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jinxhallows · 3 years

Text

Method Writing (Lucifer x Fem!Reader Explicit One Shot)

-x-x-x-x-x-

HAHAHAHA I wrote this on a whim after exchanging some DM’s with the incomparable @scarlettriot (if you haven't checked out her Red Riot shit its incredible!) so shout out to you for the idea queen LOL. Dis just a lil snackie yall aint nothing too crazy LOL as far as I’m concerned in my head this is as subby as im gon get from daddy LUC lmao

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ᴍᴇᴛʜᴏᴅ ᴡʀɪᴛɪɴɢ (ʟᴜᴄɪꜰᴇʀ x ꜰᴇᴍ!ʀᴇᴀᴅᴇʀ)

ᴄᴡ: ꜱᴍᴜᴛ, ꜰᴇᴍ!ᴅᴏᴍ, ʜᴜᴍɪʟɪᴀᴛɪᴏɴ ɪꜰ ʏᴏᴜ ꜱQᴜɪɴᴛ ʟᴏʟ, ᴘᴀʀᴛɪᴀʟ ᴅᴇᴍᴏɴ ᴛʀᴀɴꜱꜰᴏʀᴍᴀᴛɪᴏɴ

ʟᴇɴɢᴛʜ: ᴏɴᴇ-ꜱʜᴏᴛ

ᴡᴏʀᴅꜱ: ✩⋆ 🎀 𝟤.𝟣k 🎀 ⋆✩

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You sigh in frustration as you lean back in your computer chair, staring hard at the few lines of text you had written.

“Hit another wall?” Lucifer asks, peering over his glasses from across the room where he sat, reading a tattered old book.

“Yes.” You frown, adjusting the display settings on the screen. Maybe if you made the page black and the text a soft peach color, it would help shock your vision enough to reset your creative juices into flowing again.

Lucifer sets his book into his lap and takes off his glasses. “What’s causing it this time?”

“I just…” You’re frowned up at the screen, trying to click around and make unnecessary adjustments. “I’m not used to this kind of sexual dynamic. When I write, its sounding too...fifty shades of grey-ish.” You settle on a brown page with an orange text instead.

But now you’re bothered by the font style.

As if anyone reading the manuscript would give a shit! You were supposed to use 12 point Times New Roman on the final copy anyway! Damn it. You were beginning to overthink and it was affecting the entire writing process that you used to enjoy.

“Isn’t that book wildly popular amongst human suburban wives? I’d perhaps argue it should sound like that if you intend for people to have an interest in purchasing it.”

You drag your hands down your face, pausing over your mouth, carefully trying to choose your next wording.

“I’m not just doing this for money. I’m trying to become a better writer, love.” You add the term of endearment at the end of your sentence, trying to sound less annoyed than you actually were.

“You are a marvelous writer, Y/N. Your thought pattern is girded at the moment, no doubt; but that doesn’t negate the quality of your penmanship.” Lucifer stands up, gently placing his book on the small table next to him as he crosses the room to hover over your shoulder, looking at your screen.

“What a dreadful eyesore, why have you edited the screen like this?” His arm crosses over you to stabilize himself as he leans in front of you, clicking around on the screen to return it to normal.

“Because I was trying to inspire myself, Luc, wait—” You reach underneath him and place your hand over his on the mouse. He glances down over his shoulder at you. “Maybe you could help me?”

“That’s why I’m fixing the screen.”

“No, you have to let me write it Lucifer.” You use a stern tone, “You could write this entire book in minutes, I want to be able to do it myself. I need you to help me in a different way…”

He stands up and raises a brow, “This is an erotic novel. Do you want me to fuck you?”

You’re briefly taken aback when he drops out of his tightly constructed pattern of speech to say a brazen phrase like ‘Do you want me to fuck you’.

“How do I explain this…I need you to be…submissive for me.” Your eyes darken, “Allow me to dominate you. Just a little bit, so I can get a feel for it.”

“My sweetheart, I would love to help you, but submission is not a part of my framework.” He chuckles, “I would have no idea where to start.”

“Exactly. You wouldn’t start, I would.” You lean back in the chair, folding your arms across your chest as you challenge him. “I have no idea how to be dominant but if we try together, maybe we can figure it out. At the very least, it’ll give me a break from all this.” You tilt your head at the screen.

Lucifer runs his thumb over his lower lip, considering your proposition. “Let’s say I agree to this arrangement, for tonight only...” his eyes meet yours, “You never breathe a word of this to anyone.”

You bite back your shit-eating grin. “I promise.”

“I’m very serious my love…” He’s towering over you, placing both his hands on the arms of your chair, leaning you back as his scarlet eyes burn through you. HIs lips ghost your cheek and rest right next to your ear and you nearly shiver as he whispers,

“If I hear that anyone knows about this, I will devour you.” he pulls back to look you in your eyes once more.

“Am I understood?”

Wide-eyed, you give a slow nod. His gaze flits over your face for a moment before he’s satisfied and stands back up.

“Alright then,” he starts to pull his shirt over his head, “What would you like for me to do for you?”

You watch him, your thoughts racing and your adrenaline causing you to get a little too excited about this experiment. Suddenly, this powerful man was going to be at your mercy. Well, Lucifer wasn’t someone who would go down willingly of course. All the better, you had to work for it.

Talk about method writing.

You arch your foot, dragging your painted toes up his leg until you were over his groin. You never take your eyes off of his as you press the sole of your foot slowly into him, taking the time to feel the outline of his cock through his silk pajama pants.

“First thing I need you to do is get on your knees.” You push in a little harder, feeling the slow firmness in his building erection. “I’m not going to be looking up at my pet.”

His stare remains intense as he slowly drops down onto one knee, followed by the other. “Like this?” He asks, now at eye level with you.

“Much better.” You praise and reach out to push a few stray wavy black locks behind his ear, “Good boy.” You study his expression and although he remains stolid, his fair skin betrays him as the redness rises in his cheeks. He claims he doesn’t know what to do, but he listened well; and he was enjoying it to some small degree. You stand up and push the chair away, beginning to circle around him, contemplating what you were going to do.

Damn it, he was so much better at this than you were. He seemed to take command of you quickly and confidently, and here you were, overthinking again.

Still, it was turning you on to see him on his knees like this, waiting for your next move. You suddenly have a strange idea, so you stop directly in front of him and he looks up at you from the ground.

“Release your horns for me.”

Lucifer silently obeys, two curled black rigid horns merging and curling from atop his scalp. His hooded gaze makes you intoxicated with power and arousal. It’s like he’s still the one in control, and is only allowing you the brief fantasy of believing you’re the one in charge.

This kind of irritates you, as you want him to fully submit to you. You curl your fingers around his right horn and give it a tug, “Come.” You command. He’s down on his hands and knees, crawling across the hard wooden floor as you guide him with your tight grip over to the bar cart. You let go of him and he’s now staring at the floor.

Good.

Maybe he’s beginning to learn some humility.

His obedience is making you want to just sit on his cock already, but you want to truly focus on the feeling of being dominant more than just the act of intercourse. You two knew how to fuck, that much was very clear; but you didn’t understand how this dynamic worked. So you extended the slow burn just how you liked.

You sit upon his back, knowing the limits of his strength. Of course, he doesn’t waver, and you grab a glass and pour yourself up some of his aged scotch. You take a sip of it before spattering it back out.

“This is disgusting.” You look down at him and dump the remaining expensive scotch over his head without a thought.

At first you gasp.

You went too far.

That was mean.

But he shakes his head to clear the liquid from his hair; reminding you of some kind of....goat-dog hybrid, what with his horns exposed and everything. You notice his hands curling into fists on the ground but he doesn’t look up. It makes you smile. Good thing he can’t see that.

“What a good boy you’re being for me Lucifer. Do you want me to reward you for your behavior?” You run your hands over his head several times, peeling back the wet, soaked locks from sticking to his brow and temple.

He exhales through his nostrils. “Yes.” He mutters. You can tell he wants to say so much more.

“Aht aht.” You give a tight yank of his horn, “Yes, what?”

He swallows, “Yes...M...” he’s struggling to say it. You yank again, harder, forcing his head back at a painfully unnatural angle.

“You better not make this fucking difficult Lucifer, I can get real fucking nasty with you and you’re pissing me off.”

“Yes Mistress.” He finally mumbles, nearly inaudibly.

You stand up and walk in front of him, kneeling down and grasping his chin with your hand as you force him to look you in the face. “I don’t think you understand what it means to be submissive, Lucifer. You are not in control right now, I am. So all this useless pride can go in the garbage. I am your Mistress and you will address me as such or I’m going to fuck—you—up–” You squeeze his face tightly, digging your nails into his skin as your teeth clench together; before you finally let go.

You shake your hand from the pain of squeezing. The deep, reddened nail marks you’ve imprinted into his skin begin to slowly fade as he watches you with an angry glower but doesn’t dare to object.

“Massage my hand you fucking worthless demon.”

“Yes, Mistress.”

You place your hand out and he sits up onto his knees again, taking your hand in his own and running his fingers over your skin, kneading into the muscle. It feels so good, you almost forget the intention you had behind him doing it for you.

“That’s enough.” You snatch you hand away, “Good boy.” You look him up and down before your tone eases by a hair. “I don’t want to have to be mean and nasty to you Lucifer, but please understand that your ego will be checked accordingly. Do I make myself clear?”

“Yes Mistress. Crystal.” He replies tersely.

“I’m not a fan of that tone; but we can work on it...” You begin to undo your robe, the satin fabric falling around your body as you sit in his reading chair, your leg hanging over the arm. His eyes scan over your naked body hungrily.

“You should allow me to clean you up.” The lust building in his loins was getting overwhelmingly frenetic; but if there was one thing that Lucifer was going to do, it was maintain his composure. He cleared his throat before asking again, more appropriately,

“Mistress, may I please clean you up?”

Your eyes lit up, “My sweet handsome pet, of course you may.” You watch as he crawls over to you and obediently makes quick work of the wet arousal you’ve leaked over your thighs from the start. Your flavor dances over his tongue as he swipes your inner thigh, over your folds, and slowly spreads them apart his lips closing over your pulsing bundle of nerves. He’s sucking and licking and you are coming undone with how good it feels.

“Oh god that feels so good–” Your head falls back against the chair as the breathy words tumble from your lips. He stops so abruptly, your head darts up again to look down at his beautiful face between your legs.

“Ah, there’s my pretty Mistress. I just wanted to see your face.” He kisses your mound, “I love watching it twist up, when I make you feel this good.” His warm tongue flattens over your slit before slipping in between and caressing your clit. You struggle to keep your eyes on him, feeling your chest huffing with your quickened, irregular breathing pattern. He drops you off the edge of a splintering orgasm that makes your back arch out of the chair, hand tangling in the hair between his horns, your grip tight as you ride out your release with a few bucks of your hips. You come down with a pleasant sigh, relaxing into the chair.

“I think I have enough now…for the scene at least...” You giggle softly.

Lucifer stands up, and you are at eye level with the prominent stiffness in the front of his pants. He then leans down to you with a malevolent smile.

“Oh but we’ve only just begun.” He places his fingers under your chin, tilting your head up. “This was a fun little game; but now you’ve made me so hard, it hurts. You wasted a very expensive glass of scotch being such a little brat.” He uses his thumb to pull down your lip, pressing the tip into your bottom teeth, hard. You stare up at him, hooked onto his every word.

“I’m going to have to punish you for that.” His voice becomes impossibly quieter, almost a demonic whisper, “You’ll have to forgive me, Mistress, but I’m going to fuck you until you can’t walk tomorrow.”

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rcksmith · 3 years

Text

The Agreement part.2 — Kaz Brekker

Resume/Masterlist

Couple: Kaz Brekker/ Fem!Reader.

Warnings of series: Convenience/arranged marriage, swearing, mention of fight, mention of death, mention of desire, fluff, sensual, mention of post-traumatic stress.

Warnings of chapter: swearing.

Word count: 4k

A/N: I hope you guys like.💖

English is not my first language, so I so sorry if have a mistake.

Requests are closet. Love you ❤️

— — — —

“What?!” Your exclamation came out louder than intended, and perhaps sharper than expected.

The salty sea breeze came through the window once more. The smell of salt and ocean invaded the room and for a second it felt like being in a ship's cabin at sea.

Kaz looked at you as if you were some child. Or someone deaf. But if he was swimming in acidic thoughts, he didn't say them.

"Think carefully." His voice was firm and explicit, the ones men use to convince women of something. “You want freedom, don't you? Live your life without having to fulfill a man's whims or your father's expectations. You wants to be able to snow on a ship without having a date to go back and make your own destiny. You want just needing to care what new adventure knocks on your door and what promise of wonders life awaits. It is not?"

How did he figure it out so well in such a short time? Was he too shrewd or were you too transparent?

You nodded, unable to say anything. Perhaps out of perplexity at how Kaz read you so easily. Or maybe the way he looked like an overpoweringly beautiful fallen angel in the moonlight.

“And the only way to do that is to get married.”

You frowned. “As I recall, Brekker, I came here just so I wouldn't have to get married.”

“And it's a stupid plan.” God, you wanted to kill him. “You asked me to have the Dregs take you to the harbor without your father's spies noticing. But it turns out your father's spies already know you're here.”

Your breath was lost somewhere between lungs and nose.

“Since you arrived, the noise from the Crow Club downstairs has become less shrill. And this is not typical criminal behavior. Either they have adopted good manners or someone they know they should fear has joined the Club.” Kaz sat more relaxed in the armchair behind his desk, his dark blue eyes locked on you. “I would bet on the second option.”

“So I came here for nothing?” You were starting to get angry at his beating around the bush. Because you knew it was manipulation. Brekker was laying the groundwork and you understood that.

“I did not say that. Turns out you can never get rid of your father. Not when he's a man with the purchasing power able to buy an entire country. There will always be someone who will recognize you, someone who will find you. And for the right price, the whole world is capable of being bribed. You would run away only to be chased by other spies, other people wanting the reward your father will give to whoever brings you back home.”

Very early on, you realized that Kaz Brekker was capable of crushing dreams as easily as crushing an insect. His destructive power was colossal and you saw all of your desires floating under his palm. Waiting just for him to brutally clench his fist and crush them.

But that's not what he did.

“You'll only get what you want if you follow his orders.” The breeze came through the window once more, ruffling her charcoal hair. “But if you can't defeat your enemies, change the rules of the game.”

“And is that where marriage to you comes in?”

“See it.” His body leaned very gently across the table towards you, it was a millimeter and ridiculous gesture, but it felt like him standing a breath away from you. “What you need is to get married. But marrying someone who doesn't give a damn about what you're going to do, and don’t have expectations of you. Someone who is not interested in home life, family life or Any other things you can offer other than money.”

Any other things you can offer. The night breeze this time was accompanied by an impure, almost obscene scene of the fallen angel in front of you on a bed of black duvets and caustic weather. A moment when the ends of his black hair brushed your forehead and your nose, moving back and forth as followed the rhythm of his hips and…

The sea breeze was gone, taking the obscene image with it and bringing back your common sense. For a second you wondered where that came from! You hadn't been in his presence for more than two hours and the entire compilation of what it was like Kaz Brekker, so far, had frightened you and attracted you in an absurdly dangerous way.

"And are that you came, I suppose." You hoped your voice couldn't give away your impure thoughts from seconds ago. “Do you want us to form an alliance where you receive my dowry and in return I am free from my father's demands and can do as I please with my freedom?"

“Alliance is a very strong term for what we are doing here.” He was succinct, “I would tell you to look at this as a business transaction. A marriage document is still just a piece of paper. And nothing else. Don't get carried away by sentimentalism. Things only have feelings if you want them to.”

Kaz was right, you knew that. For all your belief in true love and the many books romance novels you devoured, you still understood that a marriage could very well be seen as a business translation. It are a sad, cold way to see something so beautiful, but it still true.

“I have no interest in anything other than your dowry and you have no interest other than freedom. So what I'm proposing is something very sensible and objective. When we get married, your father will set you free, and you won't have any husband to please or any other crap. I don't want and don't expect anything from you, I don't care if you're sailing to Ravka or venturing on The Fold.”

“Do you want the money out of greed or despair?”

Kaz took a second to get a better look at you after that sneaky question. You had asked the correct question amid so many banalities and he realized that you were more cunning than you looked.

If he wanted to know your secrets, you also wanted to know his.

“A bit of both.” He was sincere.

“And what do you intend to do with my father's industries? Because you would win them too. And any misdirection could end up reducing my father's empire to nothing, and I don't want him to see the thing he loves most in ruins.”

Brekker heard the feelings in your voice. There was a hidden pang of hurt, but a lot of determination and honesty. You loved your father and understood him, even if you didn't agree with his principles. You had a fair and upright nature and were able to move mountains to get things done the way you thought was right. That was a red flag for Kaz. You were a good person. And he not.

He could never promise you things that go back to a good guy. But he could promise you honesty and justice. Kaz Brekker would never take something from someone the way it was taken from him so many years ago. He was a monster. But never in the same category as Pekka.

“I have no interest in having an empire doomed to fail.” His eyes were serious. “My motivation has always been greed. Why would I sink the company that is capable of making me such a rich man?”

He would have to be an idiot to let such a lucrative business go. And Kaz Brekker was anything but an idiot.

“Would you let me do anything I want?”

“I have no interest in what you don't or do.”

You hesitated for a second, as if remembering another detail. “My father doesn't believe in divorce, and even if he did, I would be pressured to remarry. Do you understand that we couldn't divorce?”

“I have no desire to marry again. And you might as well get other men you want without making a fuss, without your father finding out.” Always rational and objective. Without any inclination to the heart's desires. “There is no room in this world for feelings. Much less in this agreement. If you fall in love with someone you will have to be content with just relating to them, not getting married. And it seems like a small price to pay for so many benefits.”

It was the perfect plan. Did you know that. It was rational, objective and cunning. Something advantageous for both without costing too much. But why did you feel that something could go very wrong? You were a romantic person and you knew you could see things where they didn't exist. The truth was, you would have to leave your heart completely out of the picture.

Just a business transaction.

Brekker seemed to see a hint of hesitation in your eyes.

“It's very simple, Ms. Y/L/N.” That voice that gave you goose bumps hovered in front of you. “You marry me and you still have your freedom, because I don't give a damn about what you do after.”

“20 million from Kruges. Rich.” his eyes gleamed with a deep glow.

“And how do I know this isn't a trick?”

“I don't promise lies.” His firm face was serious “I won't give you happiness, Y/n. Much less love. Love doesn't exist in Kerch. But I will give you freedom, independence, a comfortable life that you are accustomed. And it seems to be much more than you have now.”

You knew you could be making a deal with the devil. Selling your soul to that man with the face of a fallen angel and the aura of Lucifer. But what choice did you have?

You couldn't go back if you sealed that deal. That man would be bound whit you, even by a piece of paper, for a lifetime. Was it worth the price? You didn't care for your father's press to want to be in the management and you had a lot more money than twenty million Kruges. What would you be missing? Your chance to marry one day whit someone you came to love? But if you came home without someone one day from now your father would marry you to a gargoyle. And the way out to flee no longer seemed a viable option.

Yes, it was worth it.

Seeming to see from the glint in your eyes that you've made a decision, Kaz Brekker, Bastard of the Barrel, reached out a leather-gloved hand toward you. His eyes sparkled with a mysterious spark, the scent of male cologne with a hint of danger lurking around the room. And for a moment, you felt a shiver go up your spine and the feeling that your life had just begun.

“Agree to marry me?” He said.

The feeling was that you were about to embark on the greatest adventure of your life. You didn't know what that little stunt with Kaz Brekker awaited you. But you would find out.

“Yes.” You took his hand in a firm, intense handshake that held a million secrets.

A satisfied, victorious smile came to his lips. And whenever Kaz gave him that expression, it felt like seeing the fallen angel that was the reason so many humans sinned. The clouds in the sky shifted, moving out of the moon's path and making the distilled rays of light shimmer more brightly. His black hair and white skin were graced with those bundles, and for a second his beauty was overwhelming.

You held your breath.

Brekker continued to say something, but you couldn't pay attention. Your heart began to race, the moonlight following in his footsteps as Kaz got up from his chair and went to fetch some papers from across the room. You couldn't tear your eyes away from him. His body was taller and thinner than you deduced when he was sitting down. Kaz had long, slender legs beneath black straight-cut pants, his chest was broad and his waist was narrow. For a second, you felt like running your hand over the contours of his body.

You shifted your attention forward abruptly. Focusing eyes on something else.

That was the curse of handsome men. They fooled women and made them daydream. With his underworld god beauty and mysterious aura with a touch of danger, Kaz Brekker was overwhelmingly attractive. And your blood reacted to that. Any woman would have reacted the same way.

“And we'll have to leave tomorrow morning…” he sat opposite you again.

“Sorry, what?”

You turned your attention to his words, not remembering half of what he said seconds ago. Kaz looked at you intently this time, squinting his eyes millimetrically, as if he was trying to guess which paths your mind had wandered in for the past two minutes.

“Your deadline is the day after tomorrow, isn't it?”

"Yes." You got back to the core of the problem once more. “The trip to my house takes a few hours. Half a day if it's raining.”

Kaz had his eyes on the papers in his hands, maybe they were maps or documents, but you didn't feel like craning your neck to see what it was. Leaning over to view the papers meant getting closer to Brekker, and two hours in his presence was enough for you to understand that nothing good would happen if you got any closer. Or maybe you didn't trust your own feelings and emotions.

“This will have to be done very discreetly.” He didn't look up from his papers. “If any rumors about our deal reach the wrong people, your father will hear about our plan. And that meant you will being forced to marry someone else, and me without my money. Does anyone know you're here because you planned to run away?”

You shook your head. “No. I didn't get to tell my friends. But now that the plan is different, I intend to tell a friend that…”

“You can't tell anyone.” Kaz lifted ocean blue eyes to you in an electrifying look that made you shiver.

“And what is supposed to say to my friends?” You felt a pang of indignation.

“That we are in love.”

This time, your breath was gone. The phrase was like pouring gasoline on an old, flammable woodpile. And you were afraid of what might be the match that would set off a fire.

Kaz noticed your reaction and was amused by it. “Just say some nonsense about falling in love with a criminal. It wouldn't be the first time a rich little girl has fallen in love with the bad guy, and I guarantee it won't be the last.”

“And you won't tell anyone about the truth too?” You wanted to change the focus you.

“I don't have to answer to anyone.”

This time you gave a smug smile and crossed your arms in an insolent gesture. “So everyone will think the infamous Kaz Brekker, Dirty Handes and Ketterdam's most dangerous gangster is in love with a rich little girl?”

Kaz narrowed his eyes at your teasing.

“It won't be the first time that the man with a bad temper and dangerous soul falls in love with the little girl. And I'm sure it won't be the last.” You said.

You were provocative, witty and stubborn. You would always hit at the same height and loved to show people that could very well play their game. Brekker unraveled this perfectly. You weren't the kind of woman who would be peaceful, serene, and calm. You wouldn't be like Inej. You would not take his orders and his taunts in silent, contained rage. You were intense. And that was a danger.

Why did he get the feeling you were so much more than he imagined?

“Let's go to your house tomorrow morning. Nine in the morning.” He changed the subject. “I'll go with you and we'll get married.”

"My father must be preparing everything by now." You sighed. “He takes his promises very seriously and I have no doubt that, when I returns, the ceremony scene will be set in the party garden.”

Partly you were relieved about it now. Planning a ceremony are intense and personal. You never really thought about getting married, but you always imagined that if one day it happened it would be the man of your dreams. And you didn't know if you would want to organize a fake wedding. There were certain things that were inevitable to keep the heart from breaking.

“Better yet, the faster the better.”

The two of you discussed some more details of the plan in the next few hours. It was agreed that Kaz would pick you up at nine from your hotel tomorrow, in an elegant hired carriage (which you obviously would be paying for) and the two of you would go to your house in Kerch. For all intents and for all people, the truth would be that the two of you were in love. It was such a typical cliché that it wouldn't be the least bit hard to believe.

And after a while, you two could already show yourself to the world as a couple who barely saw each other. Rich society was full of them: marriage with coldness and distance, where the man has his bets and lovers and the woman her travels and her jewelry. Your father would surely understand and leave you alone. After all, he had gotten a son-in-law to inherit his empire. A young son-in-law with blood for business who would make your father extremely satisfied. However, now the two of you had to look like a couple in love. And the reality of the situation was a secret that only the two of you would take with you to the tomb.

But, that night it was difficult for you to sleep. Anxiety, restlessness and fear gnawed at you like cunning mice, rolling you from side to side in bed, whispering in your ears millions of futures where everything could go wrong. Where not even Kaz Brekker's plans could free you from the clutches of one of your father's suitors.

When the clock struck seven in the morning, you jumped out of bed with unsettling, restless energy. You didn't like feeling helpless and waiting for Brekker to show up was exactly the definition of a princess in trouble. You had to do something.

- -

“What do you mean to get married?!” Jesper choked on his breakfast, and Nina nearly spit out all her orange juice.

Kaz rolled his eyes and continued sorting through the documents on the large round table. He was going to be gone for a few days at most and needed the people he trusted most to take care of business while he was gone. There were a lot of robberies to do and Kaz spent the night crafting and modifying plans for options where he wasn't involved. He had made a list of what needed to be checked at ports and what needed to be resupplied at Crow clube.

The plan was to marry you when they arrived in Kerch and return to Crow Club the next day. Kaz knew he would have to bring you, the two of you would have to stay together until your dowry was delivered to him. After that you could go on any adventure you wanted.

But dealing with the Crows was being more exasperating than Kaz could have expected.

"I didn't even know you had a girlfriend!" Wylan was in shock.

"Nobody knew!" Nina and Inej had their chins on the floor. Matthias was the only one who didn't seem to care so much.

"I didn't know the affairs of my private life were your business." Kaz didn't look up from the papers he kept in folders for the stupid ones.

"But you never said anything." Inej said.

"It was the intention."

"It's with Y/n, isn't it?" Jesper had bright eyes and a gleeful gambling smile stretched across his lips.

Kaz looked up at the boy with chocolate creamy skin, and his eyes narrowed slightly.

“She spent hours in yours office last night.”

"Oh my Santis!" Inej, Nina and Wylan exclaimed at once, eyes wide.

"The daughter of the richest man in Kerch." Wylan said.

"YOUR DOG!" Jesper clapped Kaz on the shoulder with an open palm, a loud laugh echoing and joy filling his voice.

Kaz suppressed the urge to look at the spot where Jesper had touched him. It had been years since he'd gotten over the most brutal aversion to touch, when the mere thought of getting close to someone made him tingle and dizzy with imminent fainting. At 28 years old, Kaz Brekker had proven to be greater than the demons and weaknesses that haunted him, wanting to see his downfall. A man who wanted to defeat Pekka could have no weaknesses. And he prided himself on almost have none of them.

However, offhand gestures made him look at the spot where he had been touched. The sensation brought was not unbearable or nauseating, but strange. And when the situation was skin to skin in a touch that caught him off guard, the feeling was unpleasant. Like a splinter under the skin.

It was easier with people Kaz felt comfortable with, but it wasn't something he cared about. He forced himself to overcome the most brutal aversion just to be a man without weaknesses, no chance of being defeated in a torture, no chance of being defeated by a faint. No for to touch someon.

“I thought you didn't know her in person when I warned you yesterday.” Inej tried to contain her little smile.

“It was the intention. You guys forgot the definition of secret…”

"Boss." One of the employees had entered that exclusive room. "There's someone here wanting to talk to you, Sir." He looked apprehensive.

Kaz frowned. The crow club had no movement at eight in the morning.

"Who is?"

"I think…"

"Will you please let me through!" The female voice sounded outside the room.

Jesper and the rest of the gang were wide-eyed, mouths opening in amusement and bewilderment. Kaz was catatonic. What the fucking hell were you doing there?!

"What do you mean I can't talk to your boss?!" And you continued. “I spoke to him yesterday...Don't give me these arguments, my dad tells his employees to tell people exactly that...I swear if you touch out about me again I will...”

"Fucking hell!" Kaz came out from behind the counter, crossing the living room and opening the door.

He came face to with that scene. A short girl who argued with a bouncer who was triple her height and size. Kaz knew the man was arrogant and macho, and had probably nudged your temper. He would have been amused by the scene if he wasn't abgry that you didn't follow his explicit rules.

“Ray.” Kaz glanced at the bouncer, a steady gaze that made the brute immediately back away from you.

You even gave the man an angry look before heading towards Kaz.

"What are you doing here?!" He whispered angrily.

"I couldn't wait." You wiggled your fingers, a tic of anxiety. “I could barely sleep. It was lucky I didn't show up at six in the morning.”

“That's not excuses. We have a schedule!"

“But I couldn't wait!" You whispered too. “It's visseral. I can't just sit there and wait!”

What an insufferable creature!

"Well, you'll have to learn because…!"

"What are you two whispering back there? “ Jesper's voice interrupted the discussion in whispers.

The two of you turned to the troupe standing in the doorway of the Crow room. Playful, mischievous smiles were plastered across their faces, and you felt your cheeks blush. Kaz and you looked at each other, and in that second of silent complicity, the two of you finally stepped into the roles of partners in crime.

Tagged: @aleksanderwh0r3 @thedelusionreaderbitch @hi-there-x @mell-bell @glowingatdawn @subjecta13-thefangirl @itsnotquimey @thatchampagnebitch @lamoursansfin @lostysworld @s3xymoonman @is-it-really-a-secret

#kaz brekker x you #kaz brekker x oc #kaz brekker fluff #kaz brekker imagine #kaz brekker fanfic #kaz x reader #kaz brekker x reader #kaz brekker x y/n #kaz brekker #shadow and bone reader #shadow and bone imagine #shadow and bone #freddy carter x y/n #freddy carter x you #freddy carter fluffy #freddy carter imagines #freddy carter x reader #freddy carter

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sugarstickery · 3 years

Text

An Allegory Within the Dark

This is an unofficial fan translation of chapter 3 of Jujutsu Kaisen’s first light novel, Departing Summer and Returning Autumn by Gege Akutami and Ballad Kitaguni.

Summary: Mahito stumbles across an unusual human in his search for a place to call ‘home’.

Featured characters: Primarily Mahito, with brief appearances from Hanami and Jogo, along with an unnamed novel-only character

Timeline: An undefined time prior to the events of the Vs. Mahito arc

An Allegory Within the Dark

If you want to hide a tree, you go to the middle of a forest.

So if you’re looking to hide a person, you should go to the middle of a city.

Following that logic, it makes sense for curses worthy of being the true humans to set up their hideout in the city center.

Cursed spirits would actually have it much easier if they spent their time in places crammed with fear where humans and the like can’t live: deep in the mountains or in densely wooded areas, for example.

But for a group of curses plotting to overturn the current era, a base in the heart of the city is crucial for invasion and seeking refuge. That being the case, it’s also better to try aiming for a location with a high concentration of negativity.

Anyway, that’s how some employees from a scam business ended up massacred.

“This really is the simplest way to handle it. All of them nest together up here away from the public eye, so clean-up is a cinch.”

Jogo laughed while trampling the burning remains of a corpse underfoot.

Roughly two minutes ago, there were about six humans in the office.

The curses considered a few ways to handle dispatching them but ultimately decided that burning was the fastest, so Jogo quickly turned them to ash.

“But humans used this building, didn’t they? Won’t it be a problem if there’s property management or something?” Mahito asked, poking at an ostentatious vase displayed on a shelf.

Apparently the concern was unnecessary. Jogo tried to answer with a grin, but a nonsensical language cut into their conversation.

“⏁⊑⟒⟟⍀ ⎎⍜⋏⏁ ⟟⌇ ☊⎍⌇⏁⍜⋔”

“Oi, bastard—! Stop talking, Hanami! It makes my head itch!”

Though Hanami spoke in nothing but meaningless sounds, the intention behind it was somehow transmitted directly into the minds of others. This was usually unpleasant and it irritated Jogo.

When he noticed Mahito still looking his way, Jogo continued to explain despite his frustration.

“Hmph... What? There’s no need to worry. I asked Geto what his aim was, and it looks like these were the kind of underhanded humans who got involved in plenty of unethical things.”

“Hm. So basically, other humans won’t actually come close if they get that curse stuff happens here.”

“Exactly. Any respectable, straight-laced human would never come near this place under normal circumstances. It’s the perfect city-center hideout.”

“Is it really?”

“...What is it, Mahito? You don’t seem satisfied. What’s there to worry about? It would put us in a great position to start preparing our plans for the city, and it’s great for a quick escape if we need one.”

“Mm... No, you’re right, but...”

“But what? Spit it out.”

“It’s just... This room is really tacky.”

“Huh?”

With a pop, a small eruption burst forth from Jogo’s head. His narrowed eye looked like a painting of a gently sloping mountain.

“It’s tasteless, isn’t it? Stuff like that gaudy gold lion in the sparkly jar or this cheap-looking sideboard.”

“What are you even saying?! I have no idea what’s gotten into you lately, but you’ve been so annoying!”

“Movies.”

“Movies? Are those overly-embellished portrayals of humans really that interesting?”

“They’re references for my studies on the structure of a soul,” Mahito replied with an ambiguous smile.

If humans could see him, they might be reminded of a proud elementary schooler discussing the knowledge they gained from a book report.

“If I’m being honest, I don’t find the stories that interesting either, but I don’t hate the sense of visual aesthetics that humans have. That said, this room has too many useless colors and really hurts the eyes.”

“Such bratty, selfish complaints... We can just burn or toss anything that’s an eyesore.”

“No need, I’m going to look for a place to settle down on my own.”

“What? Ah, hey— Where are you going?”

Not waiting for Jogo’s response, Mahito waved over his shoulder and vanished like smoke or a gentle breeze, off to who-knows-where.

“Geez… Maybe it’s because he was born from human fear, but even knowing he’s a curse, he tends to be way too frivolous. Watching movies and all…”

While grumbling out his complaints, Jogo took a pipe from his shirt pocket to put in his mouth.

Unlike human cigarettes, this wooden pipe somehow imitated a screaming face when smoked.

“But that Mahito...”

Jogo spun around to survey the room with his one eye.

“...He says that, but it doesn’t seem tacky to me.”

“⊑⏃⋏⏃⋔⟟”

“I already said shut up!!”

You can only find a hideaway that suits you by looking for it on your own.

Mahito wandered through the city with this in mind. He alternated left and right turns on a whim any time he happened across a traffic light, walked alongside stray cats, or sometimes simply went in the direction of clouds that he liked the shape of.

While traveling along his chosen path like this, he keenly felt just how laughable humans were.

Though the city belongs to them, no one walking in and out of it was more free than Mahito.

Everyone seemed constrained. They were captured by ties of obligation and vanity, living in a wide, deep, big city with such narrow outlooks.

Unaffected by the enormous sky sprawling out endlessly overhead, they box themselves into their concrete city with their own hands and limited perception of souls, passing the time by whittling their lives down further and further.

Mahito even learned the words for some of these human concepts to study later.

For example, they call it “morals”. They call it “common sense”. They call it “emotion”.

But a human soul isn’t anything more than the resulting mechanical movement that comes from external stimuli.

And so they let go of freedom and live tightly controlled lives, fearing the judgmental stares of others, stooping to flattery for society’s approval.

“...What a waste.”

Everyone is bound by ostentatious shackles of their own making.

That’s why these curses know there has to be a change, as far as humans go. Those who cannot do anything but crawl in such an unsightly way under the magnificent sky must hand over the world.

Mahito thinks. He ponders over any topic his soul turns toward. He walks wherever the wind blows him.

Before long, the time had come for the sun to descend in the western sky. He could hear the burbling of a river.

“Not bad.”

The hideaway Mahito found was under a bridge, across the river.

It was a tunnel, vacant and huge like a temple.

Pipes ran along the inside, clear water flowing from them and into the river. It looked like wastewater was drained here after being purified, so there wasn’t much discomfort.

Apart from the humid air and the moss that emitted a peculiar grassy smell, it seemed wide enough to splash and jump around in, and the concrete’s cool texture provided a refreshing welcome.

There’s a season that curses are partial to.

Negative human emotions accumulate from the end of winter to spring, and it could be said that the rainy season served as the so-called peak of their ripening.

The inside of the damp tunnel held the same atmosphere. There was a gloominess there in the dim lighting that could easily nurture fear. It gently moistened Mahito’s skin; he felt cozy.

“Yeah, let’s stay here.”

When choosing a place to live, it��s best to trust your instincts.

Perhaps humans should do the same, but what they can’t readily do, Mahito can decide without hesitation. If he’s free when he wanders, then he’s free when he settles down, too.

Mahito stepped into the tunnel in good spirits, knocking solidly on the concrete floor.

The soul’s metabolism smooths out in comforting spaces. But…

“Huh?”

After walking a short distance, Mahito discovered “that”.

He initially thought it was some garbage or something that a human illegally dumped. But before long, it became clear that it was a sack-like silhouette leaning against a wall.

At first glance, it perhaps looked like a mere collection of rags.

But the shape of a soul was there.

—Ah, it’s alive.

Yes, just as Mahito had realized, it was a human.

The tattered clothing and wildly overgrown hair and beard hid his shape, but it was undoubtedly a human.

His exact age wasn’t clear from his outward appearance, but whether he was 60 or over 80, he looked elderly.

Mahito thought it was a bit of a pain.

There was already a visitor living in his precious hideaway.

Of course, taking care of this issue would be an easy matter for him. But he felt the same discomfort as a homeowner finding a stain on the wall of their new house.

‘Anyway, if I’m gonna deal with this, let’s get it done,’ Mahito thought, reaching out toward the old man with a little sigh.

Whereupon, unexpectedly, the old man spoke.

“...I’m sorry if you’re displeased.”

“Hm?”

“I don’t know what you came here to do, but... I’m sure your mood has soured after stumbling across the home of an old fool. But I have nowhere to go, either.”

Mahito was a little taken aback.

The old man was clearly aware of Mahito and turned toward him to speak. This wouldn’t be surprising at all if he was talking to a fellow human.

But Mahito is a curse.

The eyes of a mere human can’t clearly perceive cursed spirits.

It isn’t impossible, though. If humans are born with cursed energy, it isn’t unusual for them to be aware of the existence of curses.

What caught Mahito’s attention was this old man’s lack of ‘eyes’.

As in, he had no eyes in the physical sense. Instead, in the empty sockets that once held them, there was a burn scar that was painful just to look at.

Even sorcerers rely on their eyes to view the world.

They depend on their field of vision to spot cursed spirits. That’s why so many of them use sunglasses and the like to conceal their line of sight, as it helps them remain unaffected. It also helps them maintain a balanced mind when their daily life overflows with curses.

However, that was not the case for this old man.

“Can you see me?”

When Mahito asked, the old man answered with a gentle nod.

“At the very least, I can feel you.”

“But you can’t see the world?”

“Naturally. That includes the scenery, what you look like, what color your skin is, and even your gender. Even so... I know you’re there.”

“...Are you a sorcerer?”

“Most likely not.”

“You’re being pretty vague, even though you’re talking about yourself.”

“For a long time, that’s what I’ve been the most vague about.”

Mahito began to notice something strange.

He can feel the shape of a human’s soul.

He knows the movement of a soul’s metabolism, whether it takes on a harsh form, withers weakly, or flickers with liveliness.

However, this old man’s soul was hardly metabolizing.

It was like a meadow with no wind, or a still sea, or the blue sky on a cloudless day.

No, it would be most appropriate to compare it to a stone.

His soul was like a stone on the side of the road.

No fancy ornamentation, no polishing. Unmoving, unwavering.

Calmly passing the time while growing moss.

That was the shape this old man’s soul had.

No matter how calm or how old a person is, the human soul always flickers.

As the years stack up, common sense doesn’t disappear, selfishness isn’t eliminated, and fear isn’t conquered.

But this old man was different.

The old man’s soul was at peace. He had sincerely accepted that everything would decay with time, but that didn’t mean he would throw his life away. It was truly similar to the way in which nature existed.

It was Mahito’s first time meeting anyone like this.

For a while, the tunnel became something of a den for Mahito.

He had gotten a hammock from somewhere, which he hung up between the pipes. He lounged in it and read, passing the time in comfort.

In a movie about life on a deserted island, a human who was desperate to survive made a hammock. Through it, he was able to regain a little peace of mind.

Since it looked surprisingly comfortable, Mahito gave it a try and it worked out nicely.

The arguments and fights of the outside world didn’t reach the inside of the tunnel, where only the burble of the small stream could be heard.

It provided a good environment for soothing the soul.

While leisurely absorbing new knowledge from his books, Mahito would sometimes absentmindedly gaze up toward the ceiling, or glance down at the corner where the old man squatted, looking as he always did.

“How do you live like this? It’s pretty mysterious...”

In the end, Mahito didn’t kill the old man.

It’s important to note that the old man wasn’t much of a hindrance for him. If it would make no difference whether he was there or gone, then Mahito figured getting rid of him would be more of a hassle.

The old man was just there, even quieter and more carefree than a stray cat.

Mahito knew the phrase: ‘man is only a reed, but he is a thinking reed’.

He found it hilarious and also genuinely liked it. It simultaneously boasted about being trapped in thoughts of the soul, while also showing that humans were frail as weeds.

It could be said that the old man was an unthinking reed, then.

No – he was even quieter than that; more like grass or some type of moss. In any case, the old man said nothing and simply carried on living.

Every now and then, the old man would suddenly shuffle off elsewhere, but he would be back to sleep before Mahito knew it. He was surely getting food from somewhere, but he never seemed to gain weight. If he lost any while in the tunnel, he would eat just enough to gain it back when he left, and no more.

It was a style of living so close to nature that it seemed more like a phenomenon than a life.

“That’s why I seriously wonder if you can see me.”

The suspicion was uttered suddenly.

Mahito wasn’t exactly speaking to the old man. Rather, his tone was that of someone talking to themselves.

But when he noticed that the old man’s soul didn’t waver even after hearing him speak, Mahito finally addressed him directly.

“How long have you been here?”

“Let’s see… I think a few winters have passed, but I’m not sure,” the old man muttered, his reply quiet.

Since they were two beings with souls who were aware of each other’s existence, Mahito felt it would be more natural to chat every now and then.

“Don’t you get bored?”

When spoken to in a soft tone, the old man also responded softly.

“I’ve forgotten how to be bored.”

“How do you usually pass the time here?”

“I don’t do anything, really. I just listen to the sounds.”

“The sounds?”

“The sounds of the water flowing.”

“...Is it fun?”

“It’s not. But I forgot how to have fun a long time ago, too, so it’s not an issue.”

So it was like that. Mahito nodded.

If this old man could no longer even feel the pain of boredom, perhaps his soul was worn down.

Humans of the city gasp and struggle through the hurt of not having enough, yet always wish for more even when they get what they wanted. Their souls grew fat and tattered through the rich accumulation of these negative feelings.

So in that regard, from Mahito’s point of view, the old man had a thin soul – but it could be said that was clever of him.

A fat and full human soul leads to a fear of losing the gratifying present moment, which in turn gives birth to curses.

“It’s hard to get your attention. What’s your name?”

When Mahito asked, the old man looked into the air for just a second.

“I left that behind. You can call me whatever you like.”

“There are humans without names? Even curses have them.”

“If you don’t meet other people, you don’t need a name.”

“Isn’t it a problem if you don’t have one?”

“When is it a problem?”

“When it’s time to be buried.”

“I don’t need a gravestone with a name. I can just be stuffed into a common grave, or maybe I’ll rot undiscovered and return to the earth that way.”

“Can’t you take a joke?”

“…Was that a joke?”

The old man didn’t laugh. Neither did Mahito.

But Mahito had the feeling that this old man was childish, contrary to his appearance. His lack of attachments created an unsullied disposition that might make him younger than he looked.

His interest in the old man simmered and surged.

It was his first time seeing this type of human, his first time feeling a soul with this form. For Mahito, this was a rare specimen.

What kind of path must life take to make this kind of human? What would be the most intriguing shape to make with a soul like that? What uses could one plan for such a person?

And what kind of curse would be born from them?

With these questions fueling his curiosity, Mahito started to chat with the old man.

“Why are you here?”

“…Why?”

The old man looked up toward the ceiling through his unruly bangs.

His eye sockets were empty, but it seems like even without sight, humans tended to stare into nothing when they were thinking. One curiosity of Mahito’s was satisfied.

“You weren’t born and raised in this tunnel, right? As a human, you must have been in that noisy city.”

“Ah, that. I lived a fairly busy life a long time ago. I inherited the house, worked, made money and supported my family.”

“So you were a human in a pretty good position.”

“In human society, yes. Looking back on it now, it was all meaningless.”

“So... what, you basically started living in a hole like a mouse, then?”

“I did that because I lost everything that I needed up to then. I lost my social status, my money, and a place where I belonged.”

“You lost it all?”

“I was tricked. That’s when my eyes were burned, so I lost my sight then, too.”

Mahito incidentally recalled the company Jogo attacked.

“You got tricked, huh? You seem pretty good-natured about it.”

“That’s because I didn’t care much about being tricked.”

“You’re a weird old man. Is this some kind of hobby where you get your kicks when people deceive you or something?”

“I’m just saying, that’s the kind of person I was back then. The ones who tricked me were my old friend and my wife. My eyes were burned in that so-called “accident”¹; they claimed I wasn’t of sound mind and body after that, and under the guise of caring for me, they stole everything I worked for before I knew it.”

“That’s a pretty flashy way to trick someone, isn’t it? You’re talking like it’s someone else’s problem.”

“Those two loved each other, and I was loved by no one. Knowing that was more monumental to me than being tricked.”

It was hard for Mahito to interpret what the old man said.

Love. Is it really such an important word?

It’s said that curses born from love exist in the world. It seems there are tremendously powerful ones among them, too. But Mahito doesn’t understand how the mechanism by which people love each other is any different from a cat’s attachment to a blanket.

Still, Mahito knows for a fact that people are obsessed with it.

“Didn’t you curse them? The ones who tricked you.”

“Not really.”

“’Not really’, huh. You know, normally a human in that situation would get angry and hold grudges, and it would make the shape of their soul deteriorate.”

“It’s true, though. I don’t think I had the energy to even consider seeking revenge or hurting them.”

“...I get it.”

Mahito nodded, filling in the blanks.

Regardless of whether or not he can guess the trends in human emotion, Mahito has studied many movies, novels and poetry so far.

Then there were the humans he tinkered with. Mahito could put together the pieces he gleaned from those things and use them to break down the old man’s story.

“So basically, you were in despair. So much despair that it was like your soul was about to die. That’s how you broke through the creation of grudges and curses and ended up like this.”

The old man slowly shook his head.

“I may have been disappointed, but I don’t believe I felt the intense despair you’re thinking of.”

“Are ‘disappointment’ and ‘despair’ different?”

“They are; this is just my personal experience.”

The old man raised his face, following the memories.

“There was no burning resentment or turbulent sorrow. It’s just... I was tired, I guess. Between work, assets, reputation, my life situation and duties, dealing with others, caring about the family name... I think I was probably just tired and worn out because of it all.”

“And that’s why you didn’t get mad even after being tricked?”

“I was at peace. They say the soul gets lighter after going through disappointments.”

The old man’s voice was calm.

It had a cool quality to it, like muddy water that had been filtered clean.

“I couldn’t see, I had no money, I had no love... But as I was walking through the city with nothing to my name, it all suddenly became inconsequential. And then, as I looked around, I saw the city in a new light.”

“Even though you can’t see?”

“Yes. When you can’t see anything, it’s just sound and wind that goes on forever anywhere you are. I couldn’t even see the walls blocking the city in. It was just endless darkness spreading out forever, like a starless night. For the first time, I understood how wide the world was. And I thought to myself... ah, I’m free, aren’t I?”

Mahito blinked rapidly.

This old man’s thinking didn’t fit any other case he had gathered so far.

Even hearing about his past, he couldn’t understand the old man’s thoughts.

But even from Mahito’s point of view, the old man was certainly free.

Without so much as leaving the middle of this tunnel, he knew that the sky was vast.

Perhaps he knew it better than any member of high society walking around freely in the city. He knew the wide spread of the sky, the soft caress of the wind, the gentle sounds of the water.

This old man, who looked like a simple rakugoka², had no property or social standing. He even lost his connection to other humans... And maybe that’s precisely why he could uncover the elusive meaning of the word ‘freedom’.

He was just existing, just being alive, without attachments, grudges or curses.

“So basically ‘not all those who wander are lost’?”

“Yes, though quoting Tolkien’s works might be a little tedious.”

Mahito smiled when the man immediately caught the reference to a book he just happened to read.

“Were you a bookworm?”

“All I did was cram a lot of information in.”

“It’s good to be well-read.”

If curses are born from the fear that humans feel, could this old man even be considered human?

As Mahito is, he struggles with the expression of human emotions.

But he was calm.

For the first time since coming into contact with humans, he had a feeling of peace.

“I think if everyone in the world was like you, I wouldn’t have been born.”

Mahito looked back at his book.

The old man, staring into nothing as always, fell silent again.

Curses are born from humans, but they also kill humans. There is no way for the two to coexist.

But in this tunnel, a curse and a human were doing exactly that.

Though distorted, this peaceful period of time flowed by gently.

It’s only natural for humans to hate and fear other humans.

Since they can’t see souls, they can only make guesses about the feelings of others, and they’re swayed by their own emotions.

They don’t understand that these things are just a reflection of the soul’s metabolism. They don’t even know where their soul is.

Mahito investigated the matter.

This blind man lost his sight and his connection to others, so his soul received less stimulation.

And so, no longer influenced by unnecessary things in the physical world, he spent a lot of time facing his inner world and reflecting.

“It’s kind of like a monk’s training. Through strong introversion, a person looks at their soul more often.”

Mahito walked around the city, skimming through a beaten-up copy of the Heart Sutra.

It was a sutra handbook that focused on controlling the soul. It looked like humans of the past did their own research into freeing the soul from the material world.

The old man’s life ended up in a similar state without him setting out to do it on purpose.

That was likely how he learned to feel other souls through the darkness he lived in. Mahito concluded this was the reason he was aware of curses.

“I think he was already predisposed, but... seems like it’s easier for introverted humans to show promise.”

If he gave the old man’s situation even deeper consideration, he could probably make a lot of guesses about a sorcerer’s training. There’s even a way to encourage the first manifestation of cursed energy.

In that case, it should also be possible to take a talented person and ‘make’ them into a sorcerer or curse-user.

Unleashing a curse-user made by a curse onto a sorcerer...

That might be a fun experiment. It’s easier to shake up a human’s soul by having them fight other humans, rather than just exorcising curses. Sukuna’s vessel should be no exception.

Although...

—Maybe it’s fine to do that a little later?

Yes, Mahito thought it over at his leisure.

He is free. When it’s time to move, he moves. When it’s time to rest, he rests.

And he was not in the mood to launch that plan into action.

Rather, for the time being, he just wanted to gather knowledge and indulge in thought. He also got some new books and wanted to read fantasy novels while basking in the quiet comfort of the tunnel.

Mahito’s gait became lighter. While walking alongside the throng of people, he even began to hum.

Suddenly, a loud voice rang out from between two buildings.

“—so damn annoying, yeah?”

Looking over that way, he saw two young humans: a man with long, thin hair, and a muscular skinhead. They were undoubtedly people who looked like trouble.

The long-haired man listened as the skinhead rambled on with his complaints, seemingly in some kind of sullen mood.

“Damn, it’s seriously freezing. Anyway, every last one of ‘em just puts on shitty airs, but it’s all just talk. Nothin’ but excuses. Ah, I wanna kill ‘em all...”

“You say that, but come on. You talk big about wanting to beat these guys to death when you’re pissed, but could you actually kill someone?”

“Sure. Ain’t like killing’s hard.”

“Seriously?”

Mahito squinted and listened, the conversation going in one ear and out the other.

It’s not that he disliked the way they acted or how they spoke bluntly about their heart’s desires. But Mahito knew people like this were all talk.

“Yeah– seriously, anyone’s fine, I just wanna kill someone.”

Then maybe you should do it without saying anything.

Better yet, he thought about practicing some killing methods on them. But Mahito felt the light weight of the book in his hand as he reached out, and he stopped.

Rather than sparing any consideration for this, he just wanted to go back to the comfort of the tunnel and read.

“I’ll kill ‘em.”

The skinhead’s grumbling voice sounded like a spell.

But the words would find no power or heart to shelter in. Shut away between these buildings, the most a person can do is talk to themselves. It’s best for humans like this to stick to the narrow back alleys, foolishly thinking they’re enjoying a wide world.

Mahito averted his gaze and made his way back home.

“Why did Gregor become a bug?”

Mahito suddenly asked the old man, not taking his eyes off the novel.

It was a famous book by Franz Kafka.

A story in which a human unexpectedly turns into a poisonous insect.

“The most popular theory is that the bug is a metaphor.”

“Metaphor?”

“It means he was a person who was hated and oppressed within society, treated the same way a human would treat a bug. Kind of like an old man who was suddenly blinded and tricked one day.”

“Is that a joke?”

“Not exactly.”

It was detached and dispassionate, but an answer would come back any time Mahito said something. When conversing with the old man, it felt like talking to a dictionary. He had a lot of information.

He knew about things like the inner workings of the mind and human culture, and he was smart enough to explain it simply in discussions.

For Mahito, who analyzed human souls through books and movies, this old man’s knowledge and conversation helped in its own way.

When do humans get angry? Why do they grieve?

How do they trust and in what ways are they betrayed?

Mahito lived with a different sense of ethics when compared to humans, so there were many things he struggled to interpret. The old man explained them and helped him understand.

He had a strong interest in the experiences of the old man, who had once lived among humans but didn’t act like them.

“After becoming a bug, Gregor eventually hid away like he was told to, but he still ended up being spotted and it led to his death. Jii-san³, why do you think that is?”

“You cannot find peace by avoiding life.”

“That’s a quote from Virginia Woolf, right?”

When Mahito immediately and correctly guessed the source, the old man raised a brow slightly.

“You’re a pretty avid reader, too. Conversations with you are really stress-free.”

“Do you have to go back to living with other humans, then?”

“If you don’t have any attachment to the human world, there’s no need to run from it or stand against it⁴.”

“I see,” Mahito murmured to let the other know he was listening, eyes still on the book.

Even if he wasn’t looking at it, the old man’s perpetually calm soul was aglow in the dark like always.

Mahito read his book in the dim room lit by the brilliance of that soul instead of a candle.

Time quietly flowed through the darkness.

Outside of the tunnel, signs indicating the end of summer crept up.

The end came abruptly.

One day, when Mahito was heading back to the tunnel with an abandoned poetry anthology that he picked up on an aimless walk through the city, he felt a noisiness that shouldn’t have been there.

There were one, two, three swaying souls.

One had a very familiar shape, but it was terribly frail. It was like the dying flame of a candle weakened by the wind.

With the same unchanging gait as always, Mahito stepped into the tunnel.

As expected, the old man was there.

But the unusual thing was the crumpled, strange position that he was in.

He was also sandwiched between two younger men who were looking down at him.

“Oooi, isn’t this bad? Did this guy seriously die?”

A man with long, thin hair spoke in a tone that was not particularly anxious.

“Didn’t I say it? I said I could kill,” a muscular skinhead replied, his voice casual.

“But ain’t this just impulsive?”

“Yeah, well, the old man had some real cheek, looking down on us when he’s this weak. So why not just kick him?”

The skinhead likely played sports, given that his legs were as thick around as logs. Kicking an old man to death would be easier than crushing a can.

The two didn’t seem to have a single scrap of interest in the old man, his life or his soul.

There was no reason, no grudge, no clear murderous intent.

It seemed like they simply arrived at the tunnel somehow. They took the opportunity to do as much violence as they wanted. They beat him on a whim.

It could be said that this way of being is freedom for humans.

Mahito crouched down, peeking at the old man’s face.

The beaten visage of the man with burned eyes came into view. But even at a time like this, his expression was as calm as always.

“Are you going to die?”

Mahito searched for even a mumbled word or two in response.

“...Seems so...”

The old man answered in a hoarse voice. He likely barely had the power left to speak now. It appeared as though the two men didn’t hear him over their loud conversation.

He intently inspected the old man’s soul.

The peaceful soul was not flickering, nor did it hold anger or grief; it was simply coming to an unhurried end.

Mahito was impressed.

This old man had found the true meaning of freedom. He really was released from every tie of obligation in this world. Even on the verge of death, that didn’t change.

Being able to make sure of that with his own two eyes, Mahito felt considerably relieved. In the same way he would watch a flower wither and fall, he observed the old man’s death.

Nevertheless...

“Jii-san?”

He had a feeling.

It’s like seeing a plot twist you don’t want to see if you keep turning the pages of a book.

Or like knowing the contents of a present before you open it.

That kind of buzz spread through Mahito’s chest.

While he puzzled over the instinctive alarm bells screaming at him to stop watching, everything was heading toward its end.

“...I thought I would die alone.”

The old man’s soul dimly flickered.

A smile was on his swollen face.

“...To have someone... here to witness this old fool’s last moments...”

The flicker might have been insignificant, like a single drop breaking the water’s surface. Even so, for an instant near death, at the end of it all...

The old man’s soul ‘metabolized’.

“...Tha...nk... y...”

The old man died smiling.

“. . .”

Mahito’s eyes opened wide, and for a moment, he was frozen.

He thought the old man was different when compared to other humans. To Mahito, he seemed unfettered.

Mahito thought the unique philosophical views stemming from such an extraordinary state of mind had freed him from all the shackles of this world.

But despite all of that, the old man was still captured right in his last moments.

On the brink of death, he clung to someone else so he could avoid a lonely end.

The old man was only human.

For a human, it was likely satisfying enough. Perhaps it was even the proper way for one to die.

“. . .”

Mahito said nothing.

But what felt like a dry wind blew through his chest, leaving him cold.

He didn’t know the name humans gave that emotion. But his consciousness was like yarn tangling in on itself, wriggling around like a worm—

And suddenly, it all cut off at once.

The only thing left behind was the sensation of standing in a dry and barren wasteland.

“—So basically,” the skinhead’s voice echoed. “Police probably won’t do a proper investigation. Not for this old nobody.”

“Hey, hey, hey; that’s still a person,” the long haired man answered lightly.

“Yeah, well, that guy started it.”

“He shoulda looked at who he was talking to before he picked a fight.”

“Anyway, my pants are dirty from all that kicking... That’s a problem.”

“So fussy. That’s what you’re worried about when you just killed a guy? How funny.”

“That ain’t a person. Anyway, don’t you know I like being clean? Ahh, the blood won’t come off... Water doesn’t do any good, right?”

“Yeah, it doesn’t – but more importantly, if you’ve settled down, I’m hungry. Let’s stop by a convenience store.”

“I dunno. If you’re gonna look, buy a bento and let’s get outta here.”

Mahito quickly stood up in the same way one would when they finished looking for something in a store.

A sense of fatigue was deeply ingrained in his body.

Their incoherent voices persisted, reverberating through the tunnel, smeared with excuses and attempts to escape reality. He couldn’t hear the soft burble of the stream.

With deep-seated listlessness, Mahito approached the skinhead as one would move to pick up fallen trash.

Idle Transfiguration. The technique spreads quickly.

And thus, the moment he tapped the man’s back, its shape was no longer human.

“Ee—!!”

If he just killed them, it would create a nuisance in the form of a corpse, so he simply folded it up into something palm-sized and kept it alive.

Then, with a careless sweep⁵ of his hand, he folded up the other man as well.

“Begh—”

It fell silent.

Mahito gathered up the two, now no bigger than chess pieces, and turned his attention down toward the remaining corpse of the old man.

It was now just a bag of meat full of bones. Not even the soul remained, so he couldn’t use Idle Transfiguration to fiddle with it.

He was briefly troubled by its disposal, which served as the biggest inconvenience.

In the tunnel, there nothing but the sound of running water.

It was a day where the sky seemed farther away than usual.

Clouds peeked out from around the buildings and a good feeling was carried in on the wind.

Mahito aimlessly walked about the city.

“Maybe I’ll catch a movie. It’s been ages.”

He picked a tiny, somewhat old-looking theater and snuck in.

He’s had high motivation lately, and it seemed like some unnecessary things had peeled away from his soul, leaving him more carefree than ever.

Thanks to that, he had also begun to toy with humans more often.

If he can fold a person up and make them small, he wanted to test out inflating one instead, but he slept on the idea overnight. It was pretty fun, but he knew that he was getting too absorbed. He also felt that carrying on with too much persistence wasn’t a good thing.

A change of pace every now and then was fine, too.

He hadn’t closely checked to see what was being screened. It was mostly just plain and obscure movies, but if one went in with no expectations, they might come across a surprisingly interesting tale.

Curiously, he had that kind of a feeling.

While walking through the hall of the theater, he casually felt through his pocket, which had grown bulky with the ‘small humans’ that he had touched.

—Speaking of which, he thought that was a nuisance.

He carelessly tossed some of them away.

Opening the door, he stepped into the theater.

Perhaps because it was a weekday, there weren’t many customers. The silhouettes of what appeared to be students filled out a few seats here and there.

From where Mahito stood in the corner, he had a good view of the screen.

Soon, instead of a curtain raising, the theater was engulfed in darkness.

T/N: [1] In this sentence, the implication is that the “accident” was very much orchestrated by the old man’s friend and wife, who burned his eyes somehow and then merely made it look like an accident [2] The rakugoka is the storyteller in rakugo, a form of (often) comedic theater that relies solely on spoken word from the rakugoka, who only uses a fan and hand towel as props [3] A way of referring to old men in general, basically like “gramps/grandpa”; Mahito never calls him by an actual name [4] Essentially, the old man’s saying that he (or anyone) can exist parallel to human society without interacting if they have no attachments to it and can still find peace, contrary to the Woolf quote [5] Kanji reads sweep, furigana reads cleanse (the same word for exorcism that sorcerers use)

Thanks as well to Pixi for help with editing and tl checks! If an officially translated version of the novel becomes available in your country, please consider purchasing it, or consider buying a copy of the original novel in Japanese if possible!

#jujutsu kaisen #mahito #mahito jujutsu kaisen #mahito jjk #jogo jjk #hanami jjk #jujutsu kaisen light novel #translation #departing summer and returning autumn

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jiangwanyinscatmom · 3 years

Text

Hi! So first of all I want to clarify that I'm not in any way saying jc isn't a homophobe, because I mean, it's pretty obvious. However back when I read the mxtx interview I read her answer as 'wwx acted all of a sudden very different with lwj, to the point where it was jarring for jc who had not seen him act that way before.' I do not think jc understood at all wwx's affections towards lwj, and this did not think it was disgusting because he saw it as flirting. (1/2)

I find it weird that people use it as a 'proof' that jc is homophobic when it's not straightforwardly telling us it's homophobia, and also since you know, the novel is right there and tells us far more clearly that jc is, in fact, a homophobe. (2/2)

So, here, I agree the interview isn't a stated full explanation in itself and not to be used as evidence alone.

I think that at the time it was not fully homophobia on his part when he had first noticed Wei Wuxian's attention for Lan Wangji in Cloud Recesses. Jiang Cheng had never understood Wei Wuxian's penchant for wanting to be around Lan Wangji and I think that his surprise of Wei Wuxian flirting with a man (He himself talks about how he never thought it odd with Wei Wuxian flirting with women all the time) Lan Wangji was always the strange outlier for flirting. It steadily devolves into more overt homophobia as they get older.

Cloud Recesses when they're 15,

Wei WuXian replied, “Yeah, I also thought that he should be praised for having the courage to come see me. He was probably told by his uncle to come check if I was kneeling properly.”

Jiang Cheng instinctively felt a foreboding sensation, “Were you kneeling properly?”

Wei WuXian, “I was kneeling properly. After he was some distance away, I found a stick and started to dig in the dirt. The pile beside your foot. There’s an ant hole there that I went through tons of trouble to find. When he turned his head, he saw that my shoulders were shaking, and he definitely thought that I was crying. He even came back to ask me. You really should have seen his expression as he saw the ant hole.”

“…” Jiang Cheng spoke, “You should get lost and go back to Yunmeng as soon as possible! I don’t think that he wants to see you ever again.”

The part that sticks out here is the fact that Jiang Cheng feels any sense of foreboding at all for a silly situation that Lan Wangji had walked away from seeing Wei Wuxian was actually okay. It's the first seed of him continuing the line of thought that "He hates you". He is already feeling strange about Wei Wuxian's flirting and chooses to sort of project this hate into Lan Wangji for Wei Wuxian.

Lotus Pier summer after Cloud Recesses lessons:

I just thought of someone.”

Jiang Cheng, “Who?”

Wei WuXian, “Lan Zhan.”

Jiang Cheng, “Why would you think of him for no reason? Reminiscing what it felt like to copy sect rules?”

Wei WuXian spat out a seed, “It’s fun to think of him. You don’t even know—he’s just too amusing. I told him, ‘Your sect’s food is disgusting. I’d rather eat stir-fried watermelon peel than eat your food. If you have time, come have fun with us at Lotus Pier…'”

Before he even finished, Jiang Cheng slapped his watermelon off, “Are you mad? Inviting him to Lotus Pier—are you trying to torture yourself?”

Wei WuXian, “Why are you so upset? My watermelon almost flew away! I was just being polite. Of course he wouldn’t come. Have you ever heard of him go anywhere by himself to have fun?”

Jiang Cheng had on a stern expression, “Let’s make this clear. I don’t want him to come, anyhow. Don’t invite him.”

Wei WuXian, “I never knew you hated him so much?”

Jiang YanLi sat down between the two, “Who are you talking about? A friend you made in Gusu?”

Wei WuXian responded happily, “Yeah!”

Jiang Cheng, “What a shameless ‘friend’ you are. Go ask Lan WangJi and see if he wants you as one.”

Wei WuXian, “Fuck off. If he doesn’t want me, I’ll bother him to the point that he does.” He turned to Jiang YanLi, “Shijie, do you know Lan WangJi?”

Jiang YanLi, “I do. He’s that Lan-er-gongzi whom everyone describes as handsome and talented, isn’t he? Is he really that handsome?”

Wei WuXian, “He is!”

Jiang YanLi, “Compared to you?”

Wei WuXian thought about it for a moment, “Maybe just a bit more handsome than me.”

He formed a tiny bit of space between two fingers. Taking the plate away, Jiang YanLi smiled, “He must be truly very handsome, then. It’s a good thing you made a new friend. In the future, you two can visit each other in your free time.”

Hearing this, Jiang Cheng spat out his watermelon. Wei WuXian waved his hands, “Forget it, forget it. All that’s at his place is bad food and a whole lot of rules. I’m not going again.”

Jiang YanLi, “Then you can bring him here. This is a good opportunity. Why not invite your friend to come stay at Lotus Pier for sometime?”

Jiang Cheng, “Don’t listen to his nonsense, Jie. He’s super annoying in Gusu. Lan WangJi would never want to come home with him.”

Wei WuXian, “What do you mean!? He would.”

Jiang Cheng, “Wake up. Lan WangJi told you to get lost, didn’t you hear? You still remember that?”

Wei WuXian, “What do you know!? Even though he told me to get lost on the surface, I know for sure that he secretly wants to come play with me in Yunmeng—in fact, he would love to.”

Wei Wuxian is still in the belief that Lan Wangji does like him. Jiang Cheng of course isn't amused by Jiang Yanli's indulgence in Wei Wuxian's daydreams. Wei Wuxian continues to, well, essentially pine innocently about Lan Wangji, his fellow disciples even encourage it leading to... Jiang Cheng sulking even further over the fact that Wei Wuxian is in fact pining over another boy. He puts two and two together as Wei Wuxian is flirting with the girls on shore later on and he talks of the things he will do with Lan Wangji as he visits. He talked of training with Lan Wangji in the same way he invited the girls to watch him train.

Phoenix Mountain Hunt

Lan WangJi suddenly raised his hand, stopping a flower tossed over from behind him.

He looked back. Over at the side of the YunmengJiang Sect’s riding formation, which hadn’t departed yet, Jiang Cheng clicked his tongue impatiently, seated at the front. However, the person beside him sat on a horse with black, gleaming hair. His elbow was at the head of the horse as he looked to the side as though nothing happened, talking and laughing with two slender-bodied maidens.

Lan XiChen saw that Lan WangJi had drawn the reins and ceased to move forward, “WangJi, what happened?”

Lan WangJi, “Wei Ying.”

Wei WuXian finally turned around, face full of surprise, “What? HanGuang-Jun, did you call me? What’s up?”

Holding the flower, Lan WangJi seemed to be quite cold. His tone seemed cold as well, “Was it you?”

Wei WuXian immediately denied it, “No, it wasn’t.”

The maidens beside him spoke at once, “Don’t believe him. It was him!”

Wei WuXian, “How could you treat a good person like this? I’m getting angry!”

Giggling, the maidens pulled their reins and went to the formations of their own sects. Lan WangJi lowered the hand that he held the flower with and shook his head. Jiang Cheng spoke, “ZeWu-Jun, HanGuang-Jun, apologies. Don’t pay attention to him.”

Lan XiChen smiled, “That is fine. I will thank Young Master Wei’s kindness behind the flower in place of WangJi.”

When they slowly rode into the distance, carrying with them the clouds of petals and fragrance, Jiang Cheng glanced at the colourful sea of handkerchiefs waving on the watching towers before turning to Wei WuXian, “Why are you throwing out flowers along with the girls?”

Wei WuXian, “I think he looks nice. Can’t I throw a few as well?”

Jiang Cheng pointed his nose into the air, “How old are you? Who do you think you are, still playing tricks like that?”

Interestingly enough, this flower scene is similar to what had once occurred during the summer of Lotus Pier. This is after it had been established that Wei Wuxian thinks Lan Wangji now dislikes him morally. Yet he still reaches out to tease and flirt with him, leading Jiang Cheng to continue asking why well into their early 20's is Wei Wuxian still doing this. It was excusable when they were younger but now this is inexcusable and troublesome for someone who is supposed to be his righthand acting on whims still and flirting with a man of reputation. Jiang Cheng actively had encouraged the rift between Wei Wuxian and Lan Wangji after the return from the Burial Mounds. He agreed very readily that Lan Wangji wanted to imprison Wei Wuxian instead of extending any help in regards to Wei Wuxian's volatile disposition that went on for years after this altercation, convincing himself and Wei Wuxian of Lan Wangji's supposed hate.

Wei WuXian was in such a state of distress that he couldn’t remember whether or not he called someone’s name at all. He only managed to pull himself together after Jiang Cheng commanded the dog to back away. After a moment of hesitation, he abruptly turned his head away. On the other side, Jiang Cheng left his seat. There was a whip attached beside his waist. With one hand on it, he bent down to look at Wei WuXian’s face. After a pause, he straightened up and asked, “Speaking of it, since when have you been so close to Lan WangJi?”

Wei WuXian immediately understood whose name he had unconsciously called out.

Jiang Cheng smiled menacingly, “It really is quite curious how far he went to protect you, back on Dafan Mountain.”

A moment later, he corrected himself, “No. You weren’t necessarily the one whom Lan WangJi was protecting. After all, the GusuLan Sect couldn’t have forgotten what you did with that loyal dog of yours. How could someone so celebrated for his righteousness tolerate the likes of you? Maybe he’s familiar with this body that you stole instead.”

His words were cruel and sinister. Every sentence seemed well-meaning on the surface, but was actually derogatory. Wei WuXian couldn’t bear hearing it any longer, “Watch your language.”

Thirteen years later his taunts have become more refined as he is well off into hating Lan Wangji himself now that Wei Wuxian had been dead. He taunts that Lan Wangji is more promiscuous than presented as well as using Wei Wuxian's old goodwill for Lan Wangji for him to go on the defense. Jiang Cheng however thinks using the fact these men are gay is only a tool, he does not believe they are as his disgust of Mo Xuanyu being gay does disgust him. His suspicions have turned into bigotry instead finally in the years that Wei Wuxian was gone.

When Jiang Cheng accused him, Wei WuXian couldn’t defend himself at all, but he just couldn’t bear it when those words were being directed at Lan WangJi.

Wei WuXian reprimanded, “Jiang Cheng, just listen to yourself. What are you saying? Is it appropriate? Don’t forget who you are. After all, you’re the leader of a sect. Insulting a renowned cultivator in front of Uncle Jiang and Madam Yu’s spirits—where is your discipline?”

His original intention was to remind Jiang Cheng to at least hold some respect for Lan WangJi. However, Jiang Cheng was always sensitive. From those words, he managed to make out the notion that he wasn’t fit to be a sect leader. Immediately, darkness crawled up his face, bearing an eerie similarity to how Madam Yu looked when she was angry. His voice was harsh, “Who is the one insulting my parents in front of their spirits?! Could you two please understand whose sect you’re in? I don’t care if you act so shamelessly outside, but don’t you dare fool around inside our ancestral hall, before my parents’ spirits! After all, they were the ones who brought you up—even I feel ashamed for you!”

Wei WuXian never expected such a huge blow to crash down on him. He was both shocked and furious, blurting, “Shut up!”

Jiang Cheng pointed outside, “Mess around outside however you want, whether under a tree or on a boat, hugging or otherwise! Get out of my sect, get away from anywhere my eyes can see!”

Hearing him mention ‘under a tree’, Wei WuXian felt his heart skip a beat—could Jiang Cheng have seen the moment where he crashed into Lan WangJi’s arms?

His guess was not wrong. Jiang Cheng did indeed go out to find Wei WuXian and Lan WangJi. He chased after them in the direction that the street vendors pointed at. A voice in his heart seemed to tell him which places Wei WuXian would definitely go. He caught up to them in just a while. Yet, he just so happened to see Wei WuXian and Lan WangJi enveloped in a tight embrace under a tree, unwilling to let go of each other even after so long.

Goosebumps immediately ran down Jiang Cheng’s body.

Although he’d made guesses at the relationship between Mo XuanYu and Lan WangJi before, they were only attacks trying to offend Wei WuXian, not that he really suspected anything. He’d never thought that Wei WuXian would have ambiguous ties with a man, because after all, when they grew up together, Wei WuXian had never expressed any such interest. He’d always loved good-looking girls with a passion. On the other hand, it was even more impossible for Lan WangJi. He was famous for his asceticism, seemingly interested in neither men nor women.

But hugging like that seemed intense no matter what. At least, they didn’t seem like normal friends or brothers. He immediately recalled that Wei WuXian had always stuck to Lan WangJi ever since he came back. Lan WangJi’s attitude towards him was also different from what it was before he was reborn. At once, he was almost certain that the two really were in that kind of relationship. He couldn’t turn around and leave, yet he didn’t want to say a single word to the two, so he continued to hide himself as he followed them. Every single look and movement that passed between them seemed different in his eyes. For a while, the shock, absurdity, and slight disgust that he felt combined to overpower his hatred. It was only after Wei WuXian brought Lan WangJi into the ancestral hall that the long-suppressed hatred was awakened again, devouring his courtesy and rationality.

Wei WuXian was holding something back, “Jiang WanYin, you… apologize right now.”

Jiang Cheng mocked, “Apologize? For what? For exposing your thing for each other?”

Wei WuXian raged, “HanGuang-Jun is only my friend—what do you think we are?! I warn you. Apologize right now—don’t make me beat you!”

Hearing this, Lan WangJi’s expression froze for an instant. Jiang Cheng laughed, “Well, then I’ve never seen “friends” like that before? You warn me? Warn me against what? If you two had the slightest trace of integrity left, you wouldn’t have come here and…”

Seeing the change in Lan WangJi’s expression, Wei WuXian thought he must have felt insulted by Jiang Cheng’s words. He was so angry that his entire body was shaking. He didn’t dare think about what Lan WangJi would think after being shamed like this.

Obviously in the penultimate scene Jiang Cheng himself is being "the unreliable narrator" that fans love to accuse Wei Wuxian of. He says he never expected this of the two, but all the years of his behavior shows that he had always gone out of his way to keep the two away from each other and had always been mildly homophobic when the two did express interest in the other however innocent it had been in their youth.

All of this is to say, when it comes to how MXTX worded that interview answer, I think it was meant as a careful nudge for those who had still tried to insist that Jiang Cheng didn't mean to be homophobic, actually wasn't homophobic and was just angry at any other actions of Wei Wuxian and lashing out about that etc, it was her telling people to simply pay attention to the underlying shadowing of Jiang Cheng and how he exasperated his own pre-existing biases that morphed into an uglier hate.

#mdzs #mo dao zu shi #anti jiang cheng #but not really cause i love him #Jiang Cheng's canon homophobia #so so long I am so sorry this turned into a massive breakdown of your one question #but that's what happens with a day off lol #don't mind me #asks

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teacupfulofstarshine · 3 years

Text

LOVELY, DARK, AND DEEP CHAPTER 10

PLEASE HEED THE CONTENT WARNINGS!!! this chapter features Evil Scientist Lady and her Fucked Up WorldView a LOT, and there are also some Major Plot Events that involve Violence. i will put a summary in the end notes if you decide at any point that this particular chapter is too much - that's super valid! i will also mention here that no main characters are going to die in this story and no one dies in this chapter either.

huge huge thanks to @flamingfawkes for beta’ing!

CW: extreme disregard for human life, mentioned human and animal cruelty, toxic workplace environment, violence (both imagined and actual, mildly graphic), gun mention, minor blood, death threats, extremely unethical character, unethical science, stalking

chapter 1 // chapter 2 // chapter 3 // chapter 4 // chapter 5 // chapter 6 // chapter 7 // chapter 8 // chapter 9 // read it on ao3!

“This is the same result we’ve gotten the last twenty times -”

“I don’t care, Steven, run it again!”

Steven sighs, punching at the keyboard to run the statistical analysis sequence again. “This is ridiculous! I’ve run this sequence so many times it feels like my eyes are going to bleed. Why can’t we just turn in the results we have and -”

“Because she’ll behead us,” James snaps, “and then she’ll destroy our reputations and our families and they’ll get no severance. I have three young children at home, Steven, I need this money.” Steven softens a little, fingers running smoothly over the keys as he combs the data again. Next to him, James has a computer screen full of frame-by-frame stills of what little data they recovered from the probe before it was destroyed; Penny across the room is surrounded by ancient texts a mile high and at least three laptops.

“Why is she so interested in this, anyway?”

“It’s beyond me. Since when do we question the whims of what we’re told to do?”

Steven squints at the screen, pushing his chair back and rubbing at his eyes. “If I have to stare at these numbers for one more second, my brain is going to explode. I feel like my eyeballs are going to melt out of my skull. I wanna scream.”

James pulls up another image, staring at the blurry image of the merman before him. Steven pushes away from his own screen and squints at James’s. The merman in the photo looks young, not much older than his kid brother, but they don’t know anything about the lifespan of these creatures. He looks confused, squinting at the camera. As James flicks through the stills, the merman transitions from confused to angry to enraged, and then he attacks.

“He’s not happy about the camera.”

“Would you be happy about someone spying on you and your family?” James says, switching to the next still.

“I wouldn’t be happy if I thought someone was doing anything we do in this lab to me or my family.” James elbows Steven, but luckily no one else seems to have heard.

“This lab isn’t the most ethical place I’ve ever worked, but it pays the bills,” James mutters. “And we’re not even in the experimentation lab. We just do data analysis. We’re removed from the situation.”

Are we? Steven wonders. He sees James reach out and touch the framed picture of his daughters, and keeps his mouth shut. He turns back to his computer, watching the little spinning color wheel of his mouse as the program calculates the same numbers again and again. The results come up identical to the previous ones, and Steven clicks “Run Program” again wordlessly.

They work in silence for a while, the three of them, broken only by James’s muttering and the occasional thud of one of Penny’s books and the clicks of keyboards and mice. If they weren’t so reliant on technology, Steven thinks, there would be an enormous corkboard spanning three of the four walls, covered in pushpins and handwriting and red string connecting images. He debates actually building one, if only to increase the levity in the room, but decides against it.

He’s seen people punished or fired or who-knows-what-else for far less, after all.

Instead, after his program tells him for the twenty-third time that his results are the same (and didn’t someone say insanity is doing the same thing over and over and expecting different results?), Steven scrubs at his eyes with the heels of his palms and opens the data entry window. Maybe the problem with the results has to do with the entry of the data; did he input something wrong? It’s possible . . .

Here he goes again, he supposes. He stands up, stretches, and leans back to crack some vertebrae. “I’m gonna grab a coffee, take a short screen break, and go back to the beginning. Maybe there’s something in the input that I missed. You want anything?”

James groans, thunking his head against the desk. “I want something with enough caffeine to kill three elephants, please.” Steven nods, looking over at Penny. She shakes her head, and he heads for the shitty coffee machine a few doors down.

Several floors below, a young woman pulls her lab goggles up to rest on top of her head with her perfectly-pinned protocol-compliant bun. “The latest round of tests is completely done, ma’am. I think you’ll find the efficacy . . . striking.”

She takes the clipboard, glossy perfectly-painted nails pinching the sheets of thin paper and flicking between them. “I’m afraid I don’t do so well with the scientific side of things - Kathleen, was it? Explain this to me, would you?”

“Certainly, ma’am. As you know, the kill time for the most effective neurotoxin currently available, tetrodotoxin, varies from thirty minutes to four hours. Average time for symptoms to manifest is seventeen minutes, and from there the symptoms progress through tingling of the lips and tongue, headache, vomiting, muscle weakness, ataxia, et cetera. Death occurs as a result of respiratory or heart failure, and the poison is nearly undetectable if you do not specifically test for it.”

“The untraceability is a plus, but that is far too wide a range of times, and too slow a time even at its fastest.”

“Of course, ma’am, but as far as naturally-occurring marine poisons go - actually, as far as naturally-occurring poisons go, full stop - it is the most effective. Until now, that is.”

“Oh? What are your findings?”

“Which trials would you like to start with, ma’am?”

“The human trials, Kathleen. The only ones that matter. I hardly intend to go around killing mice and hoping that no one traces their deaths to a novel neurotoxin.” She laughs airily, and Kathleen nods along.

“Certainly, ma’am. The most recent data points indicate an average efficacy time of thirteen minutes for our compound neurotoxin, with a full range between nine and seventeen minutes passing before subject death. Subjects began to show symptoms around five minutes, give or take twenty-five seconds.”

“And those symptoms were?”

Kathleen flips through the document. “Seizures, vital organ failure, blindness, painful muscle spasms, suffocation from the inside out.”

She hums, tapping a manicured finger against the report. “Well, Kathleen, that is certainly impressive, especially for a preliminary human subject trial. These results . . . I must say, they are not nearly as disappointing as I anticipated when I came down here.”

“Ma’am?”

“How long have you worked for this company, Kathleen?”

“Almost five years, ma’am, but I’ve always been an assistant. This is my first time as lead researcher and biochemist on a project, ever since you . . . laid off the previous lead researcher.”

“Kathleen, let me be frank. These results are not what I hoped for. The efficacy time and symptom onset times are both far too long for my liking, and the range of efficacy time is too broad. By all accounts, I should consider this a failure.” Kathleen swallows, but remains poised. “However, you’ve managed to shave off a considerable amount of time from the tetrodotoxin readings. The range of symptom onset time is an acceptable breadth, and your results are far beyond anything your predecessor ever accomplished for me. This is truly impressive, all things considered.”

“Thank you, ma’am. How should I proceed?”

“I want the efficacy doubled - tripled - I want it upped by anywhere between four and five hundred percent. I want the pain increased, too. Feel free to increase your requests for test subjects, but get me the results I want. You said the original tetrodotoxin was untraceable?”

“That’s correct, ma’am.”

“Can you keep that feature intact?”

“As of right now, it is intact, ma’am. I will endeavor to keep it so in future experiments.”

“That’s what I like to hear. Welcome to your new position as head of this research division. Don’t let me down.” She holds out a slender hand, and Kathleen takes it, trying not to seem too eager.

“I won’t, ma’am.”

“How soon can you start this experiment up again?”

“The cleaners should be finished by tomorrow morning, ma’am, and I can tweak chemical formulas until then.”

“Excellent.” Her watch beeps, and she lifts it, pursing her bright lips as she examines the message she’s just received. “If you’ll excuse me, I have another matter to attend to. Someone will drop off your master access key for Lab Three within the hour.”

She steps into the elevator and lifts her watch up to her face, swiping through the messages from her secretary. One finger reaches out to press the button for the digital analysis labs floor, and the other taps away at her watch.

When she steps off the elevator, her secretary is waiting. “Ma’am.”

“What do they have for me?”

“Unclear. They said it was something they wanted to report directly to you and you alone, but it seems to be something big.”

“Hopefully it’s a big step in the right direction, or they’ll be taking a big step out of a job.” She relishes in the way the employees she passes all unfailingly flinch and then snap to perfect attention when they hear the sharp echo of her heels against the floor. She lifts her head and walks faster, striking the tiles with her heels like a gavel, sharp and precise against a judge’s desk.

The computer labs are disorganized when she enters, but there is a string of promising-looking numbers on the main display monitor. There is a woman surrounded by books and a man pulling up photos on his computer, and there is a third man standing in front of her like a toy soldier. She focuses on that one.

“I hear you have news for me? Make it swift, and make it good.”

He swallows, hard, and her eyes idly trace the line of his throat. If he disappoints her, perhaps she will drive her heel through it, to make an example of him. That would be far too messy; perhaps his dominant hand will do.

“I have narrowed down the location of the missing net, ma’am. I believe it to have washed up somewhere around these general GPS coordinates.” He fiddles with a remote in his hand, and the image on the screen changes. It shows an aerial satellite view of a secluded strip of beach, framed by rocky cliffs with larger rocks studded out into the open water. “It should have washed up somewhere in this one-point-three-seven-mile strip of beach. The whole area is property of one Doctor Thomas Sanders.”

She snarls. “That man. He won’t let us on that beach willingly until hell freezes over.”

The other man, the one scanning through photo stills and video footage, jumps up, knocking his chair backwards. “I found something!”

She turns towards him, and his excitement freezes and sputters into something much more controlled and terrified. “Show me.” He clicks something and pulls up video footage from one of their surveillance drones, zooming in on a particular patch of ocean along the stretch of Sanders’ beach. Her eyes widen when she sees what he’d noticed - a hump of red-and-white tail arcing above the waves before a pattern of ripples streaks off towards the cliff. He pauses the footage, rewinds it, uses a laser pointer to show an opening concealed in the cliff face.

“There’s some kind of grotto in there, hidden by the cliff. It’s on Sanders’ property, he has to know it’s there. And it looks like the merman from the destroyed drone knows it’s there too. Which means -”

“That must be where he’s keeping them.” Something burns in her chest, brilliant and terrifying and all-encapsulating, like wildfire. “We’ve found them, at long last.”

“What would you have me do?” her secretary asks. “I can arrange for a recovery squad at your earliest possible convenience, ma’am.”

“Assemble the squad, but do not have them move out. They will wait for my orders. When they go, you are to go with them.” Her secretary nods, once, sharp and sure. “Dispatch a crew to Lab One and clear it out. I want it prepped for containment, vivisection, chemical tests - the works. Get at least three tanks set up and one strap-down human table.”

“A human table, ma’am?”

“Yes. We have to deal with Sanders once and for all to ensure that he does not ruin any future experiments.”

“Will we be taking him as well?”

She hums thoughtfully. “No. Pull up the file we have on his known associate?”

A few swift clicks and flicks and a photo appears on the large screen: a young man with brown-and-purple hair, sleeves rolled up, carefully lowering a perfectly viable specimen into the ocean and letting it go, like some kind of fool. “His doctoral student, ma’am. The longest one he’s ever kept - this one has been with him a few years.”

“Excellent. When you raid the lab, take him.”

“Should we kill Sanders?”

“No. Rough him up a little, but leave him alive. Taking his protégé and leaving him alone, helpless to rescue him, will be the highest form of torture for such an insufferable person. The agony will eat him alive until his dying day.”

Her secretary nods, taking the notes down dutifully. The other employees look vaguely horrified, but she pays them no mind. No sacrifice is too great to be made in the name of progress, and anyone who thinks otherwise is a weakling who will never get anywhere in life.

She refuses to be one of those weaklings.

*~*~*~*~*

Logan wakes up confused.

He’s warm, warmer than he thinks he’s ever been in his whole life. When he stirs, he moves farther than he meant to - he must not be underwater. That’s enough to send a jolt of concern through his sleep-addled brain. Why isn’t he underwater? Why was he sleeping if he was above the surface? There’s no way his dad is here, and Roman hates surfacing, where are they? Where is he? But he’s so comfortable . . .

Someone shifts beside him, an arm draping across his waist, and Logan forces his eyes open. He shifts his lower half, confused when two things move instead of one, and there are layers upon layers of thin, flat, soft things wrapping around him. What is happening?

Slowly, slowly, his mind clears, and he remembers the events of last night. He grew legs - he was a human, once, before he was mer - he couldn’t sleep underwater with Dad and Roman - Virgil was teaching him to walk - Virgil put “clothes” on him - Virgil was embarrassed that he didn’t have those “clothes” on him - Virgil took him out of the lab to sleep - Virgil agreed to cuddle him since his pod couldn’t -

Logan feels the strange burning in his face again as he shifts. He can’t see well in this new human form, but when things are close enough to his face they’re relatively clear. And Virgil, still sleeping, is close enough that Logan can smell him - he smells like salt water mixed with something sharp and something sweet and something else that Logan can’t quite identify but finds addicting nonetheless. Sunlight streams in and pools around Virgil’s face, illuminating the tangled mess of hair spread around him and flopping into his face, the small puddle of water leaking out from his open mouth onto the soft thing he’s resting his head on, the way his chest moves slowly with every breath. His arm is wrapped around Logan, pulling him close. Logan thinks he might explode if he focuses on this any more, so he rolls from his side to his back as carefully as he can, not wanting to wake Virgil. Virgil tightens his arm around Logan and mutters something indecipherable in his sleep, but he doesn’t wake.

Rather than focusing on his very confusing feelings for the very pretty man next to him, Logan focuses on what he can see of the room around him. He makes a list in his mind of things that he plans to ask Virgil about later today, including:

1: There are many draws attached to the small, smooth cliffs surrounding them. How do they stay there?

2: There are lots of “clothes” scattered all around the floor, and there were several on the bed, too. Is that normal for humans?

3: Last night, Virgil did something that made the room light up with trapped sunlight! How did he do that?

4: How did Virgil get ice to stay in those big frozen sheets in such a warm place to let the sunlight in?

5: How did Virgil make ice into that weird shape that he filled with water and drank last night?

6: How did Virgil get the water to come into this place?

7: Do all humans have a specific area set aside for sleeping? Logan and his pod usually just sleep wherever they can, but Virgil seems to have this soft slab set aside with all of these soft things to be comfortable and sleep in every night. Is this a Human Thing or strictly a Virgil Thing?

Logan looks out through the sheet of ice that protects Virgil’s area from the outside and gasps. He can’t see well, but there’s a glittering expanse of blue that shifts and moves and oh, is that the ocean?

He’s spent his whole life (well, his whole remembered life, anyways) in the ocean, and he’s seen some truly wondrous things. He travels around the world with his pod, he knows the ocean is big, but seeing it spread out like this is . . . awe-inspiring. Logan has never seen the ocean like this, and now that he has he doesn’t think he can ever not see it like this again. It’s like a perfect sheet of sea-glass, rippling and unbroken but dynamic in a way that he never really gets a sense of when he’s beneath it.

He knows that there are waves, of course. There are smaller swells out on the open ocean, and larger ones when the Second Goddess dips her fingers down from the Upper Ocean and swirls the storms to a thundering burst. There are waves along the shoreline, ones that he frolics in with Roman and batter him against the shoreline. There are waves created when he or his pod members surface. But watching the movement of the ocean from up here is . . .

Even with his imperfect vision, he is completely at a loss for words as he stares at the ocean.

Eventually, Virgil stirs next to him, and Logan turns away from the ocean to stare at him. Virgil is close to him, arms wrapped tightly around him, face pressed against him. Logan’s eyesight is not great, but Virgil is close enough that he can pick out little details of his face. There are brown face scales scattered all over him, but they seem to cluster on his nose and his cheeks. Logan has wanted to touch them for a substantial amount of time, and he can’t stop himself from gently settling the tips of his fingers over Virgil’s cheek.

His face doesn’t feel like Logan was expecting. The scales don’t give texture to his face the way that Logan’s do; the skin is smooth and flat. There are little bumps all over, but the brown scales aren’t raised off the skin like Logan expected. He lets his fingers trail along Virgil’s face. His bone structure seems to be exceedingly similar to Logan’s, at least in regards to his head. Logan’s finger rests gently on the curve of bone under Virgil’s eye, and Virgil exhales warm breath onto his palm.

Logan wonders what it would be like to have this for longer than just his recovery period. He wonders what it would be like to wake up next to Virgil all the time, to get to run his hands over Virgil’s face and arms and chest and examine the differences between their anatomy. He wonders what it would be like to learn to walk without falling over, and he feels a sharp, unexpected twinge in his chest as he realizes that getting better at walking means no more closeness to Virgil.

His chest feels strange, like there’s a school of small fish swarming around and tickling his insides and making him feel all foamy, like the froth churned up by a windswept sea. He feels like he does when he’s underwater - free, weightless, mobile, limited by nothing except his own imagination. He feels unstoppable.

Virgil makes a sudden, sharp inhale, blinking his eyes open slowly. Logan thinks that, perhaps, he might not appreciate being studied unknowingly - he hadn’t appreciated Virgil doing it, before he understood what was happening, when all he knew was the loss of his pod aching like a scraped-out seashell. As Virgil wakes up, Logan shifts, turning his gaze to the rest of the room.

Virgil makes a sleepy grumbling noise, opening one eye. Logan chances another quick glance at him, and when his eye slides open Logan is struck by its beauty. He doesn’t get much of a chance to admire it, however, before Virgil is jolting backwards like Logan’s struck him with lightning. Logan is confused, reaching out and gently touching his shoulder. “Virgil?”

“Wassat?! Wait . . . L’gan?”

“It is me,” Logan says softly. “Are - are you upset with me?”

Virgil yawns, jaw dropping to his chest, revealing a flash of teeth and a soft pink tongue. (Logan wants to lick it. Why does Logan want to lick it? Why is Logan thinking about Virgil’s tongue licking his tongue - why is Logan thinking about Virgil - what in the Seven Oceans is happening to him.) “Wh - no, no, ‘m okay, I just - woke up, forgot I had you with me, got confused about another person in my bed.” Before Logan can start to feel bad, Virgil adds, “S’okay if it’s you, though,” and the foamy, floaty feeling is back.

“Did you sleep well?”

Virgil laughs, low and rumbling, and Logan can feel it in his fingers where he touches Virgil’s skin. “I never sleep well.” He sits up, and the fabric of his pajamas shifts to let Logan see stretches of soft, supple skin that he usually doesn’t. Logan wants to touch it. He very determinedly keeps his hand on Virgil’s shoulder. “Gotta admit, though, last night was . . . better than usual.”

This appears to be the point where Virgil first notices their position - pressed together, arm slung over Logan, basically cuddling the way that Logan normally would with his pod. (No tangle with his pod has ever felt this . . . electric, this charged, this important to Logan before.) His face flares a brilliant red, and he shifts like he wants to move away but -

“I’m sorry,” Virgil says. “Am I making you uncomfortable?”

“No!” Logan blurts out. Virgil blinks at him a little, and maybe he was a little overly enthusiastic, but - “I sleep in a tangle with Dad and Roman all the time. I have extreme difficulty sleeping without contact with someone else. It . . . helped me greatly.”

“Oh,” Virgil says, face turning redder still, smiling shyly. “That - makes me feel better. Thanks, Lo.”

Logan smiles, and Virgil smiles too, reaching up to gently move a piece of hair away from his face. Logan thinks that, as far as deaths go, his chest exploding (which seems to be getting more and more likely every fifteen seconds he spends in Virgil’s presence, only accelerated by all this skin-on-skin contact they’re having right now) seems to be the most pleasurable.

Virgil opens his mouth to say something, but whatever it was is interrupted by a Ping! noise from across the room. “What is that?” Logan asks. Virgil, sadly, untangles himself from Logan and the blankets, sliding out of bed and heading over to one of the other structures in the room (what did he call it last night? Dex?) and picking up a flat glowing rectangle.

“Is everything alright?”

“What? Yeah, yeah, I - Thomas sent me a text, it’s a little weird.”

“What is a text?”

“It’s a kind of human messaging system, it allows us to communicate when we’re far away from each other.”

“Like a pod call?” “Kind of? I’ll explain more later, I promise, I just - I gotta go down to the lab real quick.”

“I’ll come with -”

“No!” Virgil snaps. Logan flinches, and Virgil softens, crossing the room and gently touching his shoulder. “Hey, no, Logan, I’m sorry. I didn’t mean to snap at you. I just - this message, there’s something off. I think something might be wrong, and I don’t want to put you in any unnecessary danger. Just - wait here, okay? Wait in my room, where it’s safe. It’s probably nothing, he’s probably fine, but on the off chance that he’s not, I want you to stay hidden safely up here.”

Logan isn’t sure why this makes his face heat up slightly, but it does. “Okay. I accept your apology, and I . . . trust you.”

Virgil smiles, soft and heartwarming, and Logan is beginning to give more credence to his “chest explosion is fine, actually” theory. “Wait for me here, okay? I’ll be right back. I promise.”

He leaves, shutting the door firmly behind him, and the foamy feeling in Logan’s chest dissipates a little. He can’t quite put his finger on it, but there’s something . . . off. If Logan didn’t know better, he’d think that he was sensing a predator approaching.

But that can’t be right, he isn’t underwater. His danger senses are likely just overreacting to his disappointment at Virgil’s absence.

. . . Right?

*~*~*~*~*

Thomas is beginning to regret letting Roman and Patton (specifically, Roman) out of the large tank before finishing his first coffee of the morning.

“I want some!” Roman complains.

“Do you even know what it is?” Thomas says. Roman pouts sulkily at him.

“. . . No,” he mutters, rolling his eyes. Thomas gives him the deadpan, no-nonsense, I-am-your-direct-superior-take-the-damn-samples-Virgil stare that he has perfected over the past few years. Roman wilts a little more, and Thomas feels slightly bad.

“It’s called coffee,” he says. “It’s a hot drink that lots of people have in the morning. Some people drink it plain, and some people add things to it to change the way it tastes. It helps me wake up more and get focused to start my day, and sometimes I drink it late at night to help keep me awake.”

Roman looks less like a kicked puppy and more like Logan, eyes wide and curious. “I want some!”

Thomas, taking a sip of his own two-seconds-of-cream-five-cubes-of-sugar coffee, nearly spits it out. He looks at Roman, eyes the very sharp, very detachable, very toxic spines covering his body, and says, “No.”

Roman’s demeanor changes entirely, switching from “curious toddler” to “toddler about to throw a temper tantrum” in a heartbeat. “Why not?!”

“Because when people drink coffee without being used to it, sometimes it makes them a little crazy.”

“I’m not crazy!”

“Do I need to recount to you how many times you’ve threatened me and my assistant since we met you?” Thomas says, raising an eyebrow. “I’m not giving you coffee until I know I can trust you not to stab me with your poisonous spines that cover your entire body and can be fired at people.”

Roman pouts more, dropping under the water and letting out a gratingly harmonious string of mer that Thomas is pretty sure translates to Roman bitching about the coffee situation to his dad. Based on the pattern of Patton’s response, he’s pretty sure Patton is laughing at Roman.

More sulky chalkboard-violin music, and then Roman resurfaces grumpily. “Dad agrees with you and says no consuming strange human foods.”

“Did he laugh at you?”

Roman squints suspiciously at him. “You can’t speak our language.”

“Yeah, but I know what it sounds like when a dad laughs at his kid.” Roman, continuing to pout, sinks back into the tank, presumably to sulk some more. Thomas takes another very long sip of coffee that is definitely too hot for his mouth and turns back to his desk.

Virgil should definitely be awake and in the lab at this point. The samples he’s supposed to be analyzing are sitting in their little tubes, each neatly labelled with locations and dates and times and what, specifically, Virgil is supposed to be looking for. Thomas considers going upstairs and waking up Virgil, who’s almost never been late for work in this way, but he decides against it. Virgil is upstairs with Logan, and Thomas knows that there’s something building between them. He’s not sure how advisable that something is, but he trusts Virgil to make his own decisions.

Besides, he could probably use some practice. His water sample analysis skills are pretty rusty, he’s had Virgil doing them for years. “Virgil, you owe me big time for what I’m doing for you.” He carefully shifts the samples over to his own desk, slides his earbuds in, picks up a pipette, and gets to work analyzing the bacterial and algal concentrations for any abnormalities.

Thomas accomplishes about forty-five minutes’ worth of work before Roman interrupts him by flicking water at him and soaking the back of his neck. “Hey!”

“I tried your name, but your little ear bug things were keeping you from hearing me,” Roman says smugly. Thomas, not for the first time, considers retreating to the closet and throwing beakers until he feels better.

“Can I help you?”

“Dad wants to go hunting and bring back breakfast, but we can’t leave without you.”

“Are you not going hunting?”

“I’m going to stay here and observe you,” Roman says.

Thomas blinks. “Do I . . . need observing?”

“How do I know you won’t sell us out to your little human friends the second you get a chance? If I’m here, I can stop you. Plus, what if you do something to Logan while we’re not here to protect him? No, no, I’m staying right where I am and you can’t make me leave.” His spines ripple; Thomas steps closer to a whiteboard in case he needs to duck.

“I’m not going to do that, and I don’t want you to stab me.”

“Still! I’m staying here! Also, Dad’s bigger than me, and he’s a better hunter cause he’s faster and he’s been hunting longer.

“Does he need something to help him carry all those fish?” Thomas asks. Roman opens his mouth like he’s going to say something snarky, pauses, and stops.

“I . . . usually we just eat what we catch when we catch it. We make a pile of prey and take turns guarding it while the other two hunt. Then we make a sacrifice to the Seven Mother Goddesses and eat what’s left.”

After some debate, Thomas is able to fashion a sling of sorts from some waterproof tarps and leftover anchor rope to tie around Patton’s body. “You can put the fish in this pouch and carry them back here. Will you be able to navigate your way back to the grotto?”

“He will,” Roman says. “Dad knows more about the ocean than any human possibly could.” Another discordant song from the tank, chastising, and Roman huffs. “Dad wants me to reassure you that he’ll be fine.”

Patton settles into the mobile tank easily, and Thomas gets him down to the grotto leading towards the sea. “When you come back, let out one of your pod calls and Virgil or I will come and collect you and your catch. Take as much time as you need, okay?”

Patton reaches up and gently pats Thomas’s arm with one large, damp hand, and Thomas takes that to mean an agreement. “Alright, off you go.” There’s a whoosh and a rush of water as it flows from the tank into the grotto in a clean arc, carrying Patton with it. Thomas waits for a moment, letting Patton disappear into the open ocean, before returning to the laboratory.

Roman, for the most part, ignores Thomas. He asks the occasional question, which Thomas tries to answer in a way that he’ll understand, and leans over the edge of his touch tank, eyes guarded. Every time Thomas sneaks a glance, when he thinks Roman isn’t looking, his expression is wide-eyed and wondrous, like Logan’s usually are, but the moment he realizes Thomas is watching him his entire face closes up like a clamshell.

Thomas wonders what it’ll take to get Roman to trust him, trust Virgil, trust any human. Granted, he doesn’t know Roman’s history with humans, but he and Patton are both fairly scarred, and Thomas might not know the whole story but he’d bet a not-insignificant amount of his monthly income that the giant starburst scar taking up the majority of Patton’s chest isn’t the result of a clash with a marine creature.

He works quietly, fielding the occasional question, keeping one ear on the grotto tunnel for Patton’s return. He’s not sure how long he expected Patton to be gone, but he hears movement in the grotto tunnel far sooner than he’d expected.

“Thomas, what’s -”

“Shhhh,” Thomas says. He stands up, pushing away from his desk, but before he can say anything else, there’s a flood of movement coming from the tunnel. Bodies pour into the lab, swift and strong and carrying weapons that they immediately train on Thomas and Roman.

“What is this?” Roman snaps, bristling. He sounds betrayed, like he thinks Thomas is behind this. Thomas picks up a heavy glass beaker, fully prepared to shatter it upside someone’s skull if necessary, but something heavy and hard strikes the back of his skull and he feels his knees crumple. Roman cries out, and Thomas struggles to push himself up. A hand fists itself in his hair and yanks him upright, sharply. Thomas exhales sharply through his teeth, but before he can start struggling, something cool and round rests against the back of his neck, shutting him up and shutting his brain down.

Roman is puffed up like a hedgehog, apparently fully prepared to defend Thomas despite his strong and inherent mistrust. Before he can begin to attack, Thomas hears the click-click-click of shoes on the hard stone floor. Whoever’s holding his head yanks him back again, and he is forced to watch as a woman walks into his laboratory.

(It sounds like the beginning of a bad joke - a sick, horrible, twisted joke.)

She has black heels, black tights, a black pencil skirt, a black blazer, and a blood-red blouse. Her hair is scraped back into a tight bun, pulled so taut it must hurt, and is held in place with a pitch black stick. She carries a - clipboard? tablet? Unclear - held against her chest, and there’s a sleek silver weapon in her right hand.

“The one from the video?” she asks.

“Affirmative, ma’am,” says the person holding Thomas’s head. The woman nods, lifting her weapon, and fires at Roman. Thomas tries to scream a warning, earning himself another painful yank from his captor, but the projectile lodges itself in Roman’s shoulder anyway.

It isn’t a bullet, but something that looks like a small syringe. Roman swats it out of his shoulder, swaying a little, but it doesn’t stop him from swiping at the - mercenary, they must be - who tries to grab him with his elbow spines. The woman frowns, lifts the weapon - some kind of tranquilizer gun? - and fires again.

Roman screams, inhuman and animal, and tears the newest dart from his arm, throwing himself out of his tank and clinging to the nearest mercenary. His teeth tear into the man’s shoulder, spines piercing through his camouflage clothing and flooding him with neurotoxin. The man collapses against the concrete, alive but unconscious, and Roman snarls at the next man as though daring him to approach. He sways, weakened but awake, and bares his teeth.

“Of course,” the woman says, tapping something on her tablet. “His naturally produced neurotoxin must be providing him with some level of natural resistance. Unexpected, but not a limitation.”

It takes three more tranquilizer darts before Roman finally slumps down into his tank, unconscious. The mercenaries look hesitant to approach him, but the woman reaches for her tablet and they scramble to action at once.

“No - no, stop, let him go, he’s not an animal for you to cart off to your lab -” Thomas starts. The man holding him knees him sharply in the back and he cries out, coughing.

They wrap Roman in thick leather bands, roughly shoving his spines flat and binding them against his skin so that he can’t attack them again. The woman nods, once, short and sharp, and they drag Roman away, letting his head bang mercilessly on the ground. Thomas catches a glimpse of a logo - emblazoned on the back of the jackets, on the back of the woman’s tablet, on the side of her tranquilizer gun - and commits it to memory. He’s going to need it, if he gets out of here alive.

“- your phone,” the woman says, and oh, when did she get in front of him.

“My what?”

His mouth runs dry as she places the tranquilizer gun under his chin, barrel pressing against his throat, and tips his chin up. “I said, give me your phone.”

Thomas blinks. “My - the desk. It’s on the desk.”

She sets her tablet down, picks up his phone, and shoves it in his face. “Open it.”

“I - wh -”

“Unlock your phone, Dr. Sanders. Must I repeat myself a third time?” She rolls her eyes. “Doctorates are wasted on people like you.”

Thomas numbly punches in his passcode, and she swipes through to his messages app, frowning before turning the screen towards his face to reveal a message thread with Virgil. “Is this your assistant?”

Thomas glares at her, he’s not going to give her what she wants, he’s not going to just give her Virgil but then the - gun, it must be a gun, what else would they be holding against his neck like this - pushes into him harder, and it’s probably bruising, and he can’t get himself killed here because then he definitely won’t be able to take care of Virgil and -

“Yes,” Thomas says, hating himself for giving in so easily. “What do you -”

She turns away from him, nails clicking against his phone screen as she sends a text message - to Virgil, presumably, and that makes his heart sink like a stone - before dropping it on the floor and stepping on it to shatter it. “I have a message for you.”

“A - what?”

“Did they really hit you that hard, or were you this stupid before we came here?” she says coldly, picking up the tablet again and tapping at the screen. Thomas groans as the man yanks him to his feet, shoving him onto his chair and pulling a roll of duct tape out of one of his multiple pants pockets. He tapes Thomas’s wrists and ankles to the chair, keeping his weapon trained on Thomas’s temple at all times, before pressing it roughly against his head and gripping his hair again.

The woman sets the tablet on his lab table, and the screen flickers to life, and then there’s a woman in front of a dark black backdrop, smiling at him like a cat who’s caught a canary. “Thomas Sanders. How long I’ve waited for this day.”

Thomas recognizes her. He knows he recognizes her. She used to be his classmate, before . . .

His head hurts, so badly that he can barely keep his eyes open, and the memory slips away. “You . . . why are you doing this?”

“Why? Because I am a real scientist, unlike you. You refuse to do what is necessary, what must be done for the progression of the species. The sacrifice of some worthless animals is necessary for humanity to reach its zenith. You would really hinder the entire human race for the preservation of lower life forms?”

“Wh - I -”

“You think that ‘preserving the ecosystem’ and ‘keeping animals alive’ makes you a good scientist, but it makes you weak. You are weak, Thomas Sanders, and if the world was left in the hands of people like you, the human race as we know it would die out in a few centuries. Fortunately, there are people like me, who understand what must be done.”

“Caring about other people and things - it doesn’t - it doesn’t make you weak,” Thomas says, chest heaving, and the woman just laughs.

“One of many logical fallacies to which you subscribe, Thomas. They really gave you a doctorate? Of course caring makes you weak. All emotions make you weak. They corrupt your data and make your experiments worthless. You must be ruthless. You must be willing to do whatever it takes to pursue your goals and achieve the height of success. But no.” She rolls her eyes, face hardening, twirling a pen in her fingers. “You insist on ethics and principles and letting emotions cloud your judgement, and that makes you a failure as a scientist. It makes you weak. Your attachments will be your downfall.”

Thomas’s eyes slide shut, head pounding, and the man behind him yanks at his hair so sharply that he knows some has been ripped out. He forces his eyes open in time to see a smile slide across the woman’s face like a knife, teeth gleaming white as sun-bleached bone.

“You won’t - get away with this,” Thomas manages. He grinds his teeth together and curls his hands into fists, digging his nails into his palms to keep himself awake. “If you leave me alive -” Thomas, stop talking, why are you reminding her that she has the option to fucking kill you “- I will not rest until I find you. I’ll - you can’t -”

“You’ll what, Thomas? If you call the police, you’ll expose those creatures you’re so intent on protecting to the world. Are you really willing to take that chance?” Before Thomas can even begin formulating a response, she steamrolls him. “It doesn’t matter. Even if you were, I’m going to take some . . . insurance, shall we say.”

“Why not just kill me?” Thomas spits. Excellent idea, Doc, poke the murderous lady with a stick like a god damn hornet’s nest, the tiny Virgil in his brain hisses. Her smile, somehow, only widens, and that’s . . . that can’t be good, can it? Smiles are supposed to be good! They’re supposed to make you happy, but all Thomas feels is creeping dread and pain, so much pain, and -

Yeah. He’s . . . pretty sure he has a concussion.

“Because if I kill you, you get to take the easy way out. Your suffering will end. But unlike you, I don’t put limits on my science. I know how to cause you the maximum amount of pain.”

Thomas eyes the toxin gun, but the on-screen woman just laughs. “Not yet, Thomas. We need something from you, first.”

“You already took Roman,” Thomas says. “What more can you possibly take from me?”

“You named it? You’re even weaker than I thought.”

“He told me his name, he’s not an it, he’s not a thing for you to play with and - and I -”

There’s a strange sinking feeling in Thomas’s chest as the woman onscreen laughs. “I knew you were emotional, Thomas, but I can’t believe this! It looks like I’ll have more hanging over your head than you thought.”

“You -”

“Say, Tommy-boy, have you heard from your precious little assistant recently?”

Thomas’s entire body flushes ice-cold and then white-hot, immediately struggling against his duct tape bindings despite the man tearing at his hair and shoving the gun into his neck and snapping at him to shut up, shut up, shut the fuck up before I do something we’re both gonna regret -

“Don’t you touch him!” Thomas snaps. “If you hurt him, I swear to God -”

“You’re not in a position to be making demands, and if you don’t calm down, I’ll paint your boring little lab bright red.” Thomas freezes, holding his entire body tensed like electricity is running through his blood.

There are footsteps on the stairs. “Doc? I got your text, what’s -”

“Virgil, run!” Thomas chokes. Virgil comes around the corner, holding his phone, staring at the screen in confusion. He looks up, eyes widening in horror as he takes in the scene.

“You know what to do,” the woman onscreen says. The other woman lifts her tranquilizer gun, and Thomas is sure that he’s screaming, his mouth is open and sound is coming out but his blood is rushing through his ears and his heart is pounding like waves against a boat in rough sea and he can’t - he can’t -

Virgil turns to run, but the tranquilizer dart hits in him the back of the neck and he collapses like a sack of bricks. The woman lowers her gun and jerks her head at the two remaining conscious, unoccupied mercenaries, who step forward and grab Virgil.

“Let him go!” Thomas screams, and his throat feels raw and his chest feels raw and his wrists are rubbed raw and his soul feels hollow and raw, like he’s been scraped out with a jagged piece of metal and only an empty shell remains. Virgil’s head lolls against his chest as they drag him down the grotto tunnel, and Thomas struggles and screams and stares after them until Virgil is out of sight.

His face is damp, and his eyes are burning, and he isn’t sure if it’s blood from his head wound or tears or some strange, morbid mixture of both.

“The greatest torture of which I can conceive,” the woman onscreen says, and it takes him a moment to realize that oh, she’s talking to me, “is to leave you alive, knowing that your precious little protégé is with me, and that there is nothing you can do about it.” She leans forward, and any trace of a smile is gone. “If you try to come after me, I will kill him. If you call the authorities, I will kill him. I already found you, Thomas. Don’t think I’m not watching. If I catch so much as a whiff of you planning something, his blood will be on your hands. Do you understand me?”

Thomas, numb and shocked, can’t even respond. “Knock him out and bring the specimens back to me,” the woman onscreen says.

“Yes, ma’am.”

He doesn’t even feel the tranquilizer dart hit his neck, but he welcomes the sweeping darkness.

(Summary: Evil Scientist Lady has been spying on Thomas and she finds the entrance to the grotto where our mer friends have been hiding. She sends her assistant and several armed thugs to invade the lab, they drug Roman with tranquilizers and kidnap him. Thomas gets knocked around a lot and is mocked for being an ethical scientist and caring about people by Evil Scientist Lady and she gloats at him through Evil Facetime before kidnapping Virgil in the same way they did Roman, knocking Thomas unconscious, and leaving him tied to his lab chair. During this whole scene, Patton is out in the open ocean hunting and Logan is safely hidden in Virgil's room.)

#starshinewrites #lovely dark and deep #romantic analogical #sanders sides #platonic TLAMP

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caffeinatedseri · 4 years

Text

Dazai and No Longer Human’s Yozo

It’s no secret that BSD’s Dazai draws heavily from his real life counterpart, especially from his semi-autobiographical work: No Longer Human. To preface, No Longer Human is written from the perspective of the main character Yozo, with the book itself being a documentation of Yozo’s notebooks (essentially his journals) throughout his life.

As you progress through the novel, it becomes increasingly clear that Yozo lives an extremely two-sided life; his foolish personality acts as a facade to others in attempts to hide the darker nature within him.

Dazai shares that obvious similarity with Yozo, but Dazai is characterized in a somewhat vague and mysterious way that leaves a lot of his inner thoughts up to interpretation and inferences. Thus, I’ll be going through some of my favorite quotes from No Longer Human and analyzing Dazai’s character through his similarities to Yozo.

(For the sake of readability, excerpts from No Longer Human will be in pictures, and quotes from the light novel will be in regular block quotes).

Dazai and Yozo’s Participation in Clownery

To start off, Dazai noticeably participates in the same “clowning” as Yozo, which in particular stands out with PM Dazai.

““How did your leg get hurt?” I pointed to the bandages, thinking that it must be the result of some violent fight. “I was reading a book titled ‘How to Prevent Accidental Injuries’ while walking when I accidentally fell into a ditch.” I wasn’t expecting such an abnormal response.” — LN 2, Osamu Dazai and the Dark Era (Oda’s POV)

This is pretty standard Dazai behavior, but the interesting part is how Yozo specifically used the word “deceiving.” If we were to assume Yozo’s true thoughts are Dazai’s as well, then it would imply that Dazai feels as if he’s manipulating people with his absurd claims (such as the above). However, in actuality, his clownish behaviors sound more like a joke, or some type of self-deflection, rather than an attempt to manipulate people. (Yozo also states that he would often incriminate himself by overexaggerating certain things, but I don’t think Dazai does that).

The second statement Yozo makes implies that he doesn’t care about ethics, morality, or the supposed “right way” of living life that’s described as “righteousness.”

Yozo’s statement on “righteousness” parallels Dazai’s in Dark Era, but Dazai’s statement carries a slightly different sentiment. Rather than being indifferent to the likes of morality, Dazai says that he’s “hated” by the concept of morality.

I’ll be speculating a bit here → It’s heavily implied that Dazai had some sort of dark past that led him to joining the mafia, since he was already suicidal prior to doing so. This suggests that something affected his life so drastically to the point where he could no longer trust in such things as “righteousness,” because righteousness has wronged him in the past.

First, Yozo expresses his fear of people discovering his true nature under the mask of clownery, which would then lead to them pestering him for further inquiry. However, his real fear is that people would mistake his true nature as another part of his typical clownery.

More so than before, this attitude reminds me more of Dazai in the agency, rather than him in the mafia. Even though Dazai danced around darker topics in his conversations with Oda, he was still able to talk about them without much conflict. However, in the agency, Dazai doesn’t talk much about himself or any of his personal issues at all.

Although this scene has comedic overtones, it’s interesting to see that no one would help Dazai if he was actually dying. Still, it could be argued that the other agency members knew it was just Dazai’s regular antics. (or that Dazai wouldn’t die in the first place).

This scenario repeats itself another time when Dazai gets kidnapped by the mafia, and the other agency members kind of just brush it aside. As much as they may trust Dazai to take care of himself (which I’m sure he can do), it’s worrying that the other members may not be open to Dazai’s possible attempts at reaching out for help, if he were ever to make one.

In LN 4, 55 Minutes, Atsushi addresses this issue by asking Dazai why he wants to kill himself, but the answer is left open-ended, with Atsushi himself not remembering the answer (or if Dazai even did answer). You could interpret Dazai’s change from his time in the PM as an improvement of his mental state — which I have no doubt that has happened — but Dazai needs to face his issues head-on if he truly wanted to reconcile with his past.

“Perhaps someone should persistently tie Dazai up, open the lid over his chest and stuff the head of a vacuum cleaner in. They have to let Dazai, who should be screaming in pain and resisting, settle down. Following which, the difficult things in his heart must all be dragged out under the sun and stepped on mercilessly.“ — LN 2, Osamu Dazai and the Dark Era

Oda, the man who understood Dazai more than anyone else could at the time, even specifically stated that the pain in Dazai’s heart must be forcefully dragged out, because he knew that this would ultimately be the most beneficial for Dazai’s sanity.

Throughout No Longer Human, Yozo is often misunderstood by others, or other people simply don’t care about him.

When Dazai goes to visit Oda’s grave in Dead Apple, Atsushi finds him and assumes that he’s visiting the grave of someone important to him, as an act of respect or remembrance, something of the sort. However, Dazai makes the automatic assumption that his “clownish words of deceit” (as stated by Yozo) will always be prioritized over the truth, which is why he chooses to brush off his actions as a joke.

Although I made the point earlier that the agency members don’t give Dazai opportunities to open up about himself, Atsushi is notably different, similarly to Oda, because he’s able to take Dazai seriously and persist even through his antics.

Atsushi takes Dazai’s act of visiting a grave seriously, even when Dazai plays it off, because he knows Dazai is a person just like anyone else. This understanding between them leads to Dazai telling Atsushi about Oda, thereby allowing Dazai to divulge a crucial part of his past.

Dazai and Yozo’s Friendships

Similarly to Yozo, Dazai’s attempt at “disentangling” himself from these relationships only serves to wear him out in the end. However, they also slightly differ in a way: Yozo is unable to form any friendships for his whole life, but Dazai had Oda. I would argue that Oda was Dazai’s only friend, mostly because of this quote:

“Odasaku understood him far beyond what Dazai had ever thought. He had already reached close to his heart, the place near the center of his heart. Before this, Dazai had never noticed there was someone who understood him so well. For the first time in his life, Dazai wanted to know something from the depths of his heart.” — LN 2, “Osamu Dazai and the Dark Era”

Oda was special to Dazai because Oda was able to understand him — maybe even more than Dazai could understand himself — which is why Oda is the only person that Dazai asks for advice from.

However, Dazai does the same thing as Yozo when he “plays the clown” as a form of self-protection from such valuable friendships. (which is probably preventing him from becoming closer to the rest of the agency).

“Things that we don’t want to lose will definitely be lost. Now that it has come to this, I have no more feelings anymore. Things worth pursuing will always disappear the moment before you get them. Nothing is worth prolonging a painful life to pursue.” — LN 2, “Osamu Dazai and the Dark Era”

Interestingly enough, Dazai says this when Ango is revealed to be a spy — before Oda dies. If Dazai was in this state of distress from Ango’s betrayal, you could only imagine how devastating Oda’s death was.

Dazai speaks as if he’s speaking from experience, which suggests that he’s faced a similar loss in the past. Despite this implied experience, he still became friends with Oda (and Ango to an extent), fully knowing that it would only bring him pain in the end. Dazai's statement here acts more as a front that makes him sound cold and detached from the situation, only to hide how he truly feels about losing one of his only friends.

To give some context to this passage, Yozo’s partner, Yoshiko, had been sexually assaulted by a coworker, of which Yozo attributes the cause to her overly trusting nature. Thus, this leads to Yozo’s belief that trustfulness is inherently wrong or creates weakness.

Dazai’s hesitance to form friendships most likely stems from this same inability to trust others like Yozo, but Dazai does trust a few people, namely Chuuya, Oda, and Atsushi.

With Chuuya, there’s a different type of trust between him and Dazai. Their impeccable trust is obviously a key factor in their partnership as SKK, but there’s a certain limit with this trust. They certainly trust each other in battle, but I’d argue that this trust doesn’t extend to their personal business.

As of now, we don’t know a lot about how SKK interacted with each other during their time in the mafia (which could change with the new LN), but I doubt PM Dazai would feel comfortable with confiding in Chuuya with anything because they (kind of) hated each other. The level of trust required for a friendship would involve a mutual understanding between two people, but Chuuya and Dazai haven’t necessarily shown us that they were able to do that.

Dazai essentially broke his trust with Chuuya by leaving the mafia on a whim, but he also intentionally antagonized himself to try to make Chuuya hate him.

This scene also has comedic overtones, but it suggests something a bit sadder about Dazai. There are possibly two motivations as to why Dazai chose to do this: (or a mix of the two)

1. Dazai didn’t want Chuuya to be incriminated as his accomplice when he became an enemy of the mafia.

2. Dazai wanted to push Chuuya away because Oda — Dazai’s most trusted friend — had just died. As a form of self-protection, Dazai broke whatever semblance of friendship he shared with Chuuya in order to prevent the same pain that came with Oda’s death.

It’s also important to consider that trust is a 2-way street; both parties have to have the same level of trust in each other. Just like Yozo, if Dazai is unable to trust anyone, then he may have cut Chuuya off to protect him (since Chuuya may have trusted Dazai more than Dazai was able to reciprocate).

In contrast, Oda and Dazai have a level of unspoken trust that basically motivates Dazai to change his entire life.

“Odasaku’s eyes radiate with conviction. The words are clearly said with some sort of strong basis. Is it past experience? Or perhaps someone’s suggestion? — He is trying to show Dazai the path he once walked. Dazai understands this. Dazai can trust it.“ — LN 2, “Osamu Dazai and the Dark Era”

Returning to Yozo’s question — “Is trustfulness a sin?” — Dazai answers it by showing us the strength of trust in this moment. Trust insinuates blind faith in another person, the willingness to believe someone else without logical reasoning, which makes it all the more important when PM Dazai — the genius prodigy who operates on a solely logical basis — is able to trust Oda and change his path in life.

Atsushi is most likely the one that Dazai trusts the most in the agency, due to the aforementioned issues with the other members. However, it seems more like a budding trust that’s growing to become like Oda and Dazai, but it still requires Dazai to take that step forward to further their trust.

Dazai and Yozo’s View of the World

In this scene, Yozo had made a decision for immediate gratification, but that choice caused him insufferable pain afterwards — supporting his belief that the world was a “place of bottomless horror.”

This parallels two of Dazai’s statements: one from Dark Era and one from Dead Apple.

“Please, take me with you. Wake me up from this rotten world of a dream. Come on, come on, come on!” — LN 2, “Osamu Dazai and the Dark Era”

(Dazai wasn’t talking about himself here, but the allusion sets up a situation where he can talk about himself indirectly — I talk about it more in my other post here)

We don’t really get a reason for why Dazai is suicidal, but from this we can infer that it’s something more complex than he makes it out to be — something like an issue deeply rooted within the world, with no easy solution.

One could guess that this was the result of an unfortunate decision (like Yozo), or the realization that the world was simply a terrible place (possibly because no one cared for him as a kid and he had Mori as a “parental” figure instead).

Yozo expresses his lack of understanding in the compassion of human nature, but Dazai (as we know) seems to understand other people perfectly, as least enough to manipulate them.

However, this forms somewhat of a paradox: Dazai understands people so well to the point that he can’t understand them.

Dazai understands every flawed aspect of a human being — the tendency to manipulate, lie, kill, etc. — most likely because of his past as a young child. “Human beings never did teach” him the hopeful aspect of human nature — the ability to love and cherish others.

Shibusawa in Dead Apple reflects this mindset, but take note of what Dazai says: “You wouldn’t be saying that if you actually had friends” — clearly a reflection of Dazai’s personal experience, by knowing how important friends are.

Yozo’s deathly fear of society tames itself when he comes to the realization that society is really just made up of a bunch of individuals working for their individual benefit, so he has no reason to fear society as a whole.

I don’t believe Dazai has this same fear of society, but he does reflect this individualistic mindset in the way he acts. Often enough, Dazai doesn’t tell anyone about his plans and would rather manipulate people into following such plans, even when it would be easier to cooperate. He always takes care of conflicts by himself, and by his standard.

Yozo’s fear of society possibly manifested into Dazai’s ostracization from society. More speculation here, but → My guess is that Dazai was alienated not only as a genius isolated for his intelligence, but also for his ability. There seems to be some division between regular society and ability-users’ society, but I can see Dazai being rejected by both because he’s the antithesis to all abilities.

Regular society would either shun him like other users or attempt to exploit him for their personal gain (possibly for his intelligence AND his ability), or ability-users would see him as a threat and/or menace to their safety.

When Yozo considers a double suicide with his partner, he comes to this unsure conclusion of whether or not he actually wants to go through with it.

This reflects what Oda believes about Dazai:

“I thought you and Dazai were very similar, unable to see the value of your life, hoping for death, hence jumping into a world of violence and fighting. But that’s not the case. That guy is just a child who’s too smart. Just a crying child who’s been left alone in the darkness, a world of nothingness far emptier than the world we can see.“ — LN 2, “Osamu Dazai and the Dark Era”

At the end of the story, Gide and Oda are different from Dazai because they face an inevitable hopelessness. However, Dazai has a small spark of hope to live on that persists beyond the other two.

This is represented in Dazai’s own statement to Oda, when Oda is set on walking to his death: “Go and rely on something, hope for something good to happen next, that something will definitely happen.”

If anything, this sounds more like a plea to himself than to Oda, but it establishes an important point: hope is built upon the assumption that the future will treat your present desires well. Vice versa, hopelessness is built upon the expectation that the future will neglect your present desires.

It’s a bit wordy, so I’ll elaborate on. Right after Dazai says this line, they proceed to talk about their desires → Dazai wants to find a reason to live, so he joined the mafia; Oda wanted to become a novelist, so he didn’t kill anyone.

Now, the difference between hope and hopelessness:

Oda feels hopeless because he expects that his present desire (to become a novelist) won’t be fulfilled in the future. By losing the one qualification that he felt he had to follow (not killing anyone), he no longer believes that he can become a novelist.

Dazai has hope because he assumes that his present desire (to find a reason to live) will be fulfilled in the future. He doesn’t know that for sure, but he persists onwards regardless of having full assurance or not.

Dazai’s hope and trust in Oda brings him to where he is in the present, and takes him one step closer towards discovering his reason to live.

#bsd #bungou stray dogs #bsd meta #bsd analysis #bsd dazai #dazai analysis #no longer human #bsd oda #surprisingly more oda than i expected #very ramble-y i apologize in advance

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vrishchikawrites · 3 years

Text

About YZY leaving YMJ/JFM with her kids Post-WWX Arrival

Dear Dee, feel free to delete or ignore this or post it, whatever floats your boat. This just stuck in my head after those posts and I had to blurt it all to someone. Thanks for taking the time to read my word vomit.

So I had to do this instead of an ask because it got long and I wasn't sure how many asks it'd need or how short I could cut it down without losing parts of the argument. And then other things came up as I was writing and, well. Well..... >_>;;;;

But you know, after that post/ask you had about YZY fics saying 'Fuck U' to YMJ/JFM & leaving both with her kids, I had a sarcastic 'yeah right' attitude about it. Mainly due to a lot of negation emotions to such an abusive (and delusional) bitch, partly due to how she wouldn't do that since it doesn't seem to be something her sort of character would consider either because she'd think of it as 'losing' (losing what, IDK, it's why I consider her type of person crazy) or she legit wouldn't think about such a viable action.

But then later, in the shower, I seriously went 'Wait, she can't fucking do that' and it wouldn't be about how MXTX uses her as a part of the narrative but entirely about the/their culture in the novel; the actions that have and would be taken in response; and her entire toxic personality as well.

1) We already know that the sects and the cultivation world in general is sexist, elitist and so Capital T 'Traditional' to the point that it's starting to petrify and any deviancy from this is an exception rather than the norm. YZY might be a madame of a great sect (for what that's worth considering how shit of a madame she's been and the titles she's chosen for herself) but she's still a woman even with her high rank and the things she's personally accomplished.

Even if she was in her rights to leave a 'bad' marriage, she'd be the one who'd get scolded more instead of JFM by her natal family, her former husband's family and by their entire society at large even if she had a few singular supporters. Because That's Not How Things Are Done in their society and I do believe that such a thing was rare even when it was accepted method by the upper echelons. Especially since it would have to be done by more than YZY simply deciding that She Wants Out and just- goes and Gets Out. With no serious allegations that would allow her to divorce or separate from YMJ/JFM without the input from her family, JFM's family and, I think, possibly some measure of compensation as well. And no, having or bringing in a 'bastard child' is not a serious enough offence for such a humongous decision. I think something more along the lines of treason or crimes against multiple, high-ranking parties would be more along the lines. Maybe.

And even if she does this, she'd be considered 'Used Goods' (such a terrible comment) and there'd be no other good/proper marriage prospects for a divorced woman with children let alone a woman like YZY with her entire abrasive personality and attitude put off even easy-going JFM.

(If she'd been widowed then it'd be more forgiven but I consider that a Real Bad End since, IMO, it would lead to the sudden and inevitable decline of YMJ either via mass exodus of disciples and/or residents of LP; being merged with another sect due to it's unstable leadership; or create an internal political war 'cause I bet you anything that the YMJ Elders/relatives (if they have any) Would Not Want YZY in charge of YMJ when she's already proven herself such a shit betrothed let alone madame.)

2) Speaking of families, while YMJ/JFM/LP as a whole might be glad to see YZY's back, I don't think her natal sect, MSY, will be glad to see her come storming back after all the effort they put into getting that particular marriage alliance with YMJ. And if she brings her children with her? Oh man, oh boy- mother or not, that could be considered as kidnapping or line theft (is that a thing?) especially if YZY is also seriously considering divorce proceedings and raising them as Yu and not Jiang. That could give leave to, for anyone more unforgiving and maybe JFM if he's pushed enough, disown both JYL and JWY from the Jiangs through no fault of their own (though I'm sure YZY would make it so as well as blame JFM for her own decisions and mistakes).

Therefore, any inheritance or benefits they might gain for being legitimised children of a great sect are forfeited. JYL will likely lose that betrothal with JZX because JGS will drop it like a hot potato and JWY won't be a sect heir because YZY literally decided to remove that by deciding to raise JWY as a Yu, no matter their blood relation to JFM. They leave him, they leave YMJ and everything attached with it. Which is if YMJ/JFM doesn't demand MSY to give back their heir/ess and to punish YZY for her actions. Or send all three of them back for the appropriate reactions/decisions.

Their society would demand no less in reaction because, to them, it would seem like YZY had gone mad and JFM would look weak (or weaker) and imply that YMJ is vulnerable and exploitable if JFM doesn't do something in response to her actions. That's not even getting into what the other smaller sects may try to do in an attempt to curry favour with YMJ or what LLJ or QSW would try in order to destroy or diminish YMJ. And whether JFM chooses to demand his children back or not, it may not change the fact that this may give him reason enough to choose a nephew or niece to be the new sect heir especially if, even after getting rid of YZY's poisonous influence, JWY grows up to be his mother's child more than his father's or even his own person.

Either way, such a thing would bring great backlash on YZY, and MSY as well as the collateral. No one would want to give face to her or her children because it would bring up some very uncomfortable questions and scenarios to the other sects- specifically, what would happen if the female members of their clans/sets decided to follow the footsteps of YZY and leave with their children and heirs. Especially if they use it as an excuse to leave for their own comfort and whims and not some legitimate wrongs and dangers. That would create some more restrictions on women thanks to YZY

3) And lastly, if any one of those idiot YZY stans think that she'd ever give up the status of being a madame of a great sect they'd be as crazy or crazier than her. YZY is all about status and power and face. Specifically, her status, power and face and how people in her reach reflect her or 'insult' her. She is a selfish, terrible, abusive and toxic person and can only see people in regards to how they would benefit her and the elevation of her and in no other way. Especially her family. They cannot be their own person, they can only be an extension of her and gods forbid they go against her.

We can see this in how she treats the people she supposedly loves. JFM? Arguments day in, day out along with accusations and slander of cheating, having one(1) supposed 'bastard' and being 'in love' with CSSR. Which all seems sus as hell. And that's when she's actually there and not out 'night hunting'. Even her 'training' seems to border on unhelpful rather then helpful if my vague recollections of juniors fainting from exhaustion can be relied upon (please call me out if they're not or find proof).

JYL? Berated by not being 'strong' but not helped at all to be 'strong'. It doesn't help that YZY seems to believe in the same standards strength in their society- that is, of martial masculine strength which does not and should not apply to JYL who has been said to be sickly. Which means h should have been learning a different way of cultivation/fighting anyway. If that was something she wanted and had been offered in the first place- which I doubt. That isn't even getting into her repeated generational trauma mess of a betrothal which was decided only by those 'sworn sisters', accepted by her as a way out of her terrible home life and puts her squarely within reach of JGS who we know to be a womaniser, rapist, predator and a possible ephebophile considering we don't know the exact age of his youngest 'conquest' or the age of MZY's mother when they met which could be anywhere from 14 to 21.

JWY? Gods, so much meta on him and his(non-) relationships with his parents that I don't think I can contribute more to it. It's been all said and done. Unless people want me to stir the pot by saying that, maybe, just maybe, YZY resents JWY as much as she 'loves' him.Either because he's her son and yet never manages to 'accomplish as much' as WWX or because he's a boy and therefore, more benefits and allowances than a girl/woman- more than anything that YZY ever got without either a fight or screaming at someone about. *shrug*

So, in conclusion to this sudden an unexpected essay that I wrote(I'm so sorry about that, I thought it would be shorter -.-;;;;), YZY leaving YMJ/JFM with her kids? Impossible. Not without some sort of personality transplant or a complete AU. She's too prideful, too bitter, too angry, too everything negative and little positive. She's a resentful product of the values and restraints of her society taken to the extreme negative with a willingness to inflict her pain on others to an abusive degree. But she's also too obsessed and reliant on those same values and restraints to keep up the image of her status. So her? Giving those up? You'd be more likely to see WRH as a doting grandfather than that.

---

Dee - All of this is true and yes YZY leaving YMJ is highly unlikely. While there will be consequences if she decides to leave, she does canonically lives separately from her husband. They seem to be in a situation where they are married but living separately, which was a common way to end a marriage (at least in spirit) back then. She essentially had all the perks of being Madam Jiang but fulfilled none of the responsibilities.

Afaik, her training the Jiang disciples is a donghua thing? I may be wrong but I recall she spent most of her time nighthunting.

As for taking her children along with her- that's completely impossible. At that point, children were the property of the father. She could leave but she would've never been allowed to take JC.

#submission

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musette22 · 4 years

Text

Drunk in Boston

Pairing: Chris Evans x Sebastian Stan (Evanstan)

Word count: 2.4k

A/N: A week or so ago, I saw this post. I couldn’t stop thinking about it, so I decided to write a ficlet, a little Evanstan AU. It’s a bit late maybe, since Christmas has already been and gone, but it’s still technically the holidays so just indulge me? :p

Also, I hit 3k followers this week, so this is also a sort of thank you to all you amazing, wonderful, beautiful people for getting me here. Love you all as much as I love these boys as much as they love each other 💘 Hope you enjoy!

❄️❄️❄️❄️❄️❄️❄️

It’s 3 p.m. on 17 December, and Chris is a little bit drunk. Maybe even a lotta bit.

In his defense, he is currently in Boston for a bachelor party and they did just do a tour of the Samuel Adams Brewery. It’s not like he makes a habit of daytime drinking. Not this much, anyway.

Chris stumbles out of the bar that’s attached to the brewery, surrounded by a dozen or so old school friends, all of whom are in a similar state of inebriation, when they pass the gift shop and a familiar image catches his eye. Chris stops in his tracks. On closer inspection, what he saw turns out to be a photo, displayed in a stand outside the shop, of a park in Concord near where Chris grew up.

No, not a photo.

A postcard.

He plucks the card from the stand, swaying on his feet a little as he peers at it. In the image, the park is covered in snow, much like it would be right now, and stamped across it in a red, gothic font are the words ‘Happy Holidays’.

Instantly, Chris is hit by a wave of nostalgia. No doubt the feeling is heightened by the alcohol – he always tends to get a little sentimental when he’s drunk – but it’s not just that. It’s also the fact that Chris and his friends have been reminiscing about the good old days all afternoon as well as the sudden, depressing realization that despite all he’s achieved in the past decade or so, his happiest memories are probably those of childhood Christmases spent in Concord.

These days, Chris lives in on the West Coast. He’s kind of a superstar now, after all, and superstars live in LA – everybody knows that. Chris doesn’t usually let himself dwell too much on how lonely he is there, or how he misses the comforting accents and the real winters of the East Coast. Tonight, though, whether because of the booze in his system or the ghosts of Christmas past, he allows himself to feel the stab of homesickness.

Without conscious input from his brain, Chris finds himself buying the postcard. When the cashier asks him if he’ll be needing he stamp, too, he hesitates. “Yeah, why not,” he decides, on a whim. It’s a Christmas card, after all, and Christmas cards are supposed to be sent.

There’s just one slight issue with his plan, Chris realizes as soon as he puts the borrowed pen to the card.

He’ll need an address to send the card to.

Frowning, he taps the pen against the counter, thinking as hard as his beer-addled brain will allow him, but the only address he can think of off the top of his head is that of his childhood home, back in Concord. But… that would be weird, right? He has no idea who’s been living there, since his parents sold the house after the divorce. Then again, Chris tells himself, this could be his good Christmas deed. Sending a postcard to a total stranger just to wish them happy holidays, that’s totally in the Christmas spirit, isn’t it?

With a decisive nod of his head, Chris puts his pen to paper and starts to write. It’s just a few lines, because there’s only so much you can say to a total stranger, but when he signs off with his initials, he feels good about it. He asks the cashier for the nearest post box, which happens to be just outside the building, so he thanks the guy and heads outside.

Pulling his pea coat tighter around him against the glacial December air, Chris spares the card one last look, and drops into the post box. It feels significant, somehow.

He doesn’t get time to dwell on it though, because the moment his friends spot him, he’s immediately and enthusiastically subsumed back into the group and dragged on to the next boozy destination.

Three drinks on, Chris has forgotten all about the postcard.

***

On the morning of 18 December, Sebastian Stan opens his postbox to find a postcard with a photo of the park near his house on the front, and a hastily scribbled message on the back:

Hey,

I used to live in your house.

I’m drunk in Boston, and it’s the only address I know.

Happy Holidays,

C.E.

Even after re-reading the message three times, Sebastian is none the wiser as to who sent it.

It makes sense other people used to live in the house Sebastian’s been renting, but unsurprisingly, he has no clue who they were. It was only last year that he’d decided to relocate from New York to Concord, craving a change of pace and more peace and quiet than the Big Apple had been able to offer. He’d visited Concord on a research trip for his third novel the year before and had immediately taken a liking to it. So when, after asking his estate agent to put out some feelers in the area, the guy had found him this beautiful place to rent within a day, Sebastian had taken it as a sign.

It’s a big old house – more appropriate for a family than a man living alone, perhaps – but Sebastian can afford it, and it has a lived-in vibe that makes it feel intimate, somehow. Its location on the edge of a large park, peaceful apart from the joggers and young families that frequent it, suits his needs perfectly, too. Despite being a successful author, Sebastian prefers to keep himself to himself. He’s not one for ostentatious book tours or photoshoots, doesn’t believe in social media beyond its promotional potential, and he’s found that he blends in perfectly in this picturesque little town.

In addition to being a private person, however, Sebastian is an inherently curious one.

It’s why he became a writer in the first place, and it’s also why the random, slightly mysterious postcard instantly fascinates him. Someone who decides to send a Christmas card to the stranger living in their childhood home has got to be an interesting person, Sebastian figures.

Unable to resist the temptation, he finds the landlord’s number and presses call.

“The initials C.E.?”

“C.E., that’s right,” Sebastian repeats patiently. “I received a postcard from someone with those initials who said they used to live in this house and wished me Happy Holidays. I’d like to thank them for the card, maybe tell them they’re free to come by the house anytime, if that’s something they’d like.”

“Well,” the landlord says, clear hesitation in his tone. “I wouldn’t usually give out this kind of information, especially not about this particular person. But seeing as he approached you first, I guess it should be alright…”

Chris Evans.

Famous Hollywood actor Chris Evans used to live in Sebastian’s house. The house he’s renting. Whatever.

The point is, Chris Evans sent him a postcard. Sebastian would be lying if he said that knowledge didn’t make his heart beat a little faster. He isn’t one to get star-struck, normally, knowing full well the rich and famous are people just like anyone else, only with an added layer of expensive, sparkly veneer.

Chris Evans, though. Well, let’s just say Chris’s blue eyes, his dazzling smile, and his chest – god, that chest – had helped along Sebastian’s gay awakening considerably, all those years ago.

So even though he realizes what he’s about to do could be considered slightly unethical, the next number Sebastian dials is that of his agent. There’s no harm in asking if there’s any chance she could use her industry connections to pass on a message to Chris Evans, surely?

“Chris Evans?” his agent repeats blankly. “The British radio DJ or the actor?”

Sebastian huffs out a laugh. “Actor. Definitely the actor. Why would I want to send a message to a British radio DJ?”

“Why would you want to send a message to the actor?” she shoots back. “Apart from the obvious, of course.”

Touché.

Once he’s explained the situation to her, his agent hums thoughtfully. “Alright, I’ll admit that’s pretty amazing,” she says. “As it happens, I know someone at CAA who owes me a favor. I’ll see what I can do.”

Sebastian thanks her warmly, and then he waits.

***

That afternoon, Chris gets a phone call from his agent.

“Thank you for the postcard,” she reads aloud. “If you're ever in the neighborhood, you’re welcome to stop by the house and have a look around, for old time’s sake. Happy Holidays, Sebastian Stan.”

“Sebastian Stan?” Chris asks, eyebrows shooting up. “The author?”

“Oh, you know him?”

“Well, no. Not exactly. I’ve read one of his books, though, the one that’s shortlisted for the Pulitzer price, I think? He’s very good.”

His agent hums. “If you say so. Do you want me to pass a message back to him?”

Chris opens his mouth to say yes, then closes it again. “Actually,” he says, making a spur-of-the-moment decision, “I’m still in the area so I think I’ll just pay him a visit. Do you think you could you cancel my flight back to LA this afternoon?”

His agent grumbles at him for a bit but eventually concedes, though not before she’s made Chris promise he’ll be back in LA on Tuesday, for the Christmas special he’s due to appear in. Fun.

For a few moments after he’s ended the call, Chris stares out of the window of his hotel room. It’s snowing again, big flakes fluttering down from the sky, slowly turning the grey, slushy roads white again. He wonders if Pulitzer-finalist Sebastian Stan likes to make snow angels in the backyard too, like Chris used to do.

Putting his phone between his shoulder and his ear, Chris starts to put his things in his overnight bag, and calls an Uber.

It’s almost twilight, by the time the cab come to a stop in front of the house. Chris thanks the driver and steps out, booted feet sinking into the freshly fallen snow. It’s piling up quickly, he notices distantly.

It’s odd, being back here, after everything that’s happened since he moved away, so Chris gives himself a moment to just stand there, in the middle of the deserted street, taking in the sight of house he grew up in.

The house that holds countless memories, many of them good, some of them not so much. His first dog and his first kiss. Scraped knees and snowball fights. Raucous laughter and hissed arguments.

The house looks the same but different.

Chris walks up to the front door, snow crunching under his boots, and rings the doorbell.

***

Chris Evans is on Sebastian’s doorstep.

All blue-eyed, bearded, gloriously muscled, six-foot-something of him.

“Uh,” Chris says, blinking at him in something like surprise before his gaze sweeps up and down Sebastian’s body in a blatant once-over. “Sebastian Stan?”

“Oh wow, you actually came,” Sebastian blurts by way of reply.

Chris’s eyes widen. “Oh, I’m sorry, I just thought- ‘cause you said-”

“No, no, it’s fine,” Sebastian interrupts. “I did say that. I just- I guess I wasn’t expecting you to really turn up – or not this soon, at least. But it’s no trouble at all, I live alone so it’s nice to have a visitor. Especially, y’know. You.” Forcing himself to stop talking, Sebastian runs a hand through his messy hair and wishes he’d worn something better suited to meeting one’s celebrity crush. “Sorry,” he says, smiling sheepishly. “Let’s try that again. Hi, I’m Sebastian Stan.”

“Chris Evans.” Chris smiles back warmly as he shakes Sebastian’s extended hand. “It’s lovely to meet you.”

“Lovely,” Sebastian repeats, holding Chris’s gaze. There are tiny flecks of green mixed in with the blue of his eyes, and his lashes would put any Maybelline model to shame. It takes Sebastian longer than it should to remember to let go of Chris’s hand, but fortunately, Chris doesn’t seem to be in any rush either. Huh. Sebastian clears his throat. “Would you- would you like to come in?”

“I’d love to, if you’re putting out,” Chris replies. There’s a beat, and then he freezes, eyes widening in horror. “If I’m not putting you out – not- not if you’re- I wasn’t, I didn’t mean- oh my god, Chris, stop talking you meatball,” Chris groans covering his face with a large hand. His next words come out a little muffled. “I am so sorry. Just ignore me. I have a horrible hangover, I promise I’m not usually this much of a disaster.”

Sebastian laughs, equally charmed by Chris’s helpless chattering as he is by the blush coloring his cheeks, just visible above the line of Chris’s well-groomed beard.

“You’re fine, I’m not easily offended,” he assures him, stepping aside to let Chris into the hallway. “I can take a lot.”

Oh.

This time, it’s Sebastian’s turn to wince at his choice of words, but when he tentatively glances back at his visitor to see if he noticed, he stills. The look on Chris’s face instantly makes him forget all about feeling embarrassed.

Still standing by the door, melting snow forming puddles around his feet, Chris is watching him intently. There’s something curious in his gaze, something sharp and searching.

It makes Sebastian’s breath catch in his throat. He swallows, resisting the impulse to avert his gaze, play it off as a joke. Instead, he makes himself stare right back. Lets the tension build, lets it simmer and crackle as it stretches out between them, growing stronger with every second they spend looking at each other in heavy silence.

“That right?” Chris asks finally, his voice a low rumble that settles in Sebastian’s bones like smoldering embers. Chris takes a careful step forward, slowly, giving him every chance to back away.

Sebastian stays where he is.

“Mmm,” he hums, catching his bottom lip between his teeth and biting down lightly, experimentally, on the soft, plump flesh. When Chris’s eyes flick down to his mouth instantly, homing in on it like an eagle on its prey, Sebastian decides to take a chance.

“Tell you what,” Sebastian says huskily, stepping closer under Chris’s dark, watchful gaze. “Why don’t you give me a tour and show me which bedroom used to be yours-” he comes to a halt right in front of Chris, looking up at him through his eyelashes, “and maybe you’ll find out just how much I can take, hm?”

For a moment, Sebastian holds his breath, praying he read this thing right and didn’t accidentally sexually harass a virtual stranger – but then Chris growls and surges forward, and Sebastian knows his gamble is about to pay off.

Big time.

Merry Christmas to me, Sebastian thinks wildly, just before Chris claims his mouth in a searing kiss. After that, he stops thinking altogether.

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#evanstan #rpf #my fic #my writing #chris evans x sebastian stan #3k celebration

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shoezuki · 4 years

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Tommy's prison/revival arc isnt well written actually

Anyways ive been wanting to talk on it a while for a bit here but havent had the Time or like. The thought to. But im gonna go off now.

First off im gonna say im ASSUMING this stream and plot of tommy being in the prison with dream is written entirely by tommy and dream. Wilbur May be involved in the latest stream but im not sure.

Bringing tommy back to life after only three days of him being dead did practically nothing to progress plot, the characters, or audience's understanding. In fact i feel that it damaged Other characters' potential and plot and already established plotlines.

The 'development' aspect

A really, really easy way to see if anything has changed or developed through an arc or plotline is to straightup just compare the 'beginning' to the 'end' in terms of the barebones situation. So;

Beginning: tommy is trapped in an isolated prison cell with dream, his own abuser who has hurt him in the past, for an unknown amount of time. He's terrified of dream and being stuck there with him.

End: tommy is trapped in an isolated prison cell with dream after being killed then revived by him, his own abuser whos hurt him in the past, for an unknown amount of time. Hes terrified of dream and being stuck there with him.

Okay. This is simplified obvious. But the point stands. ALTHOUGH the troupe of 'going back to the beginning' is common in the heroes journey its. It doesnt work here. Has tommy learned anything? Has he changed as a character? Is the severity of their situation any different? Have we, as the audience, learned anything new?

Im going to expand on that last point because i think it has the strongest potential argument. Technically for progression in literature and development of plot/characters, things can Change without them being Aware as characters. It can change just by the audience's perception changing or being challenge.

Slight example: i've been reading a webcomic called Your Throne. Its a fantasy/political drama about a noble lady who entered a competition with another noble lady to become the empress. The main lady lost despite her being a better fit, and the comic starts with the main lady trying to assassinate the empress. Its assumed and stated by the main lady that she 'ruined her life' and so thats all the readers know. However, later in the novel we see flashbacks to the competition itself and find that the two ladies were extremely close friends, neither wanting anything bad for the other, but it was the emperor himself who manipulated both of them for his own agenda. Those flashbacks gave us an entirely different idea of who the real antagonist is and completely changed the two main ladies' relationship. THAT is how the audience's understanding of the plot and novel can be used to change the entire story. We dont get such here though

Some things that were brought to light during tommy being dead/revived:

Dream is capable of reviving people infinitely

This was already implicated and assumed. The book dream has being a means of reviving people has been around Technically since schlatt's death. This just 'confirmed' what was known

Time works differently/feels longer in the afterlife

This doesnt really impact much beyond emotions and implications. If we had more insight into what the 'afterlife' is like beyond nothingness perhaps so. But really it just makes it so wilbur being dead for what feels like 9 years and tommy having been dead for 2 months appeal to emotions.

Wilbur is evil

This one fuckin sucks i cant lie HSKSHSISSGEGDV. Like i was gon go on bout it and i will but it jus sucks. We have nothing to go on besides tommy's word, no examlles of what Horrible things wilbur said could make tommy assume this, etcetc. Ill most likely make a seperate post on how this feels like we're just going to get 'wilbur is a horrible villain' type with him. But still. I feel wilbur Not Being Good isnt a new development.

Dream is going to revive wilbur

This doesnt feel new either, part because phil had wanted to revive wilbur before (ill get to that more later) and that tommy had kept dream alive/initially imprisoned him with the idea of him reviving wilbur.

Dream believes wilbur will break him out of prison

Okau this makes no sense to me actually. I cwnt understand How exactly wilbur would be able to do this? Or why dream believes he even Could? Mans been dead for like 9 years and all we Know of the afterlife is that its black... nothingness. How would 9 years of that make wilbur capable of busting the prison open?

So. Yeah. All in all this plotline hasnt done anything new, developed things, or altered people's perceptions. We just ended up back at square one. Back to tommy being traumatized, dream being 'evil' and horrible and doing villain monologues, and them being stuck together.

Other characters and plotlines

Im pretty damn sure tommy's revival fucked up a LOT of other characters' plotlines and potential development. Honestly i feel this has a lot to do with the writers not communicating with other ccs well enough. But Ill talk about specific characters from least to most fucked over in my opinion:

Sam

He's the best off. He hqd been there during tommy's death, had been close to tommy, had majorly blamed himself and his own mistakes for tommy's death. His grief and self hatred was actually really heartbreaking and well done. The attached character of Sam Nook being unaware of tommy's death and simply waiting for tommy to return was a really good parallel to sam's own grief and anger. like it really snapped sam the guy who cares for tommy and wants to do Right by him back together with him as the Warden of the prison. Mixed personal life with 'just business'.

I feel it wouldve been nice to have him like. Have more time to grieve properly and come to terms eith tommy's death and his own involvement/influence over the events. Him finding tommy alive again Could be a means of him like. Facing his own grief head on if done well.

Ranboo

Mostly in the context of him and sam's argument do i feel it got screwed over. The weight of them yelling at each other and trying to find who to blame and the implications that Maybe ranboo was the one who caused the security breach that closed down the prison on tommy just.... doesnt hit so hard anymore. Because how can there be blame and arguments and a 'who done it' mystery when tommy popped up all fine again?

Puffy

I dony know much of her involvement or how she found out tommy died (besides metagaming shhhhh) but i saw her monologuing of how they 'failed' tommy and like. Her whole 'he was so young we the Adults failed him' spiel is like........... inconsequential? Now??? Like no dont worry he died but hes alright now.

Philza

BET YOU DIDNY EXPECT TO SEE THIS FUCKER!!!!!! But actually though i want to talk bout how this ties into phil. A LOT. for Zalbr ❤. But also because i see ppl tying phil to tommy's death n like nah shutup u doin it wrong. Ill go off more in a Wilbur Post. But essentially: i dont like that dream is now going to revive wilbur. I feel they arent going to tie philza into this Despite phil having originally been trying to revive his son and studying on it and Attempting and Failing. But now suddenly dream can just. Say some magic words and Poof wilbur lives? So we're just going to Kill philza's revival attempts plotline and leave that hanging? This made his efforts seem pointless and Wack like oh why didnt you just Say The Magic Words phil????

Niki

I feel really bad for niki. She hasnt been able to do a lore stream during tommy's 'death' (she tweeted she wanted to but her computer wasnt working) and considering her entire character.... that shit is important. We seen it with Jack Manifold how tommy's death impacted Him considering he literally wanted tommy dead. And since niki is in a similar boat to jack of trying to kill tommy and it being her Only goal...... thats extremely important.

BUT. i feel there wasnt any communication. Did she or anyone even know tommy would be revived? Did no one consider they could At Least let her do a single stream on it? Like jack manifold????

We couldve gotten a Really good niki lore stream. I genuinely was so excited for it and i dont regularly watch her. But we seen it with jack manifold which is why i dont feel he got screwed because mans genuinely did So Good he could pop off with anything n i think it works in His favour. But now........ for niki. Canonically she never even knew tommy was Dead. So its like nothing even happened for her. Is she just supposed to continue on trying to kill tommy with no progression?

What i think would work

This is more me being like 'hey @ the dsmp writers let me in' type speculation sbosegussgs. But i was thinkin on a Really easy way to 'fix' this without rewriting lore and the streams.

Dream should kill tommy again now that he's been revived and Leave Him Dead.

More development for the characters who are affected by his death Especially niki. More time for grief and self reflection and development

A chance for the audience to figure out what the 'afterlife' really is.

Dream is supposed to be smart and a master manipulator or something right? Why doesnt he use being able to revive tommy as a bargaining chip with sam for his own freedom?

The audience would now Know dream's intentions with tommy better, that this death isnt 'final', but we could still see other characters' grief and reactions and coping without it feeling cheap. Ive seen some 'but people dont know tommy is alive so hes still dead in their mind' but that sucks imo.

We'd know more on dream's ability to revive people and that he can just Do It on a whim (which i think sucks but hey im trying) but no one else would know this canonically

Okay. Im done. If you read this. Thankyou. I love you. Hmu.

#mcyt #dream smp #dream smp critical #tommyinnit #dream #im puttin this in main tags took me too fuckin long to write for me Not to #death mention #ask to tag

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litafficionado · 3 years

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Four Questions with Garielle Lutz:

I’m extremely beholden to Garielle who took the time to respond to my silly, garbled, childish, intrusive questions. You can purchase her latest book Worsted here and here, among many other sites. --------- Q. You've attributed the resuscitation of your literary career in quite considerable measure to your teacher and editor Gordon Lish. It seems like you guys are particularly close, even as you seem to have largely confined yourself to Pittsburgh(mostly driven by your erstwhile teaching career but also by your liking the city over time). How does it feel to hear someone like Gordon speak so highly of you, “I think there’s more truth in one sentence of my student [Lutz] than in all of [Philip] Roth. Lutz gives [herself] away. “The speaking subject gives herself away,” says Julia Kristeva. I thoroughly believe that. What you see in Lutz, [her] lavish gift, is [her] refusal to relax [her] determination to uncover and uncover. It is, by my lights, quite wonderful, quite terrific.[…]Lutz is entirely the real thing?” Does one feel vindicated? How do you navigate the waters of self-effacement and self-indulgence as a writer and as a person? A. I haven’t had a literary career before or after studying with Gordon Lish. I don’t think one finds one’s way to him in hopes of launching a career. Anyone with vulgar ambition along those lines would have been shown the door pretty quick. I would never presume to be close to Gordon or to feel that I am part of his life other than in my role as a student. He dwells in another realm entirely. I attended his classes and tried to grasp, to the best of my abilities, the things he was saying about how to get from one word to the next. He also talked about how to free a word from the constricting range of its permissible behaviors, how to drain it of every sepsis of received meaning, until there is nothing left of the word but the skeleton of its former self, just the lank, gawky letters sticking out this way and that, and then how to fill the thing up again, to the point of overspilling, but this time with something that would never have been allowed to belong in there before, and then see whether the word, now close to bursting, can hold up and maybe have a new kind of say. I’m always surprised and relieved whenever Gordon says anything approving about anything I write. I think that for a lot of his students, his opinion is the only one that counts.

Q. You've said, "A typical day goes like this: noon, afternoon, evening, night, additional night, even more night, furtherest night, then bedtime, though I don’t have a bed or furniture of any kind.” Have you always been a lychnobite, sensing the overwhelming superabundance of life after the sunset or is it a relatively recent development facilitated by your retirement from teaching? Do you consider yourself in any way to be a minimalist? Does your room bear any resemblance with a sparsely lit opium den where all exchanges happen at the floor level?

A. I think the pandemic has had a lot to do with it. Lately I’ve been up until five, sometimes six. But I’ve always found mornings the harshest and ugliest part of the day (maybe it’s just because of the place where I live, but I never open the blinds anyway). There can be something awfully scolding about a sunrise the older you get Evening seems to extend every form of leniency, and in the dead of night, expectations go way down, which is where they maybe ought to stay. I do spend all of my time on the floor, but my apartment doesn’t bear any resemblance to an opium den. It’s more like a crawlspace or the back of a dollar-store stockroom.

Q. Even with your reputation of being a page-hugger than a typical page-turner, how do you decide which books to read apart from your line of work? Do you try to keep it largely in the familiar territory, like exploring the oeuvre of a time-tested writer? How does one unshackle oneself from this constant niggling that one ought to read so many books? Here's Ben Marcus: “When I was in graduate school, there was this sort of cautionary adage going around by the poet Francis Ponge that we can only write what we’ve already read and one way to hear that is you’re just sort of doomed to kind of regurgitate everything you’ve read and so if you’re just reading all the popular books, the books everyone else is reading, in some sense you’re maybe unwittingly confining yourself to a particular literary practice that’s gonna look pretty familiar. I remember at the time thinking, okay well if that’s true, if I’m just fated to that, then I’m gonna read things that no one else is reading. I loved to just go to the library and pretty randomly grab books, because I think for a little while, and I’m kinda glad this passed, but I really just had this feeling that a writer just consumes language and just sort of spits it out. So it didn’t matter. Like it didn’t have to be a great novel for it to be worth-reading. And I still read very little fiction in the end compared to non-fiction, essays, works of philosophy, science. And the other sort of dirty secret is: I don’t finish a lot of books. I just don’t care enough. I only finish a book if I have to or if I really want to. And, often, I’ll stop reading a book three pages from the end. I think that as writers, we probably feel a lot of pressure about what kind of a reader to be, what kind of a writer to be in, and we feel this shame, like “I haven’t read DH Lawrence, I’m such an asshole.” You begin to feel like you’ve these deficiencies and you gotta make them up and you never will and a lot of it is just kinda tyrannical. Of course, obviously, we must be naturally motivated to read and read and read and read but I guess I just started to notice that…I got a lot of my ideas by just reading…e.g. a gardening book…like the weird way a sentence was structured.” Then there's Moyra Davey: “Woolf famously said of reading: “The only advice … is to take no advice, … follow your instincts, … use your reason.” A similar thought was voiced by her elder contemporary Oscar Wilde, who did not believe in recommending books, only in de-recommending them. Later, Jorge Luis Borges echoed the same sentiment by discouraging “systematic bibliographies” in favor of “adulterous” reading. More recently, Gregg Bordowitz has promoted “promiscuous” reading in which you impulsively allow an “imposter” book to overrule any reading trajectory you might have set for yourself, simply because, for instance, a friend tells you in conversation that he is reading it and is excited by it. This evokes for me that most potent kind of reading — reading as flirtation with or eavesdropping on someone you love or desire, someone who figures in your fantasy life.”“What to read?” is a recurring dilemma in my life. The question always conjures up an image: a woman at home, half-dressed, moving restlessly from room to room, picking up a book, reading a page or two and no sooner feeling her mind drift, telling herself, “You should be reading something else, you should be doing something else.” The image also has a mise-en-scène: overstuffed, disorderly shelves of dusty and yellowing books, many of them unread; books in piles around the bed or faced down on a table; work prints of photographs, also with a faint covering of dust, taped to the walls of the studio; a pile of bills; a sink full of dishes. She is trying to concentrate on the page in front of her but a distracting blip in her head travels from one desultory scene to the next, each one competing for her attention. It is not just a question of which book will absorb her, for there are plenty that will do that, but rather, which book, in a nearly cosmic sense, will choose her, redeem her. Often what is at stake, should she want to spell it out, is the idea that something is missing, as in: what is the crucial bit of urgently needed knowledge that will save her, at least for this day? She has the idea that if she can simply plug into the right book then all will be calm, still, and right with the world. […] Must reading be tied to productivity to be truly satisfying […] Or is it the opposite, that it can only really gratify if it is a total escape? What is it that gives us a sense of sustenance and completion? Are we on some level always striving to attain that blissful state of un-agendaed reading remembered from childhood? What does it mean to spend a good part of one’s life absorbed in books? Given that our time is limited, the problem of reading becomes one of exclusion. Why pick one book over the hundreds, perhaps thousands on our bookshelves, the further millions in libraries and stores? For in settling on any book we are implicitly saying no to countless others. This conflict is aptly conjured up by essayist Lynne Sharon Schwartz as she reflects on “the many books (the many acts) I cannot in all decency leave unread (undone) — or can I?”” What way out do you suggest? Do you deem it worthwhile to eschew any shred of obligation and be propelled in any direction naturally? Like you said you found grammar books and lexicons more engaging and enjoyable than the novels.

A. I seem to remember that in some magazine or another, James Wolcott once said “Read at whim.” That has always sounded like the best advice. And I assume it means to feel free to ditch any book that disappoints. Like Ben Marcus, I’ve had experiences of abandoning a book just a few pages from the end, but I often don’t make it that far in most things anymore. I came from a long line of nonreaders, so I’ve never felt any guilt about passing up books or writers that so many people seem to talk about a lot, and I don’t expect other people to like what I like. Some books I’ll start about halfway in and then see whether I might want to work my way back to the beginning. Others I’ll start at the very end and inch my way toward the front, one sentence at a time, and see how far I can go that way. I seem to remember that in The Pleasure of the Text, Roland Barthes recommends “cruising” a text, and maybe something like that is what I’m doing at least some of the time, if I understand what he means. And every now and then I’ll read a book straightforwardly for an hour and afterward wonder whether the time might have been better spent staring off into space. Too many books these days seem ungiving. It’s the ungivingness that disappoints the most. A lot of contemporary fiction has the gleam and sparkle of a trend feature in a glossy magazine, and I can appreciate the craft and the savvy that go into something like that, but I am drawn more toward stories and books that demand being read slowly and closely, pulse by pulse, the kind of fiction where everything--what little might be left of an entire blighted life--can pivot on the peal of a single syllable. Q. I'd like to ask you so many questions. But let this be the last one for matters of convenience. Also, in a capitalistic world, one's enshrouded with guilt for taking one's time without being remunerative in any way. Among the books and films that you recently encountered, which ones do you think deserve rereads/rewatches? A. I used to feel like the woman you’ve described so movingly above, someone who questions her choice of books almost to the brink of despair. At my age, though, I no longer have a program for reading, a syllabus or a checklist, and I’m okay with knowing there’s a lot I’ll never get around to. I’m happy being a rereader of a few inexhaustible books and chancing upon occasional fresh treasure. The one book that has shaken me the most in the longest time is Anna DeForest’s A History of Present Illness, which will be out next August. It’s a blisteringly truthful novel written with moral grace and unsettling brilliance and an awing mastery of language. A couple of recent books I have read in manuscript, books that totally knocked me out with their originality and uncanny command of the word, are Greg Gerke’s In the Suavity of the Rock (a novel) and David Nutt’s Summertime in the Emergency Room (a short-story collection). I haven’t watched many movies in the past few months, and the ones I watched aren’t ones I’ll probably be rewatching anytime soon.

#Garielle Lutz #lit #Worsted #Moyra Davey #Ben Marcus #Gordon Lish #Anna DeForest #A History of Present Illness #Greg Gerke #In the Suavity of the Rock #David Nutt #Summertime in the Emergency Room

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