#so i thought it must be their best

[luna-sheep]

why didn't anyone tell me almost all of Paramore's other songs were better than misery business?

[turrondeluxe]

always happy about the fact that in 2012, mikey often asked donnie questions if he didn't understand something and donnie always answered no matter what

this can be seen in a bunch of episodes but my favorite example of it it's the one in half shell heroes where mikey is extremely excited to be in the museums and is the one actively asking donnie questions about the exhibits they saw and also actively listening to donnie's explanation (before raph got silly lmao). he was very excited to learn!!!

And while it's true that mikey would lose interest quite fast if the explanation got too lengthy with too many technical terms, it doesn't change the fact that he does retain the info donnie is always rambling on about different things!!! (even if mikey himself doesn't notice he's doing it lol) and also i find it very sweet that no matter if donnie himself got annoyed, donnie would always answer the questions. no matter what. he would always try to explain if he didn't understand something

This is prob because mikey is the one brother who is often seeking out donnie to pass time around him Meaning that donnie might have used mikey as his rubber ducky whenever mikey hangs out with him while he's working (explained him a lot of his experiments and theories while trying to solve them himself and in this way mikey also learnt in the process WHILE spending time with his brother! win win!)

it also helps donnie because accompanies him while not letting him get lonely in his lab 24/7, sometimes explaining things to someone makes it better to understand it yourself AND it's shown in the comics that donnie is quite used to his brothers just Living as background noise and literally cannot function without it lmao

They are literally the two smart kids in the family even if none of them notice it and it's all because mikey looks up to his brother and is like an sponge with donnie around. donnie is actively teaching mikey and mikey is learning! even if they have no idea they are doing it

[qosic]

I put all my 愛 for the game into this one, to everyone who has beared my shouting about this modern classic for the last 4 years, I thank you!!!

Commissioned by Greg Chun (eng voice of Kaname Date) He will be doing a signing session at a later date where you can get this as a print, go follow him for more info on that!

[coloursflyaway]

Okay, but imagine Charles calling Edwin his best friend for the first time.

Affection comes so easy for Charles, so I am sure he decides on it quickly, because this is the boy who read him to sleep when he was dying, the boy he has given up eternal bliss for, but for Edwin?

Edwin couldn't stand being around Simon when he only wanted to tell him he looked smart in his cap, and here is this bright-eyed, beautiful boy, grinning at him with sun stitched into his smile, and saying, "Well, we're best mates, him and I."

Love confessions when you know the other inside out are one thing, but I am pretty sure that Charles expressing any kind of love for him for the first time must have been the closest thing Edwin had felt to heaven so far.

[iridescentmirrorsgenshin]

thinking about alhaitham going from recently orphaned to meeting kaveh and kaveh becoming the one person who knows him through and through, who he recognises as his mirror, as integral to his development as a scholar, and as essential to his happiness as an individual. knowing that their respective approaches to life are direct oppositions, but that this isn't a negative and instead is beneficial to the both of them - aligning their viewpoints can help the other grow due to considering new speculations and perspectives.

and then being rejected by kaveh due to kaveh's rejection of himself - his conforming to the collective, when his talents and abilities offer potential for more than he denies himself. kaveh rejects alhaitham as his best friend, his mirror, and he seeks to cement his ideals in his life, to realise them in full as opposed to being solely based on the guilt borne from his perceived involvement in his father's passing. alhaitham doesn't pursue kaveh because this is kaveh's decision - he said that he regretted ever befriending alhaitham, and it would be futile to impose upon this

alhaitham goes from having an essential figure in his life, to a void twice, the first time being the loss of his grandmother, and then kaveh's rejection of him. but he pursues the peaceful life his grandmother wanted for him, and when he meets kaveh again, he instantly sees through the façade kaveh fronts for other people, and recognises that something is deeply wrong. when kaveh moves in with him, he is held in contempt and through a critical lens, and kaveh believes him to be prideful and spiteful, believing that his egoism has triumphed over kaveh's altruism.

kaveh continues to reject alhaitham through this, but alhaitham desires kaveh's company regardless because he knows that kaveh is essential to him - no one else can provide what kaveh fulfils, both in company and in mind. regardless of the strained rapport between them, alhaitham enjoys kaveh. he smiles when kaveh has a quick-witted comeback, he smiles while teasing kaveh, and he goes out of his way to have interactions with kaveh, regardless of the outcome.

alhaitham knows that he and kaveh can ultimately benefit each other if they can overcome this barricade - a perception of 'correctness' between them. firsthand, alhaitham knows that being thought of as 'correct' is ultimately meaningless if it means you forfeit something you truly care about. the issue that stands between him and kaveh is not correctness, it is the unspoken, the miscommunication and misconception that drives them apart. alhaitham truly wants the best for kaveh, but kaveh cannot see this due to his perception of alhaitham. but this perception is challenged when alhaitham reveals that he looked into sachin for kaveh's sake, for a chance of closure, during a parade of providence

so going from this uncertainty as to how kaveh will interpret alhaitham's actions in a parade of providence to how kaveh and alhaitham are in cyno's story quest is so so fulfilling. it's cathartic to see alhaitham comfortable in his interactions with kaveh, rather than having to be underhanded of his comments about kaveh's misconceptions. alhaitham can openly enjoy kaveh's company because kaveh genuinely wants to spend time with him. alhaitham encourages kaveh to tell him about his day because he knows he will not be misinterpreted. their banter is completely without any kind of tension as an understanding seems to have been gained between them. it must be so liberating to be truly seen once again by kaveh, and not have every word, every action, ever intention scrutinised. kaveh accepts him, fully, through and through, and because of this, kaveh sees alhaitham as a mirror - and finally accepts it.

they work in tandem, their thoughts seem synchronised, and there is no issue in the two joining efforts to research together once more. alhaitham is openly expressive about his contentment in working with kaveh, discussing the case in their shared living room, watching kaveh sketch the emblem, smiling as he unveils a discovery, and smiling as kaveh shows interest, travelling together to inform the traveller of their findings, heading to the house of daena together, and having kaveh understand his silent request for help without even having to voice it, being asked for and freely giving obtained akademiya information to kaveh, consenting and smiling when being paired together in looking after the house of daena and researching into the temple of silence. kaveh seeks to find coffee for the both of them when alhaitham mentions it which establishes a domesticity which extends outside of the home. when alhaitham excuses himself at the gathering, kaveh knows that it doesn't include him, and he actively suggests their next activities, before heading 'home' together. alhaitham understands kaveh's notion of home (talked about here), and alhaitham assents to this, and the two leave together

to finally have their status as equals be recognised by kaveh is a huge development, and alhaitham seems so much more content now that this understanding exists between them - that their care is reciprocal. to see kaveh at ease within himself, to be more embracing and forgiving towards himself, must be so fulfilling for alhaitham, who wants nothing but kaveh's happiness. in kaveh accepting alhaitham, these past concerns of guilt and forgiveness can finally be addressed. and alhaitham will be there every step of the way, as he has chosen to do, and he knows, now, that kaveh will continue to choose him too

[featherymainffins]

I hate to say it but I might have to admit that Redditors can be pretty based sometimes

[choochooboss]

Ingo Bracket 8 match may not be going in Breakmas's favor; it seems the bosses haven't realised this little guy is their real opponent and are now busy taking care of him! They're still searching for this sneasel's Poké Ball to keep him extra safe!

This adorable looking little warden is from Team Conductors: PMD AU by @teamconductors! I would imagine warden Ingo being rather confused at the situation, being carried around by his younger self, on the other side of law..?!

Link to the original meme in the comments!

@ultimate-submas-tournament

[thegreatyin]

ive officially entered the stage of OC brainrot where i start putting him in outfits for fun and (zero) profit

[alluralater]

do you guys watch porn like normal people or are you watching every single tiny detail all at once before zeroing in on like— how pretty the tendons in her neck look when she’s about to cum or the way her shoulders bounce a little and her muscles relax and then tighten and how her hips stutter just the teeniest amount? or like how her lips look when she’s really enjoying something the slight difference in the way they curve and how she sounds and how her eyes move and the way her breathing picks up in time with fingers inside her or how her hair sits on her shoulders and moves so lovingly to whatever surface she’s on and like how pretty her skin looks when she’s getting closer and closer, like she’s glowing. or how she’ll roll her hips when she’s getting needy but won’t say so?? and when she needs more visual stimulation vs less and when to guide her gaze vs when to let her look on her own and tell her to. like basically by the end of the vid you know exactly how she likes to be fucked and what her tells are for when she wants it harder or slower or faster or she wants her clit played with rather than penetration or both or her mouth filled , etc. or am i just weird

[karleksmumskladdkaka]

Diabolik Lovers Dark Fate Vol. 3 Chapter of the Last Quarter — Short Story Translation

A short, sweet, and comedic tale about the Mukami brothers being supportive siblings… and nearly committing accidental fratricide in the process. Meanwhile, Yui watches with increasing concern as the disaster unfolds.

Please refrain from using or reposting the translation anywhere without my permission.

[Note: The story is written in Yui's POV.]

─── ⋆⋅☆⋅⋆ ───── ⋆⋅✮⋆⋅

"Uh...something's wrong..."

Kou-kun groaned as he stared down at the pot.

"Should I help after all?"

"Eve, you mustn't get involved...okay? Just quietly watch over us."

Even though he said that, an increasingly terrible smell was spreading throughout the kitchen. Despite being told not to interfere, I was starting to get a bit worried.

"Maybe it needs some sugar-chan!?"

"Ah!!"

Before I could stop him, Yuma-kun dumped several sugar cubes into the pot, filling the room with a foul stench. I felt a sense of despair.

The whole mess had started when Ruki-kun injured his hand.

"Ruki-kun always cooks for us, so let's all pitch in today!"

And so, Kou-kun's plan of making dinner ended up as disastrously as I had feared.

"...This is...?"

"Well... It's supposed to be curry..."

Kou-kun glanced at me as if pleading for help. When I looked at Yuma-kun and Azusa-kun, they averted their eyes. In short, something horrible had been created. Its color was... to put it nicely, pitch black. After tasting it, Yuma-kun commented nonsensically that it was "bittersweetsalty". Dubbed "Mukami Brothers' Style Curry" it had transformed into a mysterious substance resembling anything but curry. Just by looking at it, anyone would instantly recognize it as inedible.

Yet, Ruki-kun was peering at the plates lined up on the table with a happy look on his face.

"Maybe it's better if we don't eat this..."

In spite of Kou-kun's uneasiness, Ruki-kun scooped up the substance with a spoon and brought it to his mouth.

". . ."

"It's disgusting."

We all shared the same fear. That even though he's immortal, Ruki-kun might die from this.

Despite his words, Ruki-kun's expression suddenly relaxed. We stared at him in amazement.

"R-Ruki-kun...!!"

"Ruki..."

"Ruki...! Damn it! Yer such a...!"

The three brothers, seemingly drained, collapsed to their knees on the spot. Ruki-kun simply watched them in silence as he continued to eat.

And then, afterwards—Ruki-kun was bedridden for three days and nights. Even though Vampires aren't supposed to get sick...

Seeing this, his brothers made a firm vow to themselves. They would never try to cook again.

─── ⋆⋅☆⋅⋆ ───── ⋆⋅✮⋆⋅

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[velociheroviridi]

I'm not fixated on Danny Phantom right now, what could you possibly be talking about?

After like 6 years of having the software, DP is the motivation I needed to finally understood the youtube tutorials on how to animate in csp I guess, so here's my first ever little animation! I know it's super rough but now that I actually know what I'm doing, I'll probably try again when it's not past midnight

[shalom-iamcominghome]

This is my g-d. There are many like Him, but this one is mine.

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

[puckpocketed]

caps fan here!

as follower of pld (the few, the proud, the courageous!), i was wondering if you had any thoughts about how he might fit in with our team, assuming he's going to be 1C with Ovi on the left and one of Wilson or Mangiapane on the right, and basically taking the former Kuznetsov/Backstrom spot on the halfwall on PP1. my thinking is that he can easily return to being a 60 point player just by the increase in ice time alone this coming season, and maybe even flirt with 70 if he has a triggerman like big O on his wing.

as someone who knows a hell of a lot more about PLD than i do, is that just wishful thinking because i'm a caps fan? what do you think?

The PLD Post, Part 2: mask-OFF

Hii!! (we are SO brave and SO correct). i am so sorry this took ages to answer, i was trying to decide how serious to be. I will admit, I was hesitant about going mask-off and hitting up the microstats and revealing that i do seriously think he can be better than he was bc that shit is kinda lame ESPECIALLY when defending a clear failhorse. but at this point any rep i have as someone with good opinions must be gone considering how many media scapegoats i've attached myself to (i got a fucking. c.gauthier ask the other day aslkjdkljas) so. mask is coming off. we've hit somewhere between well-considered manifesto and vibe check so . um. enjoy!!

I remain optimistic going from everything I've heard and from what you're saying here! But, big big asterisk. He absolutely needs to take ownership of his lack of engagement. when he speaks in media availability I believe him when he says he wants to change. The will to change is there, idk if it’s possible that any player would be satisfied with their performance being the way his was. There’s a lot that needs to be unpacked about his lack of production, the Character Issues, and what his role might look like going forward. You and any other Caps fan who reads this will have to tell me if the fit is right. Hockey talk below the cut lol!!

So before I start I have to say I know dick all about the Caps except:

You're dragging that old man (Ovechkin) to Gretzky's lawn (record) to set it on fire (break it before he retires)

Everyone is pining away for your very very injured 1C who is also Ovechkin's boybestfriend/perfect set-up guy/work wife

There's. intricate pre-game rituals?

So I'm not sure I can speak to how he will fit with your (our? i AM picking the Caps up fr given every acquisition/draft pick they've made) team with any depth or specificity. also i don't think i'd call myself a PLD expert. like. i just got here !! I haven't been following him since he was drafted or anything!! I have, however, consumed TOO MANY Kings games this past season and I can give you a broad look at what actually happened with them and why I think it didn't work out. I will not be making any overtures about being unbiased. My biases WILL slip through because I think Dubois is a sweetheart and I find the mental exercise of defending him fun <3 I’ll give you stats and observations and I will build a story that runs counter to what the prevailing media narratives say. While I stand by my opinions, they're also just one of many available interpretations of what happened.

character concerns

Everyone will be bringing it up at the first speed bump of the season, the first bad game he has. Please be prepared to have a crisis of faith and also be deeply disappointed in him. god knows I am, like, all the time <3 But... I always want to dig deeper when it comes to dominant narratives, because in following multiple teams I’ve become acutely aware of just how miserably Bad media can be at reporting on teams that aren’t their own.

I hear “Locker room cancer” accusations bandied about and I’ve yet to see anyone produce a primary source for this — podcasters, journalists, even people on nhl broadcasts will throw these words around so casually, assuming they’re correct because everyone knows the story. Some confounding factors in the character narratives arise when you scratch the surface. People who've worked with him speak well enough of him. Todd McLellan called him “misunderstood”, and had nothing bad to say about his character.

Matt Roy, who also just got picked up by the Caps, has recently said he’s a great teammate. MORE proof if you want to hear it directly, Roy went on Dropping The Gloves and had this to say about Dubois (transcript by me):

[on what actually happened] Honestly, I don’t know. I mean if you asked him he would say he had a down year. But it’s nothing like — I feel like the media paints this picture of him, and to me it couldn’t be further from the truth, you know. He’s a great teammate, he’s a great locker room guy, he gets along with everybody. So, in terms of all that I don’t know where the media is getting all this stuff. If I hated the guy I probably wouldn’t have come to Washington. He’s one of my friends on the team and I really think he’s going to have a bounce back year. I think he’s really going to be good for the team.

Matt Roy signed with the Caps of his own free will as an RD, a contested free agent in a sparse market, knowing Dubois was already here. He could’ve gone to plenty of different places. Why the hell would Roy sign here long-term, clearly wanting to play and win, if Dubois was as disliked as some pundits would have us believe??? Credible reports (and not just speculation) point to PLD’s other teammates liking him!! 

And here’s some propaganda; I direct you to this extremely sweet video where he gets asked about assisting on Akil Thomas' first NHL goal (and a bunch of other first NHL goals). He is so, so genuinely happy for Akil, who battled through injuries that set back his development for years. Just LOOK at his smile!! He can’t hold it back. (Others have said this but it looks like a little v. Like :> !!!! HELLO !!)

How does all of this happen when, supposedly, he’s a low-character asshole and a “locker room cancer”? It doesn’t line up for me.

On the other hand, I have seen Dubois cruise. He really can’t seem to bounce back from a poor start, and if you were just looking from the outside in, the scoresheet this year reflects this. The critique is fair; I’ve turned this over in my head enough times. there are less physically gifted, less skilled players, who are working so hard to stay in this league, and Dubois’ poor showing does feel somewhat like, idk, something I’d be mad about usually.

Here comes the “but”. Call this next bit the narrative section, because I’m showing my ass here: I think Dubois gets a lot of scrutiny because of his infamous Shift, which went a specific kind of viral, under the exact right conditions, and it has just. defined his career. And okay… I am not denying that the shift happened, but plenty of guys in this league have taken shifts off. come on. the season is long and they're only human. I’m not excusing it either! It was bad and he deserved his benching. Ideally, he one day becomes a player who always puts effort in. Working hard is one of my favourite traits in any player, and usually this would be enough for me to dismiss him as not worth being invested in.

and yet…. the reactions to his floundering performance feel so much like they’re about expectations as seen through the lens of The Shift. They’re calibrated differently because he went 3rd overall, and he's got this big body, the speed, the skill — it's the fact that he's got the tools and seemingly squanders them. All of this is amplified by the contract he's sitting on and his run of short-term stays on teams. Does he get this much scrutiny if he went in the 2nd or 3rd round? Does he catch this much heat for his low energy performance if that one shift clip hadn’t done all that damage? We’ll never know obviously but . I do wonder.

Final word on the character stuff is that we don’t know what truly went on in those locker rooms and i don't want to give more air time to baseless speculation. What we can examine is the hockey. The hockey tells the truth <3

the 23-24 la kings

Assuming the plan is to give PLD a look at 1/2C while he’s on the Caps, I think he’s a complementary type of player. The way he is right now, I don't think he can drive his own line or pull people up. He works with the calibre of lineys he's got and will produce the expected outcome. That sounds so obvious, but what I’m saying is I don’t think he’s capable of miracles like the best playmakers in the league, he's not about to make your guys look 15 years younger. In this vein, I look at his many first NHL goal assists as a symptom of what kind of linemates he was being paired with all season, and how unstable the situation was. His drop in point production IS more complicated than "he's just a piece of shit". From this article, the best summary I've seen of the Situation PLD was in:

LA acquired a player who had been a top-six center (and at times, winger) his entire career playing with established NHL talent. Yet after investing multiple assets to acquire Dubois and sign him to a significant contract, the team decided to put him in a third-line role where his most common linemate was a first-year NHL player who wasn’t expected to be on the roster in Alex Laferriere. Those two had a revolving door of wingers throughout the season. Moreover, Dubois’ most common on-ice teammates after Laferriere at 5-on-5 this season were Matt Roy and Andreas Englund. Gee, I wonder why he didn’t produce?

Context about Roy and Englund: Roy is a quiet but capable d-man who is defensively geared with a bit of offensive upside (j'adore. does things the right way and is very responsible and good. will throw hits but doesn't chase them or headhunt. I think playing away from the Kings’ more passive system will unlock more of his offensive potential. Matt Roy you will be SO good for the Caps I truly believe mwah mwah); and Englund is a leg weight/goon who, going by every single stat I can pull out, makes his d-partners Worse (with affection <3). Point here is neither of them being on the ice was particularly conducive to a lot of scoring chances.

As I said in my previous post, I think Dubois absolutely needs finishers. At some point there was hype around his shot but I didn't see much of that at all on lak? Eye test says: he was unwilling to shoot, and when he did shoot it felt like there was low/no commitment, no power behind it. Comments on his shooting called him “too deferential” at different turns. That’s just an insulting way to say a guy likes to pass and I truly think it circles back to the expectations thing. Would there be anything wrong with him not being much of a shooter this past season if he was another player? (Can't we just say he passed a lot this season without bringing value judgement into it? leave my failhorse ALONE!!!! like must a man score goals ,can't he be very very sweet and happy for the rookies he assisted ? wailing about it forever.)

More fun stats from that same article:

#1 on lak for passes that led to high-danger scoring chances, and scoring chances in general <- again, not a miracle worker. did not have finishers who could capitalise on these chances. its so fucked up what they did to my failwife

one of the best on lak in actually carrying the puck into the o-zone. (another reason i quite liked watching him!! transition forwards my BELOVED) everything I've ever observed about him off the cuff holds true here: he draws penalties this way, because he's fast and when he's locked in he is pretty good for controlled zone entries <3

Dubois had a career high in even-strength assists per 60, this is all in spite of his weird linemate situation and his reduced TOI and the power play mess (more on this later). he might have been deferring, but I truly think the lack of stability + good finishers, and ice time held him back from being more productive.

jim hiller

Building off that last point: even worse on the stability front, which I did allude to in the initial PLD Post, was what happened when Jim Hiller took over. You must understand one of the first clues that we were working with a different animal of a head coach is he was NOT afraid to line shuffle, and shortly after he found short-term success with that, they started running 11 forwards and 7 defensemen (you can see where it started precisely if you scroll back in lak lb because you'll find ME yelling about it LMAO). This shortened forward bench resulted in mid-game line shuffling, as in it was uncertain as to who they would be playing with from shift to shift. Hiller is on record saying he thinks it was beneficial, per this article:

It’s all about getting his deep forward corps engaged in the game. That’s sometimes difficult if you’re running four full lines and there are penalty kill or power play opportunities that alter the flow of the lines. Especially for the group of forwards who don’t kill penalties – think Kevin Fiala, Viktor Arvidsson, Quinton Byfield, Pierre-Luc Dubois – it’s an opportunity to get them extra shifts and engage in the game. “Some of our other players who don’t penalty kill, you know they can lose the flow of the game, so they enjoy it more I know,” Hiller said of having 11 forwards in action. “We’ve talked about it a lot. We really just think for our team, the way it is right now, that gives us an advantage getting those players more ice time.”

(and ok sorry to go off about my gripes with how the kings are run but .They were doing this into playoffs. This article was written during playoffs. god. CARL GRUNDSTROM, WHO HAS NEVER NOT PLAYED HARD, PLAYED 25 SECONDS IN GAME 2. all this while they were trying to get people 'engaged'. Idk. Maybe it did work for some players. I wasn’t behind that bench. But sitting one of your most energetic and committed forwards during a series in which you’re trying to come back from being down several games was a CHOICE!!!! also like what if you didn't double-shift QB. what then. And we all know how that series ended. lak coaching/management i am beating you with a pillowcase stuffed with bricks . <3)

Much was made of the Hiller takeover. I liked it at the time. In his first couple of media availabilities post-TM, Hiller emphasised bringing back "fun" to the game for many of the players who were slumping — and a reportedly tense locker room during the big skid that lost McLellan his job. It was all very Ted Lasso of him. Hiller also introduced a new way to rate Dubois for his performance every night, separate from the scoresheet. I made jokes about PLD's very special star-chart, everyone who knew about it was making jokes about it. This merit system was tailored towards communicating with Dubois what he did and didn't do well, and while no one ever went into depth about it we do know a few things:

It measured things outside of +/-, goals and assists, and was likely a score out of 5 per metric.

One of the metrics was about hits/physicality, another one was likely ‘compete’ levels.

He alluded to being measured on penalties drawn?? Or something??

Anyway it sort of … worked?? The change in Dubois was pretty immediate, the moment he was given some clear direction to work in. He played some of his BEST games of the year in the wake of this change. He got involved physically, he was not losing steam, he was drawing tons of penalties because he’s huge and fast and has good hands and IF he puts his mind to it he can truly be a transition monster.

CUE THE LINE SHUFFLING… imo, much of the progress made seemed to be lost, and the rest is history.

NOT saying Dubois is free of fault here. Needing that extra motivation to get physically involved is kinda wild, and I understand why for some people it’s a bridge too far. EYE am here for the laffs though and it's really funny that the communication came in the form of super special individualised performance evaluations/a glorified sticker chart. This is why he’s my temperamental desert flower. Wilting violet. Soggy kitten. <3 and for the record I truly don’t think I’d care if he put up 40 points per szn for the rest of his career. I don’t care because he’s a sweetie and the Bit i do when defending him is too funny. I don’t think I’d care if everyone was right about him — I just don’t actually think they are.

the power play problem

So okay, as per part 1 (my last email <3) we know Dubois thrives net front. It’s where he scored a bunch of his goals on the Jets. Every stat and the eye test supports this. So how come Lak had him stationed on the half wall doing jackshit, if he was on the power play at all?? I will admit I drove myself half crazy studying power play structures and watching LA Kings games back before coming up with a garbled, half-formed idea about how LA runs their PP. I was going to attempt to explain it here — had to do with Kevin Fiala and Dubois being lefties and how that's just an awkward passing sitch — but it turns out more than one person has had this thought and MAN I love being validated by actual hockey people. I fully thought i was making shit up in my head for a good week or two, and was seriously considering scrapping this portion . but it’s SO important for contextualising the production drop, so here goes !!

As early as September 2023 there was a story published about PLD’s role on PP1 — a place where he certainly should’ve belonged as a top-6 guy with plenty of ppg’s under his belt. From this article, which explains the issue very very neatly, and much more eloquently than I could ever hope to:

The addition of Pierre-Luc Dubois was a big one this summer; at first glance, he should be a great addition to the power play. But when digging deeper, the Kings might struggle to fit him onto the top unit. Dubois played mostly as the net front player for the Winnipeg Jets last season, the role Gabriel Vilardi often played for the Kings last season. So, it’s an easy one-to-one switch in that spot, right? Not necessarily. Dubois has all the talents to be an effective net-front player. He has the size and strength to battle in front, with the skill to effectively pop down low and create chances. However, his handedness is a big problem for this role. The Kings run their power play primarily on the left side with Kevin Fiala — Anze Kopitar when Fiala is hurt — which necessitates a right shot down low. When a right shot player pops out on the left side, there’s an easy passing angle for the half-wall player and more options for the player down low. Quick passing is key for a successful power and a left-shot can’t move the puck quick enough down low. They would have to either move too far into the corner or take the extra second to step out from and open up their body to create an effective passing angle. Time that would slow the power play down too much and allow the opposition penalty kill to get back into position. There’s also minimal shot threat from a lefty down low. We saw both Vilardi and Viktor Arvidsson frequently take the pass down low and quickly turn it into a shooting opportunity, something a left shot wouldn’t be able to do.

It then goes on to suggest 2 solutions that aren’t appealing at all:

Flip the power play entirely to accommodate Dubois net front. Not great as they dont have the players for that, and if they tried it they’d be hamstringing Adrian Kempe’s one-timer.

PLD on the bumper position. This one’s hard to swallow because that displaces Kopitar to PP2, there’s his position as captain and the optics of moving him off his spot.

In this article it is once again suggested that LA MUST flip their power play and figure out how to get PLD net front. In this article they point out how useless he was playing on the wall down the stretch, and how the only reason he seemed to be able to produce something was because he’d taken Kopitar’s spot in his absence. This article calls to attention Dubois’ worlds performance, where team Canada utilised him net front.

Big picture, the Fit

Do we see the problem here yet? It’s not the flat narrative I was sold by the national media, random assholes on twitter, and podcasters who don’t actually watch Kings matches!!!! Do we see how weird and messy and complicated it is, beyond “hey he’s just a sack of shit who isn’t trying hard enough”. Rob Blake himself has come out and admitted that they didn’t put Dubois in a position to succeed. And absolutely there was effort required on his end — a different player might have sucked it up and adapted to circumstances, a different player might never have needed that extra bit of communication, a straight up better player might have dragged his less skilled lineys up to a higher level. But the problem has always been two-fold: LA was trying to coach and manage a completely different player to the one they had in front of them and expecting good results; and Dubois was unable to keep competing with all he had in the face of that. I think both parties are at fault here. And I think, given the chance and the right circumstances, Dubois can hit 60 points again.

Okay, circling back to the big question of Fit. Will he be able to work with Ovechkin? Hard to think he could fail with one of hockey’s best goal scorers on his wing, if he does get a look at 1C. People who know the Caps better than I do, does this sound workable? Is Dubois going to be too difficult of a nut to crack for your coach? Your locker room?

And, of course, the power play issue. Maybe Dubois learns to be better on the half wall! Idk!! Maybe it was a matter of coaching and he thrives in Washington running your PP1 from there. For my money… I like him better playing net front or bumper. Do the Caps have the bodies to accommodate this? I did ask someone familiar with the Caps PP to explain it to me so I could try and figure this out but ouuuugh. My head is spinning. Someone smarter than me please jump in. I am TIRED . We don’t know what it will look like, what they’re planning to do with Dubois on the power play. You guys probably have a better idea about what’s possible than I do <3

Conclusion?

PLD is fast, big, a passing threat and a formidable net front presence when he’s given the opportunity and playing his A-game. As far as I can tell, his B-game is garbage </3 His poor performance is more complicated than people think and I’m pretty sure only the LA Kings beat reporters + the 12 kings fans on twitter know this. Most of them still dislike PLD anyway bc his low motor. I don’t blame them, I’m just more inclined to be forgiving because I love redemption arcs and I think he’s a good person. i would love to be wrong about his low-effort B-game LMAO but im trying to be realistic here. I want him to fit in and be embraced by the Caps so bad <3 Your coach sounds like he wants to help PLD succeed and is up for the challenge. The vibes from my friends who follow the Caps are always good, I’ve read through various tags and it sounds like a place that will take him in whether he likes it or not. I might be stupid but I believe in him !!! and I’ve laid out all the hockey bullshit for you to the best of my ability. Given all of this… do you think he’ll do well?

[good-beansdraws]

Massive Milgramsona art/info dump as a treat to myself!! Alas, my fatal flaw is being unable to shut up about anything even while simultaneously embarrassed/nervous to share, so here's literally all the info I have on her 😅

Profile:

Name: For the sake of posting online I’ll call her Rose!

Number: 012

Color: #E7355B

Age: She’d be 20 when Milgram started

Status: Milgram Staff, Machine Technician

Song genre: Pop/theater (a mix of Mahiru and Kazui's vibes)

Backstory: She is studying abroad in Japan to work on technology related to the mv machine when she stumbles into top secret info about the trials. Horrified at the lack of prior testing, she demands to be included in the experiment to make sure the brand new tech runs smoothly and doesn't harm anyone in the process. To prevent her leaking info to the public and deciding an extra participant wouldn't hurt, Milgram agrees.

Role: Rose performs routine maintenance and updates on the extraction machine, and checks in with prisoners' health to make sure it's not having any adverse effects. She listens in on the interrogations, ringing the bell to signal Es when the machine is ready for use (re: my theory on how it works >:3). She then watches the mvs after Es to make sure there are no glitches.

(Though she is a personal milgramsona, her role in the story is supposed to reflect the audience's experience overall when it comes to how much info we know, emotions we experiencing regarding guilt/responsibility, and how much power over events we actually have given the voting system and trial breaks.)

Trial 1

Jackalope's comments during trial commencement: Oh, I almost forgot participant 012, Rose. We've never had more than one staff member before, so we figured that sort of numbering would be fine. Hey, don't look at me, it's not like it was our idea to include her. She's not a prisoner -- the only crime she's committed is sticking her nose where it didn't belong... You can ask her for the details, but she's just here for maintenance on our extraction machine. It's not easy keeping that thing running smoothly, you know? As part of her duties, she'll be privy to all the same information as you, but don't let her be any more of a busybody than she already is -- she has absolutely no authority when it comes to your verdict decisions, got it?

MV: Mic Check - “Can anyone hear me?”

VD: Positive Feedback

Cover: Pathological Facade - Ghost

Her album would release last in line. The VDs aren't interrogations since there's been no crime -- Es asks about her duties and observations of the prison. In them, she admits her predictions that she and Es will eventually be on trial for their involvement in the prisoner's fates.

Thus, her mvs are focused on her emotions towards the prisoners, her pride in helping bring justice, and her guilt at providing Milgram a means to pass judgement on people she cared about. I'm going to Goncharov the actual mvs/songs, but Mic Check is generally an introduction to her job behind the scenes prepping the equipment that will allow the prisoners' songs to be heard, as well kick off symbolism of her as a performer herself. She'll make a comment about how the experiment is leading to tragedy, "as if someone said Macbeth" (then covers her mouth, as she's standing in a theater herself).

I kept getting tripped up looking for Deco*27 songs that worked and weren't already taken, so I decided to go with some favorites and vibe-matching songs from other artists!

Comments during trial closing: It's good to hear you weren't a pushover when Rose gave her thoughts on the verdicts -- you guys disagreed on quite a few of them, eh? Ah... so she's not the type to pick fights, is that it? I guess that explains how she's managed to get along with everyone. (sigh) Even you knew better than to get attached like that. Well, at least she's kept our machine up and running the whole time.

Trial 2

Commencement: Now I need to wake Rose. We're going to need some extra upgrades to our machine if we want to get the most out of this round of extractions. I've got a sneaking suspicion that she and her bleeding heart are going to try and sway you during this trial. Her duty is specifically to look out for the prisoners' safety, but yours is only to judge them. Don't forget that.

MV: Changement - “Don’t say ‘break a leg,’ if it might just break.”

VD: Control Variable

Cover: TOXY - Kujiragi

I did my best to write out the title pronunciation out in katakana since I wanted it as the name of the dance move, not a direct translation of meaning. I went with シャジェモ "sha-je-mo" as the closest I could get to the "shanj-mou" sound, but feel free to correct me if there's a better way to write it. The door is based off of various set designs for Clara's home in The Nutcracker. (There's no deep meaning that this is the only one not opening -- I realized too late all the others are cracked open and my art app doesn't have the tools to easily fix that so I'm sticking with it 😭)

A changement is a small jump in ballet -- I thought it was fun to combine that (which means "to change") with Control Variable (refering to the variable in an experiment that never changes). The video shows conflicting emotions as her decisions/inaction caused so much to happen between trials, yet at the same time she feels like there's so much she'll be unable to change even if she really wants to intervene. Her mvs show the prisoners pretty regularly (since they are her crime, she's realized), and the teaser line is paired with references to Mahiru's broken leg.

The thumbnail combines different areas of study -- mechanical, medical, musical, mathematical (theater spotlight, muscles, Weakness notes, motion formulas). I think it's super cool how many areas of expertise are passed around the fanbase when discussing the characters. I've picked up new facts about plants, food, anatomy, geography, music, animals language, (sigh. color theory.), hobbies, professions, mythology, etc from fans with different fields of knowledge. While that's one of my favorite aspects of the project from the outside, I think it would be super intimidating to someone on the inside trying to tackle so much information at once.

Closing: As for Rose... (laughs) I thought she was dooming herself before--! Not only has she gotten hopelessly attached to everyone over the course of this trial, she's even started a relationship with one of the prisoners! And of all the people she could have chosen... Eh? Oh no, we have no policies against that for our staff. I mean, the whole point of Milgram is to explore human nature, the power of emotions, the complexities of connections, all that crap. I'm just grateful she shows a bit more common sense when she's operating the machine...

Trial 3

MV: Showstopper - “There won’t be applause, but I’ll take a bow, okay?”

VD: Please Exit Left

Cover: Ironina - Nilfruits

I don't know the album theme yet, but this is the tentative sprite and thumbnail design. The T2 sprite was kind of an "innocent" one, since at the beginning she still has faith in her role in the prison, excited to work with everyone there. (Plus, I joined the fandom a little after t2 started so that's peak excitement time lol). The T3 sprite has much more of a "guitly" feel to it because, at the end of T2 and after this hiatus, she'd harbor a lot more guilt about her position and fear about the experiment's conclusion. As a fun little detail, her pencil has been replaced with a more permanent utensil as final verdicts are locked in.

Now listen. My artist brain was constantly fighting my science brain when doing sprite designs -- I know gloves like that and nothing else isn't proper PPE. I know none of those are safety shoes (god forbid wearing just socks??? to the lab???). There should be no jewellery at all. The whole point of a lab coat is that you don't roll up the sleeves and expose your bare skin. However. It's anime character design. There can be compromise.

Referencing Rose's personal life as a performance and comparing Milgram's trials to one, I wanted the mv to play on "showstopper" as both a great show and a literal attempt to stop the project before it reaches its finale. There would be creepy comparisons in the mv between operating stage equipment and prison executions: curtain/set ropes and nooses, heavy duty lightswitches and electric chairs, etc.

Misc.

And lightening things up again -- birthday art and minigrams :3

Birth flower: Camellias. Pink camellias symbolize love but also longing. The fact that they bloom in winter, and have a quick death (the entire flower wilts at once, instead of individual petals falling off), have inspired different meanings in different cultures -- overcoming hard times, facing death in battle, inseparable lovers, and so on

Three minigrams featuring my own annoyance that her design is a bit close to Shidou's coat/gloves look, a mandatory short joke, and a pun that works so perfectly for my Put-In-Situations guy