#so i have NO IDEA any of the plot or the characters

[ladyravenjadethe2nd]

I don’t have too good ideas, but I do get good ideas unsuited for my writing style and interests like all the time. Like I can give u many very cool plots for a character getting gamer powers in almost any fandom, but this bitch can’t do math so yeah that’s kinda needed for those.

every writer knows the pain of having an idea that’s “too good” to write because you know you can’t do it justice

[bringthekaos]

I'm excited for your thoughts on the new season if/when you share them

It has legit taken me 3 days to come to terms with Act 1. Enough to be able to speak about it. Gunna apologize in advance for the wall of text, and I’m hiding it under a break for spoiler reasons. Also prefacing with these are all just my opinions. All are free to disagree with me and RB with discussions/theories etc. just don’t be a dick about it, I’m not engaging in any discourse.

Ok. So. I have mixed feelings, and I’m aware that this is because I don’t have the whole story yet. So this is all contingent on how the rest of the season plays out.

First and foremost, I’m… wildly swinging back and forth between love and disappointment for Viktor’s arc. So first the negative, and I’ll try to keep it brief because a lot of people have already expressed this and I don’t need to be beating that particular dead horse.

Viktor has had his agency, his bodily autonomy, his original ideas and nearly everything that made him Viktor stripped away. Nothing so far has been his choice. And while this could have worked just fine for an original character, he wasn’t. So there is a massive disconnect between what this character was/should have been. In League, it was all his choice (albeit with a healthy dose of mental illness thrown in, but still). AND it was very heavily suggested that many of the augmentations he performed weren’t as extensive as he lead everyone to believe (namely the controlling/dousing of his emotions). But it appears that whatever the Hexcore did to him, it’s real. He is clearly having a difficult time accessing his emotions, and if he can feel anything, it is limited to the point of him being completely stoic. And the thing with stoic characters is that you obliterate any emotional payoff for the audience. It’s very hard to make an audience feel an emotional connection to a character’s story arc when they themselves don’t feel anything (I have a theory about this though, but I’ll address it a little later in this post). And then there is the issue of Blitzcrank. Blitz was Viktor’s whole world, after his exile. How are they going to swing that? Like, I’m not even asking for Blitz to be in Arcane (that would be great, but I really don’t think they have time). But I stg if they take Blitz away from Viktor, make them someone else’s invention (my suspicion is Heimer or he finds the idea in Sky’s journal)… I’m sorry but no. This was Viktor’s idea, Viktor’s genius. I will genuinely be extremely upset if they take that from him too.

Then there is the whole situation with Sky. First, this girl was fridged. She was nothing but a plot device and continues to be just that. It feels hollow and forced, especially now that he’s hallucinating her as some sort of penance for what he did. (I have seen the prevalent theory that it’s the Hexcore using her image and his guilt to manipulate him, given that it “ate” her, and we have seen it “manipulate” him before when it punished him for trying to destroy it). But back to Sky—he barely acknowledged that poor girl. The reason for that can be argued, whether it’s because he’s gay or because he was just so wrapped up in his one-track minded research. But regardless, there just wasn’t enough setup between those two for this whole thing to have as much weight and meaning as I think it’s supposed to. Honestly to me (TO ME) it reeks of comphet. It feels like that random woman they threw at Poe Dameron to No Homo him. I’m not even asking for Jayvik canon. But the creators were well aware of this ship, after all it’s the second most popular ship in this show and it’s been around since 2012 when Jayce was literally created for Viktor. I’m asking for the bare minimum here—that it’s left open-ended as it was in League, open for interpretation.

Last negative I have is the whole Viktor Jesus thing. The first problem is I am pretty violently agnostic, and messiah narratives have never spoken to me. I don’t enjoy them, they feel weak. The whole “ordained by a higher power” thing is just… stale. Especially when this character originally had no higher power, he gave it to himself through his own hard work and ingenuity. Honestly, Viktor’s original arc is about as far from a Jesus allegory as you can possibly get. And I am absolutely terrified that they’re going to end said Jesus arc the way you’d expect—with him dying for it. Which leaves the moral of his story “disabled man should have just accepted that he was going to die despite the fact that it was the oppression and xenophobia of Piltover that left him out to dry, without proper health care, accessibility, equality, or equity that lead to his terminal diagnosis to begin with.” Which is a very oppressor-centric narrative and we do not need another one of those.

Sorry, I know I said I’d keep the negatives brief, and that was… not. My bad. But moving on!

I’m not saying I didn’t enjoy it, I did. I am working to embrace this new Viktor narrative and work it into my brain in a way that doesn’t ruin the ship for me. So without further ado, the positives.

Jayce.

Jayce.

Jayce.

I’d have to go back and time it, but it feels like he got more screen time in this first act than the entirety of the first season combined, and his character shined for it. It humanized him in ways season one never did. He’s caring, he’s devoted, and he loved Viktor! No matter what kind of love you think it is, it proves he loved Viktor without a doubt. He carried Viktor several city blocks to the lab to save him, and then YES, he broke his promise about the Hexcore because he couldn’t stand the thought of losing him!

And he’s funny! (The scene where he picks up the regular sized hammer in the fight against Renni and made that “this is ironic” face?? And then basically the entire interaction with Ekko? The hand me a tome thing, and then when he basically pulled this when Ekko suggested “so this is all your fault cuz you pissed off the Arcane”:

GOD that shit was great. Jayce’s personality just shined, and maybe it’s too much to hope, but maybe this will douse a little of the hate. Because instead of being a subtle hint at all of those things being true about him, it’s now overt. And when people lack media literacy, the hints have to be overt.

And th-the. The h. The HUG SCENE. I don’t think I will ever emotionally recover from that scene. Starting with Viktor who, despite being clearly emotionally—I dunno, vacant I guess—sounded so lost and scared when he said “what am I?” For me, it was whispers of that scene from The Last Unicorn: “what have you done to me?” And my poor sweet Jayce, who clearly hasn’t left this damn lab except to go to Cassandra’s memorial. Sleeping on the desk and bleeding through his bandages because he doesn’t want to spend a moment away from Viktor while he “recovers.” And his euphoric response when he finds Viktor alive, when he realizes he hasn’t lost him. And I OWE HIM AN APOLOGY, goddamn. I said in a post that “Jayce will not understand.” I thought that was how Arcane was gunna start the divorce. But Jayce genuinely did not care, as long as his lover friend was alive. And just… Jayce being so affectionate through this entire scene. The hug obviously, but also blurting things he thought he’d never get to say to Viktor—“I’m resigning from the council, my place was always here in the lab with you.”

And… the hug itself. I know we’re all analyzing it frame by goddamn frame, but I see exactly what everyone else sees—there is a moment where Viktor very subtly smiles. But it’s gone in an instant, and it turns bittersweet. LOOK AT HIM.

There is something there, it’s just buried. Deep beneath the surface. It seems to say “I want this, I have wanted this for so long.” But then he realizes something, something I don’t think we’re meant to understand yet. Maybe that he doesn’t feel anything about it anymore, and he recognizes that this should upset him and it doesn’t. Or perhaps it’s something more along the lines of “it’s too late.” Whatever it is, I think this is the exact moment he knows he has to walk away. Because he knows he’ll cave to the affection, he said it himself. (Which is another thing entirely. His voice changes when he says that. Something in him is reacting to that word. Maybe he’s fighting against it, or maybe he’s fighting to get it back. But something made him almost growl that word.)

Which leads me to my final thought (for this post anyway, cuz it’s turning into a novel); Viktor is still in there. He can still feel things, I just think they’re extremely muted by whatever the Hexcore did/continues to do to him, or he has to fight to express them. Because he also smiled at the hallucination of Sky after he “cured” Huck. And if he feels nothing, he wouldn’t have been “joyous” at the thought of her being proud of him, approving of the good things he’s trying to do in her memory. He wouldn’t crave that validation, that vindication from her. So I’m hopeful that we start to see this shell crack a little, especially if those visions of Sky are the Hexcore manipulating him through guilt. It will start to erode him, no matter how stoic he has become. And literally the only thing I’m clinging to is that Jayce will see this and try to pull him out. “He’s still in there and I have to save him.” And that maybe it’ll start to work.

[captainofthetidesbreath]

I will say, at the end of the day, I am very fond of Illario Dellamorte, despite it all. Yes, he managed to make every single POSSIBLE bad decision one can make, then figured out how to make a few more that nobody else would've thought possible. Yes, he was increasingly sloppy and incredibly stupid about it all. Yes, a lot of his frustration and rage is incredibly misdirected. Yes, I said before the game came out that I support him having a villain era, and I still do because it's fun and I love mess and drama—as much as he stresses me out and makes me want to strangle him because Jesus Fucking Christ.

Still, I think I like the idea of forgiving him. For me, there's something interesting in how he doesn't kill Caterina, in how he didn't ask for what happened to Lucanis and seems genuinely angry—wrong as he is to direct it at Lucanis—that the control that Lucanis so highly prized was taken from him rather than dying at his best, in how he can engineer Lucanis's death but experience a grief that still feels harrowingly genuine at the wake, in how he clearly is grasping at any possible advantage and is carelessly choosing his allies not because he believes in their goals or ideals but because he's desperately power-hungry and ambitious and no more. In how, if he is forgiven, Lucanis is impressed he almost got away with it, in how Illario goes to help the Crows in Minrathous in that last gambit.

He's a mess, and he's selfish and ambitious and vicious and contradictory. But, I have a soft spot for characters like him and relationships like his and Lucanis's, y'know? Forgiving him and forcing him to work out his life after he's burned nearly every bridge he has is just really interesting to me, especially given how Lucanis is still full of hope and affection for him alongside the hurt. How do you rebuild after all that, you don't even have the devil-may-care breezy mask anymore because everyone knows better now. Figure out where he fits now in his cousin's life, because I do think—at the end of the day—the affection and relief is still there from both sides, under it all. Deeply buried possibly, for Illario, but there.

I think there's enough pieces here to suggest that he and Lucanis have a chance to actually figure it out, and to suggest that Illario might actually get his shit together and be willing to given opportunity, time, and patience. It's also a messy choice (and a huge risk), but I do personally like the idea of forgiving him. I like the messy, insane, dramatic narrative of it. He has potential, as Lucanis himself notes. I would love to see if he can rise to it, now that he's gotten all of this out of his system.

Or, at least forgive him because there's something funny about that and I want to see what else he does if given the chance. It'll probably also be a mess, but I'd love to see what messes he gets up to when he's not plotting against the person closest to him in the world. It'll be fun! But, sincerely, I do think he can get his shit together, and I hope and believe he wants to. It's the more interesting and fun story to me, for both him and Lucanis, personally speaking.

[literaryvein-reblogs]

hello I was wondering if you had any tips on how to write/create an outline for psychological thrillers/horror?

Hi! I have this post on horror.

Writing Notes: Psychological Thriller

A subgenre of thriller that explores the psychology of its characters, who are often unstable.

The biggest questions revolve around the mind and behavior.

Often incorporates elements of mystery and include themes of crime, morality, mental illness, substance abuse, multiple realities or a dissolving sense of reality, and unreliable narrators.

Generally stays away from elements of science fiction, focusing on events that could take place in real life.

The 3 C's of a Thriller

The contract: An implied promise you make to the reader about what will be delivered by the end of the book. It’s crucial to keep every single promise you make, no matter how trivial.

The clock: The fact that adding time pressure to any character’s struggle will create higher stakes and more interest for the reader. The goal of this element is not to be stunningly original but to add pressure that will prompt conflicts and intense responses from your characters.

The crucible: A box that constrains your characters, offers them no escape, and forces them to act. Your story should present an increasingly difficult series of tasks and situations for the hero that will funnel them into the most severe trial of all. You must make sure that each successive task is harder than the previous one and that, for the hero, there is no escape. If readers begin to sense that the journey is becoming easier, they’ll lose interest.

The 3 Elements of a Good Psychological Thriller

Although psychological thrillers vary widely in their storylines, some common elements include:

Major plot twists: Psychological thrillers can be ruined by spoilers, since so much of their excitement hinges on the unexpected twists and turns that the novel takes.

An unreliable narrator: Revealing the narrator, or another important character, to be unreliable is another way authors create suspense as the reader tries to figure out who they can trust. Lies, paranoia, and flawed memories are all staples in the psychological thriller genre.

Familiar elements: Psychological thrillers often take place in the home (aka domestic thrillers) and feature ordinary-seeming characters. This allows thriller writers to get inside the reader’s mind, making them wonder, “What if this happened to me?” Starting with the familiar also allows writers to slowly introduce characters’ backstories, mental health issues, and other elements that create suspense over the course of the novel.

Tips for Writing a Psychological Thriller

The best psychological thrillers keep readers on the edge of their seats with unexpected twists. While reading a psychological thriller is easy, writing one can be difficult. Here are some writing tips to help you from first draft through editing:

Keep tension high. You can do this descriptively by showing your characters in tense situations, and you can do it structurally by rearranging the parts of a chapter to keep the pacing swift. Both techniques involve withholding information from the reader. By doing this, you don’t get bogged down in details or information dumps that slow down the pacing. Crucially, withholding allows room in the reader’s mind for the growth of questions and ideas.

Craft situations where characters are unable to get the information or tools they need. This forces the characters to strategize and take actions to reach their goals. If you do this, it’s important to construct believable scenarios. Make sure your characters don’t have an easy way of getting the information they need. Otherwise, your readers will lose respect for you and your characters.

Heighten the tension. In general, there are two ways to augment tension in your story. Descriptive elements that create tension are individual; they come from your story and from the forces or events that are pressuring your characters. Structural elements that create tension involve the way you write your story, like starting your chapters with a sense of urgency or blending descriptive passages into action scenes.

Flesh out character backstories. One way to create twists and suspense is to slowly introduce surprising elements of your characters’ backstories. A backstory can create a plot twist, or reveal why a character may be unreliable. Backstories can also raise the stakes of a story by giving your characters motivation.

Some Subgenres of Psychological Thriller

The psychoanalysis or ‘psycho-traumatic’ thriller

The amnesia thriller

The stolen identity thriller (including mistaken identity)

The ‘woman in jeopardy’ thriller

The stalker thriller

Serial killers or psychopaths and their psychological profiling arguably fit better in the forensic criminal investigation sub-genre, so they may be classified in the Crime Thriller subgenre.

From the sub-categories listed above, it is obvious that as well as overlap with the crime thriller sub-genre, the psychological thriller is also related to psychological horror. The ‘woman in jeopardy’ and ‘stalker’ thrillers also have elements in common with romance – particularly Gothic romance.

Common Psychological Thriller Tropes

Tropes appear repeatedly for a reason: they're what the readers are looking for. Decide which ones to include in your novel.

The protagonist has an inner conflict exacerbated by an external event.

Some sort of mental health issue plays a major role in the story (doesn't have to be the main character). This could be a diagnosed or undiagnosed mental health issue, paranoia, deep distrust, suspicion, or a slow slipping away of sanity.

Reality comes into question as the story progresses. 

The protagonist finds it hard to decide who to trust.

There's a major plot twist at the climax. (There may be multiple plot twists.)

The characters are flawed, complex, and relatable. 

The settings are common (home, office, child's school, church, etc.)

The stakes may not be life or death (although they can be), but they should be sanity or insanity, or well-being or a ruined life. 

Sources: 1 2 3 4 ⚜ More: Writing Notes ⚜ Mystery ⚜ Tension ⚜ Violence Kidnapping ⚜ Backstory ⚜ Plot Twists ⚜ Crime Fiction ⚜ Character Journey

Hope this helps with your writing!

[mackmp3]

☕how the writers delt with river song

SCREAMING CRYING THROWING UP THEY DID MY GIRL SO DIRTY there are so many. good river song moments. and there are so manythat make me want to tear a strip off steven moffat like every goddamn episode with her they have to make some obnoxious sex joke or some Honey Im Home type shit & i understand this is like. A Moffat Theme & i dont always hate it but goddddd its so reductive like there is so much!!!! that could be done with her character !!!!!!!!!!!!!!! that is overshadowed by haha what if she was sexy like STOPPPPPPPPPPPP.

like silence in the library was a really good character lead in & i like her!!! as a character !!!! even the overly flirtatiousness unfortunately that would work on me but even aside from that. she is a good character let down but the sheer pull-it-out-of-your-ass writing of her backstory. like?? she could regenerate cos she was conceived in the tardis okay thats really cool much weirder stuff has happened when it comes to tardises & making babies but then WE SeE THIS FOR LIKE. ONE OR TWO EPISODES BEFORE THEYRE LIKE WHOOPS THAT DOESNT WORK ACTUALLY COS SHE'S DEAD UHHH SHE BETTER UHMM IDK SAVE TH E DOCTOR OR SOMETHING WHATEVER> COS HER ENTIRE LIFE HAS TO REVOLVE AROUND HIM. HASHTAG MARRIAGE AMIRITE like even the fact that her entire life was shaped around him isnt a Bad Idea it just feels like no one considered the tragic impies (implications) of this, & simultaneously doing amy so dirty in the process as well like??? she loses baby mels & then discovers she was her (never previously mentioned) childhood friend but then she uhhhh dies & turns into this woman you already know and them????? barely eveer mention it again???? holy shit?????????????????????? amy & river is a freaking horror story but one that the writers seem imcapable of dealing with because sOMEONE is too busy making obnoxious jokes about married life

a lot of thsi is specific to the General Vibes of the eleven era stuff as well which was in general so so weird about women & while its not like twelve or any of teh other doctors are expemt from this eleven is a massive dick to people quite a bit & a lot of this falls on river b/c he is seemingly (iirc i havent seen some of this stuff for a while though it Haunts Me) almost careless? with her? like a sort of 'welllllll she's here now so it was all okay in the end :)' sort of attitude ignoring that she went through A Fuckton Of Stuff before she was even a concious human(mostly??) being

even the husbands of river song is tragically guilty of some of that stuff like. she's seen some wild shit & she should have known it was twelve wayyyyyy way way quicker. like i understand why she didnt for plot reasons but she is in fact very intellegent like. she's allowed to show that. unfortunatley sometimes women cant be smart & have their boobs out at that same time I GUESSSSSSSSS

also the nine & river audios from earlier this year? i really like archipelago i listened to that a couple of times & i thought it was really powerful but AGAIN the writers make river So Fucking Obsessed With Romance like. you'd let it go by that point. nine had literally just proved he's the most aro guy in the universe (good for him) and shes stillllllll flirting at him. which. imo she wouldnt do anymore because, shock horror, she does actually like him as a person & values his company and you would think you would be friends wit hthe guy YOU ARE GONG TO MARRY OR WHATEVER. NOT THAT THEIR MARRIAGE WAS PARTICULARLY ROMANTIC EITHERIM GONNA BE SO REAL. obviously sex is important to her & good for her but yikes. it doesnt need to be mentioned so often.

like its the whole 'inherent tragedy of waiting for a time traveller' stuff which i do eat up every time meeting her in silence of the library & knowong that there is so much more there - VERY COMPELLING !! really good character intro augahagaauuaajaaajahhahahahhhh but nooooo her Entire Fucking Goddman Life has to revolve around being manipulated & The Doctor AS WELL AS !! the completely uncalled for ohhhh im a PSYCHOPATH ( <- unfounded & demonstrably untrue lowkey this is saneism right. thats an ableism there yes? ) thing they alllwaysssss have her say like well!! shes not !! theres 'youre talking about commiting a murder'/'no im not, i'm actually commiting a murder' which i like & is funny & she would say that and then theres teh vauge oooohhhhh im so Freaky & I Have A Gun or whatevr like augsugsaihuahahaouoauauoouauoauoauoauuo

also twelve & river had freaky t4t bi4bi aroallo sex after the end of husbands of river song but no actual dw writer is enlightened enough to see that because they have to flatten her into The Doctors Wife & she would have had a far better dynamic with 12 than with 11 (not that i'm biased) i wish they got more time togetherrrrrrrrrrr also you should listen to the bekdel test (diary of river song audio with missy)

[devirnis]

Okay, after having a few days to process, I am allowing myself one vent post to get it out of my system and then it’s back to ✨positive vibes✨ only

If I see one more goddamn smarmy post about how “the writing was on the wall the whole time” (with the undercurrent of “you were too stupid to see it, I have the only valid interpretation”) I’m going to lose it

Had we not had 8x05, the breakup still would have bummed me out, but I would have said, you know what, fair, we didn’t see a whole lot of their relationship, a lot of it was fanon and headcanons. We had a good run. But we did get 8x05, apparently some of it filmed out of order knowing a breakup was coming, and what was the point? To be cruel? It felt like a slap in the face to people who liked that relationship.

They could have laid some groundwork to show some cracks in the relationship, but no. Ignoring disingenuous interpretations from people who have been rooting for the ship to crash and burn since day one, 8x05 established Buck & Tommy as a solid couple. Tommy gets along with Eddie, the three of them had great chemistry together. Tommy takes care of Buck when he’s hurt. Tommy thinks the curse is a bunch of bs (as does Eddie) but still went with Buck to have a funeral for a mummy. It’s like I watched someone cook an elaborate, delicious dinner for me and then they immediately threw it in the trash, and other people around me made fun of me for being blindsided and upset because I should have seen that coming.

I won’t pretend the general audience is a monolith who all have the same opinions. I’m sure there are people who don’t care and just shrugged their shoulders that another relationship of Buck’s fizzled out. But I have 2 friends who watch the show and aren’t Fandom Fans, and they are always my barometer for how people who don’t have brain rot (affectionate) feel about the show. One really liked the relationship, the other was neutral to mildly negative on it, and both of them agreed that it felt like the breakup came out of nowhere and made no sense given the context of the previous episode. So please stop pretending that it’s only BT fandom fans who have their knickers in a twist about how it played out.

If this isn’t leading to buddie, then I don’t want to see another love interest for either Buck or Eddie for the rest of the show. Tommy had so much potential to break the cycle of Buck’s love interests (and interviews from last season seem to support that they were aware of this and planning on utilizing that) and throwing it away feels like such a waste.

So yeah, instead of being just bummed, I’m pissed. I do not know if there was BTS drama or if Tim got some other grand idea for Buck’s storyline this season — but given how plots are adopted and dropped at rapid fire pace this season (something I was willing to forgive last season because of the shortened production timeline and fewer episodes), I’m highly skeptical that there’s any sort of overarching plan here.

I’ve never thought buddie would actually happen on the show, but I also never thought either Buck or Eddie would ever be anything other than straight, so I’d be happy to be proven wrong. I’m just a little jaded by seeing people doing a victory lap convinced that buddie canon is imminent when I think that they are giving the writers a lot more credit than they deserve for supposedly crafting this epic love story for the last five or so years when a lot of that is also just generous fanon interpretation. I need explicit confirmation within the show by the end of this season that at least one of them has caught feelings or I’m over entertaining the possibility it will actually happen.

I know the joy will come back. But I really hope the same plot lines playing out ad nauseam for every character stops because I’m getting a little tired.

[karebear923]

My GMMTV 2025 Bingo Card

Thank you to @poetry-protest-pornography for the idea!

It’s definitely more of my wish list than what I actually think they’ll give us, but that’s part of the fun! 😁

Let me explain a few:

- Let everyone in the kissing ensemble show be bi/pan! Give us allll the kissing combinations!!

- School setting is so overdone but if the main characters were the teachers, that would be so good! And bonus if baby Chun Padchun plays one of the students! (Or a kid in the single parent BL)

- Phuwin needs to be the one to pursue Pond in their next series!!! Pond deserves to be babygirl!!!

- Het shows can be good too! Give us something that’ll actually get good ratings

- I’d love a show that is advertised as one pairing or not a BL, and then surprises us all with how it plays out in the end! A different pairing or they actually do get together! It’d be so mind blowing!

- Or just any show with any type of plot twist at the end! I love freaking out in surprise lol 😄

- So many shows start off strong and end so bad, or have plot holes and loose ends. We need more coherent shows that at least feel complete or make sense by the end

Once again thank you Rachael for this game!! It was a lot of fun coming up with ideas!

[biblicallyaccuratecrow]

rambling about songs my brain associates with isat (pt. 1)

[woe, spoilers be upon ye!]

i have a 250+ song isat playlist. I am unhealthily obsessed with finding new songs to put in it. Here's a few that make me go absolutely batshit insane.

I've already rambled about this one on my art account a while back, but this song is so insanely loop-coded....

I'm standing on a stage Of fear and self-doubt It's a hollow play, But they'll clap anyway

You could give me any song that has some kind of reference to plays or theatre and I could probably find a way to make it about isat. but specifically this makes me think about twohats and how loop views their place in the world as a performance, a pawn, not even a character but a plot device... yeah

I'm living in an age That calls darkness light Though my language is dead Still the shapes fill my head I'm living in an age Whose name I don't know Though the fear keeps me moving, Still my heart beats so slow

I probably don't have to break this one down for you, but yeah, Island North of Vaugarde, the forgotten language... "still the shapes fill my head" has always in my mind referenced the stars and constellations, and how they're familiar but foreign...

-

thanks to @/ricecaqes and their trust ceremony animatic, this song lives in my head rent free. Even just as a whole this song is SO isat for me. literally from the first fucking lines:

Will I know when I’ve gone too far? Or frozen myself in time? An impossible brain with impossible wants Lost and astray, with impossible thoughts

like. it really can't get much more nail on the head than that?

then you got this:

So cold, I’m freezing Every piece of praise and sign that I’m believed in Solid in a crystal ball It bends the waves of the light to mend the rest of my life

and literally the first time I heard this song i paused it and said, out loud, "OH FUCK." Because. it's act 5 siffrin. Like, the slow descent into despair followed by the determination that the only way to perserve the life and the family they love is to keep them with him, to do the exact same thing the king did...

Do you also see your future starting with the farthest part? Live your life to close the space between the end and start And when it’s hard, do you hang onto any chance That you might be in control? That you’re the one who owns

For one, once you reach the end of act 2, you're constantly aware of the head housemaiden being as far as you can go, and then you're planning around it the entire time.

And then, you have. siffrin grasping for any kind of control they can have over the situation, desperately. and failing repeatedly because they simultaneously think that they are undeserving of getting what they ultimately want... yeah...

i won't go into the rest of the lyrics because honestly it's pretty well covered by the animatic but. yeah trust ceremony my sweet beloved.

-

rest in peace siffrin no middle no last name, you would have loved the mountain goats.

yeah uh. this one is also pretty high up on songs that make me go "damn that's siffrin alright".

I am this great, unstable mass of blood and foam And no one in her right mind would make my home her home My heart's an autoclave

i think for me it's the idea of siffrin feeling like they're nothing, and even if they are something or someone, they are bad, worse than bad, worthless. also referencing homesickness.... yeah...

When I try to open up to you I get completely lost Houses swallowed by the earth, windows thick with frost And I reach deep down within, but the pathways twist and turn And there's no light anywhere, and nothing left to burn

I mean, this one is also pretty self-evident. siffrin losing hope while being stuck in the house... wanting to connect with the party but being completely uncapable of doing so out of the sheer terror of being left behind... act 5, with the house literally warping...

I dreamt that I was perched atop a throne of human skulls On a cliff above the ocean, howling wind and shrieking seagulls And the dream went on forever, one single static frame Sometimes you want to go where everybody knows your name

siffrin feels responsible for the loops, every aspect of them. their deaths, their party-member's deaths, their failures, everything. and in the end, all they really wanted was for someone to truly see them? to have a family, to not be left behind and forgotten by the world.... the importance of names and siffrin's name in particular in the story also makes this hit home for me.

-

for brevity's sake i'll just start with these three- if people are interested in hearing me justify my insane music choices i'll probably do more.... for now, see ya!

[asraindarkness]

vent time! i have to disrespectfully disagree with people who are now suddenly saying "it was clear from the start that bucktommy was just a short-term thing". the whole issue with the argument is this: 911 has never been the best written show, and especially everything after s4 has been capital R Rough. this is no succession, the bear, arcane. you know, tv shows that have incredibly story continuity, character writing, and pacing. people say that bucktommy was not written "well enough" as if that is a valid sign in the 911 universe that the breakup was a sure thing. i call bullshit. when was the last time that the show has wrapped up even the simplest storyline in a satisfying and serious way? when was the last time character development happened and was take seriously? when was the last time the main characters didn't feel stagnant and the stories didn't feel repetitive? when was the last time the show didn't go in circles and choose the easy or sometimes most offensive way out? 911 had enough meat to tell compelling stories for 3 seasons, afterwards it went noticibly downhill. people who say that the "bad writing" of bucktommy should have been a clear sign are talking complete nonsense imo. tommy was the first ever love interest who checked all the boxes, who got verbal approval of bobby (who has watched buck grow and knows him incredibly well and who did notice a positive difference in buck!), who had everything that we have been told buck needs in a partner for 6 seasons. the canon text spelled out: this could be the one.

we were not delusional for that because, once again, i have to point out: the wonky writing is not a bucktommy problem. it has been and still is a general 911 problem. if they butcheted the bucktommy writing while they did great with everything else, yes, then i would agree the signs were there. for 911 standards of writing, which are very low in comparison to good tv shows, bucktommy has actually been done pretty damn great until that fucked up breakup. people say "they didn't even know each other after 6 months" and i retort "athena first admitted that she had a fiance before michael to michael and bobby like 30 years (?) after the fact". this show has been fucking up storylines left and right for years, and most characters and dynamics had many moments that were terribly written and poorly handled and were only enjoyable when you ignored the idiocy of it all. this show doesn't care about timelines, doesn't care about logic, doesn't care to base the drama within the constraints of a realistic depiction of society and laws. it retcons things for shits and giggles. the mains only get through it all thanks to plot convenience and plot armor. like please. we try to find logical solutions (e.g. tommy lands the plane) and the show will choose whatever is the most ridiculous idea (12 yo lands it).

looking at the bigger picuture, bucktommy had incredible potential for 911 standards and could have easily worked long-term if only the writers wanted to do so. the simple problem is: they apparently don't want to put any more work into it. it is as easy as that. many things in this show never lived up to their full potential and got wrapped up in the most ridiculous ways that nobody could have ever predicted. like, my bad for expecting some leftover common sensen and logic in the weewoo show! at this point, it feels like a skit starring clowns that will do the most random shit. rinse and repeat.

in that context and thinking back to all the butchered storylines, bucktommy had actually been a fucking masterpiece so far. now, it unfortunately just joins a looong row of things that could have been impactful and meaningful if only the show had good storytelling.

how could i have ever knew a breakup is coming when the writing literally said i wrote them for 8.05 as an stablished couple who where doing ok just so the breakup could hurt more!!! hurt who??? cuz most of their fandom were queers, so there is that.

and yes i agree with you. i dropped the show after s6 and came back to it ONLY bcz my friend told me buck came out bi and start this season only bcz i was invested in buck and his relationship journey cuz i knew for a fact the other part of this show is not gonna get any better and the fucked that up to.

they only claim they KNEW they’re gonna break up cuz they were saying it since 7.06 lol

and it piss me off when they say there was no chemistry (which i disagree) cuz this is so stupid. lacking chemistry is something WE see as audiences it is not a thing for characters in the story, they don’t see it and they don’t feel it so it can not be a reason for them to breakup, like??????

all and all bddie shippers has been dancing this dance for 7 years now and yk what? i hope they do get what they want cuz 911 is not gonna change the writing so i hope they do get bddie in this exact writing they seem to loooove cuz i know it’s not gonna be all fair dust and unicorns lol

(i still love buck and i hope hope hope they handle his sexuality better at least from now on but im not optimistic)

[weirdsht]

Heya!! Can I request a tcf x reader fic from where the reader is teenager and got teleported there? Somehow they can see the dreams of the future and knew about tcf novel while also being a full on simp for the main characters?(But also the thing that the young reader was someone who has been to various worlds and was in a loop, repeating things but without the memory of them doing so each time. They get glimpses ofcourse but it was just their past self trying to give out signals to not repeat any mistakes)

Definitions - Cale & Teen! Reader

notes: sorry anon i couldn't reflect all of your ideas because i found some of them hard to combine when i started writing. also this plot is better suited for a long fic/series but i don't have that time and energy huhu

tags: gender-neutral reader, mentions of death and dying (can be a little graphic but nothing too bad), teenager reader, nightmares

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are open and welcome (for a limited time)

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“You should be more careful, this is uncharted territory.”

The look-a-like caressed your face softly as they spoke. Eyes filled with concern and uncertainty bore into you.

You may look alike but there’s something different about them.

Maybe it’s their mature aura. Perhaps it could be the tired look in their eyes. As though they have been suffering for eternity and want everything to end.

Whether they long for peace or eternal rest even you do not know.

“Still… this is a good opportunity and something we haven’t tried yet. Maybe you’ll be safer under his watch.”

“What do you mean by that? Who are you?”

You spoke for the first time since being transported in this weird abyss.

Being transmigrated into a novel like a lousy isekai protagonist was already confusing, but now you have to add weird dreams on top of that.

However, it beats trying to survive in that place you used to call home.

Between being endlessly confused and going back there… you’d choose the former any time of the day.

“I am you, well a part of you at least. As for what I mean… let’s just say this is for your own good.”

The supposed “you” paused briefly as they rested their hand on their chin. Probably thinking about how much they can disclose. Once they made up their mind their fingers caressed your head.

You may not know what’s happening, but you can tell they’re trying to provide comfort.

And it’s probably for the arduous path waiting beyond this dream.

“We’ve been through this many times, and each time you forget… I do not know if god has forsaken us or is playing a cruel joke…”

The look-a-like sighed before hugging you tightly. You meant to reciprocate, however, before you could raise your arms a sharp pain went through your neck.

“AGH! IT HURTS!”

It really does. It feels as though someone’s digging a knife through your neck, Trying to separate your head from your body.

When you manage to come back to your senses the other you are gone. The only thing left in the abyss is your and your throbbing neck.

…And wouldn’t you know, the moment you looked at your hands that were previously clutching your neck… all you could see was blood.

“-[me]”

“-[me]!”

“[Name]!”

“[Name] wake up!”

You jolt up as the familiar voice wakes you up from your dream. That’s right, you are currently under Cale Henituse’s wing after being transmigrated inside the novel you were reading. You have momentarily forgotten such a fact.

Clutching your throbbing neck, you tried to look at the redhead through your tears. Not that you are succeeding at the moment. However, you think you could see a slightly startled look on the young master’s usually calm face.

“Young master..?”

You asked, unsure of everything as your mind is still hazy. Still trying to get out of dreamland.

“You were screaming and crying in your sleep.”

Cale stated calmly as if he wasn’t panicking a minute ago. Still, his eyes roamed around you several times to double-check if there was anything wrong.

“Do you want to talk about it?”

The redhead asks as he gently wipes your tears and pry your hands away from your neck.

“I’m sorry young master. I don’t think I can for I don’t remember the contents of my dream… All I could remember was that there was a searing pain in my neck. It-it felt so real. As though I was in the middle of the battlefield and someone was sawing their sword back-and-forth on my neck…”

You tried to explain to the best of your abilities. You didn’t want to lie to the man that you considered your saviour.

Both when you were reading the novel and when you transmigrated.

In every form, fictional character or not, Cale Henituse has always been your saviour in one way or another. And thus you hold deep respect for the man.

“Don’t push yourself. Sometimes forgetting and never remembering is better than being reminded constantly.”

Ah, he must be referring to his record ability. A blessing and a curse indeed…

“Still, if you feel unwell or anything come to me. I took a kid like you in so I must take responsibility for you till the very end.”

Cale Henituse probably doesn’t know the impact of his words. Just how much you have longed to hear such things.

No, perhaps he does. Perhaps more than anyone, Kim Rok Soo has been the one longing to hear those words since he was a child.

“I’ll keep that in mind…”

With that, Cale stepped out for a moment to ask a servant to fetch a glass of warm milk. After doing so he returned to your side, sitting on the side of your bed. He looks unwilling to leave you, despite having three younger children waiting for him in his bedroom.

“Don’t hold back, have you seen me holding back from doing and saying whatever I want? You don’t have to push yourself to act like a grownup around me. I’m the adult, those things are for me to bear.”

Cale’s words suddenly found their way to your memory when you were about to urge him to go back to On, Hong, and Raon. That combined with the redhead’s determined gaze to not leave your side has you clamping your mouth shut.

Soon enough a maid delivered the glass of milk to your room and you drank it to your heart’s content. Then the morning after that you could feel the children averaging 7 years old sleeping beside you.

The weeks following that are peaceful. Well as peaceful as Cale’s life could get at least. Not that it says much since he has the tendency to meddle in things that will only jeopardize his slacker life.

Despite that, your days are looking better. After that night you didn’t seem to experience excruciating nightmares anymore. You also seemed to have opened up to the rest of the crew.

Perhaps that’s why Cale became complacent, causing him to lower his guard.

And perhaps that’s also why his face hardens 10x more than it would have weeks ago. His anger soars through the sky, reaching the gods even, as he hears the heartbroken sobs you utter on your lips after waking up from a nightmare.

“Am I such a bad child for the gods to do this to me? Have they forsaken me? What did I do that was so wrong that warrants this kind of suffering?”

You sobbed on the young’s master chest. You look so out of it. Eyes glazed over as if you’re not with Cale despite being in his embrace. You continued to wail, continued to curse the world for putting you in a type of pain that not even Cale can comprehend.

“I’m tired, I’m so tired. How many times has it been? I’ve tried my best… I always did, but I don’t know what the gods want.”

As you looked up at the ceiling, perhaps trying to directly ask the gods, Cale could finally clearly see your eyes.

They were filled with pain and suffering. Such young eyes carry the weight of the world.

It did not belong to the teen who was laughing and playing around with the kids and Choi Han.

It was still you, but it wasn’t the you that Cale is currently raising.

The meddlesome transmigrator couldn’t understand it himself, but he was sure of this feeling that he had about you.

Hence why when you finally passed out he immediately ordered someone to summon Cage and Saint Jack.

Cale Henituse might be a piece of trash but he always sees through his promises.

Even if he has to fight every god out there to fulfil it.

Because for Cale Henituse, that’s what it means to be a guardian.

[puniyo]

The Quest for the Ring Power in Jack & Joker (points at Jack specifically)

Disclaimer: I haven’t watched episode 10 yet (I’m so dreading it) but this is based on the spoilers and also on the events of the plot so far.

Jack & Joker is definitely one of the best series (whether you want to call it BL is your choice), if not the best one, that came out this year. The production costs must have been really high because the different settings, wardrobe, props, editing, music, all this is a proper package of very high quality. The cast is superb and War should definitely receive an award for his portrayal as Joke. I will not delve into the cast much because this category itself deserves another separate post so today I will focus on:

The Quest for POWER in the series

Disclaimer #2: Power can be defined as the ability to direct or influence the behavior of others or the course of events. I’m using POWER in the broadest sense and not specifically targeted at some aspect. You might link power with being “dominant” and feel free to do so, but I don’t want to put any further labels on power so that I won’t mistakenly describe something I’m not totally familiar with.

Out of all the possible themes related to J&J – family relationships, poverty in society/community, greed (and the importance of money in one’s life), the ambiguous line of what constitutes crime – POWER is one of the ones that is flexed in almost every episode and woven so intricately into the plot that it almost feels masked by everything else.

Taking our golden triangle – Jack, Joke and Boss – these three characters are linked with power in different ways. I dare to say that Jack and Boss are parallel to each other and quite similar in their (challenging) quest for power. Our trump card is Joke, unlike his deck card name Joker, who, on the contrary, relinquishes easily the power that he gets.   

For those who think that Jack and Boss have nothing to do with each other, hear me out. First, both Jack and Boss had their innocent, puppy moments of having their hair down and covering their foreheads – okay, this is irrelevant but it kind of creates a nice “why do you insist on having the same hairstyle as I do?” moment.

Fine, I’ll be serious now. Jack and Boss are in a boss (couldn’t he have chosen another name – although people address him as Alice in some episodes) and subordinate relationship, so there is an automatic power imbalance here. Jack is a debt collector for Boss, who in turn has to obey to the Four Horseman of the Apocalypse (I’ll just call them 4H).  They are both under someone’s rule and they both don’t like because (1) they lose their freedom and (2) they lose control (whether total or partial). Somehow, Boss could be an older version of Jack if he (Jack) had lost all his support.

Let’s talk about Boss/Alice. We have no idea about his background except that he had a wife that he loved dearly and left him with a diamond necklace. We are given no idea why she died but I like to think it is because of the 4H, which makes his hatred for them multiply. He has Arun but from their (lack) of interactions, we can assume that Arun never lived up to his expectations and he too never gave himself the chance to truly nurture Arun. So Boss has lost the only ground he could have to keep him sane and sensible. A lot of people online are questioning how one single ring can mean so much to him and it is exactly because that little golden accessory is synonym to power.

People are too used to power being displayed by use of violence or charismatic speeches, but have they thought why we still have monarchies nowadays? How did kings and emperors in the past used to stay in power? From conquering land and improving their vassals’ lives? If so, then what is the point of lineage? What are these chosen people by the heavens? People are inherently superstitious and like to use external entities to justify views of the world which they don’t understand. Being a leader requires exerting power but not everyone knows how to properly exert it. Many don’t even have the courage to do so. Because with power, there comes consequences and responsibilities. A ring, no matter how simple it is, is a symbol of power and grants people this additional belief and bravery that they need to stay in power. It is as if just by wearing the ring, they would imbue power in their veins.

Could Boss have hired Carbon or other people before to do his dirty work? Definitely yes. Could Boss have revolted and gone against the 4H? Also yes. Did he have the courage to do so? No really. Just an aside here that I think the name Alice suits him well. Alice as in Alice in Wonderland, he too is trying to escape the rabbit hole, albeit this time it’s not really a rabbit but four horses.

Now turning to Jack. Jack has enjoyed being in power since episode 1. Jack is a black belt in taekwondo and is seen to be able to defeat other members in his club. Jack is also the breadwinner for his family (our beloved A-ma). Power doesn’t mean being almighty. Power for Jack is the ability to control his decisions and not be subjugated by others. Losing the opportunity to join the national team is a major power cut. Having to lower down his head to Carbon is a major blow to him as well. When he starts working for Boss, regardless of whether he is willing or not, he is a debt collector and that is naturally a job associated with power over others. He has the power to enact violence but he chooses kindness instead – to help others pay their debts. It’s a choice he made. His choice, his power to do so. Even though he lacks higher formal education, Jack is a teacher figure in the community and that is also a job associated with power (though we often call it influence). His interactions with Joke, inside or outside the bedroom, are fully charged with power – taking the initiative, neck grabs, feisty remarks, a few punches and kicks, (empty) threats. Even in the joint heist with Arun and Hope, he’s the one to take the lead when Arun can’t come up with excuses to get the group into the auction. We see Jack out of his element when he loses control – having to please Rose and Boss, being reprimanded by A-ma, or when Joke refuses to give up his share of power (more on this later).

Now (how many times have I said ‘now’ in this post), the major difference between Jack and Boss is that Jack’s support system is very much present in his life. He has A-ma, bless her soul, she is the major anchor for his kindness; then the people in the community. Even as a debt collector, we can see that the people are fond of him and respect him. His “subordinates” too listen to him instead of being scared of him (see Hope as an example). Besides this grounding system, we have Joke, who is the one to feed Jack with power. If A-ma is an anchor for Jack, Joke can be considered a source. That’s why in this last episode, without the community and Joke (he has Joke, but not the idealized, crime-free Joke in his head), Jack is on his way to the descend to madness.

Joke, Joke, Joke. I don’t even know where to start to write my ode to him. He is my favorite character, not just because it’s War portraying him (but let’s be honest, War is having the time of his life with him and his acting really shines through), but because Joke feels very real – decently arrogant, smart and witty, scheming when he needs to, devoted to his found family – Joke can make me adore him even more because you can see how much he cares about others. About Jack. And he does this by relinquishing the power he obtains.

The series starts with him stealing an exam and falsifying an offer letter. Being a thief and con-artist (the persona Joker), Joke holds a lot of power and knows how to manipulate it in order to get what he wants and get people to react the way he wants. However, we also get to know that Joker steals from the rich to give to the poor, a sort of modern Robin Hood. This already indicates that he is willing to give away his power so that others can benefit from it. Later, Joke himself admits that stealing is the only thing he knows to do. Let us rephrase this to “giving my power to others is the only thing I can do”. Let’s see more examples of this: Joke willingly confesses his crimes to police to clear his name; Joke lowers himself to apologize to his parents (that first kowtow, damn, as an Asian myself, that really spoke volumes, and then the chive dumplings); Jokes steals a ring twice (and gives them away twice as well) to free Jack from a fate that eats away his power; Joke allows a glass bottle to be broken on his head so that he can save Tattoo and Hoy; Joke concedes to Jack both times when playing the bottle game; I will not comment on the lovemaking since I haven’t watched it yet but that would be enough for another post.

Joke is given power countless times throughout the series and relinquishes it just as easily. But by doing so, he is not being a sacrificial lamb or a tragic hero. It just makes him all the more likeable because each time he relinquishes power, it leads to a chain of consequences, some beyond his control, that makes us get a glimpse (more of a stare) at his flaws. And a flawed character is the best kind of character. At the end of the day, aren’t we all flawed?

Now that Jack has started descending to madness, this would be an ending that I would love to see (no matter how cliché it is):

There were guns on the promotional posters before so it’s time to recover them.

Jack has too much chaotic power in him and he has no sufficient ground to control it.

Jack will want to kill Boss and Carbon (as we all do).

Joke will not allow Jack to do so, because killing means destroying the last ounce of kindness in Jack and truly break him.

Jack, though, will get his hand on that gun, and aim that the two gentlemen above.

Joke comes on time to defend them from the shot (yes, you heard me, not because he’s working for them or being taken hostage, but because that is the only way to save Jack).

Jack fires (bang!!)

The bullet hits Joke, right on the shoulder where the “J” of hearts is.

(I think I rather write a fic instead of daydreaming)

[plum-pitt]

X-Men Origins Rewrite

Ok I guess this is a follow up to this post i made not too long ago abt rewriting this shit, the brainworms rlly got to me here so you’re getting a follow up sooner than expected lol

Before I actually do any rewriting though I wanted to lay out the big changes I’d be making and why, mainly for myself as a guide and to organize my thoughts both about the original film’s issues and how these changes could potentially solve them, but also to allow anyone else with some ideas for possible changes to add their own thoughts or suggestions by engaging with the post.

As for what kind of final product you could possibly expect these ideas to result in, i haven’t quite decided if I want to just do an in depth outline for the story with my proposed changes or do like a full length fic novelization. It’ll probably depend on how motivated I still feel about the exercise by the time I’m finished and happy with the cleaned up outline, but I digress. Lets just go ahead and get into the changes I want to make:

Proposed Changes:

First off, I’m removing Blob and Gambit from this cut. I like both of the characters and think it’s cool they tried to include them but the cast is crammed enough as it is and those two serve very little narrative purpose that can’t be shifted to others just as easily.

Second, I’m adding Silverfox to Team X and letting that serve as the meeting point for her and Logan, it gives the audience more time to get to know her and come to care for her and Logan’s relationship, while also harkening back to the comics where she was also a part of the weapon x program. Also I know this isn’t a real film but let it be known that if it were i’d actually hire a Native American actress to portray her, i’m still shitty they whitewashed her.

Third, I’m removing the third act “Silverfox wasn’t really dead” twist. I really shouldn’t have to explain why, that shit was dumb and completely unnecessary, not to mention introducing a shit ton of plot holes with that whack ass mutant ability they pull from thin air. In my version she’s human(as far as we know) and when she dies she dies for real, full stop.

Fourth, we are GETTING a biblically accurate Deadpool. They did my bro dirty and I refuse to compromise on this. His role will be larger to compensate for his big ass personality and the fact that i’m affectively letting him take up Gambit’s role from the original in addition to what he already had. Also I just think he bounces off of Logan really well and could serve as a really interesting parallel with having such similar trauma and very different ways of responding to it and seeing the world. Like just imagine D&W if they accidentally traumabonded over their similar origin stories.

Fifth, I’m making Victor our stand in for the films Weapon XI! He doesnt get adamantium or new powers like Wade, only the dehumanizing psychological torture present in the original Weapon X comic. I think it works great for his spiraling arc, gives me a chance to squeeze a faithful weapon X adaptation in here without upending the entire film’s structure, and helps to better position his character on a trajectory towards his more feral appearance in X1 where he doesn’t seem to fully recognize Logan.

Sixth, I’d like to include Dr. Cornelius as the head scientist in Weapon X. My current concept is that he’s in charge of all the unethical mutant capturing and experimenting, working under Stryker’s supervision but still an outsider to the government, being sent in by Stryker’s most significant source of funding for his program in Nathaniel Essex. I know this has zero basis in canon I just think it sounds cool and makes sense for Sinister to have hands in a program aiming to create perfect mutant soldiers, as someone using mutants DNA to create a genetically perfect race of superhumans and become the ultimate life form. (Sinister would not play a large role, more of a looming presence pulling strings and fucking people over)

To get more overarching here, I wanted to hone in on the dynamics and themes present in the original that i thought had the most potential for further development. Victor’s spiral to madness and eventual complete loss of self under Stryker, Logan learning to let go of Victor’s influence and the violence that he let define his life only for both to drag him back after Silverfox’s demise. Really digging into that nature vs nurture shit, and adding more mutant politics (and their accompanying metaphors for the struggles of marginalized people) cuz honestly i feel like it’s absence in the original is very noticeable, and ties in really well with Logan’s arc of self acceptance and learning to see himself as more than the violent nature of his mutation.

Stuff I Still Want Changed:

Ok so here’s where I’m throwing my hat out for suggestions, because there are still a couple minor things present in the movie that i’m just not a fan of or don’t really know what to do with. The difference is, with these I can’t really think of tweaks that could fix/improve them. So if yall have any ideas on what I can do about these, or maybe some completely unrelated changes that you just think could improve the rewrite, please let me know.

One, not really sure what to do with Zero, he’s around for a lot of the movie but didn’t really stand out much to me. I just don’t know a lot about the character or what his deal is in the comics to find something cool to do with him. I’m going back and forth on if his role is ultimately necessary?? Does Stryker really need another henchman? Or should I use the space he occupies to hone in more on Victor and Logan’s rivalry? Idk i’m still on the fence so tell me what yall think.

Two, god I just fucking hate those memory wiping adamantium bullets. It’s such a stupid plot device that makes no sense conceptually and was clearly just thrown in as an afterthought at the last second like the writers forgot they needed to erase his memory by the end. That’s not to mention the fact that the bullets’ function was retconned later in Logan. Genuinely though I cannot find another way to go about fucking up Logan’s head without basically upending the structure of this movie in its entirety so any ideas on how to solve this dilemma are appreciated.

[scorndotexe]

Out of curiosity, why do you dislike Midnight Mass? It's really like hear your opinions.

it's just so fucking BORING!! the concept is interesting i do find the concept interesting (vampire priest who believes his vampirism is a gift from god) but somehow it was done in the least interesting way possible. sometimes there's like a minute where i thought "holy shit is it finally gonna get better" and then i watched the next episode and it continued to be exactly the same.

all the characters are basically exactly the same. i know it's by monologue flanagan but can they at least monologue in DIFFERENT ways??? dear god. he edited it himself and you can REALLY tell. the fucking ten minute scene that's just "what do you think happens after we die? vcnvncmrnwbvnjef vdmnnc cmnennwneetnewnnwbefnbrtnbemrbermnbmrbtrtbwnrebeb" is crazy who thought that was a good idea. god every character was so forgettable i think i remember like 4 names. genuinely i see people talking about a character and i have to look them up and i STILL don't remember them. don't get me started on the fucking therapy speak. also riley flynn is the most boring protagonist i've ever seen i can't think of a single personality trait he has. i can barely think of ANY personality traits ANY characters have.

i know we shit on his adaptations a lot (as we should) and at the very fucking least he didn't ruin another excellent work of horror with midnight mass but he is NOT a good writer with his own stuff either!! it's so BLAND. even when it's not boring it's bland and uninteresting. i know i'm biased i know i watch extreme horror to find artistic value in underlooked pieces of media so i'm used to "that freak shit" but he did nothing!!! he did nothing with his vampire priest! he was literally irrelevant by the end because he gave that antagonist role to some other character and he was never really the protagonist either. he was just there for a really dumb late-game romance plot/plot twist.

it's such an unbearable show and the ending isn't even good!!! its tone is so fucking weird like everyone dies and yet there's still a weirdly hopeful tone to it. i feel like that's a moment to REALLY lean into the tragedy. it doesn't have a happy ending but it also doesn't let you feel sad enough for it to be truly tragic.

also there's like three different types of vampire in the show and it makes NO sense why they're so different from each other. i'm not asking for extensive lore i'm just asking for consistency.

it's like 8 hours long and i know i've probably spent way more than that complaining about this fucking show but still a waste of my time. it just sucks so much. it could have been an okay movie but as a whole show it's so dragged out and doesn't DO anything with those eight hours. i don't mind a slow burn i really don't but a) the build up has to be worth something and b) it has to have something really really good at the end of the build up.

honestly it looks SO good in gifs and screenshots and fanart that it makes me wish the show was better because you could have a much better experience just looking at those and imagining a good show than actually watching it.

on the plus side if you DO watch the actual show riley's death scene is the funniest shit in the whole thing.

[lets-try-some-writing]

Help, I am getting stuck in this cycles over and over without actually finish any story that I want to write.

I get ideas or AU that make me interested to write -> realising that i need to lay down some setting or background to make story worked, so I started plotting -> executive dysfunction/ procrastination kicking in because I have trouble of putting ideas in my head into paper and due ‘perfectionism complex’ I get boggled by detail -> I stared at empty document for several day -> I lost interest and motivation in writing for several day/week -> cycle started over again.

I can’t exactly force myself to write because it will extend the period of “I stared at an empty document for several day -> I lost interest and motivation in writing for several day/week” to months. Any suggestion how to deal with this cycle?

I do actually have some suggestions! I have several, in fact.

One: If you are suffering from creative burnout after being overwhelmed, try just giving it a break. I know this is the simplest option, but seriously, step back and engage with some new media for a few minutes. You may get ideas, or at any rate, your mind will have the chance to unwind for a bit. And do know, that sometimes some things do just have to cook. I've left fics for months at a time and come back with a banger chapter after letting it be and getting my mind sorted out for a while first. If you really love it, you'll be back eventually.

Two: Play into that need to make it right by hyperfixating on ONE aspect of the thing you are working on. It may sound counter productive, but I've found that by bunkering down with one specific detail or plot piece or even bits of the lore, it can actually help spiral out into other subjects that need to be addressed. Like, while working on lore for an au, it can get really overwhelming to think about ALL of the world. So instead, I'll pick one character, one time period, one plot point. Then, I'll expand on that one thing until it starts to tie in with other points. From there, I'll just move from point to point, connecting the pieces of the web. Here's an example:

Premise > supporting premise > supporting premise > tie in lore.

Starscream is Winglord of Vos > He was forced into the position and separated from his brothers > He is a brilliant leader but bitter because of his role > He joined up with Megatron after Vos burned in a need for revenge.

Once you hit the tie in lore, you can swap focus to begin working on the other character or subject. This will help you tie everything together in a cohesive manner (at least it helps me). Being able to make everything connect up may fight that feeling of being overwhelmed.

Three: Talk to someone about it. I cannot stress enough how brilliant some of my friends have been in helping me refine a concept. Find a willing victim Friend, and tell them about your concept. Let them give you feedback and ideas. The more fun you both have, the better. More thoughts and ideas will give you more to play with. And if nothing else, even if you don't continue with the idea, you won't feel quite as defeated because you got to talk about it.

[oxygenbefore1775]

aot characters as types of poisons pt2

pt1 here!

➼ featuring: armin, eren, hange, historia, jean, levi, mikasa,

➼ cw: poisons and all the ways they could (and would) kill

➼ a/n: as a pharmacy student i also have to study toxicology for some reason so what better way to apply my knowedge than to use it for some hcs - also pls don't get any ideas from this, it's all morbid yet harmless fun

also this is gonna be a bit different from the original hcs cuz this time i will actually try to explain why a certain poison fits a certain character

 ꒰‧₊˚⌬☆༉‧₊˚ . ˚₊‧༉☆⌬˚₊‧꒰

armin

coniine of hemlock

like husband like wife since coniine kills the same way Annie's poison (strychnine) does - through paralysis of respiratory muscles (ie you suffocate with airways being completely free and being perfectly aware of you dying)

albeit coniine is more insidious in its approach to killing

first of all because hemlock, the main depository of coniine, is easily confused with other non-toxic edible and thus frequently (and unknowingly) consumed

secondly, coniine poisoning is easily to induce since it's used in medicine as a sedative and it takes very little for a healing dose to turn into a deadly one

thirdly, even with poisoning in full swing, it's hardly ever painful - in a narcotic-like state one simply falls asleep as paralysis gradually creeps up from the feet upwards, eventually reaching lungs and stopping breathing all-together

that being said, coniine is a quiet yet potent strength (like Armin with his oftentimes underestimated influence)

eren

cyanide

symbolically enough, the majority of cyanide vapors (which is the most common exposure method) occurs in the fires - destruction born from destruction

as lethal as it is notorious (like Eren) with death occuring in mere minutes after exposure

yet quick death doesn't bear any promise of painlessness - cyanide makes the last minutes of life an unbearable agony

this is mostly because cyanide fucks the body and its systems up in the most fundamental way possibly, binding all the incoming oxygen to itself and thus leaving the organism with inability to breathe on a chemical level (which reminds me a lot of Eren willing to take anyone's freedom should they choose to take his)

also there's a popular misconception that glucose is one of the antidotes against cyanide which would be very cute if true - the deadliest of poisons rendered harmless with a mere sweetness of sugar but alas

to me, cyanide perfectly captures Eren's ability to single-handedly destabilize whole systems, be they political, social or moral. just as cyanide cuts off oxygen, so does Eren with disrupting established orders, often suffocating any chance at peace and stability in pursuit of his ideals

historia

atropine of belladonna

never beating its deadly woman under the facade of prettiness allegations

humanity went through a whole arc with atropine from treating it as a beauty-enhancing product at first to later acknowledging its potency and medicinal as well deathly properties (like with Historia role in the plot)

also the sight of belladonna (where atropine is mostly found) lulls into a falls sense of security with the deceiving luster and sweetness of its berries, as if tempting you to taste it

funnily enough, one of the most prominent symptoms of atropine intoxication is quick heart rate, blown-out pupils as well as inhibition of sweating and salivating - which is no doubt a similar effect that the mere presence of Krista used to have on her fellow students in Cadet Corps (with her monicker being goddess and all)

although slow and improbable in its lethality, the effects of an acute atropine poisoning are certainly the least boring — take for example a 3-day-long delirium and all the hallucinations that come with it. And at the end it just might leave you with memory loss and other cognitive problems (not to forget all the memory losses Historia had at Frieda's behest)

atropine is a rare case of poison being used to combat other poisons (much like Historia and whatever she had going on with Eren and Ymir despite being quite morally challenged herself)

jean

helenalin of arnica

first thing first, this poison is a lover not a fighter (just like Jean)

it barely constitutes a deadly poison as it takes a lot of helenalin for a dangerous dose, let alone a lethal one - it won't kill you even if it tries

still, it is considered toxic through its irritating effect - when administered either internally or externally, it deals a minor damage to the tissue (idk it just reminds me of the way Jean was always causing tensions with his antics in cadet corps, harmless but still annoying in its own way)

frankly, it's more renown for its healing than harming properties

its most popular use is in relieving pain, swelling and bruises - alleviating nearly every kind of damage one might suffer, helenalin soothes it all

Jean is helenalin in every way - yes, it will help to recover from any damage but it's gonna sting like a bitch all throughout the healing process

hange

ergot

this one's unusual (like Hange) since it's a fungal poison and was a common scourge upon all the medieval populus

is a mother of LSD, all the things hallucinogenic

yet before its recreational properties could be harnessed, ergot was notorious for its profound and unpredictable effects on an organism

ergot fungus affects grain products like rye so if an outbreak of it occurs, large quantities of population are in for a lethal drug-trip

yet before death from violent convulsions, an unfortunate's mind is severely affected with a state of mania and madness (which is very evocative of Hange's intense approach to titan study)

ergot poisoning is also monickered as holy fire which is due to the gangrenous state it induces, with limbs inflamed and turning black as if they've been burned and charred in flames (which reminds me... of nothing in particular)

levi

arsenic

the most common way of exposure is through the contaminated ground waters, especially in places unfortunate enough to lack any precautions that can detect presence of arsenic

arsenic has neither taste nor smell so it's stealthy and precise in taking out lives - gradual and subtle

this poison's committed - once it starts to take effect, arsenic poisoning is hard to reverse

funnily enough, arsenic used to be added to cosmetic products as it prevented skin aging and made the user look younger that their years

although the most potent entry way is through inhaling arsenic vapors, the other ways are still as deadly as they can get - this is why arsenic is used in almost all of industrial "killing" -cides (pesticides, herbicides, insecticides etc)

despite its very much lethal properties, arsenic still finds its use in cancer treatment - per numerous studies, arsenic particles harm less healthy cells than other anti-cancer drugs

in essence, arsenic suits Levi as it's predominantly cloaked in its reputation of deadly precision, meanwhile its benefits are lesser known

mikasa

aconitine of wolf's bane

a warrior's type of poison, commonly applied on arrows and tips of javelins

the plant takes its name from its use against wolves or other predators that could pose threat to livestock and humans

in case of acute exposure which is relatively easy to get, death occurs in a matter of hours and is incredibly painful in the process as it causes extreme burning and numbing pain - the poison kills through either stopping heartbeat or breathing

it's usually quite difficult to get poisoning through skin contact but not in case with aconitine - it's so toxic that even touching wolf's bane flowers causes numbing sensation in finger tips

also like arsenic, aconitine has its uses in medicine through its pain-relieving effect even though the dosage is to be kept extremely low since even a single mg of the stuff can result in death

the main reason for me choosing aconitine as Mikasa's poison is mainly due to its application - it was almost always used as a means of protection against dangerous predators

[silent-sanctum]

Jotawife rant mentioned! Now's my cue to add my little incentives!

When I first got to Stone Ocean and once I fully accepted Jotaro as my new hyperfixation, I have this little habit of doing a bit of research who and what I'm getting into. I looked into this man's family line: Holly his mom, Sadao his dad, Jolyne his daughter, and... unnamed woman? You can imagine the confusion I had when I saw that.

In the part that was supposed to be more "woman" inclusive, the plot decided to not provide the female parent anything but a mention and one scene???

Especially considering said parent was so significant to the main character??

BUT YOU KNOW WHAT THE GREATER INSULT WAS?

It's David Production deciding it was a good idea to remove her one other scene (the one with the cops taking Jolyne). Sure, it doesn't really provide her any substance character-wise, but it still was something at least. This is the same production company who's able to create an anime-exclusive scene for the end of Part 3 and they couldn't do that here for the mother-daughter duo??

Like shit, despite just being a mentioned character, Sadao had more character detail than Jotawife outside of being a husband and father. (i.e. He's a global jazz musician and actually has a name).

She's literally, as OP said, a plot device and nothing more. The previous Jo-wives/moms had actual character to them and some inkling of a backstory, personality, and/or involvement in the plot (Erina, Suzi, Lisa Lisa).

But Jotawife? Absolutely none. And that blows my mind that the ex-wife of the most iconic Jojo and mother of the only female Jojo doesn't get to have any character other than being very sensitive (a crybaby as worded by Jolyne), highly worried, and helpless to the situation unable to stand ground on anything.

How unfortunate for her. Truly.

Look, I know she’s a fictional character and a literal plot device BUT I will always be so fucking mad about Jolyne’s mother.

She exists to have Jotaro’s child and that’s it. She doesn’t get a name, the only personality we see is her stressing about Jolyne and begging Jotaro to do something. Even Jotaro’s absent father got a name and profession ffs.

And it’s one thing when the absent parent is uninvolved in the plot, but the parent who apparently has such a close relationship with their child never shows up? I cannot believe that.

We never get anything else on her, she never appears and ultimately doesn’t matter, all so that her shitty, neglectful husband who had a baby with her then fucking walked out can get all the focus, credit and sympathy and I hate it.

She’s the parent closest to Jolyne, she’s the one who raised her while Jotaro did fuck all yet she doesn’t get to be important, doesn’t get to speak to her daughter before the world fucking ends. Jolyne doesn’t even think about her mother in the end because so much of her plot revolves around Jotaro that her mother might as well not fucking exist. Does Irene even mention her in the alt universe?

She is used for her ability to birth and raise Jotaro’s child and that’s as far as she matters. She is a tool to continue on the Joestar legacy and give Jotaro a child and that’s it. She is not her own character, she’s a misogynistic writing device and, in a part where Araki apparently wanted to address his past mistreatment of female characters, it’s such lazy and sexist garbage.