#so interested to see what it is she can actually do
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would you be able to do hotch’s adult daughter meeting the team?
—Hotch introduces his daughter to the team. 1.3k
“Aaron?”
He’s grateful you didn’t call him Mr. Hotchner, but dad might not hurt. “Everything okay, honey?” he asks the phone.
“Sure, um. This might be presumptuous and, like, embarrassing for me, but my last class got cancelled and I was wondering if I can come to your office today?”
He feels his brows rise of their own accord. He checks his watch. You’ve picked a good day to want to come. “Sure, it’s quiet here.”
“You don’t want me to explain why?”
“Presumptuous and embarrassing for me, I thought it might be to see your dear old dad.”
You laugh funny on the other side, like Jack when he’s surprised. “Kind of. I do want to see you, but I was wondering what it’s like. In the FBI, I mean.”
“You’re interested?”
“In working there?” you ask.
“It’s fine if you were, you don’t have to worry.”
“It looks too intense for me, but… yeah, I guess I want to know what you do all day. I don’t know anything about that part of your life, and it’s such a big part of it.”
He’s trying hard to say Yes to you at every opportunity, and this yes is easy. He sends a car to get you because he can, preparing himself for a lot of fawning and surprise. The BAU team, namely, Spencer, Derek, JJ, Emily, Dave, and Penelope, know who you are, but the office itself has little knowledge of you. There was chatter the day you turned up here unannounced. You haven’t been to the office since.
He exits his office and finds Spencer, Emily, and Derek in the bullpen doing their paperwork, among other things. Derek’s peeling an orange. Spencer has his nose in a book despite a hand on the computer mouse.
“Are you ready?” he asks them.
“For what, the round table?” Emily asks.
“Y/N’s coming into the office.”
Three backs straighten in unison. “The kid?” Derek asks with a grin. He’s the only one who’s actually met you, and it drives the others mad with jealousy.
“My kid, yes,” he says. He can’t help smiling. “She wants to see what we do. Please don’t show her anything with blood or gore, though. Please.”
“Scout’s honour,” Emily says, standing from her desk to brush herself down. “Out of everything that’s happened when I started here, is it strange that this is the craziest?”
“It’s up there,” Spencer says.
“It’s certainly the nicest surprise I’ve had,” Aaron says, not quite missing the look Emily and Derek share even as he spots you at the office doors with your visitor’s pass clipped to the belt of your skirt.
He walks to meet you, lest the sheer sea of faces intimidate you. “Everything okay?” he asks.
You pull your jacket tighter around you, but it’s not a warm thing —if anything, it seems to be a stiff cardigan, grey and white plaid with ornate buttons. “It’s freezing out there.”
“You’ll feel much warmer in a minute. The heat has been on high all day, JJ’s orders.” He slips his hand behind your back and shepherds you to the bullpen. “Honey, these are some of the members of my team. Supervisory special agents Prentiss, Morgan, and Reid.”
“Emily,” Emily says, thrusting her hand forward to shake.
“Spencer,” Spencer adds, managing to escape a handshake as Derek steps in.
“Derek Morgan,” he introduces himself, shaking your hand with a warm smile. “I can see now why you were reluctant to tell me what you were here for.”
Your smile goes sideways, like you’re startled, but pleased nonetheless, “I– honestly, I thought you’d make me leave if you heard what I had to say. It’s still not believable.”
“You sound like him,” Spencer says. “Not masculine, but–”
“Mellifluous,” you and Aaron say at the same time.
“Exactly.”
“Freaky,” Emily says, though her smile is brilliant.
When Aaron sat the team down to tell them, it wasn’t because he necessarily wanted to. He loves you as any man loves their child even if he still has mountains to learn about you, and the urge to brag about you doesn’t go away, but he was hoping he wouldn’t have to answer so many questions about you at the time. As far as anybody in Aaron’s life knows, he and Haley haven’t ever split, it was a private parting, and so the first thing he sensed from everyone was a shift in image. “I didn’t cheat on Haley,” he’d said quickly, with a suffering sigh, “we were broken up at the time.”
“Like, on a break?” Emily had asked, cringing.
No, not really. Aaron assumed he and Haley were broken up permanently when he slept with your mother, but that brief relationship cemented for him that he loved his now-wife. Now that the team know he’s not an adulterer, the only thing he has while presenting you to them is pride.
“Y/N’s class was cancelled today, so I’m going to show her around the office and give her some insight into what we do here,” he says, catching your attention with a grin. “It’s not as though you need today's lecture, hm? She’s nearly the top of her class.”
You shake your head at him, beaming but mortified, “Don’t.”
“If she didn’t work so hard–”
“He’s trying to get me to quit my job,” you tell the others. “He’s overbearing.”
“We know,” Emily says.
“I just think that now is a time for studying, and you’ve worked hard enough already.”
You shift marginally closer to him. Most people wouldn’t notice, but Aaron does, and he suspects his team do to. “I’m fine doing both,” you say.
He’s sure he’ll win the argument one day. For now, he escorts you through the office to the round table, then his office, pulling you into Rossi’s office for a charming hello and then to JJ’s, where you’re greeted with excitement and a disarming amount of love. Aaron forgets sometimes how much he and his team have been through together. You really are a good surprise.
“Where are we going now?” you ask, following Aaron down a long corridor.
He smiles. “You don’t have a sensitivity to high-pitched noises, do you?”
Your confusion is plain on your face. Aaron takes you to a familiar door, placard reading in big, black letters: PENELOPE GARCIA, BAU TOP TECH AND DATA ANALYST. It’s surrounded by pink heart shaped stickers.
He knocks the ajar door politely. “Garcia?” he asks.
“Sir?” Penelope says back.
He eases open the door with his foot. Penelope turns in her chair, blonde hair in windswept curls, her lips painted a pink-orange.
“Garcia, this is Y/N, my daughter.”
Penelope’s mouth falls open. “I know who she is,” she says, nearly monotonous.
“It’s nice to meet you,” you say. “I’ve heard so much about you. I love your trinkets,” you add, nodding at her wild desk.
Penelope gives Aaron a pleading look. He nods.
“Oh my god oh my god oh my god!” Penelope says, rushing forward to throw her arms around you. “I can’t believe you’re here!”
You laugh and bow gently under her weight. “Me neither,” you say sincerely.
“Oh my gosh. Oh my god,” she says, pulling away to smile at Aaron, “she sounds like you, you weren’t kidding! How is it possible that she sounds like you?”
“Strong genetics?” he suggests.
“I’ve never been this happy in my life,” Penelope says.
He watches you take Penelope’s excited hand and thinks, that makes two of us.
“You’re so adorable, I’m looking for Hotch in your face but you don’t look like him at all. But your clothes! You’re so cute, like a baby politician!”
“I’m almost twenty three.”
“So young,” Penelope fawns.
#aaron hotchner x reader#aaron hotchner x you#aaron hotchner x y/n#aaron hotchner#aaron hotchner fic#aaron hotchner blurb#aaron hotchner drabble#aaron hotchner imagine#aaron hotchner fanfic#aaron hotchner fanfiction#hotch x reader#hotch#hotch x you#hotch blurb#hotch drabble#criminal minds
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about illario working with the venatori, we can't forget that elgar'nan gifted him blood magic, so I do think that he somewhat influenced him and that's why he's so much more vindictive and jealous in comparison to tevinter nights. I don't mean that he's being mind controlled, but it's a bit like cyrian, a god just amplifying those negative emotions in you and promising power and glory can push a person to that edge and to make stupid af decisions.
im also not forgetting that zara line in inner demons where she talks about an envy demon. like. why an envy demon in specific...there's THINGS between zara and illario that were not shown
no literally if you get me talking about illario + envy + the possibility of getting him possessed, you will have me here for fucking ever. a non mage doing blood magic (any magic at all) is really weird and interesting to me and i don’t remember an example of this happening before (feel free to correct me tho lol. i’m discounting possessions and dwarves)
i had started wildly theorising after bloodbath that he had been possessed and he was tapping into the fade using an envy demon. especially like you said, zara mentions it, AND because i swear there’s a codex in the ossuary where it mentions an envy demon whereas spite is obviously determination, right? so i thought it was a breadcrumb trail to a big “illario is being influenced and doesn’t even know” reveal— same as you anon like great minds am i right— but i’m not sure there is actually any evidence of that lol. like maybe if you squint but i do believe it was explained away by “oh yeah, and elgarnan let him do special blood magic”
it does also make sense to me that illario can only control lucanis, due to being part of the same family. a bloodline thing, and it is very poetic to me that their shared family connection in caterina is what allows him to control lucanis, even for a moment lol. spite being the extra magical boost that lucanis needs to block that out ALSO makes sense to me so i’m not too fussed abt these details lol🤔
the envyllario in my heart also gets spectral weapons for himself. lucanis gets wings, illario gets talons, PLUS green-purple are complementary colors so it would have been really fun to see them clash with their spirit/demon-powers. the talon thing is also a kind of reflection of his end-goal desire, how envy demons already have those freaky hands, and it manifests as claws and is a much more aggressive, strength-augmenting manifestation (as opposed to manoeuvrability and speed-augmenting that spite’s wings give lucanis.) anyways that's what the diagram above is supposed to be (this is extremely hot to me)
#have been waiting all day to get out of work to draw what i have not stopped rotating in my head#also drawing is not totally clear yes that is lucanis using one hand to hold back illario trying to claw at him yayyyyyyy#illario dellamorte#lucanis dellamorte#my art#dragon age#veilguard spoilers#sorry. i was going to reply to this yesterday but my friend finished the lucanis questline#we were discussing this for a bit so the reply is a little more in depth and thought out#also both of the remaining dellamorte heirs both being possessed is fun to ME .#forget house dellamorte being cooked we HAVE to make sure they’re burning and smoking and potentially even on fire#i wish we got to make the crows actually confront what a possessed heir would mean#but that is largely overshadowed in the game by caterina’s kidnapping#and also feels underused because nothing of note goes terribly bad#he doesn’t even draw any blood when spite tries to kill illario#truly wish lucanispite would have gone out of control and killed someone. idk who tho#maybe. lol. jacobus come here. i need you to die tragically
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Entry 9: The One Where You Choose Your Own Brazilian Adventure
My planned post – the “In Dedication of JVN” one where I fangirl over Jonathan Van Ness and what a fun and interesting piece of the Lukola puzzle he is – was derailed today because I was once again asked about Brazil. Well, more specifically, I was asked about whether I thought we were ever going to get those steamy, hopefully X-rated pictures, from Brazil. There’s pictures?!
In truth, I thought we’d collectively squeezed that grapefruit dry and left the rind somewhere between Italy and the Glamour Awards.
Alas, here I am writing about Brazil.
It’s funny because I’ve never thought much about Brazil. I know, I know! How could I possibly type those words without my nose growing six inches in front of my face? Well, it’s because it was always Australia that intrigued me. More on that later…
So why exactly do we believe there are pictures from Brazil? And, why do we think they are going to prove some kind of hot affair between Luke and Nicola? This theory is likely fueled by rumor; rumor born from how Luke and Nicola behaved towards each other while they were in Brazil.
I thought it would be fun to play a little game of “Choose Your Own Adventure” to determine if we’re ever going to see these alleged pictures. And, yes, I will be a very sarcastic bitch when doing this.
Before I start, though, I want to give a quick shout out to my dear friend, whom I shall call The-One-Who-Drops-Random-Pics-Into-Our-Group-Chat-and-Lets-Us-Sweat-Over-Them-for-Atleast-Three-Minutes-Before-Finally-Explaining-Them. She was a wealth of information about Brazil and even had a nice mother-daughter chat with me about the significance of a clean-shaven face (pardon me for never having dated a bearded man, which is odd because I find facial hair quite attractive).
Now, gather ‘round and I shall give you a little prologue to our adventure!
I’m sure most of you already know all about Brazil. In fact, many of you are probably self-described experts at this point. But, for those who are new here, let me go ahead and light the candles and set the ambiance for you.
On May 19, Luke and Nicola were shuttled off to do their beach photoshoot in Brazil. You know, the one where Nicola was walking the dogs; Luke was strumming the guitar; Nicola was being all girlfriend-like fixing Luke’s jacket; Luke was gazing up at Nicola at the pub while she was touching his neck; and then there was that moment when we all thought they might kiss. Yeah, all that plus Luke’s scruffy face from the week prior suddenly appeared clean-shaven. Apparently, you can never be too “Casual” when you’re headed down south (pun intended – as was that Chappell Roan reference). And, about now is where I’ll “insert disclaimer that this is speculation only.”
The following day, we had the actual premiere. I’m not sure what those two were up to before the premiere but both were un-fucking-hinged by the time they made it to the red carpet. We had angel-face Nicola looking up at Luke like he had created the universe and Luke answering Nicola’s Little Red Riding Hood vibe with one sexy ass Big Bad Wolf persona. I mean, the bits and bobs that came out of Luke’s mouth that day! “There’s a carriage downstairs.” ���I mean, in this heat, all I’m thinking about is when we didn’t have to wear clothes ‘cos that would be quite nice right now.” “I mean the show is proof that it is [okay to kiss your friends].” With Nicola whispering back, “This is true.” Then there was Luke taking that mic without taking his eyes off Nicola. We had Luke helping Nicola put on her bracelets because – God forbid! – she let go of him for 30 seconds to do it her fucking self. And, let’s not forget about the two of them holding on to each other behind that woman’s back (I’m sorry, I don’t recall her name and I’m too lazy to look it up – mainly, because I’m certain most of you don’t really care about that other woman).
We were also given snippets of Luke and Nicola at the premiere afterparty, looking like two people who, at a minimum, enjoyed each other’s company. They greeted fans outside the venue and, as they walked away together, Nicola seemingly put her hand on Luke’s lower back as if to guide him in the right direction (go ahead – let your imagination run wild – it’s a great opening for a FanFic).
Then, throw in the beach walk with the giant security guard; the interview where Nicola was wearing the fluffy pink skirt and the two of them talked about Chappell Roan’s “Kaleidoscope” (seriously, those two were listening to that song together?); Nicola couldn’t stop giggling about the “meat” of the Carriage Scene; and Luke appeared perhaps a smidge too interested in Nicola’s answer about what she looks for in a man (which fit perfectly into Luke’s “Like, how nice is it when someone notices, like, your kindness or your sense of humor?”). And, we can’t ignore them seemingly sharing a tea cup and Luke reaching for Nicola’s spoon after she’d sampled a dish. Don’t even get me started on over-analyzing Luke’s “manspread” that day.
Let’s also not forget about the rumor portion of this Brazilian escapade – because that is what fuels the sexy hot pictures theory and the central plot of our storied adventure.
Rumor has it Luke and Nicola spent a lot of time with each other in Brazil.
By themselves.
In one or the other’s room.
On the beach.
By the pool.
There were also rumors of them making out in the hotel hallway.
The only evidence we have of any “alone time” are some pictures that were dumped on X of them dining together alone, without any other members of their team.
Now that the backdrop has been set, let’s go on my little adventure.
During the summer between my 7th and 8th grade years, I was bored out of my mind. I grew up in the countryside. No neighbors. No sidewalks. No cable! Just fields, wooded areas, and my two sisters, both of whom had no interest in entertaining me that summer. My mother suggested I read. After boredom had dug itself so far into my being that I was left with no choice but to read, I finally ventured over to the bookshelf and grabbed the thinnest book I could find. It was a “Choose Your Own Adventure.”
If you don’t know what a “Choose Your Own Adventure” book is, then you (and your children) are missing out. Basically, you play the role of the protagonist and make choices to determine the outcome of your story. Sometimes you make the right choice and survive; other times you make the wrong choice and get turned into a little mouse that may or may not be eaten by a cat.
Here we go.
As the protagonist of our story, you are:
THE EMPLOYEE
You’re an employee of the hotel Nicola and Luke stayed at while in Brazil. You have sworn to maintain the privacy of hotel guests; you’ve signed a non-disclosure agreement of sorts to protect the privacy of guests, especially since you have access to VIP areas. You can be a housekeeper, a watchman, a concierge, a seven-foot-tall security guard, whatever tickles your fancy. Doesn’t matter – you’re all bound by the same provisions to protect the privacy of the hotel’s guests. But, in this story, let’s say you’re the housekeeper because – what’s that old saying – the only person who knows everything going on in the house is the maid?
You’re cleaning Nicola’s room and you find lots of signs of a man being in the room. In fact, you find a coat that looks exactly like the one Luke was wearing the night of the premiere. Oh my. As you’re leaving, you see two people making out in the hallway – headed straight towards the room you’re just leaving! It looks like Nicola and Luke. What do you do?
Choice A: Well, you’re a pervy housekeeper so you pull your phone out and start taking pictures. I mean, those two are so into each other, they don’t even notice. You then run and play show-and-tell with your friends because you can’t keep a damn secret. Unfortunately for you, that gossip spreads faster than lice in a preschool, and hotel management tracks your ass down because, guess what, your friends can’t keep a secret either. So, congratulations on being fired. You’re meeting with the lawyers is first thing in the morning. Oh, we also need your phone and the names of all your friends.
Choice B: You respect the privacy of Nicola and Luke and simply turn and walk the opposite direction. Taking photos of them never even crossed your mind! But, damn, what a good story to tell your bestie when you get home, even if you don’t have “receipts.”
THE VIP GUEST
You’re a random guest staying at the hotel. In fact, you’re a random VIP guest staying on the same floor as Nicola and Luke. When you checked in, you signed a non-disclosure agreement. I mean, you want your privacy protected, too! And, heck, NDAs are thrown out like candy these days. You’ve seen so many at this point, you don’t even bother to read them.
You take the elevator up to your floor and, as you step into the hallway, you’re confronted with – goddammit, there’s two motherfuckers all over each other! The guy is trying to slide his key into the door, but the woman’s dress is so awkwardly large, he can’t seem to find the right slot! You realize the people look a lot like those two stars from Bridgerton, and your best friend, Effie, is a huge fan! What do you do?
Choice A: You can’t believe Effie is missing out on this excitement so, of course, you pull your phone out and start taking pictures!! I mean, that NDA you signed didn’t even cross your mind three minutes later when you were forwarding the pictures to Effie! And, because you can’t control what Effie does, she forwards the pictures to all her Bridgie buddies. The next morning you awaken to find the pictures all over X. Oopsie. You feel slightly guilty, and a bit peeved at Effie – but only until you’ve had your morning coffee.
Choice B: You take people’s privacy very seriously. Well, maybe you don’t take it that seriously, but it would be too difficult to dig your phone out of your handbag to take pictures. And, to be honest, Effie is the huge fan, not you. Plus, it seems the guy finally got that door open and damn, based on the sounds of it, he's unlocked something magical. Oh well. You’ll call Effie in the morning to tell her your story, if you remember it.
THE RANDOM STRANGER
You’re a random stranger taking an evening stroll along the beach. You love the sound of the ocean. It’s so peaceful…the sound of the waves… Ugh, what is that noise?! It sounds like – shit, it is! – two people snogging in a cabana about 10 yards away from you. Wait a minute – is that? Yeah, you think it could be! I mean, you were just at the Bridgerton premiere last night! What do you do? Without hesitation, you pull out your phone!
Choice A: You creep behind an umbrella and zoom in as close as possible with your camera! I mean, shite! You can’t believe this! How long have you been filming? Probably longer than necessary but who cares? Suddenly, you feel a presence behind you, perhaps a seven-foot-tall presence, and you slowly turn around. Fuck! Who’s this guy?! He takes your phone, drops it to the ground, and stomps on it, shattering its insides. Asshole. You bend down to pick up the phone, but the man taps your shoulder and shakes his head, “No.” Well, umm, yeah, I guess you best be leaving.
Choice B: You use your camera to zoom in on the couple. Snap! Snap! Snap! Then you get the FUCK OUT OF THERE! You tell yourself you don’t look suspicious at all, even though you’re practically running and your heart is about to pound its way out of your chest! Oh, thank God, you’ve made it to your car. You start it up and, like I said, YOU GET THE FUCK OUT OF THERE! You get home and take a look at the photos! Goldmine! So, should you drop them on X? Maybe be a little see-you-next-Tuesday and try to sell them to Nicola or Luke’s teams? But, hell, you don’t even know where to start with that! Or, should you just pocket them for your own pleasure? You tell me….
The End.
Yes, I am absolutely being a facetious little ass! The above scenarios were for (the most part) my own entertainment. I mean, there are so many situations where these alleged pictures could exist (these playful ones don’t even scratch the surface). But, do the pictures exist?
If we’re being logical here, you would think that, if anyone in the general public were in possession of these alleged sexy-time pictures of Luke and Nicola, or had seen them, it would be all over social media at this point. I mean, ALL OVER. So, what can we deduce from the fact that they aren’t?
That the pictures probably don’t exist. Don’t shoot the messenger! Seriously, watch where you point that thing!
But, let’s say pictures did exist. Who is the most likely person to dump them on, say, X? The hotel employee, the VIP guest, or the random stranger? I would place money on the random stranger, followed by the VIP guest. The hotel employee, who probably has the most access to VIP guests but the strongest legal barriers, would be the least likely to photo dump. What is the likelihood that someone from one of these three groups – for example, a random stranger – (a) had pictures of Luke and Nicola, (b) didn’t drop them on social media, and/or (c) didn’t share them with someone who dropped them on social media?
I’m all for a good conspiracy theory but I find this one to be a hard pill to swallow.
Maybe one person can act as a lockbox for this kind of secret, but when you start including more people, the ability to keep something (like illicit photographs of two celebrities) out of the public eye diminishes rapidly.
Remember what Benjamin Franklin said, “Three can keep a secret, if two of them are dead.”
Unfortunately, this quote is incredibly accurate. The general public cannot keep secrets.
If the pictures exist, they are most likely in the possession of Luke and/or Nicola’s team (of lawyers). So, unless they’re going to sneak them on to X for giggles (I mean, it’s been known to happen), you’re probably never going to see them – and that’s assuming they even exist.
However, if you’re the housekeeper from our first adventure and you happen to have some candid photographs you’re just dying to share, just find yourself a printer – one that cannot easily be linked back to you – and print them out. Then, “accidently” drop them at the feet of someone who knows exactly what they are, and then give them enough time to take their own photos of them and send them to their best friend’s brother’s sister-in-law’s third cousin’s wife’s neighbor, who could drop them on X for us. I mean, you should be golden with seven degrees of separation.
#lukola#luke newton#nicola coughlan#my thoughts#my opinion#speculation only#just me being ridiculous
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One of the more interesting theories I've seen is "The Arcane is a metaphor for The Narrative, and Act 3 is about the characters breaking away from the path the Arcane set for them". (Admittedly, there's still a good chance that they're going to become something close to their League selves, but for the sake of the fic, "League Canon" is different from "The Predetermined Path The Arcane Has In Mind".)
I mean, that's definitely A Way™ to try and thematically integrate something like Ekko's time travel into the story... but I don't think they should or will do that, because it kinda flies in the face of everything Arcane has otherwise been about.
Arcane has been about how class and systems of power push people to act in certain ways, it has been about privilege and deprivation, it has been about how cycles of violence and trauma forcibly replicate themselves under oppression, and it has been about the ways in which all of those things can push people to become the worst versions of themselves with the absolute best of intentions.
See Silco and Vander both acting out of love for their cities to try and make the best future they can for their children and fellow citizens, and the consequences of both their methods. See Viktor and Jayce trying their damndest to invent something that will make the world better, vs the pain and devastation their Hextech causes in the world.
Season 2 goes HARD on this too - Caitlyn being enabled and very actively pushed by her class position to turn her grief and trauma into authoritarian oppression, Vi letting guilt and obligation push her into becoming a part of it "for the greater good" because she's desperately trying to live up to what Vander taught her by example.
And saying "ah, no wait actually, it is The Narrative Of The Fiction that is causing this to happen to us!" very badly undercuts all of that. The whole narrative up until this point has been about how bad systems make monsters out of good people, and to pull back the curtain, Wizard of Oz style, and find that it was just A Guy doing it, some wilful entity imposing a narrative on the world... that's a very different kind of story.
At worst, it would turn Arcane into metanarrative wank - a corporation jerking itself off over its IPs and cinematic universe, or writers jerking themselves off over how important and powerful writing is, why, it is the most powerful force in the entire world of our fiction! (looking at you, Game of Thrones Season 8).
From the very start, what I have feared the most is that Riot would turn Arcane into a story not about its characters, but a story about the League of Legends™ family of exciting and highly engaging intellectual properties which we are excited to leverage in a cross-brand synergistic market activation. A story whose ultimate point is "buy League of Legends skins and get excited for Phase 2 of the League of Legends Cinematic Universe!"
So yeah... I would like The Arcane to be a thing inside of its own universe and bound by its rules, not a thing which represents the commercial concerns of the world we live in. I hope you are not correct about that interpretation.
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You're not the first person to make this comparison on this post, but when I wrote this, I hadn't done a re-read of SOTL yet (and the last time I'd read In the Hand of the Goddess was... a LONG time ago, so I couldn't really make a good comparison between these two scenes), but I have now and I've been sort-of thinking this over and have some thoughts on it.
For me, this isn't so much an indication of them being similar so much as it is just an unusually similar narrative beat. A character chooses to disobey an order about not crossing a border during a war in order to go save someone who has been captured and, in so doing, takes out a major antagonist that leads to the end of the war.
But the MOTIVES behind the two actions seem very different to me. Jon goes to save Alanna because he's in love with her and can't bear to lose her. Kel goes to save the refugees because she's responsible for them and takes that extremely seriously. She does CARE about the people, obviously, it's still being done out of love, but she's not doing it because she can't stand to live without them so much as that she's INSANELY duty-driven. She goes up to save Lalasa for similar reasons after being told that a noble's duty to their servants is basically sacrosanct. Kel goes across the border because she believes it's the honorable thing to do. Jon's motives aren't about honor and are, arguably, somewhat more selfish in origin.
So while this is obviously a very similar storyline, I don't find that it's an example of these two characters being similar to each other.
Kel is willing to give up EVERYTHING out of a sense of duty to the people she's responsible for. While Jon is someone who does a LOT of things for his people and spends a lot of his time and energy making life better for them, I can't recall a moment where Jon is ready to give up everything he wants and everything he's worked for just to save his people. Jon actually tells Kel in Squire that he and Thayet work pretty hard to keep themselves OUT of that kind of danger whenever possible, that's the point behind all of the compromises. All of the arranged marriages for his kids are to try to ensure peace through political connections and stop fighting in wars.
This is where they DO differ because Kel feels like someone who, at least at this point in her life, is willing to die to protect her people. But Jon is someone who will do whatever it takes to LIVE for his people for as long as possible. Jon understands that, in his position, it's more beneficial for everybody for him to make compromises in order to stay alive so he can keep making changes that will make people's lives better in the long run. This is a lesson that, while we do see Kel LEARNING it a little during Lady Knight, isn't one that really plays into the final conflict of the book. It's possible that Kel will end up being even more like Jon in this way as she gets older, more willing to stay back herself and trust others to do what needs to be done in her place, but by the end of Lady Knight, that just isn't who she is yet.
And maybe that's what's interesting about the comparison. Kel isn't all that much like Jon YET, and she's certainly not all that much like Jon when HE was 19, but Kel shows signs of being a lot more like Jon as he is during HER series as she gets older and gains more experience. Kel is very righteous, very inclined to just act and get things done, but over the 9 years we get to know her, she has to learn more and more about when to act and when to WAIT. She has to learn when to push and when to bend a little.
As a woman, she's going to be held to different standards than her male counterparts like Raoul or Wyldon, she'll be dealing with different limitations and setbacks than they ever did. And so her approach to leadership will, by necessity, have to be different than theirs was. She does look to them for inspiration, but in execution, I think she'll likely end up far more like Jon. Jon is obviously not a woman himself, but as King he's ALSO held to different higher standards than his compatriots and he was very young when he took the throne and has been very progressive throughout his reign which means he's dealing with certain limitations and setbacks that more conservative people might not.
Kel has strong opinions and firm ideas of what the world SHOULD be like, and that's going to lead her down a similar path of trying to CHANGE things, but she'll be dealing with all of the same limitations that Jon is, which will force her to approach things the way he does. She's going to have to compromise, she's going to have to bend, she's going to have to learn when a fight is worth having, she's going to have to learn to give a little in order to get a little later.
Kel would probably not have crossed the border for just one person. If it had been Neal, for example, and Neal alone, she may not have decided to take that risk. Neal is a trained knight like herself and probably won't thank her for giving up everything to come save him. Kel could probably have been convinced not to cross the border for him, as much as it would've pained her. And Jon I think would not necessarily give up everything to save a few hundred people the way Kel did, even though it would pain him to have to make that choice.
Kel IS like Jon and will likely become even more so as she ages, but crossing the border just isn't one of those places where their similarities are showcased to me.
The funniest thing to me about Kel, and maybe one of the most interesting because of how understated it is, is that Kel becomes a good commander in the end, not by emulating Wyldon who was cold and implacable and insensitive, or by emulating Raoul who mostly only disobeys orders out of principle or because he has an issue with what the order says about his personal relationship with Jon, but by emulating JON.
Kel doesn't even LIKE Jon, she BARELY respects him as a person. He's a good enough ruler that she's willing to fight for him and swear loyalty to him and to at least mostly believe that he wouldn't work with Blayce to make his own killing monsters, but that's as far as it goes for Kel. If he's kind to her, she finds it uncomfortable and almost untrustworthy because she assumes he doesn't care about her and so his kindness and respect towards her must be fake.
But from the outside, as readers, we know just how much Jon fought for Kel. We know how much he does respect her right to be a knight. Jon is the sole reason that Kel DID get the opportunity to prove herself, if he'd capitulated to Wyldon completely, she just wouldn't have ever been allowed to join. Kel doesn't KNOW THAT, obviously, but we do. We know that Jon did everything he could to find a way to convince Wyldon to let Kel become a page. While Wyldon claims later that the reason he chose to let her stay at the end of the probation year was because his better judgment convinced him she'd earned it, I'd be willing to bet that part of that better judgment also included knowing if he couldn't prove to JON that she needed to go, then he'd be in trouble. Kel was training and working in front of plenty of other trainers and teachers who could easily contradict Wyldon's lies if he'd tried it, many of whom are closer to Jon than they are to Wyldon.
Kel's experiences and feelings about that experience are entirely valid, and she doesn't have the knowledge we do about how hard Jon fought for her, so it's not shocking that she's upset with him for a good portion of her series. She never even discovers this truth by the end of her series, even though she does get a lesson from Jon and Thayet (and Raoul to some degree) about how politics and compromises work in order to make changes happen. So her opinion of him by the end is boiled down to the quote from Squire: "good kings weren't always good men." It makes sense for her to think this, but because Kel's knowledge base is so limited (and her worldview so black and white for much of her series), it makes her an EXTREMELY unreliable narrator about this particular issue.
Kel believes that while Jon generally does his duty and keeps the peace, he doesn't actually care all that much about his people as individuals. But in their only meaningful conversation in Squire, Jon is able to point out that he (and Thayet, who is actually equal to Jon in power, something Kel either doesn't know which would be a failure in her education or just tends to ignore so she can focus her ire on Jon) has to make a LOT of compromises in order to get ANYTHING useful done at all. Sometimes, often, it means making deals with people he doesn't like or people he just fundamentally disagrees with, because it's the first step in a multi-step plan to help more people in the long run. He also points out that just throwing his weight and authority around in order to be able to change everything he wants to change immediately regardless of what anyone else thinks about it is a great way to get himself and his family killed. Because even if he had good intentions, that would be tyranny. It does make Kel think a little, but she doesn't tend to like him much still afterwards, her resentment from her page years will always color her opinion of him a little.
However, then she gets to Haven and she's suddenly tossed into a position of leadership over a lot of other people, many of whom disagree with each other or disagree with her or both. And all of the sudden, Kel has to make compromises. She doesn't LIKE the way the sergeants often treat their men, especially the sergeants whose men are convicts, but there's very very little she can do about it without really pissing off those same sergeants and that's not something she can afford to do. There's a moment when Neal starts getting frustrated about the treatment of the convicts and she takes him out to vent to her so he doesn't vent to the sergeants, something that the sergeants would then take out on their men. Kel's reasoning as she does this is that she "preferred to avoid battles with them now so she would have authority with them later if she needed to use it." Later, Kel is talking to Daine and she says "That's all this job is... Trying to please everyone and pleasing no one. And it will only get worse, not better."
Both of these moments showcase Kel choosing to make compromises. She may not like the way the sergeants treat the convicts, but she needs to stay on the sergeants' good sides because she doesn't have enough resources to butt heads with them nor enough authority to just force the issue, and even if she DID, it could cause the sergeants to become troublesome or take out their frustration with her on the men in ways she can't see as well. But staying on the sergeants' good sides might mean letting some of their maltreatment slide if it's not physically harming the convicts. And even setting that aside, she's dealing with nearly 500 refugees eventually, all of which are from different towns in the area and have different needs, not all of which she can accommodate. This requires compromise. Sometimes she can please some of them and not others, but mostly she probably just ends up not pleasing anybody because that's often how compromises WORK.
She never makes the active connection to Jon and his lesson on leadership from Squire while she's in Haven, but that quote up there about how this job (aka being a commander) is all about trying to please everyone and pleasing no one? It sounds a HECK of a lot like "good kings weren't always good men." You can try your best to help others, but often doing the right thing can involve making everyone unhappy. You can't be everybody's friend if you're going to get anything done.
Some of this she might've learned from Raoul's style of command, but Raoul commands a fairly small amount of people (at least in comparison to a King), and so we see him able to be pretty friendly to the people he commands in a way that Jon is perhaps unable to do. And she might believe that she learned some of this from Wyldon, but Wyldon had a tendency to be very unfair and biased due to his raging bigotry and conservative values, as well as the fact that he doesn't actually even LIKE being a training master and that likely impacted the way he treated the pages (he's almost never that kind to the pages, whereas we see him capable of being quite kind with the refugees later, which is where Kel comes to the conclusion that he hadn't enjoyed being a training master).
But Jon makes an entire speech about how he (and Thayet) have been working THEIR ENTIRE REIGN to change laws that help people. He explains how they have to consider the needs of merchants, nobles, farmers, street people, priests/priestesses, and mages. They have to consider not only what these people might need or want, but also what they could do when they feel sufficiently offended and how that could impact not just the royal family or the nobility but the realm as a whole. Jon points out that they HAVE made changes, for the better, and that just because they don't always succeed at everything or because they have to compromise sometimes, doesn't mean they aren't working at making changes or that they don't care about helping people. Not everyone you have power over is going to be your friend, they might not even be someone you like. But if you're going to take on the job of leadership, that's something you have to be willing to accept and work with, which often means making compromises with people whose needs and values are contradictory to your own.
Jon probably knows when he makes the compromise with Wyldon that it will likely impact a lot of people's good opinion of him. Alanna is right there and clearly angry, and we know Thayet doesn't like the decision, either. And it's entirely possible that Jon knows in the moment that Kel herself will put the blame on him because he's the King. But he also knows that if he insists on Kel being allowed to be a page without trying to compromise with Wyldon, Wyldon will quit over it and he'll end up with ten DIFFERENT problems that could cause a lot bigger issues to far more people than just one girl. So he makes the compromise. He sacrifices Alanna and Thayet and even Kel's good opinion of him in order to ensure that Kel gets the opportunity to become a Knight without turning all of his nobles against him which could ultimately lead to a civil war. Is it fair? No, and he knows it. But it's the best option he has in order to get the outcome they all actually want which is just for Kel to have the chance to prove herself.
Kel has to make similar choices once she's finally in a position of leadership of her own. And whether she realizes it or not, without ever even spending more than a few minutes with Jon, she ends up emulating his leadership style more than anybody else's because it WORKS and it works WELL. She'll probably never admit it, she might never even realize it herself, but she's so much more like Jon than any of the other men she sees as role models. And I love that. I love the dramatic irony of that, that the one person Kel only barely respects because of a compromise he made on her behalf that she'll never even know about, is the person Kel ends up most resembling. Jon is the reason she has the opportunity to become the Protector of the Small in the first place, Jon is the person who created that environment that allowed her to nurture those values, and she'll probably never even really be able to acknowledge that, because sometimes that's what being a good leader means.
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@randombush3 violated my inbox to request this so you have her to thank
old!money, boarding school reunion, and some other bits im too common to explain !
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The reunion gala is being held in the dining hall, which is now unrecognisable, strung with white fairy lights and overrun by women who look like they’ve stepped out of a Tatler feature on “The New Guard.” You and Leah arrive late, her fingers laced loosely with yours, her face caught in a look of quiet amusement she’s been wearing ever since you explained what the event actually was. The type of function where everyone’s name rhymes—Tillie, Millie, Mintie, Lottie—and they all wear headbands, pearls, and just enough Loewe to feign not trying.
“Are you sure I’m dressed for this?” Leah mutters as you step into the room. She’s in a black blazer, simple but sharply tailored, and trousers that cling to her frame in a way that has made you a little distracted all evening.
“You’re perfect,” you say, squeezing her hand. “Besides, half of them are just here to drink champagne and complain about the wallpaper”
The first person to approach you is Tillie Worthington, née Price, whose voice hasn’t changed since you last heard it at seventeen: clipped, nasal, and deeply amused by everything. She air-kisses you, one cheek then the other, leaving a faint trace of Jo Malone behind, and sizes Leah up with the kind of interest usually reserved for auction lots.
“This must be your footballer,” Tillie says brightly, as if she’s been handed a guest list and not just guessed from Leah’s posture, which screams athlete. “Leah, isn’t it? How marvellous. I’m Tillie, darling. Went to school with your girl. She was an absolute terror in Upper Fourth”
Leah shoots you a look, equal parts entertained and confused. “Upper Fourth?”
“Year Nine,” you mutter.
“She had all the girls swooning,” Tillie continues, ignoring you, her attention fully on Leah now. “They’d leave her chocolates in the locker room. Did she tell you that? Or is she still pretending to be shy?” She winks.
Leah grins, leaning into the banter. “She’s not shy”
Your cheeks are already burning when Mintie Sotherby appears, dragging her husband—a man who looks like he was born holding a yacht steering wheel—behind her. Mintie is as you remember: glossy and terrifying, with the kind of presence that made underclassmen weep in corridors. She zeroes in on Leah like a heat-seeking missile.
“You’re the Arsenal one, right?” she says, tilting her head. “You’re on my husband’s fantasy football team.” She pauses, turning to the man at her elbow. “Aren’t you, darling?”
“Er—yes,” he says, with the enthusiasm of someone who doesn’t know his own players. “Very good value for money”
You’re about to step in when Lottie—of course it’s Lottie—arrives, carrying two glasses of champagne and a third that she thrusts at Leah. “Here,” she says conspiratorially, her vowels clipped like a BBC anchor. “You’ll need this if you’re meeting everyone. They’re all positively feral tonight”
Leah raises the glass, her grin widening. “I’m starting to see that”
The night is a whirlwind of introductions, champagne, and remarks that range from condescending to bizarre. Leah handles it all with a grace you’re sure she didn’t think she had, charming your comrades like she’s been doing it for years. But the moment you’ve been dreading comes as you’re cornered by Pippa Hardwicke, your former dorm mate and now a full-time collector of scandal.
“Oh, and let’s not forget the time she got caught sneaking into the boys’ school across the lake,” Pippa announces, her voice carrying over the din of conversation. “Right through the headmaster’s garden. She had to scale a wall in a dress she’d nicked from the laundry room—can you imagine?”
Leah turns to you, eyebrows raised, the faintest smirk tugging at her lips. “Is this true?”
You’re halfway through an attempt at deflection when Pippa adds, “And she left her shoes behind. Do you know how hard it is to explain a pair of muddy Louboutins in the middle of a rose bush?”
Leah bursts into laughter, shaking her head. “Oh, I’m going to need to hear all of this later,” she says, her tone low, conspiratorial.
You groan, pulling her away as Pippa prepares to recount the time you tried to rig the voting for Head Girl. “We’re leaving. Right now”
“Leaving?” Leah says, grinning as she falls into step beside you. “Baby, I’m just getting started. I’ve got so many questions. Like, how many times were you caught sneaking around? And did you really steal the dress?”
“You’re supposed to be on my side,” you mutter, though the warmth in her voice is impossible to resist.
“I am,” she says, slinging an arm around your shoulder. “But I also love picturing you in the middle of a garden, barefoot, running from security. It explains so much”
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Haiiii Can we get like a oneshot of Vi x f!drunk reader? Maybe where reader is like rlly flirty and horny when drunk and wants to have fun with Vi but obviously Vi doesn’t do anything and just tries to take care of her?
Vi taking care of drunk fem!Reader.
This was written by someone who has never touched alcohol, so I hope it's not too bad-
Content: alcohol, reader is drunk as hell, established relationship, SFW
Reader is asked to be afab and uses she/her pronouns!
((Not proofread))
"Damnit... you drank way too much this time around, cupcake..." Vi sighed out with a shake of her head as she hauled you into your shared home after a long night out in Zaun's busy bars. You were just giggling to yourself at her words, finding them silly and untrue, of course. You weren't drunk at all! Far from it, actually. Never mind your inability to see clearly or walk straight for that matter.
"I'm... not drunk! I uh... yeah." Your girlfriend rolled her eyes at your oh-so-convincing argument whilst she made you sit on the couch in your living room. Trying to just get you to bed as fast as possible, she kneeled down infront of you to take your shoes off, eyes focused on her task at hand and yet you were far from interested in resting now. No, you had plans.
Plans that involved her.
"Hey... what are ya' doin'?" You asked, not even trying to pronounce your words properly anymore. Your hands came up to play with her short pink hair before they slid down to cup her face. Glancing up at you, she raised a slight brow. She knew that look in your eyes. But not tonight, she thought. Not when you're literally unable to even sit up right. "Getting you ready for bed." "Oooh... I love the sound of that!" Deadpanning, she fought the urge to sigh in disappointment. Typical. And usually, she'd indulge in your wishes, but again, not like this.
"Nope, not like that. Now come on, let's get ya to bed, pretty." She said, quick to pick you up with scary ease that made your heart flutter and giggle in excitement. Yet that all slipped away when you processed her clear rejection. "Whattttt?? But the bed is right thereee." "Sure is, princess." It was honestly really amusing to see you so needy for her. And whilst she was stressing a bit, it definitely made for good material to tease you with later.
Carefully laying you down onto the bed, she couldn't help but chuckle at the way you began melting into the mattress involuntarily. "Ya look reallyyy good tonight, Vi-" "-Thanks. Drink this water for me, please." She hummed, skillfully distracting you as though she had been through this a million times before. She gave you no chance to argue back either, with the way she simply made you drink a whole glass of water whilst making sure the bed was fluffy and comfortable enough for you to be in.
All you could do was pout and give her a defeated glare that made her smile. "Sorry, but that's just how things are gonna be tonight, alright? Besides, I bet you're really tired." And you absolutely were, much to your dismay. Vi on the other hand, knew that you were going to get a deadly headache once you woke up and went ahead to place some painkillers and a bucket, just in case, at your bedside table. She needed to prepare everything for your approaching doom the best she could, after all.
Her attention was averted back to you when she noticed you having fallen asleep whilst she was taking care of you. A gentle smile rested on her face, your image mirroring in Vi's eyes lovingly as she admired your form. "Well... that was fast. So much for not being drunk, ey?" But she didn't mind it. After getting ready herself, she pulled you into a tight embrace and fell asleep as well, glad to have you safe and sound with her.
And even if you were unfortunately rejected tonight... there is always tomorrow.
#arcane#arcane x female reader#arcane x reader#arcane x you#arcane x y/n#arcane vi x reader#arcane vi#arcane vi x you#vi#vi x y/n#vi x you#vi x reader
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im so curious-- how well does DUDrow get on with the other companions? I've only seen your art and going off that I feel like: he gets along with Shadowheart, Gale I think he borderline cant stand, and Wyll/Lae'zel/Karlach I have no idea how he'd feel about them but id love to know!
So, funfact, because I was not familiar with these kinds of games at the time I played BG3, I practically stuck with the same exact party the entire playthrough. I distinctly remember swapping Wyll in for Astarion once at the end of act 2 because I thought he NEEDED to be there to find Mizora, and I replaced Gale with Karlach when I went to kill Gortash. Otherwise... It was pretty much always just DU drow, Shadowheart, Astarion and Gale. I did this because they were the characters I liked most, so I wanted to see all they had to offer.
Anyways, I mention this because it reflects how DU drow related to everyone - which is to say that he didn't. He picked his favorites (two because he liked them, one because he has fireball) and didn't get particularly close to anyone else.
BUT, there were definitely notable dynamics!
Lae'zel: She's dead. He killed her night 3 or something. Before that he thought her annoyingly demanding and over the top. I don't think DU drow even remembers her by the end of the game.
Gale: Just to add to your original observation, Gale and DU drow have a little bit of history. Gale tries, for about half of the campaign, to pursue him romantically. DU drow keeps turning him down and is either misinterpreted or ignored, and by the time Gale does give up on him their relationship has completely soured to the point where they are constantly shooting daggers at each other. (this reflects a romance bug I got in my first run, except I didn't realize it was a bug. Either way I think its more interesting storytelling than the intended experience.)
Wyll: DU drow was profoundly frustrated by Wyll every step of the way. He found him to be incredibly naive and a bit delusional in his pursuit for heroism, and could never relate to Wyll's perspective or choices - the few he made for himself, at least. They definitely had the least in common and DU drow avoided interacting with him most of the time.
Halsin: He didn't care for Halsin much. He was vaguely helpful but by the time they got to the shadow-cursed lands DU drow had the impression he'd only been dragged here to help him clear his conscience, which he didn't appreciate. Also, he couldn't bear to have someone in camp be taller than himself. Halsin was left behind in Act 2.
Jaheira: DU drow fucking loves Jaheira. They bickered and borderline insulted each other and had a great time doing it. He can respect anyone who will call him a monster, threaten to murder him in his sleep, and make light fun at him the next day. It helps that she's hot, also.
Minsc: Weird hamster man. Ocasionally rendered him speechless. Puzzling human being.
Karlach: He didn't get Karlach, but he was often amused by her and curious enough to want to hear what she had to say. There was a similar issue here as Wyll's where he just couldn't relate to her enough to have much to discuss, but Karlach at least had an edge to her that made her far better company. They got along pretty well when the topic wasn't serious, but when it came to the problems she actually faced their perspectives shifted significantly. DU drow thought everything could be fixed, that accepting her own demise was a cowardly thing to do - and as they approached the end, and she asked him if he would stay with her when she died, he thought she was weak. I don't know if he ever discusses it with anyone, but he feels guilty about her death to this day and sees it as personal failure.
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I really didn't want to do this but at this point I cannot stand behind and allow a group of people to berate and bully my friends for simply putting boundaries between them. There has been so much hate and disgusting things happening on Tumblr lately and I whole heartedly believe that these people have to do with the many hate accounts circulating, I have a ton of evidence to why these people are not good people and they genuinely need to be stopped.
Bullying is not cute, it's not funny, it's not you being "Real." no, you're just being plain fucking mean. I have evidence on only a few people for things they have said and done, but I think that their entire friend group is guilty. I am almost certain that they send each other anon hate asks so that they can respond being "real" and get more attention on themselves.
Firstly, where I think this all originated, now I am telling this in a way that I can explain as best as I can and from when I was there, I know that prior to this incident these people had an issue respecting my friend Mars's pronouns (something they continue to do) When mars set these boundaries with an account called Jaeyunsonly, Eva (jaeyunonlys) continued to do it. Eva would call mars "girl" and Mars simply asked for her to not call them that, Eva apologized but then continued to do it, so mars unfollowed and made the decision to no longer associate theirselves with Eva, which is completely understandable and should not warrant the hate that their receiving.
Now, coming from where myself and Kaia come in. Kaia and Eva would talk very little I think I was told that had only had a total of two conversations and weren't close at all but still Kaia was friendly with Eva. Eva joined my discord server and she was really nice and cool at first. One night when myself and Kaia were on Vc as we did a lot Eva joined, we were ok with that of course anyone was welcome to join the vc. Eva mainly kept on mute and again, we were fine with that Kaia and I carried along with our conversation as normal. That was until Eva muted and told us that her friend was getting "freaky" to our American voices.
It had made me and Kaia a bit uncomfortable but we tried to brush it aside. After that Kaia decided to make a new smau and Eva messaged her with a message that had made Kaia a bit uncomfortable.
and although we can admit that this was in good faith, it made Kaia a little uncomfortable seeing as Eva and her were not very good friends and we had gotten bad vibes since she had said that her friend was getting "freaky from our voices" Kaia messaged Eva back, very respectfully to say that she wasn't comfortable with her unsolicited advice.
This was written very respectfully and after that Kaia was no longer interested in being Eva's friend. Which she HAS THE RIGHT TO. This is when the hateful messages started and the little indirects. We even shortly realized that a weird, ableist and quite frankly racist message that came into my inbox a while back was none other then Eva as well only further us not wanting to be associated with her.
Read it and weep, this is such a weird thing to say. There are ot7 briize of every race, nationality and everything why feel the need to attack one over the other and to also call them mentally challenged?? Actually insane, not even to mention the P DIDDY JOKES SHES MADE. Like what ? and Honeybelle, let me even get into honeybelle. This was her response to Eva's pdidy jokes.
was it "satire" to p diddy's victims honeybelle? was it just a "joke" to them. Like be so for real this is so disgusting, and saying it was just SATIRE. come on where is the accountability?
but I think its obvious that nothing bothers honeybelle seeing as she thinks its ok to write smut that includes minors even if theyre not included in the actual sexual acts.
Like what?? Here's the story too btw you be the judge, she also mentioned and later deleted that the reader was high school but a cam girl?? read these and ket me know exactly what the fuck you think.
"I realize that Riki is still a kid but im too lazy to re edit" what. speaks for itself.
She even deleted a sentence I very much remember where jay says to reader that "she is just a hole for Riki to fuck." like what?? that's sick. Not even to mention that Honeybelle's work is very very similar to Mars...anyways.
Something that mars tried to handle in private and was very respectful about, they use this as another thing to attack mars and Kaia about.
you would count this as resolved right? but they just cant seem to let it go. As they relentlessly continue to bully Kaia and mars over it. Kaia and mars have done nothing but set boundaries and theyre getting attacked for it.
In comes virtualhoon and all her friends or moots idk. And although Virtualhoon has a right to say whatever she wants on her account sure, she should not be allowed to BULLY people. You aren't being "real" you're being a mean girl. Then you say you want everyone out of your business but continue to make posts and respond to anons talking about the situations and lets me real, what are the chances that all this friend group is sending the anons to further the issue. Mars and Kaia have not spoken about it but when they do they get berated (I have further screenshots of this.)
but also the AAV...but anyways.
Bullies. bullies. bullies.
fast forward to today where mars was ONCE AGAIN, misgendered and Kaia came to their defense and this is their response.
like y'all think talking to people like this is ok?? no wtf. This is disgusting and if you think this kind of behavior is OK? you're just as bad. Also, isn't the way these people talk very very familiar to all these hate accounts floating around and if they can talk about people this bluntly then what do you think they say behind an ALT. I dont have solid proof of that but come on, we're not stupid.
also... come on this is so racist.
This is only scratching of what have done, if you go to virtualhoon's profile you can see countless times that she has attacked Kaia unprovoked. This is the act of bullies, i'm sick of the negativity on Tumblr but I don't care this has to be said.
@heeambi, @chobunz , @leeechin , @pshbites , @jaysng , @suneng
@coqhee , , @st1llm0nster , @nshmuras , @won4kiss , @wonsdoll , @jaemna , @vveebee ee , @lunesdesire e , @lvnglysunoo oo ,
just tagging moots for awareness, not saying you’re involved.
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While 4B has been a topic of conversation online for a few years, sporadically gaining popularity among U.S. TikTok users in moments like the “I chose the bear” trend, Trump’s reelection brought it front and center again. In the days following Trump’s win, online searches for the 4B Movement saw an unprecedented spiked. Across social media, women are posting that they need to divest from men, amassing hundreds of thousands of likes and millions of views. But the conversation about 4B in the U.S. is rife with misconceptions about the movement, including false assertions that 4B accounts for the majority of feminist thought in South Korea. It’s important to note that despite the global attention, 4B is a fringe movement in South Korea, and Han says the vast majority of South Korean feminists do not abide by it. “I just want to make sure that people understand that 4B does not speak for Korean feminism,” Han tells Them. “4B is not representative of Korean feminist politics. A lot of us see something a lot more diverse and a lot more intersectional than what 4B calls for.” Though the 4B movement is quickly gaining wind in the U.S., this is far from the first time American feminists have called for a divestment from men to combat misogyny. In the 1960s, political lesbianism emerged from the second-wave feminist movement as a means of decentering men from the lives of women. Like 4B, political lesbians aimed to divest from dating and having sex with men. They asserted that any feminist can be a lesbian, defining lesbian as any woman who did not have sex with men. “We call it 4B now, but it's political lesbianism,” Han says. “Essentially it's the same thing too, but the one aspect of being a political lesbian was you may or may not [actually be a lesbian], and sometimes you really didn't have sex with other women, but [instead lived by] the idea that you prioritize your relationships with other women, that you prioritize your solidarity with other women.” But with the 4B movement both in South Korea and the U.S., Han says this isn’t the case, as men still find themselves front and center in the discourse. She adds, “I've never heard so much discussion of straight men. Can we just decenter them?” [...] Han says that they hope this blip in interest about 4B fades into the next news cycle, as there are so many other forms of intersectional South Korean feminism that do include queer and trans people. Ultimately, many of the current discussions about 4B are coming from a place of privilege that queer people don’t have the luxury of accessing. “Queer and trans folks know that isolation or imagining a life ‘just on our own’ — that's not our reality,” Han says. “That's not our vision. In many ways, I think our experiences tell us that we have to live with people who hate us. We have to work with and against and fight folks who mean to harm us and simply disavowing them or refusing to interact with them or somehow running away and keeping to ourselves, that's never been possible.”
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hi jade! I remember a while back you wrote a drabble about hotchner!reader having a really bad panic attack and Spencer and Aaron helping her at the hospital, and it gave me a lot of comfort to read it. would you be interested in writing something about Spencer and Aaron taking care of hotchner!reader as she adjusts to her new meds?
—Spencer and your brother, Aaron, take care of you when your new prescription gives unexpected side effects. fem (adopted) 2k
When things got quiet at home, you’d get tense.
Your apartment is silent. No whir of the heating, no washing machine clatter, no voices. You sit on the couch with your legs pulled up, turned to the armrest with your cheek pressed to the seat's backing. Your phone is in your hand at a low percentage. You’ll get up to charge just as soon as you can remember what you’d wanted to be doing in the first place.
Spencer was going to call you. He’s sweet, really. You didn’t expect for love to feel easy; you never thought someone could like you without allowances. You’re quiet sometimes, your nerves are shot. You ask for reassurance too much, too often, and you don’t believe them when they’re given.
You aren’t smart, or funny, or particularly hard-working.
But Spencer loves you, you’re almost certain. Or maybe he’s just content to be half happy. It wouldn’t surprise you if he called you to break up with you —what use have you been to him lately? You’re tired everyday. You can’t sleep, you can’t eat, you never want to go out. You can barely make it through the working day.
Your phone beeps in your hand.
Outside, it says. If Spencer’s there, please make sure he’s fully dressed.
You manage to smile weakly. Aaron saw Spencer once getting out of the shower, and he was dressed, thank you very much. You hadn’t done anything salacious as he might’ve assumed from the situation, just showered together, but Aaron always lets you know before visiting now.
Doesn’t ask, by the way, but you don’t actually want him to. He’s like, the only good thing in your life beside Spencer.
Aaron lets himself in and finds you immediately. “Hey, honey,” he says.
He slipped into the affectionate older brother role not long after meeting you, and he’s been worse since you were in the hospital. Which is to say, gentler with you.
He slips a bag of groceries onto the counter. He pans around the room. It’s cleaner than usual here, but none of the lights are on, nor the TV. You can see him notice it.
“You okay?” he asks, pulling groceries from the bag. He’s brought milk, bread, eggs, and fresh soups from the nice store nearby. “It’s quiet in here.”
“I’m fine.”
“Yeah? Any wobbles?”
He’s asking if you’ve had a panic attack or anything like it, but for the last few days you’ve felt veritably numb. “I’m okay,” you say.
You should bring up your symptoms. Clearly, lexapro either isn’t right for you or the dosage is too much; you’re a zombie these last couple of days. Medications don’t always work straight away, so for a time you’d felt like your script was useless, serving only to make you nauseous, but the sickness has finally gone away.
He opens the fridge to put away the groceries. He’s sliding the bread into your bread box when he says, “Honey, aren’t you gonna answer that? Your phone?”
You blink down at your phone. Spencer’s contact glows in front of a green background.
You click answer and pull it to your ear. “Hello?” you ask softly.
“Hey, angel. How are you feeling today?”
You clear your throat. “Fine.”
“I was thinking I’d come over?”
“You’re outside?” you ask.
“How’d you know that?”
“Must be something in the water.”
“I’ll come up now. I brought some things for dinner.”
You manage your first laugh that dreary day. It’s nearly normal. “Okay. I might not have room.”
Spencer promises to be up quickly and disconnects the call. You lift your chin to find Aaron already looking at you. “Do I look okay?” you ask.
“Beautiful, don’t worry.”
“Is this an ambush?” you ask.
“Not an intentional one. Can I make you something to drink?”
He’ll make you something you like, you trust. You try to sit properly on the couch before Spencer gets here, rubbing under your eyes, checking there’s nothing on your t-shirt and sweatpants. It might not matter if there were, you know Spencer thinks you’re pretty without makeup or fancy clothes, but he doesn’t necessarily have to be truthful about it.
“Aaron,” you say, before you can forget, “did… was Jack’s soccer okay?”
He passes you a mug, squeezing your shoulder lovingly. “It was great. I’ll show you the photos.”
“I’m sorry I didn’t go.”
You were supposed to. Spencer even drove to pick you up, but he got here and your meds weren’t working and your heart was beating wrong, so you stayed home.
“It’s okay.” Aaron looks like he wants to hug you, but he doesn’t. “Nobody’s mad at you for that.”
“For other things?”
“Nothing.”
Your door opens again. Spencer bursts in with two things, a brown paper bag of groceries and a bouquet of flowers. It’s a pretty huge bouquet, as they go, white and pink flowers, cornflower blue chrysanthemums spotted throughout, the end of his scarf stuck in the flowers and his coat unbuttoned in the struggle. “Hey. Hi, Hotch.”
“Spencer,” Aaron says, which is strangely warm.
Spencer shoves the bouquet aside to see you. “Hi, you okay?”
You force yourself to stand. It’s obvious you’re not feeling right, your head whirring, but you have to make sure he still wants you. “Spencer.”
He puts the bouquet down. The groceries next. “Angel,” he says, meeting Aaron’s eyes quickly, then back to you, where he smiles sympathetically, “How long have you been feeling like this?”
You’ve only taken a few steps toward him when he catches you for a hug. It’s nice and polite, but not without tenderness. He doesn’t pull your weight in like he would if you were alone, but he holds your back and sits a quick kiss against your cheek as he pulls away.
“I don’t really know, a few days?” you suggest.
“You could’ve told me. Or Hotch, you know?”
“I know, I was going to, just–” You press your hand to your eyes. “Didn��t really notice it was happening.”
“Don’t get upset,” Aaron says, coming to join you both in the kitchen. “It’s alright. Spencer isn’t scolding you, he just wants you to know we’re here for you no matter what happens.”
“I don’t feel like myself,” you say.
“That’s okay,” Aaron furthers, holding you by the shoulder, his hand settling behind the nape of your neck, “we can talk to your doctor again, this isn’t permanent. We’ll talk to them today, if it’s what you need.”
“I’m sorry. Not many people have such an adverse effect to lexapro, I was hoping you wouldn’t be an exception,” Spencer says.
To your surprise, Aaron answers for you, “You couldn’t have known. This is just something we’ll have to keep doing together.”
Someone sits you down. Aaron warms his fancy soups and toasts the bread he brought, making a plate and bowl for each of you without asking. Spencer barely balks. You manage another laugh, for which you’re rewarded with two smiles.
Aaron can’t stay much longer, having to pick up Jack from Jess’, but he offers to come back. You decline, not wanting Jack to see you feeling as depressed as you are. He promises to call the doctor tonight and leaves in a rush. He must’ve stayed longer than he should’ve.
Spencer is more forthcoming with soft touches once he’s gone. He didn’t eat much but neither did you, pushing the plates across the coffee table. He’s still wearing his coat.
Fond, you reach for his chest and begin slipping buttons from the eyelets. “You’re staying, right?” you murmur.
“If you’ll have me.”
You open his coat and push it away from his shoulders. He dressed fancy even when he’s not going anywhere, it’s so strange, the button up and the tie and the sweater vest, all of it, but you love it. You run your hand down his vest. He lets his head dip forward. Not for kissing, just to be near.
“What’s wrong?” he asks.
“Just feel wrong.”
“It’s not really a good idea to stop taking the lexapro now. It’s technically an antidepressant, and your body won’t adjust well.” He holds your waist as you hold his. “But this is weird, huh?”
“Feels weird.”
“Short term, uh, I think we should just try and make sure you feel alright today. Is there anything you need?” he’s murmuring, rubbing his thumb into the soft of your stomach. “I can get anything. Or we can do anything.”
“You don’t have to… worry about me.”
“Are you kidding?” he asks softly.
“We haven’t been…” You trail your hand to his stomach, where it stays. “I just don’t expect you to deal with this, you didn’t sign up for this.”
“I don’t think that’s true. I had no idea what I’d find out about you or what you might go through when we first met, but I wanted to find out. I wanted to take care of you then, and I do now,” he says simply.
“It’s not good timing for me to be like this.”
“Stuff happens all the time. I wouldn’t want to wait for you to be perfect before we met.” He smiles genuinely. “Not that you’re not perfect.”
“I really feel like I’m not even me.”
“You’re you,” he says, dipping so close to you that you can’t see his face anymore, just his skin.
You slouch into his chest, coaxed by long, lithe arms cradling you, as kind as anyone’s ever touched you. He smells clean, your nose finding its way to his stiff collar.
“I’m sorry,” you say.
“You don’t have to be. Nobody wants you to be sorry, okay?”
It’s a new feeling. Spencer spends the night with you on the couch and doesn’t for a moment seem like it’s something he doesn’t wanna do. You end up laying on his chest, his fingers drawing lines like a meandering figure skater up your back. Twirls and loops, long laps around your spine. When your phone rings, he’s nice enough to click answer and hold it to your ear.
“Aaron?” you ask sleepily.
“Hey, honey. I’ll be by tomorrow to take you back to Dr. Chester’s office, alright? If you don’t want to keep taking your lexapro, don’t. But if you can manage it, take another tonight, and we’ll figure out the new plan after your appointment.”
“Okay,” you say, feeling very small. “Thank you for doing that for me.”
“I’d do anything. Jack says he loves you, he’s making you a painting of yourself. He’s very good at the colours.”
“I bet he is,” you say loudly. In the background, you can hear Jack’s pleased little thank you.
“Do you want to talk a while?” he asks.
“That’s okay, Aaron, I’m half asleep on Spencer right now.”
“Good, that’s good. Tell him to take good care of you, okay? Or I won’t be happy.”
Spencer laughs above your head. “When is he ever happy?” he jokes in a whisper.
“Shh,” you say, giving Spencer a light shove. “He says he will.” You swallow a lump, as you’ve had to do all day, but it isn’t rawness that colours your voice now. “I love you. Thank you for, uh, calling the doctor. Thanks.”
“I love you too. I’ll leave you to sleep now. I’ll come at eleven, alright?”
“Alright. See you tomorrow,” you say.
Your voice is weak. Spencer pulls the phone away and hangs it up, tossing it without force onto the coffee table, before wrapping his arm around you snugly.
“It’s gonna be fine,” Spencer says. “You’ll see, things aren’t going to be like this forever. It’s statistically impossible.”
“Ooh,” you croon, pressing your tired face back into his chest, “I love when you talk statistics to me. Tell me more.”
He draws shapes into your back, his voice a murmur as he starts to talk.
#spencer reid#spencer reid x reader#spencer reid x you#spencer reid x y/n#spencer reid x fem!reader#spencer reid imagine#spencer reid fluff#spencer reid fanfic#spencer reid oneshot#spencer reid scenario#spencer reid drabble#spencer reid fic#spencer reid fanfiction#hotchner!reader
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It keeps me up at night thinking about how Illario shouldn't be First Talon because he's done anything wrong (by Crow standards) but because he's doing everything RIGHT.
This is just me connecting dots from various story sources but all the information we have on him suggests that he does what (current time) Crows do to absolute perfection down to a T. He's cunning, he lies, he seduces, he cheats, he gets the job done no matter the cost. He's ambitious and is playing the system the way it's intended.
Caterina is an interesting phenomenon because we can assume she has been First Talon and alive for so many damn years (kinda scary strong ngl lmao), which means she has witnessed an incredible amount of change, and I do believe she wants to steer the Crows back to their somewhat freedom fighter form from the past - by trying to unite them to fight for a better cause, like defending Antiva from the Antaaam invasion (Eight Little Talons). But she's also aging and needs someone to continue this fight for her. Lucanis meanwhile is a rather soft personality for a Crow Assassin, and while not perfect, his morality compass is pretty strong - he refuses to kill the elf girl who spots them in Wigmaker Job because it would just be killing an (already downtrodden) innocent - while Illario encourages him to clean up and leave no witnesses (the practical, correct choice from an Assassin pov).
Teia even comments that Illario is a good assassin but Lucanis' jobs tend to have so many more fires to put out than the regular and I believe it's because he always makes things harder for himself in order to spare as many collaterals as possible. So what I imagine happened is that Illario in trying to get as much of his grandmother's approval (just as much as Lucanis) has done everything RIGHT in an effort to please her and prove he's got what it takes, but he can never win because it's never what Caterina intended, and honestly that's so tragic to me. He was playing the game right all along but it was an entirely different game. (The ultimate line crossed was him sacrificing Lucanis for his ambition, and doing so because it's what's expected. I do not believe Illario to be as one note as he ended up in the game at all, I think he actually does genuinely care about Lucanis except for the fact that Crows need to be prepared to make the right sacrifice for the job and love cannot play a part in that - see Zevran's polycule.)
#illario dellamorte#lucanis dellamorte#caterina dellamorte#dragon age the veilguard#datv#dragon age#rambles#sorry for the word salad I have so many feelings#I doubt I've managed to express everything correctly but I am obsessed with the amount of tragedy happening within this family haha#word salad
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=͟͟͞♡ Healing Hearts =͟͟͞♡
=͟͟͞♡ Pairings:-Doctor Gojo x Intern F!Reader
=͟͟͞♡ Contents/warnings- Descriptive edical procedures, reader has a medical issue, crazy sexual tension, light angst, tons of humor, workplace relationship, kissing and teasing, the hospital is lowkey slutty. Reader like 26, Dr. Gojo 34- Grey's vibes ✨️
=͟͟͞♡ Word Count- this chap- 8.7k
=͟͟͞♡ Summary- You are the top Surgical Doctor intern, along with Maki, Yuta and Toge. You all are exhausted from passing the first month, sixteen plus hour days, days you don't even go home, all to get a top spot with the star Surgeon, Dr. Gojo, your resident doctor and boss. Or as you call him, Dr. Hojo. He's takes nothing serious but his surgeries it seems, and has a reputation for being a player, but he has that top spot, so you want to prove your worth! You just have to ignore those stupid butterflies he gives you, and those pretty blue eyes, along with his interest in you, and focus!
♡ Reblogs and comments appreciated ♡
=͟͟͞♡ Part Two =͟͟͞♡ Playlist =͟͟͞♡ Masterlist
♡ Part Three ♡
One Week Later- the OR
“Intern, those fingers ready?” Dr. Gojo says to you, as you hold the severed finger of the patient in front of you, you’ve already cleaned them out, removing the damaged tissue. Maki is watching you eagerly from the window above, as if she’s dying to get her hand on the fingers, nibbling on a snack with Yuta as they watch. You look at Gojo, nodding now. “Perfect, now come over here.”
You stand next to Dr. Gojo in the OR now, a little overheated in your face mask, holding the finger steady as he begins to work on restoring the ligaments. You watch him avidly, his expert fingers under those latex purple gloves, precise to every millimeter, wiring the finger as you hold it. It’s quiet in the room, just the two of you and the sleeping patient, along with one of the nurses checking the vitals.
“What am I doing right now, Intern?” Satoru asks, peering up at you through his goggles, only serving to magnify the blue of his eyes.
“Wiring the tendons, Dr. Gojo.”
“Exactly, and how many hours do we typically have to do this successfully?” He asks softly.
“Twenty four hours, though everything after six hours poses a risk.”
“Perfect. How are you at sutures?”
“I’m the suture queen. I am in quilting classes, you know.” You tease, he chuckles a bit then, as the nurse hands you the needle and thread. You take it with steady hands, pouring antiseptic on the exposed finger, now put back together from Gojo. He’s right next to you, watching everything you do carefully.
“Nice, very nice. Almost as good as me, actually.” You smile under your mask at the praise, as he stands so very close you can smell his cologne even in the room that smells like pure rubbing alcohol and cleaner, you can feel the body heat of him, but you focus.
You slowly continue your sutures, making sure to be as even as possible, looping the skin together bit by bit as Dr. Gojo watches you. He does not instruct you, he merely holds it in place and allows you to finish, once you do he inspects it and hums to himself in satisfaction.
“Do you want to wire the tendons?”
“Fuck yes! Oh shit…” You blush now, thankful he can’t see, but you hear his soft laughter then. “Can I?”
“Only way to learn is to do it. I’ll be guiding you.” One hand presses against your back for just a moment as he switches your positions now, making you tremble, nerves going insane as you see Maki giving you a big thumbs up. Gojo laughs as he looks at her. “You have a fan club.”
“Not like yours Dr. Gojo.” You tease, now grabbing the wire.
“And what’s this technique called?”
“Tension band wiring.”
“You’re a little nerd.” You gasp, and the nurse laughs a bit. “It’s not a bad thing, you just are one.”
“Aren’t we all who go to med school?” You ask, carefully starting to gently wire the tendons together, Satoru is right against you now.
“Figure eight motions, there you go. Beautiful.” He murmurs again, and you’re eating up the praise, the nurse steps out for a moment since he is now stable, as you’re finishing up, when suddenly something is stabbing you in your temple. You cry out, gasping, and Satoru looks at you with concern.
“What’s wrong?” He whispers, leaning closer, and you shake your head, taking a breath as you continue to finish suturing his finger up.
“I’m so sorry.” You manage to say.
“Sorry? Your hands haven’t wavered, you’re okay. What’s going on?”
“Really bad stabbing ache. I’ve had them before but this was bad… shit… please don’t-”
“I won’t tell anyone.” He assures you quietly, and your eyes flutter shut for just a moment now that he’s taken over, arms wrapped around and working over you, for a moment you lean back against his chest, before panicking. “It’s fine, no one’s watching anymore, take a moment.”
“It’s not professional-”
“You did great. Why don’t we… talk about that headache later?” You sigh, leaning against him for just a moment, feeling his heart pounding against your back steadily, slowly, it feels far too good, to shut your tired eyes and breathe.
“You don’t have to worry about it. You have enough to do.” You say softly, straightening up now and starting to apply the antiseptic carefully. Satoru stands next to you again, and you already miss him behind you, complete insanity surely.
“Just come to my office after you clean up. Yeah?” He says, the nurses come in then, and you nod carefully.
“Do you think he’ll play piano again?” You ask, carefully inspecting both of your handiwork now, the fingers sutured beautifully, but still, you know he has quite a recovery ahead. “I found him on Youtube, he’s amazing.”
“You get so mushy and attached.” He teases, you just smile.
“I guess I do. It’s a bad habit.”
“Very bad. But… I do think he’ll play again, it may take some practice and time, but we did very well.” You exhale in relief, finishing up as Dr. Gojo walks out, the pain in your head starting to come back once more.
“Shit…” You whisper under your breath, anxiety making your heart race now, but you shove it down, focusing.
Later after cleaning up and heading to Satoru’s office, it’s cracked open and you peek in, earning his laugh when he sees you. “Hey it’s not a Scooby mystery, Daphne. Well… maybe Velma, you’re so nerdy.”
You glare now, making him grin with those glinting white teeth. “You’re a regular Scooby Doo, but for sweets and BJs.” You shut the door behind you, he holds a hand to his chest.
“Ouch! That one hurts, you’re saying blow jobs are my Scooby Snacks!?” You roll your eyes.
“I’m just making sure I’m not stepping in on a… Hojo moment.”
Satoru’s lips curl up on one side, hands in the pockets of his slacks, lab coat behind his hips then, revealing his long, lithe legs. He is tilting his head, white hair falling just so. “A Hojo moment hmm? Like me and you at that party?”
“Shh!” You’re leaned up, hand on his mouth, as he laughs against your palm, heating it up. “We did nothing.”
“You know orgasms help headaches? Scientifically- don’t go!”
“You’re an ass.” You’re snatched up by him then, big hands on your narrow shoulders, frozen in place with him behind you.
“Sorry, sorry. Can’t blame me for teasing you, Miss cancels our date.”
“I really did get crazy busy, family shit. I’m sorry.” You turn back to him, feeling his fingertips brush your bare skin as they slip down your arms, and see he is pouting, you giggle then.
“You laugh at my pain, brat?”
“Brat! You’re a brat. No, your pout is why I giggled, it’s cute.” You tap his lips now, remembering the feel of them on yours, fuck it had been a long week since you two had shared that moment in your room, you may or may not have played with yourself to the memory… maybe or maybe not several times this week.
Not that you’d tell him though. Just stress relief!
Yeah?
Yeah…
“I promise I’ll make it up. I felt bad… it was actually my cousin. She had a baby recently and came down with something.”
“So you spent your only day off doctoring?”
You sigh. “Yep.”
“Nerd.”
“Hey!” He’s laughing again.
“Fine, what about a drink at the bar across the street after work then? Something easier?”
Drinks with Gojo. Dr. Hojo.
Bad idea.
“Sure.”
Fuck. Maybe you can keep your pants on this time…
“Better not stand me up, missy.” He taps your forehead now. “I want to do a CT scan first, MRI if I see anything too crazy. That okay with you?”
“But I have work, Dr. Gojo… rounds…”
“Have your friends cover for just like thirty minutes, okay? Do they know you have headaches?” He asks, eyeing you as if you’re a case now. You know that look, you see it on him constantly as he assesses his patients.
“How do you know I get them alot?”
“You rub your temples all the time, and your neck. But I figured stress and exhaustion. It could just be that. But…” He trails off, brushing back a lock of your hair now, making your body light up with the gentlest brush. “Humor me and let me see inside your head.”
“You wanna be inside me so bad.” His eyes get lidded at your joke, and your breath catches at the look on his pretty face. “Fuck, bad joke.”
“Hmm, no… it’s true.” He tilts your chin up, your breaths mingling now, as the door knocks, and you step away quickly, only to earn his lazy gaze. “Those scrubs hide such a nice little body.”
“Shush Hojo.” You smack at him now, and he opens the door, you notice it’s Miwa, he lets her in and you tense up, ready to leave, what is their deal? And why do you care!? It’s not like you all have done anything but make out and…
And…
Fuck you can’t get his demon doctor fingering skills out of your damn head, it’s like he’s implanted there, whispering your anatomy just to fuck with you. You shake yourself out of it as Satoru talks to Miwa now.
“Could you prep a CT for me please, Miwa?”
“Of course I can. Hello Doctor!” She says brightly to you, you both had been much better this week after the intense situation where she’d questioned you, now she seems to truly respect you more. Though you wish it wasn’t just Gojo’s words.
“Hello Miwa. How are you handling today? It’s been crazy.”
“I know, ugh. I’m good, I’m about to leave for the day, I’ll prep it for you, Dr. Gojo, here’s the notes for the recovery of that patient you all just worked on too.” He takes them and smiles.
“Thanks Miwa. Have a good night.” She bounces off, and he smirks down at you, snowy lashes lowering. “You’re jealous.”
“What!? No! Of what, sucking Dr. Hojo’s dick?” You cross your arms, scowling up at his snarky expression.
“It was once. I don’t tend to go on dates or carry on, you know.”
“So why ask me?”
“Maybe you’re… different.” You pause at that, blinking a bit when he steps close once more. “Maybe I really can’t get your anatomy out of my mind.”
“Shush. CT scan.” You whisper, he’s too goddamn close, leaning low over you, so close you’re studying his perfect skin and his high cheekbones, fuck he’s even prettier up close. It’s really annoying.
Those blue eyes are absolutely stunning, of course they are, but it’s not just the color, it’s all of the things emoted in his eyes, the intensity of them. Your eyes keep darting to his lips, even when the throbbing in your head comes back, you gently rub your temple as you keep flickering your gaze back to his eyes, soon his cool fingers replace your own, rubbing gently.
“You don’t want to admit you liked it.” Satoru says softly, his breath tickling you as he presses in, your eyes close at how good it feels, sighing.
“I want to be taken seriously, Satoru. Not to be the intern that gets favored because she fucks her boss.”
“You stress too much. Maybe that’s the cause of the headaches.”
“Hmm… maybe.” You lean closer now, continuing to let him rub your temples further. “You assume I wanna fuck you, Dr. Hojo.”
“Oh, it’s an educated guess. By all your body language.”
“Shush, keep rubbing.” His chest shakes against your hands with laughter as he gently cradles your face in his hands now, pressing his lips to your temple. “That feels too good, better stop.”
“You’re really annoying, intern. Mmmkay go get yourself covered so we can get it done yeah?”
“Meet you there.”
*****
“I hate this shit, I feel like I gotta pee.” You grumble now, as Satoru is injecting the contrast dye into your arm, making you feel like you’re hot everywhere as you lay on your back right outside of the machine. Satoru’s lips quirk up, you try to ignore how good the man looks as your doctor for just a moment.
Impossible.
“I know, it’s the worst, but just for a few. I’ll be right over there, looking all inside you.”
“Fuck off.” You stick your tongue out and he wiggles his brows, stepping out of the room, you get tense, feeling yourself breathing a little too fast as he now speaks through the microphone.
“Alright, pretty patient.”
“You’re flirting with your patient during a CT scan?” His teasing eases your nerves, though you don’t admit it outright, a little smile plays on your lips.
“Only patients this pretty.” He murmurs, and you ignore the blush on your cheeks, must be the contrast dye overheating you. “I’m easing you in, yeah? Just stay as still as you can and breathe.”
“Yes, Sir.” He hums then a bit, and you’re sliding into the donut shaped scanner, you always hate these things. As it starts swirling around your head in circles, you try to ignore the whirring sound, the overwhelming fear, what could be wrong, what could it mean-
“Don’t panic, it’s fine. Just checking okay?” Satoru’s voice interrupts your thoughts over the speaker now. Your nails are digging into your palm, a little sheen of moisture on your eyes that you suck up.
“Yeah.” Is all you manage, then it’s quiet as Satoru finishes the scan, as you’re eased out, he’s right there, unhooking you from the IV carefully, holding your arm and pressing a white square cotton to where he’d poked.
“You bleed a lot. Anemic?” He asks, and you should be surprised he knows, but he knows everything it seems.
“Just a bit, yes. I know, I should take my iron.”
“Mmm, anemia is pretty common in women, especially since I think all I see you eat is coffee. Maybe eat more? And add some protein?” He teases.
“I eat! But I’ll add some. Thank you, Dr. Gojo.” You take his hand to help you out of the little bed then, ignoring as much as you can how good his hands feel when he steadies you by your waist, warm and pressing against your skin. Your heart races as you look up at him. “Did you see anything interesting?”
His lips tense a bit, more serious now. “I saw a little interesting spot right there, but I wanna look at it more. I’ll call you to go over it in a few?”
“Sounds good, thank you.” You manage, you don’t know how much he’s hiding or what he’s found.
“Don’t stress, intern, I will tell you if it is, yeah?” You exhale, nodding, leaning up a bit, lashes lowered as you take in those perfect lips.
“If I’m gonna die-”
“Shut it. Now get to those rounds.” He whispers, breath so close you can taste it, minty always with the mints and gum he constantly chews.
“Got it Doc.” He snorts at you, fingers brushing your jaw line, as you contemplate his jaw line, so much more defined, his face is so chiseled… his body…
Fuck.
You clear your throat, smiling. “That’s much better. I’ll talk to you soon, don’t stress about it okay?”
Sure you won’t.
*****
“Maki, what if I die before interning is over?” You grumble next to your best friend as you all make the rounds, Maki snorts now.
“Gonna die of no Dr. Gojo dick?”
“Bitch shush!” She snorts as you look around wildly.
“No bitch, you shush. Why do you think you’re dying? I mean… we all are, but why so soon? You can’t die, I need to live with you.”
“You can have the house.”
“I still want you around!” You both pause in front of the patient’s door now, sighing and looking at each other. “Is something actually wrong?”
“I’m just panicking. I have some bad headaches… and did a CT.” You murmur, she frowns then, emerald eyes studying you seriously behind her black frames.
“Everything okay?” She asks, a little softer.
“I’m sure it is, I just panic when I don’t know the answers to things. Fuck… I could use some lorazepam in the arm.” You joke, she giggles with you.
“We all could, that’s for sure. Oh fuck… look.”
You take the chart from Maki then, raising your brows as you look at the patient’s records. “They’re blue?”
You both look at each other then eagerly pace to the room, where indeed there’s a young man, and he is in fact blue. He smiles a bit at you both, waving his silvery blue tinted fingers. “Hello ladies.”
“Hello.” You both say, looking at each other, then back at him. He laughs now, sighing.
“I know, I look like Papa Smurf.”
“No!” You say.
“Yes!” Maki says, and then the three of you burst out in laughter.
“At least you’re honest.” He muses, and the both of you approach him now, you take his hand and turn it over, seeing the palms were more of a typical color.
“When did this start happening?” You ask softly, Maki is checking his vitals, not hiding her curiosity.
“I’ve been blue for… probably a month. I’ve just hidden in my house.” You put aside the medical curiosity then, you feel the pain hidden in his voice. “Didn’t wanna scare the masses.”
“Anything in particular you consume? Colloidal Silver can cause this.” You say softly, he shakes his head then.
“I don’t think so? I’d know if I took silver, right?”
“Yes, it’s a supplement. Hmm… and anyone else in the family ever…”
“Turn blue?” He finishes. You nod. “No. Not that I know of?”
Maki and you look at each other, and you can almost hear the wheels turning in her head. You’re thinking it too, but it’s so rare and so weird.
“Methemoglobinemia?” She murmurs, and you tilt your head, sighing.
“I mean it’s possible, but that’s genetic, he’d have been blue. But let’s check for that and any potential exposures to chemicals that could cause this. It’s definitely not a typical case of methemoglobinemia, but we have to rule it out. Don’t worry, we’ll get you all figured out…” You check his name. “Muta, yeah?”
“Yeah. You mean I may not be blue anymore?”
“We’ll figure out what’s going on, I promise.” The door opens then, and Miwa comes in, gasping a bit, before smiling. Muta lights up when he sees her, his eyes glinting, you see it then, he has a crush.
“Your hair is the color of my skin, we’re meant to be.” Muta teases, Miwa laughs softly, coming in then as you two fill her in.
“Got it ladies, I’ll get these labs going.”
“Thanks Miwa.” You say, patting Muta’s shoulder. “We’ll get you back to normal, I promise.”
“Thank you, Doctor. And Doctor Maki.” She gives him a thumbs up, and you both walk out now, as the fluorescent lights make your headache worse. You wince now, rubbing your head again.
“Take a break babe, it’s okay. He’s not dying, he's just blue.” She says, as you are shaking your sore head now. Your phone goes off and you see it’s a text from your ex, you roll your eyes. “The ex?”
“Of course it is. Begging to see me over and over. I’m dreading the moment he comes to the house.”
“Shit, he’s really missing that coochie-”
“Maki!”
“It has cobwebs now.”
“You bitch!” You shove at her now, as Yuta and Toge walk up, both laughing at the two of you. Toge tilts his head when you rub your temples again.
“Hurt?” He asks quietly, you nod, sighing when his hand is on your forehead, you moan just slightly at how cool it feels.
“Feels so good.” You take his hand, pressing more, then feel him tense. You look up to see he’s bright red, and then he runs away. Your brows go together, as you blink in confusion, and Yuta covers his face, shaking his head.
“And you tease him! To torture him!” Yuta says, you glare then.
“What now!? His hand felt cool.” You grimace, leaning against the gray counter of the reception, as everyone flits back and forth by you.
“Hey you alright?” Yuta asks softer now, brushing back your hair.
“She’s got a nasty migraine again.” Maki murmurs, then comes with a little paper cup of water. “Drink babe.”
“Thank you.” You sip the cold water now, feeling it chill your lips and teeth. “Did I really upset Toge again?”
“He’s just in love with you, now you touched him. He’s going to be infatuated for days. I’ll have to hear.” Yuta winces now, you laugh, sucking in a breath as it starts to ache worse.
“He barely talks, how do you know?”
“It’s obvious. But you’re too into white haired doctors.” Maki whispers, earning a smack on her hand when she touches your forehead. “Hmm, no fever.”
Your phone goes off again, and thankfully it’s Gojo and not your annoying ass ex, you don’t need more of a headache. “Oh, he has results. I should go… can you-”
“We’ve got it, go.” Maki murmurs. You smile thankfully, heading towards Satoru’s office now. You knock carefully.
“Come on in.” You shut the door behind you, and Satoru smiles easily, calming your nerves somewhat.
“Come check out your brain, it’s pretty cool.” You laugh softly, and come to where he’s sitting, leaning over to peer at your brain on his laptop now. “So this… is what I think is causing your headaches.”
You look then to a little mass, panicking, damn near falling back, so much he has to catch you with his big hands. “A tumor!?”
“Calm down, no. Shh.” Satoru sits you right on his thigh then, brushing a hand down your back, tilting your chin to look at him. “I wouldn’t casually say ‘you have a tumor’ like that. Breathe.”
“Shit.” You take several breaths, leaning your head back, trying to compose yourself. “So what is that then?”
“Kind of a tumor?”
“Dr. Gojo!”
“I’ll explain if you calm down.” He presses his hands on your waist gently, pointing back to the screen. “So it’s something called a false tumor, it’s typically from head contusions. Bash your head on anything a couple years back?”
You steady your breathing now, trying to focus. “Shit, yeah I did. I was getting some things from the attic and had a whole bunch of old dvd players whack me in the head.”
“Ancient ass.” He teases.
“Hey I have VCRs up there too!”
“Fuck you’re old.”
“You’re old!” He’s chuckling now, and you can’t help but laugh softly. “You’re doing it again, cheering me up.”
“Yeah, and it worked.” He taps your nose, watching it scrunch, little crinkles on the sides of his own brilliant blue eyes as he smiles. You realize then, you don’t want to get off his lap, fuck you wanna stay here. You feel good here. His arm casually wrapped around you, and suddenly you realize your warmth on his thigh, gulping now. Did he notice!?
He notices everything.
“I should…” You go to stand, and he presses you back down, firm thigh between your thighs, pressing up where it shouldn’t through the thin fabric of your scrubs.
“You should stay, let me explain what it is. Yeah?” You nod a bit, realizing that for just a bit you couldn’t think about your head hurting, even as you all are staring right at a scan of your brain. Satoru uses one of his long fingers to point at the spot, where you see it raised up. “A false tumor.”
“False tumors, I haven’t heard much about them.”
“It’s essentially intercranial hypertension, which translates to your brain is stressy-stressy.” You snort in laughter then, and his hand far too casually brushes down the outside of your thigh as he leans forward, pressed so close against you.
“My brain is in fact stressy.”
“See! I’m so smart, admit it.” He grins deviously, you snort in laughter at him, shaking your head.
“A little bit.” You gesture, squishing just a bit of space between your finger and your thumb now.
“I’ll take it. So there’s no sense removing it, seeing as that’s just opening a can of worms. A spinal tap would help relieve the pressure.”
“Spinal tap, yuck.” He rolls his eyes.
“You’re a big baby.”
“Am not. But yuck. Anything else? Lots of tylenol?” You find yourself turning now, he’s pulled you further on his lap, it shouldn’t feel this easy, this normal. Why does your head hurting not even matter now that you’re so close to him, now that you inhale his cologne, feel his touch.
“That sounds like liver problems waiting.”
“Well my wine at night does that.” You say with a smile.
“A little wine is good for you. Blood flow.” Satoru murmurs, gently running his fingertips up and down your arms now, you tremble just a bit at it, at how good it feels, a network of goosebumps left in his wake. His blue eyes darken just a bit as he watches them form, and suddenly it’s very quiet.
“Blood flow is good.” You say softly, to fill the silence, where all you hear is the pounding in your ears. “So any option three?”
“I can inject you with something to help the pain, but you really can’t put off the tap too long. When do you actually get a break?”
“Um…” You try to focus. “I get Thanksgiving weekend off?”
“Okay we’ll do it around then.”
“You can’t just come do a tap on a holiday!”
“Sure I can, I’ll be here a couple hours anyway. But you’ll have to lie still for some time, so I just wanna make sure you have a day off.”
“Alright, the injections till then?”
“Mmhmm.” He’s closing the laptop now, and you hear your heartbeat just racing, blood pumping in your ears, Satoru raises a thin white brow. “Are you alright?”
“It’s odd, the headache is gone when you… touch me. That sounds stupid, ugh.” You stand now, covering your face with a sigh. Satoru turns you so you’re right between his long legs now, hands firm on the curve of your hips.
“It doesn’t sound stupid. You’re getting endorphins from this.” He whispers now, so pretty this close he makes you ache, Maki is right maybe you do have cobwebs there, and his touch ignites your body. Like you’re on fire, especially when he cups your face.
“Satoru, what are we doing?” You whisper, he sighs, thumb brushing across your lower lip.
“Feeling things. You think too much. So dramatic, a fake tumor and alll.”
“Jerk!” You shove at him, unable to stop the grin from forming, craving his touch, more and more, when he pulls you flush against him you melt, hands bracing on his chest now, feeling the strong muscles flex under your touch.
“We should touch more if it helps your head.” His lips are right there, your noses touching as you hover, his snowy lashes lowering over dilated eyes, hands slipping up your back, one big one splaying the expanse of it. You press even closer, feeling the heat in your tummy building. Fuck would it hurt to just-
Suddenly both of your pagers go off. “Shit, code blue.”
“Shit.” Satoru and you both jump up now, rushing out into the busy hallway, you both round the corner, the chaos of the ER coming into view. Nurses and doctors moved with a choreographed precision, each step calculated and deliberate, as one of your patients from this week is in cardiac arrest.
“Shit shit shit.” You mutter under your breath, you rush in to see one of your elderly patients this morning now flat lining. You quickly begin compressions, pressing over and over as Satoru runs in, looking at the clipboard, studying you. “We need epi!” You say to the nurse, and Satoru stops her. “Satoru!”
“DNR, intern.” He turns the paper and shows you, the giant three letters, you gasp then, looking down at the lady you are working on.
“She has kids, she has-”
“She has a choice. Off now.”
You release her now, feeling tears flow as you watch the monitor completely flatline now, you remember her kids were literally just here, with her grandkids. She was laughing, smiling. You almost thought she was doing better…
“Intern, call time of death.” Satoru says.
You scowl at him through your tears, even if you know he’s right, and he sets his lips in a firm line. You see Maki, Yuta and Toge right outside the room, their eyes looking at you with concern, with worry. “Time of death is five- fifty- one PM.”
The nurse nods and writes it down, and you carefully cover the patient with one of the thin hospital sheets. “You can’t save everyone, you know.”
“I know, I know.” You choke up then, that headache right back, making you feel sick. “But to not save someone I could?”
“Her choice was to go. She’s been in pain a long time.” Satoru says, coming to stand next to you now, you feel bile rise in your throat.
“She seemed so happy today, so energetic even!?”
“Sometimes you get that burst of energy at the end. Maybe it’s… a bigger plan out there, to give your family something of what you used to be at the end.” You look at him through watery eyes, just exhausted.
Finger surgery.
A blue man.
Your own CT scan.
Some false tumor?
Now a death.
You want to go home. You want to lay in bed, curled in a ball in the dark, where maybe your head won’t pound. You want to throw up. You want to sleep for fucking days, trying to just not think. You want to just…
“Martha, her name was Martha.” You say now, and Satoru nods, a hand on your shoulder.
“Her name was Martha. Do you want me to tell the family?”
“No, she’s my patient. I will.” He nods then, eyes following you as you stiffly walk out, Maki, Yuta and Toge all come to you, but you hold a hand up. You’re barely keeping it together as it is, if one of them hugs you, you know you’ll fall apart. “I’m fine you all, promise.”
As you tell the family she passed, instead of the typical extreme upset, they almost seem a bit relieved, upset but relieved. “She was in so much pain, I think now… she’s free of it. Do you?” Martha’s son asks, and you struggle to hold you composure, feeling your stomach want to retch it’s contents, which were literally just coffee and a fucking croissant from this morning.
“She’s not in pain anymore.” You agree softly, and Martha’s granddaughter, about your age comes next to her dad now, looking at him, then you.
“Did she seem peaceful?” She asks softly, you nod then, giving a touch of comfort to her shoulder.
“She did, she seemed so happy to have been with you all I think. You may see her if you wish to.”
“We would like that. Thank you.” After they walk out you watch them pass by Satoru, who has his eyes on you.
You can’t let him see you so weak! You shouldn’t be so weak, you’re a doctor, you see death every single day. You rush into the locker room, thankfully finding it empty, before heading to the bathroom, leaning in and emptying the contents of your stomach, retching everything out. You get so weak as you do, dry heaving then as you feel yourself falling apart.
You’re sobbing over the toilet, flushing it, when you hear the door open and close, and suddenly you feel hands on your back. You shake your head, taking several breaths. “Go away, it’s gross.”
“You just cleaned out fingers that were cut off.” Satoru says softly, you laugh then, in between tears, as he holds your hair back for you. “Aw it’s like we’re besties, just having drinks you know.”
“Oh stop it. I’d kiss you if I didn’t just puke.”
“Please don’t, I don’t like you that much.” You laugh once more, before bursting into tears, and Satoru holds you, brushing your hair gently as you cling to him. “It’s normal to break down, surprised it took you so long. Been months.”
“I want to keep it together. I want to so badly.” You’re soaking his light purple scrub top, you see the blotches of tears forming as you cry more, letting him hold you. “Why are you so…”
“So handsome? So smart?”
“So comfy.”
“Huh, didn’t expect that one. Calling me fat, brat?” You giggle again, looking up at him now, his pretty face swims with how many tears you have.
“Not at all, no body fat on you. Just… comfortable I guess.” Your hand rests right over his heart, feeling it steady under you, trying to make your heart match, to slow your breathing down. Maki walks in then, kneeling quickly, brushing your hair back.
“Baby, you okay?” She asks softly, and you manage a weak little nod, as she kisses your head. “You’ve had a long day.”
“We all do, I shouldn’t act like this.”
“Babe we all puked at some point. Yuta was the first day.”
“He’s got a weak stomach, that one.” Satoru says, then looks at you and Maki with a little smile. “Maki, stay with her for a bit, I’ll get her some zofran, and I’ll get you something for the headache, yeah?”
You nod weakly, holding his hand then. “Thank you.” You say, he runs a thumb over your knuckles and just stands then, heading out. Maki cups your face carefully, studying you.
“You okay? Seriously.”
“I have some… fake tumor thing.” She gasps. “No, no, it’s fake. I don’t know… Satoru said maybe a spinal tap?”
“Satoru huh. Chummy.” You roll your eyes, sniffling as she helps you up. “Let’s brush your teeth, you don’t wanna kiss your doctor like this.”
“Maki, I can't kiss him. I can’t be with him.” You choke up once more.
“Just stay careful and sure you can. Do you think he’s serious though, or is it one of his… what do you call them?”
“Hojo moments.” You brush your teeth in the sink, grimacing at your appearance, you have mascara streaked under the dark circles of your eyes.
“Hojo moments… well about Miwa, seems like her and Papa Smurf are actually hitting it off. He’s hot now that his blue is fading.”
You perk up now, brows raising. “The blue is fading!?”
“Mmhmm, your first guess of methemoglobinemia was correct. Does that make you feel better maybe?” Maki’s eyes are concerned, you nod then, making her smile return just a bit. “Knew it, Miss know it all.”
“That’s you!” You spit out toothpaste, rinsing your mouth out now, as both of you laugh. The alarm goes off, your shift is done. “How’d it not present itself for so long I wonder?”
“I’m wondering the same thing. Already started the Methylene blue and Insane doses of Vitamin C. It’ll take a bit but he’ll be normal soon.” You wash up your face now, dabbing the bits of mascara off.
“One good thing today.”
“Two good things.” Satoru says, as you and Maki head to the locker room. “The finger surgery seems successful so far, we’ll keep him and monitor, but he could feel them.” You grin at that, at least something was going good today, aside from the ever more comfortable presence of Doctor Gojo.
“That is good news!”
“Now have a seat, let me make you feel good.” He teases with a grin, Maki snorts then, heading to her locker.
“Let me get out of here first, god.” You stick your tongue out, as Maki is sliding off her scrub top.
“I should get out of these real quick too if that’s okay? Before you poke me.” You say, he nods then, setting down the two vials.
“Let’s all get naked then, ladies.”
“Oh jesus.” Maki is dressed quickly, sliding her jacket on while Satoru is undressing, she sees him shirtless then and gives you an audacious wink, earning another eye roll from you. “Is she good to drive Dr. Hunk?”
“She’ll be fine from it, don’t worry. If not, I'll take her home. Having a drink after work anyway.” Maki pats your head once more, kissing your forehead then.
“See you home then. Night Dr. Hunk.” Satoru is giving some smoldering look that makes you and Maki both almost pee your pants, as she leaves you both alone now. Satoru has slid into a soft long sleeve black shirt and dark jeans, as you’ve gotten into your own clothes, you keep your jacket off, sitting on the bench and holding your arm out now.
“It needs to get injected in your ass.” He says then, and you gasp, making him grin wide.
“No way!”
“Yes way. Not the zofran, that’s just a little pill. Open up, pretty.” You open your mouth now, and he places the little pill under your tongue, gently closing your mouth with his fingers pressing your chin up.
“Fuck I hope it works quick.” You sigh as it dissolves, Satoru nods and tears open the package now, grinning like a devious ass devil. “You really gotta do this in my ass cheek!?”
“I really do. I’ll be completely professional, no worries.”
“Uh-huh sure. Well… alright then.” You turn now, unzipping your jeans and pulling them down, revealing your ass cheeks and your panties. He whistles, a hand coming to trace the bottom of them now, making your tummy clench with desire from just that. “So professional.”
“I need the panties off.”
“You do not. Dr. Pervert.”
“I’m Dr. Hojo and Dr. Pervert now?”
“Mmhmm. Fine, you little shit.” You slide down your panties completely, and his breath catches as he sees you, suddenly he’s quiet, then he’s bending down to sit on the bench, turning your now bare ass to him.
“You hiding that ass in your scrubs is such a crime.” You shake your head, ignoring how good his touch feels, even as he’s dabbing an alcohol pad on it, his breath against your skin does insane things, you have trouble forming a word.
“Your flattery works on those girls because you’re hot, not because you have any rizz, you’re so rizzless.”
“Rizzless my ass.”
“Ow!” Satoru has jabbed the shot in your ass cheek then, it stings and burns, you cry out, nearly jerking, so he holds you still with a hand on your hip. “You jabbed it hard on purpose!”
“Aw, need me to take it easy when I stick it in, baby?”
“Oh fuck off! Oh… I… mmm…” Suddenly the headache you’ve had all damn day is easing, you sigh now, feeling so blissful you can ignore the fact that your ass stings. You ease your panties up now, then your jeans, sighing as you turn to him, they’re still unbuttoned and unzipped, his eyes are locked right on you. “That felt so good, thank you Satoru.”
“You’re welcome, intern.” He murmurs, softly, watching you zip up your jeans and button them. “You’ll still need the tap, it’ll help for months.”
“I will. Thank you for everything today, really.” You cup his face now, before thinking better of it, pressing your lips against his softly. “A thank you kiss.”
“Can I get a thank you hand job? I’m having an issue.” You shake your head with a laugh, running your fingers through his soft hair.
“Absolutely not. But you can buy me a drink.” You grab your jacket and slide it on, and he eagerly hops up.
“Yeah?” His blue eyes light up, melting you further.
“Yeah. I’ll meet you there, Dr. Pervert.” You grab your keys, but Gojo passes you quickly as you all walk out, opening your door before he runs off to the car, making you giddier than you’d admit.
*****
“You’re drinking the fruitiest drink they make.” You say later on, as you both are sitting at the bar, and the bartender hands you a cosmopolitan cocktail, and hands Satoru a Sex on the Beach.
“Lemme enjoy my sex mmkay?” You go to pay and he stops you. “Put it on my tab please, and a tip for now.” Satoru hands the bartender cash, he smiles at the two of you.
“Anything you all want, fruitier even.” You both laugh now, and Satoru and you go find a little table on the side of the bar towards the window, you sit and sip on your drink as your phone buzzes away. You swipe it off.
“Annoying ex?” Satoru asks, leaning back as he looks at you.
“He’s so annoying. It’s been months of me ignoring him, you would think he’d get the hint.”
“And you don’t date now?”
“Um… it’s hard to think about dating with our hours, you know?” He nods then, pouty lips encircling a straw as he sucks up more of his drink, and you wonder at how Satoru makes everything look sexy. “Do you date?”
He flicks his gaze up and down your body slowly, leisurely, as if he’s caressing you with his look. “Are you asking me out, intern?”
“Oh whatever, you asked me!”
“I don’t date right now, no, but I guess I have different reasons.” He murmurs, looking off to the window for a moment.
“Would you date? No, I'm not asking you out.” You say, studying him as he licks his lower lip, drawing your attention further to things you shouldn’t.
“I would, I’m not against it, I guess no one has sparked my interest enough. I mean aside from physically.”
“Any crazy exes?”
“I have an evil ex, actually. She’s scary.” He shivers now, you tilt your head curiously, sipping your own drink, feeling the warmth flow through you.
“Is she now? Like mean?”
“She’s mean alright. We just didn’t work out, our parents pushed us to get married too young, prominent families this and that. But we never even liked each other, she was pretty happy to divorce me. And I was too.” You digest the information slowly, mouth opening just slightly. “Yeah, I was married.”
“I didn’t expect that. You seemed like a bachelor, I guess.”
“I am about to be thirty four, you think I was single this long? Nah, I’m too handsome, baby.”
“Not your baby.” You kick at his feet, but he just grips your thigh now, burning over the layer of denim, and you wish it were on your skin instead.
“Not yet. You’re in love with me already, you just don’t know.”
“Oh am I?” He’s leaning closer across from you, blue eyes glittering in the dim lights of the busy bar.
“Mhm, you are. It’s okay, everyone falls in love with me.”
“You’re so loveable, so humble.”
“I know I am… hey.” You giggle now, smacking his hand off, finishing your little martini off and exhaling.
“I needed this, ugh… thank you Satoru.” He smiles a bit, finishing his as well now. “Your wife was… well, you’re not a guy you leave.”
Shit, you said that.
You cover your face then at his look of surprise. “I’m sorry-”
“Why apologize for that? Sounded like a compliment. But she left for good reasons, we hated each other and were miserable. She still hates me still, but we’re more friendly now. Your boyfriend, did he leave you?”
“No, I left him. He was too controlling and I just… wasn’t feeling it. It sounds so silly compared to an entire marriage.”
“Nah, not at all.”
“I also just put med school first, I really did. I don’t think I gave him the attention he needed. So it’s on me a bit.”
“That’s mature as fuck.” You shrug a bit.
“Well, we had a drink, hmm?”
“Let’s have two?” You sigh, leaning forward on the table, elbow propped up, chin in your hand as you study the handsome man across from you.
“Two sounds like my resolve slips.” You say softly, Satoru leans forward as well, brushing your hair behind your ear, every touch and look making you weaker and weaker for him.
“Would that be so bad, intern? To let go.” You exhale now, leaning into the caress, lashes fluttering shut and casting shadows on your cheeks as he studies you for a moment.
“I have a feeling it would be hard to let you go.”
“Yeah, what if I bust quick? Have a small dick?” You burst into laughter now, and he pouts. “Maybe it is small, meanie.”
“That’s the other rumor, Gojo, that your dick is huge.” He blushes a bit, surprising you. “Oh you didn’t know that one! Shit.”
“I mean I’m not complaining but god, girls are gossipy.”
“Like you’re not!”
“Another drink?” He asks, standing up then, your gaze trails up his lithe, long body, as you feel the warmth spread through you.
“One more.” You agree, and he holds out his hand for you to stand, bringing you almost against him, knowing you’re teetering on the edge of a dangerous game, and when you both grab your next drink, Miwa walks in now, she pauses for a moment, before waving at the two of you and coming over.
“Dr. Gojo, I never see you at the spot.” She says, and for some reason you get nervous, looking down a bit.
“Yeah I decided she wouldn’t meet me for a date so I’d connive her into meeting me here at least.” He ruffles your hair and you huff, fixing it, ignoring the pounding in your heart at how good it felt to hear.
“A date?”
“Well, a pre date. Just a drink but she blew me off.”
“I really didn’t mean to. Um… is this weird or anything Miwa?” You ask nervously, she shakes her head with a little smile.
“Oh no, you’re fine. What you saw um… let’s just say I was having a bad day is all. We’re not together.”
“Heard you like Papa Smurf?” Gojo teases, she smacks at him then.
“He’s sweet. And less blue. Oh, my friends are here! See you two later.” She says, you watch her curiously, and Satoru is smirking down at you.
“Not everyone has to be dating or have feelings. You’re like some eighteen-hundreds Victorian lady.”
“Am not!” You’re laughing again as you all sip another drink, sitting side by side now, your phone goes off again now and you roll your eyes.
“Send him a pic of us together.”
“Shit that’s mean.”
“He’s a dick though? Yeah?”
“You tell me.” You lean close now, showing him the endless texts. Satoru whistles as he reads them, scrolling up.
“Shit, gaslight much?”
“The king. Fuck you smell good.” Your alcohol is clearly hitting, Satoru chuckles once more, hand stroking up and down your spine carefully.
“You smell good, sweet like lavender.” He speaks right against your ear, tickling it as he inhales now, sighing. “I noticed you switched shampoo back.”
“Hush, it wasn't because of you.”
“Of course not.”
You have the most fun you can remember, fuck when don’t you enjoy Satoru Gojo? When he’s walking you over to your truck, and the music is just a low hum now, though you feel it pulsing through your body, Satoru’s pressing your back against the car door, hands on either side of the top of your car, hard body so good against you. You bite your lower lip, hands sliding down his jacket.
“You want me so bad, you love to fight it. Why?” Satoru says softly, cupping your face with one hand now, leaning low.
“I don’t wanna be a notch in Dr. Hojo’s bed post.” You say softly. “I’m not judging, but I don’t wanna be just that to someone. I totally was going to at the party, ugh, but it’s not me. So, I fight it.”
“I have a feeling if I got you, I wouldn’t want more notches.” His thumb strokes your lip side to side, eliciting a little cry from the back of your throat that you can’t quite stop before it comes out.
“You think so, hmm?”
“Judging by your hot, sweet little pussy, yes.” Your cunt throbs around goddamn nothing, reacting to his words, to him pressing you further against your big old SUV, the cool metal against your back. “Those sounds you make…”
“Fuck… kiss me.”
“You’re demanding. And confusing, you know that?” His soft words are right against your lips, you cry out then, pulling him down as you tiptoe, kissing him over and over, mouth moving over his, his tongue slipped in between your lips. Your tongue slips around his, dancing then, as his big hands grip your waist.
Your hands slide up his chest, entwining around his neck, breasts pressing against his hard abdomen, nipples growing tight as desire fills you more and more. He grabs one of them now, thumb brushing over a peak, eliciting a whimper, your head falling back now, neck begging for his kisses. Satoru’s kissing your neck and grabbing your breast right in front of a damn bar.
It’s insane.
It’s stupid.
Right?
“Fuck I want to feel you again.” His husky voice melts you now, you’re now whining for more and more, pathetic for him, were you worried too much, could you just do this, just have sex? Did there have to be such complicated shit you always put on yourself? “You’re thinking too much.”
“How do you know?” Your words are against his ear now, as you flick your tongue on the earlobe, nipping just a bit.
“I just know, and you need to just feel.” He’s sliding his hand under your shirt, across your tummy, making it tremble under his touch, goosebumps rising. “How’s it feeling, pretty?”
“Feels… fucking good.” He chuckles deeply, as you breathlessly laugh, kissing him over and over. “But I usually need things to mean something. I know I’m lame.”
“That’s not lame.” He cups your face with both hands now, blue eyes boring into yours, the soft glow of the street lights ensconcing him, making him look even more handsome somehow. Even prettier. “It means something when I’m kissing you.”
You feel everything react to him, to his words. “It does?” He nods then, nuzzling your noses together, and his phone goes off, he sighs, scowling at it now.
“The ex?”
“Nah, parents. Worse. Say… you wanna pretend we date so I can bring a girl home for Thanksgiving?”
“What now?” You blink up at him.
“Yeah… they really want me to bring a girl home. You’re perfect too, they’d fucking love if I brought a top notch Kyoto Med school grad?”
“Oh gosh… I mean, I have no plans?”
“Perfect. It will make my mom so damn happy, she’ll love you. Aw we’re moving so fast you know.” He’s grinning wolfishly, eyes glinting down at you.
You love the idea far, far too much. “Alright, a good spinal tap and then I’m a whole Thanksgiving date.”
“Works perfectly for me. Good night, intern.” Satoru kisses you one more time, leaving you breathless.
“Good night, Dr. Gojo.” You slide into your car, covering your face and squealing then, yes you’re squealing like you’re fifteen again, not a twenty six year old doctor. “His kisses…” You squeal again, overheated as you go to start your car with a roar then, hating that you’re like some lovesick teenager.
Then you see him.
Satoru Gojo grinning as he watches you through your window. You gasp, sputtering, limbs flailing as you scream out, rolling down the window then, glaring right at him. “What the fuck!”
“Aw, you do love me. Already. So easy, intern.” Satoru teases, leaning in then, far too close.
“Whatever! Good night Dr. Gojo.”
“You-”
“Bye!” You leave then, catching his reflection in your rearview, stupid giddy grin on your damn face.
Shit this is gonna be messy.
So a LOT in this, I really want to explain how it would be to have SO much going on during a typical day, I hope it doesn't overwhelm her and Dr. Hojo's connection. We will be learning a lot more about Reader's ex and Satoru's ex soon <3
A/N: Totally added my own prob as a medical thing lol ( false brain tumor) they're rare and interesting. I love you all and can't wait to hear your thoughts!!!
Taglist: @lostfracturess @unfortunately-tia @allofffmypeaches @chiyokoemilia @makingtimemine @antisocialinlw @meg3mis @miizuzu @nanasukii28 @zoeyflower @wstaley2 @bunheadusa @blue-musingss @ameliariddle @moncher-ire @jkslaugh97 @aldebrana @shadeowz @gojo1228 @victoriaaaa00 @jaeminaur @seeing-stars-alt @bol0-de-morang0 @ghostskilledmyaddiction21 @trishiepo0 @inthedarkshadows000 @gina239 @jjknanamin
#gojo x reader#jjk smut#satoru x reader#gojo smut#jjk x reader#jujustu kaisen#jjk gojo#doctor gojo#satoru gojo x reader#satoru gojo#satoru gojo smut#gojo fluff#gojo fic
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of course 3/3
1/3
2/3
in which tommy finally admits he should maybe see a therapist.
thanks again to @mooshkat for the original concept
(tw: heart problems, hospitalization, self loathing)
~
Bobby is the next to show up.
"Hi," he says, disconcertingly tall as he stands over Tommy's bed with a small tupperware. "I figured you can't have anything we would normally bring for someone stuck here, but there's this recipe I liked after my heart attack. It's just chickpeas tossed with olive oil and a bit of curry powder."
"That's very thoughtful," Tommy says, touched and confused. He starts tucking in immediately. The food here could be worse, but he never has much appetite when he's unwell. Maybe eating something will make the nurses frown less often. They're very frowny in this unit. Makes sense, as they probably have the highest proportion of deaths in the building, but it's shit for patient morale.
Bobby's still standing, so Tommy tilts his head at the chair and continues eating.
"How are you feeling?" he asks, once Tommy has left the now half-empty container on his tray table.
"Fine? Tired, mostly." Which is probably for the best when the only change of scenery he gets is the regular trips to imaging. All the napping doesn't leave time to develop cabin fever. "You?"
"I'm good. A little concerned."
Shit. So he's just jumping right in. Tommy works on his breathing. "Oh?"
Bobby nods. "Buck is getting released in the next few hours. He'll probably be up here as soon as they hand over the discharge summary."
Tommy doesn't eye the monitors, but he has a brief fantasy about ripping the leads out and smashing everything on the ground. It's been a long time since he's felt this exposed for this long. "That's good."
Bobby puts his hands on the armrests of the chair. "Hen seems to think you don't want to see him, which is interesting since Buck is behaving like you're pretty much back together."
Keep him away. Do it so I don't have to see his face. "I- I'm-"
Bobby looks at him like he's a spooked horse. "I'm not just here for him, okay? I wanna help you get clarity on what you're actually looking for before it blows up in both your faces again."
It's such a brazen offer Tommy can't help but laugh. "You're welcome to try?"
Bobby smiles a little. "Kid's got a heart the size of Alaska, but--or maybe because of it--he's like the La Brea tar pits. Once you're in, that's all she wrote. It's fine, though, great even. If that's your choice."
Tommy tilts his head, reconciling this man with the friendly, new in town captain who had a veil behind his eyes. In the last eight years, everyone at the 118 figured out how to open a vein for each other, and here's Tommy. Out, flying, and only able to meet his own eyes in the mirror half the time. "What if I'm a bomb," he asks. "Or... whatever destroys tar."
"Is that how you want it to be?" Bobby presses gently.
Tommy rubs at the side of his neck. "I'd be a monster and an idiot if I said yes, wouldn't I?"
Bobby spreads his hands. "There's no relationship jail, Tommy. Doesn't matter to me if you're either or both those things. All I ask is that you keep it away from people I care about."
"No. It's-" Tommy shifts his gaze, his vision blurring. "It's not- That's not what I want. But it's not that easy, Bobby."
"Didn't say easy. Didn't even imply it." Bobby moves a box of tissues from the nightstand to the tray table. "You're no stranger to tackling something hard because you thought it would be worth the effort. Maybe give yourself a little credit."
There are oval-shaped bruises in a roughly circular pattern on Evan's forearm, resembling a school of fish. Those weren't there after the crash. Tommy flexes his right hand, which has been stiff and sore for no apparent reason. "I did that," he says.
"Yeah?" Evan frowns in confusion. "You were suffocating. It wasn't on purpose."
It can be an omen if Tommy lets it.
"Tommy?" Evan says.
Omens are stupid. "Hm?"
Evan fidgets with his free hand, pulling at the edge of his sling. "You said of course you love me, like it was easy. Like it was a given. People don't- haven't said it like that."
"How did they say it?"
"Like they were surprised. Like it was the last thing they could've expected."
"I knew it was a possibility the first time I kissed you," Tommy says, tired of choosing between truths.
He looks up. "You did?"
"Evan," Tommy sighs, "you're the fucking sun."
His beautiful eyes widen and get wet at the corners. "I didn't want the first time I said it to be when- when you were dying in my arms." A shadow passes over his features and Tommy's fingers curl, gathering a handful of his blanket. "I wanted- needed to believe that I'd get another chance. I love you, too, Tommy."
Tommy is so grateful this conversation is taking place today, when he's recovered enough to not cause an international incident every time he does anything more stressful than looking at the color green. The specter of the alarm still looms, but he's done okay so far. "I might not have heard you, if you had said it then." Tommy gestures at his chest. "The wheezing, it was very loud."
"You heard some things, though? It felt like you- you were reacting."
"Yes, Evan. You kept me going."
Evan beams. Tommy aches from the inside like someone sprinkled salt in his IV bag.
"I need," he warns, "so much therapy."
Evan shifts forward in his seat, grunting softly in pain. "I can get you some recommendations."
"Of course you can." Tommy smiles.
Evan is inches away, practically falling out of the chair. "Can I touch you?"
"Do you have the slightest idea how many medications I'm on right now?"
He ducks his head and laughs. "You know that's not what I meant."
"Oh, well, show me what you m-"
Evan lays his free hand on the side of Tommy's face. He leans forward and presses their foreheads together. "I'm so proud of you," he whispers. "I asked you not to run, and you stayed."
Right after the alarm goes off, Tommy pulls away just far enough to capture Evan's mouth with his own.
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Seeing a lot of “there was no reason for Isha to be in the story” complaints and aside from the fact that story wise I actually love having new and varied characters interacting in interesting and unexpected ways that’s kind of a large part of what I come to stories for, and aside from the whole narrative weight of a character who’s being called Jinx trying a “do over” of her major incident and having it go so catastrophically wrong, I think there’s definitely something to be said for an arc exploring the whole “is it better to have loved and lost than to never love at all?”where sometimes getting the thing you ever wanted and losing it can fuck you over way more. Like, they take Jinx, who adopts this kid and through her reconnects with her childhood self who she’s been struggling to either cast aside or integrate, and also her older sister who she now has a bit of better understanding of having walked a mile in her shoes, and the father who raised her, and for a moment it actually looks like it’ll work this time. And then she loses it all, this wasn’t the same scenario as the end of s1, this was specifically and textually intended as a conscious and deliberate do over, an extension of “it was something I could fix”, and she’s gonna feel like she jinxed it. Jinx was apathetic to her own death at the beginning of s2 but it feels like it’s gonna be way worse now. But Isha did it all so the girl who saved her could live. Jinx is going to have to reckon with the fact that you will love and lose in life, and it’ll be painful, but painful as it is it’s better than never having it at all, and it’s part of that thing that Isha wanted for her, living. And I think that’s a very interesting and crucial question to be asking, especially of a character called Jinx
#arcane#arcane s2#arcane spoilers#s2 jinx#isha arcane#hopefully this makes sense#idk I just thing Isha heightens all the other messages they were already going for in interesting ways#arcane s2 spoilers#arcane analysis
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I think it’s interesting, considering how most live-action superhero adaptations kill off the villains after their debut, that both The Batman and The Penguin end with the villains not just living, but set up to return and somehow cause Even Bigger Problems down the line. Is this just because it’s the first Batman film adaptation that’s a capital-F Franchise, so the writers need the villains to stick around long-term, or is something else going on?
Almost entirely comes down to the fact that The Batman was not meant to be Batman's origin story - by Reeves' own admission, it was the origin story of the Rogues Gallery. They got the Cloverfield and Dawn of the Planet of the Apes guy and he did a story about the boots-on-the-ground gritty perspective on larger-than-life terrors emerging from the ruins and failings of human civilization, taking the struggles and wars and laborious processes that others shy away from and putting them front in center. It's just this time, instead of kaijus and parasites attacking and destroying the city, instead of apes emerging as the Mad Max warlords rising from the ashes to fight over the world, we have Batman villains in that role instead.
To me, that was actually the conception - if we weren't going to do a Batman origin story, but we were going to do it in the early years, I thought well, in the comics, the rogues gallery characters often are creating their alter egos in response to the fact that a masked vigilante shows up in Gotham called the Batman.
And so I thought, oh well, what we could do is see all of the rogue's gallery characters in their origins, like Selina Kyle before she's Catwoman, and that we could go into, as we're looking for a suspect, we could go to a nightclub, a nightclub could be the Iceberg Lounge and we could see a pre-kingpin Oz, and we could see, you know, a Riddler who is declaring himself the Riddler sort of because there's a Batman. And so all of that was sort of built into the conception. - Matt Reeves
It's far from the first Batman film adaptation to be a capital-F Franchise, even if that aspect was there - Reeves initially pitched the movie as an HBO series, and throughout production pitched additional show ideas such as an Arkham show or a Gotham PD show, The Penguin being the only one that survived as far as we know. This pulls off an origin from the Rogues Gallery better than every other Batman media ever made, and there's a couple of reasons why it does so and why the villains get to take center stage here:
Part of the difference between the way Nolan tackled realistic Batman, and the way Reeves tackles realistic Batman, is that Nolan needs realism to explain Batman, and Reeves needs realism entirely in the service of making Batman weirder. Pattison Batman is the weirdest Bruce ever put on film almost entirely because he lives in our world while still being Batman in every way that counts - Keaton Bats slept upside down in a cave, but he lived in a Tim Burton world. Adam West Bats is weird, but everybody is like that or even weirder than he is, he is the comedic straightman to everyone else. And where as Nolan needs Batman to be the thing that makes sense, Reeves needs Batman to be the thing that doesn’t make sense.
Nolan wanted weird difficult irreducible villains opposite a logical pragmatically sensible Batman, and Reeves wants exactly the opposite. For Nolan, even besides the Joker who was defined entirely around the lack of a real explanation for him, you have his take on Two-Face, Bane, the Al Ghuls, characters that don't demand that much reasoning or explanation because they can act and exist in ways that defy logic, while Batman's the guy who has to hold the center of logic and reason. Where as here, Pattison Batman is the most interesting and complicated and larger-than-life figure this world is dealing with in much the same way that Ledger Joker was for his movie, and everyone else is in the position of starting out and having to deal with Batman and the paradigm shift he brings - nobody else in the movie is quite the character they were supposed to be, that's something they're all growing into in response to their nightmare city and what this titanic freak in armor represents to them.
Even The Riddler is ultimately explainable, human, reducible to his tantrums and vulnerabilities, even without you knowing in-depth his character and backstory that would be elaborated for Dano's Year One. Even The Penguin - he may be larger-than-life, he may be unexplainable on some level, but we know all too well all of his failings and feelings and life story and all the cracks in his persona that he killed Victor to try and bury. But Batman? Next to everyone else, he is still an anomaly, he is just Like That, even to his own detriment and that of the city, and he learns that he must apply being Like That to something better.
Reeves is not interested in doing "Batman vs [X]" movies, the movies are going to be focused on Batman's arc first and foremost, which means the villains will never really take them over the way they've usually done - this is a world where it's the villains who react to Batman, not the other way around. This frees them from the burden of having to exist in direct relation to how much they can directly menace Batman, and it makes it so that these are characters that can carry their own spin-offs, which is probably a lot easier for WB to work with because these are spin-offs that they don't really have to get Pattison to show up for, but they can construct in ways that don't even need Batman to be physically there. Even after The Penguin, they might not have to do that Smallville/Gotham song-and-dance of teasing a main character who'll never get to be here, there are a lot of other things happening in Reeves' Gotham besides the existence of Batman, even if the existence of Batman has changed all of them. So structurally speaking this series has a ton of room for reocurring villains, and building it has been one of their top priorities. In fact, this ONLY gets to do so because the movie already laid out the entire groundwork for them and how it all ties together.
See, the way Batman stories do the rise of a Rogues Gallery and how it affects the city and therefore Batman always follows a sort of a 7-step program:
Gotham City is ruled by crime, crime that takes away the Waynes (Falcone / Carl Grissom (89) / Falcone backed by the League (Nolan) / the Falcone-Hill-Wayne triumvirate (Telltale) / Gotham S1 and first-half of S2)
Crime begats Batman, who beats Crime
Crime + Batman = Weird Crime (Jack Napier becomes Joker after an encounter with Batman (89) / "we still haven't picked up Crane and those other Arkham inmates btw check out this weird card" (Nolan) / Black Mask and the international assassins + Joker's rise (Arkham) / Children of Arkham (Telltale) / the Indian Hill experiments and patients (Gotham)
Weird Crime Replaces Crime (The Long Halloween / Joker takes over the mob (89) / the mob is so impressed by the pencil trick they give Joker all the money (Nolan) / Joker literally replaces Black Mask in the process of becoming Batman's main enemy (Arkham) / Penguin assassinates Mayor Hill and the Children enter a war with Mayor Dent (Telltale) / Indian Hill breakout and Maniax cult and etc (Gotham)
Weird Crime is a Rogues Gallery now (Penguin and Catwoman and Max Shreck in the sequel (Burton) / Joker and Two-Face become separate problems, Bane + Talia + Crane + Catwoman in the sequel (Nolan) / after Origins a whole asylum full of them (Arkham) / Riddler + The Pact and John becoming Joker proper (Telltale) / Gotham S3 with Tetch and Riddler and the Legion of Horribles
The city is changed by the new paradigm
Batman responds / expands or retracts in response to this change
(4 and 5 don't necessarily always happen one before the other, mind you, frequently you do have a Weird Crime Rogues Gallery before Weird Crime replaces Crime at the head of the table)
And you can apply this to most other Batman stories that don't automatically start and stay at level 5. But where as all of these have to stretch the process across sequels and continuations, The Batman is the first Batman work that gets to do all 7 of them in one row. It gets 1 and 2 done offscreen before the opening act and shown to us how they happened throughout the movie's reveals, 3-4-5-6 comprise the Riddler's plot + the other United Underworld members roped into it, and it ends with 7. Even the Batmanless spin-offs follow the process: The Riddler: Year One covers Eddie's perspective on 1-2 as he enters stage 3 and prepares it for the movie, and The Penguin covers 4-5-6, leaving us waiting for Bruce's response back to stage 7 where The Batman ended.
And up until The Batman, the process behind the creation of a Rogues Gallery had never really been much of a process - comics that go into the transition like Long Halloween/Dark Victory just show the fall of Carmine Falcone -> the freaks waiting in the wings causing it or happening immediately after. Gotham tries to work that escalation gradually and it starts relatively "normal", but it's always dancing around the premise and the central black hole and the building blocks don't have anything to do with each other - the gang wars and Penguin have nothing to do with Bruce investigating a conspiracy, which has little to do with Gordon and Bullock investigating weird serial killers who keep escalating, and then eventually we get that Hugo Strange was building freaks in his basement at the orders of the Court/Ra's the whole time until they all just escape. You can piece together how Batman works that aren't about this transition ultimately touch on most of those 7 stages and have their own version of it as soon as they introduce Gotham City in a pre-Batman/pre-villain state, but the connections are always rather tenuous and not necessarily connected to each other (and it's fine, y'know, not everything in a story always has to come from the same source).
But everything in The Batman follows a long chain of dominos that had to happen for this system to become the way it needs to be for Batman villains to emerge. Everything started in that one night Thomas Waynes saved Carmine Falcone, everything started from that ensuing connection and Thomas' failures leading to a city ruled by mobsters for 20 years and the sheer level of rot and corruption and human misery that creates and justifies the existence of Batman, and thus The Riddler in his example. Everything we get in The Penguin is the result of this paradigm shift and total civic collapse, showing the destruction of Carmine's empire as well as his legacies torched and mutated by Sofia and Oz respectively. Everything is still connected. The United Underworld guys featured in the movie live and dwell in entirely separate spaces and represent entirely different things, and they're still all connected in the same chain of dominoes, which allows them to expand and cover entirely separate narrative real estate while still giving it all cohesion.
The movie never has to specifically establish a system full of supervillains or made for them, it has to establish a system so utterly fucked and dominated by Falcone, so utterly failed by every institution and body of government and system imaginable, that it creates Batman, and the minute Batman arrives and survives long enough to be a third power / a fifth state, people in his wake trying to respond to him or do the same things he does, as a response to the same afflictions he faced and to his example or influence, are the only logical thing. Without needing to literally show the other rogues waiting in the wings, The Batman established an entire world of possibility just by very smartly using the 4 big ones + Carmine and showing why and how this regular American city becomes a place where supervillains bombing city blocks and running for political office can become a facet of daily life. Joker, Penguin, Catwoman and Riddler - positioned as separate from each other as possible to show the ways in which this is, and maybe always has been, spreading fast out of Batman's control.
And now with The Penguin, reinforcing the chokehold of crime in the city in it's old ways as well as the corrupt mutated new ones brought on by our boy, as well as a new Batman Villain (possibly two, if Eve Karlo ever gets her hands on suspicious make-up) arriving from Penguin's side of things so that it's not just Batman who has a Rogues Gallery to deal with, not just Batman who has terrific enemies waiting in the wings for a chance to enact their own forms of justice and revenge, no, that's just what life is like in Gotham now, forever.
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