#so i can have her drop some specific references lol

[xinganhao]

some thoughts and extra content on my how is your youth? mini-series, where booseoksoon are your youth ✦ stories of the past (soonyoung), present (seokmin), and future (seungkwan).

(1) as mentioned, all titles are from day6's remember us : youth part 2. being a carat x myday strikes again lol. the references are very loose/barely there, but this is one of the first albums i think of when i think of the word 'youth'! it also has some of my favorite day6 songs of all time. (:

(2) when the series was but an idea clanging around in my brain, i went to maplegyu for advice. i gave her an inch ('dk is childhood crush coded'), and in turn, she gave me a mile ('a playmate u met for the summer that impacted ur life but never saw again'). when i say maple has helped me come up with some of my best ideas, i mean it. attaching her review here because it gave me so much joy!

(3) i couldn't find the photos that would pull it off, but i wanted seokmin to show off the rings that he still had from reader ): in my imagination, the rings are the plastic, toy type that you win from a gashapon machine/can buy at the cornerstone/et cetera. some visuals -ish:

(3.1) when reader and seokmin start dating, he starts wearing the ring in a necklace. he also never stops calling reader his 'wife' despite protests.

(4) no better place to drop this, but here's a panel that didn't make it into the final smau because of space/pacing issues! would have been towards the ending. (:

(5) i hadn't intended for lorde's ribs to be a recurring theme throughout the work, but it helped me realize that i wanted each of the readers to have internal conflicts (as much as bss might have). it ended up going as follows:

so cool!reader being scared of growing old

121U!reader holding grudges

days gone by!reader moving on from what-could-have-been's

(6) the first rain of may (referred to as unang ulan ng mayo in my country, and agua de mayo in spanish) is viewed as mentioned— something that's supposed to be 'healing'. it felt most appropriate to associate with seokmin, who embodies healing in his own way. 🌻

(7) the idea of focusing on soonyoung's taekwondo history is once again maple's, and the specifics on the rivalry (i.e. lacing up armor, pulling during stretches, racing during suicides) are all from sarangcoups. i felt very strongly about a childhood!soonyoung being a little bit annoying over having a crush— the type who mistakenly believed that bullying = affection.

(8) by this point, i started locking in the idea of each boy representing either the past, present, or future, which is laid out more clearly as follows:

seokmin, who associates reader as his youth which he wants in the present

soonyoung, who carried his past with him and learns from it on the daily

seungkwan, who plans to face the future with the love he received from his youth

(9) i realized belatedly that soonyoung's smau is shorter than the others, which is why i tried to compensate with a longer -ish headcanon format. nonetheless, it was fun to explore his voice both in the texts and the written part. he's still a little obnoxious, but it's endearing. out of all the work in the series, this one feels like the one that's likeliest to get more parts (but don't hold me to it! haha).

(10) up until posting, i was on the fence about whether i should conclude seungkwan's story the way that it ended. that's why i ended up publishing it a couple days off 'schedule', primarily because i had to contemplate whether i was cheating seungkwan out of a 'happy ending' because soonyoung/seokmin got theirs.

and so maybe that's why i feel like i have a soft spot for this particular verse now because it helped me remember something important: romantic love is not the end all be all. a happy ending is still possible without it. how foolish of me to forget that, and how apt is it for me to be reminded with a story of seungkwan when it's something he would very easily tell people in a heartbeat.

(11) the alternate romantic ending would have still featured a similar line wherein seungkwan insists that 'kwannie' belongs to reader, but i pulled it out at the last minute when i realized— 'kwannie' doesn't exist anymore. it's a past version of him, one that the reader has maybe romanticized in her head. so, yes.

high school almost-lover 'kwannie' is reader's, but present-day 'seungkwan' is not.

(12) MOAs might recognize this, but the last line of seungkwan's interview is from a well-known soobin quote. it's something i think of constantly, and i feel like it's also something that seungkwan himself would believe in.

(13) another slide i cut for space reasons (replaced with seungkwan's '27' tweet):

it was posed as a gentle reminder from reader -> seungkwan that, as the lyric goes, life has just begun. it's also a prompt for him to not pick up only on the sad parts of the song/life, when the good lyric/part is in the very next breath.

tl;dr, your youth is whatever you want it to be. whether you are stuck in the past, living in the present, or afraid of the future— know that there is a love that waits, and it will be a good love. i promise you that.

like i always say: this story was mine once, but it's all yours now. ❥ thank you for reading along, and happy bss comeback szn!

how is your youth? 📢 a booseoksoon three-parter.

three independent smaus featuring booseoksoon, who you've had the pleasure of knowing throughout various stages of your life. or: verses where bss are your youth.

ⓘ synopses under the cut. aus will be linked back here once posted. happy bss comeback season, everyone!

do you remember...

so cool ✮ seokmin x reader.

... the kid you pretend-married on the playground? you were only 'spouses' for one summer, but you have the photographic evidence to prove it. it would be nice to know how he's doing, right?

121U ✮ soonyoung x reader.

... the annoying guy from your after-school taekwondo class? you hated his guts. you don't even really care much for the sport anymore; you just want to get back at him for making your life a living hell.

days gone by ✮ seungkwan x reader.

... your first love from high school? sure, you never really dated him, but your feelings were very much valid. whether they've stood the test of time is the real question— and it looks like you're about to to get some answers.

with love, kae ✎ a very special shoutout to the best of the best, @maplegyu, for helping me brainstorm some of these (..◜ᴗ◝..) starting the year with bss, lfg!

all titles are from day6's remember us : youth part 2.

› scroll through all my work ദ്ദി ˉ͈̀꒳ˉ͈́ )✧ ᶻ 𝗓 𐰁 .ᐟ my masterlist | @xinganhao

[flythesail]

I want to start writing the next chapter but Qimir's backstory needs to cook a bit longer

[cxrrodedcoffin]

Sweet Understanding - Emily Prentiss

Likes are always appreciated but reblogs and feedback keep artists going!

——

Summary: Reader has a rough day at work and Emily knows just how to relieve some stress.

Word Count: 1.7k

A/N: reader has sensory issues but specific condition is not mentioned. inspired by my real life experiences, i have adhd and get very easily overstimulated so i did get a little self indulgent with this one lol

TW: fingering, oral sex, praise kink, afab reader, use of “girl” and she/her pronouns in reference to reader, mentions of sensory issues, borderline excessive use of pet names, reader is submissive & slightly unsure of herself

Rating: R, there’s a lot of fluff here but it develops into smut so 18+ only please!

——

You shut the door a little too hard behind you as you dropped your bag to the floor, sigh of relief falling from your lips.

“What’s wrong baby?” Emily questioned, getting up from her place on the couch to walk over to you. Her slender arms wrapped around your frame, pulling you into a much-needed hug after the day you’d had.

“Work was awful, my whole body is sore and I had to fight through how overstimulated everything about that place makes me all day.” You stumbled over your words, your brain struggling to form a coherent thought with how low your social battery was from all of the interactions you had to engage in throughout the day.

“I’m sorry you had a tough day sweet girl, is there anything I can do to help?” Her hand cupped your cheek, thumb swiping softly over your skin. You lean into her touch, looking into her eyes as you search for any semblance of hesitation, but there is none. Emily doesn’t have any reservations about your relationship, she knows how tough your sensory issues are to handle and all she wants is to make life a little easier for you in any way she can. You’re too precious to her, she never wants to see you in pain if she can help it.

“Maybe a bath…together?” You suggest, crimson blush rising over your cheeks. You’re still a little shy to initiate intimacy of any kind, learning to ask for touch from the one person who’s touch you desire most is all so foreign to you after a lifetime of discomfort with contact from others.

“That is an excellent idea, can you get the water running angel? I just have to grab a couple things and I’ll be right in.” You nod and she kisses you on the forehead before parting, making you way to your ensuite bathroom. When Emily was apartment hunting she specifically wanted a tub deep enough to fit two people. As strong as the front she puts up is, she’s really a romantic at heart, and recreating a romcom bubble bath scene had been on her bucket list for awhile. You were grateful for that now, illicit thoughts floating through your mind as you watched the water slowly fill up the tub.

Emily finally joined you, setting your favorite scented lotion on the bathroom counter and pouring some bubble bath into the still-rising water.

“Give me your hands, sweetheart.” She cooed, opening the bottle of lotion and taking a small amount into her palms. She took your hands in hers, her fingers gently massaging the tired muscles in your palms and giving the cracked skin on the back of your hands some much-needed moisture. She knew you couldn’t stand the feeling of your hands being dry, it was one of the seemingly small things that she could help, and she didn’t mind getting to have a little extra time holding your hand.

Once she finished, she helped lift your top over your head, goosebumps forming as the cool air hit your bare skin. You both continued to undress until you were completely bare, your nipples perking at the exposure.

Emily took your hand, letting you brace yourself against her for extra stability as you stepped into the tub, sinking into the warm water. Once you were properly settled she stepped in behind you, her back resting against the side of the tub as she pulled your hips back so you were between her legs, your back flush with her chest. You snuggled into her, resting your head on her shoulder and enjoying the way the warm water soothed your aching legs.

“You’re so beautiful babydoll.” Her voice was smooth, and her praise caused your cheeks to flush again.

“Thank you my love.” You purred, relaxing fully against her. Her fingers began to trace patterns up your sides, fingertips dancing along the sides of your breasts. A chill ran up your spine at the sensitive touch, a dull ache growing between your thighs. Her touch became more intense, hands cupping your breasts, gently kneading as your nipples rubbed against her palms. You whined, growing desperate for more.

“What do you need, sweet girl?” She asked, rolling your nipples between her fingers in hopes of eliciting more sounds from you. It worked, whimpers falling from your lips as she tweaked your sensitive buds.

“Touch me please.” You whine, squirming against her.

“I’m already touching you angel, you need to be more specific.”

“Between my legs, please.” You can’t articulate exactly what you want because you’re honestly not sure, you just want her to do whatever she wants with your pussy.

Her right hand movies to your inner thigh, fingers inching closer until she traces your labia, teasingly rubbing just beside your clit. You whine in frustration before taking her hand in yours and placing her fingers on your clit.

“Right here.” You sigh, closing your eyes in anticipation. She rubs slowly at first, almost agonizingly so before picking up the pace, rubbing quick circles over your bundle of nerves. The water begins to sway ever so slightly around you, her arm movements creating gentle waves. You nuzzle your forehead against her neck, soft moans falling just beneath her ear, spurring her on. Before you know it she’s dipping her index and middle fingers inside of you, thumb taking over rubbing your clit as she curls her fingers inside of you.

You’re losing all semblance of reality, only able to focus on her slender fingers pumping expertly into you, coaxing out desperate whimpers as your release draws closer and closer.

Your walls start to contract around her fingers, telling her you were teetering on the edge of release.

“That’s it sweetheart, let go.” She whispers, holding her pace steady until you cry out, a broken sob wracking your body as euphoria washes over you, the tension that had built up throughout the day finally releasing.

Emily slows her ministrations, helping you work through your orgasm before withdrawing her fingers from your pulsing cunt. She plants a kiss on your forehead once more, looking lovingly into your hazy eyes.

“So good for me, angel.” She praises, letting you recover for a moment. You plant kisses along her jawline, taking your hand in yours.

“Thank you.” You sigh, content to sit here with her until the end of time.

“I’m always happy to help you, no matter what.”

“I know, but you’re always so busy and I don’t want to add any stress, it’s not fair to you.” Guilt starts to creep in slightly as you realize you hadn’t asked how her day was when you got home.

“Baby, the team hasn’t had a case in 2 weeks, I’ve done nothing but paperwork all day. You are under a lot more stress than I am right now, and I know you’ll return the favor so don’t worry about it.” She reassured, squeezing your hand.

“Can I do that now? Return the favor, I mean.” You start to rise from the tub, reaching out your hand to help Emily up. She smiles at you, nodding approval as she steps out. The two of you quickly dry off, trailing into the bedroom.

“How do you want me?” She questions, okay with whatever position is most comfortable for you.

“Sit against the headboard and spread your legs, please.” You tell her, always polite even in your desires. She does just what you ask, giving you a full view of her gorgeous cunt. You climb on the bed with her, moving to lay on your stomach with your head between her legs. You look up at her longingly and she smiles down at you, lightly nodding to give you the go ahead.

You dive in, tongue lapping long flat stripes through her folds, desperate to taste as much of her as possible. You were hungry, savoring the delicious taste of her arousal as you dipped your tongue inside of her. Her hand found its way to your hair, fingers tangling in soft strands as she pulled you closer.

Your hand joined your mouth, fingers sliding into her to feel the warmth of her walls pulsing around them. Your tongue gave kitten licks to her clit, slowly increasing pressure and pace until you had her moaning and grinding her hips against you. You wrapped your lips around her bundle of nerves, sucking as you curled your fingers, knowing just how to take her over the edge. You needed to taste her cum, desperate for the sight of her milky white release on your fingers.

“Don’t stop baby, almost there!” She moaned, lightly tugging your hair as her grip locked.

You used your free hand to reach up and tweak her nipple, the added sensation delicious enough to finally give her the release you both were so desperate for. You gently licked her clit, helping her ride the wave until she relaxed, her cries of ecstasy turning to pants of relief. You removed your fingers, sucking them clean before pressing your tongue flat against her entrance to lap up the rest of her arousal.

“You are incredible.” Her words took a moment to register but the moment they did you could feel your heart swell, she was the incredible one. She made you feel more comfortable than anyone else in your life ever had, and you were so grateful for her.

“I love you.” You climbed up to lay beside her, pulling her in for a kiss. She returned the favor, her arms wrapping around your waist.

“I love you too sweet girl.”

You laid your head on her chest, her fingers toying with your hair until you drifted off to sleep.

——

tag list: @pleasantwitchgarden

DM me or send me an ask if you’d like to be added to my taglist :) I’ll be doing separate tag lists for specific characters as well so let me know if you’d like to be on my general or a specific one.

[kanmom51]

PJM2 is coming

MUSE

I literally cannot contain my excitiement.

Sitting her, at work may I say, putting these words on paper, so to speak, because f***ing hell, wtf JM?

Where to start?

The colour concepts? The choice of name? Choice of font (That JM popping to eye)? The flower? The links to TTU (notes sheet and flower)? The whole play with Closer than this? The dropped lyrics?

This man is a friggin genius (not that we didn't know this already)...

There is so much to talk about, and he hasn't even started with the promotions, and we haven't even seen the concept photos or the album and the songs. Name, colours, 2 lines of lyrics and we have our hands full already. They certainly know what they are doing.

Before I jump in, I want to, once again, state very loudly and clearly that everything written here are my opinions, which are based on what we've been handed so far, and could change the more we are shown.

So, let's get it...

JM fetching this from the purple locker (which we don't see are purple off the bat and only when the lights turn on). Notes for The Truth Untold.

His wittle thumb with his crescent moon.

The notes title : La lettra - The letter. Hmm... interesting.

And then this:

We have the flower:

and this that makes me believe that yes indeed, it is the silhouette of a Smeralso.

Some of this I am yet to see where is going. like the referencing of "the letter", The truth untold, the flower... (she says, all while thinking of the choice this Festa to stream LY Seoul final with said song and the changes that JM and JK chose to make to it)...

All that and more in one little short clip.

And then we have that little 'chat' opened up by BH, and those lyrics. Oh, those lyrics.

All references that indeed can be connected with army. I mean, that's what JM is king of.

All also a clear reference to a one Jeon Jungkook, if you are only willing to look and see.

Rain

Snow

Crying

We have this:

Which they have BOTH chose to bring up once again in 2023, JK happening to do so during JM's Face promos, not to mention the rain reference in SNTY (and of course, goes without saying Still with you, but that's back in 2020, while they have both managed to bring it up and reference it once again in 2023).

Remember this?

Oh, and what about this?

And then we have these:

Remember JM tearing up after winning MMA for BS&T ?

JM getting emotional and crying only followed by JK tearing up.

*If you haven't seen this one yet, go watch the full live.

And who can forget JK during MOTS ONE as well, seeing JM crying, distress clearly showing on his face, just waiting for the moment he can go and comfort JM.

If these are actual lyrics for a song to come or lyrics that were dropped, one thing we know, and that these words, these lines, they were written by JM, and he made a clear choice to share them with us.

And in doing so, sorry, I'm still not believing this all while sitting here gushing and knowing this was coming (no, I didn't know this specifically was coming, but the feeling that they were going big or going home, that I've had ever since July 2023... took some time and many tribulations, but we are getting there folks). Sidetracked as I always am, lol.

Back on track.... in doing so, JM is basically standing on a rooftop screaming at the top of his lungs:

Not 1, not 2, but 3 JK references in that little shared piece of lyrics clearly written by JM, for an album we are yet to see and hear.

Anyone, and I mean anyone that is a BTS army, that has seen original content, that has followed their Twitter account or seen older tweets, that are open and willing to see it, will KNOW that these lyrics are JAYKAY!!!!!

And let me backtrack a second here...

Cause I did mention that these references could be understood as if they are made for army, right?

So yeah. Army references or JK references? I am going to say both, leaning very much to the JK side of it. Cause that's how they do it. Time after time after time.

Let's mention the colour choices as well.

We have the background colours.

We have the yellow.

And then we have the album concepts.

2 concepts.

Blooming

and Serenade.

Which happens to be Yellow, same colour threaded through Serendipity.

And we even have purple thrown in there too.

Notice how all the lockers are painted purple. The colour of army you may say, but also JK's colour (so again, army and JK?).

And he's pulling out the music sheet from this purple locker.

Those lockers representing his inspiration for his music perhaps?

Giving us these lyrics, then telling us the album is called Muse (or telling us the name of the album and it's meaning and then dropping those lyrics, take your pick regarding the timing, cause basically, same same), showing us the music being extracted from those purple lockers... ya think his muse is that entity he's talking about in those lyrics perhaps (even more so if we see the references as both for army and JK)?

Rhetorical question, btw.

And then we have the mint green.

Perhaps this is what JM was talking about when he told us in his birthday live, if memory serves me right, about going to the starting point, or more so starting from the beginning trying to figure out himself as an artist?

Also, cannot help but think of this image here:

I cannot wait to see his concept photos, and where this is all going.

We talked about JK being so loud during 2023 (well, he's had his super loud moments before that, but 2023 and his lives were smoking). And JM, well it felt (and I say felt, cause it's not really true, and I'll explain why) was quieter, more subdued, especially during JK's Golden promotions.

But here's the thing.

JM and JK have their own special oh so different ways of being loud and showing us themselves (and it shows even more so seeing that JK, for whatever reasons he had for it, did not write his songs for Golden - not saying he did not have influence on the lyrics or choice of songs with lyrics he wanted). JK did it through his choices in his photo shoots and styling for his songs and album. He did it with his lives and his total fanboying over JM. And JM, he does it through his art, which includes also but not only his lyrics.

Those two are both loud as fuck. And JM, well if these sneak lyrics are a promo of more to come (which, they probably are seeing that we have Face to fall back on as an example), then he's as loud as a frigging foghorn.

And last but not least, before I go:

Lookie here...

D-31

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[max-nico]

Y'all I got more of my random Sonic headcanons 🗣️

Silver loves to doodle, Tails can always tell if he's stopped by his workshop because he doodles in the corner of his blue prints

Shadow can't stand sleeping on his back because he was in stasis for so long, plus it gives him sleep paralysis

Charmy is a thumb sucker💔

Vector's been trying to break the habit but nothing seems to be working

One time Silver gave Amy a recipe from the future, when he got back all of his cookbooks with similar recipes changed in some way. Could've been the cover, title, or the recipe itself

For some reason, the new recipe was even better than the old one

Shadow, as the ultimate lifeform, has 30/20 vision somehow

Blaze is at least part wildcat. Whether that's a panther, lion, puma, or something completely different I know it is within her

Everyone listens to Vanilla. Everyone. Even the other adults

Espio is constantly putting himself in needlessly dangerous situations to 'see if his body can take it'. Nobody likes that he does this

Tails hates being referred to as Sonic's baby/kid brother. If anything, he's a sidekick or a little brother and that's only because Sonic is taller than him, not because he's a kid

Surge and Wave get really competitive on hoverboards, but it's all in good fun (mostly)

Tails is incredibly smart and incredibly gullible, like I know he's fallen for "updog" at least once, and has fallen for the "someone wrote gullible on the ceiling" joke multiple times

You will hurt his feelings if you point this out

No one in team dark can cook, they tried to get lessons from Amy and Vanilla (both together and separately) they are banned from both kitchens now

Dw !! Vanilla is still willing to give them lessons, just only at one of their houses from now on :) (her kitchen will never recover)

If Sonic is passing through town and sees some particularly cool merch of his friends he'll stop to grab it, if he has time

If Sonic doesn't know where Tails is sometimes they have a little bit of a scavenger hunt, or maybe hide n go seek is the better term

Tails will periodically send pictures of where he is, dropping hints if he thinks they're necessary, and Sonic has to find them (Sonic doesn't know Tails invented this game so Sonic keeps his tracking skills sharp during down time)

I wouldn't be surprised if some of the other duos or trios adopted this game as well. I imagine specifically team dark would get carried away with this

One time some stranger held a phone up to Shadows face out of nowhere and asked him about his political views. Shadow smiled and said "whichever ones you don't agree with" and then teleported away

And that's all I have for now I think... It's been a while since I posted one of these, but it's still just as fun to write lol

Feel free to give me more headcanons in the reblogs or whatever, and my askbox is always open (⁠◕⁠ᴗ⁠◕⁠✿⁠)

[ihaveforgortoomany]

Reverse 1999 and the Nature of Tragedy: Analysis on how the tragic structure is used and potentially why (spoilers for Chapters 2,3 and 6 mainly)

Reverse 1999 loves tragic characters, we don't go any patch without suffering. Here Im going to explore how the tragic structure in literature is presented in the game through at least three main story chapters.

Tender is the Night (although I have covered aspects already in previous Chapter Two analysis)

Nouvelles et Textes pour Rien

E Lucevan le Stelle

What is Tragedy?

Tragedy is often described as a play dealing with tragic events and having an unhappy ending, especially one concerning the downfall of the main character (thank you Oxford Languages)

Yes this is common knowledge but the core to a tragic narrative is the inescapability on the tragic ending - the way I usually describe tragdies is like a cake no matter how you slice it, it is either too sweet or stale and never a perfect bite.

Tragedy in Tender is the Night

This will be short as I have analysis on the chapter in previous posts so here will be specific bits. Schneider here can be considered the tragic character as she ultimately gets taken by the storm, while I don't consider her to have a traditional tragic flaw the status as a human pretending to be a arcanist does doom her character. She is denied by the Foundation/ the Chicago Branch so attempts to find safety in the Manus by lying that she was adopted into the Greco family, however likely Manus had captured Mariam and after being tortured by them reveals Schneider's identity.

Throughout Chapter Two there is a moments of false hope that she might be saved, somehow surviving multiple bullets (I mean really she was shot so many times arcane healing must do wonders) . It is only the very end to we realise Schneider was never going to survive (gameplay does trick us as well since we can play as her in the boss fight of Ch.1 and for some reason still in the final tutorial stage which I only found out at lvl 40 when I wanted clear drops lol).

Tragedy in Chapter Three

A large part in tragedy is the helplessness the audience feels at being aware of all events yet unable to prevent events from happening. We get the perspective of Constantine setting up the conditions for the Breakaway attempt to occur on the day of the Storm, even making us watch chess board style how Vertin and her friends are lured into a trap. Tragic characters do not need to experience a literal death, as Vertin could be considered the tragic heroine here, her hubris being the hope and desire for the outside world that led her to attempt to leave SPDM. Ofc she doesn't die but her actions result in the reversal of her friends and cementing her role as the Timekeeper.

The point of no return could be seen in the children choosing to escape on an earlier date, unable to see the scheming and manipulation of Constantine to create loopholes the children view as opportunities to escape rather than a trap.

Tragedy in Chapter Six

This is a big one as operas and plays tend to be tragedies themselves. Isokania is a tragic relationship as both Isolde and Kakania regardless if they lived each other were doomed from the start: being an unethical doctor and patient relationship, Kakania not being a licensed doctor therefore completely misjudging her patient's wellbeing, Isolde's own mental instability, dangers of her arcane powers, the history of her family ... the list goes on. Even if they ended up together they would not truly be happy.

Isolde is a tragic character, other than being a reference to Tosca, she is doomed by the nature of the arcane power and the nature of her family. A family own for misfortune as a result of their arcane skills (her sister dying at age 3 to a seance) + the social pressures of being an upper class woman in the 1910s.

Book six having a reference to 'A Streetcar named Desire?'

So we already know Book Six reference multiple tragic operas such as Tosca but I want to suggest the final chapter in this patch potential makes reference to a 1940s tragic play called "A Streetcar Named Desire".

(This is a stretch since Tennesse Williams published the play in the 1940s not the 1910s)

So. In this scene Kakania attempts to interrogate Isolde on the nature of The Salvation, to confront the fact that she was the co-creator to the painting, the fire was caused by Theophil who hoped to end both his and his sister's suffering but was shot by Isolde instead.

It is notable that Isolde repeatedly asks for the lights in the room to be turned down, refusing to look at the truth in the painting. While we could just view this standalone I think we could make a guess or suggestion that this scene is meant to reference another tragedy.

(Maybe there is an older tragic play that employs a similar scene but Ive only studied this one, someone can tell me in comments)

A Streetcar Named Desire sees a fading Southern Belle Blanche Dubois move into New Orleans with her sister Stella and her husband Stanley effectively as a last resort, her past is filled with "leaky roofs" and instability with sleeping with men to survive, alongside the destruction of the Old South leads to her to seek refuge with her only surviving family.

She almost finds salvation here, finding love in an ordinary man named Mitch. However this is a tragedy. Late into the play Stanley, Stella's husband confronts Blanche on her lies about her past, putting a light to her deception in order to reinforce is own authority over the house. Eventually succeeding in sending Blanche to a mental hostpital (Im summarising a play, I may miss other details and this is long)

And what about Isolde? Like Blanche she is forced to confront the truth she had tried to repress in her memory, remember in a previous seesion with Kakania the detail that she shot Theophil with intent (again who allowed her a gun and who taught her? I guess she can channel the spirit of a sharpshooter?) is omitted, similar to how Blanche in the play distorts the truth with lie, the "what SHOULD be true" could be viewed as Isolde making the world her stage, everything as a performance that never ends.

The idea of having to confront the truth of events being forced into the light is similar to Blanche's reoccurring motif of bring adverse to strong light, revealing all her flaws. However the person forcing them to see the truth is different, where Kakania acts out of a determination to right her wrongs and find the Storm Immunity Ritual to save everyone, Stanley (similar to Mr Karl) acts out of self preservation and malice.

Here's the big one: why does Reverse 1999 employ so much tragedy?

Tragedies are usually employed as a message to the audience, a commentary on the state of the world about people/ individual facing the impossible force of society, its expections and its demand for conformity.

There can be many answers, we still have more chapters to explore the narratives of this game but so far it seems Reverse 1999 wants to tell a story about overcoming adversity, to not be defined by others or your past, to "beat onboard boats against the current" (see what I did there?) even if the odds are surmountable. It is a struggle for both the truth and the future even if the odds are against you.

(This is giant speculation, nothing concrete but yeah feed the brainrot)

(We could analyse each 'focus character' of each patch because I think they generally follow this theme but that's alot, the game is still updating and i have uni soon so)

[nattikay]

Avatar but with Na'vi captions/subtitles Na'vi → English and English → Na'vi

Detailed notes under cut!

[edit] Correcting a few slips and typos:

Rolo'a nìtxan tsaw tsaw should be tsakem because the thing he's referring to is an action

fko a ralpeng tìkanti Eywayä fko should be 'awpo

Fmoli kivar ayoe sawtuteti alahe Sawtuteti should be sawtuteru; the sky people were the students, not the lesson 😅 this one was a particularly dumb slip on my part and I'm not sure how I missed it, hìtxoa ma eylan, krro krro lu oe skxawng 🙃

For peng san Toruk Makto syaw foru Foru should be ayngaru; I got caught up in the original English "calls to them" and forgot that I set it up in Na'vi as a direct quote so it should be "calls to you" 🙃 gosh i miss kelutral emojis these regular ones just aren't the same i need Derp ;w;

Corrections complete, now back to the original notes:

I have been wanting to do something like this for a while. I initially planned to do more scenes, but was having trouble finding the clips (unfortunately I don't have a full editable copy of A1 like I do with A2...that said, if anyone knows where i might source such a thing...let me know >_>)

At first I planned to add only captions (plus accurate subtitles, because as you can see the official ones can be a bit ehhhh lol) for the actual spoken Na'vi, but then halfway through editing I was like "lol y'know what'd be funny, if I also translated all the English dialogue into Na'vi". so i did ¯\_(ツ)_/¯

That said, on to the more specific notes:

Na'vi → English

First a disclaimer that any "corrections" are made for nerdy/educational purposes, not to say "haha look at these dumb actors who can't speak right". Memorizing lines in a foreign language is hard, and I'm sure delivering those lines while acting is even harder! It makes sense that there'll be mispronunciations, accidentally dropped words, smoothing over tìftang, etc. Plus, practically speaking, the number of people in the general audience who know or care whether the Na'vi is mispronounced is....................extremely small, so ^^; yeah.

Unfortunately for me I am part of that extremely small number, so as someone who studies and teaches this language as a hobby, I still felt obligated to make a note of some of the more glaring errors, hence the "actor transcription" slot that sometimes appears, which is there to contrast the intended line with what the actor actually said if and when they're different.

Learners, please note that just because I didn't include an actor transcription doesn't necessarily mean the line was pronounced perfectly—there are a lot of small vowel slips etc. that I didn't bother to "correct" because I felt it was still understandable even if it's technically inaccurate (mixing up a/ä is a common one for instance, as is mixing up i/ì/e), and catching all of them would've taken far more time ^^; That said, admittedly which ones counted as "I should note this" and which ones were "I'll let that slide" was a bit played by ear but w/e, hopefully it is still useful or at least interesting ¯\_(ツ)_/¯

i apologize to Mo'at for adding extra ???? to one of her transcribed lines, I was tired when I made that panel lol

English → Na'vi

Making the Na'vi → English section is fairly straightforward, as I didn't really have to do any of the translating—all the canon lines are freely available online and have been for years. I just had to edit them into the video. For the English → Na'vi section, however, I had to do the translating myself—and therefore feel the need to go through it a little more line-by-line, to justify some of my decisions hrh.

It's nice to meet you, sir → Lu sìltsan fwa ultxarun ngengati Two things about this line: one, I was a little stuck on whether I should use ultxa si (to meet intentionally) or ultxarun (to meet by chance/to encounter). I ended up going with ultxarun because ultxa si made it sound to me more like this meeting had been arranged, which of course it hadn't. Jake may not have "encountered" Eytukan in the sense of stumbling across him in the woods, but he certainly didn't set out with the intention to meet him; the chance circumstances just kinda brought him here.

Two, Na'vi (as far as we currently know) doesn't really have separate honorifics like "sir" or "ma'am". What it does have, though, is formal first- and second-person pronouns, so I used the formal ngenga instead of the casual nga to indicate the (attempted) respectful attitude of "sir".

three, i so wanted to bop Jake on the head while editing this lol, buddy your skxawng is showing

one who interprets the will of Eywa → fko a ralpeng tìkanit Eywayä Initially I was going to translate "will" as tìnew (want/desire), but then changed it to tìkan (aim/purpose/goal/intention). Tìnew sounded more to me like Eywa is discreetly requesting specific actions which the tsahìk must interpret and answer to, while tìkan sounded more like Eywa is just doing her Eywa thing and the tsahìk is simply interpreting what that means, which felt more accurate to me.

What are you called? → Pefya fko syaw ngaru? No need to justify this one, it's pretty straightforward lol—I just think it's fun that she worded it that way in English, because "how does one call to you?" is the standard way of asking someone's identity in Na'vi!

It is hard to fill a cup which is already full → Lu ngäzìk fwa teya si tsngalur a lu teya mi again no justifying really needed, I was just kinda proud of this line because I made it rhyme lol

Jarhead clan → olo' alu Sähena-re'o Na'vi doesn't typically describe nouns with other nouns like that (sähena-re'o), but I felt like it worked for Jake's spitballing. plus Eytukan's about to drop the term "uniltìranyu-tsamsiyu" in the next few lines anyways so i think i can get a pass lol

For my people → Suteri oeyä Ok, for such a short little line this one definitely had me conflicted. If I were to translate the full line "I was afraid for my people", I would say suteri oeyä oe txopu soli (lit. "concerning my people, I was afraid"). In the forest dialect the topical is always supposed to come at the beginning of the sentence. However, that's not how Neytiri delivers the line, and I wanted to keep it consistent with her delivery. In the end I decided that fudging the "topical must come first" rule here was ok here because she is essentially saying "I was afraid", realizing that Jake might not understand what she meant, then doubling back to clarify "for my people".

I considered using fpi ("for the sake of/for the benefit of") instead of the topical, but that felt off, as if Neytiri being afraid somehow benefitted the clan.

I also considered using Na'vi instead of sute—I'd have to drop the oeyä for this because "my the People" sounds silly, but "I was afraid for the People" as in the Na'vi as a whole would make sense here. However, a standalone "Na'viri" just didn't look right to me, and while fpi Na'vi/Na'vifpi" looked a little better, I'd already decided that fpi wasn't quite what I wanted.

So, in the end I stuck with suteri oeyä concerning my people.

Jake's and Tsu'tey's speech

This one gets its own little section because it was an interesting case; I'm basically redoing Tsu'tey's job. Now, if you take the entirety of Jake's speech and line it up with the entirety of Tsu'tey's translation, it's pretty good; they do basically say the same thing (I suspect this is actually what happened lol, that KP was given the full speech and asked to translate it and said "yeah ok" and wrote Tsu'tey's version).

As you can see, though, when you go through it line-by-line the way it's delivered in the movie, it's....not always quite accurate lol. So I made a version that was a more literal to Jake's speech line-by-line.

On that note, I've noticed that KP tends to really prefer the shortened versions of case endings ("for" vs "foru" etc.) I like them sometimes ("oey" and "ngey" have really been growing on me lately lol), but as a personal style preference I wouldn't have used them in all the same places he does (this is 100% a personal preference thing that will vary between speakers, neither is more or less "correct"). That said, if and when one of the lines I translated wound up being very similar to what Tsu'tey already said, out of respect for the original I went ahead and kept the same shortened endings, as well as matching the word order.

You ride out as fast as the wind can carry you → Kämakto nìwin nìfya'o a win nìftxan na hufwe atusul Literally, "ride out in a manner as fast as the running wind".

Ngl I actually VASTLY prefer Tsu'tey's version of this one lol. "May the wind propel you" is a lovely "meaning-not-words" interpretation and I like it a lot. However, for comparisons' sake I wanted to do one that was closer to Jake's original line. That said, I'm not surprised they went with a less literal translation for this line because "as fast as the wind can carry you" is actually really hard to pull off grammatically in Na'vi. It'd have to be like "as fast as the wind's ability which is to carry you" or smth, which just sounded clunky imo. So I decided that "as fast as the running wind" was a good middle ground. Not as clean or poetic as Tsu'tey's interpretation, but techincally closer to Jake's original line without being too clunky.

peng san I'm not sure if the quotation opener is strictly necessary here but it felt more cohesive to have it in my personal opinion, so I added it to mine but didn't mark it as a mistake in Tsu'tey's.

//

and uhhhhh that's it I think. Perhaps one day I will make a part 2 if I get access to more scenes. I also already have an English → Na'vi translation of an A2 scene that I'm gonna make into a subtitled video one of these days. I'd love to do a Na'vi → English for A2 as well, but unfortunately we don't currently have a complete list of the Na'vi lines for A2 like we do for A1, and as you have seen here actor delivery can make it very hard to translate by ear, even for experienced learners. Maybe someday...

[loudclan-clangen]

Fierce x Silt would be an ABSOLUTE POWER COUPLE and you are welcome to ship them all you want (as always) but in cannon Fiercestripe would never, even for a moment, consider taking another mate. If Wildfirecry dies before her she will wait that shit out cause she's not single, her husband is just in starclan. I honestly think that even without Wildfirecry in the picture she's just too much of a caretaker/mom friend to ever be in a relationship with someone younger than her. Fiercestripe needs her mate to be the one person in her life that she is not worried about if that makes sense? She'll help find Silt a nice new boyfriend who is not 48 moons older than her and they can be crochety grandparents in the elder's den together.

No. <3

Thank you! And do not be sorry because YES! You're so right! She's seeing herself in the stars and so she doesn't look any farther into it but it's just an image she's projecting, not something someone is showing her. She also doesn't put any thought into the fact that in order to walk amongst the stars she would have to pass away so, she's literally seeing a future where she dies due to her own inflated self image and it just inflates her self image more. It's a self fulfilling prophecy and it makes me love her and her story so much!

It was not intentional as I haven't watched centaurworld, but upon listening to it I see what you mean! It definitely fits in with what I was trying to reference, which are those kinda ominous lullabies (hush a bye baby was the specific one that came to mind while drawing), but to be honest with you it's a relatively minor detail in the overall comic. What the character is saying is a lot less important than what the character is about to do so i didn't put a ton of thought into it.

Thank you! I am also shocked by how little time has passed in story like what do you mean we aren't even at two years yet? Eklutna wasn't even here for a moon? How is that possible?! I know that Moon 21 brought and is still bringing a LOT of people to the blog and I am so grateful for that! Loudclan gained like 200 followers over my break and that's AWESOME but also a little bit terrifying tbh. Don't worry I also got attached to Mothtree and I was like lying in bed thinking about the fact that she dies for like three whole months while I and everyone else drew cute art of her.

Thank you! I'm so happy to be at a point where I'm happy with my art and my process and that has a lot to do with all the support I've gotten from you guys! You're an awesome community who has encouraged my growth at every opportunity and I couldn't be luckier! All that said I hope you get to enjoy a minor version of the same process all over again as I get back in the routine of drawing cats again after my break lol.

I mean... they are kinda yellow... could that mean... PACKMAN IS THE BABYDADDY?!?!?!

I did really enjoy my break! I got to go to Greece and Germany with some of my best friends and then I came home and cracked down on school work (which wasn't necessarily fun, but feels good to be done with), and now I am rested and relaxed and ready to get back into it!

Thank you! I try to put a lot of thought into them! Things like that are generally the first thing that I envision when I'm formulating a comic page and then I build the rest of it around that original idea which I hope helps to make the pages more dynamic and less repetitive.

Thank you, I can't wait to finally drop Part 2! Only 5 more days!

[sphnyspinspin]

OMG, I’VE BEEN WANTING TO SHARE THIS AU FOR A MINUTE—

Meet my Magnificence Reforged AU Connie!

Though Scorponok only ever referred to her as Experiment: A9-2416 (usually in Decepticon dialect).

Her story is that Scorponok created her as an experiment to see what would happen if an organic was able to produce a set of chemicals that are deemed somewhat powerful, yet common, by organic standards but emphasized to a certain degree with the help of Cybertronian technology. Entirely inspired by the mere Earth-Human conceptual myth known as the—

Indomitable Human Spirit.

What Scorponok was able to take away from eight years of properly caring for the experiment is that these chemicals that fuel basic organic functioning can be utilized exponentially to a degree where a full grown one of these things could even rival some of Cybertron’s strongest warriors. Maybe even the galaxy’s toughest warriors wouldn’t be able to stand a chance.

It became labeled as Adrenalineregon.

(dope naming skills I know)

It turned out to be some crazy-powerful stuff once injected into a strong enough specimen.

Now why would Scorponok need to make something like this? Power? Recognition? Fun? All of the above honestly. But it’s also because in this Alternate Universe the Decepticons won the war for Cybertron, and Megatron has already built his perfect Decepticon Army to conquer the rest of the known universe, and he and the Grand Architect thought their Army of Tarn clones needed a little more pep-in-their-step.

You heard me. TARN. CLONE. ARMY.

(this isn’t a specifically cyberverse based timeline I just took the tarn army as inspo)

But what they didn’t expect was for the Tarn clones to go insane and turn on each other when being on mere drops of Adrenalineregon. Resulting in a mass extinction of Tarn Clones, with too many bodies to count, therefore being dropped on top of Scorpnok’s planet sized lab to remind him of the consequences of his actions.

EX: A9-2416 was, at the time, forever curious about the outside world, since she’s never been above the expansive laboratory planet’s surface. It always felt as if some unseen beings were trying to lead her to her escape every day since as long as she can remember. Small sign after small sign, guiding her to even bigger signs that kept getting her closer and closer to the way out. Of course, Scorponok always stopped her from getting too close.

A9-2416 always hated the amount of gruesome tests she had to do afterwards as punishment for misbehaving.

Until on her ninth birthday, A9-2416 finally made it to the exit, and Scorponok got exceptionally pissed off so much that in self-defense A9-2416 grabbed the nearest cannon she knew how to operate and blasted it through his spark. She cried a lot that day.

BUT HEY! Her life didn’t stay too depressing for long, because soon after she committed her very first act of murder, she became good buddies with the little voices in the walls that have been apparently guiding her throughout her life!

THE LOSTBOT BOTBOTS!!

(lol I’m nowhere near finished with every Lost Bot design, I just wanted to finish these couple few and make this post for the AU)

MEET THE LOST BOTS CLAN OF THE BOTBOTS!

They’ve been trapped on Scorponok’s Lab-planet-tory (im so funny) for decades along with the other Botbots who remained in hiding. But this clan was the only one brave enough to get anywhere near Scorponok’s main stomping grounds. What they didn’t expect to find was some weird sentient purple meat-potato in a makeshift industrial cradle. Turns out it was just a baby. And that baby turned out to be A9-2416. Who soon became known as Connie.

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After A9-2416 escaped the inner dwellings of the lab and joined the Lost Bots on their little side quests up on the surface, she later changed her name to Constance, hence her more well-known nickname being Connie. The name change was suggested by her Botbot friends who knew a bit about Earth human culture and used their knowledge to help Connie have the most happy and carefree life that she could ask for.

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Also the TEG Lost Light crew is there because I’m still obsessed with that fic 👍✨

@deepfriedhopesanddreams @viewer-of-many @celestite-caroline @asmoteeth @novafire-is-thinking @dragonsgirl572 @autistic-fool-with-ideas @mysticfoxdesigns @hyp3rfixation-h3ll

[softseaside]

After finally introducing Ni'onthe's crew one by one, let me finally formally introduce you to Blauauge (=“blue eye”) who's giving me brainrot for over a year now💙⚓

Blauauge is a tiefling barbarian and the third mate of the Soft Seaside, the ship that Ni'onthe sailed with for two years prior to the main campaign. I created him and the whole crew way back in 2021 when I wrote Ni’onthe’s backstory (more about Ni'onthe's crew here).

I’ve always planned for him to be my back-up character, should she ever die (that hopefully never happens lol). For now, he is a NPC in my mini-campaign called "Stille und Sturm" (which is just my modified self-indulgent version of "Dragons of Stormwreck Isle"). There, the party travels with the Ni'onthe's crew to solve problems on her home island

He seems like an angry, tough guy on the outside who gets irritated very quickly and often fights in taverns, but on the inside, he is a really insecure and overcompensates a lot. He's just a good and soft boy who genuinely cares about his loved ones but has problems showing and receiving affection 👀 (A lot of my fave characters are angry tsundere b*tch boys who are actually super soft and insecure and he is no exception, he is a big tsundere 💙) He is extremely loyal towards his captain and crew and takes his duties very seriously. He and Ni’onthe were really good friends.

(old art from 2021)

Blauauge likes drinking and fishing, he swears a lot and is liked by animals. He hates nobility and rich people. He believes that a good brawl is the best way to get to know a new city and become closer with someone. His choice of weapons are his fists and an anchor.

His name “Blauauge” which translates to “blue eye” is a german pun because he often has a black eye because of all the tavern brawls (black eye also translates into “blue eye” in german). But it's also a reference to his very bright blue eyes.

Sailor tattoos with actual meaning:

dagger with a rose (loyality and willing to fight everything, even something as sweet as a rose

“HOLD FAST” (for a good grip for rigging)

compass rose (always finding your way home)

Other tattoos:

waves

his crew’s slogan and flag

anchor (his character themes are anchors and storms)

I...eeeeeeeeh...like him a total normal amount so stay tuned for LOOOTS of art of him 💙

Old designs, some backstory lore drop and context for his role as NPC under the cut

(I changed his design quite a lot so please keep in mind when I post some of my older art! Also, I still have a lot to learn about drawing trans anatomy so if you see anything depicted wrong in my newer art, please dm me so I can learn!)

Old Design and Concept

As a big ass Fire Emblem Fan, I really liked the idea of a duo of two color-coded ship officers who are the complete opposite of each other, just like the iconic red-green knight-duos in FE.

Since sailors in media often have unique nicknames that are related to them, I also wanted to give them funny names that are very similar to each other to to immediately tell that they belong together. And that's how Blauauge (german for "blue eye") and Rotauge (german for "red eye") came to be!

Rotauge and Blauauge are complete opposites but get along very well…veeeeeery well 👀 Rotauge is a safe space for Blauauge where he can calm down and Rotauge likes Blauauge's company a lot.

Blauauge's design changed quite a bit since 2024 (2021, 2023, early 2024)

I still like the old design a lot, especially I already received so much art for it already and the yellow top scars were kinda iconic LMAO But I always felt like his old design didn’t show off his sailor background enough.

FUN FACT: “Blauauge” is the german term for blue-eyes, a specific kind of fishes with very bright blue eyes! I didn’t know about them when I created him, so after finishing his design, I was REALLY surprised to learn about them and coincidentally used a similar color palette sdlfkjsdlfkj

Backstory

Blauauge was born and raised on the streets of Neverwinter until Captain Sheryl took him to SoftSeaside at the age of 10. Sheryl noticed him because of his striking blue eyes and his defiant nature. When they met, he had a black eye (in german = blue eye) and gave him the nickname "Blauauge" ("blue eye" in german), which he eventually chose as his own when he transitioned. On the ship he learned to read, write and live the life of the sea. Before she took him in, he barely spoke and tried to survive by making a living by participating in underground fights. As a tiefling, he experienced a lot of racism (especially by nobility and rich people) when he was younger and even though, society changed a lot since the scars still remain. He's also feeling very disconnected to his heritage since he didn't have any contact with other tieflings. (because in this household we project our trauma on our OCs ✨)

Blauauge has been sailing on the ship for 16 years since he was 10 years old and with passing years, more people joined the crew permanently. He will never admit it but he loves them all very dearly and would do anything to protect them. Blauauge became the third mate of the ship, a role he holds with a lot of pride and he takes his duties very seriously. (While he was trying to survive on the streets, he really didn't have the headspace to think about gender (lmao) but after being adopted, he finally had a safe space to figure stuff out and his crew was really supportive during his transition for which he is extremely thankful for.)

And then, one day, a optimistic fish-looking goofball called Ni'onthe joined the crew, hehe ✨ In the beginning, he found her pretty annoying but her positive personality was really refreshing and he saw a lot of similarities (blue and yellow, trans, athelete, soft and caring) Since he is four years older than her, Ni'onthe kinda became a little sister for them. He and Ni’onthe were really good friends and was protective other her, taking her out for meals, showing her how to sail and checking on her (she really missed her parents in the beginning).

And even though, they had a lot of fun and a great time, Ni'onthe decided to leave to gain more experience and awaken her Ki. Blauauge was ✨ distraught ✨ by that and he really misses her a lot. This really got him thinking and since then, even though he loves his crew, he craves for adventures and wonders if he isn't missing something if he stays on the ship…But he is also scared to leave his loved ones behind, scared that he will not return or worse…to return and realize that he doesn't belong anymore.

Right now, he is an NPC in the mini-campaign that I'm dming right now (It's a modified self-indulgent OC version of StormWreck Isle, lol).

Quick campaign summary

As for now, during my campaign, while the party is solving the problems on the island, Blauauge does through his own fucking character arc while helping out in the village. Loyalty towards his crew and fear of leaving his home vs. the call for adventures and being very jealous that the party is fighting some monsters LMAO

However, Blauauge is currently being falsely accused of theft and banned from the temple because the party's rogue Nería (played by @/allbutnotthis) broke into the room of the grand master of the Order of Eldath to find a item. However, she got caught by Blauauge before she was able to lock the door. She gatekept, gaslighted, girlbossed her way out of this situation by using his weaknesses (aka his loyalty and softness towards his crew) against him. Blauauge believed her and promised to not snitch on her because she helped to save the ship from sinking earlier in the campaign. However, because Nería is such a good liar and Blauauge is a really bad liar, the grand master believes that Blauauge attempted to steal something and banned him from the temple temporarely until he is proven innocent or proves that he is trustworthy after all.

Let's see how this turns out LMAO

[aihoshiino]

chapter 144 thoughts!

I don't think any other chapter of Oshi no Ko has ever baffled and confounded me quite like this one. Viewed solely in isolation this is a perfectly fine, functional chapter but as the followup to 143 and everything it contained, I actually feel like I'm losing my mind a bit. 143 might as well not have happened for all the weight it's given in this chapter. Ruby is not remotely acting like a girl who just tongued her crush of 18 years and in general, the total absence of any reference or cushioning of the shock of that event is just so loud and so jarring and so completely out of touch with how OnK has handled romantic developments in the past.

Both AquAka kisses had at least a scene or two in the chapter immediately following of characters reacting to and reflecting on both the event itself and the status quo change it represents in the relationship. Even 124 has that scene of Ruby clinging onto Aqua to let the viewer know what the new dynamic between them is going to be from now on. This chapter has nothing of the sort; I wasn't kidding when it says it feels like the kiss never even happened. The only thing I can point to is Ruby's little "we have sensei at home" exchange with Tsukuyomi but that's… kind of just exactly what she would've said even before the kiss. So if it has resulted in absolutely no change to their dynamic that we can see thus far, what was the point in ending the chapter on that note?

The part of me that is cynical and jaded can't help but suspect that this is intentionally hot button reaction bait paced specifically for the purposes of keeping OnK a trendy topic in the lead up to season 2 of the anime airing, But Who's To Say, Really.

I also had my worries about this last chapter, but unless we skip back in time to address it, it really looks like we've skipped over the remainder of the KamiAi romance and everything to do with the early stages of Ai's pregnancy. This is incredibly frustrating to me - they're parts of Ai's story I had been incredibly curious about and was excited to see her thoughts and feelings on, even filtered through fiction. In general, the way the Movie Arc has been increasingly dropping its focus on actually conveying Ai's story has been a real sore point for me. I fully acknowledge this rankles me more than perhaps it should because I am so deeply invested in Ai above any other character but… fuck, man! Once again, remember when this was supposed to be an arc about her? About her inner life, her pain and struggles and Aqua and Ruby working to a better understanding of her? I was excited for the Movie Arc specifically because I thought we were going to get peeks at parts of Ai's life we weren't privy to beforehand, but at this point it almost feels like Akasaka has just lost interest in following through.

Not only that but… uh, where's that KamiAi breakup scene, Akasaka? The one we were promised during the script reading? That huge I CAN'T LOVE YOU elephant that's been patiently sitting in the room? I can only assume that the 15YL version of this breakup happens after the twins are born or maybe even when Kamiki visited Ai at the hospital the night the kids were born but. What the fuck is even going on here anymore lol. The Oshi no Brainrot discord has been kicking around a joke theory that we were seeing the events of the Movie Arc out of their actual chronological order and it is becoming increasingly less of a joke in my brain because I can't make any sense of its progression otherwise.

oh my god i'm almost 1000 words in and i haven't started talking about the actual point of this chapter yet. god help me.

Anyway, MY SON IS HERE LET'S GO MELT!!!!!!

Ngl, I've always been a little disappointed that we didn't see much more of Melt in this arc, both just because I like him and because I think there's some really interesting potential in drawing on the parallels between Melt and Kamiki. I'm not the first to point out that Melt's experience with a dubiously consensual sexual encounter at the hands of an upperclassman - when he wasn't that much older than Hikaru was when Airi began abusing him - echoes at least in spirit Kamiki's experiences as a CSA victim; both were young boys, noted to be pretty and desirable, who were taken advantage of by older female figures. I think it would be extremely interesting and a great character moment for Melt to have some degree of engagement with that material and maybe to have some thoughts about it. It feels like a little bit of a missed opportunity to pass up on that, but I also acknowledge that Melt is ultimately not a huge mover and shaker in the overall story and I don't know how that would've fit into the Movie Arc as it stands, so I'll just have to make eyes at the AO3 tag and hope someone writes a fic about it.

Anyway as a lot of people predicted… here's Ruby being a jackass to Melt about his performance!!! Joking aside, I will admit it's a little jarring to see Ruby being so hostile to Melt over this…? Gorou is a sore spot for her, obviously and she would undoubtedly have high standards for his role in the movie. In addition, Ruby being snitty with people who rub her the wrong way definitely isn't new for her, but it still feels kind of odd both coming off her own struggles to connect with Ai through acting and her little "holy shit other people have feelings" breakthrough in the wake of the RBKN fight for her to be like this about it. I do think this is mostly just supposed to be just goofs and I'm overthinking it, it was just one of those things that kind of gave me pause as I was reading.

ruby's little little princess shirt is really good though, as is her referring to herself as a fan of the 'original work'. both of those got a solid sensible chuckle out of me.

Another thing that gave me pause for a very different reason was Melt and Ruby's exchange about his little merch pin. First and foremost, I think this is a really good Melt moment; while we saw him busting his ass to improve his acting in Tokyo Blade, that was very much when he had something to prove. Here, he really does seem to be going above and beyond for what is basically a bit part purely out of a desire to improve his craft and a passion for acting overall. It's nice to see the story double down in this being a lesson he did properly take away from Sweet Today and that he has committed to acting upon it (no pun intended) in the long term, not just when under outside pressure to do so.

The other thing that jumped out to me about this exchange is that… technically speaking, both Ruby and Melt are wrong, here? It's a very nice, flowery description of Gorou and it certainly lines up with his more positive traits but the idea of him not wearing his Ai merch in front of Ai herself is actually incorrect. Gorou is depicted (in the anime, anyway) as openly wearing the charm at what's implied to be all times, even in front of Ai herself. The manga also implies by way of where the charm is on his person when Ruby finds his body that this is also the case in that version of events, too. I don't think it's a retcon and may be an unimportant detail in the grand scheme of things but it did pique my interest.

There's a few ways to take this, I think; a more positive spin is that this is in line with what the story wants us to take away from 15 Year Lie as a production, where the literal granular facts of its events are sometimes less important than and can be bent in favour of supporting the emotional narrative it wants to convey. Melt may not literally be correct here, but he at least achieves the spirit of the right answer in his efforts. "Lies are love", after all.

However, given that Ruby enthusiastically endorses this interpretation - and is thus wrong alongside Melt - this could potentially be an indication of there being cracks in Ruby's rose-tinted view of Gorou. This strikes me as a fascinating idea and one I hope the series plays with; it would follow quite naturally from last chapter's framing of Gorou as Ruby's 'idol' that she's 'gachikoi' for. Oshi no Ko has pretty consistently portrayed the idol/fan relationship as inherently unequal, even when approached with the best of intentions and to truly know someone, you must let them off their pedestal first. She has sort of begun this process with Ai, just through empathizing with her during the 15YL production but we have yet to see anything similar happen with Gorou - if anything, we see the opposite here, where she asserts herself as the authority on Gorou's character as if she has the final say on who he was and what he felt and thought.

But the thing is, how well can Ruby really say that she knew him? They were only in each others' lives for a few months and in that time, she was only exposed to a very narrow slice of his life and his personality. Hell, you could even argue that Akane knows more about Gorou than Ruby does, given that we have no indication that Ruby or Sarina was ever privy to the details of his birth and his home life. Again, it's entirely possible that I'm reading too much into this, but now the idea is in my brain I'm simmering on it a bit. If nothing else, I hope the series takes the time to prod and poke at this angle, especially now it has made the fan/idol aspect of this dynamic explicit and textual.

Ruby and Melt's little senpai/kouhai dynamic has the potential to be really cute and I do hope the series actually spends some time on it. I've always thought a RBML friendship could be really fun to watch play out and seeing Melt gain some confidence in himself by teaching someone else could be really great. But with how unfocused the Movie Arc has been, it's really hard to get my hopes up that we'll be sticking with this even past this chapter lol

oh hey there crow girl we thought you were dead

Surprisingly, I don't have a lot to really say about her little lore drop here, since it's mostly mystery boxing and implications and, man. It's been 69 (nice) chapters since she first started showing up ominously muttering about supernatural things and while I don't mind her presence and I think she's evolved into a fun character, it's a little hard for me to get interested in these little supernatural tidbits until they resolve into something that feels meaningful for the characters.

This isn't helped by the fact that we don't really know what kami means in the context she uses it here. While 'god' and 'gods' are not strictly incorrect as translations, I think an English speaking viewer is primed to think of Abrahamic, capital G-Gods, which isn't necessarily correct. The term kami is a catchall that covers all manner of things from divinities to venerated earthbound humans, so kami can perhaps best be understood as being an umbrella term for something like 'an otherworldly being', which I think better lines up with Tsukuyomi's assertion that those who have memories of past lives are like kami in of themselves.

Ultimately though until we know what kami really means and amounts to in Oshi no Ko, it's hard to say what this means for the characters and I am ultimately only really interested in the characters. So until we know what this actually amounts to in-story, I'm just kind of nodding long with whatever Crow Girl says because sure. This might as well happen.

can we talk about how fucking funny her anime antagonist jump out of the tree was, by the way

break next week, or so i've heard... one of these days, we'll beat the allegations....

[danketsuround]

First name basis - regarding Kuwana's one-sided relationship with Mitsuru through a cultural and linguistic lens

I haven't seen anyone else point this out so I wanted to mention it because I think it provides some insight to Kuwana and Mitsuru's relationship to each other despite them never having the opportunity to interact in game.

Has anyone else noticed that Kuwana refers to all of his former students by their last names? (Yui) Mamiya, (Yasushi) Akaike, (Shinya) Kawai, (Yoko) Sawa - then, Mitsuru (Kusumoto).

It could be argued that Kuwana refers to Mitsuru by his first name in order for players to be able to immediately distinguish between "Kusumoto" (Reiko) and "Kusumoto" (Mitsuru), but I also read it as how Kitakata unintentionally ostracized Mitsuru from his peers: how, in turn, Kuwana treats Mitsuru more preciously than others.

Tellingly, Kuwana refers to Mamiya and Sawa with the -kun honorific. Most people who have a rudimentary understanding of Japanese know that -kun is often used for young(er) boys. However, using -kun for adult women is more of a formality. In Sawa's case, I believe -kun is used for her out of mutual respect. -kun can also be used by male teachers to refer to their female students.

Despite never seeing Kitakata interact with any of his students in the past, we can infer from the above information that his way of addressing his former students, at least, has not changed.

Kuwana does not refer to Kawai with any honorifics because he is dead and they clearly do not have a close relationship. He uses -san with Akaike or none at all.

However, Kuwana also occasionally uses -kun with Mitsuru - not out of formality like Mamiya, or respect like Sawa, but rather, because Kuwana still views Mitsuru-kun as a child, or the schoolboy he knew long ago.

**** It's worth noting that Kuwana sometimes does not use honorifics with Mitsuru at all. Similar to Akaike, this is more closely related to how Kuwana used to be his teacher (you may drop honorifics of those who are socially inferior, like teachers with students) and not how Reiko NEVER uses honorifics with Mitsuru because they are family members.

To me, this is why -kun popping up occasionally is rather important. It demonstrates that Kuwana believes in a close relationship or kinship with Mitsuru that he never had.

This presents itself in other ways. Firstly, I'd like to note how he speaks to Kusumoto Reiko. Reiko is the only person Kuwana uses honorific language with (です・ます specifically, keigo, but not full seppuku zarei 許してください type of keigo, just a more formal/distant way of speaking, she mostly returns the formality - Kuwana seems to lower himself when speaking to her. Literally and figuratively, lol).

He also uses the fairly distant-yet-respectful sounding 「あなた」 with her. It's no question that he respects her undyingly ("virtuous and capable"!), yet I believe it is very interesting he refers to Mitsuru using -kun when speaking to her as well! He speaks about Mitsuru with her as if they all know each other well.

Take this line from the finale, while speaking to Reiko on the phone after Ehara's trial ended:

"Enough is enough. You and your son have been through enough hell. I want to protect Mitsuru-kun too. Almost as much as his mother."

(This is my favorite line. It's darling.)

Here, Kuwana is recognizing Reiko's struggles while veeeeeery preciously reminding her that he deeply cares for Mitsuru-kun - comparing himself, almost (and boldly so) to that of a maternal/parental figure.

While I don't think that Kuwana actually views himself as a parental figure to Mitsuru, it is important to note that Mitsuru is quite literally the figurehead and motivation to Kuwana's vigilantism:

"If it means I can prevent another Mitsuru Kusumoto, yes, I will keep killing." (Chapter 10)

"Mitsuru and all those kids... For them to have justice, this is what I had to become!" (Chapter 11)

"The day Mitsuru leapt from the roof, I vowed to atone for the rest of my life." (Chapter 11)

"Do you have any idea what [Mitsuru] was like thirteen years ago? Then you have no right to speak to me that way!" (Chapter 11)

This might be a good place to note that Kitakata's name change is referential to the date Mitsuru attempted suicide (September 17th): Kuwana, Ku (9) + wa (1) + na (7) - it's goroawase! Plus 仁 (Jin) meaning humanity, virtue, goodness.

I'd like to use all of this to talk about a much broader and darker theme. As I wrote in the beginning of this post, I believe Kitakata referring to Mitsuru by his first name - unlike the rest of his classmates - had unforeseen consequences. Being called by your first name by teachers is the choice of that teacher, and it is a very deliberate choice in high school. Kitakata "othered" Mitsuru, unintentionally showing him that he was not deserving of the same respect as his classmates.

Kuwana mentions that he thought he was well-liked by his students, even going as far as to not believe that that level of violence, abuse, and bullying could be happening right under his nose. While I don't believe Kitakata ever willingly participated in bullying Mitsuru, Mitsuru still remained outcasted in his own homeroom until the day he fell into a coma. In part, thanks to the way Kitakata singled him out.

By taking this to heart, Kuwana developed this idea that he and Mitsuru are foiled - that his selfish vigilantism is all for "Mitsuru's sake". In Chapter 11, Kuwana says "Mitsuru and all those kids..." - this shows an inability to recognize Mitsuru as anything other than a victim and a child. Mitsuru is not "Kusumoto-kun" or "Mitsuru-san", he is: Mitsuru-kun. An innocent young boy.

Kitakata may have unintentionally put a target on Mitsuru in class, but Kuwana singles Mitsuru out intentionally - by feeling so indebted to him that Kuwana, frankly, develops a parasocial relationship to Mitsuru's tragedy. And in a way, Mitsuru had become his unintended victim twice.

Moreover, the child he failed to protect, and the one he hurt the most.

[outivv]

https://x.com/dailycaelus/status/1812890084045389960?t=pnMzWIplb4Qsjeu200JClw&s=19

Very important information!

Long story short an anon insider from Hoyoverse is stating that while raising awarness on social media apps is great. We should take a step further and start dropping reviewing on any Playstore Site that has Genshin.

Express why you are dissatisfied and use hastages to bring more awarness. As for right now the Playstore reviews are dropping that it went from a 4 star review to 3.0 review. Hoyoverse is desperately trying to get reviews back by adding bots.

We shouldn't be just doing this with Genshin. Do this with ALL HOYOVERSE GAMES. Honkai Star Rail, Tears of Themis, ZZZ, etc.

HSR is facing the same problem as Genshin with Boothill being Native American coded, Penacony reloving around Jazz but have no Black character, Aventurine being Romani etc.

YEA YES!! I tried talking about this in my Hoyoverse boycott post, but I only touched on it briefly- but Hoyoverse games IN GENERAL are the overall problem. Tears of Themis has issues with being orientalist- and just shitty. Zenless Zone Zero apparently has actual blackface! Not good! Uhhh- outside of the record store on one of the little record poster thingies I believe. Honkai impact third has… straight up racism, and a subpar character plot about learning to love your skin color no matter what and she just goes “ummm actually no :)”, and oh my god I haven’t talked much on Honkai Star rail on this account but ykw I’ll go further into it.

Boothill- Boothill is based off of Native American culture, and is supposed to also be Latino. In the CN ORIGINAL translation of the game- his planet is named after two very real Native American tribes, his backstory recreates the same colonization that happened to native Americans specifically- calling Boothill’s people savages, and putting them in reservations after completely carpet bombing his planet, killing most of the population, and destroying the ecosystem. However, despite this Boothill has nothing to show for his heritage, or the fact that he is based around native, and Hispanic people except for the fact that he’s a cowboy- and even then sometimes I feel like he’s played up in game as like actually stupid for comedic relief when he’s not stupid AT ALL. (Sorry, Boothill’s one of my favs and a bad hyperfixation so I’m super passionate about how he needs proper representation)

Aventurine- aventurine is called a slur by sparkle, both sparkle and dr ratio point out specific racist stereotypes against aventurine that are usually targeted at Romani people which is who aventurine, and his entire home planet are based off of (that’s why I’m not a huge fan of Dr ratio x aventurine personally. Dr ratio isn’t racist imo, he’s just lowkey fucking mean and said the wrong thing to the wrong person). Aventurine’s backstory is also fucked in my opinion, and the way people in the fandom take his backstory and treat him as a character only really started getting bad bad after we found out he was Romani, but that’s a fandom issue- it’s still something to comment on.

Arlan- while Arlan is the darkest character Hoyoverse has made to date, he also has his talent names beeee references to slavery. Straight up. “Shackle breaker”, “frenzied punishment”, “swift harvest”, and then his eidolons- “breaking free”, and “hammer and tongs”. Not cool, kinda fucked up.

And that’s just the characters I can think of off the top of my head- not including Jade and her shit cause I know she has some stuff that’s like fucked up about her and ik she’s racist I just haven’t done my research on how she is racist and like gathered all the evidence basically lol, but that’s also just the characters, not to mention what you said anon- how penacony is based off of the jazz age but has no playable black characters? Girl whatttt? Gimmie a slay ass like black singer who’s besties with Robin, cmon now- don’t a coward Hoyoverse, you know DAMN WELL that she would sell too.

Hoyoverse games overall are like this, so please pay attention to all Hoyoverse games, and Hoyoverse mostly only listens to the App Store reviews so PLEASEEEEE go and review bomb ONLY Hoyoverse games. Start with Genshin and Honkai Star rail, go to Zenless Zone Zero and Honkai Impact 3rd then finish with Tears of Themis, don’t do it all at once if you can’t!! Just go review all of them one stars!!

[your-unfriendlyghost]

Hiiii i just saw your Outsiders/Christine art and HOLY SHIT. When i say my jaw was on the floor it was on the floor. I’m a huge Stephen King fan (I’ve only read his books bc to me his books are good enough. I’m not a huge horror movie watcher girlie but i can do thriller/horror books. I have like 8 of his books, including Christine, on my bookshelf) and once again: HOLY SHIT. I can lowkey see the Outsiders trio as the Christine trio. Now whenever i go to reread the book, i can’t view it the same anymore haha. Another Outsiders/Stepehen King art idea for Halloween: 11/22/63. It’s one of my absolute favorite Stephen King novels. And if you haven’t read it, highly recommend it. It’s so intense and entertaining and i do get lost in that book. Anyways, HOLY SHIT. But i was also wondering if you have any tips for beginner digital artists? Like on layers, line art especially, shading etc.? I really want to get into more digital art but my tradional sketches lowkey look better than my digital ones haha. Whenever i see your stevepop or Outsiders art it just gives me a boost of inspiration. And i love them your honor.

Woah, thanks!! I’ll have to check it out- so far I’ve only read Christine and The Body (because my dad’s obsessed w/ Stand By Me), but I really dug both so I’m looking forward to it!

And as for digital art tips, I guess I’d say to keep things loose! I like to use a modified version of the Shale Brush on procreate for my sketches and lineart because it resembles a pencil, and the rough messiness makes it a whole lot easier for me to just relax and draw the way I do on paper. I don’t shy away from messiness especially in digital art- it makes things flow better in a medium that can get really stiff sometimes.

I like to do my sketches in bright colors, and I tend to assign every subject a certain color so I can tell them apart easily (idk how helpful it is, but it works for me!) Then I lower the opacity and draw on a layer on top like this:

Then I turn off the sketch layer and either fill everything in with base colors, or color it in grayscale w/ this Copic marker brush and varying levels of opacity for my comics.

As for shading, I do a combination of cell shading and painterly shading (picture for the uninitiated lol). Both have their merits, and shadows in real life usually include a bit of both.

For more simple stuff, I take a shade of either purple or sometimes magenta and cell shade everything with this pencil brush on a multiply layer, usually set to 30-ish% opacity depending on the drawing. Then I’ll blend it out a bit to soften some edges, which is what makes it look painterly. Also if you don’t know, “clipping mask” layers are really helpful for shading! You just put the shading layer over the colors and it stops you from going outside of the colors, it can be super helpful. This method is the one I usually use, and the one I’ve been using since I first started about five years ago now.

For the Christine poster specifically though I mostly just kept everything to one layer and color dropped from the reference, altering the colors as I saw fit- and just sort of guessed for Evie because she’s way tanner than Leigh and needed her own colors. The only times I used different layers were for each individual character so that they didn’t mess each other up, and also for the sketches, which I put on top of the colors but lightened the opacity on. Idk that I’d recommend this for a beginner tho, it’s taken me years to get comfortable working like this!

Sketch is set to a multiply layer here too. You can’t see it super well here tbh, because of how dark everything is, but oh well. Here’s a study I did last year with the same method tho! (Also she’s got some similarities to Evie huh?? I guess I have a type lol oops)

Anyhow, that’s probably enough for now lol- but lmk if there’s anything else you wanna know! And obviously this is just how I do things, there’s no hard and fast rules for any of this- I’m making it up as I go along, and you should too!!

[mirror-ralsei]

THEORY: Deeeltaaruuuneeee

You know, despite all the intense speculation about Deltarune - its dialogue, its music, its merchandise... - there's one obvious piece of foreshadowing that no one seems to think about. A critical piece. One that's been under our nose the whole time.

The title.

Today we're going to deep dive into the title drop of Deltarune, its connections to Undertale and Deltarune, and speculate about what it could be foreshadowing in the future.

VISUALS

Deltarune's title appears with a notable wavering, almost interlacing effect. We've seen this effect before.

Asriel causes this when using HYPER GONER.

And though the Memoryheads have more scan lines and desync than the Deltarune title, it's still an incredibly similar visual that stands out in the game.

A similar wavering sort of effect also appears during Undyne the Undying's deformation and reformation.

I wonder if this effect might represent holding on through determination.

At her true death, Undyne the Undying begins to visibly melt, which we're told by Alphys is what's supposed to happen to monsters who contain high amounts of determination. So, it would follow that when she's wavering as she's clinging to life through determination, that's also an intended visual.

And if that's true of Undyne, it could be true of the Memoryheads, who have the same kind of effect. It would make sense, as they are amalgamates, whose very premise is based on the presence of determination.

So, the logo fading in with a wavering interlacing effect might mean that it represents something - or someone - returning to life through determination.

Of course, that's just my best guess. Maybe it represents something completely different - or nothing at all. But both the Memoryheads and Undyne the Undying hold a lot of apparent Deltarune references, and I wouldn't be surprised if their wavering effects were one of them, tying them into the same phenomenon that's happening to the logo.

There's something interesting happening during the logo's disappearance. Keep your eye on the SOUL at the center to observe it more easily.

The logo is not just fading out - its parts seem to be undergoing some kind of mathematical transformation, causing them to multiply, and fade out as they do so.

If any math fans know what specific formula or transformation is being used here, that would be great to know, but as far as I can figure, whatever is happening to the parts are being reflected across multiple axes.

This concept of reflection as division appears several times in Deltarune. I've delved into it here.

Basically, we have this recurring idea that in order to multiply something, you have to divide it in half. Once divided, both halves are no longer the same as the original, resembling it though they may. You could say they're both "reflections" of the original.

That seems reminiscent of what's happening here.

The SOUL, and all the other parts of the logo, appear to be divided again and again, gradually fading with each division until there's nothing left of them.

This may have concerning implications for the plot.

I'm not sure what, exactly, this whole reflection-division concept is building up to, but it's definitely setting up something. And watching this soul and the rest of the title being reflected and divided so many times that it fades out of existence... well, you can't help but worry. There's a lot of wild conjecture we could launch from here, but I'll leave that to you.

There's one more thing here worth noticing. Deltarune is a parallel story to Undertale. If we compare their logos, they look fairly similar. Both are white text on a black background with a red heart in the center letter. But there are a couple of interesting differences.

First, Undertale's logo is comprised of detailed pixels, while Deltarune's is made of blocky letters.

This gives Deltarune's logo the impression of a game with old-school, scan-line-looking graphics (if someone knows what this is called please lmk lol), while Undertale's logo looks like that of a more modern game by comparison.

Interestingly, this is kind of inverse to the presentations of the games themselves. The pixel count in Deltarune is notably higher than that of Undertale. But here, it's the opposite.

(Side note: It also might be worth noting that as of the Sweepstakes, the Ice Palace also appears to be in this old-school style.)

Second, and most importantly, UNDERTALE is depicted in all caps. The visual logo for DELTARUNE is actually presented in all lowercase: "deltarune."

This is important in a series that has consistently used uppercase and lowercase as some kind of recurring element.

One quick example is when Sans explains the Level of Violence acronym: "you never gained LOVE, but you gained love. does that make sense?"

But it's not all acronyms. There's many other interesting usages throughout the series, such as Asgore's name being alternately presented normally or in all-caps, or the presence of certain titles in the soundtracks being in all-caps for no discernible reason.

We still don't really know what this element is meant to represent. But we do know that whatever it means, it is present between the "deltarune" and "UNDERTALE" logos.

Like with so many things here, we do have to wait on more information to truly understand the meaning. But once we know more about the reflection-division and uppercase-lowercase elements, then the multiplying, differently cased logos should also fall into place.

SOUND

The Deltarune title audio seems comprised of three parts: a sound reminiscent of a collective inhale or gasp, followed by a robotic voice saying "DELTARUNE," followed by a mixture of two types of sounds - one reminiscent of a collective exhale, the other a series of discordant chimes - that gradually fade out.

As many have pointed out, the opening sound in the Deltarune title is just an echoey version of the sound that plays when transitioning up from the Dark World to the Light World in Castle Town: snd_dtrans_lw.

Awesome! We have a confirmed connection for the beginning part of the audio. Surely this will provide some insight?

Well... not really...?

While we know a little bit more about the Light vs Dark World concept than we do about, say, the reflection-division concept, I feel we're still not much closer to understanding the meaning behind this sound effect.

I mean, the information we have here is pretty limited. The sound is used when Kris and Susie rise back up to the Light World, which could tell us that the title audio relates to something (whatever the title is representing here) rising up a level, too. If you want to stretch, taking the allegorical into account, maybe it represents some "fictional" or "escapist" elements becoming more "real." This has kind of been alluded to already, with Susie wanting to bring the Darkners into the Light World because it's just "better" than real life, and Berdly and Noelle agreeing and wanting to create Dark Fountains.

Beyond that...there's not much here, that I can think of. If anything, the usage of this audio in the title drop is more important for telling us the in-game usage is important than the other way around. We kind of have to know what the title represents to be able to know the significance of it "rising up"/transitioning between worlds would be.

There's also the sound effect that plays when Noelle or the others "get stronger," which kind of resembles an altered version of dtrans_lw, and would provide some more context if true... but I can't be certain.

Anyway, let's continue onward.

Next up is the robotic-sounding voice saying "DELTARUNE."

This appears to be a text-to-speech voice. Moreover, the TTS voice appears to be one of the same ones from abc_123_a.ogg.

This is notable because that TTS is also used for Gaster's text noise in "room_gaster" (Entry 17).

In other words, it's very possible that the voice saying "Deltarune" is supposed to be Gaster's.

This isn't really as shocking as it seems. Gaster very much appears to be the framing device around Deltarune as an entire game - he gives it to us as SURVEY_PROGRAM, and communicates to us during Game Overs and save file screens. The title being another part of the game's framing, it wouldn't really be a surprise that he'd be here too.

If we do assume the voice belongs to Gaster, the more interesting questions become why he's able to speak a fully voiced word, and why the voice sounds so...strained. One can almost imagine someone desperately leaving a final message, or barely managing to contact someone, before subsequently fading out. All subjective, but interesting to think about.

The final part might be the most mysterious.

There are two main overlapping kinds of sounds playing here: a collective sigh or moan that gradually fades out, and a variety of discordant notes.

Regarding the sigh, I don't know for sure. The most simple guess would be that, if the inhale-sounding sound represents transitioning upwards from Dark to Light World, then perhaps the exhale-sounding sound represents the inverse - transitioning downwards from Light to Dark World.

The only problem with this assumption is that Kris and Susie do transition downwards from the Light World to the Dark World, and the different sound effects that have played so far don't really sound exhale-y at all. So that part's a mystery.

The other overlapping sound jumps out instantly, though.

An immediate association, to me, is Snowgrave.

Although these notes in the Snowgrave sound effect are much clearer than the distorted ones in the Deltarune title, they both are seemingly random- and discordant-sounding, and the sound itself is reminiscent of chimes.

But there is another instance of this kind of sound.

During the Chapter 1 livestream, many tiny differences were added to the game's build for the purposes of the stream. One such difference was the forest room containing the ballerina-type enemies.

In this room, visuals were added resembling the gray star-like sparkles that also seem present during Snowgrave's animation.

And a feature was added where interacting with the ballerinas would cause them to play a bunch of discordant, glass-like sounds.

Toby Fox was unusually cryptic about this change. He describes the sounds only as "a horrible noise," and when asked what they're saying, replies, "Secret. Never ask a dog that question."

So, it seems likely there's some intended mystery surrounding this difference, and it is unusual to me that the ballerinas' chimes are so similarly chaotic as Snowgrave and the title audio.

Personally, my best guess is that it has something to do with the silvery sparkles. "snd_snowgrave" notably does NOT include the preceding chimes - which play while the sparkles are floating out of Noelle's hands. The livestream ballerina enemy area seems to once again associate these chimes with the presence of sparkles.

If that's the case, then maybe the chimes at the end of the title audio have something to do with the sparkles.

Of course, to those without a music theory background like most of us, sound perception seems pretty subjective. Three sounds that all sound like a bunch of glassy, discordant notes to my ears could actually be completely unrelated.

So take this with a grain of salt. The only truly solid information we have is that the Deltarune logo voice seems to use the same TTS as abc_123 and Gaster. The rest is speculation.

But if these similarities are intentional, and those chiming sounds in the title audio are supposed to represent something to do with Snowgrave, that's obviously not a good sign.

CONCLUSION

While I don't think we have all the puzzle pieces just yet, we do have a variety of clues that give off a strong tone about what's going on. This is my suspicion:

The Deltarune title is depicting a tragedy.

Something bad is happening here.

The strained and desperate voice, the inhaled gasp, the collective sigh as a discordant collection of sounds and reflections fade out into nothingness... it's not looking good.

We know Gaster met with an unfortunate fate, and it's his voice that's speaking to us. We know dividing something causes the original to be forever altered and lost, and the SOUL and everything else that makes up the title seems to be undergoing that until it's reduced to nothingness. We know Undyne reformed herself through determination with a similar visual to the logo's appearance, but like Undyne, the logo ends up fading out anyway.

And let's be honest. We know something bad has happened to Deltarune before.

Gaster wants us to make "a new future" with him. One that shines with hope. ("Unlike the old future" perhaps implied.) He specifically made his appearance known in Undertale to players with low levels of violence.

By contrast, this implies something dark and terrible happened to Deltarune's universe in the past. It's in all the little things. Alphys sets the stage with Mew Mew 2's darker storyline. Kris' birdcage has "seen a lot of crashes," and they certainly act like this isn't their first time being possessed. Sans has seen his share of bad timelines, and in the casino dialogue, talks about back when he was less experienced, when one time he witnessed an especially bad snow. Spamton knows exactly what will happen to Kris on a Weird Route, as if he's already seen it - almost as if he's been frozen for years inside rings and behind mysterious locked doors. Noelle claims she doesn't know what Snowgrave is, but also stares off into the freezer, and can't remember what she's done. There's characters preparing for a particularly bad winter. And then there's the perpetual threat of the Roaring, and Ralsei's haunted expression when he describes it, like he's seen it before. There's the fact that we fall down into an evacuated town within a barren landscape of darkness and eyes. The title screen, after all this, plays a mournful piano song over an image of the three heroes at Worlds' Edge. Before the Story.

So, is it really any surprise?

There's so much writing on the walls about Deltarune having repeating, tragic elements, and the title drop seems no exception.

Will we be the ones to break the cycle, and change Deltarune's future? Or is the fate depicted in the title the only possible outcome?

(Screenshot credit: 1)