#so i am as they say a okay

[feralfens]

i had a form of coffee at around 5pm

i have been having episodes of insomnia

i am awake at 2am

i have a growing amount of laundry needing dealt with

i search up doing laundry in bathtub

i then set about doing this

through the process of science, i learn what items are best to wash in bathtub and which ones are best to haul over to friends, or sniff and cycle

my abode now has dripping sounds coming from the bathroom

its 3:35 am

im not very tired

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[thepioden]

if you ever go to an art gallery and you see a painting and you think "that sucks. I could do that." maybe you can! I think a lot of people could do like. Matisse. Mondrian. Rothko. From a technical standpoint at least. Not everyone but a good number of people. But please consider: Artists™ aren't special people. They're just people. Just regular folks with something to say and a trained skill who showed that skill to the right people.

So instead of being like "that sucks! that's dumb! I could do that. It shouldn't be in a gallery." instead try, "I could do that. I should be in a gallery." and then do it and go and show your art to people.

[bacchuschucklefuck]

typical tavern scene

[idolomantises]

I think one of the more unfortunate consequences to creators being more interactive with fans is that a lot of fans/fandoms normalized this idea that creators have to explain/validate every headcanon they have.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[iam-anordinary-human-orami]

Does anyone else think that after the foxes grappled with the "happy 19th junior" scene Allison was like "okay, are we just going to ignore the fact that Neil is actually a Capricorn and not an Aries?" Just for Nicky to nod furiously "I didn't want to be the first to say it, but damn so many things make so much sense now" and everyone else looking at them like

[yareyaredaz33]

helmet reveal hell yeah

george | charles | bono

[timecase]

Best conversations I've had with my partner

[poorly-drawn-mdzs]

A whole new meaning to Gay Chicken.

(For: Anonymous raffle winner!)

[upon-the-snow]

early mornings after nightmares

[inkskinned]

the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.

the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.

friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.

if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!

what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!

people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.

you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.

your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.

[katsukistofu]

peaches (you're the cream of the crop)

contents ౨ৎ ⋆ touya todoroki x fem reader. fluff. slightly suggestive. cursing. ⭑ a series of grocery trips after touya is discharged from the hospital gives you both a sense of normalcy you never thought you’d be able to have again.

monday

“put it back.” he wrinkles his nose as you continue to pick out tomatoes from the neat stack in front of you. “i said put it back.”

you stick your tongue out and tie up the bag after you put the last tomato in, dropping it in the cart he was pushing.

“ew.”

you giggle, he was acting like a little kid.

“touyaaa, you have to eat your veggies to grow big and strong.”

“bullshit. all the brat eats is soba and he’s almost taller than me now.” he grumbles. “and tomatoes are fruits.”

“tastes like a veggie.” your hip gently bumps into his after you walk back to him from the vegetables. “and maybe shoto’s taller than you ‘cause he actually listens to me.”

he rolls his eyes at that, and hesitantly reaches for your hand.

he’s still not used to being with you like this, alone, despite knowing you stayed by his side through countless hospital visits he wished he was conscious for.

but it’s okay because you’re here now, soft skin soothing against his rough, charred flesh. you don’t seem to mind though, not even the fact that he tends to holds you a little more tightly than he used to.

touya doesn’t let go of your hand. not once. not when you went to get a napa cabbage, or when you inspected the peaches on sale for any mushy spots.

or even when he lets you drag him to a stand in the freezer aisle where a nice store employee offers you two samples of gyoza, which was surprisingly good considering it was from a brand you’ve never heard of.

you feed touya his share, his eyes wide as he waits for you to finish blowing on it for him before holding it in front of his lips to eat.

not until you ask “can you go get more bags for me touya?” in that soft voice of yours that turns his knees to jelly, does he even consider the idea of releasing you from his grasp. you ran out when you were getting green onions.

turquoise eyes flicker to you, a hint of disappointment in them. he really doesn’t want to let go.

with a quick glance around, it’s obvious the supermarket was practically empty. which made sense, the two of you purposely chose to come on a monday morning.

perfect.

you use the handle of the cart to push yourself on your tippy toes, taking the opportunity to give him a soft kiss on the cheek.

“please?”

he blinks rapidly, ducking his head down as he barely bites back a smile. you had him wrapped around your little finger and you didn’t even know it sometimes.

he’s always been weak for you.

“‘kay. be right back.” and you can’t help the laugh that bubbles up from your throat, knowing he means it this time.

from now on, he’ll always come back to you. to home.

he quickly returns from his trip to the dispenser roll of plastic bags near the checkout line and promptly dumps them in the cart.

“i changed my mind.” he says as he swiftly slips behind you to hug your waist, catching you in the middle of putting a packet of tofu skin in the nearly full cart. a soft weight can be felt on your hair as his chin rests on your head.

you smile, squeezing his forearms. “about what?”

“….i guess i’ll eat tomatoes.”

“awww, for me?”

“only for you.”

friday

— wild geraniums are rich in flower symbolism. they are associated with love, peace, joy, health, fertility, and spirituality.

it was a warm friday afternoon the next time you and touya go shopping.

the shizuoka prefecture had reached a new high today for the month, a sweltering thirty four degrees, and by the time you two get there you’re sweating bullets.

the cold air conditioning blasts you in the face, cooling your sweat as you’re met with the sight of mothers and elderly women bustling around, carts laden with fresh produce to last the next few weeks by cooking warm meals for their families.

he sighs next to you as the both of you stand in silence, enjoying the breeze for just moment longer.

touya grabs a basket for you, since you’re only planning to grab a few things for shoto anyway. a light pink sticky note rests on the palm of your hand, and he watches as you peer at the youngest’s neat handwriting.

a packet of soba noodles, a new pocky flavor, mousse matcha, that he wanted to try with his friends, and a bottle of green tea.

the two of you are in the snack aisle when he texts, touya too busy examining the ingredients of a box of choco-pie to notice you taking your phone out.

shoto [08:51]

Sorry for the late notice, can you please pick up a potted flower?

It’s for mom.

But don’t let Touya-nii pick.

It’s your choice that I trust.

you giggle at his remark, while your fingers fumble for the pen you know is somewhere.

thankfully, touya saves you by magically pulling it out from the depths of your bag, and places it in the palm of your hand.

you whisper a quick thanks and kiss his cheek. his face goes hot the moment you pull away to scribble on the list in your hand.

‘stop by the plant nursery’ is added to your sticky. it was only a block away on the way back to the todoroki house, so touya and you could just swing by really quick after getting shoto’s stuff. due to lack of a hard surface to write on, your writing was kind of messy.

maybe you should’ve asked touya if you could use his chest, but you doubt the grandmas in the aisle over would approve.

a new notification pops up on your screen.

natsuo [09:03]

helloo my favorite future sister-in-law

can u pick up some fish for sashimi pls

pls pls i got an A on my presentation today

touya leans over your shoulder to read the text and fakes a gag. he never liked fish, and eating it raw? no way in hell.

between the four of them inheriting most of their mother’s likeness (fuck whatever his dad’s weak ass excuse for genes was), you’d think they’d also gain her love of warm dishes like oden and niku-jaga.

as the eldest, of course it was his duty to set things straight and comment on his sibling’s questionable tastes.

you [09:04]

ew

you [09:04]

hot soba is better

mission accomplished, touya proudly hands your phone back to you. you bite back a laugh as you read his texts.

how eloquent of him.

natsuo [09:05]

????????

natsuo [09:05]

BITCH

I KNOW THATS YOU TOUYA

you roll your eyes at the two’s antics and grab your boyfriends hand, leading him to the seafood section.

a wide array of fish was displayed before you, and you take a picture of the ones labeled for sashimi.

you [09:10]

which one? :)

natsuo [09:11]

the salmon !!!!!

you [09:12]

ʕ •ᴥ•ʔゝ☆

natsuo [09:13]

THANK USOMHCH

I LOV YOU

MORE THANTOUYA

another notification appears as you quickly swipe out of natsuo’s texts before your boyfriend can throw your phone across the supermarket.

fuyumi [09:26]

are you guys at the mart right now?

you [09:27]

we are lol :9

did natsu brag about getting sashimi the moment he got home from his lecture?

fuyumi [09:28]

yeah.

giggling a little, you can almost hear her slightly exasperated tone.

you take a picture of an unsuspecting dabi looking at the frozen steamed buns and he side eyes you after you turn away, already having a sneaking suspicion who you were sending it to.

you [09:28]

touyamakinghearteyesatredbeanbuns.png

fuyumi [09:30]

fatass

you muffle your laughter as touya stalks over to you, swiping the phone out of your hands just as fuyumi texts again.

fuyumi [09:31]

anyways i was going to ask

can you add panko bread crumbs to your cart please?

i wanted make katsudon for you all tonight :>

touya’s types furiously as you hide your face in his chest in a silent fit of laughter.

you [09:32]

only if you take back calling me a fatass, fatass

fuyumi [09:33]

please i’ve hear worse threats from my kindergarteners in the sandbox

you’re almost to the checkout line, before touya stops you.

you don’t even have to take a glance in the direction he’s looking in.

“touya, no.”

“touya, yes.”

he wants to grin so bad but his new staples are still fresh from last week’s surgery.

his mouth settles for a safe pout to win your pity.

unfortunately for him you had an iron will in concerns to his health.

“the nurse said ‘no processed foods for the next thirteen days.’ that includes shrimp chips, dummy.”

your hand around his bicep is firm as you drag him away, and he stares longingly back at the snack aisle.

“where are we going?” he murmurs, the grocery bags that he had insisted carrying in one hand while letting you drag him along in the other.

he makes sure he’s walking on the side of the curb.

you slow your pace to walk beside him and he can hear the teasing smile in your voice.

“to bring a baby home to your mom.”

“okay… wait what?!”

he stares at the potted geraniums in your hands as you exit the plant nursery, eyes flicking up to meet your cheeky grin.

“our baby.”

so that’s what you meant.

you looked a little too pleased with yourself and had somehow gotten a smudge of dirt on your forehead in the process of choosing the perfect flowers for his mother.

he wipes it off with his thumb, and pretends to lick it to see your reaction. your squeals of protest and the way your eyes smile when you laugh make his stomach do a flip.

just like when he met you for the first time.

touya decides anything is worth it as long as he gets to see you make that face. especially pretending eating dirt. fuck the shrimp chips, the only snack he needed was you.

except you weren’t just a snack.

you were a goddamn meal.

he raises an eyebrow and smirks, eyes dancing with mischief as he looks down at you. a firm hand pressed against your belly as he places a painstakingly soft kiss on the spot where the dirt smudge used to be.

“don’t worry.” he breathes. you can feel him smile into the crook of your neck, his fingers caressing your stomach as you squirm ticklishly against him.

“i’ll get you a real one someday.”

you nearly drop the geraniums on his foot.

sunday

today is sunday.

meaning it’s weekly movie night in the todoroki household.

shoto was the one who made it a tradition, after liking it so much when he did it with his classmates. everyone agreed it was the perfect low-effort family bonding activity after a long week.

natsuo just finished taking his finals. you’re relieved not to see him pull anymore all-nighters.

fuyumi’s on summer break. letters from her students written in crayon and covered in silly doodles of her are litter the front of the fridge.

you smile as you pass by it when you’re on on the way to shoto’s room to help him do that little braid he liked on the side of his hair. he was starting to grow it out now.

rei makes sure to volunteer at the local gardening center in the mornings, ensuring her afternoons and evenings are free to spend time with her kids.

enji calls off from work the moment it hits six. his sidekicks at the agency can take care of whatever happens while he’s gone.

touya and you are in charge of buying snacks, and you get everyone’s favorite. after checking out, the two of you head home hand in hand.

you’re snuggled under a blanket with touya. it was shoto’s turn to choose a movie, and the sounds of shrek played as you grew sleepier and sleepier. touya’s warm arms, which had you trapped in his lap, were not helping.

you point at the plate of tuna mayo onigiri on the coffee table. rei and fuyumi had made them earlier while you and him were out at the supermarket.

“remember when you ate so many of those because natsuo dared you to and you got a tummy ache?” he lets out a noise akin to a giggle, and your mouth splits into a grin at the familiar sound.

memories of hot summers sleeping on the floor with the fan on full blast and staying up to see fireflies come flooding back to you.

lying on the roof, you remember him resting his head on your chest while pointing out constellations to you, echoes of shared laughter filling the night air as he’d get them wrong every single time.

the stolen glances at each other between bites of juicy watermelon and soba. his ears turning redder than the slice of fruit in his hands when you catch him staring, the smug look on your face quickly turning into one of concern as he choked on his food and you rushed to pat his back.

in the present, you cuddle up impossibly closer to him, and he shivers as your warm breath hits his neck.

you had really missed this. he did too.

he couldn’t wait to spend the rest of the summer with you.

the rest of his life, too. he wasn’t planning on leaving you alone again, not now, not ever.

with you in his arms, he focuses on the movie, laughing along with shoto as fiona attempts to yank out the arrow in shrek’s butt. he turns to you, a smile tugging at his lips. his hair looks even softer against the glow of the projector.

“would you love me if i turned into shrek?”

you grin, poking his cheek. “i’d miss this pretty face of yours too much.”

"scars and all?"

"scars and all."

he frowns playfully at that despite the butterflies coming to life in his stomach, and leans forward to rest his head against your shoulder. you smirk, catching a whiff of your conditioner. “i knew you only liked me for my looks.”

“shush.” you point at something on the coffee table.

he spots the bag of shrimp chips, not so subtly lighting up.

you must have snuck them onto the conveyor belt while you two were standing in the checkout line when he wasn’t looking.

“i love you so much holy shit.” he whispers, nuzzling into your shoulder.

“i know.”

cue the side eye from him.

you roll your eyes at his dramatics and turn around to straddle his strong thighs, raising your hands to gently hold his face in them.

touya shivers as your thumb brushes against his cheek, your touch sweet like the peaches he shared with you after breakfast that morning.

“i love you too.” you whisper back, just in time before he lifts the blanket up to cover the both of you in the dark as he hungrily leans forward to close the gap between you.

rei’s the first one to notice you two asleep on the couch as the ending credits roll.

she gets another fluffy blanket from the closet to layer on top of the one already on your sleeping forms, making sure you’re both properly covered.

she places a kiss on touya’s forehead, then yours, before hugging the rest of her children goodnight and giving them kisses as well.

enji follows suit, muttering a gruff goodnight to everyone. a chorus of quiet good nights trail after him as he lumbers off.

fuyumi, natsuo, and shoto are the last ones left in the living room.

they smirk knowingly at each other as they see touya squeeze you tighter in his sleep, mumbling something about how lucky he is that you’re his.

something about getting you a ring too.

as the three siblings exit the room, they wordlessly shared one last excited glance before heading separate ways to their respective beds. shoto was especially pleased.

when you started living with them, he could ask you to help braid his hair everyday.

he wants you to teach him when you have the time, too. touya could never get it right like you did when you weren’t here.

at least touya had enough of a grasp on his sense of style to help him pick outfits.

you, obviously, were already a todoroki in all of their hearts.

but they still couldn’t wait for their big brother to grow a pair and tie the knot with you.

[rassblerry]

COWBOYSSSS YIPPEEEEE

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

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Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

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Fig: So?

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Riz: Yeah. - Yeah! - let's make another one.