#so many more things happened because of that 1 decision

[obxanon]

Addressing the OBX drama and the speculations:

Was JJ’s Death planned?

No, Rudy asked to leave the show. It wasn’t something the writers planned. He didn’t want to renew, the writers were rightfully upset and then decided to kill JJ off.

Did the writers/producers create an uncomfortable set?

No, they didn’t. This post is not true. The brothers were never inappropriate.

Was Madison a bully on set?

I’ve seen a post going around of someone saying Madison was a bully, controlling the set, and bluntly treating Rudy and crew members like crap. That is NOT true. 

Was Rudy’s decision sudden?

Yes and No. No as in he let the Pates know ahead of time he didn’t want to continue (some time during the strike, so they had time to change what was already written). Yes, as in they were shocked by it.

Was there on set drama between Rudy and the Pates?

Yes, there was many disagreements/personal problems during s4. Yes, Elaine was involved and so was Lilah Pate. They are civil now.

Why did every ship but Jiara get a still?

The jiara still does exist but idk why it was not released. My source doesn’t know either and I don’t want to spread something not true. Rudy and Madison took pictures just like everybody else did.

Why did the cast chemistry seem off in part 2?

They shot episodes 1-5 first, THEN 10, then 6-9. The cast didn’t know rudy asked to leave until they received the script for episode 10. You can tell there was a drastic change between JJ and Kiara in part 2 because after the cast found out, Madison was upset with Rudy and his decision, so she didn’t put in as much effort into the scenes with him. She was upset because she knew that would mean the near end of obx and her character… in a way.

Was there alternate endings?

Yes, but that was only because they wanted to see if rudy would change his mind. There was even scenes where a funeral was shot (obviously they didn’t air it so I’m assuming they’re saving it for s5). From March-June of 2024, they spent the entire time doing reshoots of some scenes. That is why some things don’t make sense.

Did Rudy and Madison talk on set?

Yes, but not closely or anything. They’re not friends, they just did the scenes they had to do and that was it. All those people saying they’re hiding their friendship from the cameras or whatever… that is not true sorry. The pates can’t force them to act like best friends as long as they were doing their scenes.

Why did Jiara have “less” than everybody else?

It’s true that Jiara scenes were toned down. Part of it was Rudy asking for it. Madison didn’t care as much. Another part was just Rudy and Madison not doing more than what the script asked.

Was Elaine uncomfortable with Jiara scenes?

Yes, and she has been since s2. It got worse during s3 and obviously s4. That was part of the conflict.

What is the Rudy and Madison Drama?

Obviously what happened between them is private. It wasn’t the fans. The fans were more so the catalyst to something that had been brewing. 

It is true that the girlfriends are involved and that they weren’t happy. Madison hurt Rudy, but not by being a bully. It was emotionally. The feeling was then returned on his end and it just got worse from there. It didn’t help when the girlfriends and fans were involved. It is true that it’s not a coincidence this happened when they both got involved with relationships. Most of you have speculated correctly, that is all I will say. I think you know by now what I’m trying to say.

Also when I say fans, I don’t mean the “shipping.” They never cared about that. What I do mean is that all this drama happened when Jiara fans were at their peak. Them wanting to see those characters together put Rudy and Madison in a problematic situation because they knew they couldn’t avoid each other on screen. Instead they just did so off screen.

Should the Writers/ Directors/ Producers stepped in?

Yes, but what I need you guys to understand is that these writers were basically father figures to those actors. They watched them grow their careers, supported them, made them who they are now. It’s hard when you spent so much time with each other and became a genuine family. Even their conflict with Elaine was hard because Jonas knew her family, his wife treated her like a daughter, and lilah treated her like a sister. They had every right to be bitter because from their POV, it’s basically like “hey I trusted you to bring my project to life and now I’m being forced to go in a direction I never wanted to go in.”

What’s going on behind the scenes right now?

A mess. They knew it would be bad but infact it is worse and they know that.

Am I reliable?

Honestly I don’t care if you believe me or not. You didn’t before and I got attacked (literal death threats in my inbox). I’m just a messenger. I’ve given you info before and clearly I didn’t lie about it. It’s up to you to decide.

[aryesdanger24]

Can I just say that I love how many layers there are surrounding Sevika and her change towards Jinx....because...

1. Sevika misses Silco (perhaps it was the stable chaos or something to do to stop thinking of the suffering. Perhaps she truly likes to protects things in her own way.) It shows in the way she is not utterly messing up the Chem Barons, it's because she misses not making every decision.

2. Jinx is the mess Silco left her, the last one.

She is what is left of his legacy and it is the last thing that ties her to him since as she said "everything he made has crumbled, everything they built" but Jinx is still there, a testament of his life. One who mirrors Silco in his chaotic wish for stability where he finally is in control. Jinx is the opposite of Silco yet the same, she is fighting against topside (her sister who betrayed her) much like Silco but where he needed manpower, Jinx needs mental support.

Jinx needs control like Silco to balance her mental health to create a peace of mind under the sheer power of her own mental trauma. Sevika is what Silco created and she intends to make sure his legacy lives.

3. Sevika finally sees what Silco saw in Jinx.

She could see it when Jinx, without needing to, gave her a literal helping hand. Improved it even to mirror the new era of chaos the undercity is brewing.

When Jinx said it was because she could fix something, it shows a vulnerability and a strength to grow. It shows that Jinx has matured and Sevika is recognizing that Jinx won't always be the bratty psychopath whom she couldn't understand anymore. That, like Silco, there are layers underneath it, a loyalty much like Sevika's to the footprints left behind by Silco.

4. Sevika enjoys serving others.

It shows in the way she states her allegiance even if she disagrees.

She seems to need to not be completely alone, perhaps she has alcohol problems or a deep festering brain that rambles or just something that won't leave her be. She likes to be in control with someone she deems weaker (thus why she traded Vander for Silco) she doesn't follow weak people, but that's the thing. She follows, she never leads even when she is the oldest between Jinx and the little girl Isha. She prefers to help someone than hold the responsibility and all the irritating moralistic choices. (Which is why I believe she doesn't like to think much by herself).

So yeah.... I really enjoy this new Sevika changing arc happening, but it's more or less just showing how deep these layers go will be more interesting because I don't think she even realizes how much she has feelings because they are veiled beneath the word 'loyalty' for her.

Curious to see how deep the change runs but God I love a buff queen.

[vindieselsfacebook-blog]

Omg I was positively foaming at the mouth reading this - thank you for sharing! As the self-proclaimed no. 1 AYITL defender, you're beautifully articulating so many of my opinions, too. I must chime in with some thoughts of my own:

I agree that it feels cozy and comfortable for me, too! It was never going to look as gorgeous as the early seasons filmed traditionally with Michael A. Price at the helm as cinematographer, but the colors and lighting are so much richer and beautiful than S6-7. I think a lot of people bristle at all the cold blues in the first episode, but babes, it's Winter - that's the point??? Fall is stunning. The sets look more expensive and lived-in than a lot of the original series does. On a cozy Sunday night, the episodes I most think about turning on for comfort-watching are the pilot, the last 3 in S4, sometimes the last 3 in S7, and AYITL!

AYITL has SO much gratifying closure and growth - I haaate when fans say they hate it because it feels like no one has grown and they've just been immaturely frozen in time. That's the point! They finally are!!! Wouldn't you prefer seeing that to being told it happened off-screen years ago?

I think the only thing I really disagree with you on is your more pessimistic takes on Lorelai and Rory, but especially Rory. "Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family." I totally disagree with this. I think Rory is a chronic people-pleaser with shaky self-esteem. Her family thinks the world of her and she often really struggles with the weight of those expectations. She's expected to succeed where Lorelai failed not just to justify Lorelai's entire life's ambitions, but heal her grandparents' wounds, too. Her father left her and shows little to no interest in her. Her paternal grandparents tell her to her face she's a disappointing mistake that ruined lives. It's not that she has no idea how to deal with not getting what she wants, but she has no idea how to deal with failure when she was doing all she thought she had to to succeed. She's a list-maker, a studier, a rule-follower - when things don't follow her obsessively planned plan, she melts down. Her worst decisions are made when she finally explodes after bottling up her emotions. People often say Rory never suffers consequences but that also isn't true? Headmaster Charleston enforces rules and punishments on her multiple times in S1 and nothing is simply handed to her at Chilton. She really struggles those first few episodes. Dean publicly breaks up with her and calls her out on her shit with Jess. She flounders her first year at Yale struggling to get her articles published then having to drop a class because she can't keep up. She tries to date and has a tough time connecting with people. Mitchum is an asshole to her and makes her doubt her entire career path. She doesn't get the NYT fellowship. The list of Rory's struggles, failures, and consequences go on and on. I really don't get why people seem to gloss over them? Because her mother loves her and believes in her in spite of these things...? Why do women in fiction seemingly have to "earn" love and support?

"Rory’s life rhymes with Lorelai’s." Obsessed with this line - what a beautiful way to put it!

I've truly never thought of a what a perfect metaphor coffee is for Lorelai's vices. You're soo right and it's soo good! Having Luke be the provider of her favorite coffee is also just *chef's kiss*

One of my favorite parts of AYITL is Lorelai redirecting Richard's inheritance from Luke's business to hers. In contrast to her begging for the tuition money in the pilot, this time feels like an empowered decision. Her dad wanted Luke to expand his business because he felt like his daughter's partner should be taking care of her. She says no, I'm the one taking care of myself and expanding my own empire - I don't need my husband to do that for me and I can honor my father's legacy myself. :')

Just to nit-pick, I must remind that Lorelai never "refused" to expand the Dragonfly - she literally couldn't and I think that added to her feelings of frustration and being stuck in place. There was no space at the existing building, protected wetlands preventing expansion, and she couldn't afford another property until she thought to use the money from Richard. Also, as symbolic as it would've been, the Dragonfly Annex isn't the Twickham House. Kind of glad tbh as I always found the Twickham House ugly as hell lol. I hate that storyline for multiple reasons, but the top is that it feels sooo not like Luke or Lorelai???

I'd love to defend Gilmore Girls: A Year In The Life for a minute (I don't usually make long posts and may delete this later for that reason) because I feel like writing something inconsequential.

Other people get lots of comfort watching the original show (especially in the fall). I feel cozier watching AYITL. The characters are much older; the dizzy, flighty, still-growing-up feelings for Lorelai and Rory have faded, and it's full of moments that make it clear that certain things in their lives are definitely always going to be there. Constants. Luke, Stars Hollow, family, Kirk, Taylor, the changing of the seasons. Now - for my defense. (I'm rambling.)

Okay, many, many people don't like the revival. I understand. It's different in a lot of ways from the original show, and lots of expectations were not met. When I first saw it, it threw me too. But I didn't dislike it. In fact, the more I rewatched it, the more I thought it was almost better than the first show. The leading ladies are not flashy young stars anymore - Rory is Lorelai's age when the OG show first began, and Lorelai is gracefully and fabulously careening toward grandma times with all her wit and charm, all her most comfy habits, and it makes me want to hang out with her more than Season 1 of the show ever did. And I think the fact that ASP came back to write for these characters again and end it on her terms, at last, was an absolute win, and I love how she did it because it fixed so many things I thought were wrong in the show.

Lorelai is self-centered, terrified of commitment, and has no idea how to put others before herself and not run away during the hard times - unless something involves Rory.

Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family.

Emily is self-centered, desperate to be in control, and finds her worth in what other people think, in how things look, and that includes what Richard thinks.

In the show, Lorelai has moments where she learns to stay and learns to put other people who are not Rory before herself. Those moments don't last. She definitely has good intentions, but they're all conditional. She only has good intentions up to a point - and that point is usually when someone or something threatens her happiness and feeling of safety, or Rory's happiness and feelings of safety (understandable; that's her child).

In the show, Rory is told she is the sweetest kid in the whole world. Rory is told she'd never do anything to hurt anybody. Rory is told she's special, she's smarter than her peers, she's not like other girls. Rory 100% believes that. She also probably has a bit of a problem with living up to that image - she wants to be all of those things, and thinks she is, and can't handle it when it seems like people think she's not. (That may or may not have something to do with Christopher, who always had somewhere more important to be, or with Lorelai, who was so cool and strong and sure of Rory.)

And the show has moments, too, where Lorelai has to face the music and see that she's screwed up or is hurting someone with her behavior (Max, Chris, Luke, Jason, Emily, Richard, Sookie), but very very often, Lorelai breezes her way through that music and keeps moving, and flits to the next thing or person that will make her happy, because she does not know how to stay and stand and fix what she's broken. Because it only matters if she is happy and if Rory is happy. (The same thing goes for Rory in the show - consequences come, but Rory rarely has to properly deal with them herself. She is coddled and propped up the whole way.)

Now, to my point!

I watched AYITL and noticed something was different right away. Lorelai is with Luke (she should be), who is the opposite of her - constant, loyal, selfless, determined to stay no matter how hard things get. But they're not married. Lorelai is scared to really commit, and marriage is one of the hardest things you can commit to - ever. And Lorelai is not happy. Rory, for her part, is not perfectly settled as a reporter or a journalist or any of the things she was always told she could be. And she's not happy. And Emily, bless her, has lost her husband and her false sense of control is spinning away, and of course, she is not happy.

And A Year In The Life takes the show's clumsy half-arc of these three Gilmore women and perfectly completes it.

Lorelai's fear of commitment and habit of bolting when things get hard drives her to push every new chef out of the Dragonfly, refuse to expand the inn to better accommodate Michel's needs, shun Rory's tell-all of her past mistakes, shame Richard at his funeral and break Emily's heart, and worst of all, nearly wreck the closest thing to a proper relationship she's ever had: the one she has with Luke. She can't face that she misses her father, loved her father, and that maybe her mother is right about her relationship status. She can't face that people might read Rory's writing and see all her flaws and all her mistakes growing up in printed ink, and she can't run from that. And when Rory insists, Lorelai cuts ties. Lorelai has spent years avoiding marriage with Luke. She has spent years hurting her mother in an effort to defend herself at all costs. And she has spent years ensuring the Dragonfly Inn is exactly what she wants it to be; because changing it would be uncomfortable, and as a result, she won't commit to a new chef, she won't expand, and she's about to lose Michel the way she lost Sookie.

Rory's bubble of self-centeredness and assurance that she's special is popped with the needle of reality at last: she is not special. She's a young woman who has to actually work hard to find a job and make some money, like everyone her age. She is talented and she is smart, but she's not God's gift to journalism, and people keep saying no, and people keep asking her to prove her skills and her merit, and she doesn't know how to deal with that because everyone has always told her she can do anything she wants and she's the best. She wants a distinguished career and can't find anyone who will take her on; she tries to write for a raging batty feminist (hello Alex Kingston I love your work) and that goes sideways; she wants Logan Huntzberger but she turned down his proposal and now he's engaged and it has to be a secret; she wants somewhere to live - just not Stars Hollow because she's better than the thirty-somethings stuck back home. She wants Lorelai to approve of her book and insists her mother give her this, as if Lorelai hasn't always given her whatever she could. And when Lorelai says no, Rory does what she wants anyway and almost fractures their relationship over it.

Emily's control is completely gone - she can't control her emotions, she can't control her tongue, she can't control her maid or her maid's handy family, she can't even control a stupid painting of her late husband. She's on a downward spiral and her anchor is dead. She tries to regain a sense of worth, because surely that will bring happiness back. She tries to gain it from how many possessions she has, that doesn't work. She tries to gain it from Jack, who is not well-suited to her but he makes a matching accessory to the life other people will see. That doesn’t work. She tries to gain it from therapy with Lorelai, control her daughter at last, that doesn't work. She tries to control Richard's headstone, that doesn't work. She even tries to find solace with her beloved D.A.R, and she finds that emptiest of all.

A Year In The Life has these women finally face their flaws head-on and grow. The way characters should.

Rory: Rory is confronted with the fact that she is not special and has to move home like everyone else her age and get a job she does not want, because that's life, and that's what everyone else has to do in the real world. And when she's at her lowest, pouting, she gets advice from someone who has faced his own flaws long ago and has grown and who knows her at her best, and encourages her to get up and work hard (Jess Mariano, ladies and gentlemen). And she does. Rory hits bottom and takes Jess's advice and works at understanding her mother, who is not perfect, and even goes to interview her father, who is also not perfect. She fights with Lorelai over the book and insists on her own way, and when Lorelai refuses, Rory can only blame herself. She has a rabble-rousing night with her LaDB boys and winds up sleeping with Logan in one more bubble of fantasy, one more umbrella-jump of escapism, like the old days, because Logan is her weakness. And when she wakes up the next morning, Rory turns and walks away from Logan and the affair and her insistence on having what she wants regardless of who she hurts (hello, Dean Forrester and her affinity for taking spoken-for men) for the final time. And the consequences of her desires? She’s pregnant. (Come on, we all know the baby is Logan’s; Rory’s life rhymes with Lorelai’s.) She goes to Christopher to interview him for the book and is subtly asking her father why he wasn’t in her life, because she needs to know what to do with her baby and her lover. She didn’t go to Lorelai to figure that out. She went to her dad, because the truth is, Rory didn’t have her father, and part of dealing with the consequences of her actions is to work out how to take care of this baby and whether or not that means involving the father. She’s owning up. She goes to Lorelai and offers to give up this book; she doesn’t make excuses or whine, she wrote the book anyway because she believes in it, but when she’s gotten three chapters in, she respectfully goes to her mother and asks her to read it and then, for the sake of Lorelai, not herself, Rory promises to quit and throw the book out if Lorelai does not approve. Because Lorelai is more important to her than herself. Rory has worked hard and made mistakes and gotten pregnant and she has stared the world in the eyes and seen she’s not special. And she has to deal with that. And she does, finally, deal with it. And she’s happy.

Emily: Emily is confronted with the fact that nothing is inside her control—except what she does. Worth does not come from what she owns or who she’s with or what she’s wearing, and it didn’t come from her marriage, either. That wasn’t why she married Richard anyway. She is miserable and alone, and part of that is her fault. She married Richard because she loved him, and she keeps coming back to Lorelai because she loves her, and she opens up her house to Rory when Rory needs a place to write because she loves her. Emily looks around at what she has and recognizes what has worth and what doesn’t, maybe for the first time, with clear vision. She recognizes that she can’t control everything. At first, that fact keeps her down. She forgets what day it is, the curtains are closed, and she doesn’t get up in the morning. No Richard, no Lorelai, no reason to move. And then Lorelai calls her, and tells her about who Richard was and what Richard did and how it mattered, and that inspires Emily. She can get up. She buys a place on Cape Cod, totally opposite of the sort of life everyone admires and expects to have worth, and she does what she’s really always been best at—she loves. She takes care. She took care of Richard, she took care of Lorelai and Rory when they needed it, and she takes care of Berta and her wonderful family, instead of having a maid take care of her needs. She packs up and moves out, she sends Jack away, she reveals the D.A.R. for what it is and quits them forever, and she takes a job at a whaling museum because she just likes it. It’s nothing fancy, and neither is her oceanic house or the music she plays in it or the clothing she wears, because none of that is worth anything anyway. Her family is. Her friends are. She gets the painting of Richard done right and brings it with her, and she gives up attempting control of everything and only takes control of how she behaves. She gives Lorelai what Lorelai needs for the Dragonfly, and her only stipulation is that she gets to spend more time with her daughter and Luke. She loves, she takes care of others, she helps. And she’s happy. And now, the best for last. The star.

Lorelai: Lorelai sits in that stupid Stars Hollow Musical and hears a song that perfectly describes her problem—it’s never or now. Make a commitment. Do something hard. Make your life about something other than your momentary present happiness and comfort, the way you do with just Rory, sometimes, but make it a permanent change. Make change permanent! Don’t run away! …And then she runs away. She’s been miserable, she’s hit bottom, like her mother before her and her daughter after her. She’s losing friends, she’s losing Luke, she’s losing Emily, she’s losing Rory over the manuscript, and it’s all her fault. Lorelai tries to breeze past it. She does Wild. She does what she’s never done before, she does something hard and uncomfortable, but she does it for herself, and therefore it doesn’t quite work. She tries to hike, Dipper Pines won’t let her hike, she meets other women her age who think this hike is gonna fix things, it doesn’t, and she gives up and goes to get coffee because that’s her go-to. (Coffee is speedy, bad for you, and only a temporary rush—kind of everything Lorelai clings to, actually.) But the coffee shop is closed, and when Lorelai is denied that allegorical Band Aid, she goes around back and sees a great view and finally finds clarity. She didn’t need the hike—she needed to think. She needed a moment of silence and introspection to gain the insane courage to finally stop moving, stick around, and face her fears. To put her eyes on herself and then take her eyes off herself and onto other people—namely the people she loves. Lorelai calls Emily and cries, because it’s hard to do this, it hurts, but with one story, she proves she loved her father, and she knows her father loved her, and the fact that she’s calling shows that she knows Emily loves her too, and she loves Emily, and has loved them both all along. It gives Emily the strength she needs to get out of bed. That was hard, but Lorelai did it. And now she’s going to do more hard things—she’s going to commit. It’s never or now, and Lorelai chooses now. She goes home and the first thing she does is propose to Luke and become Lorelai Danes overnight. Hard. Scary. Just right. She patches things up with her daughter, and chooses Rory over herself—for the hundredth time, yes, but when it’s at its hardest for her to do. “I’ll read it when it’s done.” Lorelai expands the Dragonfly using one of the biggest monuments to her fear of commitment – the Twickham House. She goes to Emily for help, which is also super hard, but this time it’s not for Rory – it’s for her, and it’s for Michel, and it’s for the Dragonfly. And she accepts Emily’s affectionate terms. Lorelai chooses Rory, Luke, Emily, and Michel over herself, and commits, and she doesn’t run away. And she’s happy.

And all of it is earned. Finally earned.

I could talk more about the incredible writing, about ASP at her best, about the perfect themes and scenery and the very intentional end to Paris, Lane, Kirk, Taylor, Dean, Jess, Logan, Chris, and the general cast’s stories, but I’ve already rambled for too long.

Suffice it to say: A Year in the Life is my Gilmore Girls. It’s best version of the story. I think it was expertly done. Not perfect, but an ending that was earned.

[t4tdanvis]

i love my rewrite because its just

aphmau: yay! i convinced my mom to let me go to public school!

the universe: yo watch this shit *does a sick kickflip and causes a billion different things to happen because of aph

[exopelagic]

i said i wouldn’t do it this time but it’s 3am and mods asleep. boy

[booasaur]

Something really amazing happened in France, and I think it'd help us in the US to learn about it. Forgive the long read, but I think this is genuinely great both because of what happened and how.

So as some of you might have seen, in a decision historians will debate for years (mostly to figure out just WTF he was thinking, even though he is alive right now and can be asked), the French president, Emmanuel Macron, currently in power and THREE YEARS before the scheduled election, seeing the far right rise in popularity decided to dissolve the assembly and hold snap elections.

577 seats were up for grabs. Remember that number. Since half of that is 288.5, 289 seats are needed for a majority.

The first round happened last week and boy, was it bad. The far right made HUGE gains. It won or was in first place in so many races. And Macron's party ended up third!

Overall, this is how things ended up after the first round:

Far right bloc: 33%

Left bloc: 28%

Macron's centrist party: 20%

Conservatives: 7%

The way the French system works is that if a candidate gets over 50% of the vote, they win outright, and some of the far right did manage that. But, many races went to a runoff.

Immediate projections after were that the far right bloc might win anywhere from 240 to 310 seats, a catastrophe.

A shameful swing to the far right leading to the first time they'll be in power since the 1940s? Yes, but maybe not??

This is where things get interesting.

Unusually, a lot of these runoffs are 3-way, instead of a simpler 2-way choice. And in pretty much every case, that helps the far right.

So on June 30th, the night of the first round, this is how things went down:

Immediately, the left parties put out the call: anywhere they were third, they withdrew and their voters would go over to whoever was running against the far right candidate. Their goal: form a "republican front" to block the far right. The far right cannot get 289 seats.

Macron's bloc was not so...motivated. Different people put out different instructions: in some places, if they were third, they should drop out, but only to help the center left, not far left, in other places, see how far you are, only then drop out, that kind of thing.

The conservative party simply said they won't drop out and won't give their voters instruction either way in races they're not involved in.

Late night developments:

More people in Macron's party are now beginning to realize the situation and starting to coalesce around whichever candidate can beat the far right one. Prime Minister Gabriel Attal, from Macron's party, says clearly the priority is to block the far right. BUT, some Macron spokespeople on TV say they'll form a coalition only with the center left and conservatives, splitting the left bloc if needed. Some individual Macronists still saying they won't drop out, even if there's no hope of winning.

Lol.

So, now July 1st:

Only half so far. In one race, where the sister of Marine Le Pen (the far right leader and the face of their movement) was leading, the third place Macronist refused to bow out.

Excellent quote from another Macronist:

Perhaps realizing the same thing, that Macronist in the race against the Le Pen sister now drops out.

In some places, third place Macronists are dropping out DESPITE Macron bewilderingly telling them NOT to?

Halfway through the day:

Of the 311 3-way or 4-way runoffs, the number is down to 135 because of these candidates dropping out: 121 Left, 56 Macronists, 1 conservative.

Oh, there was this, in case people had any doubts about how terrible the far right are:

And to show the selflessness of the left:

July 2:

The deadline to decide if they want to stay in a runoff is today.

A dozen new third place Macronists who said they'd stay in have now dropped out. One got a call from both the PM Attal AND Macron to drop out, signalling the dawning understanding of the importance of this moment.

Even some conservative party members are now backing the left candidate who faces the far right.

A Macronist who had 30.55% of the vote in the first round and came in third to the far right's 33.11% and left's 32.73% and who would have been tempted to stay has dropped out.

The deadline to stay in or not has now passed.

Look at these far right shenanigans!

Macron still being a freaking loser:

July 3rd:

In the end, of the 311 3- or 4-way run offs, only 91 left. Some polls come out that have the far right getting between 190 to 220 seats.

July 4th:

New polls say the balance of the voting itself isn't transferring between the left and center and predictions have risen for the far right, now predicted to get between 210 and 250 seats.

July 5th:

New polls again, left voters now predicted to do better transferring vote to the centrists, decreasing the far right projections again.

However, scandalous reporting emerges: while Attal was trying to fend off the far right, Macron was not only NOT taking the far right seriously, he was undermining efforts to defeat them. His team shrugged off the first round results and celebrated a BIRTHDAY as the results were still coming in?

July 6th:

A few runoffs happened yesterday, nothing much unexpected, some left and center wins.

July 7th:

The day of reckoning. At this point, the expectations are that the far right won't come close to that 289 number but could still easily have the most seats.

GUYS.

It's over and the left are in the lead!

A LOT of cases where a leftist or centrist was 2nd in the first round and now won.

Amazing:

SO many lessons to take from this.

First, you have to vote! You have to. You can't do anything without voting. The freaking French, who'll protest for anything, are showing up to vote. If you're trying to achieve any kind of result and it's not going to happen by January 2025, you have to vote now.

But just as importantly, the left and center (and even conservative) parties made very key decisions. They were all lucky that Attal, who Macron chose, saw the big picture, bigger than indeed Macron could. A stupid selfish centrist leader could have still ruined everything if it were up to him.

TL;DR: After a disastrous first round in the national French elections where the far right was on the cusp of taking power, the left and center formed a strong coalition and through the power of voting and unity, overcame the far right AND their selfish centrist president to win.

[xjulixred45x]

I could't contain myself guys sorry--

Bro, do you realize how scary it would be to have Vox as a Yandere?

just imagine it. You could be one of his workers, maybe too good at your job, because not only do you do what Vox tells you without asking questions, but you also know what to say and what not to say to avoid a "tantrum" from him. or rather, when his insecurities attack with force like when Alastor returns.

Vox would probably be a somewhat condescending yandere (as seen with Val) but don't think you can't turn tables easily, if you stroke his ego enough, you can have him around your finger. but that doesn't make it any less dangerous for those around you.

He makes the typical 180 degree turn in attitude when it comes to Other Employees and when it comes to You. Damn, you may be the only one of his employees who gets paid vacations (or even vacations) or even birthday bonuses, things like that. He likes to give you his things or products with the excuse that "they are for testing" even if they have already been released on the market.

Like:

Vox: who the fuck eat My leftovers!?! WHENEVER WHO WAS I'M GOING TO-

Darling: it was me sir.

Vox:--give You the rest and take You out for lunch, You haven't eaten in the whole day AGAIN, didn't ya?

He definitely avoids conflict with you by hypnotizing you, when he starts to feel hostility, fear on your part or that you want to leave, he makes you "out of nowhere" have "ONE MORE TASK" and you can't help but do what he says.

and IT IS NOT just to avoid fights or for you to leave, it is something CONSTANT (once every two days MINIMUM), although Vox is not worried about your brain turning into mush due to its powers, it always keeps nutritious things in your diet and they come out relatively often , as you have to follow him everywhere.

Eventually he becomes more clingy and needy in this case, it's practically not that he's proposing to you or anything, he's just slowly dragging you into a relationship without you realizing it (because you're not lucid enough). Unless you develop a higher level of tolerance to his hypotonic trick, I don't think you'll notice his Red Flags.

I think it would be ESPECIALLY BAD if Darling is also a Sinner, because then they wouldn't even be able to get out of the pride ring to run away from Vox. leaving you with many fewer options and having to avoid all of Vox's technology, which you could only achieve by 1- going to the Cannibal Legion or 2- going to the Hazbin Hotel.

Running away is EXTREMELY DIFFICULT, not only because of his hypnotic trick, but because he literally has EYES EVERYWHERE, on every screen in hell. If you somehow manage to get away with it and run away, Vox would be SO ANGRY and looking for you all over hell with their screens.

Although definitely if you were gone more than a day, he would be more distraught than angry and would begin to despair. Even Val and Velvet would give him a hand because of how bad it would be.

Just imagine, thinking that you finally lost sight of Vox's search drones, without realizing that you stand in front of some store and VOX ITSELF appears on the screens :)

If you made the stupid decision to go to the Hazbin Hotel, Vox would be distraught and would even think that Alastor was somehow holding you hostage, obviously! Why would you go there if you knew his biggest enemy was there? Alastor must be using you as a bargaining chip! How dare he!?

(in this case, fortunately, the punishment is much less severe, but he would definitely monitor you for the rest of your life)

When he eventually gets you back (after a few days or even WEEKS of anguish) expect, first of all, to be in a mortal embrace that lasts AT LEAST 2 days and then receive your "punishment" which would be to be under hypnosis for AT LEAST 1 YEAR to be sure that this NEVER HAPPENS AGAIN.

Although calm down! He gives your mind breaks periodically because 1- he doesn't know if that would ultimate mess with your head and 2- it's nice to hear YOU talk instead of the robotic version.

When that year FINALLY ends, you will be a much more obedient, more terrified, sweeter version of You, according to Vox, like a frightened Deer. It was a long and hard process, but the good thing is that you don't have to do anything anymore! absolutely! Just do what he tells you and everything will be fine.

Shares, reblogs and comments are very welcome!

Not one of the Best yanderes to have, but Def not the worst

[distantdarlings]

HIS OWN MEDICINE // t. nott

RATING: R / 3.6K WORDS

Theodore Nott x Fem Reader Insert

+ SUMMARY - *Requested, based on this* Your best friend, Pansy Parkinson, suggests fixing your boyfriend’s flirting problem by giving him a taste of his own medicine.

+ WARNINGS - SMUT! (P in v) Unprotected, spanking, top!theo, bottom!reader, fem!reader, mean dom, innocent reader?, degradation, name-calling, weird authoritative thing going on with Theo (idk), one (1) use of ‘daddy,’ mild breeding kink, flirting while in relationship, jealousy, not fully proof-read (lmk if I missed any!)

+ MUSIC (listened to while writing) -

nobody - Toby Mai

- - -

“I don’t want to hear another fucking excuse, Theo!” you screamed, rage flushing your cheeks. It took everything in you not to strangle him right now.

After the third time catching him flirting with another girl, you were ready to walk again. You weren’t even sure how many times you’d broken up with him, and how many times he’d broken up with you.

But you were about to add another time.

“Please, baby, you know it’s not what you think,” he begged, trying to grab your hands. “She’s just a friend—we were just chatting.”

“Usually, you can chat with people without your hands wrapped around them! You seemed pretty fucking cozy with her!”

“Baby, come on…,” he cooed, trying to press some kisses to your fingers. Angry, you yanked your hand out of his grasp and tore out of the room. You heard the door slam behind you and ignored the gasps of shock as you shoved through a group of students moving in a unit down the hallway.

You could hardly stand that stupid man right now. If you saw his face again within the next 48 hours, you would punch him.

As you flew down the steps of the Slytherin dormitories and toward the mostly empty common room, you nearly knocked a petite woman over.

The two of you crashed into each other and grunted on impact.

“Watch where you’re going—Merlin! What are you doing down here, honey? Are you crying?”

It was Pansy, one of your best friends in the entire world. Though the tears had been pooling in your eyes since you stormed out of Theo’s dorm, her question had pushed you over the edge. An angry sob left your lips.

“Oh no! What happened?” she cried, wrapping you up in her small frame. Shamelessly, you wept into the folds of her robes. She smelled comforting, like home and daisies. You could hardly hold back the tears that poured down your cheeks.

“It’s Theo!” you gasped. “I broke up with him again!”

“Oh…again?” You could practically hear her rolling her eyes. “What did he do this time?”

“He was rubbing up on that stupid Gryffindor girl from last time—laughing and going on! I hate him! I never want to see him again!”

“Why do you let this keep happening?” she asked nonchalantly, patting your head soothingly.

“Me?” you scoffed. “He’s flirting with other girls!”

“Okay, but…you also keep getting back together with him,” she shrugged.

You pulled away from her and glared a bit. You knew your decision-making on the love aspect of things had never been terrific, but you couldn’t help it. Theo was so good to you (besides the flirting thing).

You had tried to rationalize it repeatedly, telling yourself he was just a friendly guy, but he never acted that way to other guys—only girls. And you’d realized your rationalization was stupid. And that he was just flirting.

“Listen,” she started again. “I get it more than anyone else. Theo’s very hard to resist—I’m just saying he’s attractive!” She quickly rushed to defend her words because, after all, though you and Theo were “broken up” right now, you’d likely be back together before the end of the week. That’s how pathetic you were.

“If you don’t want to break up with him, how about you talk about it with him,” she suggested. “You need to sit him down, get stern with him, and tell him that he’s not going to talk to these girls the way he is anymore.”

“I’ve tried that already, Pans! I practically scream in his face every time he does this shit!”

There was a moment of silence while the both of you seemed to mull the issue over.

“Well, then, how about we try something else?” Pansy said, her eyes glinting mysteriously. Your shuddering breaths paused for a moment as you looked up at her. Whatever she was planning couldn’t be good just by the look on her face.

“Er, what do you mean?” you asked, a bit of anxiety creeping up the back of your neck.

“If you can’t get him to stop in your own way…maybe it’s time to give him a taste of his own medicine.” She smirked wildly, her eyebrows rising above her bangs.

“You don’t mean—? Oh, no! No, Pansy! I’m not doing that. I can’t do that when I’ve shouted at him for doing it for so long!”

“Exactly,” she said. “You’ve asked him to stop repeatedly, but he’s not interested in discussion. He needs a threat.”

Despite the growing burning in the pit of your stomach urging you to accept her suggestion, you still felt horrible even considering it. Theo had never cheated on you; you just felt as though he was too friendly with other girls. But maybe Pansy was right. Maybe he wouldn’t understand how frustrating it was until he experienced it himself. It wasn’t like you were going to actually cheat on him. Maybe you could just talk to one of his friends and pretend to flirt. Just a little bit.

With the end of your free period growing closer, you decided you would make Theo jealous at dinner. You just had to decide who you would select to help with your antics.

***

Your eyes surveyed the Great Hall, flashing back and forth across the immense tables. Familiar faces glanced back at you in passing, their eyes aimlessly wandering as well. You couldn’t help but smirk just a bit, knowing your plans. Poor Theo had no idea what he was in for.

After weighing your options for a few minutes, you finally decided that if you really wanted to get to Theo, you needed to hit close to home—too close to home.

Your eyes locked on a familiar face you had often stared at, even before you got together with Theo. Mattheo Riddle.

A dark, brooding masterpiece of a boy. Truly, someone you’d be fawning over if you weren’t currently with Theo. But, saying that sounded like a broken record, considering how many girls and boys begged Mattheo for a second glance. You watched him closely, observing for a few moments.

His dark was clenched just a bit as he ran long fingers through his raven curls. It was entirely too much for you to watch…just looking at him had a bit of heat pooling in your stomach.

You couldn’t lie. In the few moments you’d forgotten about Theo and planned to make him jealous, the rose-colored glasses had come off, and the dark green ones had slipped over your eyes. Your chest was pounding, and it wasn’t for Theo at this very moment.

A prick of courage coursed through your veins and with a deep breath, you were moving quickly toward your target.

Enzo, Theo, and Mattheo sat at the edge of the Slytherin table closest to the Great Hall’s entrance. They gathered around each other, snacking and laughing. Mattheo sat on the table with his feet settled on the bench, Enzo sat just next to his legs on the bench, and Theo sat opposite Enzo. Maybe it was cheesy, but even Mattheo’s small rebellion of sitting on the table rather than the bench was calling your name. To not sound like every Gryffindor currently drooling over Mattheo, he really did have the perfect bad-boy vibe. He was like a sexy Muggle film.

Mattheo’s legs were spread with his elbows settled on his thighs—a dominating posture. His robe was settled over the edge of the table, and his tie was loosened, exposing a sliver of bronze chest and a singular chain dangling beneath the collar of his shirt. Merlin, this was sinful.

Theo caught your eyes and smiled brightly. He waved you over. That particular movement snagged the attention of Mattheo and Enzo—both of whom found your eyes and smiled in return. Maybe you were over-confident, but you could have sworn Mattheo had looked you slowly up and down as you approached.

Granted, you had changed up your outfit before coming to dinner. It was simple, but you were sure it’d get the job done with how it framed your figure and dipped down your chest. Your hair was styled, and Pansy had granted you her talent for makeup. You felt gorgeous, so you assumed you looked it.

Your wand was slid into the small decorative belt that came with the dress, and your hands were tightened behind your back in a sort of mock innocence. You smiled brightly, eyes only on Mattheo.

Completely ignoring Theo, you walked straight up to the two boys sitting before him. The both of them were looking you up and down now.

“Hey, Matty,” you giggled, stopping just before him. Smirking, he slid his arms around your waist and pulled you between his legs, your hips bumping against his core.

“Hey, baby,” he whispered. “You’re awfully bubbly this afternoon.” His voice vibrated against your ear, sending a violent chill down your back. You tried not to let your facade fall, but damn, he was good. You couldn’t tell if he was just playing along, seriously into it, or reading your mind. Who knew? Legilimency ran in his family.

“Baby?” Theo asked gently. You could just barely hear his voice past Mattheo’s warm body. “Matty?”

His poor, confused voice made your heart sink a little bit. You immediately felt bad. But this was for his own good. He was feeling what you felt every time he pulled this shit with other girls.

“I can’t help it,” you smiled. “I was excited to see you.”

“What the fuck? What did he do to get all the attention?” Enzo joked, smiling crookedly.

“Aw, but I was excited to see you too, sweetheart,” you cooed, leaning over Mattheo’s thigh to gently touch a finger to his chin.

“I think someone’s had a bit to drink,” Theo said sternly. You finally made eye contact with him. He was fuming. You swallowed nervously but ignored his threatening gaze. You were doing this for a reason.

“I’m completely sober, Theo,” you said blankly.

“You wanna go somewhere, mama,” Mattheo whispered against your cheek, his lips brushing your jawline. His arms were still wrapped tightly around your waist, his grip domineering and his scent overwhelming. Why did you want to say yes? Were you a bad person? You weren’t sure. This was a bad idea.

You giggled to avoid answering his question. Enzo’s eyebrow quirked at you before giving a glance to Theo.

“Well, I didn’t want to have to be the one to say this. But, personally, I feel that we are all close enough now to discuss these things.” Enzo nodded his head. “Have we truly ever considered the possibility of a foursome?”

Theo choked on his drink, Mattheo pretended to gag, and you gasped sharply.

“I’m just saying…it’s a valid question.”

“Enzo, shut up. Now.” Theo gripped his cup tightly, his knuckles bleeding white across his skin.

“Mattheo, take your fucking hands off of my girlfriend,” he said, turning to the man above you. “We need to fucking talk.”

His eyes never left yours as he pulled himself away from the table and walked toward the door. He didn’t even need to look back to know that you were trailing behind him with a half-defeated look on your face.

You were a bit frightened of the consequences of your actions, but you were certain that once you explained yourself, he’d be more understanding. You hoped.

Once the two of you were just past the doors of the Great Hall, Theo grasped your hand roughly, and, after being forced through a sickeningly tight tube with a loud suctioning sound, you were standing in Theo’s dormitory. You were a bit dizzy from Disapparating after not doing it for so long, but no amount of churning in your stomach could distract from the raging boy storming straight for you.

“What the fuck was that?” Theo shouted, forcing himself up against you. The pressure of his chest pushed you back up against the footboard’s bedpost. As the wood dug into your back, a gasp left your lips.

The way he looked down at you, fuming and jaw clenching, had you flushed ever so slightly. You didn’t know what it was, but his anger wasn’t pleasuring you as you thought.

An hour ago, you’d have assumed that you would feel amazing because of revenge. Not … something else.

“I was just…,” you trailed off, his eyes drilling holes through yours. Your hands wrapped around the bedpost behind you as you tried to make yourself as small as possible. “I wanted to make you jealous.”

His jaw ticked.

“You what?”

“I’m sorry,” you flinched at the volume of his words. “You’re always so friendly and touchy with all of your girl friends—I just wanted to make you feel the same way.”

“Feel what way?” he demanded.

“Jealous,” you whispered, embarrassed. Your eyes tore away from him and cast to the floor. Despite the confidence you’d had a few hours ago, you felt like the smallest woman in the world now.

“Jealous? You’re so pathetic,” he whispered, his voice suddenly soft and chiding. The word made a heat pool between your legs. Your lips parted in a silent gasp. You refused to look at him.

“Instead of just working through our argument earlier like adults, you thought it’d be a good idea to throw yourself on my friends to get a reaction out of me?”

“Well, when you say it like that—”

“Was it Pansy?”

“What?”

He sighed and clenched his jaw in frustration. “Did Pansy Parkinson put this stupid idea into your head?”

You looked down. You were too embarrassed to answer, but he knew. He scoffed and placed a surprisingly gentle finger beneath your chin. He tilted you up to look at him. His eyes were softer now.

“I know that Pansy is a bad influence on you, but you still have to be taught a lesson,” he murmured, his eyes ranging from soft and caring to lustful and mean.

“But, I–”

“Shut up,” he interrupted, voice stern as steel. “Don’t talk anymore, okay?”

Your lips snapped shut and, falling into an embarrassingly well-rehearsed routine, you nodded and forced yourself to keep eye contact with him. However, he had no issue doing so. His crystalline eyes never left your face except for one agonizing second when he dragged them down the length of your body.

You then forgot all of your previous endeavors and realized that Theo was going to have his way with you. He wasn’t more understanding, nor had you gotten your revenge. But none of that mattered right now. The heat pooling between your thighs had blurred all possible thoughts that might pass across your mind. The only thing you could see, smell, taste, hear, feel was Theo, Theo, Theo. You sucked in a shaky breath.

His fingers slid around your upper arms, pulling you closer to him. The way he touched you was gentle and slow—a precursor for the aggression that was to come.

“Turn around and bend over,” he whispered. His voice was nothing less than demanding. You couldn’t help but comply as if everything depended on your ability to follow his directions. Which, at this moment, it felt that way.

You turned and laid your torso across the length of his bed, tucking your arms beneath your chest. Your cheek lay against the satin comforter as your breath exited your body in short, shuddering pants.

“You deserve this,” he murmured. “You know you do.” His hands—so gentle—pushed themselves beneath the hem of your skirt. Your eyes clenched shut as your core pulsated in time with your rapid heartbeat.

The tips of his fingers caressed the curvature of your bare hips. With your intent to seduce, you’d figured you better dress the part as well as act it. For exactly that reason, you’d worn no bottoms beneath the tight dress. You could hear Theo inhale deeply as a single thumb slid over wettened, hot folds. You gasped sharply at the sensation.

“You wanted this,” he growled. Honestly, you hadn’t considered this as one of the outcomes of your little venture, but you wouldn’t deny what you currently wanted. With a whimper, you nodded your head and pushed your hips back against him.

A small grunt left his lips as your ass came into contact with his core, already engorged and pulsing, just as you were. You concealed a smirk. Perhaps it was the false persona you had put on this evening, but your confidence shone through the room like a lightbulb.

“Very well,” he sighed. “You’ll get exactly what you wanted, you pathetic slut. The only way you can get what you want is to show your ass in front of all my friends, huh? You couldn’t just fucking ask?” With each rhetorical question, he tore another piece of clothing from himself. His anger radiated off of him.

“My advice, love?” He rolled the fabric of your dress over your ass, allowing the cool air to bite at your core. “Next time…just fucking ask me to ruin this perfect cunt.” He pushed into you with a relieved groan.

The lack of any preparation had you biting into his comforter. Perhaps no foreplay was your punishment, but he felt too good for you to complain about it.

His hands gripped your hips like a vice as he pulled you back onto him at a sickening pace. He hit every spot inside of you with a bruising force, so hard that your face slid back and forth across his slick comforter. No matter how hard you tried, you couldn’t keep a hold on the surface. Theo’s rage-filled thrusts knocked you loose from any grip you gained on his sheets like it was nothing.

“If you ever pull something like that again, I swear to Merlin, I’ll beat the fuck out of any man who touches you,” he breathed through ragged thrusts. “I don’t care if it’s Mattheo or Enzo or some random guy—I’ll fucking kill him.”

His words pushed you closer and closer to the edge. Shamelessly, you moaned his name as if it were the last thing you’d ever say. He looked like a god behind you with his hair stuck to his forehead and his lips parted, his sweat circled the air, his name tasted perfect in your mouth, his moans were glorious, and he felt delicious inside you. Again, Theo was all you could see, smell, taste, hear, and feel.

“Yeah, baby? Does that feel good?” he whispered to you, taunting you endlessly. “Who fucks you like this, huh?”

“You,” you whined, your voice barely above a whisper.

“I couldn’t hear you, baby. It sounded like you said Enzo. Was that right?” he cruelly teased you. His hand came down hard across the brunt of your ass cheek. “That’s what you fucking get. Now, who fucks you like this?”

“You!” you tried again, desperate to feel your release.

“Mattheo? Oh, you’re really trying me today!” he shouted, bringing his hand down against you again. You yelped beneath the bite of his hand. You could practically already see the handprint forming across your skin.

Theo suddenly grabbed your hair roughly and pulled you against his body. Your back was pressed to his front, and his cock was hitting a devastating angle inside of you.

“Who fucks you like this, bitch?”

“You, Theo! Fuck, nobody makes me feel like this! Theo, Theo, Theo…,” your voice trailed off pathetically as he pounded into you with a force like no other. You wouldn’t be able to hold on for much longer.

One of his hands was wrapped around your stomach while the other remained tightly curled in your hair as he fucked up into you relentlessly. The coil in your stomach that only seemed to build when Theo handled you the way he did began to wind up in your stomach. Each thrust from the man behind you had it curling tighter and tighter, threatening to combust at any moment.

“Fuck, Theo, I’m gonna—”

“Yeah, baby? You’re gonna cum for me? Cum for me, baby…cum on my cock, sweetheart. Let me fill you up, darling. Please, baby, let me cum inside you. Make me a daddy, baby.”

And with those words, you were cumming against him harder than you ever had before. Honey spilled from you and coated his lower stomach and your thighs. The tension from your entire body locking up had Theo’s legs beginning to shake. Whispers of strained “fuck, fuck, fuck”s resonated throughout the room as Theo fucked himself through his orgasm. Just before you could protest at the overstimulation, he came into you, filling you up just as he had promised.

The feeling of every inch of his arousal overflowing from your core nearly made you needy all over again. You might've asked him for a round two if not for the overwhelming exhaustion that had just flooded your body.

Between the rapid pace he’d set and the abuse you’d taken from behind, the two of you were laid out. Both of you collapsed against his bed, chests rising and falling rapidly, beads of sweat dripping, eyes fluttering closed. You were sure you’d pass away if you attempted to move, so you laid completely still.

“How was that?” Theo asked, chuckling breathlessly. You refrained from rolling your eyes at his awkwardly-timed question.

“It was really good, you dummy,” you laughed, wiping a bit of sweat from your hairline.

“Good,” he whispered, rolling over to face you. “Because if you ever pull anything like that again, I’ll kill the man who touched you then I’ll fuck you in front of him.”

Merlin.

- - -

Tag List: @lilymurphy03 , @mypolicemanharryyy , @clairesjointshurt , @bunbunbl0gs , @acornacreacure, @niktwazny303, @thestarlithideout , @sarahskakskskskajakwwnwjw , @yhiiil, @ravenclawprincess33 , @xxrougefangxx , @thatblackthorn, @robinyx , @starsval , @jolly4holly , @blvebanisters , @chgrch, @abaker74 (If you would like to be added to the tag list, please shoot me a DM! Thanks!)

[reddpenn]

Something I love about writing fanfiction is that when canon drops an absolute dungheap of a writing decision, you do not have to just sit there and be disappointed about it. You have a whole world of interesting options.

1) Nothing here is salvageable. This plot point is a trash fire and it’s quickly setting the rest of the franchise ablaze. We as a fandom have elected to ignore it. It did not happen. I will write events as if they continued correctly.

2) Nothing here is salvageable, trashfire, etcetera, but let’s just play in the space for a moment. If we allow that fine, this incredibly stupid thing happened, can we mulch it down and grow something interesting from it? What led to things ending up so off the rails? Where do we go from here? What are the worldbuilding implications? I will dig deeply into this dungheap and make something worthwhile out of it.

3) There is the seed of a really good idea in here. The execution was garbage, but if it had been done differently, with better writing, with better pacing, with more thought and care and tact, it could have been golden. I will redo it, but better.

And there are many interesting combinations of correct/worthwhile/better! I love delving into this in my own writing, and seeing it in other people’s writing, because suddenly your fic is having a conversation with the original work. It’s transformative! It says something about what you personally loved and hated and took away from the story!

[carriesthewind]

Oh dear.

So as some of you may know, I love to point and laugh at bad legal arguments. And as fun as legal dumpster fires are when they are made by people who aren’t lawyers but think this whole “law” thing seems pretty simple, it’s even funnier when an actual, barred attorney is the person dumping gallons of kerosene into the dumpster.

And oh boy folks, do I have a fun ride for y’all today. Come with me on this journey, as we watch a lawyer climb into the dumpster and deliberately pour kerosene all over himself, while a judge holds a match over his head.

The court listener link is here, for those who want to grab a few bowls of popcorn and read along.

For those of you who don’t enjoy reading legal briefs for cases you aren’t involved with on your day off (I can’t relate), I will go through the highlights here. I will screenshot and/or paraphrase the relevant portion of the briefs, and include a brief explainer of what’s going on (and why it’s very bad, but also extremely funny). (Also, I’m not going to repeat this throughout the whole write-up, so for the record: any statements I make about how the law or legal system works is referring exclusively to the U.S. (And since this is a federal case, we are even more specifically looking at U.S. federal law.) Also, I don’t know how you could construe any of this to be legal advice, but just in case: none of this is, is intended to be, or should be taken as, legal advice.)

First, let’s get just a quick background on the case, to help us follow along. In brief, this is a civil tort suit for personal injury based on defendant’s (alleged) negligence. The plaintiff is suing the defendant (an airline), because he says that he was injured when a flight attendant struck his knee with a metal cart, and the airline was negligent in letting this happen. The airline filed a motion to dismiss on the grounds that there is an international treaty that imposes a time bar for when these kind of cases can be brought against an airline, and the plaintiff filed this case too many years after the incident.

The fun begins when the plaintiff’s attorney filed an opposition to the motion to dismiss. (So far, a good and normal thing to do.) The opposition argues that the claim is not time-barred because 1) the time bar was tolled by the defendant’s bankruptcy proceedings (that is, the timer for the time limitation was paused when the defendant was in bankruptcy, and started again afterwords), and 2) the treaty’s time limit doesn’t apply to this case because the case was filed in state court before the state statute of limitations expired, and the state court has concurrent jurisdiction over this kind of case.

I’m struggling a bit to succinctly explain the second reason, and there’s a reason for that.

You see, the whole opposition reads a bit…oddly.

This is how the opposition begins its argument, and it’s…weird. The basic principle is...mostly correct here, but the actual standard is that when reviewing a motion to dismiss for failure to state a claim (which is what the defendant filed) the court must draw all reasonable factual inferences in the plaintiff’s favor. But even then, you don’t just put that standard in your opposition. You cite to a case that lays out the standard.

Because that’s how courts and the law work. The courts don’t operate just based on vibes. They follow statutory law (laws made by legislature) and case law (the decisions made by courts interpreting what those laws mean). You don't just submit a filing saying, "here's what the law is," without citing some authority to demonstrate that the law is what you say (or are arguing) it is.

Again, this isn’t wrong (although I'm not sure what it means by new arguments?), but it’s weird! And part of the reason it’s weird is that it is irrelevant to the defendant’s motion to dismiss. The defendant filed a motion stating that based on the facts in the complaint, the plaintiff has not stated a claim based on which relief can be granted, because the complaint is time barred by a treaty. There is no reason for this language to be in the opposition. It’s almost like they just asked a chatbot what the legal standards are for a motion to dismiss for a failure to state a claim, and just copied the answer into their brief without bother to double-check it.

The opposition then cites a bunch of cases which it claims support its position. We will skip them for now, as the defendant will respond to those citations in its reply brief.

The last thing in the brief is the signature of the lawyer who submitted the brief affirming that everything in the brief is true and correct. An extremely normal - required, even! - thing to do. This will surely not cause any problems for him later.

The next relevant filing is the defendant’s reply brief. Again, the existence of a reply brief in response to an opposition is extremely normal. The contents of this brief are…less so.

Beg pardon?

Just to be clear, this is not normal. It is normal to argue that the plaintiff’s cases are not relevant, or they aren’t applicable to this case, or you disagree with the interpretations, or whatever. It is not normal for the cases to appear to not exist.

Some highlights from the brief:

Quick lesson in how to read U.S. case citations! The italicized (or underlined) part at the beginning is the name of the case. If it is a trial court case, the plaintiff is listed first and the defendant second; if the case has been appealed, the person who lost at the lower court level (the petitioner/appellant) will be listed first, and the person who won at the lower level (the respondent/appellee) will be listed second. There are extremely specific rules about which words in these names are abbreviated, and how they are abbreviated. Next, you list the volume number and name of the reporter (the place where the case is published), again abbreviated according to very specific rules, then the page number that the case starts on. If you are citing a case for a specific quote or proposition, you then put a comma after the beginning page number, and list the page number(s) on which the quote or language you are relying on is located (this is called a “pincite”). Finally, you put in parenthesis the name of the court (if needed)(and again, abbreviated according to extremely specific rules) and the year the case was decided.

So the plaintiff’s response cited to Zicherman, which they said was a case from 2008 that was decided by the 11th Circuit Court of Appeals. However, the defendant was not able to find such a case. They were able to find a case with the same name (the same petitioner and respondent), but that case was decided by the U.S. Supreme Court in 1996, and the lower court cases associated with that case weren’t in the 11th circuit either. (The United States Reports is the only official reporter for the U.S. Supreme Court, and only includes SCOTUS decisions, so it’s not necessary to include the name of the court before the year it was decided.)

Just to be clear. The defendant’s brief is saying: the plaintiff cited and extensively quoted from these cases, and neither the cases nor the quotations appear to exist. These “cases” were not ancillary citations in the plaintiff’s brief. They were the authority it relied upon to make its arguments.

This is as close a lawyer can come, at this point in the proceedings, to saying, “opposing counsel made up a bunch of fake cases to lie to the court and pretend the law is something different than it is.”

That, “Putting aside that here is no page 598 in Kaiser Steel,” is delightfully petty lawyer speak for, “you are wrong on every possible thing there is to be wrong about.”

By page 5, the defendant has resorted to just listing all of the (apparently) made up cases in a footnote:

(skipping the citations to support this proposition)

This is where I return to my struggle to explain the opposition’s second reason why the motion to dismiss should not be granted. I struggled to explain the argument, because they failed to explain why the argument they were making (that plaintiffs can bring lawsuits against airlines in state court, and the state court have specific statutes of limitations for general negligence claims) was relevant to the question of whether the plaintiff’s specific claim against the airline was time barred by the treaty. Because 1) this case is in federal court, not state court, and 2) federal law - including treaties - preempts state law. Again, it’s almost like plaintiff’s attorney just typed a question about the time bar into a chatbot or something, and the machine, which wasn’t able to reason or actually analyze the issues, saw a question about the time to bring a lawsuit and just wrote up an answer about the statute of limitations.

We also end with a nice little lawyerly version of “you fucked up and we are going to destroy you.” The relief requested in the defendant’s original motion to dismiss was:

In their reply to the opposition, however:

“The circumstances” in this case, being the apparent fabrication of entire cases. Because courts tend to take that pretty seriously.

And the court took it seriously indeed. The defendant’s reply was docketed on March 15th of this year. On April 11th:

AKA: you have one week (an extremely prompt time frame for federal court) to prove to me that you didn’t just make up these cases.

On April 12th, the plaintiff’s attorney requests more time because he’s on vacation:

The judge grants the motion, but adds in another case that he forgot to include in his first order.

On April 25th, the plaintiff’s attorney files the following:

(And he lists the cases, with one exception, which he says is an unpublished decision.)

But he says of all of the cases except two, that the opinions…

Which is…nonsense?

First of all: if you cited a case, you had to get it from somewhere. Even unpublished opinions, if you are citing them in a brief, you are citing them because you pulled them off of westlaw or whatever. Which means you have access to the case and can annex it for the court. (There are even formal rules for how you cite unpublished opinions! And those rules include citing to where you pulled the damn case from!)

Secondly: remember that long digression I went into about how to read case citations? Remember that bit about how you include the name of the reporter (the place the case was published)? Yes, cases are published. They are printed in physical books, and they are published online in databases (e.g. lexis or westlaw). If the specific online database you are looking in does not have the case, you look somewhere else. If you have a judge telling you to get them a copy of the case Or Else, you track down a physical copy of the reporter if you need to and scan the damn thing yourself. You - literally - can’t just not have a copy of the case! (Especially published federal circuit court opinions, which multiple of these cases are! Those aren’t hard to find!)

And what kind of “online database” doesn’t include the entire opinion anyway? I’ve literally never heard of a case research database that only included partial opinions, because that wouldn’t be useful.

Maybe if we look at the attached annexed copies of the cases, that might give us some answers.

...

My friends, these things are just bizarre. With two exceptions, they aren’t submitted in any sort of conventional format. Even if you’ve never seen a legal opinion before, I think you can see the difference if you just glance through the filings. They are located at Docket entry #29 on Court Listener (April 25, 2023). Compare Attachments 6 and 8 (the real cases submitted in conventional format) to the other cases. Turning to the contents of the cases:

In the first one, the factual background is that a passenger sued an airline, then the airline filed a motion to dismiss (on grounds unrelated to the treaty's time bar), then the airline went into bankruptcy, then the airline won the motion to dismiss, then the passenger appealed. And the court is now considering that appeal. But then the opinion starts talking about how the passenger was in arbitration, and it seems to be treating the passenger like he is the one who filed for bankruptcy? It’s hallucinatory, even before you get to the legal arguments. The “Court of Appeals” is making a ruling overruling the district court’s dismissal based on the time bar, but according to the factual background, the case wasn’t dismissed based on the time bar, but on entirely other grounds? Was there some other proceeding where the claim was dismissed as time barred, and it’s just not mentioned in the factual background? How? Why? What is happening? Also it says Congress enacted the treaty? But, no? That’s…that’s not how treaties work? I mean, Congress did ratify the treaty? But they didn’t unilaterally make it!

In the second case, there’s an extended discussion of which treaty applies to the appellants claims, which is bizarre because there are two relevant treaties, and one replaced the other before the conduct at issue, so only the new treaty applies? There isn’t any discussion of the issue beyond that basic principle, so there is no reason there should be multiple paragraphs in the opinion explaining it over and over? Also, it keeps referring to the appellant as the plaintiff, for some reason? And it includes this absolutely hallucinatory sentence:

…the only part this that makes sense is that the argument is without merit. I’m not going to discuss the actual merits of the legal arguments in the opinion, because they are so bizarre and disjointed that even trying to describe them would require a Pepe Silvia-sized conspiracy board. Like the previous case, both the facts and the legal posture of the case change constantly, with seemingly no rhyme or reason.

The third one…oh boy. First, large portions of the “opinion” are individual paragraphs with quotations around the whole paragraph. What’s happening there? As far as the content of the opinion itself - I can’t. I mean that, I literally can’t. What is being discussed seems to change from paragraph to paragraph, much of it contradicting. It makes the first case seem linear and rational by comparison. The court finds it doesn’t have personal jurisdiction over the defendant so dismisses the case based on a lack of subject matter jurisdiction? But also the defendant hasn’t contested jurisdiction? And also the court does hold that it has both subject matter and personal jurisdiction over the defendant? And then it denies the motion to dismiss the case? Also, at one point it cites itself?

…also, even if this was a real case, it doesn’t stand for the propositions the plaintiff cited it for in their opposition? I’m not going to go into the weeds (honestly it’s so hallucinatory I’m not sure I could if I tried), but, for example, the plaintiff’s reply brief states that the court held “that the plaintiff was not required to bring their claim in federal court.” The U.S. District Court for the District of Columbia is a federal court, and there is no discussion of any filings in state courts. The closest the “opinion” comes is with the statement, “Therefore, Petersen’s argument that the state courts of Washington have concurrent jurisdiction is unavailing.” (This statement appears to be completely disconnected from anything before or after it, so I am unsure what it is supposed to mean.)

Moving on, case number four is allegedly a decision by the Court of Appeals of Texas. It includes the following line:

Honestly, the plaintiff’s attorney best defense at this point is that he wasn’t intentionally trying to mislead the court, because if he was doing this on purpose, he would have edited the cases to make them slightly more believable. (Context in case you’ve lost track: these documents are supposed to be copies of the opinions he is citing. The screenshoted line makes it clear that what he is actually citing is, at best, someone else’s summary of an "opinion". It would be like if a teacher asked a student to photocopy a chapter of a book and bring it into class, and instead the student brought in a copy of the cliffs notes summary of that chapter. Except that the book doesn’t even exist.)

The actual contents of the “opinion” are, as is now standard, absolutely bonkers. First, the court decides that it doesn’t have personal jurisdiction over Delta because “Delta did not purposefully avail itself of the benefits of conducting business in Texas.” This was despite the fact that the factual background already included that the appellant (sorry, the plaintiff, according to the “opinion”) flew on a Delta flight originating in Texas. Like, this is just wrong? It’s not even hallucinatory nonsense, it’s just facially incorrect legal analysis. Then the court starts discussing the treaty’s time bar, for some reason? Then it goes back to talking about personal jurisdiction, but now the trial court denied the defendant’s motion to dismiss for lack of personal jurisdiction, and the appellate court agrees with the trial court that it does have personal jurisdiction, even though this is the plaintiff’s appeal from the dismissal for lack of personal jurisdiction and the court already ruled it didn’t have personal jurisdiction? And even though on page 1, the plaintiff was injured during a flight from Texas to California, now on page 7 she was injured on a flight from Shanghai to Texas? Also the trial court has gone back in time (again) to grant the motion to dismiss that it previously denied?

Also, I’ve been trying to avoid pointing out the wonky text of these submissions, but:

Everything ok there?

Case number five is similar enough to number four that it’s not worth repeating myself.

Thank god, cases six and eight, as noted above, are real cases, so I’m going to skip them. The defendant alleges that the cases do not stand for the propositions the plaintiff cited them for, and I’m going to assume that is true, given the rest of this nonsense.

Case number seven looks legitimate on the surface. But neither the defendant nor I could find the case through any legitimate search mechanisms. The defendant looked up the purported docket numbers on PACER and found completely different cases; I was able to find a case with the name “Miller v. United Airlines, Inc.,” but it was for a different Ms. Miller, it was a California state case (not a Second Circuit federal case), it was decided on a different year, and the substance of the case was entirely different from the alleged opinion filed with the court.

On top of that, this might be the most morally reprehensible fake citation of them all? Because it is about the crash of United Airlines Flight 585, a real plane crash. Everyone on board - 25 people in total - was killed. 

The individual cited in this fake court case was not one of them.

I cannot imagine conducting myself in such a way where I would have to explain to a judge that I made up a fake case exploiting a real tragedy because I couldn’t be bothered to do actual legal research.

Now, I know you all have figured out what’s going on by now. And I want you to know that if your instincts are saying, “it seems like the lawyer should have just fallen on his sword and confessed that he relied on ChatGPT to write his original brief, rather than digging himself further into this hole”? Your instincts are absolutely correct.

Because obviously, the court was having none of this b.s. On May 4th, the court issued an order, beginning with the following sentence:

That is one of the worst possible opening sentences you can see in an order by the court in a situation like this. The only thing worse is when judges start quoting classic literature. If I was Mr. Peter LoDuca, counsel for the plaintiff, I would already be shitting my pants.

“I gave you an opportunity to either clear things up or come clean. Now I’m going to give you an opportunity to show why I should only come down on you like a pile of brinks, instead of a whole building.”

We are getting dangerously close to “quoting classic lit” territory here.

If I learned that the judge in my case called up the clerk of a circuit court just to confirm how full of shit I was, I would leave the legal profession forever. Also, the judge is now also putting quotes around “opinion.” When judges start getting openly sarcastic in their briefs, that means very very bad things are about to happen to someone.

So I’m guessing the delay between this filing and the court order was because the judge’s clerk was tasked with running down every single one of the additional fake citations included in the "opinions", just to make this sure this order (and the upcoming pile of bricks) are as thorough as possible.

If you are following along with Dracula Daily, the vibe here is roughly the same as the May 19th entry where Dracula demands Jonathan Harker write and pre-date letters stating he has left the castle and is on the way home.

Also, hey, what’s that footnote?

Wait, what?

Folks, it appears we may have notary fraud, on top of everything else! Anybody have bingo?

So on May 25, one day before the deadline, Mr. LoDuca filed his response. And oh boy, I hope ya’ll are ready for this.

Hey, what’s the name of that other attorney, “Steven Schwartz”? Where have I seen that name before…

...I ran out of room for images on this post. So I'm going to have to leave this as an accidental cliffhanger. Part 2 to follow once I refresh my tea.

[potofsoup]

Happy July 4th, everyone, and good luck to the UK voters out there!

Wow it's Year 11 of doing these!! Here's the AO3 link to the past 10 years, and here's the tumblr link.

Reminder that this is a long game -- some of the judges making decisions were appointed back in the 80s. Many of the cases that were decided this round were from Trump's term. So it's going to take long-term, consistent voting over a decade to start tipping things in the other direction. (Which I talked about in 2018 re: Trump shenanigans and 2022 re: Dobbs).

A lot has been done by the Biden administration (I'm assuming most folks have seen this post by boreal-sea with their very helpful sources), and much of that will be overturned by Trump, especially if he gets the Senate, and especially now that he would have a blank check for anything "official". So let's make sure that doesn't happen.

And even if Trump does get elected, your decisions down-ballot might effect control of the House or Senate, or might make it easier to vote next time, plus the whole plethora of state and local issues. It's Republican state attorney generals who are challenging climate regulations, for example.

Plus, when you really get down to it, only one of the candidates plans on pardoning himself and all his friends if he wins, and attacking the government if he loses. Maybe that guy shouldn't be the President.

If you're new to voting, remember to check voter registration deadlines! I'm a permanent vote-by-mail voter and it's so nice. :)

Transcript under the readmore

Page 1: Sam and Bucky meet up with Steve for a picnic. Steve: Thought you guys were still in Sudan? Bucky: I’m forcing Sam to take a break.

Sam collapses onto the picnic blanket. Sam: Oof, it just never stops, does it? Steve: Nope.

Bucky hands Sam an orange popsicle. Bucky: Eat and relax for a bit, Sam. Sam: Thanks.

Page 2: Bucky asks Steve: How are things state-side? Steve responds: HORRIBLE. Bucky: I thought you’ve been tentatively hopeful about what Biden has been able to achieve? Steve: I was! Student loans, child care, climate regulations, infrastructure, labor, trans rights … he’s quietly done a lot through regulatory improvements and congress bills. But now all people will talk about is how he’s OLD. And then there’s the Supreme Court’s decisions … Chevron and immunity… Steve puts his head in his hands, while Sam and Bucky look on with some concern.

Page 3: Bucky hands Steve a blue/raspberry popsicle: Steve, take a deep breath, and a popsicle. Sam: Sounds like we missed a lot. What’s going on? How bad is it? Steve: Pretty bad. The Supreme Court has made some decisions that give the Court and the President A LOT of discretionary power. Sam: Yikes, that doesn’t sound good. Steve: Well, the Chevron thing means that judges with life-term appointments can override policies made by government agencies. And now it’ll be harder to hold a President accountable because he will have immunity for any “official” actions.

Page 4: Sam: So if the President tries to, say, overturn a democratic election result, he’ll be allowed to as long as it’s in his job description? Steve: I don’t think threatening state electors is “official” business, but that will be decided by federal judges. Who get their jobs by approval from both the President and the Senate. Bucky: Yeesh. No wonder you’re stressed. Any good news? Steve: Well, thanks the Biden and the razor-thin Senate majority, the newer bills don’t rely on the Chevron deference. Still not great but not catastrophic. Sam, squirting ketchup on his hot dog: So what I’m hearing is that it’s now more important than ever to have a President and a Senate who you can trust to appoint fair judges, pass bills, and not commit crimes.

Page 5: Steve: Plus all of the state level offices, now that more and more deciding power has been thrown back to the states — abortion, LGBTQ rights, voting access… Bucky: Hey, at least this is a big election year so we can actually do something! Steve, with his arms crossed, looking surly: Except that all people want to talk about is how Biden is “too old” and “not doing enough,” as if that is on par with Trump’s desire to dismantle basic rights! As if the candidate who doesn’t embody ALL their ideals is not worth voting for! Bucky interrupts with a smart and a loud “PFFT.”

Page 6: Bucky: Um, Steve. YOU were like that in 1940. Sam, nudging Bucky: “Oh, this I gotta hear. Spill, Barnes.” In sepia, Steve is pacing around their apartment while Bucky is sitting and reading a newspaper. Steve: I can’t believe he’s running for a 3rd term! we need a fresh candidate to vote for! This is hardly a choice at all! AND he refuses to engage in Europe! All of Europe under fascist control and we’re just twiddling our thumbs? He’s letting millions die through his inaction! Bucky: Most people don’t want another war, Steve. If he came out for it, he would lose. Steve, indignant: But Buck, it’s your Polish relative who are in danger! Bucky, closing his newspaper and looking at Steve: Yeah, and between FDR and Willkes, I trust FDR to help if he could.

Page 7: Steve, in sepia, looking away: Should he be encouraged to do more? Maybe I should vote for Browder. The Communists have historically be Anti-Fascist.

Sam interrupts off-screen: Waitaminute! STEVE was going to PROTEST-VOTE? Steve: We were in a Blue State, Sam! Sam: But what about the down ballot races?! Steve: RELAX, I did my due diligence down-ballot. I wanted a senate that’s more progressive than the President.Voted LaGuardia for Mayor, too. Steve hesitates: Then, when I got to the President… I realized that the Best case scenario would be that my vote did nothing, versus if it actually spoiled the election. And when I asked myself who I could trust to work with my Senator… well, FDR had a good record with Labor. (sepia shot of young Steve voting) Bucky interrupts: Hold on, Steve.

Page 8: Bucky, eating a cookie, arching an eyebrow: You didn’t vote for Browder? Why didn’t you tell me? Steve: And have you say “I told you so” for the next century? Bucky: Heh.

Steve, with hand on his chin: What’s weird was that, despite everything, I still felt HORRIBLE when I ticked that box. Sam: Sounds like you built up the meaning of that vote far too much in your head. Logically, we know that a single box can’t represent all of the complexity of a whole system, but the desperately WANT it to. Just look at how people have built up so much around the term “Zionis” that it’s made productive conversations difficult.

Page 9: Sam and Steve speak in the background while Bucky reaches into the cooler and pulls out a box. Steve: Sigh. And that’s something that goes beyond the election. Sam: Which is why we need to vote, AND do other things. Bucky, looking at Steve and Sam: Like how Steve works to push organizations on the local level? Or like all the work you do as Captain America? Sam: Exactly. Vote AND.

Sam looks at Bucky fondly: Like how you vote AND make me and Steve take breaks. Bucky, looking stern because he can’t handle compliments: Shush, Sam.

Bucky holds up a cake that has the number “107” on it: It’s time for cake. Happy Birthday, Steve.

[faint-taste-of-almonds]

yes there's a lot of things to criticize about Star Wars but one thing i will always love it for is being so unabashedly tragic

i'm sure it's been said before, but one of the main things i think powers the SW fandom (fics in particular) is the (in)evitability of it all

time travel fix-its are one of the most popular sub-categories of fics that i've seen (for the prequels at least) but i see it much more rarely in other fandoms. i know each fandom has their own niches that they dig into but star wars fic writers took one look at this decades long story of people who were doomed from the start and said 'not in my house bitch'

and i'm never tired of it, because there's so many places where just one different action could have changed the story entirely, but didn't

was it over the moment Palpatine succeeded in feeding Anakin's fears and his distrust toward the Jedi? the moment the Sith gained control of the senate? what about when the war started, when the Jedi were made generals of men designed to be their executioners? what about when Dooku left the order? when Qui-Gon Jinn died, leaving barely-knighted Obi Wan Kenobi to raise a child he had no idea how to care for? when the Jedi massacred the Mandalorians at Galidraan, leaving Jango Fett primed (hah) for revenge? when Palpatine, and thus the Sith, first gained influence? when the Jedi were tied to the Republic, all the way back at the Ruusan Reformation?

there are so many little moments that turn into this huge web of cause and effect when you take a step back. and in canon, these characters are dooming themselves while we watch, but what reason do they have to do anything different? they don't know they're in a tragedy - its dramatic irony at its goddamn finest

but there's this thing about decisions: for it to be a choice, there has to be another option. and our heroes make their mistakes because that's what they do, while we aren't privy to that other option, leaving that little what-if. it's a favorite human pastime, to think about what might have been.

we start at episode 4, though, fourty or so years after what you could arguably call the start, and find ourselves watching the dominoes fall in place throughout 1, 2, and 3.

and we can hate the choices, hate the tragedy, hate what happened to our beloved characters, but we knew. we had the luxury of knowing.

it's a love story, it's political intrique, it's sci-fi at its finest, and they were dead from the start.

[theladybrownstarot]

Pick-A-Card : Why will your future spouse choose you ? ✧°•

✧ Here's my masterlist for more !

✧ Make sure you like/follow/Comment/reblogg for more pacs like these !

Pick-A-Pile : Here's a new pick card reading for you all ! So close your eyes and breathe in and out then choose pile(s) attracting you most . This is a general reading so it may resonate and not , my readings are not the universal truth so make your decisions wisely 🖤✨️

✧ Pile 1.

Namaste pile 1 ! Let's begin with your reading:

Your future spouse choose you because among all you were the one who didn't pay a lot attention to his charm and ignored him ,according to them you seem to be playing to get hard. I see that you two have similar thoughts making you compatible all around with each other also I see that they already thought to choose you long before you even know them but they didn't knew how to approach you and confess their feeling . I'm getting that they are someone who are new and someone you don't know at all most probably. This is hilarious and cute at the same time because you are in their thoughts everytime , they feel that undeniable connection with you . I see some south-east or north guy/girl in this reading too and possibly that you may have short to medium hair or wear specs or they may have sharp eyes and wear specs- an extra information chanelled . Your future spouse actually feels safe with you emotionally ; respecting and understanding them like no one ever did before. They feel to immerse with you only and around you they can open up fully without any insecurity. There's this sharp clarity about you they have that they want you only in their life , no matter what happens so wow go getter energy .

✧ Pile 2

Namaste pile 2 ! Let's get with your reading:

The first thing that I chanelled I was very funny like you had be someone that might be or will be the one who will be a lot pressured by your future spouse to handle their errands like this person needs you like mostly to get their work done or they will just throw some work on you and that's the first main reason why they had choose you- they want to depend on someone because they are lazy and dramatic as hell. At the same time I see that do respect you a lot and admire you for you being you and letting them grow with you this is the vision that they basically have about you. You are their litreal trophy or that jackpot . I see that they may self esteem issues but you had be helping them up to change totally. I see that this person might be an over achiever and at some not a lot recognised for their hardwork and because of this they ended up loosing a lot in life but you will or got them up. They choose you because you directed and supported them a lot in their harsh times . They believe in themselves more when you are with them , they will that they would achieve the whole world by being with you also they had be a bit rebellious and masculine person for same .

✧ Pile 3.

Namaste pile 3 ! Let's get with your reading :

They had literally state so many reason like they love you unconditionally for sure ! The cards just felt out like wonders everytime I was shuffling. You are blessed for sure . I feel that after you met your spouse either one of you met with some financial gains and changes as per what I can sense and say . Your future spouse choose you because you healed them emotionally basically from their experiences and the traumas they had , you showed them the light and hope altogether. They already saw the signs around again when and after they met making them sure out of no where that you had be the one who won't leave him . This pile has got some very emotional energy . I Channeled a hindi song - jeena sikha diya marna sikha diya . I'm getting that they were outcasted in their life and no one accepted them other than you because you had a pure heart and I also heard black magic for you or him . They chose you because you complete them .

──⭒─⭑─⭒────⭒─⭑─⭒──

©️ @theladybrownstarot 2023 all rights reserved. Any stealing or copying of work will be a punishable offence.

[alltimefail]

I'm sure someone has already shared these three things, but I'm going to as well:

(Source 1, 2, 3)

I am a realist, and I'm telling you all, with the utmost confidence, that there is hope for saving this show so long as we continue to fight. The cast and crew themselves have given, and continue to give, every indication that there is hope for this show.

As we make noise online and advocate for it, the showrunners are given the ammo they need to fight behind the scenes, so DO NOT STOP.

Worst case? You pour a shit ton of love onto a story that is meaningful to you, and onto people who played a role in bringing it to life. Best case, we drum up enough noise that viewership increases (this is already happening), and the show is ultimately saved.

Many shows have been saved. Ours can be, too. There is absolutely no reason to despair. Dead Boy Detectives was released on two "Best-Of" lists just today. The Sun, the Los Angeles Times, Esquire, CNet, and even the goddamn DAILY MAIL are just a few notable publications that revered Dead Boy Detectives and lamented its cancellation THIS WEEK. Dead Boy Detectives has the best audience score of any DC television adaptation to date; the only one that I found that's even in the same league audience-wise is The Penguin which is new and being called a "Hit..." and IT HAS THE SAME AUDIENCE SCORE AS DEAD BOY DETECTIVES (91%).

Dead Boy Detectives even has a better critic and audience score than its parent show, The Sandman, for fucks sake. Its audience score beats out some of the longer-running DC shows by a mile. It is, objectively, a success.

So keep making noise, keep streaming like the actors are still encouraging you to do. I'll tell you this; it's been two months of silence from Netflix, but that's not a bad thing. They dodged THE NEW YORK TIMES who inquired about the Dead Boy Detectives cancellation by choosing not to give a statement. They know this decision wasn't a good one, and all it takes is the right amount of pressure from audiences to get things done.

I've lamented show cancellations in the past and never fought to save a single one because the numbers were bleak, or Netflix was clear with their reasoning, or even the showrunners themselves told us not to fight because it was a lost cause. That is NOT the case with Dead Boy Detectives. The more we dig, the more we find, and new people are watching this show every day because of the noise being drummed up. The more of us that fight, the better chance we have.

So keep making art and fics, keep making noise, keep recommending this show to anyone who will listen, and believe that we can save this show. The only people who benefit from us giving up are the same ones who canceled it, and why should we give them that satisfaction?

[exopelagic]

A list of things I’m frustrated by:

[ashherahh]

gentle reminders for a lonely heart

Note: Please take it if it resonates, leave it if it doesn't. Meditate before making your decision. It's completely okay if you don't resonate with this reading. The collective is huge and I'm sure you'll receive the messages you need in due time.

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If you have been feeling some kind of way, here's a message to let you know that everything will be okay (⁠づ⁠￣⁠ ⁠³⁠￣⁠)⁠づ

pile 1

Cards: Temperance, Two of Cups Rx, Two of Swords Rx, Ace of Swords Rx

Just take a breather. Everything will fall into place eventually.

You will find your way in this world and everything will make sense. You just need to let go of the mess for a bit, okay? You can't do it all, babe. You shouldn't have to either.

There's more to life than always having to make the right decision. Sometimes life pulls us on a path and we kind of need to just go with the flow. This is difficult, of course. Things are so crazy, how could you not plan for everything?

Babe, you'll make yourself crazy thinking about the what ifs.

It's like you're in a forest and there's a river you find yourself walking next to but it's flowing in the opposite direction of where you're going. You find yourself stumbling and falling into this river and the sheer shock of the situation leads you to believe that this the worst possible thing that could've happened to you.

But, maybe that needed to happen and maybe you needed to be swept away by the current.

Whenever chaos comes into our lives, it always points out something that has been at the back of our minds but now we simply can't ignore. There has been no balance, but now is not the time for balance.

Balance will come but only after letting go. So let the mess go, let it slip through your hands like sands through an hour glass. Let go of what you should've done and who you should've been and what you should've accomplished.

Another thing about chaos is, it drags our attention to the present. Although it's not a nice circumstance, you're in the moment and you're present. You're thinking of what to do now. The lesson in chaos is to always focus on what you can do now, in this moment. In this space and with what you have, think about now.

No more future and no more past. Just right now. If all you can do is breath, that's all you can do. That's okay.

If you're in this state of limbo where nothing makes sense and everything seems to be falling apart and you're second guessing every decision you make — take a moment.

Actually, take many moments. You need it and you deserve it. You're going to be absolutely fine.

pile 2

Cards: Three of Swords Rx, The Star, The Fool, The Knight of Swords

Oooh, we in our healing era! We're in our glow up era! We are feeling ourselves and we're going to be feeling good for a very long time. I love this for you!

How amazing to know that the heartache is coming to an end? How amazing are you to walk away from what was bringing you down for so long? Welcome back, babe!

The universe has many a good thing in store for you.

You really got out of it and it was not easy but it's going to be so worth it. You're on a new path now, one that will bring in a love that will completely cast a shadow onto the one of the past. They will be a distant memory.

You're being blessed with this new relationship because of how you handled the past heartache, and I can see how bad it was. I can see how much it hurt you and you sat with it for so long but now you're a Star. Shining so bright, living life, back into your groove.

I can see that it was difficult for you to move on, but I'm so proud of you.

Sometimes we think we'll be with someone forever but the Universe has other plans. It shifts and changes and redirects us. Sometimes it uses people we love and that doesn't mean the love was for nothing. It wasn't.

No love is worthless. You just ended up giving more than they did, but that's always been you, right?

All that love you're capable of giving to others and been giving to others, it's time you give it to yourself. You'll see how amazing your life becomes once you start doing that, not only that, things will just start happening for you.

It took a while to get here but the change will happen before you know it and the pain will be a memory of the past. You're being guided and protected through this healing and through this new beginning.

You have a really beautiful soul and such a kind heart. Once you let that shine through, and I mean really shine, you'll see how happy you'll be.

pile 3

Cards: Eight of Pentacles Rx, Five of Pentacles Rx, Temperance Rx, Six of Wands

All your efforts are not in vain and the reward will come in the most unlikeliest of ways, but it'll come.

You've earned it. All the times you denied yourself, you held back, you decided to focus. It's all going to be rewarded. You're going to be blessed with so much, you won't know what to do with it.

Having to rub pennies together is not fun. You had to say no to a lot and miss out on a lot. I really do feel for you, babe. It's tough having to be responsible when you see everyone around you having fun. Especially when you have goals people don't really understand.

If you find yourself comparing yourself to others, smack those thoughts out of your mind.

I'm not going to romanticise your situation, I am not Lana Del Rey. I'm just a messager and the message is that you're a tough cookie and you will not be broken by this. The guide watching over you is really in awe of you and they got your back all the way. Not many people can handle things the way you have.

This is not a beaten path. Your cart won't get stuck in the mud going this way. You're going to do awesome things with your life. You're going to live your dream life, in all honesty.

When you wake up in your big ass bed in your own house, able to drive your dream car to get that ice coffee you always used to tell yourself was too expensive — you'll understand that you're a fucking boss and you can get through anything.

The days where you feel like you just want to quit and leave everything behind, those will be days you look back on and you'll be glad you really gave it your all. You're an underdog.

Just remember: you are strong, you are brave, you will do amazing things.

Ps. If you feel drawn to pile 1 as well, go ahead and read it.