#so it's in here don't judge~

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[emlittly]

God there's some good fucking text posts on this site huh.

Inspired by browsing the v.ore tag at midnight:

Going to a mixed predator/prey bar, but it's subtle y'know? classy-like. The tables have nice linen on them and people are all dressed up in suits and skirts and all sorts of eye popping combinations. They've even got jazz music. Shit that's nice.

You find yourself hugging a corner near the emptier side of the bar, in fact there's only one other person: an ambiguously gendered, short-haired rocking predator who you can only identify as one because the last three buttons on their shirt are undone and oh my god you can see something squirming in there. There's a thin trail of hair that leads down to their pants but you can't help but stare at that soft imprint just that little bit higher up.

So you're a little freaked out right, it's not like you've ever sat down with one of these people before but they're nice enough and even offer to buy you a drink and, yeah, they're halfway through a tall glass of foamy alcohol that lingers on the corner of their lips and makes a nice big imprint down their throat whenever they swallow and the bulge in their gut squirms a bit harder when that delayed swallow of beer ends up inside that same stomach they're in right now.

And their teeth are just the most interesting thing (you can't stop staring at them). They're a bit jagged, canines like the kind you'd see on vampires in old TV shows. You ask if they bite. They laugh and wink and say only if you want to. You brave a question:

Did the last sucker you asked that answer honestly?

They laugh and run a hand along their stomach. You can just barely hear the sobs inside. They must be so cramped in there. A stomach designed to squeeze and churn food into calories - that'll treat a human no better than any other piece of meat you subject to an acid bath for hours and hours. So tight, so hot, so oppressive.

They offer to take you to their place tonight and, fuck, you're not sure you're strong enough to say no.

[tsubit]

this is how it went right

ref image (kinda)

[fictionadventurer]

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

[riding-the-sunset-bird]

A character reference based on all four Steps of Our Life! It's only "sort of" a height reference as well since obviously they're not 100% accurate (the devs don't have specific heights for everyone to my knowledge).

I did dig into the code to try and get characters at their "normal" heights but there are other matters at play too (example: Nicolas is obviously "taller" than he should be because he needs to be pushed upwards to be visible enough above the game's text box; likewise with other very short characters).

Still, this should serve as either a nice reference guide for every character or a "height reference" in the sense of getting an idea of which characters are shorter/taller than others.

I'm also going to detail some extra notes below the break, including posts from GB Patch's Tumblr that reference any defined heights (with Cove being the obvious one) or general height things, as well as some more stuff about the MC's height in comparison to the three love interests depending on what you pick.

Cove's height is listed on GB Patch's FAQ as 4' 1" in Step 1 (also stated as "mostly average, perhaps a bit on the short side"), 5' 4" in Step 2 (in-game this is defined as "very tall" on the MC's potential height spectrum, as that is the only option considered on par with Cove's height), 6' 0" in Step 3, and 6' 4" in Step 4. A fun fact is that Cove's final height was originally 6' 3" (191cm) instead.

Derek in Step 2 is under five feet tall (this post also lists Cove as "around 5 and a half feet tall" which you could take as either close enough to 5' 4" as stated above or a potential original height he had that got changed). In-game, he's "short" but not "very short", as having your MC be "very short" will prompt narration telling you that you're shorter than Derek, whereas "short" only has you relate to him in smolness generally.

Step 4 Derek is "mostly average." He wouldn't be considered tall nor would he be considered short. His youngest brother Nicolas will "probably end up as a similar height to him" once he's more grown up.

Step 4 Baxter is "taller than average, but not especially tall."

I've been informed that, on the Our Life Patreon Discord, Step 4 Derek's height is listed as 5' 9" (175cm) whereas Step 4 Baxter's is listed as 5' 11" (180cm), so those are their defined heights. Before that, both of their heights had jumped around somewhat. A post from 2019 said that Derek was 5' 11", but a post from June 2021 said that Baxter was 5' 11" and Derek was 5' 9" (so consistent with the Discord). Then there's also another post from July 2021 (you'll have to scroll down for this one) that listed Baxter at around 5' 10" while Derek was 5' 8"/5' 9". If you're insane enough to try and use the character reference too, then Baxter would actually be around 6'1" at minimum since he's taller than Step 3 Cove (though you could also make the same argument that this means the mom trio of Pamela, Noelani, and Kyra must be decently tall as well since they're so close to Cove on the character reference).

I don't have any experience with GB Patch's other game, XOXO Droplets, so I don't know what ages the characters are in it, but since both Shiloh and Jeremy are characters seen visibly in Our Life, I thought I'd also mention that they're listed as 5' 10" and 5' 5" (or 5' 5 1/2") respectively in XOXO Droplets. Jeremy also apparently grows to 5' 8" in his 20s and he's 22 in the Our Life Cove Wedding DLC (I don't think this is spoken of in the game specifically but he's labeled as 22 in the code).

As for the MC and how their height plays into things, "tall" and "very tall" as well as "short" and "very short" tend to be considered the same for the most part in the game's code. It's not that there isn't a difference at all (I would say it's still notable), it's just that sometimes the game may be more vague about height differences. My post about Errands references this where you don't need more athletic points due to being "very short" instead of "short" to give Cove a piggyback ride.

A guesstimate I'd make is that about 5% of the time, the game will take note of whether you're "very tall" instead of "tall" or "very short" instead of "short." Otherwise, you're either "generally tall," "average," or "generally short." There are also other instances (usually with Cove) where the game might just check if you're either generally tall (around Cove's height) or not generally tall (i.e: definitely shorter than him).

This is actually relevant to the heights because, following all above information, one would assume that Step 4 Derek is average, Step 4 Baxter is tall, and Step 4 Cove is very tall going off the MC's potential "height spectrum" of very short, short, average, tall, and very tall, but it's not entirely the case.

A "tall" MC (generally tall) will look "down" at Step 4 Baxter just as he will look "up" at them or they'll look directly at each other if the MC is "average," same as Step 3 Baxter, but--

when the game has any instance of differentiating between "tall" and "very tall" (they never do this for Step 3 Baxter so the base assumption would have to be that he's just average height), things change.

During Baxter's apology in the wedding of his Step 4, Baxter dips his chin to look at the MC if they're "short"/"very short," levels his chin to look at the MC if they're "average"/"tall," and then lifts his chin to look at the MC if they're "very tall." A generally tall MC still has to lean down to kiss him if they choose to do so though.

Also, during the intimacy scene with Baxter (either in his office or his living room), if the MC is "very short," "short," or "average," it states that Baxter is taller than them. If they're "very tall," then Baxter is shorter than them, but a "tall" MC is "almost the exact same height" as him.

This is all a really long-winded way of saying that GB Patch referring to Step 4 Baxter being "taller than average but not especially tall" might mean that he's some infuriating middle ground between average and tall where he's not quite one but not quite the other either (which honestly is very Baxter of him so I can't even be mad).

[ballpitwitch]

Keanu Reeves The House of Suntory presents The Nature and Spirit of Japan

[sunnemona]

☆2024 has been so difficult for me, and i want to end the year off on a high note by thanking everyone who’s been there for me through it.

☆thank you for talking to me. thank you for listening to me talk to you in return. thank you for staying on vc with me to play games or talk or draw or cry together. thank you for keeping my secrets. thank you for telling me yours. thank you for the gifts you’ve given me. thank you for the advice you’ve offered when i needed help. thank you for the silly messages you've sent me unprompted—it is so joyous to be remembered when i’m not around. thank you for making me feel safe. thank you for letting me stay by your side. thank you for staying by mine.

☆the passage of time is so scary to me, i think. once things are over you can never get them back—all you can do is move forward and hold the memories close to your heart. thank you for the memories you’ve given me, i will treasure them eternally. i am so happy that we get to keep moving forward together, from one year into the next.

☆to kia, diggs, casey, and everyone in sweaties gang; to wewa and rei; to lorel; to eliza and mitsu; to wiz and corbell; to alex, nash, geddon, and paperd; to worm and goldie; to candy and ashe; to haze, mono, benji, and chasm; to my partners (sasha, robin, and keith); to steel; to michael, and to collie;

i am so grateful i know you. i am so grateful we exist here, at the same time, together. thank you for everything. i love you, i love you, i love you.

@dreemurr-skelememer @digglesgiggles @megaloserrr @lollipopz-shop @popiplant @aoartmthebitxh @s3-izures @otterbup @kuvlarstuff @heartstitched @thiccsys @b0tanicalb00ba @popiplant @rushroulett3 @wewawoomp @dagwmeno @onlyplatonicirl @elizakai @swiftmitsu @wizb1z @calciumdreams @psycho-chair @nashdoesstuff @unknownarmageddon @canine-teethed-sheets @fishfrypi @candy-cryptid @narrators1and2 @hazerun3 @monolite001 @bonejello @chasmbreach @xyriscomplanata @livinganime14 @paddinglily @corvidmellow @lambradire-art @hackrusty

♡

[beanghostprincess]

"I'd meet you where the spirit meets the bones" or other things that could easily be said by Marcille to Falin

[anotherqueersnailowner]

us arospecs really do just get on Tumblr dot com and choose violence huh.

anyways be aro bash bigot with a crowbar <3

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.

[messier-jin]

Trust Me!

I’m here to elaborate on my touch starved Knives with a reader who has “physical touch” as their love language. It’s been a while since I wrote anything in English so I’m sorry in advance if I’m rusty...

I’m hope you’ll enjoy these headcanons!

Content warning: gender neutral reader, maybe OOC, physical affection, skin-to-skin contact, fluff in general.

Song I listened to while writing: Trust Me! by DREAMCATCHER.

Knives does not like being touched. Or more precisely, he never lets anyone touch him. You, on the other hand, touching is how you prove someone you care about them, reassuring them with your presence and gentle touches.

The first time where, out of habit, you reached out toward Knives to place your hand against his back, you did not have to time to come closer enough that he stopped you. “Don’t.” A simple word which sounded like a warning.

As frustrating as it was, not matter how much you wanted to pat his back, no matter how much you wanted to give him a hug, no matter how much you just wanted to even bump your shoulder against his, you did not. You were patient and accepted his boundaries.

Well, until one day, where you found Knives fuming, alone in a room. It was not the first time you ran across him, isolating himself as he mumbled things about his brother, humans, “that woman”... And with intimidating aura around him, nobody dared to come near, scared to lose a limb or worse.

But this very day, you decided to move. You called out his name in a gentle voice. And before he had the time to reject you, you extended your hand and tenderly patted his head, promising that everything would be okay.

And at this very moment, time stopped from Knives. His eyes were focused on you and only you. He felt the tension leave his body. He never realized how much he needed the comforting pat (not that he would ever admit it anyway).

From this moment on, Knives has never rejected your touch ever again. He accepts every touch you offer, and inconsciously leans into it.

Placing your hand against his back when you leaned over to grab something? Yes. Casual bumps on his shoulder? He accepts them. You playing with his hands and fingers when you’re talking with him? Please, do. Giving him goodnight cheek kisses when you head to bed? He melts on the spot. A goodbye hug each time you have to go working? He does not want you to stop.

Knives got used to your physical affection faster that he thought he would, quickly becoming addicted to it. He even complained that one time you were sicked and you were the one refusing to touch him to not give him your germs. “I can’t get sick. Come.”

With time, Knives would start to initiate the touches himself. Except that his ones were more daring, as I can picture him liking skin-to-skin contact (in a not sexual way).

Sometimes, when you go to bed, Knives follows you to lay down and has some rest, even if he does not need it as much as you. He slips his hand under the top of your pajamas to place it against your belly, gently stroking the skin there.

When he feels more comfortable with the idea, his hand moves up to rest on your chest, just above your heart. He just likes to feel your heart beating under his hand. And with your permission, he would lay his head against your chest to listen to your beating heart (with or without your top on, but this man has his preference for without because, once again, skin-to-skin contact). And if you were to gently play with his hair, caressing his scalp with your fingers at the same time, he would just melt in your hands.

(Also, if someone dares to come and bother you two during these kind of moments, Knives would destroy them on the spot, no question asked).

All in all, Knives would never admit how much he fell in love with your gentle touches, nor how much he actually craves your physical affection and seeks it when you’re not here to offer him any... But it’s obvious he loves it. After all, you’re the only one who can touch him.

[front-facing-pokemon]

[leeahl]

sometimes i don't want "twinyards got the same taste" and blue-eyed redhead cheerleader comes out here. sometimes i want beauty with a shock of dark hair and green eyes next to aaron and neil turns to andrew like "I KNEW IT"

[itz-pandora]

There's only one person I truly hate with all my being