#so much character and relationship building

[burningembers91]

Powder Blue Dress - Cho Hyun-Ju x Fem!Reader

Synopsis: For the first time, Cho Hyun-Ju is living the life she had always wanted. But when you move into her apartment block, will she allow herself to open up?

A/N: This is my first time writing for a transgender character, and I really hope I've done her justice. I adored her character is Squid Game

Warnings: mentions of transphobia, low self-esteem

Cho Hyun-Ju had always known she was different. She couldn’t precisely pinpoint when exactly, but she’d always had an inkling that wasn’t like her family or friends. She’d tried hard to make a life for herself, to pretend that she was happy in a body that felt completely alien to her. She tried to build relationships, shape her career and mould herself into something her family would be proud of. But the more time that passed, the more she realised that she was living a lie. This male body, it didn’t suit her, it wasn’t who she was on the inside. She was tired of looking in the mirror and not recognising the person that stared back, she was tired of people not understanding how uncomfortable she felt in her own skin.

The day she told her family she wanted to transition from male to female was a day she would never forget. There was so much anger, so much shouting. She was ejected from her parent’s house immediately and told in no uncertain terms to never darken their doorway again. She had thought her friends would be a little more understanding, but they too started to distance themselves. They called and texted less, stopped inviting her out with them. She didn’t expect much from her work and wasn’t surprised when they fired her after she told them about her dreams of transitioning into the woman she’d always known she was. she went from being surrounded by a network of family and friends to being utterly alone in the space of three weeks. Hyun-Ju packed up and moved to a small apartment on the other side of the city. She put her past out of her mind and chose to look forward instead. She grew her hair, started experimenting with makeup. She took a job in a warehouse, picking up extra shifts whenever she could to bolster up her savings into order to pay for top surgery and the hormonal medication she needed. It had been tough, and she’d taken out several loans she couldn’t afford, but the debt was worth to finally be able to look in the mirror and recognise the woman she saw smiling back.

Most days were still a challenge; people loved to stare. She understood why though, she was a 6ft female in a dress who still had a six o’clock shadow. Hyun-Ju ignored the stares and the jeers, but life was so lonely now. She found the courage to go and shop in a boutique she’d passed a few times, buying herself a few dresses and a pair of ballet flats. She was desperate to showcase her more feminine look, but where was she supposed to go when everyone was pretending she no longer existed?

She ran into you in the lobby of the apartment block one day, and her world was forever altered. “Cute dress!” you exclaimed, admiring the powder blue cotton with lace details. “It’s absolutely stunning!” Hyun-Ju felt herself blush, and her smile was so wide it made her jaw ache. No one had ever complimented her style, not before or since her transition. She wanted to ask you out for coffee, but something stopped her. Just because a person likes your clothing, it doesn’t mean they like you. But she kept running into you, and every time she did you made her blush and smile all over again. It was you who finally made the first move, inviting her out for cocktails. You were new to Seoul, and the pretty girl in the powder blue dress made your heart sing.

The two of you became inseparable, and Hyun-Ju found herself able to open up to someone for the first time in her life. You were a great listener, and you never once made her feel invalidated or wrong. You made her laugh, and the two of you spent hours together talking about everything and nothing. You were the greatest friend Hyun-Ju had ever known, and she slowly found herself wishing you could be more. But you were the beautiful girl with the sparkle in her eye and the confidence of Beyonce, and she was still scared that you’d turn her down, that she wouldn’t be enough for you.

“You have a beautiful smile,” you told her one evening, after you’d spent the night watching a comedy on Netflix and eating your bodyweight in chocolate. Hyun-Ju didn’t meet your eye as she thanked you, and you wished she could see herself the way you did. She was funny, and kind and so beautiful to you. You wanted to tell her all this, but you were terrified of pushing her away. She’d been so open and honest with you, and you didn’t want her to think you were taking advantage of her.

As she said goodnight to you, and headed back to her own apartment, Hyun-Ju studied her smile in the mirror. She wished she could see what you did, and she wished she could tell you how much you meant to her. But a lifetime of hiding your true feelings had left its mark on her. There was still so much fear and anxiety of opening up. Sure, she’d told you about her past and her transition journey but opening up to someone romantically was something she hadn’t done before. She wasn’t even sure how you felt, and she could have the situation completely wrong.

As she climbed into bed that night, she thought of you. She thought of your melodic laugh, your perfect sense of humour. She thought about the way your eyes crinkled when you smiled, the way your floral perfume wrapped her in the sweetest of hugs. She wondered how it would feel to kiss you, to have you run your hand through her hair. As she looked up at the stars shining over the city, she had no idea you were thinking of her as well.

[delugyu]

finally got around to reading this!! SOOO GOOD… LEMME RAMBLE

first of all, this is seriously some of the most amazing world building i’ve seen in a fanfic. that is my #1 compliment about this fic, everything about the world is so thought out and magical. ++ so much attention to detail and backstory. i admire it a lot cause it’s really hard to do! i can’t imagine the amount of thought you put into this!! really super phenomenally well done.

i love fantasy AUs so much and this one tickled my brain just right… right off the bat there’s whimsy and lore laced in each paragraph. picturing each scene comes easily with how well you describe the settings and characters.

immediately upon taehyun’s introduction i could see that he was a complex character. a faerie with human ears, a faerie against geasa (note: had to look up what the plural of ‘geas’ was for that 😭), yet seemingly uninterested and cold towards the new human member of the team… then we learn his backstory, and that added depth to his character explains a lot about him.

the relationship building between taehyun and mc is soooo delish… his kind actions are masked with icy words, a constant since chapter one of him keeping her safe despite his coldness. also can i just say, im so obsessed with how “cold” embodies him so well: he’s from the north, so he’s both cold by nature and by choice. and what a stark contrast he is to yeonjun……. yeonjun…..,, omg do not get me started on yeonjun.

his character is probably my favorite in terms of how they’re written! this isn’t me saying i’m team yeonjun (im team #BOTH #AtTheSameTime #WaitWhoSaidThat) but he’s just sooooo… swoon-worthy 😵‍💫 from the moment he was introduced, i was smiling and kicking my feet. the amount of times i had to shut off my phone and take a breather at his lines. what a charmer.

i love that there’s something suspicious about him from the beginning, but not to the point where it’s off-putting to the mc (or to the reader). great foreshadowing!! and so easy to forget the suspicions too when he’s being so romantic and sweet. it’s a great way to show that the mc is easily swayed by romance, and that she tends to follow her heart.

where taehyun is all ice and snow, yeonjun is warmth and sunlight. it’s so easy for him to build a relationship with the mc, sunlight fosters growth. just another detail that i loved

lemme give my flowers to the beautiful gorgeous capable strong lovely mc while i’m at it… i love that she has such self-understanding. she knew she wanted more from her life than being a servant, so she became a spy. then she found love, and she knew she wanted more than being a spy. she takes herself seriously and values her own interests, which i love to see in a female character hehe 🤍

the slowwww burnnnn between taehyun and mc HELP MEEE!!! taehyun runs from love and conceals his emotions because all he’s ever known was betrayal and hurt… meanwhile mc similarly has led a life of misery, but in her case it makes her long for love and emotion. they’re so alike but so different, and each little moment where they find something to connect over… YESSSSS SIRRR!!!! A HUNDRED MORE OF THOSE!!!

i’m sooo interested that taehyun has the ability to lie… i wonder where that path is going to lead teehee. also when taehyun gets jealous my pants get wet. sorry.

super interested to see more of beomgyu too! he’s such a lovable character, i love those little moments he has with the mc. feels like there’s more in store for him and im excited to see it !!

anyway this is just so so so amazing and i’m really so excited to see what comes next. i was fr like squealing and blushing throughout all 5 chapters. (which i read in an embarrassingly short amount of time.) your writing skills are super inspiring…. i effing love you for this… accept my declaration of admiration…

sorry for this long ass review, i took a literature analysis course last semester and couldn’t shut up ever since.

i love this series so bad 😫🤍🤍🤍🤍🤍🤍

𝓘N WHICH 〃 a life lived as a human among the fae is one hard-earned. the folk are built of indescribable beauty, and of debauchery and mischief. for some, a life lived subservient to the folk is just fine; but to those who dream of something more, they would spend their lives clawing and biting to make it happen.

you, looking for a way to escape a life as a faerie’s human servant, put a new foot forward thinking that any life could be better than that. but, when your first assignment as a king’s spy is alongside a brooding, icy faerie man, you begin to wonder what your place in this foreign world really could be.

wc ➳ 93.3k﹙ and counting! ﹚

genre high fantasy/faerie, smut, angst ˒ ˒

pairings faerie!taehyun x reader, faerie!yeonjun x reader

warnings violence, death, death of animals, smut (specific tags will be listed before each chapter), childhood trauma & mentions of abuse, jealousy, controlling & yandere relationship dynamics, unprotected sex, original characters but they only last for small amounts of time & act as story catalysts, fem! reader

˒ ˒ want a look into the world? here’s the pinterest board !! ༘⋆

﹙ 🪕﹚ playlists ⑊ yeonjun ˒ taehyun ˒ series

: ̗̀﹙❆﹚𝓅arts . : ↘︎

one ˒ two ˒ three ˒ four ˒ five ˒ ...🪶

© hyukascampfire please do not steal, plagiarize, or repost any of my works.

[keepmycandleburning]

It's always frustrating to me when I see people's misunderstandings about the degree to which a writer's words and writing choices are intentional. There are many types of writing and some people may be writing for fun or whatever, but in a story that is complex and carefully put together, the writer's choices are not coincidences or things that just so happen to be that way, they are carefully and precisely made choices that are designed that way to communicate something to the reader.

Surprisingly often I will see people write these complex and meaningful HP analyses, and then end their post with 'but I'm sure Rowling didn't mean any of that, or even think about it, she just wrote it this way because she's stupid.' All of that was somehow magically in the text for you to find and analyze, and she didn't even mean to write it? EVERY word of these books was typed by a human hand and reread with human eyes.

Think of how for example people will say foolish things like 'Did JKR just forget that Bellatrix was married?' Bellatrix being married is a HUGE part of who she is, who Voldemort is, how the DEs function, how the traditional pureblood families and marriages and culture function... You're missing SO MUCH of the meaning in the text by denying the writer's intentionality.

Same with things like mistaking her world-building for being statements of her real-world beliefs. 'Here's an in-depth analysis of what the text implies about gender and sexism in pureblood culture... but JKR probably just wrote all this because she's sexist, and I magically put meaning into it that makes perfect sense' ??? The idea that a writer will only write sexism into their fictional world because they're communicating that they think sexism is good is insanity. Characters don't do things solely because their writer thinks that is proper behavior. Characters' behaviors or words, or elements of the fictional world the story exists in, are not straight-forward statements of what the writer thinks is good or ideal, and in fact are often the opposite. If you can't analyze things with such complexity, that's a problem with your reading comprehension, not with the text.

Or, when people will treat the text too much like it's a real life event that happened, rather than something that was carefully put together by hand to mean something. I love analyzing characters and the HP world like they're real, but when you find yourself denying meaning by using logic like 'well it probably just happened that way for no deeper reason' you're just misunderstanding what fiction is.

For example attempting to disprove the numerous hints at the Bellatrix/Voldemort relationship by saying things like 'but other people call her Bella so it could have meant anything' or 'there are other types of pleasure than sexual so it could have meant anything.' But why would Rowling choose that word? And put it right next to Bellatrix longing for his physical closeness? And why would she set up this exchange at all? Why 'lover'? Why 'lover' placed so directly with physical closeness and care? Why 'lover' and 'pleasure' and 'longing' and 'closeness' in the same book? Why have Harry point out that she's acting in an intimate way that invokes being lovers? Why do other characters later use 'Bella,' if not to communicate that it's used by people she considers/ed family?

When everything that 'could mean anything' all lead to the same answer, why is that? Why are you assuming Rowling's implications are for some reason unintentional? Unintentional over and over and over again? If many readers are catching it, why are you assuming she's not smart enough to catch it herself? The only person not catching it here is you. Word choices or words with clear connotations are not random or accidents or coincidences, particularly when several of them occur in quick succession or when it's associated repeatedly with the same two characters. Nor are characterizations or patterns in the text. If you read that way, that's a misunderstanding on your end (not with the author, not with other readers) so don't complain when you can't understand the text. 'I'm going to act like the person who wrote this is stupid, and therefore ignore everything that the text is saying, and then say the text sucks' is YOU being an idiot. Notice how other people don't have this issue when they analyze actual meaning and intentionality in the text

[literaryvein-reblogs]

Hey do you give advice for writing romantic relationships between characters? If so, any tips on how to write a organic transition from friendship to romance. Any help would be appreciated thank you in advance:)

Writing Notes: Friends-to-Lovers

Two characters have maintained a relationship long enough to grow it from acquaintances to friendship. They have things in common. They respect each other. Consider…

Why are they only getting together now? Are they settling? Is it a timing thing? These have to be the two least romantic options in the history of romance.

What could be better than having someone know you for exactly who you are and deciding you’re irresistible? There is actually an answer to this, and it’s this: being able to trust your heart to someone who has already proven they’re worthy of it.

With enemies-to-lovers, the characters start out not liking each other. In friends-to-lovers, it’s a given that the reverse is true.

However, in the latter, it may not be enough for the love interest to be just likeable.

If your story is going to document someone’s exit from the friend zone, they also need to be desirable.

Consider some sex appeal here. You don’t want your readers picturing little Johnny or Jenny from next door who they always knew they should like. You want them picturing the person they thought they couldn’t like.

Example: Hugh Jackman’s playboy character in Someone Like You. While Ashley Judd was viewing him as undateable, the audience had time to properly fall in love with him. We knew we could trust him long before she did, and we were thrilled when her eyes were finally opened to his good qualities.

Why couldn’t one friend like the other before, but they can like them now?

With enemies-to-lovers, there are two things that need to happen. There’s the event that causes them to be at odds, and then there’s something that brings them together.

With friends-to-lovers, the transition can begin with a single change.

All you need is a reason for one person to see the other through new eyes.

Is one of them suddenly single? Did one of them dive into a pond Colin-Firth-Darcy-style, emerging with their shirt see-through and clinging to their unexpectedly well-defined abs? Did one-too-many tequilas work their magic?

It may be much easier to turn friends into lovers you can believe in and root for than it is for two characters who have been treating each other poorly.

All of our friends have characteristics that initially attracted us to them. As writers, all we have to do is deepen that attraction.

The stakes must be set.

With enemies-to-lovers, this is usually built into the story. Whatever has put the characters at odds can generally be relied on to test the relationship. But what about friends?

How do we raise their stakes? It can, of course, be built into the story just like with an enemies-to-lovers storyline.

But the cool thing about friends-to-lovers is that we have their entire history to mine from as well.

We also have a shared social circle to work with.

The stakes for friends-to-lovers feel more realistic and pressing.

A sexy fling with an enemy can be laughed off the next day, but a failed romance with a close friend can change the landscape of your life.

D.A. Stinson et al. (2022) examined how romance develops, as well as how studies have covered the progression in a piece entitled “The Friends-to-Lovers Pathway to Romance.”

They begin by recognizing that although there are multiple pathways to romance, the science of relationship study does not reflect this variety; instead focusing primarily on romance that builds between strangers as opposed to friends. They note that this type of concentration might make sense if friends-first romances were atypical or unfavorable, but note that their research reveals the opposite.

Conducting a meta-analysis of seven samples of university students and crowdsourced adults, Stinson et al. found that two-thirds described being friends first, which was also the preferred method of initiation among university students. Taken together, their studies affirm that although overlooked by relationship science to some extent, being friends before the initiation of a romantic relationship is not only prevalent, but preferred.

Pathway From Platonic to Romantic

Stinson et al. note that relationship scientists recognize at least 2 kinds of intimacy.

One is friendship-based,defined as “a cognitive and emotional experience comprising psychological interdependence, warmth, and understanding, related to the companionate love that nurtures long-term intimate bonds.”

The other is passion-based intimacy, defined as “a primarily emotional experience comprising romance and positive arousal, related to the passionate love that typifies novel, and often sexual, relationships.”

Stinson et al. also note that the dominant dating script proposes men’s passion as the sensation that sparks initial interaction between potential paramours, after which time passion-based intimacy and friendship-based intimacy develop concurrently. But does this reflect reality? Apparently, the answer is a matter of perspective and perception—of the individuals involved, as well as interested observers.

Romantic Rumors

Many cross-friendships spark more than romance; they spark rumors. Researchers have found that celebrity websites often promote the idea that men and women cannot be “just friends.” Andrea McDonnell and Clare M. Mehta (2016) explored this issue in a piece entitled “We Could Never Be Friends: Representing Cross-Sex Friendship on Celebrity Gossip Web Sites.” They note that although psychological scholarship is mixed on the topic of cross-sex friendship, media representations often reflect the homosocial norm, which asserts a preference to spend time with members of one’s same sex, implying that cross-sex relationships are necessarily sexual in nature.

Regardless of individual views on the homosocial norm, many employees can relate to McDonnell and Mehta’s observation that cross-sex friendships can spark suspicion and scrutiny by others who assume such relationships are romantic or sexual. This is true even in a day and age where they are not only common in general, but commonplace in the workplace.

For coworkers, neighbors, or “just” friends who find themselves wondering if there might be the potential to move a relationship to the next level, slow and steady positive development of trust and common interests often evolve not just in the presence of friends and family, colleagues and coworkers, but with their full endorsement. As demonstrated by many couples who have successfully navigated this “dateless” path down the aisle to the altar, easy, comfortable, relationships often develop into healthy romantic, lifelong partnerships of love and respect.

Sources: 1 2 3 ⚜ More: Notes & References ⚜ Writing Resources PDFs

Hope this helps with your writing :)

[urrmomzfavorite]

PICK A CARD MESSAGE YOU NEED TO HEAR

Pile One: Cards: Three of Cups, The World, Ace of Pentacles, Page of Swords

Pile One, I’m really excited for you, my loves! Your friends are going to play a key role in your success when it comes to your career. You’ve been undergoing a period of deep transformation, shedding old layers, and purging what no longer serves you. There have been tough choices, some that went against your desires but were necessary for your growth. I feel a recognition of childhood trauma and the realization of how it has shaped your life so far. It’s a hard truth to swallow, but you’re emerging stronger. Your luck is turning, and that's the part I’m excited about—finally, we’re entering the rebirth phase! Soon, you’ll face a crossroads, which may feel like a test from the universe for some of you. The advice here is simple: choose YOU. What is best for you, always. Apply the hard lessons you’ve learned in recent years.

Great things are on the horizon for you and your loved ones, filled with celebrations and opportunities for growth. Stand your ground and set clear boundaries. You’re currently building a solid, honest foundation for your life. Your friends, as well as your community, are playing a huge part in your evolution. There are abundant opportunities ahead, and soon, you’ll find yourself in rooms you never even dreamed of.

Pile One, you’re a powerhouse, and I’m so proud of you! <3

(Lenormand Cards drawn: The Whip, The Coffin, The Child, The Mice, The Cross, The Rider, The Clover, The Crossroads, The Tower, The Dog, The House, The Bouquet)

Pile Two: ( I honestly forgot to write the tarot cards that i drew, and now it's next day and i have no idea what they were, adhd brain sorry )

Pile Two, how does it feel to be right? You’re shining and glowing—no one can miss your light because you're radiating. I’m picking up on a "getting my revenge energy," but not in a malicious way. It’s more of a constructive, maybe a little mischievous, but not destructive vibe. I love how you express yourself—you would make an excellent politician. You’ve been through some challenges but bounced back quickly, showing resilience. I feel like you’ve realized you should always go where you’re celebrated, not where you're tolerated.

Now, I have something to say, and if it doesn’t resonate, it’s not for you. I feel like you've started a new relationship, and maybe the honeymoon phase is over. There’s been a lot of communication through messages, and it seems like you know it’s coming to an end. You're scared of what's next. My advice? Follow your childhood dreams. I feel like reconnecting with past hobbies or passions will bring you guidance. Your inner child is calling to you, and you’re finally answering the call. Is that why you’re glowing? BADDIEEEEEEEE. If you're going through this right now, just know that you are protected, and you're in good hands.

Your path is becoming clearer, and you're walking toward abundance and greater strength in your character. Let go of that feeling of being haunted, and trust that you are protected.

(Lenormand Cards drawn: The Whip, The Heart, The Letter, The Coffin, The Cross, The Crossroads, The Child, The Sun.) (Prism Oracle Deck: Abundance, Strength, Ghost, Caution, Protected)

Pile Three: Cards: The Hanged One, The Magician, Knight of Swords, The Devil, Nine of Wands, Knight of Cups

Pile Three, you’re creating significant change around you. I’m getting this feeling that things are finally starting to fall into place. It’s like you’ve found the right key to unlock a door you’ve been trying to open for a while. It’s been a long and sometimes lonely journey, but you kept going, knowing success was inevitable. I want to commend you for your strategic approach, rational thinking, and cleverness. Some might call it luck, but the truth is, you’ve put in the work!

Soon, you will receive news or a message that will bring you much joy. You’ve poured so much energy and passion into this, and now you're reflecting on your growth. Pile Three, perhaps you’ve even gone through a physical transformation recently?

Your finances are set to grow significantly this year, and important people will want to work with you. Once again, I’m so proud of you, and I wish you all the best, my loves.

(Lenormand Cards drawn: The Scythe, The Tower, The Dog, The Fox, The Star, The Fish) (Prism Oracle Deck: Passion, Pain, Reflection, Growth)

[gallusrostromegalus]

I think there's two things going on in canon about Aizen:

Aizen doesn't kill captains in the first big battle of his betrayal because he can't.

1. The doylist explanation of his actions is so blatantly transparent (shonen jump scheduling hell) that it overwhelms the subtle watsonian clues that kubo gives us which are:

2. Aizen is a lying bitch. To absolutely everyone around him, but most of all, to himself.

He takes great pains to disguise it. He talks a big game and definitely tries his best to kill, but he doesn't. it makes tactical sense for him to kill at least SOMEONE before fucking off to hueco Mundo but even the fucking off belies the problem. He's a tough customer, but if he really were capable of killing another captain in a fight, he wouldn't have bothered with the whole fake corpse theater- he would have just picked them off one by one while quietly completing the hogyoku until Yamamoto had straight-up run out of strong enough shinigami to promote and Aizen had made himself a god while nobody was looking.

Instead, Aizen's plan relies on (and fails at) having the captains kill each other, and building an army of warm bodies to put between himself and the rest of the Court Guard until the Hogyoku is complete, which pretty much screams "I cannot win, even in a pitched fight".

EVEN WHEN THE HOGYOKU IS COMPLETE, Aizen doesn't stick around to actually finish off the captains- he bolts to the living world AGAIN and shuts the portal doors behind him.

-

Now that we know that Aizen is mostly smoke and mirrors who is desperately trying to stay alive until his godhood hax kick in, his pattern of avoidance of real threats reveals something interesting:

It's funny that you mention him being afraid of Yamamoto because I think he is afraid, but not of Yamamoto. Aizen doesn't want anyone to think he's scared of anything, but it's better you think it's Yamamoto than The Actual Problem. If you ignore everything Aizen says and just look at how close he's willing to even let other captains get to his person, there is one captain he's TERRIFIED of above all others.

He spends exactly one scene in the same room with them, and only when he knows the meeting is ending early.

He absolutely refuses to taunt them- in fact, they're the person he spends the most time trying to convince that he is actually dead.

When confronted by the various captains, he glaots a bit and then tries to kill them- except one, whole monologues at exactly long enough for Gin to cause a distraction, and then DIPS. He even cuts his big monologue at the execution grounds short because this Captain is incoming.

When the finale of the winter war begins, Aizen makes a point of not being in the same dimension as this captain, and when they're approaching, he leaves for the living world.

Again and again and again, there is one captain, one person, that Aizen stays far, far away from:

Unohana.

I don't think this is intentional on Kubo's part, (unless it's severely underplayed foreshadowing which is a shame) but given how kubo treats his female characters and how he doesn't really seem to understand what a doctor does, I think Aizen's pattern of staying the hell away from Unohana is accidental, but it's my fic and I can have it be on purpose because it reveals some truly delicious motivation and interaction.

1. AEIWAM!Aizen (and to a similar extent, canon!Aizen) regularly squanders perfectly good resources or chances to fix the inequities of soul society because he's too far up his own ass to see the forest for the trees. One of the cheif blindspots he has is his rampant misogyny. Aizen regards the relationship between Gin and Rangiku as that of child and toy. He treats Momo as a disposable tool instead of recognizing she was the one who got closest to actual killing any of the other captains. He seems to think the royal guard themselves will be easy to deal with- possibly because the only one he ever knew in person was Hikifune, and it is so, so easy for a man like him to wildly low all the power and competence of someone like her. He rambles about the hollows having no inner life, but notably it's Hallibel that triggers this rant. It NEVER occurs to him that Orihime herself could be a problem - she's just a toy to take from Ichigo.

Aizen, simply put, does not think of women as people. He disregards the interiority of everyone around him, really, but ESPECIALLY the women around him.

...but this kind of objectification cuts both ways. Like most bigots, his inability to think of certain humans as people means he is also prone to greatly inflate the damage they can do in his mind until they become supernatural entities. "The Enemy is both pathetic and omnipotent" is an important basis of victim complexes, and Aizen Loooooves being the victim, so it makes PERFECT SENSE that his personal Boogeyman is none other than the woman he knows entirely as the quiet and dutiful doctor who has never set foot in battle but that all the older shinigami seem strangely eager to placate. Unohana is pathetically weak, so far as Aizen can tell, yet seems to effortlessly command the respect he so desperately craves. No wonder she lives rent-free in his head.

2. ... Ironically, Aizen is right about her. In canon, Unohana's past as the first kenpachi is not a secret, just largely forgotten. In AEIWAM, it's an actual secret because the Gotei-13 is playing a much more fraught game with the C46. Aizen genuinely has no idea she used to be captain of the 11th, so the weird bloodthirsty edges that he sometimes sees to her reiatsu, and the respect she commands with the other (smarter) captains is baffling.

In truth, Unohana is every inch the monster she was as a kenpachi as she is a medic. Flesh is hers to command and her willingness to cut and sculpt it to her desires hasn't changed- she is just now also capable of healing and reviving it into shape as well, which is much, much worse.

I haven't decided exactly how much Aizen knows about her by the time of his betrayal, but at least on a subconscious level, I think Aizen knows that Unohana is punching in a league well above most of the captains, if not above the old man himself at this point, and his inability to think of her as human means he is unable to assign human motives to her like most of his victims, so she appears terrifyingly unpredictable.

3. Even if it's a secret, some of the captains know, or have guessed. She was still Kenpachi when Shunsui and Ukitake started at the academy. Soi Fon is responsible for handling some of soul society's most sensitive information. Zaraki got his ass handed to him by her and has been in love ever since. Rangiku looked into giving blood once and realized that the most of donors to transplants didn't add up and the meat had to be coming from SOMEWHERE and oh wait that would explain everything huh.

There's a fun bit of play, I think, between the captains who knows Unohana is more than she at first appears, and the ones who haven't gotten a clue yet.

I may have wandered off topic.

MY POINT IS: Aizen doesn't kill captains when it makes tactical sense for him to do so because he is not capable of doing so. His whole strategy relies on not getting killed before he gets his godhood and up until he does, he's running like a rat.

Poor bastard.

If only he knew what was in store for him when he got there.

I did not care at all for Aizen Sosuke when I first read bleach. I found him boring, and worst, unthreatening.

So it's pretty jarring for me that I have been OBSESSED with him in your AU. I'm rotating him at great speed

Walt Disney was a jackass who was flat-out wrong about a lot of very important things, but he employed a great many geniuses of storytelling, and there's a piece in Disney Animation: The Illusion of Life by Frank Thomas and Ollie Johnson that discusses a key feature of Disney Studios Character Design:

"Of all characters, villains are the most fun to develop because they make everything else happen. They are the instigators, and always more colorful than the Hero. They may be dramatic, awesome, insidious or semi-comic, but they MUST be appealing. Almost any story becomes innocuous if all the evil is eliminated, but we do not necessarily gain strength by being frightening. we want a character that will hold the audience and entertain them, even if it's a Chilling Type of Entertainment."

And I've found that to be an important principle of character design, especially the kind of canon restructuring I do.

Aizen had a LOT going for him in canon- for all of Bleach's other faults, Aizen's conspiracy and THE REVEAL are spectacularly constructed and executed. I legit screamed and threw my mug across my dorm room when I read it in the manga the first time. He's also conventionally attractive and the translations I was reading gave him the speech patterns of Every Douchebag In Your 101 Political Theory Who Thinks He's The Smartest Man In The Room, which made him a terrific combination of Unfortunately Charming, Menacingly Competent and Engagingly Obnoxious.

...But he falls flat in a few key places.

Aizen's reasoning could be MUCH more sympathetic- After all, he is RIGHT. Soul Sciety does suck ass and all the options kind of suck. Who designs a universe like that? An asshole who needs killing, that's who. The best kind of Unhinged Madmen are the kind who spell out their reasoning and you realize that there but for the grace of Not Having Super Powers Go I. Canon!Aizen makes a few Good Rhetorical Points, but seems to lack any personal connection to his all-consuming plan.

Another issue is that nearly every villain with A Plan has a clear end goal AND a lot of the menace is drawn from the fact that the plan *could* work. Aizen's plan for betraying the court guard and then killing them off before proceeding into the Royal Realm to Kill God sorta falls apart when it's clear he planned to use pretty much all his accumulated forces dealing with the court guard and doesn't seem to have a plan for the Even More Powerful Royal Guard, let alone God. For how meticulously planned the rest of the plot is, the last two VERY IMPORTANT steps are just handwaved.

So I sat down and started with the plot beats Aizen MUST hit, and tried to imagine what kind of guy would he have to be to get there? And I came up with this:

Sosuke Aizen is a fundamentally good man with genuinely good intentions who is really trying his best for the whole world.

Think about it- what lengths would you NOT go to if you think you found a genuine shot at Fixing Everything Wrong With The World Forever? We all talk about killing Hitler if we found an actual Time Machine- would you do it if your only chance was when he was a baby? Would you kill an infant if it meant you could stop World War II before it starts? Of course you would! One small life for over 75 million? You'd be insane not to! What if you found out that you could prevent the future extinction of Humanity by killing your best friend today? Ten Billion lives? For theirs? It's simple, really- Hell, it's your Moral Obligation to do that if you were SURE!

-And Aizen IS sure. He is absolutely, totally, completely sure that He Can Save Everyone if he just gets rid of that idiot sitting on the throne of heaven. He's seen the plans! He knows where the gate of heaven is! It's So SIMPLE he just has to get inside, and he knows EXACTLY how to do it, yes it'll be hard and there will be... unpleasant parts but. IT. WILL. WORK.

He is of course, insane.

Aizen didn't have One Bad Day that set him irrevocably on the path of madness. It was a succession of catastrophic disappointments and realizations that he was living in a fundamentally irrational world that made irrational thinking look sane. The Catastrophe that befell his family, working for the central 46 and later the court guard and seeing how the organizations were inept to the point of abuse or corrupt to the core, learning that The Actual House Of God is a place he can just? Go to? Anyone would start thinking you were just a handful of white lies and homicides away from Fixing Everything, Forever.

Not only is Aizen insane, he is nowhere near as smart as he thinks. He is smart- He does have a knack for being able to guess just what will spur someone to action or make them recoil in fear. But mostly he gets extremely lucky Many, Many, MANY times. On some level I think it gives him Confirmation Bias that this is what he's supposed to be doing. Aizen is also nowhere near as smart as (nearly) everyone else thinks he is. His bizarrely good luck makes him look like a hyper-competent genius when really it was really the catastrophic failure of Soul Society as a Society that let a merely mediocre conspirator to evade detection for so long.

Being that he is at most, mediocre, he had to have Outside Help, specifically Gin's emotional support and Tousen's Competence- and if there's a part of the fic that stays true to canon, it's this.

Gin is Aizen's emotional rock in Canon. He's the ONE guy that Aizen genuinely trusts, and considers his 'my only real partner' in his scheme. There's more than one occasion in the manga where Aizen more or less asks Gin "Is this actually a good idea?" and Gin backs him up every time.

...Which is more than a bit at odds with Gin's later stated goal of "I did all this to kill you at your most vulnerable to protect rangiku" . It never rang true to me. So I started thinking why on EARTH Gin would be backing Aizen up like that, and realized there was a hole in my world building that he slotted into nicely :)

On the other hand, the entire fic was started because I didn't like how Tousen's character arc ended, so you can imagine how much he's changed.

But in canon, TOUSEN DOES ALL THE FUCKING WORK.

Lab work? Tousen.

Supervising the arrancar directly? Tousen

Actually getting victims for the Hogyoku experiments? Tousen.

Altering all the archives to keep Aizen's plot hidden? Tousen.

Sending all the Orders allegedly from the central 46? Tousen.

Making sure Unohana believes Aizen's fake body is real? Tousen.

Managing all the day-to-day operations at Las Noches? Tousen.

There's even this little exchange, which is Tousen's first appearance in the Manga:

Aizen establishes this entire meeting is a little fake-out a few pages later with "now isn't that a convenieint time for the alarm to go off?"

which makes him look like he's investigating, but he's also going "Good job on disrupting everyone with the alarm Gin!" It's ballsy of Aizen to do a check-in on his plan with his main nemesis in the room, but also his style.

I think the same thing is happening here with Tousen. To make sure Ukitake wouldn't raise a huge fit about the proposed execution of his beloved lieutenant, which might fuck everything up for Aizen because Ukitake is one of like, three people Yamamoto will listen to (sort of).

...So he had Tousen poison Ukitake to keep him out of the way.

ALL. THE. FUCKING. WORK. It's even in his name! The characters for "Tousen" Refer to a legendary scholar the emperor of China sent out to discover the secret of immortality- only to kill the scholar when he returned with that secret. The character for "Kaname" means "Necessary/Vital/keystone" or "to organize/take account of". His name LITERALLY means "Scholar who is essential for the plan (that we're going to kill later)"

Another thing Kubo did well in Bleach: his name game is Off The Fucking Charts.

-but I digress.

In AEIWAM, it's much the same only this time Aizen sees this very dangerous witness who is immune to his illusions but also extremely snart and capable young man and instead of risking being caught out by the one damn guy who can see right through him, opts to Curse Kaname into doing as Aizen says, and doing all the fucking work of this conspiracy against his will.

It's Not Nice, but Aizen genuinely thinks he's doing Kaname a favor by subjecting him to this degrading and incredibly painful servitude- I mean, Aizen's only other option was to Kill him to keep his silence, and isn't it wonderful that you get to help fix the universe? You're the one always going on about Justice, I don't understand why you didn't jump at the chance to mete out some Divine Justice.

An Excerpt from the captain's meeting in between the Massacre that made the visored and Zaraki's arrival, when Kaname realizes Yamamoto is 100% serious about his promotion to captain of the 9th and goes to throw up in the garden. Aizen offers to go check on him while Unohana very politely reads the general the riot act:

---

"You broke your toy Aizen." Kaname coughs.

"…I really am sorry for running you ragged like this. I really shouldn't have gotten so mad about you hiding the the hogyoku- it was very petty of me." The bastard sighs, taking off his glasses and rubbing his face, entirely genuine.

Kaname stayed on his hands and knees, weaving slightly as another wave of nausea flowed through him, powered by disgust and rage.

"How about this- I've got a lot coming up with the new job, training Gin and disposing of Kiganjo- So how about I promise to not give you any orders for a while? You will have to keep our arrangement a secret and not interfere, of course, but other than that, you're free to do as you please for- a year and a day is traditional isn't it? No, that's not going to heal by then- Oh, would you look at that!"

Kaname didn't have the strength to offer his usual rebuttal that he won't look at anything, ever. The sides of his head tingle like his skul was being pressed between two enormous hands made of static electricity.

"It's 11:11! Alright, I won't give you any Orders until 11:11 am on November 11th, 1911. That's easy to remember! What do you think?" Aizen continued cheerfully, patting his back and the Curse nails.

"…I can't." Kaname groaned. He could scream if he had the energy, but due to Aizen's Illusions, nobody would hear him. "I actually physically can't think. Please…"

"Of course! You really are such a help to me, it would be a shame to lose you. I'll even amend our contract, so you don't get paranoid-" There was a sizzling sound and a new stroke of hot pain up Kaname's spine as Aizen did something to the wretched Bakudo. "There. No compulsions for eleven years and a day. What do you say?"

Kaname grimaced, but dropped his head. Save the energy to fight another day. "…thank you, Aizen-sama."

"Good man! Let's get you on your feet." Aizen beamed, putting his glasses back on and offering him an arm.

---

He genuinely thinks that he's doing everyone a huge favor and if they don't get it it's because they're just not smart enough, but it's alright, He's a Benevolent God and they'll appreciate all his hard work the next time around :)

Aizen is a man who is FULL of joy. He loves what he does! He actively takes pleasure in it! And I think that's something that REALLY delivers in terms of sympathy AND horror for him. Who *Wouldn't* have a great time actually fixing the universe? He's a good man who enjoys doing good works, and this is the greatest work of all!

It also Delivers on the Horror when I get to write the deliciously fun scenes where Aizen is Elbows-deep in a novel War Crime and waxing poetic about how GREAT this is, or being confused why the people around him are reacting with fear. Don't you want to make everything better too?

[hotasfahrenheit]

one of the things that i loved best about When The Phone Rings was the way that it skewed the typical narrative of rival/enemy female characters in a story like this. with You Ri and In A, we were introduced to two other women who could easily have been rivals or enemies with Hee Joo in various ways, but they both subverted expectations and standard tropes to be solid, likable, and deeper characters.

You Ri was seemingly set up as a cool, pretty, popular girl who had a crush on Sa Eon and could be some kind of love rival for Hee Joo, but it became clear pretty quickly that she both genuinely liked and cared about Hee Joo, her crush on Sa Eon was very superficial because she knew he was already married and had no intention of trying to steal him from his wife even long before she knew his wife was Hee Joo, and her building relationship with Sang Woo and her work with him on the orphanage story were clearly higher priorities for her. she was excited any time she heard from Sa Eon, but more because she was his fan than because she thought she had a shot with him romantically. i was surprised by how much i ended up loving her.

In A was also introduced as a menacing, intimidating presence at first; between the looming history between her and Hee Joo, the way Hee Joo's mother caused her muteness because of In A's hearing loss when they were kids, the fact that she was involved somehow in the marriage switch, and the implication that her return would potentially end Hee Joo and Sa Eon's marriage, she entered the storyline as a threat but then turned out to be genuinely trying to have a good, loving, sisterly relationship with Hee Joo. she was there to try to fix things, and she was adamant in her support and affection for Hee Joo. she wasn't trying to contact Hee Joo to manipulate or hurt her, but because she actually wanted to recover the chance to have a sister she could take care of and protect. everything she does is in this vein, even taking her own father to task for his behavior and mistakes. she was dedicated.

there was just so much to love about this show, the characters were all so well realised and everyone did such a good job with all of it. women not fighting with women was great, ladies just supporting each other instead and being friends and sisters. A+.

[xyywrites]

Subtle Foreshadowing: Leaving Breadcrumbs

Foreshadowing is like seasoning—too much, and it overpowers the dish; too little, and the story feels bland. When done subtly, it’s a literary breadcrumb trail that readers can follow and later admire when they realize everything was right under their noses.

1. Use Everyday Details

The best foreshadowing hides in plain sight. Something that seems unimportant now can hold major significance later.

Example: A character mentions that they always lock their bedroom door at night. Later, it becomes crucial when someone tries to break in but fails.

2. Leverage Symbolism

Objects, colors, or recurring imagery can subtly point to future events.

Example: A withering plant in the protagonist’s room mirrors their deteriorating mental state, foreshadowing a breakdown.

3. Play With Dialogue

A seemingly casual line can become significant in hindsight.

Early in the story: “You’d have to be crazy to hike that trail alone.” Later: The protagonist ventures down the same trail, setting up a tense, isolated confrontation.

4. Introduce Red Herrings

Foreshadowing doesn’t mean making the ending obvious. Throw in details that distract or mislead while keeping the real clues subtle.

A character keeps looking at their phone nervously, making readers suspect they’re hiding something. The twist? They’re planning a surprise party, not plotting betrayal.

5. Use Minor Characters

Minor characters can be the perfect vessels for foreshadowing. Their insights or actions may seem trivial but later connect to the main plot.

A street vendor tells the protagonist, “Storm’s coming,” as they pass by. Later, this line doubles as both literal and metaphorical foreshadowing for the chaos ahead.

6. Drop Inconsistencies

Small contradictions in a character’s story or behavior can hint at hidden truths.

A character says they’ve never been to a certain city, yet they recognize its landmarks in a photo. This inconsistency later ties into their secret past.

7. Use Setting Details

The environment can hint at future events.

A creaky floorboard that annoys the protagonist early in the story becomes critical later when they use it to detect an intruder.

8. Plant Emotional Seeds

Foreshadow not just plot twists but emotional arcs as well.

A character who lashes out at small inconveniences foreshadows a larger anger issue that causes them to make a catastrophic decision later.

9. Utilize Themes

Tie foreshadowing into the story’s overarching themes for subtle yet powerful hints.

In a story about trust, repeated mentions of locked doors, broken promises, and hidden diaries all build to the climax where a betrayal occurs.

10. Trust Your Readers

The key to subtle foreshadowing is restraint. Trust your readers to connect the dots without spelling it out for them.

Instead of saying, “The cracked photo frame symbolized their fractured relationship,” simply describe the frame and let readers infer the connection.

Foreshadowing is an art of balance. It should enrich your story without pulling readers out of the narrative. Think of it as a game with your audience—leave just enough breadcrumbs so that when the twist hits, they’ll gasp and say, “Of course!”

[twig-tea]

The Fragrance You Inherit Remained Gentle and Kind

The Fragrance You Inherit was such a gentle and kind show. I loved so many things about it: The performances, the music, the colouring, the pining, and above all, the kindness. I've said before and I will repeat: this is a show about good people who love each other doing their best to be kind to one another, and it was a pleasure to watch. Run don't walk to Siiri's blog @isaksbestpillow to download the show with her subs. Spoilers for the finale to follow.

The interpersonal relationships were the star of this show: The mother/son relationship between Toki and Sakura, Sakura's friendship with On-chan, Toki and Kanae's budding romance and learning what it means to be in a relationship together, Sakura and Mone as reunited old friends and how they immediately regress into giggle-fits in each other's presence, Kanae and her father and how Hoshii-sempai remained a lovable and supportive dork through the whole series, Sakura and her own mother, and even Toki and On-chan and the loving uncle/nephew-like relationship they build...all of them were perfect, loving, and sweet. And the relationship parallels were used well to move things forward--Mone sees the parallel between herself and Sakura in the past with Toki and Kanae in the present; Mone draws from her relationship with Toki to understand her relationship with her own mother better; and Toki draws from his experience with Kanae to understand his mother better (and vice versa, he draws from his mother's relationship to understand his own better too).

I said after ep 1 that my expectations for this show were that we would get closure for Sakura and we did, in a series of beautiful scenes. I love how the series is bookended by two very different weddings that Sakura attends with very different emotions, and how much support Sakura has around moving on and seeking happiness for herself. Though we didn't see the scene, we got enough of Toki and Kanae's relationship that I believe that Kanae also knows about Sakura by the end of ep8, and her giving Sakura the flowers is tacit approval for Sakura to go out and date (a woman).

In addition to the confession scene, I absolutely loved Sakura's coming out scene with her mother; the way this was done to underscore the importance of a child's happiness to their parent was well done and was a good message to send. Generally the message about coming out in this show was that it is not something you owe anyone but is a gift you give the people you love so that they know you better and as a benefit, by knowing more about you, their world expands. I liked this message.

I had also said in the same post-ep1 post that this show seemed gearing up for a teenage boy meltdown, but I did not predict how sweet and loving this meltdown would be. Toki is the most thoughtful and caring teenage boy of all time. The scene with him and his mother on the phone in episode 7 made me cry so much! I really appreciated that the show was clear that Toki had absolutely no reason to ever doubt that he was loved by his mother, but that the evidence of his life and their history was not enough to break through the teenage melodrama when it hit, and he needed to hear it from her directly. I have to stop and give kudos to Sakura's actor Hoshino Mari, who did a phenomenal job. I felt her desperation and concern for her child so strongly, as well as her relief.

While I'm giving shout-outs, I also need to shout out Takeda Kouhei, who was perfect as the sardonic and empathetic gay bestie On-chan. I was so happy to see him every time he appeared, he always gave excellent advice, and his presence was so soothing.

And while Toki and Sakura were the core of the show, I really appreciated that all of the characters felt like they had their own motivations and drivers. It would have been easy to have made Kanae one-dimensional or without agency, or to have made Hoshii-sempai a distant or unsupportive father, or Mone the passive recipient of Sakura's feelings. But the show balanced all of these characters as distinct people who each had their own perspective.

Thank you again to Siiri for subbing this series and making it available for all of us to watch; this was another gift of a show. And thanks to the giffers who giffed this show, especially @easterndelights !

[justanothermemestrider]

40k Sfw Alphabet: Perturabo

As per the poll, Peter T is next for the alphabet series! I have a particular and peculiar soft spot for this man. I don't fully understand why, but it did make writing this one a lot of fun.

I apologise for any spelling errors, ooc moments and grammatical mistakes. If you guys have any requests for future headcanons or fics, please send them thru!

Otherwise, please enjoy :)

A = Affection (How affectionate are they? How do they show affection?)

Showing affection does not come easily to Perturabo, but that does not make him an unaffectionate person. All his life, he's been starved of unconditional compassion, and that has hardened his heart. But beneath all of that is a man who craves affection. Perty may not be willing to admit it to himself, but that doesn't stop it from being true. And when you suddenly. come along, showing him that yes, there are people in this world who can and will love him for him, not for how he might serve them, those walls around his heart will begin to erode.

After that, Perty will show his affection for you through gifts and acts of service. You will never be left wanting for anything, and often you will return to your shared home to find a new ornament, music box, fidget toy or other such trinket left out for you. Handcrafted by your husband to assure you that, while he struggles with words and physical touch, he loves you in his own way.

B = Best friend (What would they be like as a best friend? How would the friendship start?)

Have you guys seen those memes on Instagram and/or tiktok about the mean-girl-who's-actually-a-girl's-girl? You know, someone who looks and acts all mean and judgy, but in a pinch will absolutely step up to help a friend in need? I see Perturabo being that kind of best friend.

C = Cuddles (Do they like to cuddle? How would they cuddle?)

Perty doesn't like cuddling but for your sake he will... tolerate it. He might grumble and complain, but he'd never deny you. When you do cuddle, he's a big spoon all the way, holding you from behind or lift you up onto his chest, resting his arms around you like weighted blankets. Secretly, he craves physical touch, but he's way too prideful to ever admit it.

D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)

Perturabo's biggest want in life is to be seen as something other than a war machine. He wants to build what he wants, to live how he wants, and he wants to do so without judgement. So, absolutely, I can see Perty wanting to settle down. Eventually, he wants a calm, peaceful life where he can build toys instead of tanks and playhouses instead of siege weapons.

Also, he would be a fantastic house husband. So long as you show him the right amount of appreciation for what he does, he would love nothing more than to stay at home, build his contraptions and be left to do his own thing. Side note: if you were the bread winner of the pairing, Perty's pride might be hurt on instinct, but I could see him getting over it. He would see that your going out and earning a living for your both gives him the time he needs for all the little projects he's been wanting to work on.

E = Ending (If they had to break up with their partner, how would they do it?)

Yikes. I mean, there are definately worse 40k characters to break up with, but Perty is definately up there. Expect a lot of shouting, a lot of insults and so, so much pettiness. It's not because he actually means any of it, though: it's all to cover up how heart broken he is.

F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?)

Perturabo is absolutely lives by commitment, and this extends to your relationship. Once he's squared enough of his demons away to understand that he loves you, he's never going to want to let you go. Your engagement ring will be the finest, most intricate piece of jewelry ever crafted by a human hand, as would be your wedding bands, dress and veil. In a compete reversal of tradition, Perty would demand to take full charge of planning the wedding. The stress of trying to ensure that everything will be perfect, though, would have the poor man ripping the cables out of his scalp, so be prepared to give him ample moral support.

G = Gentle (How gentle are they, both physically and emotionally?)

Contrary to popular belief, and his own exterior persona, Perturabo is surprisingly good at being gentle. It's doesn't come naturally: particularly with the emotional side of things, he has to make a concerted effort. But like everything he does, when Perty puts his mind to something, he is always staggeringly competent at it.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)

Much like cuddles, Perty doesn't like hugs, but for your sake he will tolerate them. And if he can see that you are upset, ill or otherwise under the weather, he will initiate the embrace in order to comfort you.

I = I love you (How fast do they say the L-word?)

Not very fast. Not very fast at all. I do think that, eventually, he would muster up the courage to say it.

J = Jealousy (How jealous do they get? What do they do when they’re jealous?)

In my humble opinion, Perturabo is the most jealous of the primarchs. And this is because he's easily the most insecure. Any indication that another man might MIGHT be interested in you, Perty is spiralling. In these moments, he will be angry, not at you mind you, but rather the offending male. He will need your every reassurance and bit of praise.

K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)

At first, Perturabo's kisses are stiff and mechanical. He doesn't really know what he's doing, and such intimate physical touch makes him feel awkward and uncomfortable. Once he gets over that, though, his kisses become hard, aggressive and overpowering. They'll make your jaw ache and lips swell up.

L = Little ones (How are they around children?)

Terrible at interacting with children, absolutely unrivalled at making the things that children like or need. Toys, cribs, cradles, mobiles, walkers and everything in between, Perturabo can and enjoys to make.

M = Morning (How are mornings spent with them?)

Perturabo is almost never in bed when you wake up. He's always up early so as to get ahead of his work. When you eventually get up, though, you'll usually find a plate of freshly-made breakfast waiting for you in the kitchen.

N = Night (How are nights spent with them?)

Perturabo rarely sleeps first- you'll be already half asleep by the time he finally makes it to bed. It's during these late night moments, when he is feeling tired, peaceful and a little horny, that he is the most physically affectionate. He will kiss your neck, pull you into his chest and simply enjoy the feel of your body and your energy.

O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)

Perturabo is far from keen to reveal things about himself to you. The surface level things, sure, but anything deeper than where he lives and what he likes to do in his spare time, he's more than hesitant to share. This is for two reasons: one, his past is a dark thing, not a lot there that he likes to relive. And two, many of the things he's done in the past, he is ashamed of, and he has a lot of regrets. With his insecurities already being neck-high, he can't bear the thought of you knowing about them, lest you think less of him or even decide he is not worth your love.

P = Patience (How easily angered are they?)

Perturabo's temper has an infamously short fuse, and that doesn't change when he's with you. If he's stressed, tired or pissed off, it's gonna be your problem as much as his. Just don't take it to heart because it's not your fault. It's never your fault. And if he says something that might insinuate that, he will make it up to you with a special gift or gesture (he's not yet mature enough to say sorry, so he's gotta show it).

Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)

Perturabo is as detail orientated a person as you could get. Therefore, he remembers everything about you. Even the weirdest, most mundane things. Like the way you tend to hold a knife and fork. How long exactly you tend to brush your teeth for. Random stuff like that, he just remembers. His knowledge of your habits and quirks is near-encyclopedic.

R = Remember (What is their favorite moment in your relationship?)

I know this is the sfw alphabet, but for this one I gotta say it's the first time you two shared a bed. It was Perry's first time, and let me tell you, it changed him. And it was thanks to the clarity and peacefulness of the afterglow that he was able to finally admit to himself (and to you) that yes, he does in fact love you.

S = Security (How protective are they? How would they protect you? How would they like to be protected?)

Perturabo is hyper protective. Partially out of jealousy, partially out of fear for your safety. You are literally the only good thing that's even happened to him. You're the one person who has given him the affection, validation and appreciation that he has needed ever since he was a little boy. If anything happened to you... Perturabo can't even bear to think about it.

As for Perty himself, he needs you to protect his heart. Specifically, his self esteem and his self worth. He won't ever ask for it, but you'll be able to tell when he needs a kind word or loving touch.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)

All of these fall under acts of service. Therefore, Perturabo excels at all of them.

U = Ugly (What would be some bad habits of theirs?)

I think all of Perturabo's problems can be catagorized as a lack of emotional maturity and a very damaged, weakened sense of self worth. His relationship with you forces him to become self aware of these issues, but it is a monumentous task overcoming them.

V = Vanity (How concerned are they with their looks?)

Not really at all. Perturabo cares only for functionality, not fashion.

W = Whole (Would they feel incomplete without you?)

Yup. See P for some elaboration as to why.

X = Xtra (A random headcanon for them.)

Perty talks in his sleep. Soft little mumblings and coos that are entirely incoherent and totally, utterly cute. He doesn't even know he does it.

Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)

Honestly? Perty wouldn't like being with someone who reminded him of him. He needs an opposite; someone who balances him out rather than matches him. If it wasn't that, then the relationship would crumble under the weight of bad tempers, insecurity and emotional deregulation.

Z = Zzz (What is a sleep habits of theirs?)

Perturabo's sleep schedule is almost non existent. Seriously the man hardly sleeps at all. Often times, when night time rolls around and it's time for you to go to sleep, he'll lift you into his lap and let you sleep there, pressed back against his chest or curled up on your side using his arm as a pillow, while he continues working on whatever pet project he's got going at that moment.

Taglist: @solspina @beckyninja @egrets-not-regrets @wolf-feathers12 @jaghatai-khock @lemon-russ @moodymisty

[suncchaser]

you don't get to complain about jegulus shippers and then still engage with harry potter. Like homie thats like donald trump telling elon musk hes a loser.

yall are all weird and need to grow up and stop talking about a series written by a nazi.

and you know what? at least jegulus shipper reconstructs the world. you are over here telling people to read the actual books. I don't care you are offering ways for them to read it without her seeing a dime, its still weirdo behavior

You people cannot possibly be this dense and idiotic…

I can absolutely absolutely complain about Jegulus while still engaging with Harry Potter-related content because, guess what? Jegulus is HP-related and that’s the whole point you people fail to understand when you act like you are morally superior because you engage with canon-divergent content. Because no matter how much you change to victimise your favourite background Death Eater #2, he’s still a Harry Potter character. Just like James POTTER, Remus Lupin, Sirius Black. Do you know what’s also Harry Potter-related? The world building, Hogwarts, the Houses, Quidditch, all the things you use in your delusions. That’s all from the books. So, you don’t get the claim distance and moral superiority.

Also, what exactly do Jegulus fans reconstruct that is worthwhile? The victimisation of a bigot? The erasure of the most prominent female character from the era? The glorification of a whole group of domestic terrorists? The promotion of heteronormative dynamics into queer relationships? Fetishisation of men of colour? What are you reconstructing?

[oddyseye]

What is Xenia?

Xenia is not just good manners. Xenia a test of character, and it's also a reflection of how the Greeks understood the relationship between humans and gods. Xenia was about more than offering food and shelter to travelers. It was a demonstration of how the gods governed human interactions and a reminder of the importance of hospitality as a virtue. The host was expected to offer protection, provisions, and shelter, often without asking the guest for any information or demanding any immediate return. The guest, in turn, was expected to be respectful, not to take advantage of the host's kindness, and to eventually offer something in return, though this could be more symbolic or reciprocal rather than transactional.

One of the key aspects of xenia was the idea that hosts could never know whether their guest might be a god in disguise. The gods were thought to frequently take on human forms to test mortals' hospitality. This divine oversight made it all the more important to treat every guest with respect, as any breach could bring dire consequences. This belief extended to travelers, strangers, and even those whose identities were unknown — showing hospitality was considered a moral obligation, an offering to the gods as much as to the human guest. While gifts were often involved, the true essence of xenia lay in the trust between the parties: the guest trusted the host to provide, and the host trusted the guest not to abuse their hospitality.

Violating xenia was one of the gravest offenses a person could commit. The punishment for such violations wasn’t just a matter of breaking a social norm; it was seen as a violation of divine order.

Xenia, in Homer's world, is a divine law.

The gods themselves are said to be the ultimate enforcers of xenia, so you'd better believe that disrespecting hospitality could get you in serious trouble. It's not just offering your guest a meal; it's offering protection, shelter, and a safe passage. If you don't uphold that, you're basically tempting the gods to mess with you, and they love doing that, trust me.

Remember when Telemachus first lands in Pylos? Nestor and his family treat him with the utmost respect, offering food, shelter, and stories (and Telemachus finds himself a boyfriend even LMFAOO). This hospitality isn't just a nice gesture; it's a social obligation that reinforces both the personal and communal ties within Greek society. Everyone's in this together, and they all have a part to play. Telemachus' growing appreciation for this custom reflects his coming-of-age journey, as he sees first-hand what it means to be both the host and the guest in the grand game of survival and honor.

For those who are yet to read the Odyssey, the scene basically goes like this:

“You’re the son of my old war buddy, Odysseus? Welcome! Come in, sit down, have food, have shelter, don’t ask questions- Here, my son is your age, share a bed with him :3 !!”

It's the perfect example of how xenia isn't just about being polite; it's about honor (excluding that last part lol). It's about building trust with someone you don't know based on a shared understanding that we're all part of this cosmic social contract. And Telemachus? He's learning that he's part of a much bigger world than just his little island. But he knew how to respect xenia even before he left Ithaca. We see this when he invites Mentor (Athena in disguise) into his home and offers him the munchies before even asking for the stranger's name. He's practically the golden boy of xenia.

And now let's talk about my favorite group of people — the suitors.

Honestly, they're just...the worst at xenia. Like, they didn't even try. Antinous? This guy is the poster child for everything you should NOT do in literally ALL of Ancient Greece. He straight-up mocks Odysseus, who's dressed as a beggar, by insulting him and telling him to leave, throwing a chair at him, and...shocker, he's the first to die. Who's surprised?

Xenia is a two-way street. It's not just what you get — it's what you give. You can't take all the food, drink all the wine, and then act like the host is just there for your enjoyment. You've got to offer something back. That's the whole point of xenia. And sure, you might not have gold and riches to give, but you can show gratitude. You can at least not insult the person whose house you're eating in.

Now, there's one suitor who stands out in the worst possible way, and I'm talking about Eurymachus. You know, this guy isn't just disrespectful, he's an outright traitor to Odysseus. Eurymachus was not just another arrogant man in Odysseus' hall; he was someone who, as a child, had been a guest in Odysseus' home. He was one of those who had been taken care of by Odysseus, fed and treated well. This relationship makes his betrayal all the more significant because it wasn't merely about a stranger dishonoring a host. It was about someone who should have known better, someone who had once been treated as part of the family, turning on Odysseus when the opportunity arose. Eurymachus' betrayal was far worse because it was not simply a violation of xenia; it was a betrayal of trust. He had been in Odysseus' house as a boy, and now he was trying to usurp everything Odysseus had built.

Then, of course, there's Amphinomus. The one suitor who has a tiny bit of decency. He's like, "Hey, maybe we shouldn't kill the beggar and the prince, maybe we should be decent human beings...Please??" And yet he's still part of the whole disgusting group. He doesn't even try to follow xenia; he just doesn't get as bad as the rest of them. So congrats, you're the “least bad” one. But that's like being the least offensive stain on a white shirt. You're still part of the mess. I still think he should have been spared and I would have kissed his cheek for it, but whatever.

The suitors were trash hosts because they didn't respect the rules of hospitality. They took, they didn't give back, and they thought they could get away with it because they were powerful. Well, guess what? No one's untouchable. Not even rich, entitled jerks like Antinous. There's a reason those guys met their end the way they did, and it's because they broke the most sacred rule in Greek society.

Because xenia is not just guarded by the gods, but by Zeus himself.

Zeus' disinterest in Odysseus' personal life is clear, but when it comes to the suitors? That's a whole different story. While he might not always be in Odysseus' corner, Zeus has no tolerance for anyone who dares to violate the divine laws of xenia — particularly when it involves the destruction of a sacred home. I will remind you, Odysseus was a KING. The suitors are not just disrespectful; they're an insult to the gods. And when Telemachus prays for their downfall, and Zeus takes notice, and he responds. His action is swift and dramatic, a sign to all that the gods are paying attention. The deadliest omen Zeus could send is unleashed — two eagles, fierce and fighting, tear at each other over the heads of the people. It's a promise that the suitors' time is running out. What's key here, though, is that Telemachus' prayers don't fall on deaf ears. Zeus doesn't just show his wrath through omens; he actively watches over Telemachus on his journey. When Telemachus sets sail, the sea itself is dangerous and unpredictable, but Zeus protects him, ensuring that he does not meet the same fate as many other men who venture into the vast unknown. In a way, Telemachus becomes the embodiment of the gods' will. He is protected, guided, and tested.

Zeus may be unpredictable, but when it comes to the suitors, he is clear. They've broken the divine laws of hospitality, and their fate is sealed. It's not just Odysseus who will return to Ithaca — it's Telemachus, now under the gods' protection, who will be key in restoring order. The suitors, as arrogant as they are, might have thought they could escape the laws of the gods. But when Zeus speaks, no mortal can escape divine justice. I would like to add that Penelope was not exactly the host. Penelope, despite being a queen, isn't really seen as the one holding the hospitality duties. It's Telemachus who's stepping up to do the job. He takes on the responsibility that comes with being the son of Odysseus. He is the man of the house, making him the proper host (no matter how unwanted these guests were). This is why Penelope is allowed to, you know, stay locked inside her room all day. Telemachus is not. As the host, he has to keep the suitors in check. Penelope's ability to host is muted because of the chaos the suitors bring, and because it's not her job in the grand scheme of things. She's playing a supporting role now, keeping the suitors entertained with her wit and tricks, maintaining the appearance of a woman in control, while Telemachus is out here actually doing the hosting duties. Had Penelope been the one to oversee the hospitality, Eurymachus could have been spared. Why? Because the suitors who gave Penelope gifts (and I'm talking about real, physical, valuable offerings) would have been seen as showing respect to Odysseus through her, and the gods would have intervened. If Penelope had shown Eurymachus even the slightest favor, Odysseus would've been in the position to forgive him. The gods might've even compelled him to spare Eurymachus for the sake of their bond. But nope. That's not what's going down here. The suitors aren't just disrespecting Penelope; they're disrespecting Telemachus, who is the true host of the household. So their fate is sealed the moment they disrespect him.

Amphinomus, for all his faults, wasn't totally awful. He had the sense to not join in on the worst of the disrespect. He even suggested that maybe they should go easy on Telemachus and the beggar. If Amphinomus had left, like, actually left, as per Odysseus' advice, he could have been spared. Why? Because his mistake was one of passive disrespect. He wasn't actively mocking Telemachus, but he wasn't doing enough to step up and stop the madness either. In the end, when he refused to leave, he sealed his fate. Because as long as he stayed in that house, violating xenia by staying after the laws were already broken, he was part of the problem. So yeah, the suitors had it coming. And if any of them had actually understood the sacredness of their role as guests, they might have seen the signs, repented, and avoided the mess they got themselves into. But as it is, none of them learned the lesson, and in the end, their disrespect for Telemachus (and Odysseus once he returned) led to their doom. At the heart of xenia was the idea of balance: a guest should not overstay their welcome, and a host should not neglect their duty to care for their guest. Both sides of the exchange were expected to uphold their part of the contract to ensure the social harmony that the concept of xenia represented. Whether it was a nobleman offering shelter to a wandering traveler or a stranger arriving at a city and receiving shelter from a local family, xenia was meant to bind individuals to a larger, sacred social order that ensured mutual respect and protection. Those who followed the rules of xenia were seen as civilized, as they respected the basic social contracts that allowed society to function. On the other hand, those who violated xenia were labeled barbaric, their behavior seen as a sign of moral decay. Xenia isn't just about food and shelter; it's about trust, honor, and not getting struck down by the gods. Offer respect or expect divine consequences. Hospitality isn't just a rule, it's a cosmic law. And the gods love enforcing it.

[khazadaimenu]

I did a sort of a hc post about Fili and Kili mere hours ago and that kinda opened the flood gates within me.

Cause I literally live some of my internal life in that world and have story lines I wanna share. But don't want to bother with a fic.

So I'm just gonna blather on about it here for a bit. Isn't it what this platform is for? i kinda want to talk about this one thing.

Warning: it's a long post and it has mature themes. As well as very specific hcs that develop into an evolved AU from my head. So read at your discretion.

In short: it's about Fili and love

I mentioned a hc in another post that Fili goes from awkward older teen to fully fledged young adult in the space of one season.

That summer, he spends all his time blacksmithing and building walls with other dwarves in a village suffering from frequent orc raids.

We're talking all day every day. And he gets strong.

Like one of those movie scenes, you know, the ones where a character gets thrown into water and reemerges seemingly years later, all grown up and shit. The one from The Last Kingdom lives forever in my head.

So imagine same but with Fili. He's no longer a scrawny kid, but broad and muscly. Cherry on top? He gets a peltful of chest hair. All in one go. Like, there was none to begin with and now it's all just fur.

Imagine him emerging from a swim in a lake after a long hard day of labour. Beads of water glistening, the last rays of the setting sun reflecting on his skin. And it becomes a habit as of late August that year. The change in his physique very apparent by now.

Naturally, all the lads and lasses in the vicinity are enamoured. Giggling. Whispering. And surreptitiously pointing.

Which Fili doesn't mind. In fact, he welcomes it. It's a sort of respite from all the princely duties. He wants to be young and live a little.

Here I have to clarify that personally (I know there's tons of variation here, so no hate, this is just my slutty corner of the universe) I hc Fili as pansexual. He's happy to love and share joy.

I think there's a particular type of pressure that only Fili feels and Kili doesn't. Where he knows he's loved, but Kili is the baby and Fili's the heir. And that's reflected in his relationship with his mother, with Thorin, with everyone. So he needs somewhere to just... be carefree. And that's either hanging out with Kili or... looking for adventure. And he's good at it so it gives him a confidence boost.

And no hearts broken. Cause dwarves only do this kinda stuff before they find their One. Or some dwarves aren't inclined romantically, but still go for it physically. And then there's the ace dwarves who choose their craft only. Either way, infidelity doesn't exist in dwarven culture. You either love someone and forget everyone else exists. Or you know you'll never have a One. Or you're not interested completely.

Fili is actually not sure about love. He's not sure it exists for him. He has long chats with Nori about it, who is 100% sure about his own standing: here just to f*k. But Fili's not so sure.

And when he miraculously gets saved before getting killed by Azog (I'm getting into my OC and AU here, so bear with me) he becomes even more convinced. Cause if he wasn't meant to live, why would Mahal make a One for him in the first place?

So when he falls in love with his human saviour, it all kinda gets too much.

1) The responsibility to his people. To uphold the culture.

2) Is he even capable of love?

3) Kili's in love with an elf. Everyone wants a happy ending for him. But dwarves as a group still hold quite a bit of prejudice. An elf in the royal bloodline? Not so fast!

So Fili has to take the fall. Kili will be alllowed to marry if he and any future heirs forsake their claim to the throne AND Fili provides said heirs as staunch 100% dwarves.

Fili tries to object - he doesn't think he can find a One (while internally wrestling with his existing feelings, denying them, burying them and gaslighting himself into oblivion). But then Dis digs up an old law about those in royal lineages marrying without love just to produce heirs (based on some earlier Tolkien drafts where only the dwarven kings married and nobody else among dwarves). And now Fili is well and truly f*ked stuck between a rock and a hard place.

He can't imagine his life without Kili, so the option where Kili is exiled hurts like hell.

In the meantime, his human leaves. They have their own duty to fulfill. That triggers the revelation in him that they are in fact his One.

Which means, by getting into arranged marriage he will forsake one of the most sacred laws of dwarves - he will betray his One.

The thought is unbearable. He considers briefly ending it all. Not a serious thought, just something that comes out of sheer exhaustion.

Kili remains unaware. Fili can't do this to his brother - he is giddy and talking excitedly about his own future happiness once Fili's wedding goes ahead.

Being an heir sucks sometimes. Sucks majorly.

Fili decides to go ahead with a union Dis chose for him. All the while keeping his feelings hidden from everyone.

He doesn't believe he'll ever see his person of choice ever again. And they're not a dwarf. So is it really a betrayal?..

I'll share what comes next in another post, hopefully. If I have a spurt of inspiration.

[blu3-ja3]

Hi! More context for my Cursed Gotham au! More specifically I was thinking of context for Jason and eventually the LoA and Talia. Eventually it led to all of this and I added more details to the Batfam timeline. There have been some changes to quite a few things like certain backstories and ages of certain characters.

So I was thinking that Thomas and Martha knew the Al Ghuls and were friends for a bit, Bruce and Talia both weren't born yet, maybe Martha and Mrs Al Ghul are pregnant together. Anyways during that time they make each other the godparents of their child, skip to them having a falling out because the Wayne's find out about Ra's hobby (League of Assassins).

So because there's paper work when the Wayne's are murdered little Bruce is sent to live with the Al Ghuls for a bit, like I'm thinking a year and a half because Gotham's justice systems are slow and Alfred is having trouble proving that the paperwork stating the Al Ghuls are the godparents of Bruce was nullified. So lil Bruce is trained to be Ras next in line, man's crazy and obsessed with immortality. Anyways lil Bruce just thinks he's being trained for self defense, so he can save people. Because if he could've done the thing he's seen the instructors do then maybe he could've saved his parents.

Alfred gets custody of lil Bruce and sees the kid really enjoys his martial arts. Alfred also sees how much lil Bruce hates being in the Wayne Manor and decides to take Bruce traveling to learn cool ass martial arts from different masters. Eventually when Bruce is a teen he goes back to Ras to finish his training, Bruce doesn't know that Ras is making him into a weapon. Mrs. Al Ghul is dead and Bruce doesn't know how. Talia and Bruce have a bit of a romance, nothing serious but the building bricks for their later relationship that leads to Damien's existence.

Bruce gets curious about Mrs Al Ghul's death and puts his detective skills to work and learns about some of Ras's plans. He learns of Ras making him into a weapon not the part of taking over Bruce's body. He also learns that Ras killed Talia's mother. Anyways Bruce gets pissed and is like nope I'm out, he tries to convince Talia to come with him. Talia refuses and they get into a big argument, they both say some hateful and horrible things before Bruce reveals Ras's hand in killing Talia's mom. Talia tells him she already knew and Bruce says that Talia is just like Ras before leaving.

When he's back in Gotham he's sad loner Bruce Wayne see Robert Patterson's Bats and becomes the vigilante. He gains a bit of a reputation for being extremely brutal and violent. Like I said originally Bruce didn't name himself, Gotham's people named him Batman. I'm thinking of a new reporter who writes articles talking about the local cryptid like being whose fighting crime. Like all the pictures are blurry as hell and all you can see are the squinting whites of his cowl or really blurry Batman shaped pictures of him flying across Gotham and kicking ass. Eventually as an off hand comment the writer calls him a bat man and the name sticks.

Bruce at like 16 is emancipated which officially makes him the CEO of Wayne Enterprise's and the owner of all his father's previous projects and money. Corruption has a chokehold in the business ranks due to a power vacuum. Bruce immediately starts rooting out corruption from Wayne Enterprises, initially wanting to fire everyone and start over completely. Alfred points out that if he does that he'll also fire the innocent people who had nothing to do with the corruption.

So begins Bruce's investigation of his own company, he notices that everyone is underestimating him. They think he's a stupid kid so he uses that to his advantage, he plays dumb for everyone including the media. 'I had no idea Mr. Kendall was embezzling from the company, I was going to give him a raise because if he needed more money then I'd like to pay him more but then Ms. Penelope told me where the money was going and showed me the ledgers, yes exactly... Hmm? Oh I found out because I was in his office looking for a pen, I saw the papers and didn't recognize them. Oh Ms. Sullen's front information just kinda showed up on my desk I hadn't a clue what she was doing!'

Bruce also set up the Wayne foundation to help with Gotham as much as possible; public housing, roads and parks, funding for schools, helping with health care. If Bruce can throw money to help fix a problem in Gotham he's doing it. Gotham loves their Loner, Emo, Socially Awkward Teenager, Golden Boy, Bruce Wayne and they'll defend him till the end. Like the one time a Metropolis reporter who had a live interview with a newly 17 years old Bruce and asked a rude as hell question that caused Bruce to freeze up a bit. The Daily Plant had to make a public apology to Bruce and fire the reporter.

Bruce also helps build and fund Arkham Asylum, in official interviews and outside of official interviews Bruce always has the same stance when keeping the Asylum up and running. That stance is that people deserve a chance to change, no matter how corrupt they think they are. Bruce makes a joke about Batman needing to go to Arkham, not for the vigilantism but for the fashion choices. I love the idea that Bruce Wayne has a bit of beef with Batman.

Bruce went to the Hailey's Circus and witnessed the death of the Flying Graysons, there's video of 18 year old Bruce Wayne running from his seat, jumping a barrier at the front, and quickly scooping up a little Dick Grayson from where he sat next to his parents bodies. In the video it shows Bruce holding the small boy and quickly making his way out of the tent with his butler/caretaker quickly following behind them. Gotham isn't at all surprised when the young man adopts Dick.

I think initially Bruce doesn't tell Dick about being Batman, like he's training Dick because it's a relatively healthy way of getting rid of all the anger the kid has. Bruce also takes the kid to therapy cause Bruce goes to therapy. I think little Dick knows Bruce has social anxiety and is immediately like Take me to all your public events! And Bruce does but is incredibly confused???

But it works well, when Dick feels Bruce getting too anxious about the crowd and attention Dick starts performing circus tricks. It takes all the attention away from Bruce and Dick is used to it, he loves the attention it reminds him of his parents in a way. It's their normal for a bit until one night Bruce as Batman is badly injured and stumbles back home only to collapse in a very visible place for little Dick to see. A Dick who's supposed to be in bed hours ago but couldn't find Bruce after a particularly bad nightmare. A Dick who sees his father figure bleeding out in front of him.

After Alfred saves him, Bruce has to explain to Dick why he kept it a secret for two years. Dick immediately is like I'm going with you, I'm helping you catch bad guys. Bruce is reluctant but concedes for only one case, that case being bringing in the killer of Dick's parents. A case that Bruce had been working on since that night, a crime lord by the name Tony Zuko came to the circus demanding protection money from the ring master who refused. As punishment Dick's parents were killed.

Que Dick making the Robin costume and demands no pants, he's a master manipulator and gets his way. Bruce is very hesitant about all the bright colors as well but Dick reassures him that if he can hide wearing this he can hide wearing anything. Bat doesn't immediately take Robin to find Tony, they kinda have a trial run for like a week. Bat sees that Robin is capable and proves himself to be able to hide well.

They eventually bring Tony to justice. Robin is a little menace that Gotham falls in love with and goons fear. Like I said Dick was the feral murderous Robin, goons can't hear a child's laughter without flinching and getting twitchy. Like Robin is as much as cryptid as Batman because no child can do the absolutely impossible stunts Robin performs on the regular. Not even Gotham's beloved Dick Greyson-Wayne, which starts Dick's public feud with Robin. Dick constantly "tries" to perform Robins tricks and fails, he even goes so far as to fake a broken bone after trying to do a trick at a Gala.

When Dick's like 11 Bruce helps form the Justice League, he begs to meet Superman. When Dick becomes 13 he finally gets to meet Superman, Dick also becomes the leader of the Teen Titans; Cyborg, Raven, Starfire, and Beast Boy. 3 years later Bruce stumbles across Jason Todd stealing the tires off the Batmobile (Dick called everything in the cave bat- as a joke which Bruce joined in on. It was a joke until Bats said Batcomputer in front of the JL and he just committed to the bit.) at first Bruce wasn't going to bring Jason into the vigilante side of everything.

Bruce didn't keep the secret as long as he did with Dick, after a month Dick let it slip accidentally. All three had a serious discussion that night at dinner. Dick wanted to become his own hero but didn't know who just yet. Bruce and Dick came up with the mantle of Red Robin as a temporary mantle until Dick figured out his path. Dick would stay as Robin during the months it would take to train Jason and then once Jason was ready they would exchange mantles.

They make a new robin suit for Jason because Jason is tiny, like he's severely malnourished. The new suit has shorts because Jason likes shorts and more pockets for snacks, Bruce also brings more snacks for patrols. Because Jason is smaller than Dick, Bruce gives Jason a boe staff. At 19 Red Robin helps Superman and Supes tells Dick about the Kryptonian superheroes. Dick becomes Nightwing in honor of Superman and Batman.

Robin at 12 saves a 5 year old Tim Drake from something minor, like baby genius Tim is trying to take pictures of the different species of nocturnal birds in Gotham. Baby Tim is on a roof trying to get closer to the edge with his camera and almost falls but Jason saves the kid. Que a very smart small child becoming absolutely obsessed with Robin and sneaks out to capture pictures of him, Nightwing and Batman. Jason helps form the Young Justice League; Mrs. Martian, Speedy, Kid Flash, and Aqua-Lad.

Two years later when Robin is 14 he's killed by the Joker, who beat the boy nearly to death before blowing up the building Jason was in. Before this Joker was getting increasingly deranged with his laughing gas and traps. Batman didn't notice mostly because he'd been able to cure the joker toxin and escape any trap before it was set off. Superman was off world when Bats called for him so it took a while to get back to earth.

When Superman arrived in Gotham he found Batman beating a nearly dead Joker on a live broadcast. After he had killed Robin, Joker decided to taunt Batman and try to lead him into a trap. Unbeknownst to Joker Batman was fully ready to kill him, Bruce was ready to break his one rule and then turn himself in. But Superman stopped him, he pulled the man away from the unconscious body. The last thing Gotham heard was the broken wail of Batman before the broadcast was cut off.

Joker was taken into custody and placed at Arkham until deemed mentally well. Gotham mourned the loss of the young Robin and kinda turned a blind eye to Batman's sudden increase in violence. A month later Bruce Wayne holds a closed casket funeral for his son Jason who died fighting illness. Jason is buried in the private Wayne plot at the graveyard next to Martha and Thomas Wayne. There is a memorial statue of Robin in the park.

A young Tim Drake tracks down Dick Grayson to Jump City and Titans towers. Tim begs the man to go back to being Robin. Dick refuses to go back, he's mourning his little brother and can't go back to vigilantism. Starfire has to remove Tim from the tower, Tim decides to become Robin himself. Tim sneaks into the batcave and is found by a very confused Alfred. Tim tells Alfred everything including knowing the secret identities of Batman.

Tim at 7 takes the mantle of Robin and does his best to prevent Bruce from killing criminals. Barbra Gordon becomes Batgirl to hopefully prevent Batman from accidentally killing someone in his violence. After a few months of Tim as Robin, Dick holds an intervention for Bruce with Alfred and Tim. They all managed to convince Bruce to take some time away from Gotham and go traveling. Dick promises to take on the mantle of Batman temporarily while Barbra continues being Batgirl and Tim continues being Robin.

Bruce first goes to travel around parts of India while there he meets with Talia again, they're both untrusting of each other until they realize it's a coincidence. They decided to travel India together and in the process have a relationship picking up where they left off as teens. They travel together for 3 months until they have another falling out, less intense as their last one and they both mutually agree to just be friends. Bruce learns Talia is trying to disassemble the LoA from the inside and he isn't happy about all the risks she's taking.

They split up and travel separately, Bruce continues his backpacking across the Eurasian continent. After another 3 months he returns to Gotham having figured his shit out and isn't violent. Dick is happy to give back the mantle of Batman back to Bruce and he becomes Nightwing again. Dick goes to Bludhaven and becomes their vigilante. Bruce and Tim run around and prevent crime until Joker breaks out of Arkham and kidnaps Robin.

Bruce is quick to notice Tim missing because Barbara is his babysitter and the Drake's had to leave for a business trip. Both Barbra and Bruce find Tim within two weeks of him being in Joker's and Harley's capture. Harley snaps a bit from all of Joker's torture and attacks Joker when he tries to harm Tim again. In the fight Joker throws an explosive at Batgirl that catches her off guard and paralyzed her. After Joker is placed in cuffs, Harley reveals that Joker was using Tim as a test experiment for his newest Joker Toxin.

The Drake's are contacted and told it would take time to create an antidote for the young boys. They relinquish their parental rights and vanish from the public eye, Bruce steps in and takes in Tim. It takes 4 months to find an antidote for Tim but there are still lingering effects on Tim from his time with Joker and Harley. So Tim is benched and helps Barbra create the Oracle system to help Batman while he's patrolling alone. Jim is only told the Barbra was Batgirl none of the others reveal themselves.

Stephanie Brown becomes Robin at 10 after she helps Batman take down her father. She stays in Gotham with her aunt and mom after convincing her mother to stay because she has friends here. Steph helps Cassandra and the two become inseparable, Bruce later adopts Cass who becomes Black Bat. Stephanie and Cass ran around together for a few years and attended school together.

Scarecrow releases a batch of fear toxin that was mixed with Joker's Laughing Gas, Duke's parents have an adverse reaction to the conditions and the current antidote doesn't work. Bruce takes in the young boy and covers all expenses to keep the Thomas parents safe until they can find a cure. When Duke was exposed to the Toxin his powers manifested, he and Bruce talked about Duke becoming the Signal.

Bruce and Selina begin their relationship as civilians, Harley and Ivy are released from Arkham and live normal lives in Gotham. Harley becomes a therapist for the Gotham vigilantes, Tim has recovered enough that he requested to become Robin again at 13. Stephanie gives the mantle to Tim and she becomes Spoiler.

Tim starts a new team of Teen Titans with Impulse and Wondergirl, their first mission causes them to accidentally stumble across the cloning facilities where Superboy Prime was being created. They release Kon and they form their team under the instruction of Nightwing and Starfire. Tim leads this team for multiple years and ends up in a relationship with Kon.

Talia is on the run from her father with Damien ending up in Gotham and comes across a freshly revived Jason, she doesn't know how he's back but she takes him in. She finds a second Lazarus pit under Gotham and puts Jason in for a short time. She continues with her plan and takes both Damien and Jason to Bruce. Talia explains to Bruce everything she knows including Ras's plans to steal Damien's body, she explains what she knows about Jason and how to help the catatonic man. She doesn't know how he came back but decided to help him by placing him into the pit.

Bruce takes in both boys and offers refuge for Talia which she denies. It takes months for Jason to have some semblance of normal again, not enough for him to go out patrolling but enough that he's helping Oracle from the Batcomputer. He's still dealing with a little bit of pit madness but not as severe, he's being helped by Roy and his daughter.

After a few months Tim passes the mantle of Robin to Damien and becomes Red Robin until he figures out his own vigilante name. Damien meets Jonathan Kent and they become the superson together, Jon helping curve some of Damien's awkwardness from being raised by multiple assassins. Cassandra also helps because she gets what Damien went through.

Damien is the first introduced to the public and when Jason is ready Bruce makes a story claiming Jason was in witness protection services because he saw the death of Robin. Gotham is so excited to have the boy back as well as the newest Wayne.

So the current Wayne Family is Bruce, Dick, Jason, Tim, Cass, Duke, and Damien. Steph has her own family and so does Barbara.

The romantic relationships for everyone are as follows:

Bruce and Selina

Dick and Kori

Jason and Roy

Tim and Kon

Cass and Steph

[ninjagood4]

— Everything around is somehow distant and… unreal. Like an illusion. And I am just a doll, led by emotions. A doll in a green kimono, which was once worn by a person better than me… — But… you are that person.

9 years — Little Lloyd will appear in several flashbacks, some of the moments we have already seen in the original series and some will be added not to the detriment of the canon of course. A younger Lloyd will also appear in flashbacks, namely at age 4, when the conversation turns to how he was sent to Darkley's Boarding School for Bad Boys and why.

17 years — After Crystalized, the next four years passed quietly. Lloyd tried to build a relationship with Harumi and spent most of his time with her, but it ended miserably for him after only a year of dating, as she was uncomfortable being with him after everything and decided to let go of the past and start life anew. After that, Lloyd started to have a difficult streak in his life, depressions and stresses, and every new loss and emotion only provoked Oni side. Harumi used to help him distract himself from bad emotions, they went on dates, gave gifts and just supported each other, but now she wasn't around. Misako, Wu, the ninja and especially his father helped him to keep his head up, and he did feel better until Master Wu died a year later. Garmadon returned to his lonely life, Misako immersed herself in research, Pixal returned to Cyrus Borg, and the Ninja were about to split up due to evil simply disappearing from the world. But it all ended with Lloyd forbidding the Ninja from splitting up, and due to his fear of becoming evil, he trained the Ninja every day so that they could confront Lloyd's Oni in the future. This split was the last straw for him, causing Lloyd to degenerate and withdraw into himself.

21 years — Although Lloyd trained the ninja, he himself only gave instructions and did not perform any tricks, which he did not even have the strength for over time. Candy and other treats always cheered him up, so Lloyd found solace in eating and watching TV all day, leaving the room only to rudely command the ninja what to do, and then returning to his comfort zone. All this changed Lloyd not only in appearance, but also in moral and combat terms. After two years of such a life, he noticeably gained weight, became very rude, lost his temper at every little thing, and even began to show indifference to friends and the outside world, although he understood that the situation was getting out of control. The ninja tried in every way to captivate him, offered to play outdoors or just chat, but Lloyd felt more vulnerable than ever and perceived this as a threat.

In one moment Agatha and Leo find the Monastery of Spinjitzu in the hopes that the ninja from the book of legends will help save her home from occupation. The ninja decide to do this and convince Lloyd to lead the mission, who treats Agatha with maximum contempt and mistrust, because she reminded him very much of Harumi. When the ninja were traveling on the Bounty at night through the Valley of Mountain Fires in search of Agatha's village, the ship was attacked and eventually the team crashed. This led to Jay and Cole getting lost, Kai, Zane and Nya being captured by bandits, and Lloyd, Agatha and Leo remaining unnoticed near the ship. Lloyd was the only ninja left on this journey, but this time he was absolutely not prepared to fight both physically and mentally. He simply could not imagine that he would ever pick up a weapon again, while the trained ninja were tied in shackles.

Soooo… these are just images for the Wiki infobox, but I thought it would be cool if I showed not only the characters (who I'm currently adapting for the final style of FotP), and also talked a little about the events. I'll do this for each one, since I need to get a lot of images for the pages so that people have a general introduction to the picture, despite the fact that it's still a work in progress. I don't talk about the Wiki now, but want to attract people there when I rewrite the information and put it in order (it's written based on old information, and haven't written about many things yet).

And yes, Future of the Past introduces a timeline of events, and considering that I'm trying to create a kind of fan sequel to the original Ninjago, trying to do it as well as possible, interestingly, and so that it simply evokes nostalgia and warms the soul! Even between the pilot and plot my au there are 12 years, purely symbolically, because the original series itself is that old :) Previously, I even tried to parody the WildBrain style for this, but it turned out to be unrealistic for a comic, so I chose this one. Of course, it doesn't look like what we've seen before, but… why not? “Future of the Past“, because it tells about the future of past. And just… there are many life lessons that I want to bring here, so that this story is not only interesting, but also teaches something.

I'm want to introduce new elements carefully, so that everything harmonizes with each other. In the end, even though Lloyd has changed in appearance, I'll make sure that it's unnoticeable and, on the contrary, dilutes his character. Wu died, but he will appear as a ghost and will help Lloyd (which will only make Lloyd think that he is going crazy (Agatha will not let him do this xD)). The storyline of Nya and Jay will develop brightly, considering that Nya will be in captivity and Jay will be free, which will make them remember how dear they are to each other. Old characters will appear (like Zane's falcon), some designs will reference old ones (like the Bounty), there will be a lot of flashbacks, and most of the new characters' stories will intersect with the events of the pilot season. The events of the Dragons Rising are also taken into account, I just made it so that after the Merger of worlds was created parallel universe, and each of them has a different history (same beginning - different continuation). Damn, I just wanted to create a small text book and abandon it right away, but… love blinded 😂😭

In the future I will create such posts for others, and at the same time will tell their story ^^ Of course, Agatha will be next, considering that she is a new character, I would like to cover her too (well, just take wiki-page one by one and start with my favorites lol)

[romanticatheartt]

I started listening to Fourth Wing graphic audiobook and so far I'm enjoying it but then I thought which quadrant acotar characters would join ->

Bat Boys? All of them would join the rider quadrant ofc and third year. Morrigan would also join them but she's 2 years younger than the them, so she joins with Feyre. I don't have a back story for them now since I have to read more to remember the world building.

Lucien would join healers. He's not here for the bloodshed since he hates it, so I think it's in character for him to join healer's quadrant. I can see him as one. (I thought he might join infantry but then again combats and war isn't what he's made for) He's also the third year.

Now the sister:

Feyre would join the riders. She has reading disabilities, and it was always her insecurity, that her mother never failed to remind her. Even though she likes books and stories but, in her heart, she's always been a hunter and a fighter, so she joins the rider's quadrant and since she's our main character she's going to get the biggest dragon because I said so hehe. Her mother ignores her at best and never made her displeasure of her joining the riders known even if she had one and quite frankly, she doesn't care about her mother's opinion. Out of all the three daughters, his father was more confidence in her succeeding only because of the sheer amount of stubbornness in Feyre.

Nesta who's the third year and is in a stablished relationship with Cassian. she always wanted to be in the scribe's quadrant, but her father had other plans, so she was forced to be in the rider quadrant even tho her mother disagreed (her mother wanted her to marry and groomed her to be one but also her father would get her to train and getting her ready for being a rider. Let's say she had a hard time lol) But for her mother's disagreement alone, she was a little more willing to join the riders since she's going to be something her mother never wanted her to be. She ofc hated it at first but started to love it because of Cassian and her friend Emerie.

Elain is going to join the scribes and is a second year. That's it!! Even tho her father made it abundantly clear that no child of his will be anything but riders, he made an exception for her, she's secretly her favorite child and knew his princes wouldn't survive. And he saw how she was born to be a healer.

Now Gwyn... Of course she's going to be in the scribe's quadrant. Like come on now!! She's a third year and she love to be in the library and is among her precious books every chance she gets. And a certain shadow wielder has his eyes on her and whenever he gets tired of rolling in his bed, he secretly visits the library to be around her<3 (ps: there's a fanfic for this, so all this happened because of that fic hehe)

Emerie joins the infantry. 6 months before joining, her wrenched father breaks her hip and leads to her having a hard time to sit straddle, but she also doesn't want to be either a scribe or a healer, so she joins the infantry. The very first training is very hard for her to the point of always being in pain. That's when Cassian sees her and make it his mission to help her and train her to the faster healing journey for her hip and getting her stronger and she also meets with Nesta during those time (because she can't keep away from him...) She also bonds with Nesta and they find a mutual hobby in each other which is reading smutty books!! Which leads then to visit the library and meet Gwyn.

Yup that's pretty much it. Although I still haven't made a plot for Bat boys and Morrigan which I will... this might have a part 2!! (Even three if I ever delve into the ships as well)