#so if i dont start studying now im fucked

[newtness532]

remember all these hours ago that i said i was going to study? well obviously i didn't but i have been sitting next to my notes the whole time so that counts for something, right?

[north-wilkesboro-moonshine-cave]

congratulations to Mme. Pascale Leclerc, who has surely just experienced both the funniest and most unhinged weekend a mother could ever have. Dear fucking christ, I hope your middlest son brought you a bottle of champagne for yourself, ma'am.

[telesodalite]

Sort of a ramble, sort of me just writing my thoughts out while I'm stuck with writer's block, but I keep thinking about how Fulcrum was in stasis for roughly 3 million years??

Like, that's a long time, even for Cybertronians. Not a really long time, not an entire lifespan. But still, it's a large chunk of a normal lifespan just gone. Poof.

One second you're crawling across the pockmarked terrain of an alien planet, surrounded by the sound of gunfire, and the shouting and screaming before and after each earth shuddering impact of another k-con hitting the ground. And then it's quiet. You're not there anymore. You're drifting somewhere between not alive and just asleep. Preserved somewhere in the background of a doomed body, ignored by time and space, still here, but also not.

And then there's sound. Not gunfire. Not shouting or screaming. Not the sounds that'll haunt you till your dying days, your own death sentence pounding in your head. No. Just voices, talking, standing out against a silent, dead world. Wondering. Joking. Bickering. Familiar. Just, not familiar to you. And you're awake. Pulled back from the nothingness you've been frozen in, consciousness tugged forwards with the yank of a fuel pump and the nearness of life.

These two moments are roughly 3 million years apart, but only minutes, maybe even seconds, to him. From a hectic harrowing battlefield, to an old silent graveyard in one blink.

How long did it take to really sink in? I mean, he seems to just roll with it. He doesn't seem particularly bothered. But like, what happened outside of what we see? How did he really feel?

Also, his body aged without him. While his mind preserved itself, freezing him as he was right then, his body was left to weather Clemency for all those years. No wonder it crumbled to dust when he jumped off the world sweeper. It's probably a miracle of some kind that it didn't just fall apart each time someone leaned on him.

And even after they rebuild him, give him a better, newer body. His spark, it's casing, all the irreplaceable core bits that make up their inner bodies, it aged in the time without him. Does he feel it? Does it make his body even more foreign to him?

Then he's also a technician with information that's 3 million years out of date. Lucky him that the scavengers probably weren't working with top of the line material. But still it's gotta be weird when faced with anything brand new, because a lot can change and progress in 3 million years, and now some of the knowledge he once prided himself in is obsolete.

Besides those things, his view of the galaxy, of the war, of their kind, of other kinds, is one of the few things actually pointed out when it comes to him being stuck in the past. So, how often were his old views challenged? Facts of life he held close proved to no longer true? There's 3 million years worth of new science, new beliefs, new words, new terms, new views.

And sure, some of it can be familiar, because they're an ever evolving kind, and they have patterns, core beliefs, repeating behaviors, but a lot of it's gonna be unfamiliar at the same time, because it's 3 million years worth of catch up, it's not like missing last week's trend.

In a way, it makes him a living relic of a bygone era for Decepticons. It would've been really interesting to have had that explored a little more.

[ratatatastic]

"Listen, I love seeing you get into it after the whistle, too, man. Because you'll throw down—Like, you and [Steven] Stamkos went at it... you been going at it with a lot of different guys, but Evan Bouchard—" "I'm not tough! I'm not tough! No! I felt bad about that, man..." "I gotta ask about the chokehold, though! With Evan and he's like tapping out! Is he making any noises? Do you even know that he's in a compromised position? That maybe he can't breathe or whatever? What was going through your mind when this happened? And what was your reaction when you saw it afterwards?" "Yeah, I mean, listen some guys like to keep up the persona... I'm not the toughest guy in the league, I'll never claim to be that. I don't fight often. I haven't—I don't think I did last year at all, but I do believe in protecting yourself. You know, I saw Barkov get hit, and it was pretty dirty hit in my mind—in the moment, right?...before and after replay, and stuff like that. You understand the league made the right call, and what not... But, I see him, he's vulnerable, he's one of their better players, one of our better players on the ice, that was all it was, right? Just grab him and do something. You know, I felt bad about it, I apologised to him in the handshake line on the way out, right? It's all part of the game."

"What did he say? 'No problem'?" "'Go fuck yourself!'" "No, he said, 'All good, no issue.' I'm sure I'll get hit from behind next year or something so..." "'See, I got 45 points in playoffs...'" "Hey, but I'm with ya! I said it at the time! The Draisaitl hit on Barkov—Like, he knew what he was doing, he went straight through his head...I don't know..." "It's—No doubt, no doubt." "...In regular season he's probably getting suspended. You know, if that's the regular season..." "Yeah, and you know what? It all ended well, and Barkov was fine so... the league made the right call obviously, right?" "Yeah..." "Whatever...but when Max Domi—years ago...and he's kind-of like pressuring you, pressuring you, and you're like, 'What?' And you didn't get your guard up and he catches you with one...he catches you right in the jaw, you ate one! Were you thinking afterwards like, 'Man, I know I'm drawing a penalty here, but I gotta protect myself so I don't eat a fucking punch again like this, and set myself back with concussions'?" "Yeah, that obviously taught me a lot about protecting myself, for sure. For sure. You'd rather be the first one in there than the last one so...Yeah, it's not about dropping the gloves or anything, but getting your guard up and—definitely being the first guy to separate yourself, I think, is important. Yeah, I mean, that's all I'm gonna say about that."

The Cam & Strick Podcast | 7.30.24 (x)

hey diddle diddle the cat with the fiddle...

"im not tough im not tough noooooo i felt bad about that man 😣😣🫣" dear god our players are acting like theyre not war criminals...ekky notoriously not a fighter hes just here for a fun time its not his fault he manages to get involved in every single scrum and starts ragdolling bodies guys

[faaun]

ok let's catch up quickly

[seariii]

hmm...

[melloneah]

2 days till my final exam rant in tags sorry i gotta let it spill somewhere 😭

[silverselfshippingchaos]

ugghhh wintertime sucks!! I'm sad and tired and sad all the time.. I need a nap.. and f/o cuddles.. and another nap..

[blinkbats]

I really dont know how im ever gonna feel like a real person and im really really tired of trying so hard and never getting anywhere

[hella1975]

Hi hella!!!

I feel like i always start these off or end them by saying that these things are going to be incomprehensible in some way, mainly bc i have trouble translating whats going on in my mind into written words so i really dont know how much of my list thingies make sense to you but this one is especially probably going to not make much sense. (also bc i send them a lot when im either very tired or not sober, but i am sober and wide awake rn so this might be a different kind of incomprehensible)

I found one of my old drafts for an ask from around a year ago and it was a follow up response to the last chapter you posted at the time, so im not sure how its going to sound without the context of that specific chapter, but i also mentioned in one of my other asks that i add stuff in last minute and that ask i added a shit ton of stuff so i dont have any of that pretyped out so im going by memory.  But im sending it again bc i havent seen you answer it 

(please do not interpret this as ‘why didnt you answer my ask >:/’ or me rushing you to answer asks or anything like that, but like I said its been a year so im assuming tumblr ate it.  If not and you just havent cleaned out your ask box and you find the original, congratulations you’ll know what i originally said.  Bc idk how accurate this will be)

SO

Theres two different ways that you seem to write metaphors (idk if thats what theyre called im not caught up on my literary terminology)

 (im scrolling through your blog rn looking for my other asks and tumblr really did you dirty in your asks system like i started scrolling and the third one down was from 2021 and im fighting for my life trying to find my tag (thank you for my tag btw its very useful to me))

Anywho, most of your metaphors ( to me) can be split into two categories.  Theres the simple ones and the complex ones.  Now this might seem obvious but im going to explain to you how these have different effects on my brain.  

An example of the ‘simple’ ones is  

““If Nanook’s tone had a note of seriousness, then Zuko’s was the entire orchestra.”” (idk what chapter this is from its been a while)

You have a lot of these kinds of whatever the haick kind of literary technique this is (is this a metaphor i’ve been trying to google it for like ½ an hour and i cant figure it out) BUT these type of things that are simple and easy to process is one of my favorite things about the way you write.  I think this is a very common technique but the way you do it to me is just a lot more unique than the ways ive seen it done before.  Its extremely fluent with the voice of the characters and brings a perfect kind of vibe to the ‘conversation’ (or story, text, whatever) and it paints the picture of what your trying to say perfectly.  I also really like how these types of things arent ever in Zukos pov a lot (sometimes it is, but not nearly as much, I’ve noticed) and its not in the more serious like revelations that you drop these in.  Like I said, it adds to the voice of the characters, bc of the contrast of Zuko constantly having revelations and dramatic archs and stuff, and the other characters just in general being a lot more calm.  Its like when youre listening to a song and you have the lyrics and the like ‘main’ music behind the lyrics, but then when you listen to the song a lot you notice the smaller, like backup music that adds a lot to the song and makes it a lot more enjoyable than if it was just the lyrics and the louder more up front music.  

Then in contrast you have the bigger ‘metaphors’ 

An example of this is ‘You curse in words already invented’ 

THIS IS MY FAVORITE LINE IN THE ENTIRE FIC.  

OF ANY FIC OR BOOK EVER READ

AND THIS IS WHY

When I tell you I could not figure out what this meant for months I am AWFUL with stuff like this and interpreting it my english teachers hate me bc of it.  Id have the question ‘why were the curtains blue’ and my answer would be ‘bc the people who decorated the room like blue maybe theyre interior designers and it goes with the room 😊 and thats so hot of them bc i love blue too’  

But even thought i couldnt figure it out it stayed in my head and i probably thought about it once a day (i mean this literally, i think about that part all the time) and i cant remember the context for that or anything but i do remember that i knew it was a wonderful phrase.  

I’ve mentioned in my other asks how whenever im reading anything at all that you’ve written (whether its tams, or toab, or in the tags of something even if its like 10 words), everything you type comes out so fluidly like a formula or a color wheel or however i put it last time i talked about this.  And this is on the prodigious end of the spectrum of this.  

But phrases like that are another part of the fic, theyre like the lyrics of the song.  Like the phrases that gets all the attention and gets put in fanart and that gets quoted in comment sections because they deserve that recognition and you deserve that recognition and are just a reminder of how incredibly talented you are.  

I mean that in the most sincere way that i know how to express.  

I am constantly in awe of you and your writing style, and i really do think of you as one of the most talented writers of everything ive ever read.  

And something else worth mentioning is that it isnt just your ao3 that portrays that.  Like if I were to just read your ao3 I’d be like ‘oh wow this person is an amazing writer’ But your tumblr persona plays into it a lot more (In my opinion).  Because then you see like more ‘backround’ stuff on ao3.  And more of your system (im not articulating this in the way i mean it very well) and you get privy to the fact that you’re not a 30 year old with a masters in english and that you’ve never had any formal education on writing.  I vaguely remember you talking about a story about a sailor (??? i might be misremembering that) that you wrote when you were a child and thinking ‘oh wow so she’s always been like that’.  And its stuff like that that you dont get on ao3 that kind of reaffirms how incredible of a writer you are.  

And this (to me) makes you a really easy person to admire.  (ik i touched on this in a different ask but i dont remember if it was one of my list asks or not) but as someone who probably isnt going to ever be able to get an education around writing, it kind of reassures me that i dont need that to be great at it.  

(i kind of feel like a lot of the stuff in this ask is too like ‘simple’ or obvious to be given a lot of weight, but this whole thing is about the kinds of things you do that brings me personally joy and the metaphors are one of them so)

Also on an off note when i was looking through your asks to try to find my tag, I noticed that i send you a heavy percentage of your anonymous asks (mainly without my alias) and I thought that was funny.  But also i hope it doesnt come across as obsessive or weird, I swear i do that to a lot of people on here, I’m just a very social person.  .😂

Also Im in your tbos server (lurking in the shadows) and someone pointed out that whenever you do the reaction emojis you always do the white ones, and thats going on the official ‘my favorite things about hella’ list because that was genuinely one of the funniest things ive seen. 

Also the ‘anytime you type its very fluid (im too lazy to scroll up and see how i put it rn) also carrys on to discord.  I think that i could probably block out the user names and be able to figure out that its you talking every time, you have a very distinct way of talking.  

Also i wanted to mention that every time you answer these i read them again and i want to say like 1/3 of what i sasy, i have no recollection of. And i never have any idea what im talking about. so i think thats funny.

LIST ANONNNNNNNNNNNNN BAWLING MY EYES OUT HELLO BABY WELCOME BACK FROM WAR IVE MISSED YOU IM JUST HERE LIKE THIS RN

[melopearl]

i love my brain i love when something pretty amazing happens like ur dad offering to help you start a business and instead of being happy im sobbing about how i hate my job and i feel so trapped bc i literally am trapped in this very specific field

[gibbearish]

btw similar to the whole "if you try adderall at a party and it calms you down, get an adhd test" thing, if at some point in your life you try microdosing shrooms with a friend and end up feeling like a functional person for the first time in your life, get tested for depression. like yeah hallucinogens come with elation so youre probably gonna have some "this is the best ive ever felt in my life" vibes regardless, but like. if that in and of itself feels like finally breathing in for the first time in years, thats for sure a sign that something is up with your ability to process serotonin most of the time. feeling better than ever before should be a nice bonus, not a crushing weight off your chest

[canarydarity]

Hard to tell how indicative the bones on the floor are of anything about the catacombs themselves being how, every few minutes, Pix kills another skeleton adding to the collection. He swipes his sword through the one before him, and it collapses so readily into a pile of bone—like it was made to, like it was just waiting on his sword—that he has to wonder, not for the first time, what was holding it together to begin with. The bones rattle and clatter against those already littered around, and Pix sighs at the further disturbance to the scene as it was when he had entered; accounting for the damage likely done by mobs was going to make this hell to study. 

He grabs another torch and sets it inside one of the empty sconces that still adorn the walls, readjusts his grip on his sword—he can hear more lingering around the next corner; the low hiss that means a spider is near, the groan or two of a zombie. 

Pix picks up a chunk of cobble from the ground and tosses it down the hall, waits. Sure enough, out scuttles a spider. He disposes of it quickly enough, but it seems he’ll have to venture down the dark hall to goad the zombies. He glances at the clock he placed in his hotbar before embarking on this mission (it’s hard to tell how much time passes underground—something he learned quickly in his line of work). There’s still a good amount of daylight left, and he wants the catacombs cleared; he has other projects he has to move on to, things he needs to finish; he’ll just get through a few more halls—it won’t be an issue, surely. 

But the new corner he rounds remains dark even as he places a torch behind him to mark the way back. The groans can still be heard, but a zombie is yet to lumber his way, and so he has to wonder what's beyond his admittedly limited sight. Pix shuffles another foot or so forward, a torch in his non-dominant hand now as well, hoping for light, for vision. The research part of him—the logical academic—knows that it shouldn't still be this dark with the torches placed behind him nor the one in his hand, and that part is so much louder and more important than the one that knows this means something is wrong, the part that says turn around. 

The torch is lit, he can feel the heat of the flame as he observes it flicker in and out but cast no shadow on the wall behind—a wall Pix can’t even see but knows is there all the same. The circle of light provided extends no further than an inch or two out from the flame itself—comparable more to that of a birthday candle than a lit hand torch. If he hadn’t been staring directly at it, he would’ve assumed the fire snuffed out. 

He feels his eye twitch and his brows furrow. Academia liked concrete answers, things that could be explained and reasoned away—unequivocal proof. But Pix had always had a soft spot for the inexplicable, the ineffable. It was nice when he studied something and found an answer, it was riveting when he didn’t. How much more exciting to study it again and again, a riddle that begged not to be solved. (How much sweeter the prize if he were the one to figure it out in the end). 

His interest was piqued. He could feel it, the way his attention focused and his surroundings blurred and left him; his body on standby, his sword hand lowered almost subconsciously.  

In other words, it was entirely his own fault when the zombie grabbed him. Panic is never a good thing to welcome into a fight, but it likes to show up uninvited anyway. Pix's entire career revolves around studying human behavior, about how human nature cannot be fought against though it oft leads us to our own downfall and ruin. He finds it uncanny when he's reminded that this is a phenomenon from which he is not exempt. 

In haste, he elbows the zombie behind him and turns, back now to the darkness—the one not even his torch could dent. It’s an ugly bugger, eyes soft and misshapen from decay and skin so leathery it’s as if it's been treated and is ready for use as a saddle or armor. Logic replaced by horror, before he can run it through it advances, arms out, and Pix drops his sword to reach back, holding it at arm's length itself; their arms interlocked, pose not unlike meeting an old friend again for the first time in a while. His hands grip the woven fabric of what's left of its shirt, too old and worn to be from any time close to recent, and, despite the very real danger, his mind takes the time to process the period-accurate fabric, the hand-stitched design. He blanches again as he looks into its horrible milky eyes—this zombie was from the capital. 

Not sentient enough to know why it’s not actually getting any closer to Pixlriffs, the zombie makes a noise that sounds frighteningly human in its frustration and steps forward, and in his distraction, Pix lets it. The push seems to make his brain function yet again, and he shoves the zombie backward a good few paces away, but the momentum sends him stepping back himself, and his foot finds not purchase but, instead, the disturbing lack of solid ground, and with nothing left to do, he falls. 

He hits the ground with a thump and a crack and a lot of other sounds he would rather not describe as he feels they were likely very undignified. Winded but, it appears, still in one piece, he grabs another torch and strikes it against the wall, holding it up above him when it lights and shines this time as torches normally do. He buries the part of himself that is disappointed at this—the part that wants to panic and complain finally louder, now, than the part that says hmm. 

He didn’t fall too far, it seems. Now that the torch is lit he can see the gap he’d fallen through, just under a dozen feet or so above where he lays. It's obvious even looking from below how the stone floor had crumbled away, taking maybe one or two hits too many over time from overcrowded mobs or shifts in terrain or pressure aboveground. He tilts his head back but sees only another dead end behind him, and ahead looks like a further, deeper hall of the tomb he hadn’t uncovered yet, though the path is obstructed by debris from above; a net of spiderweb blankets the pile of stone and dirt, but no spider seems to be left guarding the web. 

His friend above seems to have lost interest now that he’s fallen out of sight, and its moans and groans get further away by the second. 

No immediate threat, Pix lets his head fall back onto the ground and takes a breath. He knew the crypt would be full of mobs, he knew it’d be hard, but still…

No, it’s worth it. It will be worth it. He has a job to do.

At least he isn’t defenseless—it’s more than he can say for the dungeons. Not a weapon to his name, fists wrapped in tape so red you’d never believe it’d been white to begin with; knuckles so raw and scraped and beaten by the time he’d made it out that they’d scarred that way—permanent marks of the fighter he was, of the fighter he’d proved to be. 

There was a fear there, too, at that very real and physical understanding of permanence. His studies proved expert in providing examples of what was permanent and what wasn’t, and where people weren’t, things were. He’d spent enough time studying what could be learned about a person by the things they left behind to begin to wonder if anyone at all would’ve remembered him if he’d died in those dungeons—not a singular weapon or item for him to leave behind and tell his story.

Pix stops wallowing. He sits up and reaches over his shoulder for his pick; he isn’t shocked to find that the shaft had snapped in two from the fall, it having been strapped to his back. He sighs, tossing it aside as useless. He’ll make another. 

He takes the time to remind himself again that he knew it was going to be difficult, and that difficulty was no reason to not continue. But it didn’t just feel difficult it felt…inhibiting. Dissuading, deterring, impeding. It felt deliberate. It felt like, stay out; like, we don’t want you here; like, leave us to our rest. 

(it wasn’t, it was something far more sinister. An idea he’d never thought to consider; like a torch was giving off too-little light in the hallway of a dark, long-forgotten crypt, he couldn’t see any farther than what was right in front of his own face. How cliche it’d be, in the end, when it came to pass—the academic too invested in their own research, too dismissive of the present danger posed until it consumed them. He’d have a moment to laugh about it later, when the dread had settled in and all options—or lack thereof—exhausted. While on the topic of permanence…

It was not go away that the tomb was saying, not a driving force out that was being enacted upon the archeologist, but a more frightening call of stay. A threatening but desperate find…become…join…

No, if it were trying to keep him out, why would it keep pushing him deeper? Add this to the list of things he’d realize too late.)

He stands and dusts himself off. The wall is thick and overgrown with glow lichen, and he grabs the nearest vines and tugs one, twice, three times before deciding it won't give and hoisting up. It takes a few minutes and a fair amount of huffing and puffing to get himself to the top and over the edge but he does it, collapsing on higher ground once again and taking a minute to slow his pulse. When he left the dungeons, he dove back into the studies he’d been missing and decided he’d had enough fighting to last a lifetime—this was not without consequence, he’s not nearly as in shape as he used to be. 

His sword is still on the ground where he’d dropped it, so he reequips and readies himself to push his way back out; he’d have to make time to come back and clear the rest another day. He would be back, and he hoped he would be welcomed. 

“I don’t mean to disturb you,” he says into the quiet blackness of the catacombs. He doesn't dare speak above a whisper, for there were still mobs around and his voice carried enough as it was, bouncing along the empty stone and quiet graves. “I'd like to tell your story.” 

There's nothing to hear but for the scuttling of various creatures far off in the dark, the shrill whistle of stray wind through small openings and holes. He raises his voice only slightly, a bit bolder. “Don’t you want me to do that? Will—would you allow me to do that?” 

Silence, and then—the rattle and clatter of a skeleton. It sounds like only one; he lit everything up pretty well on his way in, getting out should be easier. Striking another torch against the wall, Pix prepares to go. For a second, the light is brighter than it should be, its circle of light illuminating the hall completely, the hole he’d fallen into, the distance to the other side. He leans back to avoid the heat of the flame, and he sees it. 

The other side of the cave-in leads not to another tunnel but to an alcove, and empty it is not. His torch, though many feet away, sheds light on the scene; the heavily wax-encrusted stone above a pile of used candles and burnt wicks, the coin and other offerings of gold overflowing from bowls and chalices and any other orifice they could be piled upon, and her. 

He recognizes her immediately. The tapestry covers the majority of the wall, and though it's faded for certain, the lack of direct sunlight has done wonders at preserving what it could. The colors are familiar to his research, the subtle and light greens under warm oranges and yellows. He’s too far, he cannot see any detail; the background, what she's holding, her face—but he knows her. She’s their patron. 

The skeleton wanders closer, its bones clicking and clacking down the hall. Pix swallows. 

“I’ll return for you, I will.” It’s a promise. She’s holding a secret, he knows she is—he’s going to figure out what. Pix turns just in time to face the skeleton as it rounds the corner, and soon its bones join those on the floor, new and old alike. 

His words still echo off the caverns and crevices of the catacombs after he's left and gone, and though not possible to have been heard by human ears, the crypt whispers back good. 

~-~-~-~

Far below even the hole the archeologist had fallen in, leagues underneath the surface of the earth, buried perhaps the furthest underground of anything left behind from the ancient capital—so deeply you’d have to wonder if maybe it was done on purpose—the crown sits in a chest, waiting patiently to be discovered. It’s not a matter of if, but a nice decisive and quiet when. Eventually, the echo of the archeologists' words falls upon it where it sits, and slowly it begins to emit a soft glow. It says stay, it says find, it says become, it says join.

It says soon.

[xanderscollection]

Fantastic I finally feel like relaxing and writing, here I g—

Nevermind it's suddenly the busiest time of my life

[1ovestay]

wont lie im having a terrible fucking time with it! fuck applying for jobs what if i end it all instead

[opens-up-4-nobody]

...