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feathersandblue · 28 days ago

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So, full disclosure, I haven't been a Solas fan before.

I am now.

And that's because of Veilguard and the many, many ways in which I felt let down by this game.

The aspect that bothers me most is the reduction of nuance and complexity.

Rook's hero's cakewalk (because “journey” really isn't the right word) is a ready-made path that offers no deviation at all and never challenges the player in any meaningful way.

Sure, you can spend some time pondering the pros and cons of saving Treviso or Minrathous. Ultimately, it makes no difference. Rook does their best, they just can’t be in two places at once.

Same with the companion character arcs. What does it mean if you decide to you turn Emmrich into a lich? For the most part, it's idle musing. Indulgence. He’ll be happy either way, there are no real stakes. Yeah, your actions do have consequences, just not the sort of consequences that make a substantial difference. It’s the illusion of choice – reduced to cosmetics.

The problems with decisions that cost nothing is that they don’t feel like an accomplishment. They also don’t allow for character growth. Rook doesn’t change, they remain static. Even the section in the Fade where Rooks faces their regrets is easy and comparatively lightweight. Varric was killed by Solas, Harding resp. Davrin died in combat and either Bellara or Neve was abducted by Elgar’nan. It’s not like Rook’s decisions actually caused these events, it’s not like Rook actually failed through a choice they had to make that turned out to be the wrong one. Everyone was there willingly and volunteered to fight the good fight. Rook’s regrets are not about real guilt, they are about feeling sad and guilty. And that – it needs to be said – is not the same thing. At all.

At the same time, the story carefully avoids any kind of true ethical dilemma.

It's not even about the lack of mean or edgy dialogue options; that’s just a symptom. The cause is the writers’ unwillingness to let realism intrude in Rook’s fairytale – the lack of anything that would require Rook to compromise on morals, or fight temptation. Rook is never faced with any sort of moral conundrum, or allowed to act out any kind of vice that realistic characters have. In its straight-path simplicity, Rook's story is apparently written for children and people who remain child-like in their yearning for simple, uncontested truths.

Of all the sorts of conflicts that a story can offer, Veilguard carefully avoids the most realistic and (in my opinion) interesting ones: Character vs. self and character vs. society, aka, politics. The game firmly refuses to go there. To the point where it creates a completely unrealistic consensus on all sides that eliminates yet another sort of conflict: character vs. character.

If Rook and their companions would talk politics, they’d all be on the exact same side. In a two party state, they’d all cast the same vote.

I am sure that there are many players who feel comforted and reassured by that fact, who sincerely believe that this is how stories should be written. That stories should reflect the world not as it is but as they think it should be. But for everyone who likes their stories a little more realistic, that lack of meaningful interpersonal conflict, that lack of real diversity which comes not from appearance but from different cultures and opposing viewpoints amounts to a frankly cringe-worthy, artificial and juvenile surface-level interaction between characters. Or, to phrase it differently: the diversity remains skin-deep and doesn’t extend to the philosophical, and even in the few instances where it does, it shies away from the political.

Which means that the only conflicts that remain are the most boring and stereotypical ones: character vs. monsters resp. the supernatural, where all foes are evil in the blandest way (Supremacist Venatori! Fascist renegade qunari! Power-hungry necromancers!). These conflicts are resolved through exploring maps and endless, repetitive combat.

The only thing that brings a bit of nuance to the game is Solas’s story. And there is an element of character vs. character in Rook’s and Solas’s relationship, but the sad truth is that what could have been a fascinating mirrored character journey falls flat for all the reasons already explained – because where Solas is a character as layered and controversial as it gets, Rook is anything but.

Solas’s story shows how even people with the best intentions and the greatest integrity are ultimately broken by what life throws at them, both by the decisions that are forced upon them and the choices they make on their own. It shows how a prolonged war is always a sunk cost fallacy: I’ve gone this far, if I stop now, it was all for nothing.

Rook’s victories, on the other hand, come without a cost – both in terms of moral corruption and in accountability. The guilt Solas bears is real. The fight against the titans, followed by his war against the Evanuris, requires compromising his own morals, one day at a time, one century after another, he’s trying to save the world yet doomed to fail. Sacrificing the spirits to win a battle after the war has gone this far? Every single war leader around the globe would make the same decision. In fact, all of them do: They do sacrifice the lives of others if it will help them win, they do send soldies into the trenches to die, whether these soldiers want to or not, and they are rarely, if ever, truthful about the reasons why.

In a certain way, the story of the spirit of wisdom turned flesh is reminiscent of the biblical Fall of Man: the original sin. Solas has fallen, and he’s broken. In trying to heal the world, he’s trying to heal himself. The burden is too heavy, the responsibility to great, the knowledge that he is responsible for all of it too devastating. Solas’s greatest conflict is character vs. self. It has the potential to be great. In a way, it is. It’s the single redeeming quality that, depending on your interpretation of what went on behind the scenes, the writers managed to salvage from the original concept of Dreadwolf or the lone pillar that withstood all their attempts to bring it down.

Only sadly, infuriatingly, in the end, that fallen hero’s ending is put into the hands of a protagonist who judges him from the perspective of someone who has never even stumbled – not because they are wiser, braver, or kinder. No, just because the writers were gracious – or cowardly? – enough to never let them fail.

The game gives Rook a moral high ground which isn’t earned in the slightest because Rook never had to walk even a quarter of a mile in Solas’s shoes. They don’t know what they would have done in his stead, they have no idea what it actually means to see the sorry shape the world is in and know that it was your hands that shaped it. And even where Rook might actually be culpable – the interruption of Solas’s ritual that freed the remaining Evanuris – anyone is quick to assure Rook that it wasn’t their fault.

Whatever regrets Rook carries, they’re born from self-doubt and trauma response. Survivor’s guilt, mostly. When compared to Solas’s immense guilt, Rook’s regrets are, for lack of a better term, insignificant. That Rook manages to face them doesn’t mean that they are more truthful or emotionally mature, it just means that Rook’s story is a tale for children and Solas’s is not.

It’s not that I’m necessarily opposed to the idea that the player decides Solas’s fate through their actions. It’s the injustice of it all that bothers me: The player is led through a game that provides a safe space for their character, one that is devoid of any interpersonal conflict and any ethical quandary. Rooks succeeds through kindness and heroism and taking their companions on team bonding exercises.

As if Solas could have won the war against the Evanuris if he’d taken the time to take his companions on coffee dates.

The juxtaposition – Rook vs. Solas – fails, simply because of this deep divide. Rook’s story is detached from reality and yet Rook gets to be Solas’s judge, jury, and executioner. On what grounds?

As I said, right in the beginning, I haven’t been a Solas fan before. But by the end of Veilguard, I was firmly, irrevocably, Team Solas, just because I was so annoyed that the narrative put Rook in a position of moral superiority. I detested my own character. Jesus, what a goody two-shoes! I was rooting for Solas simply because his story was so much more: a genuine tragedy, a study in complexity. Rook, on the other hand, remains bland, snotty, unchanged. Untried.

The thing is, I don’t believe that my reaction was one the writers had intended. I strongly feel that they didn’t mean for me to pick up on their double standard, that they expected me to walk away fully satisfied, convinced that Rook and The Team were the Good Guys because they went on picnics and petted the griffon, their final victory well-earned and just. If only Solas had had a Team and taken care of their emotional needs – he could have taken down the Evanuris with nary a scratch!

It’s all so very disingenuous.

Rook and, by extension, the player exist in a bubble of sanitized content. That is clearly deliberate. The player is meant to like it there. (In that sense, it’s only logical that they changed the title from Dreadwolf to Veilguard.) And clearly, it does resonate with a certain kind of their player base: mostly with people, I think, who would like their real life to be a bubble too and whose only experience with moral corruption is when they find it in others.

#solas #veilguard #dragon age #dragon age veilguard #datv #datv critical

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thewertsearch · 1 month ago

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Ask Comp 10/12

Anonymous asked: Scratch: Won't anyone think of the children!! If you're gonna be smooching then get a room!!! also Scratch: Time to go manipulate more children into destroying their relationships! @manorinthewoods asked: There are two events in which Scratch has, so far, gained emotions: one, when he discovered that the Serkets stole an incredibly important magical item and hid it for centuries or millenia; and two, romance in his workroom. ~LOSS (20/9/24)

@manorinthewoods asked: "Is it because there’s a ‘good’ and an 'evil’ way for a God Tier to die?" On a scale of 1 to 10, how would you rate this brain fart? ~LOSS (20/9/24)

Wait, is that a brain fart? Because to me, it still scans.

Prospit, the 'good' moon, would naturally be associated with heroism, and vice-versa for Derse. Am I missing something really obvious?

Anonymous asked: Tick. Tock. Tick. Tock. Death's Bell grows ever nearer. Tick. Tock. Tick. Tock. But will it determine whether the thief is trully a sinner? Tick. Tock. Tick. Tock. Tick. Honk. I guess we'll see :o) @ben-guy asked: The showdown between Vriska and Terezi really is one of the watershed moments of HS imo. You've questioned if Vriska has matured enough to escape death by mysterious transcendental judgement engine… but let's not forget the meanings of the words in question, and their inherent linguistic and philosophical ambiguity. What if her death being caused by her pursuit of a heroic (albeit foolish) plan tragically makes her growth the cause of a permanent death instead? What if Terezi's decision to kill her is just regardless of Vriska's motivations, making her growth a moot point? Of course, this feels a lot less mutually exclusive, which goes against the implications of the clock imagery. […]

How did Scratch phrase it again?

The terms of a God Tier permadeath are defined according to the case of the individual - which implies that Heroic and Just are subjective, even to Sburb. It sounds like there might not be any ironclad rules, and that everyone's ruling works differently.

Yes, Scratch appears to be outlining some universal examples here - but what does, say, 'corruption' really mean? There are many equally valid interpretations, and a lot of them are contradictory. Maybe each death uses the definition that makes the most sense to that player.

In any case, I think Vriska's fate is currently meant to be unclear. She's designed from the ground up to be a complex, morally ambiguous character, and you could construct a valid argument for either outcome.

For my part, I'm fully convinced this will resolve as Just. I've been predicting Vriska's death for most of the Act now, and it's extremely fitting for it to happen at Terezi's reluctant hands. All those Incidents are finally coming full circle, and they're coming for her.

@morganwick asked: Note that Scratch starts talking about dark pockets and needing to speculate immediately after Vriska sees Karkat and Terezi's corpses. That's all Terezi needed to see, which means it's all Scratch needed to know - and all Hussie needed to know as well.

True! The fight that Scratch couldn't call was part of a doomed timeline. Its outcome was completely irrelevant to the story - and therefore, there's a good chance that Hussie didn't bother to decide on the victor. Author Theory survives another day!

@relaxxattack asked: i dont know if this counts as spoilers (it's a quote from andrew hussie) but i think your theory on scratch's omniscience is basically spot-on! "Doc here refers to the dark spots, the pockets of void on which his vision is built. These hint at limitations to his omniscience. As an alt-author figure, his omniscience makes sense, since the author has sweeping knowledge of story details as well. Because I "know everything," he "knows everything" too. Of course, as I write the story, there are plenty of things I don't know yet, and the "not knowing" is always an important part of the process in this largely improvisational medium. The known gaps are worked into the story, evaded through time skips and other tricks, filling out the surrounding narrative until certain answers become clearer, and then revealed at the right moment. The voids are built around, and in a real way, become foundational, almost load-bearing gaps in knowledge, just as he describes. Pillars of shadow. So his dark spots are not only a limitation to an otherwise ridiculously overpowered villain that can be exploited, they're a feature of a specific type of "authorial omniscience" copied into his profile." -- Andrew Hussie

...and it's officially Hussie-approved! Let's fucking go!

Anonymous asked: One kind of less obvious thing he says about circumstantial simultaneity is that it weaves together perfectly disparate chronologies such as a pair of distinct sessions, so it seems it is at work when there is communication between sessions, such as conversations between humans and trolls. ie: The troll sending the message is circumstantially simultaneous to the human receiving the message. Ditto for the memos. Anonymous asked: Posting for someone else again. -DJ || I interpret Circumstantial Simultaneity to mean a very simple thing: "those events happens at different times, but at the same meta-time". Especially if the things happen in different worlds, and so happening at the same time is impossible, because different worlds have isolated timelines. - RM

That makes a lot more sense than my interpretation. I think I was thrown off by Scratch's insistence that Circumstantial Simultaneity is 'not fully comprehensible to a mortal mind'. His use of such phrasing led me to assume that the concept was more complicated than it appeared, leading me to try and puzzle out the 'real' meaning of the term.

So, in a nutshell, circumstantial simultaneity is when multiple sections of reality are linked by shared events, allowing their local timelines to synchronize. Seems straightforward enough.

Anonymous asked: i don't think scratch technically lied. there are multiple ways in which scratch could die in the same way that there are multiple ways in which anyone could die - an axe could theoretically kill you, but that doesn't mean there has to be a timeline where you get killed with an axe

The semantics here are pretty interesting.

Scratch has stated that there are multiple ways to kill him, which could mean:

That there are multiple scenarios which have a non-zero probability of killing him.

That there are multiple scenarios that would hypothetically cause him to die, if they actually occurred.

These two statements have fairly similar meanings, but, as anon pointed out, there's an important distinction between the two. Statement 1 requires Scratch to actually die in some timelines, but Statement 2 doesn't require him to ever die, in any timeline.

Scratch has stated that he'll only die in one timeline, which means that there is only one scenario that will ever lead to his death. All other scenarios will never lead to his death - and thus, even if they could 'hypothetically' kill him, the probability that they will kill him is zero.

@heliotropopause asked: Never change, Noir. is that the oil jug WV uses for his mural in act 2? how'd it get to Scratch's lair?

I don't think it's the same jug, for the simple reason that both Carapacians emptied out the whole thing for their respective shenanigans. This ain't no Alchemy Jug!

abysswarlock asked: I like to think that the meta joke with the disks are a parallel of how the kings scepters hold small instantiations of skaia that exist within skaia itself, in this case the story of homestuck exists in disk form within the narrative itself.

Perhaps, but the Scepter's recursion is explained to be a game mechanic, whereas there's currently no explanation for the disk's existence. I guess Hussie himself could have put it there, but, like... why?

Anonymous asked: ‘His army thus inspired would spearhead a major re8ellion. Surely one at least on the scale of the sectarian revolt crushed 8y the High8loods, who thereafter for8ade its mention, or any invoc8tion of the heretical sym69ls at all, even in private journals.’ do you have any theories about this line?

Karkat's leadership shines in times of immediate crisis, which is part of why he struggled to keep his team together in the Veil. He doesn't know how to motivate people without an immediate, in-your-face threat - but since his ancestor was leading a rebellion, that probably wasn't an issue for him. The threat was omnipresent.

In short, I think Karkat Senior was always in Vantas Panic Mode. He'd have spearheaded Alternia's first rebellion with vim, vigor, seemingly infinite stamina, and sheer, bloody-minded determination - and if he was anything close to as likeable as Karkat, folk heroism was virtually inevitable. I can't wait to learn more!

@semaphoricwave asked: w.r.t. learning Mindfang dates the Summoner: it makes you wonder if Vriska's obsession with Tavros was the Alternian equivalent of comphet. She had no respect for his agency in the scenario (not difficult to develop when you're able to mind control people), but also she didn't seem to hold much stock in her own agency in all that, either. It's not even a cueball fortune, she just seems to want to be true: this boy she wants to 'make better' (but doesn't know how) is meant to make her happy. Anonymous asked: so with the revelation of the summoner, this makes TWO characters that vriska canonically was in/pursued as part of a romantic relationship that were descendants from her ancestors romantic partners. girl is inventing new kinds of comphet 😭

Vriska, for god's sake. Terezi is right there.

@iknowitsgreen asked: I find it so interesting that there's now an implication that Vriska literally expected Tavros to grow wings and fly to safety when she threw him off that cliff. The question is, did she simply resent Tavros for proving her fantasy wrong, or did she convince herself that Tavros chose to be paralyzed over showing his wings to her? It somewhat recontextualizes her early treatment of him either way

Layers upon layers upon layers. Vriska was fucked up about Tavros from twenty directions at once, and should never have been let within a thousand feet of the poor guy.

@manorinthewoods asked: Since trolls growing wings is apparently some sort of mythic event, presumably the God Tier wings of Vriska specifically tie into this. A God Tier troll gaining wings would be much more significant to the troll than to the human reader, as their culture places incredible emphasis on the meaningfullness of such - and perhaps the God Tier ascension could be likened to such a 'pupation'. ~LOSS (10/9/24)

It would explain why both Vriska and Aradia got them, but John didn't. The trolls have a lot in common with insects, so it stands to reason that in their culture, an insect's metamorphosis would be associated with divine apotheosis.

Anonymous asked: It’s super fascinating riding along as you go through this sequence because when I first read homestuck literally all the mind games went over my head haha. I saw what happened, and had a decent grasp on the characters, but the idea that Gamzee was manipulating Terezi? Never occurred to me. Everything about “why didn’t Terezi suspect Gamze” was just a mystery I never solved (mostly because I never understood gamzee, and still don’t) So Thank You so much for helping me understand better, years later! It’s so wild to look back and know what happens, but still have a limited grasp on why it went down that way.

Thank you for the kind words!

And yeah, a lot of Gamzee's schtick seems to be focused on obfuscating what he's actually doing. The real smoking gun there was the near-complete loss of Terezi's deductive abilities, at the exact moment Gamzee should have entered her radar.

@skelekingfeddy asked: ive always seen the grand highblood as not a troll, but like, the head of the imperial drones. when asked why his blood is black hussie said ‘Because he’s a huge gross monster? I don’t what sort of answer would be meaningful.When the highbloods were setting up the judicial system, they said ok we’re going to need some judges for this thing. Then they said ok how about these massive brainless monsters, that would be so perfect.’ […] its a headcanon of mine that hht is technically the same species as the mother grub. same with the imperial drones. if the mother grub is a queen bee then the drones are…well, drones. and hht is, like, a drone foreman, or sergeant, or something. i imagine that trolls and the drones’ species evolved a reproductive symbiosis, but then the empire took advantage of it and co-opted the drones + hht as enforcers

There's such an interesting untold story here, about how the early trolls might have cyberized a formerly symbiotic species, and essentially made them its slaves.

I've always been interested in how, exactly, the trolls developed their symbioses, and what they might have looked like before Alternian civilization became what it is today.

Anonymous asked: terezi tries to play disc 2 on a gramophone because she literally doesn't know how a cd works - sgrub is all run via grubtech, and most of her humanning has been with mr turntables who even if asked would probably describe a cd through obtuse metaphor likening it to a vinyl record

Oh, good point. Terezi's from a civilization which left CDs behind a long, long time ago.

Hey, come to think of it, why does the Veil even have a…

...oh, right. The room isn't 'canon', so I probably shouldn't be trying to theorize too hard about its contents. It's not really part of the story.

@catlikeascendant asked: I had the impression that just like mindfang was vriska's FLARP character, Redglare was terezi's. That would explain terezi having the outfit and responding to the name, at least @somebody0214 asked: Terezi did roleplay a lot as the Redglare so it would make sense she would respond to Redglare. @dissonancies asked: I'm honestly not sure Terezi does know about her ancestor. […] Vriska had the journals, but she tries to keep her cards close to her chest- remember, "Mindfang" was Vriska's roleplay name. Who's to say she didn't just "casually" "suggest" Redglare for Terezi's character, without telling her why?

Vriska, just how many of your friends have you been molding into their ancestors?

I won't be mad - I just want to know.

Anonymous asked: Equius Sr being fit to Inherit the cueball due his passive Voidiness is another point to sharing classpects with Equius Jr, the Heir of Void. @cationicflood asked: now that youve met the Expatri8, you know now why Scratch didn’t know Vriska had the cue ball until Terezi told him — it’s spent untold centuries ensconced in Zahhak-flavored Void aura. Even when it was in Vriska’s possession, it so happened she was quite literally neighbors with Equius.

We've talked a lot about how I believe Scratch's 'dark pockets' represent information that Hussie hasn't decided on yet. It's admittedly a little difficult to reconcile that with the fact that Void, an in-universe Aspect, is strongly implied to be the source of at least some of these pockets.

Maybe Aspects can work on a meta level, as well as a literal one. Like, perhaps Void is the aspect of author uncertainty, and therefore, anything that Hussie hasn't decided on out-of-universe is canonically 'hidden by Void'.

Anonymous asked: Mindfang warning Vriska about looking into the cueball…. So what you're saying is that Mindfang warned Vriska about the *stares*

It literally keeps happening!

@wolygan asked: So based off of the troll Ancestors we have seen, what do you think the rest might be like? also what do you think of the ones we have seen, since we don't know much about them yet. @absinthe-and-alabaster asked: Hi! I'm wondering if you have any updated thoughts from your initial ancestor theory post about the ancestors we haven't seen yet, given we know a bit more about troll history now

Not a lot! I'm obviously curious about the others, particularly Karkat's, but it's hard to come up with any concrete theories, other than 'their experiences and personalities will parallel those of their descendants', which is a freebie, based on the Ancestors we already have.

Anonymous asked: To be fair to EQ,Nepeta was far and safe when Gamzee attacked, and she could easly hide out of harm way with her skills. He just miscalculated and didn't realise she would follow him and attack Gamzee after he died.

True - but at the same time, he knew that Gamzee would still remain at large after his death, and that he, Equius, would no longer be able to protect Nepeta.

Even if she hadn't attacked him immediately, Gamzee would have remained a significant danger to everyone else on the Veil, Nepeta included. Had Equius fought back, he could have ensured that Gamzee would never be able to harm her.

@martinkhall asked: It's obvious to us that's not Vriska's handwriting. But just because Terezi can smell what the words say doesn't nesisarily mean she can smell the difference in how they're writen.

Plus, would Terezi necessarily be familiar with Vriska's handwriting? After all, most of the trolls seemed to communicate exclusively through modern technology. Would they really have any cause to pass notes to each other while FLARPing?

Anonymous asked: I would push back on the assertion that Heroic and Just deaths are the only way stories can work. One can be slain by a villain but not be a hero, and that can still matter to the story. A certain event from A Song of Ice and Fire springs to mind.

Oh, for sure - that's definitely correct outside of Homestuck. But within the comic, they really might be the only ways to die that Sburb considers 'dramatic' enough to be permanent.

Outside of the God Tier system, though, anything goes. After all, Equius was slain by a villain, and he didn't exactly die a hero.

@flerponius asked: Not really relevant to anything that's going on right now, but I thought you might find it interesting. In the Homestuck physical books, AH comments that the 4 grist types unlocked by default at the beginning of the comic (not including build grist) are related to the players quests; specifically, each grist type is a blight on the land it's found on, and the players quest would involve removing it from the land. I don't think this was explained anywhere else in the comic.

Oh, interesting. I wonder what they were supposed to be for?

Like, how does Rose's chalk relate to bringing life back to her oceans? Did Hussie have different Quest in mind for her, back then?

@manorinthewoods asked: The human session is shaping up to have lasted for less than a week due to Jack's interference, while the trolls slogged through over 600 hours (probably 612, to be specific, or 25.5 days) of relationship drama, powerleveling, and the production of inane yet somehow powerful weapons. Which of these is a more 'normal' length for a session? Did the trolls take too long, or were they rushing? Do bigger sessions last for longer? ~LOSS (2/9/24)

I'm pretty sure the troll session was closer to a 'typical' length.

According to Karkat, the human Reckoning arrived significantly sooner than normal - I assume this was due to Jack's double regicide.

If the human session had gone more smoothly, I imagine that it, too, would have taken several weeks. Like the trolls, the kids would have been able to hang out in person - and unlike the trolls, it probably wouldn't have devolved into multiple homicides.

@cheyj05 asked: Hey, just so you know it's pretty much impossible to read your liveblog in order on mobile. Searching the act 1 tag doesn't work so you pretty much would just have to scroll ALL the way back, which is impossible @cheyj05 asked: Ignore my last ask, I figured out how to do it

Mind sharing how, actually? I've been assuming that this was impossible, due to the Tumblr app's, uh, unique issues. If there's a way to browse the tags properly on mobile, I should probably add it to the pinned.

Anonymous asked: What do you mean "barely wind-themed", John made a car fly with his wind powers, why is a boat less believable?

You're not wrong. I guess I meant more that the boat's Breath energy looked a lot less like actual wind, and more like the abstract idea of Breath. It might just be stylistic, though.

@wolygan asked: I read another liveblog for Homestuck, and they just got to meeting Jade and then wrote a short essay on how they are convinced that Jade is the seer of light, just thought you might find that funny to know.

I do find that funny to know! Hussie got 'em again!

#asks #full liveblog #act 5.2

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animebw · 4 months ago

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So if you've missed the wonderful thing that's been happening on Twitter the past week- I know, good things happening on Twitter? Impossible!- there's a super new yuri manga called Love-Bullet that's absolutely exploded in popularity. After subpar volume 1 sales, the author took to Twitter to beg fans for support to keep the series alive. And not only did fans answer the call, word spread so fast and far that English fans started buying the first volume en masse from Japanese realtors- which, to be clear, are the untranslated Japanese volumes, so most of those fans will still need to seek out scanlations to actually read the damn thing. But they didn't care! They just wanted to keep this series alive. And so many fans were willing to put their money where their mouth was that most realtors straight-up sold out in just a couple days.

That's nuts. That's a swelling of grassroots support I don't know if I've ever seen on this scale. Just through word of mouth, this series that seemed on the verge of cancellation has ended up out of stock in basically every online marketplace from how many new fans it's picked up. All because people saw something genuinely special and decided to come together to ensure its creator could tell the story they wanted to tell all the way to completion. I hope inee is incredibly proud of how many people her work has reached, how many people have been inspired by what she has to say with her art. And I encourage you all to join in that support, to spread the good word of Love-Bullet to everyone you can so this series can continue the way its creator wants.

Because good lord, even with just a single volume to go off of, this could be the start of something fantastic. The concept of cupids being the spirits of people who died with their own loves unfulfilled, so the spend the rest of their eternity playing matchmaker to resolve their own unresolved love stories, is a genuinely fresh idea, but the way it's executed on top of that makes for a story that's equal parts hilarious, heartbreaking, and joyous. It's a story of death that's all about celebrating life, lost souls finding peace with the lives they left behind as they help those who carry on without them. And it's brought to life with this gorgeous, expressive sketchy art style that feels like a lost 2000s manga dragged into the present day, conveying so much character and emotion with such small and simple choices. And this is just volume 1! There's no telling what surprises and growth are still in store down the line! Imagine if it had gone undiscovered and ended up cancelled before it had the chance to bloom! We are so fucking lucky Love-Bullet blew up the way it did. So don't take this second chance for granted and go give it some love.

#anime #tabw #the anime binge watcher #love bullet #love-bullet

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raven-at-the-writing-desk · 1 year ago

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Do you think all the characters are assholes?

Because i think they are despite their tragic backstories and i also don't think they appreciate Yuu enough, except for maybe the first years

I mean, the TWST characters are (mostly) inspired by Disney villains... Plus, they’re immature high schoolers still in the process of emotionally maturing. Of course they're not going to be perfect balls of sunshine. They're all going to be rude or have faults in their own ways, but they also have their strengths and charm points. I do call them assholes (lovingly), but I would hesitate to slap a singular label on any of the characters when they're all very well-rounded and morally ambiguous.

On the topic of Yuu, I think it makes sense that most of the cast doesn't really "appreciate" them. To begin with, most of the characters are not the openly sentimental types; they wouldn’t overtly express that gratitude even if it were present. Then we have to consider that Yuu isn't directly involved in their character growth or arcs in most cases; it's often the other characters who are confronting the OB boys or instigating, physically battling them to snap them out of it, and then comforting them afterwards.

As early as book 1, that pattern holds true. Ace is the one that initially pissed Riddle off. Adeuce are dueling Riddle. Ace decks Riddle and claims his last straw. Trey is the one calling out to Riddle as he's losing it. It's the members of Heartslabyul who gather around Riddle when he reawakens following the OB. (I'm not going to go through and list off what happens in every single book, but I'm sure you can think of many other instances... Lilia insulting Leona, Deuce and Epel having the heart-to-heart on the beach, Octavinelle's plot against Jamil, the twins checking up on Azul post-OB, etc.) To me, it feels like it is the boys and their bonds with one another responsible for the change, not Yuu's involvement. Yuu is usually along for the ride and actually does and says very little despite all the fandom jokes about "being the school's unpaid but overworked therapist" or Crowley's shallow claim that Yuu can help the boys learn to cooperate (which feels more like a vague ruse only shown in the prologue to shoehorn Yuu into the plot). There's actually very little in-game that shows them being active in helping the students change for the better. Much of the time, the boys can resolve their own struggles to get along without Yuu being there (like all those pair-ups in book 6–sure, it may have taken a while, but the fact remains that they did eventually resolve their own issues and cooperate without Yuu having to orchestrate for them; this also happens many times in events like Port Fest, Wish Upon a Star, Ghost Marriage, the Halloween events, etc). A very common complaint (at least among English speaking players) is that Yuu isn’t “involved enough” or that they don’t have a big impact on the events of the story. Therefore, most of the boys not feeling close or indebted to Yuu makes sense from their POV. What has Yuu actually and explicitly done to help them? Not much. It’s mainly in individual fan interpretations where Yuu/a Yuusona/an OC in Yuu’s role is actually able to play a more substantial part in each characters’ life and growth. In general, the standard in-game Yuu is more of a "fly on the wall" character that witnesses events unfold rather than someone who plays a large role in each book. The boys are seemingly the main characters, not Yuu. It's just convenient to have Yuu/a blank slate in the story because they, as an outsider, need TWST concepts explained to them (thus making it easier to give exposition to the players who may also be unfamiliar with the information). The first years, by comparison, are closer to Yuu simply because 1) Yuu is implied to be in the same year level as them (so they're more likely to be exposed to one another) and 2) their preestablished relationships with Grim, Ace, and Deuce opens them up more to first year interactions. "Friends of friends", if you will. It makes more sense than Yuu being appreciated and loved by everyone/most people in the main cast of 22ish. (How many people do you know irl that have 22ish significant friends?) They spend the most time together. Everyone else tends to stick to their own groups (with maybe the exception of Heartslabyul, since Yuu is already close with Adeuce). They’re just... not as intimate with Yuu, and therefore not as inclined to find much appreciation for them.

I want to clarify that this doesn’t mean there are zero instances of the characters outside of the first years expressing gratitude toward Yuu. Like, of the OB boys, it’s only Vil who consistently apologizes for the trouble he caused (note though: it’s not specifically to Yuu, but to everyone in the VDC/SDC squad. Yuu is then given prize money from most of the other boys as thanks for letting them crash at Ramshackle… Of those, only Kalim cites being grateful that he was able to stay and have fun with everyone because of Yuu green lighting the decision. This makes sense, as Kalim’s one of the few who wears his heart on his sleeve and is friendly to most. It just isn’t true for the majority of the cast, and we shouldn’t expect it to be.

As late as book 5, you can see characters like Leona not being so happy to be called out to or for Grim to act all buddy-buddy with him. That indicates to me that the rest of the cast is not that close to Yuu + related parties and doesn't have a real reason to be. (Note: I'm not counting character voice lines here as proof of friendliness with Yuu, as it can be argued that the relationships and events explored in the cards don't run in tandem with the main story and are meant more as fanservice for the players.)

Again, while it's not that fun to read in a narrative, it does leave things open-ended for anyone who wants to self-insert or to expand on those blank relationships for their own characters. I believe this is by design to appeal on an individual level to players. You get out of it what you put into it!

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coraniaid · 2 months ago

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reverse unpopular opinion meme: xander?

[Reverse unpopular opinion meme]

I like to consider my opinion of Xander Harris as being particularly complicated and nuanced, but – engaging in some critical self-reflection for just a moment – I think the objective truth is probably more that I’m just instinctively and aggressively contrarian about it. I find that I tend to strongly disagree with most of the online takes about Xander I see, almost regardless of whether they’re pro or anti.

I mean, on the one hand I do think it’s more than a bit silly to pretend, as many people seem to do, that Xander Harris is [somehow?] uniquely and only a Joss Whedon self insert [despite being written by multiple people] in a way that none of the other characters [that Whedon also created and that appear in the show Whedon created] apparently are. Or to ignore the fact that very often the audience is clearly meant to think that Xander is in the wrong and disapprove of his actions. (You obviously aren’t supposed to be cheering for him when he lies to Buffy about Willow’s message about Angel in Becoming, for an easy example; or to be clapping and applauding him when he cheats on Cordelia or leaves Anya at the altar either.) And I think it would be wrong to dismiss the fact that Xander starts the show as a dumb but (mostly) harmless teenager and that, not only does he gradually mature and improve as a person as he grows up, he also [perhaps uniquely for this show?] manages to do so without killing even one person.

But equally I would be lying if I didn’t admit that many of my least favorite episodes of the show are either Xander-centric episodes (Teacher’s Pet, The Pack, Bewitched, Bothered & Bewildered for example) or episodes in which Xander plays a non-trivial role in exactly the parts of the episodes I most dislike (his treatment of Buffy in Dead Man’s Party, say, or his speech in support of Riley in Into The Woods). The haters are right to say that Xander does often treat his female friends and partners abysmally, often in ways that the show doesn’t seem to acknowledge or which it briefly acknowledges only to brush them off with no consequences. There certainly are times when the writers expect the audience to cheer for Xander a lot more than I personally want to, or when he says something gross and sexist which is just meant to be funny and that the writers simply didn’t think critically about at all. And the flipside of Xander being written by a range of different writers is that his character growth is often slow, halting or inconsistent (which, while arguably realistic, is not particularly fun to experience). And unlike some of the fandom I don’t really believe anything Xander does can be handwaved away by him being deeply affected by what happened to his “best friend” Jesse in Season 1’s The Harvest: in fact I would put money on a majority of the show’s writers having no idea who Jesse was.

Anyway, none of that preamble is really in the spirit of the ask game, is it?

Um. Five things I like about Xander, then. No hedging or clarification except for what I heavily imply above (oh, and also the comics aren’t canon and don’t mean anything and actually don’t even exist … I mean, uh, what comics are we even talking about?).

I think the show resolves the initial Season 1 “love triangle” (in which Xander is really into Buffy and she doesn’t reciprocate his feelings or even seem to notice them, while similarly Willow is really into Xander and he doesn’t reciprocate her feelings or even seem to notice them) in about the best way it possibly could have done. Buffy and Xander don’t ever get together and there’s never really any suggestion that they might – one or two odd moments in Season 2 aside, I guess? – and Willow musters the self-respect required to firmly reject Xander when he tries to ask her to the dance that Buffy had just turned him down for in Prophecy Girl. Not only that, but Willow goes on to have a serious relationship with a guy who isn’t Xander and then comes out as a lesbian and continues to have serious relationships with woman who aren’t Xander, right up to the end of the final season. And this happens all while the three of them stay very close friends; in fact Buffy and Xander at least are clearly better friends in the second half of the season than they were at the beginning of the show [when, after all, Xander had only just met her]. Whether or not that was planned from the beginning – and to be honest, I think the Buffy fandom as a whole wildly overestimates how much of the show was planned from the beginning – I think that’s a pretty unambiguously great way for that particular subplot to have be handled. (Although the funniest and most geometrically pleasing resolution of the Season 1 love triangle would, of course, have been for Buffy and Willow to end up together.)

Speaking of Buffy and Willow, for all his faults Xander is consistently written as somebody who cares about his friends and wants them to be safe and happy. As well as the obvious big moments – helping to save Buffy’s life in Prophecy Girl; his speech assuring Buffy that she’s his hero in The Freshman; repeatedly assuring Willow in Grave that he’ll always love her, even if she ends up killing him or destroying the world; that moment in Season 7 where Buffy sends him away to look after Dawn because she “needs somebody [she] can count on” – I think it’s fun when we get to see the three of them just hang out, in those quiet little moments they get to just all be kids together. I am very firmly in the camp that thinks Buffy should have friends and be allowed to not be treated for an idiot for liking said friends or wanting to spend time with them. Whatever else you can say about it, I think it’s obvious that this is how the show’s writers expect you to engage with the show. That’s part of why I’m more forgiving than some people of episodes like I Robot, You Jane or Bad Eggs or Amends: these are all episodes in which I can believe that Xander is fundamentally a good kid who Buffy would want to be friends with, and that he’d grow up to be somebody she’d still want to be friends with as an adult.

Some people online – mostly not on Tumblr – talk a lot of rot about Xander getting self-defense training or somehow reconnecting with the military persona he had in Halloween or otherwise Learning How To Fight, and I can’t overstate how glad I am that the show didn’t go in this direction. Xander makes sense as a character precisely because he isn’t a fighter. Because he doesn’t occupy that more stereotypically masculine role: because he is the one who gets rescued and brings in baked goods and that the other, more powerful but emotionally repressed characters can go to to talk about their feelings. Because he is the person who, by the end of the show, can best reassure Dawn that she doesn’t need to be a Potential Slayer or have superpowers to be special. This idea that Xander complains too much during the show about not having special powers and that the “solution” to “fix” this is to have him go out and get some (as opposed to this being a deliberate character arc in which Xander learns to accept that he’s never going to be that sort of person) is not one I have a lot of sympathy for. The show already has a human male character who is trained as a fighter so he can go on patrol with Buffy: he’s called Riley Finn and he’s insufferable.

Although the fandom as a whole loves to massively oversell how “abusive” the Scoobies respective parents are, I do think that Xander’s home life is a key part of understanding who Xander specifically is as a person. And – again, however deliberately planned from the beginning or not it was – there’s something nicely disturbing about how we never get a big dramatic reveal about how awful Xander’s parents are: it’s just something that the writers just slowly build up to – from the idea in Season 1 that Xander doesn’t regularly eat cooked meals at home (“do your parents even own a stove?”), to Xander joking about his dad trying to “send [him] to some Armenians once” early in Season 2, or calling home to say he’s going to be out all night and having his mother clearly not recognize his voice, through to Cordelia revealing in Season 3 that he admitted to her that sleeps outside during Christmas to avoid his parents drunken fights – until by Restless we can see Xander having nightmares about being trapped in his parents basement and having his father come down the stairs and we don’t need to have anything more than that explained to us. I think that’s all really effectively done, and while I don’t think it excuses te way Xander behaves I do think it does a lot to make sense of it.

Again, while I think it’s possible to drastically overstate the Mind/Spirit/Heart metaphorical reading – I don’t think this is something the writers were consciously thinking about most of the time and I don’t think the reading of the show in which everyone is reduced to a part of Buffy’s own psyche is even particularly interesting except perhaps as an intellectual exercise – I do think it’s a reading that works pretty well for Xander. (Actually of the three elements, that’s surely the one that’s easiest to see: I’ve never been completely sure why Willow is the Spirit rather than the Mind.) Yeah, Xander can often be petty and jealous and selfish and hypocritical and refuse to analyze his own feelings: that doesn’t rule him out from being Buffy’s metaphorical heart, it’s evidence that he is. Buffy can be all of those things too! (I think I am rather more fond of Buffy herself than you are – she is my favorite character on the show, after all – but I don’t like Buffy because she’s flawless and perfect; I like her because she’s interesting and realistically flawed, and very often flawed in the same ways as her friends.)

#btvs #asks #thanks!#(sorry that I cheated a bit)

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smolbean-17 · 10 months ago

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Hunter is probably going to die this season.

You know I’ve theorized this if you’ve been following me since Season 1. As the season keeps rolling out, the more and more I really do think this will happen.

We know that the ending will be bittersweet, and we know that the emotions behind the ending has a lot to do with fatherhood in particular (according to DBB)

They are putting a huge emphasis on Crosshair and Omega’s relationship. Particularly how he could fill a paternal role for her. Omega mirroring Crosshair is a huge sign to not only us as the audience, but to Hunter as well, that Crosshair can (and will) become a father figure to her. They didn’t have to show us that Hunter noticed Omega mimicking Crosshair. But they did. They’re masterfully crafting that something is going on in Hunter’s head. He’s thinking about Crosshair and Omega’s relationship, and what that could mean.

Crosshair still has a long way to go in regards to his guilt. They could easily have him sacrifice himself at the end to ultimately quell all of his guilt, but I believe that they’re going the route of subverting everyone’s expectations. Crosshair could sacrifice himself for full redemption (like they do with most Star Wars characters) and he probably would given the chance. But story wise, he doesn’t really need to.

If they were planning to go that route, he wouldn’t have been reintroduced to and accepted by the group so early on in the season.

They are actively showing Crosshair paving the way to his redemption. He’s putting in the work. He is protective, helpful, and actively putting himself in danger for the benefit of his family. He’s redeeming himself already. Him dying isn’t necessary to resolve his story. In fact, I think it would diminish the power behind his change. People can make bad decisions. They can hurt others. They can change. And they can live to see happier days. That is hope. And that is always the overarching theme of Star Wars.

Hunter, on the other hand, has been incredibly uncertain and indecisive throughout the entire show. Where Crosshair knows and acts on his decisions, whether good or bad, Hunter has been unsure of himself and his role in everything. His path is way less cut and dry. It almost feels like, in many ways, he has lost his leadership. And he feels it. He regrets his decisions. He probably blames himself for everything bad that has happened. He clearly doesn’t fully trust himself to keep his family safe.

How can his story be resolved, short of him simply finally deciding to take a stand and fight for the other clones?

By giving up his life for his family, for a cause he never wanted to be a part of, as a leader should. So they can go on and live the life he so desperately wants for them.

I don’t think at this point in the story Hunter would allow anyone else to sacrifice themselves. He would stop it from happening. He’s learned from his mistakes.

My theory is that we will see more and more instances of Hunter recognizing Omega’s growing relationships with others, especially Crosshair. And when the time finally comes, he’ll be able to let go of needing to be her primary protector. He’ll see the growth in her, and in his brothers, and finally trust that they’ll be okay. Whether he sacrifices himself or gets mortally injured in a fight/accident, he will be at peace.

I don’t know if his death will be ambiguous or unseen, like him dying in an explosion or something like that, or if it will be more obvious.

I could see him having a Fives-esque death. Where he can say goodbye to his family, and finally pass off the responsibility he held so close to his heart to Crosshair and his brothers.

And if Tech really is dead, he won’t have to be alone anymore.

They’d put Hunter’s helmet above his grave, the last real symbol of the Bad Batch, and a last goodbye to the Clone Wars (since his helmet resembles the regs’ helmets the most)

They’d leave Tech’s goggles on his grave (if Tech stays dead) along with Lula. Omega would leave a bouquet of flowers from Pabu. What a powerful image that would be.

Omega could then go on to lead her own little batch. She’s made the friends and connections to do so. Crosshair and the others wouldn’t be too far behind.

It would be a touching resolution to Hunter’s and Crosshair’s and Omega’s arcs.

Other clues I think they’re dropping that support this theory:

-Omega’s new hair design. It’s perfect for her to wear Hunter’s bandana.

-Batcher joining the squad. She fills the tracking role.

-Crosshair’s increased screen time with Omega.

-Hunter’s increased desire to do whatever it takes to keep Omega safe, and the hints that he becomes reckless upon doing so.

-The Marauder exploding. Something about losing the home and the head of the home making for great storytelling.

-The idea of passing the torch of leadership to the next generation. From Clone Wars (TBB) to the new SW content (Omega)

-The fact that Jen Corbett said Hunter is her favorite character, and I’ve never known a female writer who doesn’t whump the hell out of their favorites the most (fr one of the most compelling arguments lol)

#the bad batch #star wars #clone wars #sw tbb #tbb #star wars tbb #hunter the bad batch #crosshair the bad batch #the bad batch spoilers #omega the bad batch #tbb theories

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moonbeamastrology · 2 months ago

Text

Dream Messages

Hello everyone, it’s been a hot minute since i posted a pick a card but uhhhhhh here u go lol. this pick a card is all about the messages your dreams have been trying to tell you. Center yourself, take a few deep breaths and chose the buggy image that calls to you. Take what resonates and leave the rest. I hope that this pick a card serves you well <3 love u

Pile 1- Caterpillar

Dream Oracle: Dog, Baby, Falling, Elevator

Tarot: 6 of cups, 7 of swords, 8 of swords, 9 of swords, 10 of pentacles, Temperance

(The dream oracle cards could have some themes that have been showing up in your dreams lately so check for some extra confirmation <3)

Hey pile 1 <3. You’re going through a period of growth right now (whether you resonate with ascensions, elevations, level ups, glow ups, etc) we have an ascending tarot number order ending with temperance. You may be super in your head and overthinking a lot right now or dealing with a lot of regret over the past or anxiety for a new experience (job, class, relationship, or creative project) but your dreams are trying to show you that everything is working out in a very aligned way for your best interest (*incredibly* stable, harmonious, and abundant). You’re being asked to follow your instincts during this new period and that it may not be exactly what you had envisioned or hoped for but it will be just as good or even better so be open to what the universe is trying to deliver to you. Everything will work out possibly even overnight (I’m seeing this build up of anxiety like “omg this is all going to blow up and explode” and then the situation is resolved in like the chillest manner ever). You’re undergoing *a lot* of healing while you sleep (possibly past life healing as well or having dreams of past lives) if you’ve been waking up exhausted or waking up multiple times during the night this is why (maybe check the time you wake up for some it could be a really opportune manifesting time). If there’s healing work you have been avoiding then your dreams are showing you what needs to be healed. I don’t get the feeling that it’s anything major, it’s something smaller that you’re just not really processing (character development/plot?? lol). Avoiding the work could cause a bigger problem in the long run. Your dreams have been reflecting your own reality so if you’ve been having stressful dreams, take a look at what the stressors are and how they could relate to your current experiences. Also so many cards came out so some of you could be feeling really overwhelmed at this time, make sure to delegate and to ask for help where you need it. At this time your dreams are trying to show you that you need to connect with what’s really important to you. Follow your instincts/intuition, do what you need to do but stay focused. I love you!!! <3

These mantras/affirmations come from the dream oracle deck, utilize them if you feel called to.

Dog: I pat myself on the back for expressing my instincts for love and loyalty.

Baby: With complete trust I allow the universe to midwife me into this new chapter of my life.

Falling: I am grounded in the bedrock of the here and now, rooted to the heart of unconditional love.

Elevator: I am moving up in the world, and I grow and glow from glory to greater glory.

Pile 2- Moth

Dream Oracle: Bridge, Dance, Chase

Tarot: 7 of cups, The Hanged Man R, 4 of pentacles

(The dream oracle cards could have some themes that have been showing up in your dreams lately so check for some extra confirmation <3)

Heyyyyy pile 2 are you guys into reality shifting or quantum leaping? If not, maybe there’s something you’re trying to manifest right now. Bridging that gap between where you are and where you want to be (what you want is already aligned). Maybe you’re literally dreaming of your dream life. You could also be experiencing some choice paralysis or you have a lot that you want to manifest in this life. Your dreams are telling you which manifestation is the most important to you right now. If there’s no indication then sit with yourself and really listen to what your heart and soul are calling you to. I feel that your dreams are trying to show you that you have subconscious blockage that’s preventing the manifestation. Or they’re showing you that you’re holding onto something that maybe you consciously don’t realize that you are. Subconscious programming/subliminals while you sleep would be really beneficial to you at this time (if you already listen to them then this is confirmation that it’s working). Drink more water. Change your perspective on how you can achieve your goals, maybe try something new (like spoiling yourself). I feel the key would be to really tap into your sensuality and luxury (big Taurus energy). Sacral chakra healing. Look into masturbation manifestation. Treat yourself how your dream self would treat you. Find out what self care really means to you. I do feel like you’re taking steps to achieve your goals so be proud of yourself for that. You are really powerful at this time, there’s just some illusion/blockage that needs to shatter before what you want manifests. Your energy felt really good pile 2 and your manifestations feel so close. Keep up the good work! I love you!!!! <3

These mantras/affirmations come from the dream oracle deck, utilize them if you feel called to.

Bridge: With my heart wide open, I realize that I am the energetic bridge that connects me from where I am to where I want to be.

Dance: Life is my dance partner, and I let it lead each step, each groove, and each move I make.

Chase: I can run but I can’t hide from my power.

Pile 3- Grasshopper

Dream Oracle: Ceremony, Elevator, Fire

Tarot: 2 of pentacles, The Devil R, The Lovers S

(The dream oracle cards could have some themes that have been showing up in your dreams lately so check for some extra confirmation <3)

Hey pile 3 I’m seeing that you guys are going through a major ascension/upgrade/level up right now. You could be going through a flame initiation or a kundalini awakening (iykyk). It feels like you have rediscovered your fire/passion recently. This fire is one of your greatest untapped gifts for real, use it wisely and intentionally because I feel it could burn people in your life if it’s not expressed. You could have just become aware of this potential and Spirit is congratulating you on that. You have come a really long way, healed, and taken accountability, it shows in your energy levels. Getting clear on what you want. There’s lots of good to come soon. You’ve released a bad habit/addiction/relationship/karmic (Spirit applauds you). If you haven’t released this yet then your dreams are showing you what it is and telling you to let go. Some situation is giving you a headache. I feel there are some distractions around and that’s what your dreams are showing you (most likely a person, unfortunately). “Glitter” by Tyler, The Creator except not all that glitters is gold. You have a really beautiful passion and fire within you, take care of it. I feel like telling you that Spirit is really really proud of you for this. I know this reading was really short but you just achieved something really awesome so I feel like some pressure has just been released so give yourself a little grace at this time. Pile 1 is also going through a level up but their energy was much more overwhelmed and worried but maybe there’s a message for you there as well. I love you!! I’m so proud of you!!! <3

These mantras/affirmations come from the dream oracle deck, utilize them if you feel called to.

Ceremony: I honor the changes through which I am going, growing, and glowing!

Elevator: I am moving up in the world, and I grow and glow from glory to greater glory.

Fire: I marvel at the miracle of alchemy as I transform and awaken to the full radiance of my destiny.

#tarot #tarot reading #pick a card #dream messages #messages

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ask-whitepearl-and-steven · 2 years ago

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You don't have to answer this if you don't want to, but how has your opinion changed on Steven Universe now than when it first aired? Like I have fond memories of watching the show while it was airing but now I realize that it had a lot of problems that I feel like a lot of fans either flat out ignore or bend over backwards to make sure their rose tinted glasses stay on.

... okay, fair question. Let's talk about this.

I'll try not to wax poetic too long, but there are a lot of things to be said here.

First and foremost - how has my opinion changed since the show has ended?

Simply put - it hasn't.

When I started watching Steven Universe over 7 years ago, I didn't have much knowledge of it. I sat down, saw a few of episodes and went 'well, this is a silly show for kids with a goofy but loveable protagonist... but it seems like it's also incredibly charming with its delivery and has some nice, more complex themes about loss and healing and grief throughout.'

And if you ask me what Steven Universe is now... I would probably say that exact same thing.

Am I wearing rose tinted lenses? Interesting question.

What ARE 'rose tinted lenses' in this context anyway?

What do these lenses represent? What do they obscure?

Since you didn't go into specifics, I can only assume what you're referring to when you say that many fans ignore the show's problems.

There have been many discussions surrounding various aspects of the show and how it might be read as 'problematic' (ahhh how I've come to despise that word.... without context, it has all the descriptive power of the word 'icky' - none of the critical details and all of the emotional punch of scrunching up your face like a cat that just sniffed a lemon...)

Is this about something as simple as the 'SU doesn't have a consistent size for its characters' debate?

Because that has been gone back to, over and over again, and proven to be a point of opinion. SU favored allowing storyboarders to show off their personal flourish, and even though Peridot was 30% hair in that one episode, it did not overall take away from the plotline being told, which was their goal. If you wanted to watch a show with consistent styling throughout, you can always watch a 3D modeled show, but keeping that up was simply never one of SU's main pillars. And I feel like it didn't have to be.

Is this about something more complex such as the way Rose was presented?

...and how her arc was shown backwards instead of forwards - showing first the person she became in the end, and afterwards revealing all the growth she had to have to get there?

That was on purpose! And I don't think this is a problem. It's a feature, not a bug. Rose was never meant to be an ideal character - she was meant to be complicated and messy, and I think the fact that the fandom is so split in their opinions of her shows that the Crewniverse pulled that off really well!

She fucked over Bismuth! She forced Pearl to be silent! Those are both parts of her character arc that were never resolved because she died before she could resolve it - that's BY DESIGN. Sometimes, you just do something absolutely stupid and cruel, and you cannot go back to fix it.

Is this about the Diamonds? The fact that they were not put in space jail, after being put on trial for space crimes, and then publicly executed for space eco-genocide?

Here's the thing - most people I know who watched and loved SU are fully aware of that. But simply put - Steven Universe was not a story about Revenge.

Steven Universe was a story about love. A story about family. A story about truth, and lies, and hurt, and healing. About how sometimes healing doesn't happen. And how sometimes it will, but you won't be around to see it.

But it's not a story that can be all things for all people.

That is the thesis of my reply: It is a story.

It is not a manifesto. It is not a bible. It is not a Complete Truth.

It is a single story. Made by a group of very talented people, who cared about these characters, who did their best. They made a funny, emotional, well-drawn and complex cartoon show about the things THEY personally wanted to tell stories about.

Does it answer all questions the way everyone wants them answered? No. That's impossible.

Everyone wants a different story. Everyone wants a different solution, a different resolution. A different ending.

Steven Universe is one story. It cannot satisfy all people.

So when you ask me 'has your opinion of Steven Universe changed'? The answer is 'no'.

I went in, expecting to see a story. I saw a lot of what I liked! I saw some parts which I thought were interesting. I saw some parts which, yes, I disagreed with a little.

But overall, it's a good story. And that's what I expected, and that's what I got, which means I'm pretty satisfied. I love that story.

I feel like recently, there's this expectation of media, to be Everything For All People. And it's a bit unrealistic. No one call tell the perfect story. We are all simply telling the stories we want to tell. And people will vibe with that, more or less.

A single story, made by a small group of people, will never be that for you. There will never be an Unproblematic Cartoon that you watch that will be devoid of things you disagree with.

Being critical of media doesn't mean 'Criticize the FUCK outta that media, and the one with the least criticisms is the best one'.

Critical thinking is about evaluating things critically - that means being critical of YOURSELF. Being critical of your OWN reactions. Asking 'why did I like this?' and 'why did I dislike this?'. Asking 'this doesn't mesh with me, but who WOULD it mesh with? It isn't for me, but who is it for? Who would it hurt, but also who would it help?'

Some people HATED how SU: Future ended. They beat their fists on the wall and cried about how Steven was leaving his family behind, and how THEY could never imagine doing something like that, and how he was running away from his problems just like Rose had.

Me? I loved it. I think it was the right choice, and I COULD imagine it and thought it was in character. I thought he needed to be his own person, instead of shouldering everyone else's responsibilities for once. Was one of us more right than the other? Maybe not? Maybe that was the whole point?

Loving things is not about putting on rose colored glasses. Sometimes, choosing to love something with flaws is an act of rebellion. It's about knowing you have differences, but understanding that there is value in the things you DO agree on, and knowing you can consume that.

Healthy consumption of media does not mean throwing the whole cartoon away as soon as you notice something is wrong with it, like a bruise on an apple.

Healthy consumption of media involves critical thinking AND feeding yourself. Acknowledging you may disagree with parts of it, but not starving yourself just because your apples all have small imperfections.

Eat, for fuck's sake. Feed yourself. You'll feel better.

Thassit.

#chekhov answers #steven universe

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thoughtsthatgounnoticed · 7 months ago

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Swept up in Expectations

As an anxious and curious person, I couldn’t help but check every now and then to see what the vibe was for P2 before watching it myself. After all the excitement during the wait between P1 and 2, nothing could have prepared me for the whiplash I felt reading disappointed and equally ecstatic posts from reactions to Eps 5 to 8.

Now that I’ve seen the episodes myself I’m trying to make sense of how I felt so I’m putting the figurative pen to paper and hope anyone as confused as I am can ruminate with me.

To put simply - I think we were all swept up in the excitement of Nic and Luke’s press tour (a whole other can of worms for some) and the many spoilers, speculations, and info from cast interviews during the wait between P1 and 2 that appeared to have been Polin positive. This energy then ballooned our expectations. I personally forgot that although Bridgerton is endearing and fun, it’s ultimately not a BBC or HBO production (I love Bridgerton but it’s no Pulitzer Prize winner in writing). So I think we expected more and are crashing from our collective highs.

Then there’s Polin and Penelope. As someone who didn’t personally enjoy S1 and 2 stories, S3 was going to be one I could truly enjoy and romanticize, and experience that Bridgerton brainrot everyone keeps taking about. Admittedly, it took me listening to some discourse and a second watch to truly appreciate P1. I’ve come away with so much love for Polin and their unfolding love story as well as Pen’s journey. The friends to lovers trope is beautiful, sweet, endearing, romantic, with a lot of history between two people. It had me singing along at the top of my lungs to Taylor Swift in the car even though it’s not my usual type of music. I was swooned and romanced.

But Part 2 was…. rough…. (Ramblings below)

At least after episode 5. It felt like I wasn’t watching the same season. I knew the weight of LW was going to put Penelope through the wringer before we can ultimately move on in peace. I expected the angst, it didn’t bother me, even if it meant seeing the worst of Colin’s anger temporarily.

I think what bothers me is the wasted potential of Polin’s season brought on by unnecessary side plots that could have given more time to Colin, Penelope and Eloise’s complex relationship and individual feelings. It was a season that absolutely needed to flesh out these characters alongside LW’s plot. Instead we got lengthy scenes of side characters with no payoff or stories that could have waited to be told next season. Polin felt like side characters in their own stories, their scenes so cruelly cut between other people’s dramas - I was swooning one second to wondering why we’ve jumped to sideplot A and B, then back to swooning over Polin again (their wedding dance for example 😭).

Then there’s the question of intimacy and how we would have loved to see more - probably brought on by a rumored missing montage. Instead after all the pain, the culmination of intimacy between Polin was the 5 second scene towards the end that looked like one of Anthony or Ben’s random brothel end-of-episode montage scenes in S1. I didn’t need plenty of intimacy scenes, I just wanted there to be growth in their intimacy evolving beyond what they had in Ep 5 and after all that drama.

Part 2 should have focused on how Colin, Penelope and Eloise came to terms with the LW revelation and the aching healing process it took to overcome that because the love they have for one another was stronger. I found myself thinking how in hell they could resolve all of this and it became progressively clear that the resolution was going to feel underwhelming and rushed. Especially, when the last episode alone had another wedding, Colin and Penelope still not communicating, and like 4-5 scenes of Ben and his mistress and their lover. We sat there in complete shock at how we kept going back to those scenes when the season had bigger fish to fry.

Although the show attempted to delve into Colin’s journey post revelation, the process of overcoming his sadness/jealousy was not fleshed out satisfactorily. I’m not saying it isn’t there (the very quick scenes of him looking through Penelope’s letters, listening to her speech at the end, his speech to Cressida, interactions with Kanthony/Eloise etc) but it lacked…something. Maybe it needed just a beat longer, a few more words, a bit more time. I don’t need it to drag, I just needed more within the depth of the scenes. Funnily, some of the side plot scenes lasted longer, which was so evil. Colin deserved a concise arc like Penelope’s. I hope Luke Newton’s back wasn’t hurting from carrying all the weight of Colin’s journey through his delivery and face acting because the writers were not giving him much to work with.

And so, the ending of the season felt odd. On one hand I was happy Polin got their happy ending and in theory their progression made sense, but on the other I felt like the show did a disservice by not taking us carefully and deliberately on that progression journey we wonderfully started in S1 and 2. I will always have ep 1-5 to look back on fondly and I was teary eyed when Colin delivered his ep 8 love speech to Pen. It felt like a glimpse of what we could’ve had and what they did have in P1. However, there’s this feeling of anti-climax that is so palpable given how impactful the press tour was. Am I still walking away from this season loving Polin and enjoying the scenes we did get of them? YES. Am I satisfied with it? NO.

This is 70% an emotional rant that may subside once the excitement dies down. I have thoroughly enjoyed everyone’s input and analysis and may have just been swept up in expectations.

#personal reflection #polin #colin x penelope #bridgerton spoilers

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stardvstbby · 2 months ago

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Critique ahead, read at your own discretion.

Am I understanding this correctly? Because of Hiryuu’s selfish wish to have more time on Earth, Yona was created, thus their soul did not return to the heavens to be with the other dragon gods. As a consequence hundreds of humans were damned with the dragon powers and short lifespans. If Hiryuu had accepted his own death as a natural course of life as a human and went back to the heavens then all of this could’ve been avoided. But it seems both he and Yona have trouble reconciling with loss. They’d curse strangers if it meant having more time with their loved ones. How is this not viewed as corrupt? Their resolve is painted as this heartwarming thing - that they’d bend reality if it led to the safety of those they care about. But what about everyone else? The world isn’t comprised only of those dear to your heart. They say Hiryuu loved humans but the more I examine his actions it seems he simply wanted control over them.

I want to love this manga, I have loved this manga, for many years. It was amazing seeing Yona’s growth and getting to know all the characters. Soo-Won, Shin-Ah, Zeno, and (earlier chapters) Yona will always have a special place in my heart. But the way the themes are being developed leaves a sour taste in my mouth. Idk, if anyone has some positivity to share about how things are progressing please feel free to do so, because at this point I’m disillusioned with YOTD.

#yotd critique #akayona critique #yotd264 #akayona 264 #yotd spoilers #akayona spoilers #yotd analysis #akayona analysis #princess yona #king hiryuu #yotd #akayona #yona of the dawn #akatsuki no yona

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acourtofthought · 1 month ago

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“Tension, growth, and healing”

People… were in stage 1 with the tension right now. Do E*riels really think we could go through the current tension, PLUS promised growth and healing of Elain + Lucien, and it still end up being E*riel endgame?! No way. From what I read from Sarah here, no matter what, Elain and Lucien are going to resolve things and with the way E*riels bash Lucien, they probably wouldn’t be happy no matter what story she tells…

I agree. Elain's character is not set up the way Nesta's was who Sarah wrote as often hiding behind her anger. That anger was her card to play with Nesta, whenever she needed to pull her back from Cassian and the IC. With Elain, instead of anger Sarah has given her avoidance. Where rather than facing things, she runs from them and that is giving us the current tension with Elucien. But there is no way this behavior can continue in Elain's POV. She's going to have to talk to him, she's going to have to have real conversations with him. Like it or not, Lucien is a super main side character and he was one even before the sisters became main side characters considering Sarah didn't even think Nesta and Elain would play major roles until she was writing book 2. With HEA romance books, you're never going to see things wrap up with awkwardness between two main characters (regardless of whether they end up together). Not when Lucien is Feyre's friend (he's invited to family holidays for goodness sakes) not when he consistently gives reports to Feysand as to the goings on in other parts of their world The tension between Elain and Lucien is going to have to break and when that does I think it's pretty obvious to those who don't have a personal agenda (the ones who turn a blind eye to what's clear as day) that Elain and Lucien would be really well matched. There's no way Elain couldn't like Lucien considering Elain IS Lucien. They share so many of the same morals, behaviors, sense of humor, etc. The second that tension breaks and the second Elain drops her guard is the second we see her real feelings for Lucien taking off and that to me is exactly why Sarah has been keeping them at a distance for so long.

#elain archeron #pro elucien #elucien #anti e/riel #pro lucien vanserra #lucien vanserra #pro elain archeron

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mirai-e-jump · 1 year ago

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Uchusen Vol. 182 (Autumn 2023) Ohsama Sentai King-Ohger | Detail of Super Sentai Main Cast Member Interviews (translations below)

Publication: October 2, 2023

Taisei Sakai x Watanabe Aoto x Kaku So x Masashi Ikeda Interview

The story has entered a new chapter! The actors who play the kings have grown just as much as their characters through more than half a year of filming. In this issue, we asked Taisei Sakai, Watanabe Aoto, Kaku So, and Masashi Ikeda about stories from filming and their enthusiasm for the new chapter.

"First, we'd like to talk about the battle against the Earth Empire, Bugnarak, which was depicted in episode 26. While filming, did you notice any growth in your characters?"

Ikeda: Jeramie has grown significantly. Gradually, he's become more human, and has shown new sides and changes in his feelings, which gave off the feeling that he was being "updated" as I played the role.

Sakai: Gira hasn't changed much in terms of his character, but I felt that the feelings he has for his people have changed greatly since becoming king.

Watanabe: The impact of Yanma's first appearance was strong, so I think the way he's depicted is to show the various sides of him. As an actor, it was fun to see developments continue, allowing me to play new aspects of his character.

Kaku: There was a big change in Kaguragi with the absence of Racules……I enjoyed acting and having conversations with (Masato) Yano-chan, who plays the role of Racules, and many people complimented us on our performance by saying, "It's like something out of a Taiga drama,* only more profound." However, I get the strong impression that Kaguragi remains the same, and is as relaxed as ever. Perhaps more impressive than the change in character, is the growing friendship between the cast members over the past six months. We even go out to eat after filming finishes….. (*annual historical drama by NHK)

Watanabe: With the exception of our days off, we're always together.

"Looking back, please tell us about any episodes that left a particularly strong impression on you."

Kaku: It would have to be episode 26. It's the last episode of the first chapter, and I was moved by the scene where Gira and the others resolve things with the Bugnarak. The one that was most fun to play was episode 24, which was the summer festival episode. Wearing a yukata in that worldview was also fun.

Ikeda: Episode 26 is definitely memorable, but if I had to choose the best one, I'd say it's episode 11. I think that the scene where Jeramie made his first appearance, taking off the spider mask he's worn for 2,000 years, was the first step in his new life. I'll never forget that scene.

Watanabe: The first film shoot I had was together with Gira. From there, everyone came together in episode 5, and after Legend King-Ohger arrived, Jeramie joined us…..When I think back on the process, the most memorable moment was when all 6 of us were together for the shoot. In particular, I was moved by episode 19, when it was announced that we were, "The Five Kingdom Unusual Incident Countermeasure Lifesaving Force," abbreviated as, "Ohsama Sentai King-Ohger!"

Sakai: The 6 of us transforming together in episode 19 left a deep impression on me as well. I was amazed when I saw the finished video for the first time. I was impressed by the wonderful effects of the screen cracking at the moments of impact.

Ikeda: It was fun to see everyone fighting together, and gave off an atmosphere unique to the Sentai series.

"We'd also like to ask about the retainers who support the kings. What are everyone's impressions of Douga, Shiokara, Kuroda, and Gerojim?"

Kaku: Despite the fact that he hides his face, I'm glad that Kuroda is very popular. I discussed with (Hajime) Kanzaki-san, who plays Kuroda, that the relationship between Kaguragi and Kuroda is that of a lord and a spy, but Kuroda's personality became alot more prominent, and he's since come to the forefront. Before I knew it, he became an essential part of King-Ohger.

Ikeda: Gerojim is so cute! When I watch the broadcasts, I can't help but laugh when Tomokazu Seki-san (Gerojim's voice actor) interjects between my lines. I never thought I'd have a retainer, or that he'd even ride in God King-Ohger. I did alot of acting with monsters, especially scenes with (Riichi) Seike-san, who plays Desnarak VIII. Seike-san is a really passionate actor, and before we performed the farewell scene between Desnarak VIII and Jeramie in episode 26, Seike-san encouraged me with, "Come at me with everything you've got!" In the beginning, I wasn't used to acting with Suit Actors, but thanks to Seike-san and the others, I was able to act naturally, which made me very happy.

Watanabe: Shiokara and the others are a good group of friends who react to every single thing Yanma does. On our days off, Chiwata Yuhei-kun, who plays the role of Shiokara, takes the initiative in arranging dinner parties for the N'Kosopa team. I'm very grateful that communication is connected through Chiwata-kun, and I'm also happy that just like in the show, Shiokara plays the role of connecting me with our citizens.

Sakai: Episodes between Douga and Gira haven't really been depicted, but it seems like a strong relationship was formed over the 2 years between episodes 26 and 27. They must have thought of ways to ensure that food would reach the children, and how to run the country while coming up with ideas together on how to better serve the people.

"Did the staff tell you about any changes that occurred during the span of those 2 years?"

Sakai: I haven't been told the specifics, but Director Kazuya Kamihoriuchi told me that he wanted Gira to be the same as before, but to show a casual composure when performing final attacks.

Ikeda: Although Jeramie's 2,000 years old, on the inside, he's as innocent as a child and is inspired by every single thing that happens to him. So, I think he's taken in alot during those 2 years. Especially in the new chapter, we can see his growth as he tries to express his feelings to the other kings in a straightforward manner. The biggest change was that Jeramie became king, so he must've been busy building a nation for the past 2 years, right? That's what I think atleast. Personally, I'm happy that my country is finally being projected on the LED wall.

Kaku: Kaguragi was arrested for using an underground cultivator called "Arijigoku," which could also be used as a weapon, but he was probably conscious of the fight against Racules, so was making agricultural machines that could be converted into weapons. However, even after 2 years, I still don't know what he's thinking. I wonder what forms of communication he'll start to use……Now that Racules is gone, it seems easy to deceive anyone, so I'm looking forward to seeing what he'll do (laughs).

Watanabe: Not only Kaguragi, but Yanma was also arrested for monopolizing electricity to create the Ultra PC called, "Under Heaven and Earth, I'm the only one." This just shows that even 2 years later, the kings can't sit still.

"The imprisonment of the kings was a surprise, but at the same time, the new chapter has brought changes in hairstyles and costumes."

Watanabe: I was told that the visuals would change when we started depicting what was happening 2 years later. So, I suggested a more mature haircut, thinking it’ll help Yanma settle down, but Director Kamihoriuchi immediately rejected it. Then came the blonde pompadour, and I thought that he was far from settling down, and that his "peak" was yet to come. I actually had the opportunity to suggest a new visual to the Director, and as it was also one of the choices for Yanma's original costume, the short gakuran was chosen

Kaku: Kaguragi has black hair, but I thought it would've been better if he had brown hair….but, that didn't work out (laughs). I'm looking forward to letting my hair down and seeing how the viewers react.

Ikeda: Jeramie now wears a cloak, which makes him look more dignified as a king. Also, the fact that he can now proudly show his Bugnarak hand is a sign that humans and Bugnarak have become closer over the past 2 years, and that the world has become more peaceful. This also seems to have had a significant change in his personality.

Sakai: My changes were left up to the make up artists (laughs). My hair is longer and parted down the middle, and I'm wearing the same clothes as Racules…..I've made a bunch of suggestions myself, but nothing's been approved (laughs). I wonder, will the reason for why he's wearing Racules's clothes and his hairstyle change be revealed in future episodes…..? That's what I imagine.

"By the way, when was everyone made aware of the new chapter?"

Kaku: I think it was right after the dubbing for "Adventure Heaven." The costumes were going to change from episode 27, and there were discussions of, "What are we going to do about it?"

Watanabe: It was about 2 weeks before we started filming, so we didn't have alot of time.

Ikeda: When they said it took place 2 years later, I had the image of a new development in an anime, so it made me very motivated.

"Episode 28 featured a difficult episode of switching roles. Gira and Jeramie, Yanma and Rita, Kaguragi and Hymeno switched, how did you like each of the roles you played?"

Watanabe: I tried to play the role in my own way without asking Yuzuki-chan too many questions. I tried to exaggerate Rita's image by keeping my distance from them except for the physical part, and I wonder, did it come out good? On the other hand, Yuzuki-chan asked me various questions, but since we didn't have many scenes where we talked to each other, I didn't know what was going on until I watched the broadcast.

Kaku: I was also looking forward to seeing how Marie (Erika-san) would play Kaguragi. In my case, I discussed this with Marie, and we began to imitate each other, starting with our finger movements one by one. However, at the start of filming, Director Kamioriuchi told me that it, "Wasn't interesting." I panicked when I heard his comments. The Director wanted her to play the role as if she were an exaggerated imitation of "Hollywood Zakoshisyoh,*" and from there, he expanded on the image he had for Hymeno. But, was I really becoming Hymeno? I was worried at first. Marie's performance as Kaguragi was so far out there, that it was almost too much. She would say, "Ro~Yal~Arms~!!" and I would respond with, "I've never said it like that!," and so she had to try again (laughs). (*Japanese comedian)

Sakai: It’s really difficult for one person to come up with a performance that took about six months to create. Ikeda-kun taught me in detail about Jeramie's gestures, the way he walked, and even the tone of his voice, and I studied and consulted with him alot during filming.

Ikeda: I could tell that we were thinking about the various elements of each other. I kept in mind that we should try to respect each other and exaggerate the other person's character to make it just right.

"We'd also like to ask you about the "Kingdom Dance Competition" that became a hot topic when it was released over the summer. What’s the story behind that video of you dancing "Zenryoku King" in a decisive competition?”

Kaku: It was difficult in many ways! (laughs). I thought I only had to do the scenes where I appeared, but then I realized that I had to dance to all of them. It was very hard, partly because we were filming the movie at the same time.

Sakai: But, that was the first time all the cast members got together for filming. King-Ohger had alot of filming done in the different countries, so it was rare for everyone to gather together, including the entourage. That's why filming it was lively and fun.

Ikeda: I personally have something to say about the distributed video! I was told that since it was being done in one take, even if we made a mistake, it would still be used. However, the other members mistakes weren't included, and only my mistakes were picked up......(laughs). This is to the staff! Couldn't you have just changed the order of the shots?!

Watanabe: But, the Bugnarak team's dancing was wonderful.

Ikeda: That's because Seike-san gathered the team's Suit Actors and even held a strategy meeting.

Kaku: The sexy poses of Rita and Morfonia in Gokkan were ordered by Director Kamihoriuchi. It was interesting to see that Morfonia didn't seem too happy about it (laughs).

"Finally, can you tell us about the development of the new chapter and its highlights?"

Kaku: I think that the pasts of Kaguragi and Suzume will be further explored, which will deepen your love for the characters. I'm looking forward to the future of this story, not only as an actor, but also as a viewer.

Ikeda: I think that not only the pasts of each king and their retainers, but also the mysteries of the world of King-Ohger will continue to be revealed. I want to know the ending as soon as possible, so I can't wait to receive the next script!

Watanabe: Not just Yanma, but past stories related to N'Kosopa will also be depicted, so I hope you'll continue to watch King-Ohger every week!

Sakai: Gira is especially mysterious. He was born into a royal family, and yet he ended up in an orphanage, and we don't know why he knows about the Wrath of God. Even I don't know the truth behind it, but I've been imagining alot of different things as I play the role. I hope that from now on, you'll continue to support King-Ohger! _

Murakami Erika x Yuzuki Hirakawa Interview

Following the male cast members, we asked Murakami Erika, who plays the role of Hymeno Ran, and Yuzuki Hirakawa, who plays the role of Rita Kaniska, to talk to us. The two of them will talk about everything, from the changes they went through during the six months of filming, the costume changes that accompanied the start of the second chapter, and even the untold story of the body swapping episode depicted in episode 28.

"With episode 26, the battle against the Earth Empire, Bugnarak, has come to an end. Having played Hymeno and Rita for six months since the first episode, how do you feel your characters have changed?"

Murakami: Hymeno was the type of queen who wasn't suited for collective actions, having led people according to her own selfishness. But, when the Bugnarak attacked, she decided to join forces with the other kings to save Chikyu. In episode 7, there's a scene where Hymeno couldn't respond immediately to Gira saying the words, "Let's be friends!" After that, I think she gradually developed a mutual relationship with Gira and the others, and was able to grow toward her goal of saving Chikyu.

Hirakawa: Rita has slowly begun to depend on others. I think that they're gradually becoming able to express their honest feelings. In the beginning, Rita was building walls against others on their own, but as the story progressed, their barrier against the other kings gradually grew smaller. As a result, their self control to suppress their feelings have weakened, which is why they've started to sometimes scream in front of others.

"Hymeno has her retainer Sebastian, and Rita has their retainer Morfonia. As Hymeno and Rita, were there many scenes where you interacted with those two characters?"

Murakami: Sebastian is the one who listens to Hymeno's every request and spoils her. But, when taking God King-Ohger into battle in episode 25, although she was afraid that she might get them killed in battle, she asked Sebastian and the others, "It's incredibly selfish, but will you hear me out?," as if begging them to fight with her. It really was a lovely moment where I felt the relationship of trust between the king of Ishabana and her entourage.

Hirakawa: Originally, Rita and Morfonia had a professional relationship only. Then, during episode 10, Morfonia approached Rita, and the distance between them changed. In episode 25, Rita asked Morfonia for a favor outside of work, and I think this showed that the relationship between the two of them has grown even deeper.

"How is your relationship with Hiroto Yoshimitsu-san, who plays Sebastian, and Kasumi Hasegawa-san, who plays Morfonia?"

Murakami: Yoshimitsu-san is really sweet to me (laughs). He's always buying me something tasty.

Hirakawa: It was daifuku the other day (laughs).

Murakami: It was delicious~ (laughs). Also, when I would raise my voice during a scene, (Mizushima) Marina-san, who plays Elegance Moun, would become worried and give me throat lozenges…..Since the members of Ishabana's entourage are all older than me, they spoil me as if I were their daughter.

Hirakawa: Kasumin (Hasegawa-san) is like a kind big sister who's always looking out for me. Possibly due to both of us being from Kyushu, we became good friends the more we started hanging out in our private lives. Recently, we've been doing live streams together, and have become closer than ever.

"Looking back up to episode 26, what were the most memorable scenes?"

Hirakawa: Rita's past being portrayed in episode 16 was the most memorable for me. Rita's past was hard to imagine and rather mysterious. Although not everything was explained, I think that episode 16, which explained why they became king and what happened to them in the past, was the episode that impacted me the most in the past six months.

Murakami: We've been filming for six months, but the most memorable was episode 3. Hymeno's selfish, but she's also a king, so she has her beliefs. I'm most attached to episode 3 in the sense that it depicts Hymeno's inner self. But, after learning in episode 7 that her parents deaths were caused by scorpion poison, she can no longer hold back her feelings…..This development was also important for Hymeno. Although she expresses her own strength, she also feels resentment toward the unsolved case, and I acted while thinking about Hymeno's inner thoughts.

"Has anything changed in the relationship between the cast members?"

Murakami: After about four or five months, everyone would laugh at me no matter what I said. I can now speak my mind without worrying (laughs). I'm not really good at expressing my opinions in front of other people, but I've become able to do so with confidence. My mother, who watched "King-chan" (TTFC talk show), even said to me, "I think you've become more comfortable with the other cast members, and your sense of humor has improved, hasn't it?"

Hirakawa: You really make us laugh over trivial things. I was surprised at first, because Marie's wasn't the comedic type. Now, I'm also in the mood to play along.

Murakami: Recently, Kaku-san, Aoto-kun and I went out for dinner, and we ended up going to 4 different places. We were having so much fun, that I didn't realize we were moving from one restaurant to another. I've come to trust them both with all my heart, and I even surprised myself at how well I could get along with people.

Hirakawa: I may not have changed in any way, but……What do you think? Have you noticed anything?

Murakami: In the beginning, Yuzuki didn't complain at all, right? But lately, she's started mumbling things like, "It's painful," and, "I'm tired."

Hirakawa: I'm not good at telling people that I'm having a hard time. I'm mindful of not saying anything because I'm concerned about worrying or bothering others. But, I think I've gotten too close to Marie and the others, so it comes out unconsciously. Because we're together every day, I feel like I don't have to care anymore, as we share the same physically and mentally demanding times.

Murakami: That being said, the stage greeting held in Fukuoka for "Adventure Heaven" was like a field trip. Even though it was work, everyone was having fun and it felt like being on vacation.

Hirakawa: Marie joined us on a different plane, but she was wearing big sunglasses and looked like a celebrity going overseas. I took a bunch of pictures of Marie and sent them in the group chat…..

Murakami: I suddenly noticed that there were alot of hidden photos taken of me in the group chat (laughs). As revenge, next time, I'll take lots of cool photos of everyone…..It was really fun. The cast of King-Ohger is friendly regardless of gender, so it really makes you feel like you're back in high school. Until now, I haven't had the opportunity to work with so many colleagues who are aiming for the same goal, so it's very refreshing,

"Episode 27 onward will be the second chapter, and will depict the battle against the Uchu Five Jesters in the world 2 years later. What was your impression when you first heard about the new chapter?"

Murakami: We know what happens next when we receive the scripts, so I was really surprised when I read the scripts for episodes 27-29. It's 2 years later, but worst of all, we're out of the picture (laughs). As I read on, I realized that we were imprisoned! I thought that was an interesting angle.

Hirakawa: I've never heard of time skips in the middle of a story within the Super Sentai series, have you? I was also told that the visuals would be changing. I felt very honored to be able to participate in a production that provided such a rare experience.

Murakami: I'm really happy because there are so many new things happening within King-Ohger, including filming with an LED wall.

"We'd like to hear more about when you learned about the new costumes."

Murakami: If I'm remembering right, I was having a review meeting with Director Kamihoriuchi at a yakiniku restaurant, when he casually said to me, "Think about what kind of visuals you want." At the time, I thought it would be for a one time episode, so I thought, "Gira with a shaved head?" or something…..I was thinking things like that, but then I heard that they were asking about new visuals to be used from episode 27 onward. In Hymeno's case, up until now it's always been about cute things, but I talked about how it'd be cooler to express herself with natural elements, rather than to dress her up. As a result, I ended up with a costume like that of a female knight. The hairstyle, which used to change each episode, was shifted to include more hair extensions and different colors

Hirakawa: Rita's costume has changed only in that the length of their jacket has become shorter, but their hairstyle has changed alot. Actually, I've been saying that I wanted to cut my hair since the beginning of filming. However, this wasn't allowed in the beginning, and filming proceeded with my long hair. Director Kamihoriuchi remembered this and suggested that, "Rita should cut their hair after two years." Rita was given a short hair cut and was able to turn their visuals in a cooler direction.

"Does this mean that the costumes were made lighter to accommodate the summer shoot?"

Murakami: I don't think so. It was still hot (laughs).

Hirakawa: It was hot……(laughs).

"2 years later, Hymeno was charged with arson, and Rita was imprisoned in Gokkan for violating the Labor Standards Law. How have Hymeno and Rita changed during the span of 2 years, and how will you interpret these changes through your performance?"

Murakami: I felt that we were able to fight while being aware of our respective roles. In the beginning, the kings weren't well organized, but over the past 2 years, they seem to have developed a sense of camaraderie.

Hirakawa: Their resolve as a king has become stronger, and I think it shows in their visuals. However, Rita has grown in their ability to talk with the others as friends, while also taking their feelings into consideration.

"Episode 28, the most recently aired episode, depicted the body swapping of the kings. Murakami-san plays Kaguragi and Hirakawa-san plays Yanma. How was the filming for that?"

Murakami: I'm so tired! In all my time in the entertainment industry, I've never acted in such a disorganized manner, so I'm worried that everyone will be turned off by my performance. Kaku-san is very kind, so he said, "It was fun!," but I was still worried about it! (laughs). I think the most obvious way to express Kaguragi's performance is through his eyes, so I tried my best to open my eyes while spreading my legs, but I overdid it and we had to reshoot. However, the reason I was able to do such a disorganized performance may be because I get along so well with everyone and am able to tell jokes and make funny faces.

Hirakawa: I didn't really prepare for the role of Yanma that much. That's because I'm abit like Yanma in some aspects of my everyday life (laughs). I studied yankii like postures, but other than that, I tried not to think about anything other than playing a passionate guy named Yanma. More than that, when I was playing the role of Yanma, I was showing my entire face, so I was very conscious of that. I've been performing with my face hidden for more than half a year, so I was surprised at how embarrassed I felt showing my face (laughs). While checking the monitor, I thought to myself, "This is what I look like……"

"What did you think of Hymeno being played by Kaku-san, and Rita being played by Watanabe-san?"

Murakami: I was surprised to realize that this is what Hymeno looks like from other people's perspective. When Hymeno couldn't accept Kaguragi's body, I think I would've wanted to say, "I can't take it!," and run away. However, Kaku acting all depressed was very cute. I was very happy that he opened up a side of Hymeno that I didn't have.

Hirakawa: Aoto just did whatever he wanted (laughs). Even though I thought to myself, "They wouldn't open their eyes that wide, would they?," I felt that Yuzuki Hirakawa's performance broadened the range of Rita's character. Due to the stress of having their body swapped, Rita's emotions are more tense than usual. It made me realize that I could show these kinds of facial expressions. It made it easier for me to do my future performances.

Murakami: Now that I think about it, during filming for episode 27, Director Kamihoriuchi was laughing while watching the monitor the whole time (laughs).

Hirakawa: Before I knew it, I became more determined to make the Director laugh.

"It was because of that determination that it turned into such an outrageous episode. Now, we're anxious to see what'll happen next, but what would you two like the fans to pay attention to when watching the show?"

Murakami: The foreshadowing from previous episodes are gradually being revealed, and there are episodes in which each character's pasts are explored in depth. For example, Sebastian's real name, which hasn't currently been revealed, may be mentioned, and even if you haven't watched it up to this point, I'd like you to watch King-Ohger, even if you start from the new chapter!

Hirakawa: Also, there's an all out action episode by Director Sakamoto Hiroshi. Although filming hasn't started yet (at the time of this interview), I've heard that there'll be lots of action, so I'm really looking forward to doing the performance. It'd make me happy if you could continue to watch every week!

Shinichiro Miki (Kamejim Voice Actor)

Ohsama Sentai King-Ohger has entered its second chapter, but there's only one enemy leader that's survived from the first chapter. His name, is Kamejim Unka! He was the one behind the 2,000 year battle between humans and Bugnarak, and is one of the Uchu Five Jesters who serve under the Uchu King, Dagded Dujardin. The voice is provided by veteran voice actor Shinichiro Miki, making this his first performance in the Super Sentai series. Miki is a big fan of King-Ohger himself, so how does he approach the role of Kamejim Unka?

"Miki-san is also known for his role as Sieg in "Kamen Rider Den-O," but this is his first performance in the Super Sentai series. What are your impressions of the series?"

Miki: I love tokusatsu productions, and have been watching them since "Himitsu Sentai Goranger," which is from my generation. But, after I started working as a voice actor, whenever I heard the voice of someone I knew who was appearing in those shows, I stopped watching them out of jealousy (laughs). It was only after I started working on Den-O that those feelings toned down abit, and I was able to watch them again. These days, I listen to the voices of my juniors and think to myself, "(Yuki) Kaji-kun is really doing his best~." Even so, I still get jealous (laughs).

"What was your impression when you first heard about the setting of King-Ohger, and the role of Kamejim that Miki-san plays?"

Miki: I felt that there were alot of new elements, and thought, "This is interesting and different from previous Super Sentai!" When I first saw Kamejim's design, my impression was, "It's really cool!" I was told that he was a, "Sharp intellectual, and a faithful subordinate of King Desnarak VIII," although, I expected him to have something happening behind the scenes (laughs). I got the impression that he was polite with his words, but I couldn't understand his true feelings, and during the audition, I was conscious of trying to convey the nuances of that part well.

"There seems to have been various decisions made as recording progressed, so were there any changes in the way you created the role compared to the beginning?"

Miki: As the story progresses, we're learning more about his character, and there are alot more parts of him that, "Dare to say the opposite of what he means, but still holds true." Along with this, the range of my speaking style has expanded, and I try to be aware of the thought behind the dialogue as I go into recording.

"You said that you expected, "Something to be happening behind the scenes," and we have the impression that Kamejim evolved into a character with one or two quirks as a result of Miki-san's performance."

Miki: Thank you so much. Well, things just turned out that way (laughs). That being said, I think the result is from a good mix of not only my voice acting, but the performance of Suit Actor (Masato) Tsutamune-san acting out my character. Even though the meaning of the dialogue doesn't change, we're recording while focusing on the way he speaks during the action scenes. For this reason, during dubbing scenes, I try to pick up on the movements of Tsutamune-san's hands and fingers as much as possible from the footage.

"Capturing the theatrical elements from a Suit Actor's performance requires a different skill set from that of an anime."

Miki: In the sense that Tsutamune-san plays the role and adds his voice to the finished video, it's more similar to dubbing a foreign film than to an anime. However, being able to go and observe filming and talk with Tsutamune-san, and being able to work with the actors to create the show, is what makes it different from foreign films. I believe that communicating in this way is one of the most important aspects of perfecting a character.

"What kinds of conversations did you have at the recording studio with Shimura Tomoyuki-san, Desnarak VIII's voice actor, who Kamejim served until episode 26?"

Miki: I call him "Shimu-nii," as we've known each other for over 20 years. So, from the first recording session, we said to each other, "This is reassuring!" However, Shimu-nii is a "doer." When the Director asks him to do something on set, he does so many things that it becomes too much. Because of his personality, he brings smiles to everyone on set. The true character of Desnarak VIII……Although he's not a person, I think the kindness towards his fellow comrades is linked to Shimu-nii's kindness.

"Also, speaking of characters played by actors rather than voice actors, don't you have alot of interactions with Jeramie?"

Miki: We've never done the recording together. Kamejim doesn't have much to do with Jeramie, so there weren't many scenes where we had direct conversations. It's like we just talked to ourselves…..Jeramie has lived for 2,000 years, but he has a more child like side to him compared to Gira. From Kamejim's point of view, I think he thought that part of him is adorable.

"From episode 27, the story enters the second chapter, where the King-Ohgers confront Kamejim Unka and those from the Uchu Five Jesters. When did Miki-san learn of these developments?"

Miki: I had heard beforehand that, "There's an even more powerful enemy in the universe, and that Kamejim was a spy sent by that enemy," but when he was defeated by God King-Ohger and exploded in episode 26, I was worried that he wouldn't be coming back (laughs). In order to prepare for the role, I was given alittle more information than the viewers, and was shocked by the scripts around episode 27. After receiving a new script at the office, I often look them over while having a drink, and there were many moving developments, including the scene where Desnarak VIII defends Jeramie. I cry every time I read it. If I hadn't been able to participate after episode 27 though, I might've cried in a different way. I survived, so at that time, my tears were that of relief (laughs). The storytelling in King-Ohger has a wonderful way of creating a story that can also resonate with the hearts of adults.

"Now that Kamejim Unka has been revealed as one of the Uchu Five Jesters, how did you react to his change in position?"

Miki: I think he's most comfortable in a position like that, as a second in command. I think he's the type of person who leaves the big things to someone else and enjoys doing what he wants to do. The way he reappears in episode 27 is also typical of him. Objectively, I think of him with, "He always looks like he's having fun," and, "I wish I could live like that."

"Since your position changed, did your role change in any way?"

Miki: There were basically no changes. There's a change when the person he supports is nearby and when they’re not, but up until episode 26 and from episode 27 onwards, there's no change in personality, just a change in the person he serves. However, since his comrades of the Uchu Five Jesters have appeared and are in the same position as him, I think there’ll be new aspects in the interactions with them that have never been seen before.

"Characters in the same position consist of Goma Rosalia, Hilbil Leech, and Minongan Moth. What kind of conversations did you have with the cast members who play them?"

Miki: The Uchu Five Jesters cast has a great lineup, with (Kazuhiro) Yamaji-san and (Miyuki) Sawashiro-san. I don't have much of an opportunity to talk with them, but I talked to Tomokazu Seki the other day, and he said, "It seems like they picked me since Minongan Moth is a character who doesn't talk much" (laughs). Then I remember telling (Ishida) Akira-kun, "I'm happy we're working on the same program again."

"On the other hand, you were in charge of the narration for “The Secret of King Racules,” which is available on the Toei's Tokusatsu Official YouTube Channel."

Miki: In the main show, Jeramie narrates the story, but since "The Secret of King Racules" is the story of the "Worst King," it was decided that since I'm on the evil side, I would be in charge of the narration. However, if I did it as Kamejim, it would be too obvious, so I tried to do it in a calm manner, keeping the narration style in mind.

"What do you think about the story in "The Secret of King Racules?"

Miki: I cried. It's alittle more mature than the main story, and the final scene was especially emotional. I also liked the screen composition, where the faces of King Racules and Vedalia are alternately shown in close ups in the background. It was also very emotional that Kofuki, who appeared in that work, rode the 20 person combined God King-Ohger in episode 25 of the main story.

"Miki-san said he cries as he reads the script, but which scenes in the episodes that have aired so far have been most memorable?"

Miki: There's too many! Like the scene in episode 16 where Rita says, "Thank you," in a small voice after receiving the Moffun from Hymeno, or the scene in episode 25, where the retainers of each country expressing their feelings towards the kings is depicted…..There are really too many to choose from. I watch the broadcasts 3 times every Sunday. First, I watch the reactions on SNS in real time, saying things like, "I can see why people would react this way here," and, "I see!" (laughs). Then, while drinking, I would do it a second and then third time. Afterwards, while reading the script for the next episode, which had already been dubbed, I'd think, "This is what happens after this, huh," and then start to cry (laughs). Even though I didn't appear in it, I went to the theater to see "Adventure Heaven" as a fan.

"You're looking at this from a genuine fan's perspective, rather than from a performer's perspective."

Miki: Of course, there are things I can reflect on about myself, but that's something I can make use of in my next job. While I want to reflect, I also want to have fun with the fans. In all my years as a voice actor, this may be the first work that makes me feel this way.

"Why are you so enthusiastic about King-Ohger?"

Miki: There's one reason for participating in it, but I think there's also many other reasons, such as the story, the wonderful character designs, and the fact that the filming method is different from what we've seen before. Maybe it's the excitement and sense of being with everyone in an era and worldview that's different from usual.

"King-Ohger continues to have unpredictable developments, Miki-san, please tell us what you think we should focus on going forward."

Miki: The development of Gira's involvement with the Kyoryuger's has become an even newer development within the new developments of the second chapter. I'm sure that these developments will continue to go beyond the expectations of the fans who have been watching the show. Although I know the story alittle earlier than you readers, I'd like to look forward to the future developments with a passionate attitude. When I see words related to King-Ohger trending on SNS every Sunday morning, I feel happy as if they were my own, and this show has taught me how to enjoy watching it with the fans. I hope you'll continue to enjoy your time with me!

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katiemcsuper · 2 months ago

Text

some very disorganized thoughts about the agatha all along finale to scream into the void:

- if there is a second season/a continuation of agatha’s story, i really like the ending. i think it concluded the overall arc of the season well while leaving things open to be further explored. i feel like agatha is a complex character and change/growth for her would be much more satisfying over a longer period of time; to me that seems more realistic/satisfying. similarly, i think the story between her and rio needs to play out with more time. i think the season played out the arcs of the other coven members well and i think it set billy off onto the next stage of his life/story

- i really want to delve more into rio and her relationship with agatha. from what we’ve seen, particularly in these last two episodes, she really did nothing wrong. she was, as she said, doing her job with nicky and even then she broke the rules for agatha. and it is so heartbreaking and tragic love story for her to do all that and for agatha to hate her despite/because of that. i don’t remember the specifics, but there were a few lines where rio expressed disappointment and, to an extent, confusion over agatha’s treatment/rejection of her. in many ways she seems resigned to the fact that agatha will have this element of hatred towards her that can’t be avoided

- agatha is just such a juicy character and kathryn hahn plays her so incredibly well. she is so straight-up awful and also so tragic and also just obnoxious but charming. i love the way all of these traits coexist. and, to my earlier point, this is why i feel like it would not really be satisfying to have her arc be fully resolved in the time available in this season

- if aaa is indeed just a miniseries and these characters don’t show up again/agatha is around only to support billy’s plot then that will be very disappointing. at the same time, though, i thought the show was really well-constructed and well-executed, but as it stands, billy was ultimately the main character instead of agatha. and i don’t think that negates the value of the show or its depiction of agatha, particularly in regards to lesbian rep, but it is nevertheless a bummer. but i am holding out hope for more

- i’m very interested to read jac’s episode recap interviews and see what all she says

- i so much enjoyed the experience of watching this show. i’ve been so engaged and excited to watch it and it’s lovely to feel that way, especially for a marvel show on disney+. regardless of how everything plays out it is so cool (and also shocking) to have a show at all that is centered around middle-aged women and queer characters, especially from these companies. and i love love love kathryn hahn and she makes the character and the show and it is so lovely that she is getting her flowers.

#agatha all along #agatha all along spoilers #agathario #i am so grateful for this show’s existence on so many levels #one of which is that it motivated me to write all this shit and make it available for other people to see

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novlr · 4 months ago

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I've been stumped trying to figure out how to write my MC realizing and overcoming his identity issues.

My MC comes from a place where he had to constantly hide his true self and intentions to survive. He was forced to play a pawn for many people and learned how to read in between lines just to live another day. He then travels to another universe by accident, and meets himself. But it's a version of him who's completely unbothered by the tragedies and situations that he went through. He grows as a person with his innocent help.

My goal is to portray a feeling of hopelessness for himself as he questions who he is. I want him to start rediscovering his hobbies, learning how to set goals and what he actually wants, but i struggle with showing the symptoms of his identity crisis and ways to overcome it.

Thank you in advance for answering !

There’s quite a bit to unpack from this question, but I ultimately read it as asking for help to portray a character’s crisis and development through his journey of growth.

I have bad news, good news, and better news for this.

The bad news is, if you don’t know how to write this for your character, you don’t know your character well enough. Yet.

But based on the details you do have, the good news is you already have a solid start to resolving the issue with character development. You have a backstory portraying who he is at the start of the story, as well as the means of a positive character arc for your character to experience.

The better news: While writing, your main character is the heart of your story; and learning more about him not only helps develop more details, but it also involves looking into other areas of your writing that can improve your story, too. Thus accomplishing multiple things at once!

Ultimately, resolving your situation boils down to three things:

Confirming your story’s theme and its “why”

Confirming your character’s arc

Confirming your character’s GMC (goals, motivation, and conflict)

Because, in order to know how to portray hopelessness for your character during his character arc, we need full details of who he is before the arc, after the arc, and–most importantly–what his hopes and fears are in that journey.

My goal is to make this process streamlined, but still give you space to explore. Character development can get real deep real fast, so watch for drowning in the details. We just need to find and solidify the purpose of the character and his journey for the sake of knowing how to find his version of hopelessness.

Starting with the first step!

Confirming your story’s theme and its “why”

In a previous post I wrote, about getting started with writing, I mentioned how to determine your “why” behind writing and how to tie it with a theme.

One example was writing a story about a sports tournament where a character pushes to win and refuses to give up, stemming from a personal experience about winning a tournament, even though they were ready to quit. This creates the theme of “with effort comes reward.”

Now, based on the details provided in the question, your character is one who must hide his true identity to survive because of tragic situations, and now, he undergoes a journey of learning himself again. This suggests a theme of rediscovery.

So, while we actually have the theme already, we need to ask “why” to secure the foundational details behind the theme and character. Below are some questions to help:

Why are you writing about a character rediscovering themself?

What message do you want to share about rediscovering one’s self?

Is this an experience from your own life? If so, what was it like? What did you learn from it? Is that part of why you’re writing about rediscovery?

For writing rediscovery, maybe you had a life event where you had to start things over (i.e. new career, relationship, etc.). And now, you’re using those moments to write a similar story. But why? To convey that discovering one’s self is possible? That people can change? That second chances exist?

Essentially, what about rediscovery are you trying to tell in your story?

Because, guess what? That message you’re telling is the lesson your character must learn through their character arc. That’s the magic of using theme and storytelling together.

Confirming your character’s arc

Fun fact: determining your theme is the bulk behind developing your character.

Once you have your theme in mind, you can next determine the type of character arc that will fit that theme best. For example, if you have a message that acts as a warning (i.e. lacking morality leads to downfall), you might look toward a negative arc with a tragic ending.

For the sake of this question’s parameters, we’ll keep focus on a positive character arc for the main character–though you can find more information about character arcs here.

A positive character arc involves growth in learning something of value, like a universal lesson. This can be anything from the power of love and friendship, to letting go of the past. Also, since the character undergoes a positive change from having one belief to another, who he is at the end of the story will almost completely contrast with who he is at the start. These are like “before and after” snapshots of your character that act as puzzle pieces for plotting in arc details.

For example, if your theme is “love wins,” your character must be someone who learns that by the end of the story. That means the story starts with them as someone who doesn’t believe in that message at all. And just like that, you have a start and end point of your story and character’s journey!

Using the details from the posted question, and the theme of rediscovery, we already have these “snapshots” of the character at the beginning and end. The character starts the story as someone who learned to hide who he is to survive, while looking for hidden meanings/ulterior motives in everything someone says or does. And the story ends with him learning how to overcome those habits, discover who he is through new hobbies, and heal from past trauma.

Ultimately, the type of character arc you have to showcase your theme determines the start and end point of your story and character’s journey. Your theme is the idea for the story, and the character arc is the starting blueprint. This is why we brainstormed the “why” behind your writing and story first.

Confirming your character’s GMC

Goal, motivation, and conflict are crucial for character development and storytelling. I’ll discuss them strictly from an internal plot/character arc perspective for the sake of the question asked, so if you want a full dive into learning GMC, I recommend this post here.

From an internal plot point of view, GMC gives you a roadmap to plot your character’s arc with a simple summary: (Character) wants (goal) because (motivation). However (conflict), so (resolution).

Let’s use Harry Potter and the Sorcerer’s Stone as an example. The story involves themes of friendship and love–belonging and self-worth, to be specific. Thus, Harry’s positive character arc starts the story opposite of the theme learned (living with his relatives where he doesn’t feel love or belonging), and ending with facing Voldemort (learning self-worth) and finding valuable friendship with Ron and Hermoine (love and belonging).

This is identifying the theme and character arc just like we discussed in the first two steps. Now, let’s put those details through the GMC method: Harry wants to feel he belongs somewhere (goal) because he lost his parents while young and feels different living in the muggle world (motivation). However, a dark wizard seeking the Philosopher’s Stone threatens his growth by affecting the safety of his new world and friends (conflict), so Harry must stop him to keep his friends safe while rising to his potential as the Boy Who Lived (resolution).

See how everything comes together to solidify the details of a character’s journey?

Going over the character arc also touches on the concept of a character’s want vs. need in the story. Harry wanted to go to Hogwarts and become a wizard (external plot), but he actually needed to find his new sense of belonging and worth (character arc). Think of it as learning the theme the wrong way vs. the right way.

Let’s try the GMC method with your main character in question, and his theme of rediscovery, by asking:

Your character starts the story stuck living in past trauma and hiding himself from others. What does he want to change about his current way of life?

What does he want as change, vs. what he needs for change to happen? What’s the wrong and right way to learn the theme?

Why does he want to change? What motivates him enough to change his life from his current status quo?

What internal belief gets in the way, in conflict with what he wants, and how must he overcome it?

Sticking with the concept of second chances from the previous step: Maybe the character feels empty and doesn’t want to “simply survive” anymore (goal). He sees other people happily living as themselves and wants the same (motivation). Perhaps he wants to handle an external threat he believes keeps him stuck in “survival mode.” However, what keeps him stuck is actually his misled belief that he’s unworthy of second chances in life (conflict). So, he must reframe that mindset (through new hobbies, etc.) to find what he really needs for himself: safety and discovering his true identity (resolution).

Putting it all together

So, why did I go from big-picture to small about storytelling and character arcs to explain writing hopelessness?

Because planning out a character’s journey like this gives deep insight into their hopes and dreams. And once we know those, we can flip them upside down to learn their biggest fears.

Hopelessness looks different for everyone, depending on their situation and beliefs. And it takes knowing a character’s core journey to determine what their version of hopelessness looks like, why it looks that way, and how it comes up during external events.

All of this work was to have groundwork for a character’s aspiration. Here, we used the theme of rediscovery to create an example character’s goal and motive behind wanting a second chance in life–to achieve safety in knowing themselves.

Now flip it. The opposite of the dream to achieve safety and discovering self is the fear of staying stuck in survival mode and feeling empty.

That right there is what hopelessness looks like for the character: forever stuck in survival mode, unsafe, threatened, and a shell of themself to never discover who they really are.

Knowing that core fear is vital. Because once you identify it, you can describe it and the emotion portrayed in certain situations. Then you can use it to add personality and/or backstory details to your character if you don’t have them already (what does a person who yearns for safety and security act like?).

After all, personality and backstory for a character are just the flavor behind one’s core actions. It’s like baking a cake. You need the foundational ingredients before you can add personality and flavor.

When depicting this core fear, imagine a scene where your character tries everything to achieve their dream and utterly fails. How does that affect them? What does that outcome feel and look like to them? How do they react to that loss? Is it anger? Grief? What does this force them to believe about themselves and/or the world? Does this lead to bad habits?

This last part here is a little more based on intuition and personal brainstorming to develop your character, since every story, plot, and character are different. But this step-by-step process should provide the groundwork for solid character arcs that give insight into who your character is at their core, and what their core emotions–like hopelessness–would look like based on specific scenarios.

Character development is my favorite to experience as a reader, my favorite exercise as a writer, and one of the best ways for an audience to connect with your writing. So have fun with it! And always stay open-minded. Your story and character(s) will give you the insight you need when you let yourself think outside the box.

Happy writing!

#writeblr #writing tips #writing advice #writing help #how to write #writers #creative writing #writing #writing community #writers of tumblr #creative writers #writing inspiration #writerblr #on writing #ask novlr

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