#so i'll post about it later

[vickysaurus-art]

Shattered mirror.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[parisoonic]

💥Spontaneous chemical reactions; spontaneous laughter

[xxplastic-cubexx]

filler

[tlotrgifs]

Happy New Year (2025).

[infizero-draws]

got pissed about not having early access to shadow gens so i drew tgirl shadow to cope

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[rjshope]

Namseok through the years for @raplinenthusiasts ✨

+bonus:

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[boysareouttonight]

dennis deprives and restricts himself of food just like he does with love. both things he doesn't think he deserves

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[secretagentspydetectiveninja]

more v3 doodles (it's all just maki)

[bixels]

tarpit site.

[milkamel]

I’ve absolutely adored this hc for quite a couple of months and I think it’s time I post something regarding it + add some kross sprinkled in <3 I made some doodles occasionally but I thought they weren’t good enough to post yk. Now I’m happy with myself <3

(Honestly I’m not sure how to label Killer, though those are the labels I see may fit him- anyway trans Cross makes me happy I love my boy sm)

Cross belongs to jakei Killer belongs to rahafwabas

[citrusandrottefruit]

Part 1 | Part 2 | Part 3

Steve probably should have had surgery after Vecna ​​died, because Hanahaki's roots seemed deep, but he chose to alternate between Max and Eddie's hospital rooms. There was no time to waste on his own health.

His parents were back this time. They had sold their house and bought a huge apartment for Steve, who wanted to stay in the city. His parents didn’t even question it, they just demanded his time for a week before leaving with a big hug and the promise of a trip somewhere nice that summer. If he had been a little younger, Steve would have been happier, but after so many years of neglect, all he could think was that this was as far as he was going to get.

A side note, an afterthought. They cared about their son, just not as much as they should have.

Steve's new apartment had four bedrooms, more than he needed, but he was glad his parents tried so hard to make up for it, because it meant he could offer Robin a room when she graduated and there would always be room for the kids. And Eddie and Wayne, who stayed with him while the government found them a new place to live.

Eddie made a joke about Steve's parents being more powerful than the government, for being able to find Steve a great place to live so quickly in a broken city while he and Wayne had to wait.

Wayne was usually around, and despite being a somewhat taciturn man, it was easy to see the love that overflowed for Eddie. It made Steve think of his mother, who had loved and suffered so intensely that she had developed Hanahaki.

And yet, she was not with him.

The cough got worse.

One day, Steve woke up in the middle of the night, struggling after yet another nightmare of torture. Some days, it was easy to forget about Vecna ​​in favor of that hour beneath the Mall, with his life in someone else's hands. On days like these, Robin was needed more than ever, but her parents didn't want her away so much, so sleeping in his new apartment was hardly an option. Calling her wasn't a good idea either, because all it would do was stress her out and they'd end up up all night on the phone. So he resigned himself to taking medication and going out to the balcony, longing for the fresh, clean night air.

He would turn on the TV or music, but he didn't want to wake Eddie, so he just stood outside with his eyes closed and imagined being alone again when Wayne and Eddie left, then tried to imagine what the trip with his parents would be like, if it were to happen. Steve still wasn't sure if he wanted to go, but it might be nice. Maybe he'd get something out of being away from Hawkins for a while. Maybe the coast would make it easier to breathe.

As lost in thought as Steve was, after years of trauma it was impossible not to be aware of the sounds around him, so when Eddie opened the bedroom door and started walking down the hall, he heard it. He stayed silent, not wanting to disturb Eddie.

Of course, Eddie didn't care and showed up a few minutes later with some tea.

For your cough, man.

After that, it became almost a ritual between them. Eddie was always there when Steve woke up startled, and Steve reciprocated. They always had nightmares, so who went to who depended on which one of them woke up first.

Sometimes they would stare at the stars in silence, other times they would talk. Most nights, they would end up in Eddie's bed, in one of the spare bedrooms, without touching each other.

Steve's room, which was definitely his and not a temporary arrangement, felt too intimate.

At the same time, Eddie began asking more and more about Steve's throat, about his shortness of breath, if he was okay, when he planned to go to the hospital. The questions became so frequent that Wayne noticed, too.

The feeling of being cared for was too much. Feared and desired in equal measure.

Eddie shouldn’t even be doing all this, because he was still bandaged, still covered in pink scars, still had a long way to go in physical therapy.

For the second time in his life, Steve felt suffocated by love.

This time, Steve almost hated it. Because he was in love with Eddie, because Eddie didn’t know the things Robin knew. Even if he loved Steve back, how could Steve demand that Eddie take care of him?

Mr. Harrington had reasons to stay with Mrs. Harrington. Although no one talked about it, Steve was sure that his father had been the trigger for his mother’s Hanahaki. And maybe if she had never left, chasing her father across the country, trying to be happy with him to stay alive, maybe… Just maybe, Steve wouldn’t have been alone and maybe he would have been healthy.

Neither Eddie nor anyone else had a good reason to pursue any kind of happiness or emotional stability with Steve.

In addition to the burden of living with a chronic, progressive disease that would possibly become terminal at some point, being emotionally involved with someone with Hanahaki was very complicated. It required loyalty, responsibility, patience, a willingness to accept endless arguments and a desire to reconcile.

Communication was essential. Making sure the other person felt good and loved, comfortable and safe. All of this was too much work, too demanding.

Loving Steve was a prison.

I'll try to post part 3 soon. I've already written the ending, but I'm thinking about how to connect this part to the ending, which will be happy.