory that upheld religion and religious beliefs, Frank Baum was creating a more negative allegory- where religion does't provide the answers, but the individual person
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Dorothy starts her journey in Kansas - in the real world, but finds herself in the technicolour world of Oz after a tornado transports her over the rainbow. The film, especially, plays on the idea of her having a head injury - causing her to have this vivid dream of this fantastical land - which is why we see the people of Kansas appear as characters in Oz.
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Oz is clearly playing on the idea of heaven and hell and limbo. The wicked witch of the west represents the devil (lucifer) and her castle Hell. While the Emerald city represents the house of God (the church). Glinda is supposed to be an arch angel. Remember that lucifer is a fallen arch angel.
The wizard is a man from the same world as Dorothy and is meant to be viewed as a priest (most likely the pope) - priests being Gods representatives on earth
While the silver (book) or ruby (film) slippers are a representation of enlightenment.
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Dorothy is searching for a way out of her ‘coma’ dream and so goes on a journey through Limbo to the house of god to try and get home- along the way the devil tries to stop her getting to the church and subsequently into heaven using the tricks at its disposal. The devil doesn’t succeed and Dorothy and her friends navigate their way to the emerald city and complete the tasks they think god has set for them so they may gain what they seek - to go home, brains, a heart, courage.
It is here that they discover the lies of the priest and once he is gone they all figure out they had what they sought all along - they are enlightened and didn’t actually need the priest or the house of god at all. From there Dorothy chooses to go home and awakes from her coma back in the real world - but retains the knowledge of what she dreamt in her coma.
The wizard of oz as a piece of media (in either book form or film form) is showing the audience that they hold their own power within them and it cannot be granted by outside forces.
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The film chooses to show Oz the great and powerful in much the same way as the crucifix is displayed in a catholic church - praying to a false idol in search of what you seek
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The wizard hiding behind his curtain is akin to the priest behind the confessional screen - offering absolution and healing etc, when he doesn’t actually possess the power to do so because he is just a man pedalling falsehoods and lies.
The residents of the emerald city in their monochromatic green colouring are an allegory for the members of the churches congregation - blindly following the edits and rules set out by the church in the hope of a happy and fulfilled life - but they are shown to be almost drone like - subjugated and controlled into mindless devotion in the same way people follow the churches teachings without questioning.
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Dorothy and here friends never change though - they don’t start wearing green and blending in to the emerald city and they find out that they actually have the power to achieve their desires within them the entire time - as represented by the silver/ruby slippers.
the moral of the Wzard of Oz is ultimately that what we desire or want is within and it cannot be found externally by putting our faith in something outside of us like the church. - Dorothy and her friends always had the things they sought - they just had to figure that out for themselves.
This ties into Eddies entire journey perfectly.
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Just because I couldn't write a post about Eddie and not have a picture of him!
Eddies Kansas pre the tornado is his childhood - before he was parentified/husbandified by Helena Diaz.
The tornado is Shannon - she provides him with the escape from his old life and sets him down in California (Oz).
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There is a reason the Wizard of Oz theming is heavily coded toward him and his arrival on the show - it is the idea that he has landed in California (Oz) and on top of the wicked witch of the East (hence why we never see Eddie at the same level as the red shoes in the rubble) and has been following the yellow brick road the entire time.
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Chris is waiting for Eddie on a yellow strip of flooring at the end of 203
Bobby (Glinda) who shares the catholic faith with Eddie, brings him to the 118 and helps guide him forward on his journey - providing advice and support as and when Eddie needs it, but always watching over him. (one could view Eddie leaving the 118 as the equivalent of the poppy field in the film - leaving his path briefly before returning to it when he wakes up in mayday 'god has spoken')
He has now reached the crux of matters - he has arrived at the Emerald city. It seems likely here that in 804 we will see him have his encounter with the Priest who like the wizard in Oz, will guide him towards a reckoning with his mother (the wicked witch of the west) in order to find his way to inner peace and who he is supposed to be. Once he has dealt with Helena he will discover that he won't find what he seeks in the church - but it will have provided him with something important that plays into the idea that he is a combination of all four characters who journey along the yellow brick road, as their individual traits all represent a part of himself Eddie needs to embrace in order to break free of the chains that have held him back his whole life.
The knowledge (scarecrow) of who he truly is that will also make him realise he already has what his heart (tin man) truly wants if he has the courage (lion) to go for it and that it will get him home (Dorothy) where he truly belongs - accepting himself as a queer man who is in love with his best friend and Chris's forgiveness and return to him in LA.
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letrune · 1 year ago
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Why I don't like the "X is perversion"
So, let me give you the short version. I am a polyamorous transgender furry woman, likely asexual (jury is still out on that one), coming from Hungary. Every single one of these was called a perversion in one time of history, but especially now, they are treated like being either, like just being a furry, is to be at best ashamed of, and most a reason to isolate people like me from society forever - and that I should be thankful for nobody calling for my extermination at the government levels.
Except, you know. Some do. Some US and Russiand jerks had been calling for building what amounts to be gulags for being queer and furry and foreigner, and stuff people in for that alone; simply because "you are a pervert and want to harm the women and children because you are queer or a furry".
So... What do these people actually think? Someone likimg cartoonish anthro characters is to be throw into prison? Asexuals to be throw in some cell in a panopticon? Asexuals to be sent to a forced labour camp? All of us to shut up forever and never even peep online?
Because I heard thrse proposals and yes, actual ideas on how to exterminate us. To have death squads like it's Pol Pot's Cambodia. To round furries up and shoot them. To break into homes in the middle of night and drag people away for public executions. You know, this is like "let us murder anyone who likes Star Trek!".
Back in 2017 if I recall correctly, maybe 2016, I was at a protest. LGBTQ+ people wished to be tteated equally. A man from the government came over and told us: "Come on. Stop it. Be happy you are not shot into the Danube.", which is like telling anyone wishing queer equity "be happy you are not sent to Dachau.". That same sort of "just shut up and be happy we are not murder you, secondary citizens" attitude came out again a lot of time.
Furries who want to claim being a furry is inherently perverted, some queer people wanting to throw the rest under the bus to secure themselves some secondary citizen rank, and so much more...
Just feels like these people want to go "please Mr. Government, let me kill people you don't like as long as I can keep my life, I am happy to be beaten up if I step out of line but please do not hurt me, I am willing to beat others up, please just spare me". You know, quislings. People who happily handed out blindfolds and then realised there was one for themselves and got pushed to the wall too. People who happily rounded up others to be shot into the Danube, or stuffed into a cornhopper to Dachau, or called the secret police on.
This puritanical "destroy them, because being X is perverted" is obvious when you consider that they said the same of homosexuality, trans people, furries and asexuals. That they are inherently a danger and should be removed from society, any means necessary, just like how they also wanted to remove people of other countries, religions and skin colour.
These people are a danger to society and themselves, as they want others dead for simply existing. They want everyone else to fall in line to some cis-het-compulsory, patriarchal, no-creativity allowed, it-is-all-about-me world.
Furries and being queer predate agriculture. Being a xenophobe is relatively new, especially xenophobes who think the only solution is "kill anyone in this group".
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imissylou · 5 months ago
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Hello, I'm Missy! I've created many challenges in the past, and I'm best known for the Herbs and Spices Legacy, which I co-created with my friend @sunboyish. If you know me, you know how much I love butterflies—I even have multiple tattoos of them! I searched everywhere on Tumblr but couldn't find the original butterfly legacy challenge. If you happen to find it, please tag me so I can give proper credit.
Since I couldn't find the original, I created my own version, and I hope it's refreshingly different for you. I get bored of legacy challenges easily (it's not you, it's me), so I designed each generation to stand out with unique traits and stories. Feel free to skip or modify any parts that don't suit your play style. This challenge includes elements from all the packs (except the Star Wars pack, ew). If it becomes popular, I'll make a base game version or add base game options.
You're welcome to add to this challenge or create graphics for it—just tag me! Without further ado, here are the RULES! [TW: Neglect, Abuse, Substance Use, Murder, Religion, PTSD, Abortion]
Rules and first Generation under the cut!
Click here for the Doc
Butterfly Effect: A Legacy Challenge
Rules
Start out with 0 simoleons or enough to make a starter home then take the money away
Each gen only takes 20% of the funds your last generation accumulated
I love mods, so go ahead and get every mod out there, but just don't make the challenge too easy, trust me it gets boring if its easy
All CC is allowed
You don't have to level up any skills to level 10, they're just there so you have an idea on what you're going to do that generation - mostly from the career you're doing
Must complete each goal before moving on to the next generation, optional goals are optional
You don't have to complete any aspiration, unless it says
Life span can be on any, it's up to you
Make sure you look ahead each gen there may be overlap
You don't have to make this a berry challenge, but i did put a colour pallet if you want to use it
I haven't played through it yet so feel free to comment any suggestions or email me at [email protected]
Please tag me in all posts that are about my legacy - I’m nosey and want to see your lets plays or sim making, if you use insta you can find me @ imissylou5
If you play this challenge please use the #butterflyeffectlegacy or #BEL
Have Fun, this is your game after all!
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Let's kick off this legacy with the epitome of elegance and grandeur—the Monarch! As the trendsetter of the family, your fashion sense is unparalleled, radiating style and sophistication in every outfit. Your iconic looks make you unforgettable, setting a high bar for all generations to come. Along with your keen fashion sense, you have an insatiable curiosity and just can't resist getting involved in everyone's business. You may be the first, but you’re destined to be remembered as the most glamorous, stylish, and intriguingly nosy generation. Get ready to strut your stuff, gather all the gossip, and set the runway on fire!
Your Colours - Orange and Black
Traits - Self Absorbed, Perfectionist, Nosy
Aspiration - World-Famous Celebrity
Skills - Writing, Charisma, Photography, and Painting
Career -  Style Influencer - Trend Setter Branch
Start as a Young Adult
Date Multiple People - You're Polyamorous!
Become Pregnant as an Adult, but you don't know who the Baby belongs too
Woohoo every partner you have the night you want to be pregnant, so you don't know the other parent
Do this every time you want to be pregnant
All your kids look like you dressed them up (which you do, no kid of yours will be trashy)
Have at least 2 outfits in each category
Go thrifting every weekend to collect all the thrifting clothing items
Get the squeamish trait if it pops up!
Have the Hungry for Love and People Person Lifestyles - Try to keep them throughout your whole life
Everytime you talk to someone, gossip with them
Optional
Travel every time you're stressed - Monarchs travel approximately 4,000 kilometres
@ts4challengehub
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dwellerinroots · 2 years ago
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Hello there, hopefully I'm not just barging in..! Naturally, feel free to disregard any of this. I am in no way an Elder Scrolls Master, ahaha, but...
I think 'atheism' is not something you're going to find in any setting with semi-verifiable divinities. And it shouldn't be, directly; modern atheism is very much in reaction to modern religious organisation, and would have developed very differently under different systems. A lot of fantasy settings suffer by trying to attach, for example, modern monotheist structure to classical polytheist structure. The two may have in common rules, orders, and tenets, but that's like trying to make a comparison between a modern state and a state that existed millennia prior. What is going to be popular - and is actually present in a lot of NPCs, not just Else - is misotheism, the idea that the Gods exist, but are either not powerful and good, not powerful at all, fundamentally wicked, or any other of a number of grievances. Misotheism functions on a spectrum; from the light grumbling of a sailor who hasn't seen Kynareth's fair winds once to the ruminations of a Necromancer who thinks of Arkay and thinks of crushing tradition and short-sightedness. Else, for example, isn't an atheist; she is dissatisfied with the predominant gods, and has turned to a different divinity to carry her cause. (And that brute, Mehrunes, too, when Vaermina is always with us... Oh, well.) Misotheism exists, isn't seen, and is largely tolerated, but almost certainly varies in practise from region to region, from people to people. Think of how many people blaspheme mildly and don't really have any thoughts on the divinities of their area or culture..? Drawing from my area of expertise... Can you imagine the Imperial Cult going after someone who goes 'aye, that darn... Stendarr... Owes me money, bloody useless god...'? They aren't going to. Why would they? But theoretically, there are probably laws on the books regarding devotion and mors minorum (sorry, i laughed) that Imperials who follow the Imperial Divines are meant to observe and theoretically remain enforceable. Very very rarely, this might even be leveraged against a criminal when no other charge sticks; some guy had this happen to him, though his name eludes me. The Dwemer, I would say, are not an atheistic people; they are described as being pious, but simultaneously ambitious, and I think - with the acceptance that there are many Dwemer we will never be able to hear from or read of or talk to in any capacity, whose opinions are lost - were not misotheistic, either. Rather, they saw divinity as something like the hypercosmic gods of Neoplatonism; There, interesting, worthy of emulation until they could be surpassed. This explains the jump from 'observant of Dwemer religion in their own way' to 'we're the gods now;' to them, it was a natural progression towards the 'One,' or in their own case, Godhead. Does atheism exist in Tamriel in any capacity..? Absolutely, yes; though I think rather then being akin to atheism as we know it, it is best to understand it as tangibly different from our own. The atheist in Nirn is not going to turn down divine intervention (or ALMSIVI, as it were); they probably acknowledge the existence of the gods, or that they existed, but do not see their presence in the era they are in of the time. So, finding them would depend entirely on looking in unusual sources. Those that follow some form of visible, observable gods are not going to be more prone to it, of course; and so long as there are shrines that cure disease and gateways to actual realms of Oblivion, they are going to be a very small minority. My likely candidates would be, in no particular order...
Argonians who believe all gods are dead (I can't remember where I read this, I have the Imperial Library open, but please feel free to punt me back to Quagmire if I'm wrong); if the gods are dead, they are not worthy of worship. Baleful Sithis gave instructions to embrace change, and these provided useful tools for a society, cultural instructions, but they no longer need religious dogma. If the gods are dead, why worship any of them? Probably still pretty rare, as the Hist is a religious experience or so I'm told.
In the various Nedic peoples, or peoples of Men, amongst those who have somehow travelled to a realm E.G. Sovngarde; if it is just kind of like a place on Nirn, is it really that mystical? These are the closest you'd get to what we'd think of as atheists, I think - disputing the divinity believed to be present there, and wondering at a scholarly and/or naturally magickal explanation. Even still, however, I think it's important to caveat that they will be influenced by their culture and the religious dogma they were raised in, and may be semi-atheistic; denying the divinity of other interpretations of godhead/the Monomyth, but not their own.
The Thalmor. Not exactly a happy interpretation to be sure, but, an elaboration of the above; if non-existence is preferable to existence, and some divinities are false, why not all of them? This would obviously go against the very religious doctrines that permeate the Thalmor as a whole, since it is - in essence - religious extremism that fuels their end goal, but I would imagine there are quite a few who are quietly attracted to the idea.
Among the world in general, I think atheism would only be found reliably in those hermits who do not see or interact with anything supernatural, the heart of the Empire or sufficiently large cities where you'll find outre beliefs simply by virtue of size, and among cultures or people where gods are acknowledged, but have recently lost something, real or perceived. Leading to the sense that our gods didn't protect us; they are hardly worthwhile. And a split between those who adopt no divinities or ways, and those who question faith - close to modern agnosticism - and abandon it. (Different again because many of them will acknowledge the gods; but simply will not worship them, honour them, or interact with them in a meaningful way of they can help it.) Whew! I wrote quite a lot there, so do feel free to ignore it. Keep in mind that I'm probably missing one (1) obvious lore book that obviates everything that I've written, but as world-building goes, this is a pet interest of mine. Since I'm quite proud of a character I've written that completely understands gods as divine, but also wants to open 'em up, that sounds cool, I'm obligated to weigh in here. I hope, even if you disagree or aren't sure, it was a fun read, and I in no want it to be seen as a final answer!
There are probably literal atheists in Tamriel the same way there are flat-earthers in the real world. There must also be people who disavow religion, folks who acknowledge the existence of gods but don’t venerate them (much as we accept the power of gravity without fanfare.) Then there are people who are skeptical of gods actions and intentions, people who think that deities exaggerate their impact on the physical world, who cast doubt on commonly accepted religious beliefs and refuse to worship on that basis…
I guess my question is, what would all of these types of people be called? Would they all be called atheists and would they call themselves atheists?
#nientedenada#dirty-bosmer#tes#I very much wanted to sign off as an in-character theologian#sort of like how the writers used to do that in their Q&A...#please do understand this isn't meant to be comprehensive!#but that it's very much a pet interest of mine.#theoretically - you could also probably find a goodly number of demi-atheists in the Valenwood#due to the highly personalistic structure of religion there.#what's the difference between a mer who worships one thousand gods#and one who only worships at their own altar - or none at all?#but that lies beyond my knowledge and I will let those wiser weigh in.#gosh this was fun#hmn i can't add line breaks between bullet points for readability? blech!#also - this purposely ignores more outre ideas like mananauts and so forth#as that's an entirely different kettle of slaughterfish!#and changes some of what i went on about.#you could ALSO make a case for Sheogorath as god-of-sceptics#that purposefully drives listeners to doubt; tes already has several 'testing gods.'#furthermore - those who stay doubtful may be rewarded by sheogorath allowing for a mutually beneficial kind of...#'i won't acknowledge you if you won't acknowledge me here's twenty septims'-theism.#ALSO - how could I forget?#there is a case to be made that ALMSIVI themselves#are prone to this. at least vivec; at least vehk.#that the 'conservative' faction committed the ultimate apostasy and assumed the mantle of godhood#weighed on each in turn. to perceive the dream and the dreamer as well#might in turn make lines and colours and ideas that form divinities seem nothing more then lines and colours and ideas.#hardly different from you or i or the notes of a song.
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bithcisweartogod · 6 days ago
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something something possible symbolism of the characters’ assigned chess pieces
i’m not that big of a chess player though, so if you are and have something to add/correct PLEASE DO 🙏🏻
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xia fei - a pawn. most commonly met as a metaphor to a person who’s being used by others. but if we consider the pawn’s importance in the game of chess, they’re far from weak. pawns remind us not to underestimate those who wield less power. after all, if the pawn manages to reach the end of the chess board, it can turn into any chess piece, even a queen. and honestly that really correlates with my perception of him so far. xia fei seems way less threatening than vein and liu xiao, but i think he has his own motivation to be with them, and this image of a nice cool popular guy might be helping him in his pursuit. no one expects anything dangerous from him. maybe they should.
lu guang - the knight. knights are unpredictable. they’re the only chess pieces that move in an L-shape, even the queen can’t do that. because of their small range of movement, they have to be thoughtful and tactical. they are not limited by colour. knights are also the only ones who can pose a threat to the queen without putting themselves at risk. all this adds up with lu guang’s character so perfectly. he’s literally a walking unpredictable mystery. his own power is limited - he can only see 12 hours into a picture. he’s tactical and calculating, he quite literally writes down all his steps. he’s quick to come up with new ideas and thinks several steps ahead, like when he put a phone in cheng xiaoshi’s pocket to make a photo of vivian. [lu guang’s also a convincing actor, as it was noted by cheng xiaoshi, so i’d assume he’s good at lying and (reaching omg) maybe he’d even be able to control his heartbeat 🤭]
cheng xiaoshi and vein - the rooks. brute force. they move in a straight line, forward and backward and are not limited by colour. they are the second strongest piece after the queen, but they are way more predictable than knights and bishops. and yeah, that does sound like cheng xiaoshi. in times of danger he acts really quickly - jumping in front of lu guang to shield him from a bullet, or how he acted in that fight with liu min. he’s quick, and sometimes marches forward without thinking. his power is so influential that it is even desirable by others - remember how li tianchen wanted to “try it” for himself. i’d assume vein to be somewhat the same. we see that he also isn’t the type to try and escape a fight, the exact opposite. and if cheng xiaoshi’s goal seems to be more defensive - protecting those he loves, then vein is (seems to be for now at least) full on offence. bold, brutal, unrelenting, moving forward and getting rid of those who stand on his way. liu xiao - the bishop. they own the diagonal lines. they also have to create strategies and need other chess pieces to protect them. they can only move on one colour though, so in that aspect they’re limited. but as the board gets emptier their power grows - they can move a long distance. that’s also how i see liu xiao so far. “mastermind stays in the dark” and all that, he prefers to have others work for him than perform the actions himself. he’s quite young and i’d think he’s generally weaker than vein and maybe even cheng xiaoshi, but he’s dangerous. he pulls the strings and no matter how strong you are, if you’re not careful - you’ll get roped into his game. one more interesting thing about the bishop is the motif of belief and religion which is, well, in the name - we see it played out in liu xiao’s trailer as well.
but the board isn’t complete. we’re missing the queen and the king. just a theory, but i’d assume the beautiful mystery lady to be the queen. in the ending her eyes SHINE just like lu guang’s, so i think she also is an ability user. and if that’s true then well…her eyes shine yellow…looks familiar…haha..;; the queen is the most powerful chess piece, moving in all directions, on all colours. so i’m really looking forward to seeing her enter the game
and the king - if i continue to theorise, i’d say it would be cheng weimin. the king’s range of movement is small - yet he’s the single most important piece on the board. and i’m sorry but if we look at this official art (oh god tumblr wtf what’s up with the quality) then we can see a black king (and i’d assume it’s a king, they’re characteristic of having a cross on top, right??) lying defeated…i’d guess papa cheng isn’t coming home :(
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also while i was reading about chess and stuff, i found that bishops and knights are worth roughly the same, though the bishops are considered more powerful. if that matters at all, i’d interpret that as liu xiao and lu guang both being incredibly smart and good at creating strategies, yet liu xiao’s network of connection and influence outweigh lu guang’s. but maybe that’s also why there are several moments that point out liu xiao’s interest in him - maybe he’d think he met an equal.
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incorrectmahabharatquotes · 7 months ago
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i love the incorrect quotes, but i dont agree with your political views. if its not much, could you explain why ur so anti bjp?(thats what i assume anyway)
You know, I actually think that the memes and the quotes are sort of a natural extension of our political views. I'll explain but it might get a little long. Stay with me here.
Firstly, I want to say that I think this way of perceiving politics is so fundamentally wrong.
"Anti-BJP", "Pro-BJP", "Anti-Congress", "pro-congress" etc etc. This isn't a cricket match where you're rooting for your favourite team. Politicians, as a general rule, are a bunch of liars. They lie to gain power and control. It's OUR duty, as CITIZENS, to keep them accountable and in their lane so they actually do their goddamn jobs. That's how the democracy is supposed to work. If they don't do their job properly, you vote them out of the seat. They work for us, and not the other way around.
In India, we grow up with this idea of not questioning your elders. Papa ne keh diya, bas keh diya. As children our natural instinct of curiosity and inquisitiveness is stifled. We go to schools and the same pattern follows. Don't question the authority. Keep your head down and colour inside the lines. We internalise this lesson to colossal degrees. Is it any wonder that we all struggle with critical thinking? If you're spoonfed "the correct answer" your entire life, you never learn to find if what you were told is correct or not. This exact thing is used by all politicians across the entire political spectrum. They use our learned behaviour of deferring to authority and never questioning power against us. The leader of the country becomes the patriarch. Papa ne keh diya, bas keh diya.
I have various issues with various political parties in India, in fact. I have no love lost for any of them. I don't exactly believe in unconditional loyalty to politicians.
Since you brought up the BJP, let's talk about that. My biggest issue with them is their politics of communal hatred. All they keep yapping about is hindu-muslim this and hindu-muslim that. For what? They could spend their time talking about actual issues but the low-hanging fruit of stoking communal hatred is easier to grab onto. Remember when the British did the same thing? It was bad then and it's bad now. All this unrest just to get votes. Imagine fucking up the mind of an entire nation like this and then demanding to be praised for it.
Their foundational roots are from the RSS and that entire organisation's existence is just insane to me. It's even more insane that they managed to go from a fringe ideology to becoming mainstream. "Hindu rashtra", it seems. Who even wants that? WHY do they want that? Is it such a bad fate to live in peace and harmony with other religions? A lot of their talking points are about how much they hate the islamic nations and how those are horrible and then they want to turn around and do the same thing?!? Is the hypocrisy not clear? So what if other countries are religious states? Why can't we try to be different? Maybe I'M the stupid one for thinking all humans are the same that we should treat everyone the same. Who knows.
There are also a bunch of other issues that the BJP has racked up during their rule. The demonetisation disaster, mismanagement of government funds to create public infrastructure, letting the interests of billionaire business ruin PROTECTED FOREST AREAS for mining coal that they didn't even need, introducing and passing HORRIBLE bills through the parliament without any thought or discussion, literally ignoring the plight of people dying in riots, CORRUPTION, destroying the public sector and letting for-profit capitalists free reign in a country which has practically no proper labour laws, aiding in creating a historical record of INCOME INEQUALITY that is higher than it was during the fucking colonial era, fucking up the press even more somehow to the point where they control all of the media houses.
This is not even scratching the surface. I could keep going.
My issue is not whether people vote for the BJP or not. Even if you like the BJP, my issue is that people seem willing to turn a blind eye to all the issues with the government and not even hold them accountable for it.
Vote for whoever you want. My only request is to keep your government accountable. Keep the power in check. The politicians should be SCARED of the citizens fury if they do something wrong. They shouldn't be free to do whatever and get off scot free.
That's our political stance, really. It's Pro-Exercise-Your-Democratic-Rights-As-Citizen.
We will always encourage others to be wary of people with too much power.
Now coming back to why I said the memes reflect our political stance, it's because it's obvious to see why we happen to be willing to risk being a little critical of a literary text. You have to be a little transgressive, in a sense. Perfect obedience and perfect reverence stifles people from engaging with something to their full potential.
I'm sorry to say that if you enjoy the memes and the quotes, you are also being a little transgressive like us. You're also questioning the authority of a religion to an extent. Perhaps our political leanings aren't as different as you might believe.
-Mod S
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mrghostrat · 9 months ago
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Do you believe in god? Or did you grow up with religion? And how do you think that effects how you watch good omens?
soo idk if my experience is a common one, but i’ve never believed in god, even though my parents were religious. i was baptised, but have never been to church. i went to a non religious public school, but every wednesday we had a lady come in and teach us bible stories, and every week i dreaded it bc i thought it was dumb and boring (at like 8 years old) and envied my jehovas witness friend who got to go outside and colour in for an hour instead
i’m an atheist who keeps ebbing towards agnosticism. bc the more you learn about the universe the more you realise anything is possible and we just have no fuckin clue what’s going on, so WHO KNOWS really??? but uhhghh yeah i look at the world and the afterlife with a scientific lens— that is, adjusting my worldview based on whatever new evidence arises.
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i have honestly stopped thinking about it. because i think we rot back into the earth, but i have no idea what that means for our consciousness. nonexistence is infathomable so i don’t even try anymore ththfhhp
anyway, i like watching good omens this way because it’s all very *shrug* and up in the air and lets you get real silly with it. which i think is the point, just pure silliness. the downside is i’m ridiculously jealous of all the people who just KNOW bible lore to back up their theories and metas and fic backstories, but at least there’s always people on tumblr to tell us what’s what lol
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