#so giving an ai that is memory to someone who already has a great memory in theory seems like it would be good. but if the memory is just a

[tvckerwash]

I hc wash and south (and by proxy, north) as all being ODSTs prior to pfl and one thing I really like about hcing them as such is that it adds another layer of depth to why they were all chosen to be a part of the recovery force.

ODSTs are a special forces unit within the marines, and they're generally used as force amplifiers and in high risk or sensitive operations. two such scenarios include the recovery or recapture of personal and high level assets behind enemy lines, as well as deep reconnaissance and intelligence gathering. ODSTs are also used in politically sensitive operations, which pfl was following the crash of the moi.

so basically, who better to be on the recovery force than former ODSTs who already have a background doing the kind of work that would need to be done?

this also adds to some of the tension between north and south as well imo, as while they're a great team who are capable of working together they clearly have two very different skillsets—south is not portrayed as someone who has the patience necessary for long reconnaissance missions, and part of the reason why team b failed so spectacularly is because two snipers and an intelligence operative are not a good choice for a smash and grab mission. had north been replaced with south things would've probably went way better for them, because south is actually fairly similar to wash in her "get in, get it done, get out" mentality, though where wash comes off as more methodical and is willing to take that "wait and see" approach, south throws caution to the wind and has a "we'll cross that bridge when we get there" approach.

this is probably why wash and south were (on paper at least) going to get eta and iota—south would've benefited greatly from having an ai that was afraid and anxious as it would force her to slow down and think things through more, and wash getting an ai that was happy and cheerful would force him to loosen up a bit and be less high-strung and serious.

[void-of-unparalled-chaos]

A song came up on my shuffle that reminded me of Subject 16 and now I'm thinking about Clay Kaczmarek again.

I have played a LOT of Assassin's Creed and to this day, Clay is one of my all time favorite characters. I actually might like him even more than Desmond (don't kill me please). Everything about him is just so utterly tragic and I don't think the AC fandom (however tiny it is) appreciates him enough.

Like just think about this for a second and put yourself into his situation:

(TW for self harm and suicide. Honestly Clay should just be a TW in general)

Now for the sake of time, let's just breeze past the whole desperately searching for parental approval from someone who won't give it to you to the point that you give up on your dreams. Clay's childhood is lesser known since all of that is in The Lost Archive DLC, but regardless it's still pretty depressing.

So you're in college for something you don't want to do to appease a man that just makes you feel horrible. Then out of nowhere this guy comes up to you and says you can do something greater with your life, serve a good cause with bigger purpose. You join the Assassin Brotherhood and things are going good, great even! For once you're finally happy with your life.

But now you have to do the biggest, most important mission you've ever been sent on. You have to infiltrate the enemy in deep cover for an extended period of time. It will be fine. You've done infiltration missions before. There's already a mole planted. She will get you out. It will be fine. Lucy will get you out.

You allow yourself to be captured. Your kidnappers strap you into a machine that forces you to relive your ancestors memories for hours at a time. There will be long term effects. Your captors don't care. You aren't a person to them, just a number. Just 16. They put you back into the machine.

One day after being removed from the machine something feels off. Like you're not where you're supposed to be. You're supposed to be taller aren't you? Or are you supposed to be shorter? The buildings outside the window look wrong. It doesn't matter. You're out of the machine. You can finally be you instead of someone else, if not for just a little while.

But it gets worse.

Even outside of the machine you still aren't you. You experience memories that aren't yours even when you aren't strapped in. You can't remember the year. You catch yourself thinking its 1480 instead of 2012. You swear a horse almost ran you over but you're in a skyscraper forty stories up.

You're scared.

But it's okay. You have what you came for. Lucy will get you out.

Except she won't. She defected to the enemy side. No one knows to come for you. You're trapped, doomed to be forced into a machine that destroys your mind. You're alone with dead people who feel like they're you. But there is someone... something? A being calling herself Juno.

She might not be real.

She says the end of the world is coming.

She says you are going to die.

You believe her, when you're lucid enough to listen.

You are trapped. If not in the memories of someone else then in this infernal room. There's no point in fighting any more. You won't escape. You can't warn the brotherhood. But you could give whoever comes next a fighting chance. Lucy won't help Subject 17, but you can make sure they aren't alone like you. You can do it. You can stave off the bleeding effect and cling to your remaining sanity long enough to do this one thing. Juno says the world depends on it.

You code an AI of yourself into the machine, split it into encrypted glyphs for 17 to find. You aren't sure how coherent your messages are. Especially not the last ones. You barely remember your own name. It will be okay, though. All 17 has to do is unite the glyphs. You won't be here to help 17, exactly, but your digital memory will. Now you just need to make sure they know to look for them.

There isn't a quick way to do it. They want to keep you alive, even if they don't care about your wellbeing beyond that. You managed to steal a pen. The pen will have to do. Cutting your wrists with the ballpoint hurts, but it's a necessary sacrifice. You'll write your message on the walls and floors. Even after they clean it up 17 will be able to see it. 17 will have the eyes.

"She sees me... raise the knife..."

[storiesofsvu]

Thursday Funday!

IM SO FUCKING READY. Sometimes I do wish that rita appearances weren’t like.. advertised. I really do want an episode where I am fully not prepared and she just waltzes on screen with no warning. Like.. I’d die…

Okay, what a cold opening that was, creepy and obsessive and I like it.

“just because we can do something, doesn’t mean we should.” Accurate.

I both like and hate the way AI is brought into shows now, like it’s being showcased as something that’s not great most of the time but it’s also just scary the shit they come up with that it does/can do and that stresses me out man. Its fucking terrible.

Jfc the height difference between shaw & the lieutenant LOL she so smol.

Why does olivia always look SO much better on the OTHER law and order shows except for her own.. like… cmon guys, do better

Okay the last time a captain used a rape kit dna to find a perp olivia SCREAMED in her face LOL.  But also yes this is a VERY big issue that will make victims not move forward or get kits done. But also WHY isn’t there a SEPARATE and PRIVATE database for rape kits to be a part of??!!

FUCK

(yes rita just showed up)

Oh she is BACK baby. Oh god… this is giving me theories and so many ideas of not only the gap in time that she’s been on the show (aka in court) and the drastic different physical appearance. Oh man. Oh fuck. This is gonna be my only thought all fucking weekend. Why must I go to work?!

Oh sweet jesus fuck. The delivery of the line “someone who has been *raped* before” from rita made me feel things deep in my soul (and they are things that only confirm/further my thoughts, woof) (not to mention further comments from olivia, oh god there is SO MUCH SUBTEXT HERE!) (gifs & my theories to come later this weekend!!)

We are SO BACK.

LIKE, the little quips, the head tilts, eyebrow raises, ugh YES. The acting/characterization is exactly how it should be and SPOT on.  First suit was meh, second suit was fucking fire (and pretty similar to one of the ones she wore in 25 acts). I don’t want this to be over. PLS let her come back more often.

Also this episode is honestly super good plot and writing and pacing wise so I’m here for it.

I honestly REALLY do enjoy that mothership is basically Nolan getting a strip torn off of him by women he works with every week LOL

Olivia PLEASE. If it was casey who’d gotten that guilty verdict you would’ve come in screaming. Nolan deserves it.

Rita’s suits are giving very presidential and I am here for it.

Tbh I really hoped the girl would get off but I was also very certain that wasn’t going to happen.

Why is it over already? I need more. I need so much more LOL.

Svu time…

Guys for a solid hour there I fully forgot Velasco existed. Like.. Joe who? I only know Ms Calhoun.

I’m like.. 99% sure he’s not gonna be in tonights ep LOL. Who ever would have thought of a day where I was more into OG than SVU lol

Not just a judge but a *federal* judge. Well fuck.

OP! there he is!

Yeah this is one of those super fucked up situations. I lowkey called it from the start when she said “why do you remember more about my childhood than I do?” esp when she’s the younger sister. Trauma= memory loss.

Not me sitting here going “man I really wish there was more cop/investigation in this episode” cause like, I am lowkey bored and wanted more Velasco and kate content. When 97% of the time I’m yelling “MORE COURTROOM” lolololol. This was Scanavino’s time to shine.

Bruno looking fine af though

God this shit is so fucked up.

Shoutout to peter for killin in this episode. Glad they finally gave him something to work with.

I WILL say that I do miss the courtroom sass, from ALL the lawyers. Like, a lot of people focus in on Barba being the sassy one but like, literally all the ada’s have the same if not more sass. Ms Alex “you can have a toothbrush” Cabot. Ms Casey “you’ve just got funky sperm” Novak. Do I even need to quote something from SONYA?? (ugh man I miss her, maybe I’ll watch some old svu after this…) And I’m not saying Carisi lacks this, cause he’s got it, especially in the older seasons when he was a cop. The writing is just lacking nowadays. Give them more personality PLEASE.

VERY heavy Olivia focus tonight, especially between both shows.

Still feels weird to have 4 hours of l&o cut down to only 2. Like.. what am I supposed to do now with the rest of my evening? It’s only 8? I’m just gonna sit  here in silence and fixate about rita for 9458504540549i4923 hours…

[blackjackkent]

Everyone loves a good camp fight.

Sadly, no one else in camp came to help fight the spawn except the current main party (and Astarion, obviously). On the bright side, this is apparently counted as before the long rest, so Hector still had his cloud giant potion up and could absolutely wreck face.

Highly entertained by Astarion's combat, which was AI controlled while the rest of the party was under my control. When it came around to his turn, Astarion wandered over to Hector, cast Invisibility on him despite both of them being DIRECTLY in front of one of the spawn, then moseyed on behind said spawn, tried to hit it with Flourish as a bonus action, missed, wandered away and was smacked by two different opportunity attacks, and then watched as the spawn cast Sense Hidden Presence and knocked Hector right back out of invisiblity.

Phenomenal. Stunning. 10/10 no notes.

Unsurprisingly, all of the spawns vanished into gas clouds and drifted away when they were "killed" so presumably we'll see them again later. (And, probably, they'll tell Cazador that we're coming and planning to kick his ass, but I can't imagine he hasn't guessed that already anyway.)

At the end of the fight, I tried four times to arrange everyone in positions such that Hector would get the post-fight conversation with Astarion; I put him closest to Astarion, I put him farthest away, I made sure Hector was getting the last hit on his turn, but no matter what I did, Astarion would ONLY talk to Karlach for this conversation and I couldn't figure out how to convince him otherwise.

I mean I don't blame him, because Karlach is great, but I would like my player character to have the conversations please. XD

That said - this turned out to be a strangely poignant interaction just because it ended up being these two characters specifically.

I'm going to go with the explanation that Hector darted off to do a perimeter sweep of the camp with Minsc and Jaheira and make sure there were no other lurking spawn hanging about, and Karlach (because she is a sweetheart) hung out with Astarion to make sure he was okay.

"What a mess. Well, at least you've met my family now."

He's smiling slightly, offhandedly, as if it doesn't matter, but it's not fooling anyone, least of all Karlach, who is a master herself at laughing jocularly at terrible situations she is stuck in.

"Was it true what they said? That you gave up fighting him long ago?"

It occurs to me that Karlach can relate to that too. Ten years she spent in Zariel's employ (not long for a vampire, but very long for a living tiefling), and there must have come a point where she realized that trying to resist was pointless and doing what was necessary to survive was the only thing left to her (at least until the beacon of hope that was the nautiloid came crashing through the Hells).

Astarion, however, recoils - clearly taking it as a criticism, a condemnation.

"You don't know what it was like," he snarls. "There was no way out! Once--" His voice cracks abruptly, and he stops and has to take a breath before he can continue. "In my first decade of slavery, I found a... darling boy, who I couldn't bear to bring back to him." He swallows. "So I ran, instead of hurting that... sweet man..."

His voice is thick with the memory, with pain and grief and fear overlaid on themselves across centuries.

"After Cazador caught me, the bastard sealed me, starving, inside a dusty tomb, all on my own... for an entire year."

"A year of silence. Months of scratching my hands raw, trying to carve my way out. More months of not moving at all. Months wishing only for death."

His mouth tightens - whether with anger or tears or both, it's hard to tell.

"So don't you ever judge me for doing what Cazador ordered."

(A/N: Someone bring Neil Newbon back and give him another award please.)

Karlach had the saddest fucking expression on her face through this whole little speech. Perhaps she considers telling him what she went through in return. How Zariel had her trapped in a war she wanted no part of, killing people she had no quarrel with. How sometimes she considered running away but had nowhere to go; how disobedience meant punishment - sometimes of a military sort and sometimes far more personal. How she understands about doing what is necessary to survive, about being trapped in another's cruelty.

But all she says is, "I have no words. I'm so sorry."

He notices none of the nuance of her response; his expression is twisted in rage at the memories, an anger that is trying to blot out the thickness of tears audible in his voice. "Nothing can make up for that," he mutters hoarsely. "Not even Cazador's death."

Without waiting for a response, he turns and walks away.

[odysseys-blood]

then, can you give us a list of games you recommend?

i sure can thank u for asking! i'll try to make it a bit more brief but under my top 4 i'll add a readmore with a longer list in case u wana read that and not the like. Odysseys Blood Introductory Game Pack.

so starting with the top picks:

1. The World Ends With You

i think a lot of people have a similar feeling about this game. you play as neku, recently deceased kid with no memories no friends and a whole lot of attitude and your main goal is to survive the reaper's game for 7 days to get a chance at living again. he trusts no one and believes in nothing but himself and being an extremely depressed middle schooler, i related to him but watching the way he changes over time and learns to open himself up. its kind of an eye-opener and i've seen the same though echoed through a lot of different people like me who wanted to really give up but this game does take you by the hand and oush you to try again. make connections. live and whileit may be a struggle its alright because you always have the option to keep going. also the ost is AMAZING and the art style is very unique and the story and characters captivate you so well. idk where id be without this game honestly. preferably if you do want to play its best to play the og on a ds (can be done w/ a hacked one) but if not its on switch and theres a sequel! which is ok but its not as great as original twewy

2. Tales of the Abyss

ToA (or tota as most ppl tag it but i stick with toa to match the tags for other tales games. which are also good esp vesperia i just wont add it to this list bc its already gonna be a long one). what stood out to me a lot with this game besides the main cast who i love to bits, is its theme on religion actually. when i first played toa i was still in the church and the main theme of religion in toa can be boiled down to devotion is all fine and good, but don't let it rule your life. the fate that is written out for you doesn't rule you, you make your own choices. even if they seem futile, you still don't have to take your fate sitting down you can kick and scream and fight as much as you want towards another path if that truly is what you desire. and that resonated with me heavily. this one's a little more crunchy looking from its age but i still really like the graphics (and i played on 3ds lol) and the environments in tales games are all so stellar its such a good game. and oh my GOD the party interactions. tales games usually do really good at having main casts that are "6-8 people who have no business being stuck together but they are anyways" and i think the part for this one will always be my favorite. also last little bit but theres so much about identity in toa as well and the way the main character, luke, is written with his own struggles about feeling like his own person has gripped me to this day. ive heard this one is hard to find a physical copy of but like. again shoot me a message if u have a hacked 3ds

3. AI: The Somnium Files

i've been here since day ONE (not exactly but theres a youtube page for one of the characters they were using to drop some info before the game released and i was watching while that was still going so. close enough). i am obsessed with aitsf. my icon is even the main character (edited a bit and w/ stickers). this game doesn't have combat like the first to and is strictly a visual novel and i adore the way it explores the central theme of love, especially familial love and its many shapes and forms and how sometimes even through blood it just doesnt. exist. but that doesnt mean you dont deserve love. someone will be there to give it to you and if not you take it however you can. this is much more apparent in the left half of the game which to this day has made the mizuki route my favorite. this one's eveywhere (playstation, steam, switch) and goes on sale frequently on steam for like $7. this one also has a sequel which is pretty good but again i think the original is much better

4. Heaven Will Be Mine

honestly with how many people i see daily gushing over poetry and writing im surprised more dont play hwbm. its a space mecha visual novel set in the aftermath of a war where earth sent children to go fight an existential threat which may not have even existed and now all of those kids are adults who have grown up without the shackles of society on the earth which js funny enough, finally calling for them to come back. the writing is beautiful and fun to pick apart and if you're a fan of prose i definitely think you should give this one a try. double of you're lgbt in any way this game is good for its writing about queerness especially if you're trans. please play hwbm. this one's on steam and doesnt have a sequel game but the devs, worst girl games, also made We Know The Devil which i like less than hwbm but its still pretty good! that ones got gay religious trauma

continuing is just a list of more i like in no specific order. some of these may be a bit cringey but i like fun

Witch's Heart

listen i know theres some strange bias some ppl have gainst rpgmaker pixel games but like. 1) odd but ok 2) witch's heart is such a beatiful story i need you to throw whatever biases you may have abt pixel games RIGHT NOW. my header text comes from this game. it means everything to me. do you have a wish you would kill for? does your wish mean more to you than another's? how much will you let your selfishness control you. for a game that looks so silly it made me cry a lot. this one's free on vgperson's translated game list and theres still MORE BEING MADE. SO MUCH GAME. FOR FREE. LOOK AT ME. ITS FREE. and heartwrenching.

To The Moon/Finding Paradise/ Impostor Factory

this description is short but similarly a pixel game like the previous rec. its more understandably heavy considering you play as eva and neil who fulfill the wishes of the dying in their dreams. its sad. i cried. i cry a lot dont i? these r on steam

Just Shapes and Beats

a rhythm game this time! it's got a cute little story mode but it is just a dubstep rhythm bullet hell i like playing. did you know i was a dubstep fan in middle school well now you do and im sad skrillex is mid now. its on steam and switch. not a good pick however if you are sensitive to flashing lights or have epilepsy im sorry. i believe there are safe modes but i havent tested them myself to see how well they work

Paranormasight

paranormasight is a horror visual novel illustrated by gen kobayashi who, if you can tell from the linework on the sprites and in the portraits and what have you, illustrated for twewy. i'll be real i was ready to screan and cry 30 minutes in but its not actually that scary im just a wimp. this one could be seen in a similar vein with witch's heart in the idea of: what would you do to fulfill your greatest wish. how many people would you kill. because you will be killing. on steam and switch.

Bustafellows

for being an otome bustafellows rly got me. while being an otome it is still plenty silly but heavy with fun characters. also i think this is the first time ive really liked an otome mc they tend to be very waify and kinda annoyingly written tbh but teuta is a VERY fun character and not at all a stand in for a self insert. or at least she isnt good at being a self insert which is fine to me because i love a main character that has their own personality. a guy dies like 10 minutes in. this ones on steam

Mamiya

i seem to like a lot of visual novel games with time loops and dead main characters and this is another one. very dark but i love it to bits. also this one requires a warning list i haven't seen anywhere but i made one myself here. its on steam

IVE RUN OUT OF PICTURES. SO I CANT ADD ANYMORE BUT QUICK LIST YOU'LL HAVE TO LOOK UP MORE OR JUST ASK ME ABT ANY OF THESE:

Lethal League Blaze

Hatoful Boyfriend

Fallen Hero: Rebirth (and its sequel Retribution)

Code Vein

shout out also to What in Hell is Bad. not for kids at all this one is explicitly 18+ but for being a goofy eroge otome it has. gripped my by the nuts and it has not let go. ive only been playing like a month help.

[nintendont2502]

What's up with heirstuck and reboot

Heirstuck is just my version of the generic homestuck fantasy AU (the planning document is actually named 'Yet Another Generic Fantasy AU' so I kinda call it heirstuck + YAGFAU interchangeably lmao), but idk I think its fun. I put a shit ton of effort into the world building/lore but also I have no fucking clue what to actually do with it? Idk might write smth after I finish Reboot

Reboot is just 'self indulgent shit: the fic' and I love it so fucking much. It's also the only fic idea I've actually written something for (8k so far baybee). It's all I think about at work because driving is Boring

Hold up im gonna add a cut here because im about to infodump hard

Reboot: takes place 10 years after the game ends, and right after Dirk kills himself like he does in the Candy timeline (except there's no Ult selves this time - dude was just Not Doing Great). Jake *also* isn't doing great, manages to convince himself that there *has* to be a Dirk, and somehow Hopes into existence a 13 year old Hal, who's very confused (because his last memory was dying as Arquiussprite when he tried to leave the game*) and definitely not Dirk. Jake freaks out, Hal *also* freaks out and passes out (partially due to just being overwhelmed by being literally Hoped into existence), and Jake takes them to Dirk's old apartment where he uh. May or may not keep him kidnapped there for just over a month (although he'd never admit that he's essentially kidnapped someone to himself). Also he keeps trying to figure out how to 'fix' everything, and somehow ends up deluding himself through the power of Hope into seeing Hal *as* Dirk. Hal (who at this point is incredibly scared just by. Everything (including Jake flipping his shit and punching him at one point) goes along with it.

Eventually Jane figures out what's going on, finds Hal and loses her shit because holy shit her husband created life, kidnapped said life and didn't tell her for a month straight. Hal ends up moving in with Dave and Karkat (who are very very gay and very very in denial about that) and gets a job with crockercorp because he doesn't fully trust dave and karkat yet, and wants to be able to support himself. Eventually he realises thst he *can* trust dave and karkat (and his job is incredibly fucking boring) and he tries to quit, but whoops! Turns out he was *technically* registered as Crockercorp property.

To try and cover up Jake's... everything, Jane secretly gave him a role at Crockercorp in the research and development sector, with Hal legally being his prototype for Crockercorp's supposed AI program. Jane was originally just going to leave it, but crockercorp is struggling financially, and AI research could be enough to keep them running. Which means.- Hal isn't allowed to leave. Obviously Hal, dave and Karkat are *furious* about that, but there isn't anything they can do - legally, Hal doesnt exist as a person, and when they try to take Crockercorp to court, they lose. Bad. Jane (who isn't the absolute worst yet but judt give her time) offers them a contract where Hal can do his work from home four days a week, and only comes in on Mondays. She does get worse though. Way fucking worse - she begins to realise that if they're going to pull off the AI thing (and they have to, because they've invested so much time already and there's so much on the line), they need Hal to obey them- and right now, he isn't doing that. Being at Dave and Karkats most of tje time gives him a stable home base, so he feels confident enough to tell crocker to fuck off and not play into her robot shit. Eventually, she starts getting even more desperate, and Bad Shit happens which I won't spoil here :)

Heirstuck doesn't have a plot yet, but it's pretty standard 'homestuck fantasy AU' shit. Derse and Propsit are two separate kingdoms, ruled by the alpha kids (who are 20) with the beta kids (who are like 16) being the heirs to the throne. Alternia is a separate kingdom on the outskirts that fucking hates the human kingdoms, and the human kingdoms are also at war with each other

The rules of succession are pretty interesting though I think - each kingdom has two thrones, the male and the female throne. Only members of the royal family who show signs of magic abilities are able to claim the throne, and there's always two royals of each gender - one on the throne, and a heir. In both kingdoms, the male members of the royal family take one last name (Strider in Derse, Egbert in Prospit), while the female members take a different last name (Lalonde in Derse, Harley in Prospit).

The last Queen of Prospit (Queen Harley) mysteriously disappeared one day, along with the former King Egbert, leaving Jane and Jake to take the throne. Only a few days earlier, Queen Lalonde and King Strider of Derse *also* died, forcing Dirk and Roxy to the thrones. All four were far younger than any recorded rulers in history, and the suspiciously close timing of the rulers deaths only lead to more suspicion between the two kingdoms, fueling the war even further. Just after the crowning of the two kingdoms new rulers, the ruler of Alternia - Her Imperial Condesce - returned after her decades long disappearance, telling Alternia to ready for war

Before Queen Harley died, she spent a lot of time with her Heirs Jane and Jake, although what she did was unknown. It must have had an impact, though, because when Jane ascended to the throne, she took the last name 'Crocker' instead of the traditional Harley, in honour of the former queens original last name. Similarly, only a few days after he was crowned, King Egbert completely disappeared (although rumours have spread that he now goes by Jake English or Doc Scratch, in honour of the God he's created a cult around on the outskirts of the warring kingdoms)

(Also yeah Queen Harley is absolutely just HIC in disguise - she brainwashed Jane into further intensifying the war between Derse and Prospit before she 'died', and she told Jake about a powerful God known as Lord English in the hopes of distracting him to get a weaker King on the throne (poor John). She didn't expect him to actually raise LE - it was the equivalent of just jingling keys in front of a baby's face, only for them to snatch them, sprint away and commit mass vehicular manslaughter in your Ford f150.)

I dont really have too much in the way of plot yet, but I do have some random ideas:

- after HICs return, karkat is suddenly in a lot more danger as a mutant (and someone who neber manifested powers, unlike every other troll) - so he gets the fuck out and flees to Derse, where he meets dave

- speaking of Dave - he never manifested powers either. He shouldn't be heir, and they all know that. He came along with rose to serve as her body guard (and also to get away from his older brother, who - resentful that *he* never got called up to take the throne - trains Dave *way* too hard). Rose fakes a vision that Dave is meant to be heir, and dirk and roxy pretend to believe it because holy shit they can't just send him back

- Jake uses dirk as a host to manifest Lord English. Cue incredibly insane Dirkjake here

- I have. Thoughts about classpects and how they manifest but I can't be fucked writing them out jere

- HICs main goal is to have the two human kingdoms turn on each other so they weaken each other, and then the trolls can sweep in and take them all out (right now they live underground after some ancient war drove them out or smth).

[cgogs]

Hi,

as someone who managed to escape Homestuck, coud you maybe give more context? It sounds very interessting!

-❄️⭐️

oh lord, um...

there's this kid named Dirk and he has identity issues. Mainly being, as a result of his isolation (he lives in a condo in the middle of the ocean alone) he has relied on himself and derivatives of himself all his life, literally since he was a baby. his sense of identity is fragmented because of this, and he hates himself *so* much. his glasses have a computer AI in them that is a brain scan of his 14 year old self, renamed Hal, of whom has his own identity issues from growing up at the same pace as dirk but being robbed of the experience of being human. imagine being 14, one brain scan later, and then waking up as a computer AI. it's a lot to talk about all on it's own i could fill posts upon posts.

homestuck as a story has lots of themes about identity and splitting/converging timelines, alternate reality selves, the works. so dirk is a character who already has splinters of his own identity, then adding on the fact that there are an *infinite* number of himself that exist, and a great deal of them are horrible people.

i am connecting Sam Prime and c!Sam as Dirk and Hal because of their relationship to eachother. Hal is Dirk's most influential and important splinter because Hal actually formed his own identity outside of Dirk, even forming his own key fundamental difference: Hal is afraid of dying. Dirk is not. None of Dirk's other selves managed to do this.

c!Sam loved and lost. Sam Prime did not. This is their fundamental difference. The only one of Sam Prime's splinters to differ in a fundamental way-- so strongly, in fact, his key memories are the only things Sam Prime can remember as he wakes up. c!Sam is not the same as Sam Prime-- Hal is not the same as Dirk. They are the same man who's identities verge at the fork of self definitives

[dalekofchaos]

What would you say are the biggest mistakes Mass Effect 3 made?

Okay this is going to be a long one, but these would be the biggest mistakes ME3 ever made in my opinion

Choosing Cerberus over The Reapers. The thing that annoyed me most about ME3 is the fact that Harbinger is not the main threat. The Illusive Man is. Harbinger has been built up as the big bad since ME2. "YOU HAVE FAILED. WE WILL FIND ANOTHER WAY." He says as he discards the Collectors. Then his speech to Shepard as the base blows up. "Human, you've changed nothing. Your species has the attention of those infinitely your greater. That which you know as Reapers are your salvation through destruction. You will surrender your potential against the growing void. We return, and you will rise. We are the harbinger of your perfection. We will bring your species into harmony with our own. Your species will be raised to a new existence. We are the beginning, you will be the end. Prepare for our domination. Prepare for our coming." Then in Arrival, he came pretty damn close to unleashing quick subjugation and harvest upon an unprepared galaxy. Upon Shepard foiling his plans. "Shepard. You have become an annoyance. You fight against inevitability. Dust struggling against cosmic winds. This seems a victory to you. A star system sacrificed. But even now, your greatest civilizations are doomed to fall. Your leaders will beg to serve us. Know this as you die in vain: Your time will come. Your species will fall. Prepare yourselves for the Arrival." The perfect final villain right? Unfortunately, Cerberus was more focused on than The Reapers. My problem with Cerberus and no Harbinger is Too many Cerberus, too few Reaper forces in plot. We fight Cerberus more often than the reapers. Hardly any boss fight and the one with Reaper Destroyer on Rannoch was more an interactive movie than fight. During the Horizon mission in Mass Effect 2, Harbinger was solidified as the Big Bad. It was menacing and ominous, with just the right amount of annoying. It taunted us throughout the game, telling us how insignificant we were, and how our actions were pointless. It was willing to posses drones through the Collector General to fight us personally, and when we killed the host, it tossed them aside. Harbinger even gave the typical “You haven’t seen the last of me!” villain rant. It made any fire fight frustrating, and that made me want to kill it even more; I hated Harbinger. Many games fail to do that. Harbinger was an enemy which I looked forward to defeating. I had the desire to annihilate. In Mass Effect 3, I got a codex entry and a cameo. Harbinger just swoops in at the last second and blows my friends and I to hell(and lets the Normandy save them), then flies off. Personally, I would have loved to hear Harbinger’s menacing monologue, it drove me on. I would have felt a deeper motivation to take the fight back to Earth if it told me how much destruction the Reapers were causing, how many lives were lost. I felt cheated when I got to the final mission, only to suddenly realize it was largely absent from the game. Harbinger has been replaced. Replaced by the Illusive Man and Kai Leng. The former is an old acquaintance, albeit one now controlled by the Reapers. The latter is a space ninja from a terrible book. What would've been amazing is if Harbinger IS the Catalyst. Harbinger taunts and haunts Shepard throughout the game He uses the memory of that child to haunt Shepard as a symbol of humanity lost. After Shepard activates the Crucible. Harbinger appears. He explains to why and how The Reapers were made. the AI Leviathan created to solve the equation is Harbinger all along, Harbinger manipulated The Leviathan into giving it Reaper form and birth at first it did what it commanded and what they asked of it was to look at the dark energy building up which back then was only an anomaly that Leviathan was concerned with but then the first harvest began and Harbinger and The Reapers were born. Funny enough, Leviathan reminds me so much of FMA:Brotherhood. The Intelligence tricked Leviathan to create the Reaper is very similar to how the Dwarf in the flask became Father. So what I think should have happened is it would've been revealed that Harbinger is the AI that convinced the Leviathan that harvest was the only way to survive and justifies the harvests not because organics and synthetics can't coexist, but because of the dark matter crisis. Throughout the game we would have more confrontations with Harbinger. Have him "ASSUME CONTROL" during fights. Give us a voiced confrontation between Shepard and Harbinger. Make it clear that Harbinger chose The Illusive Man and convinced him of together they could uplift and empower humanity over the lesser races. The Illusive Man is to Harbinger, as what Saren was for Soverign. Then the Crucible will grant us the choice to Destroy or Control The Reapers or Harvest this cycle to survive the Dark Matter crisis. You could either. Destroy Harbinger and The Reapers, while the united races would discover a way to stop the dark matter problem. Give in to Harbinger to harvest humanity to save the galaxy. Control The Reapers to stop the harvesting and to work together to stop the dark matter crisis.

Choosing to have a smaller crew than ME2 and focusing solely on the ME1 characters and screwing over or ignoring the ME2 crew, especially romancing Jack, Miranda and Thane. If it were up to me, this is what my ideal ME3 line up would be Ashley/Kaidan EDI Garrus Liara Tali Javik Jack Miranda Thane(EA forgot about him and simply chose to kill him off, I think Thane could’ve rejoined the crew and even had a mission where we find a cure for Thane and Kolyat) Grunt Mordin(you'll see how later) Legion(You'll see later) Balak or any Batarian Squadmember. Ideally it would be someone who survived the Bahak system or even a Batarian freedom fighter who puts his people’s survival over the pride and prejudices of the Hegemony. His sole goal is to liberate Khar'shan and save his people. But for a more memorable person, Balak would be the squad member. I would make killing Balak not an option. The last high ranking officer in the Hegemony. Instead of causing deaths on the Citadel, he seeks Shepard out. It’s an enemy of my enemy is my friend. Over time, Balak would show remorse for his past actions as a terrorist and for the Hegemony’s past. Shepard and Balak learns to overcome their differences and see each other as friend and works together to destroy the Reapers. We would get a Priority Khar’shan where we could liberate the planet and the Batarians would be in a fighting force.

Keeping James alive. I like James, but he added absolutely nothing to the game. We already had an Alliance character. Ashley Williams/Kaidan Alenko. James should have been the Jenkins/Wilson of the game. He should have died in the crash to take out Eva and Ashley/Kaidan should have been with us from beginning to end. James is a character we barely know. We’ve waited a long ass time to see Ashley/Kaidan and it was downright disappointing that neither Ashley nor Kaidan did not get to interact with Garrus on Priority Palaven and Wrex during Priority S’Urkesh.

Mirandafying Ashley Williams. Mirandafying Ashley Williams for Mass Effect 3 was shallow and unnecessary. Wearing loose and long hair and skimpy clothing? Ashley Williams is a by the books soldier. She would not look like this. She would not grow her hair or let it down like this. I mean, it’s not that they changed her face so much, but they just tried too hard with the makeup, hair and outfit. Ashley didn’t need to be model-sexy and run around in heels and showing cleavage. She was already sexy as hell in her own way. All they needed to do was give her the Alliance Crewmen outfit as her casual look and the Phoenix Armor and the current Alliance type armor she was given in ME3, as well as a unique Spectre armor. It's not just the shallow Mirandafying. It's the fact that Ashley has little to no interactions. Ashley barely has any interactions in the game. Compared to Kaidan, Ashley is not interactable. I don't like that Ashley barely has any interactions and just feels...hollow. Ashley should have crew moments with Joker, Adams, Ashley at the monument mourning those who died with the original Normandy, Liara, Tali and Garrus. Was it so much to ask for simple interactions? And really, Ashley in the first game had a personality, Ashley in ME3 feels hollow.

Choosing Diana Allers over Emily Wong and Khalisah al-Jilani. Emily and Khalisah are two reporters we actually know and respect. They earned their place on the Normandy. Emily reported on crime and traffic controllers. Khalisah gave us hard hitting questions and actually cared about reporting on what the fuck was going on in the galaxy. They earned their place on the Normandy as far as I'm concerned. Compare that to Diana Allers. What has Diana Allers done to deserve a spot on the Normandy? Nothing. They created the Battlespace to make her seem like a hip and cool Alliance News Correspondent. Allers looked, weird and she just comes off as annoying and she's a waste of space on the Normandy when we could've had a whole new or returning squad member. God, I WISH Javik could throw her out the fucking airlock. You had TWO perfectly great reporter characters and you did jackshit for any of them. Just so you could have an excuse to hire Jessica Chobot.

Not letting us see Tali's face on Rannoch. Legendary Edition fixed the mistake by finally showing us Tali's face, but it's still exclusive to Shali romancers. What should have happened was we see Tali's face when she unmasks on Rannoch. If we don't romance her, she unmasks and gives us a smile. If we romance her we see her face and kiss her. Something simple like that. It would've been great to see

Not having the ME2 squad members join in on the Citadel DLC. I mean for fuck's sake, it's like they want us to know "fuck you, ME1 squadmembers only" Again, why? Why wasn’t Jack, Miranda, Grunt, Samara, Jacob, Zaeed and Kasumi not added? If we romanced Jack or Miranda, why didn't they come to save us when we were being hunted? Why not REALLY making it feel like Team Hammerhead by actually adding the ME2 Squad members to the Citadel DLC before the party? There was no reason why you couldn't include the ME2 squad members in the Citadel DLC

Making Cerberus the villains instead of uneasy allies, when The Batarians were the perfect allies for The Reapers. This might just be me but I think Cerberus should have been on our side in ME3 and The Batarians should have been fighting for The Reapers. Makes sense Cerberus has just been a rouge organization doing what the job no matter what the cost(even if the cost is atrocities) and instead of indoctrinating themselves they could of studied it to make themselves immune to indoctrination and The Illusive Man's goal was to use any means necessary in order to destroy The Reapers. I also like the idea that you know you can't trust him, but he does get results. The Council and The Alliance are desperate, so they accept a partnership with Cerberus. The Batarians have always held a grudge against The Alliance, The Council and would have wanted revenge for Bahak/ Viper Nebula. The fact that there are no consequences for what we had to do in Arrival from The Batarians just doesn't make any sense and you'd think this would give The Batarians the motive to turn to The Reapers. Hell in the Terra Nova DLC in Mass Effect 1 it seemed to me that Balak was already indoctrinated and Balak’s revelation of the “Batarian rebellion” makes it seem like they would be the perfect tools for The Reapers. Balak will be the new Saren figure. If you killed Balak, then The Reapers would just bring him back. The first act of war for the Batarians was the destruction of the Viper Nebula, so their retaliation was killing Udina. Prior to the Reaper invasion of Earth, Udina would go to Omega to make peace talks with Aria. The Batarians attack and gain control of Omega, Aria is ousted(but saved by General Petrovsky) and Udina is executed live for the galaxy to see. Because of Udina's execution and Anderson leading the resistance on Earth. The Illusive Man is now the Human Councilor. Miranda and Kai Leng would be squad members. Depending on if you gave TIM the Collector Base or destroyed it, he will either keep you in the dark or help you at every turn. Just think of the Cerberus War Assets Cerberus Scientists General Oleg Petrovsky Collector Base Cerberus Fighters Cerberus Phantoms Cerberus Engineers Project Phoenix We would get a big mission to deal with the Batarians, Priority:Khar'shan. If you do not deal with the Batarians, there will be major casualties. However half of the Batarian forces are not indoctrinated and just want to end the mistakes of their government and live. Balak wants to kill the rebellion of his people. Ironic. Somehow Balak has placed enough bombs on the planet to destroy everyone who is resisting Reaper indoctrination. We can either. Talk Balak out of it. Telling him to resist and fight for your people(which WOULD gain Balak as an ally) or talk Balak into killing himself. Or the true Renegade option is to kill Balak and order a strike that wipes out the Batarian forces, but sacrificing the Batarian Rebellion. By the time we get to Priority Earth everyone is on the same page and united against the true threat, The Reapers. And it is Harbinger who is the final boss

Not having Maelon be there with Mordin in ME3. This isn't really a problem, but I had a thought. If we spared Maelon and kept Maelon's data for the cure. Maelon should have been on board to help Mordin with the cure. If we warn Mordin and Maelon about the sabotage, then Maelon would choose to sacrifice himself to save Mordin. And after that, Mordin would choose to join Shepard's crew.

Legion's "death" is pointless. He....is software. He could easily copy and paste The Reaper code without sacrificing himself in the same manner when he was broadcasting the Reaper signal to all Geth. Or he could've disseminated himself after he made a copy and transfer that copy over to his platform. I just get the feeling that they didn't want to keep Mordin, Thane or Legion alive....for reasons.

[chimtaesty]

One Last Time

pairing: ai!hoseok x reader / 2.7k words

warnings: angst, talks of death and illness (fluff, superficial intelligence, fluff, long lost love, futuristic)

plot: After living a long life you get the chance of seeing your long lost love again, but to a price you are willing to pay.

A/N: hi! I'm kinda active with writing and i had this idea a few days ago so i sat my ass down and wrote this in one night. I want to clarify that this au is inspired by an episode of black mirror. This made me tear up a lil while writing so I hope you like it and you'll stay tuned for more of my works

masterlist

Life has been kind to you, a daughter, two sons and a kind husband. Nothing that you wanted or worked for hasn’t not worked out the way you wanted it to. When you were twenty five you met your husband, Jinyoung. He helped you through life and helped you take care of the kids. Even the one that wasn’t his. Jihyo wasn’t his child and yet he loved her with all the love he could give her.

Jinyoung passed away about twelve years ago due to heart failure. You felt bad that you didn’t grieve like your children did, you didn’t love him like that, you never did. He was more like a best friend than a lover. A man, who died before Jihyo was born, owned your heart and he knew that.

Jung Hoseok, that was his name. Now, even though you weren’t able to move the way you wanted to, you could feel your body move to his. He was a great dancer and he loved dancing, no matter where, no matter who saw him, he danced like no one ever could. It made you feel light, oh so light. The feeling he gave you was indescribable, not a single person ever made you feel this way again.

“Mum, wake up” you hear Jaebeom's voice. Your second oldest visits when he can. You appreciate the effort. “Mum, wake up. It’s your birthday and we want to celebrate with you.” Your eyes open slower than you want and behind droopy eyes you see the faces of your children, Jaebeom, Jihyo and Youngjae. A smile plasters itself on your wrinkly face.

“My babies, what brings you here” Youngjae rolls his eyes at you as he chuckles “It’s your birthday today. We want to celebrate with you” you gasp slightly, trying to sound surprised. Of course you know, the day you were born is the same day the love of your life left this planet. “Don’t act like you don’t know. Your brain works faster than you give it credit, Mum” Jihyo laughs. You chuckle and wave her off.

“Look, Mum. We actually wanted to tell you something” Jaebeom starts and your laugh dies right there. His tone doesn’t excite you, not in the slightest. “What, honey?” your hand finds his and he assures you with a small smile “We all know how your chances of living another year stand. The cancer has spread and your body won’t withstand it any longer.” You nod, that you are going to die, pretty soon, is nothing new. You are prepared and so are your children.

“We thought about a way to make it more comfortable” Jihyo continues and your brows furrow. You talked about hospice, and you didn’t like it. Why are they bringing this up again? “Jihyo, hun. I am not going to leave the country to die.” Youngjae shakes his head and grasps your other hand. “No, mum. We are talking about a way of you getting to live forever, in peace and without pain. You might have heard of Daydream. It’s a non profit organisation which makes it possible to transfer one's consciousness to their database and to a place called Base Line. “

Your brain is running miles as soon as he starts to talk about “base line”. You know exactly what he is talking about, he used to talk about it all the time. Hoseok liked the idea of being together in eternity. “We thought about it. Since you’re not willing to die early and we all know about your undying love for a man who died a long time ago. We were able to get you a spot in daydream. They are willing to download you and give you what you craved for all these years.”

Your mind goes into panic. How can you live forever, forever in a place that Hoseok dreamed about?. How can you spend your eternity with Jinyoung when the person you so dearly love isn’t him? “Jaebeom, honey. I can’t, you don’t know what you are talking ab-”Mum we know. We’ve known for years.” Youngjae almost whispers. Your eyes snap to his and you can see the sincerity. “What?” the whisper leaves your lips, it almost sounded like a whimper, so pathetic. “We’ve known for a long time that your love wasn’t his. Dad was never the man you loved, it was Jung Hoseok, Jihyos father.”

Your eyes fill with tears. They knew, they knew everything. Secrets you kept in the deepest depths of your mind have been discovered all these years ago. Your life was a lie, everything you lived to protect was a lie. “I-I-don’t-”Mum, it’s alright. We are not angry with you.” you start to cry. A violent yelp leaves your lips as all of the thoughts, emotions, memories flood back into your mind. The pain you feel is unbearable, it makes you double over in the comfort of your bed. Youngjae holds your shaking form, whispering comforting words.

“But h-he didn’t-”He did, mum. He was able to get a spot as a beta test person almost fifty years ago. His download was saved on their server. They opened his interview file about twenty years ago and tried to contact you. His reason for joining the program was you, mum. He wanted to find a way to stay with you for the rest of eternity. Dad kept it a secret but we want you to be happy. We want you to be free of pain and live a happy life with the person you love, with Hoseok.” Youngjae sobbs.

You can’t believe it. All these years he was merely miles away. The person who made you feel how no one else could, the love of your life was a few hours away from you.

xxxxx

The car ride is long, almost seven hours to go, but you don’t mind. While your children call their families, read their books or listen to their music you reminisce, you reminisce about the moments you spent with him. The memories you made with him come back.

“Come on, give it a shot.” you frown, the thought of embarrassing yourself further displeases you a lot. He smiled at you with his hands out for you. His brown straight hair frames his handsome features perfectly. The softness of his skin, the lightliness of his smile and his comforting smell that coats the air. Everything makes you smile back at him.

“You know i can’t dance, i much rather watch you dancing” it makes him chuckle and his head falls back with a wide smile plastered on his face. He shakes his head and comes closer, almost too close. A step closer and you are pressed against each other, even with the step in between you, you can feel him. The warmth, the comfort and the love.

“I don’t care about your dancing skills. I want you to have fun with me. How about this, you put your feet on mine and I guide you.” a grin escapes your features and he takes it as a yes as he pushes your feet over his. “Just follow my rhythm, I’m right here, i’ll always be” you nod and lean your head on his chest. You can hear his heartbeat, the way he breathes and the way he hums the melody to stay on tact.

“That’s it baby, just like that. You’re a natural, you’ll master the wedding dance in a heartbeat” your eyes find his as his sentence reaches your ears. He would want to marry you? “Wedding dance?” you whisper and he halts his movements. His searching eyes study yours, trying to find displeasure. “Well, yes. I would love to be married to you. No one else should be by your side, not that anyone is better than me” he chuckles and you can’t help but laugh as well.

No one was ever better than you.

“Go to sleep, mum. We have one more hour to go” Jihyo whispers behind you and puts you to sleep with a gentle rub on your shoulder. Once again you reminisce in memories, in more painful ones.

“Don’t you understand where i’m coming from? Why are you so blind, i can’t have a child right now” you shout. He rubs his temples with a frown. “I’m not forcing you to have a child, I just want to know if you want to ever-in the future- have a child with me.” he shouts back at you, the tone in his voice was angry, very angry.

Your eyes are wide and wet, trenched in tears as you back away. He doesn’t care though, he is too busy throwing the next mug on the floor. “Is it me? Would you have a child with someone else because I'm such a mess? Am i not responsible enough? Am I not enough?” he shouts and throws the plate to the floor. Porcelain shatters on the wooden floor with such anger. You’ve never seen him like this, ever and it scares you.

“No, why would you not be enough?” he laughs in the midst of his emotional breakdown. “Because it damn fucking looks like it. Did you already cheat on me, huh? Is that why you’re so damn quiet?” he steers and all you see is red. You almost sprint over to him, your body finds it’s way over the tiny kitchen island like it has done it a million times, it seems so easy. Your hand connects with his cheek with such speed that you are afraid you might’ve knocked some of his teeth out.

Hot tears coat your cheeks as you try to find your words “Don’t you ever accuse me of cheating on you. I know you are angry but this is low, very low.” you whisper. His angry eyes shut and he shoves you out of his way. He grabs the car keys and almost kicks the door open

“I’ll be out for a while, don’t wait for me”

You jolt awake with a loud gasp “Don’t go” you whisper through tears. Just as you see your son in front of you, you realise that it’s not this day, the day he left you. “Mum, are you alright?” Jihyo has a hand on your shoulder in concern. You quickly wipe the tears away to hide your emotional rukus. “Look, we’re here. Right there is the facility” Youngjae points at the big building up the road. “You almost made it, mum” Jihyo beems at you. Your little girl smiles at you with such compassion. It’s something only children are able to do, look at their parents with such love, with such adoration. Having to leave them behind weighs heavy on your heart.

xxxxx

“Mrs. Y/LN, here you will have some time to say goodbye and talk about whatever you might want to share with your family. After you are done we will inform you about the process of downloading and what we know about Jung Hoseok.” a young lady, not older than your daughter, informs you.

All of you sit down, a heavy silence dominates the room. No one is brave enough to say something, to say goodbye. “I love you-”Mum, you don’t have to-”No, Jihyo, i have to. I want you to know. I love you all so much, and I would stay much much longer by your side, if I could.” your hand finds Youngjae’s and a shaky breath leaves his mouth “Mum” Youngjae whispers.

“I’m sorry that I won’t see you children grow up, Youngjae. I’m sorry that i won’t see you get married, Jaebeom. And I’m mostly sorry that you will never see your father, Jihyo. Hoseok would’ve been such a good father. I’m sorry that things haven’t always worked out the way I wanted them to. But I’m honored to call you my children. I’m so proud of you, of everyone of you. You made me the happiest mother there could ever be. I love you and I hope that you’ll remember me as such. Not the weak, ill woman I was the past seven years. I want you to remember me as the woman who raised you, the woman who loved to dance, the woman who was strong. Do me a favor and remember me as such.”

Jihyo sobbs against your shoulder and you let her. In merely a few moments they won’t have a mother anymore. They’ll be without the support of a lifetime, without their lifeline. Without the person who gave them shelter and love, their mother.

“We’ll always remember you as the strongest woman there ever was, as our mother” Jaebeom whispers under tears. You smile and pet his head like you used to when he was little. “I’ll miss you” “Mrs. Y/LN, the transfer is ready” you are quick to stand up. “Go, live your life. Don’t be sad for too long. Grieve and cry but afterwards you have to live. Promise me to live” you grin in pain. With a kiss to each of their faces you leave the room.

xxxxx

The corridor to the room the woman is bringing you seems endless. The time it takes you to get to your love seems endless. But as she sits you down on a comfortable blue chair your heart calms down.

“My name is Nayeon and I’ll inform you about the process of downloading. We’ll connect your brain to our core and transfer your consciousness to one of our memory bots. Jung Hoseok, the man you so desperately want to meet again, was downloaded on an older memory bot. He was saved on a almost twenty year old bot when we found him so we had to transfer him to one of our younger bot models to guarantee a safe connection to our station “base line” and to your memory bot. The bot wasn’t damaged in the slightest. His consciousness was copied, as for yours is being transferred, meaning that your body won’t be usable after your download. Do you understand? Do you still want to proceed?”

“yes”

She puts several sensors on your head and injects a chip into your right temple for the transfer. Weirdly enough, your head is empty. You expected your head to run wild as soon as they started your transfer. “In less than two minutes you’ll go unconscious and wake up in the superficial world base line. Your bot will be securely stored and taken care of. I wish you a comfortable journey. bon voyage

xxxxx

You awake with a small groan as the bright sunlight burns itself into your skin. The gentle wind glides through your hair and slightly dries your eyes as you pry them open. You can smell the salty sea air and feel the rays of sunshine.

The bed you are lying in is big and comfortable, almost as comfortable as the bed you shared with Hoseok. Speaking of Hoseok, why isn’t he here? Isn’t he supposed to welcome you? Your feet find the floor as fast as possible as you run across the room. Just seconds before you dare to leave the room you catch a glimpse of the mirror facing the beach. You see yourself, not the almost seventy year old you, no, the twenty year old you. The firm skin, the still colored hair and the healthy looking body you once had faced you.

You breathlessly stumble towards the mirror to take a closer look and then, then you see him. You’re able to see the reflection of his back through the mirror. Your head whips around and you start to run. The pain, the love, all of the emotions you kept inside of you all of those years made you sprint, stumble towards him. “Hos-Hoseok!” you scream. You run with all of your strength, you hurry to the man you’ve missed so much. “God, Hoseok!” and the moment he turns around you halt. All of your limbs stop moving.

His golden skin, his beautiful face make you stop. You can’t believe that he is here, right here after all these years. “Ho-Hoseok” you manage to sobb. His face morphs into a smile as he opens his arms. “Come on, come to me, my love”

And you run again, you sprint into his arms. His warm body embraces you as you crash.

The weight pulling the both of you to the ground.

“I thought I lost you” you sobb as he strokes your hair.

“I promised you to find a way to stay by your side forever.”

[pogokitten]

Lost and Found

By @pogokitten for @lost-lunar-wolf

Rating: Teen (for swears)

Relationships: Peter Parker & Tony Stark

Characters: Peter Parker, Tony Stark, Pepper Potts, Happy Hogan, Ben Parker, May Parker

Summary: People lose things all the time, keys, toys, favorite socks. It happens, it’s just a part of life. But sometimes these lost items make their way to soulmates. It’s phenomena as old as civilization itself. You lose your favorite hair tie and poof, it just appears near your soulmate for them to find and eventually return. Romantic or Platonic, it’s expected that everyone stumbles over some of their soulmates' lost items here and there. Some people just end up waiting longer than others.  

Or: The platonic soulmate AU where Tony and Peter find and hold onto a lot of each other’s stuff over the years.

Tony is speed walking through his mansion the first time it happens. He’s not paying attention, tie barely on straight and coffee almost sloshing out of his cup as he rushes for the door. He’s late for a meeting and usually he wouldn’t care, but Obie has been up his ass about this one. Something about a grouchy general that thinks Stark Industries weapons are overpriced and overhyped needing convincing.

So when Tony stumbles on something caught under his dress shoes, he finds himself cursing colorfully as splashes of coffee dot the marble floor. He glares down at the offending object when he has his footing, fully expecting it to be a tool or something that migrated out of the workshop.

The engineer stops short and stares however, when he takes in the soft blue baby binky on his floor.

Tony is no stranger to having strange things in his house, being an eccentric billionaire and all, but he has absolutely no clue how a pacifier of all things has ended up on his floor.  

Tony scoops the binkie off the floor examining it, completely baffled.

It looks new if the bright color and barely chewed appearance is anything to go by. Tony wracks his brain for any possible reason a pacifier could have made its way into his home. This wasn’t a week for the cleaners so it wouldn’t be something of theirs, and the only other people who have been in his house since yesterday were Happy and Pepper.

The engineer knows Happy himself is allergic to children, but doesn’t he have a sister or something? Does she have a kid? Maybe it got mixed up in Happy’s things? It’s not the most plausible explanation.

As for Pepper, Tony’s pretty fucking sure she doesn’t have a kid. He knows from her comments that she doesn’t have much in the way of family anymore and that she’s single. Maybe one of her college friends has kids? Could one of their kid’s binkies have ended up in her purse during a visit or something?

The theory’s not great, but that’s at least more believable than Happy being the culprit, and for the life of him, Tony doesn’t know where else the thing would have come from.

Tony stuffs the pacifier into his pocket and continues out the door resolving to ask Pepper about it later.

---

Tony never ends up asking Pepper about the binky.

He came home from an extremely long day at the office spent schmoozing the stuffy general and tossed the thing out of his pocket along with his keys onto a cluttered table in the workshop. He then proceeded to drink the night away to dull the built up tension. When JARVIS wakes him up the next morning, the pacifier is a distant memory due to his ragging hangover and Obie calling to talk business.

It’s not until a few months later that the binky even crosses Tony’s mind again.

It’s another typical day in the life of a party addicted billionaire genius, when Pepper pages him through JARVIS to help her into the house. Tony finally emerges from his lab for the first time that day, muttering equations under his breath. He’s lost in his own head, still focused on the designs he’s been hammering out downstairs.

So Tony nearly falls on his ass when he steps onto something that slides under his feet in the entryway. The engineer is quick to catch himself, heart still racing from the near drop, and looks around irritably for damn banana peel or whatever it was that almost killed him.

He quickly spots what looks like a scrap of fabric nearby. Grumbling, Tony snatches it off the floor and realizes it's not a pocket square or a tie like he thought.

No, it’s a lovey.

He gapes at the toy with wide eyes.

The blanket bit of the toy is a soft yellow fabric, the stuffed animal portion a smiling dog with floppy ears. It’s a bit love worn and could probably use a wash, but it doesn’t seem especially old.

It also absolutely shouldn’t be here.

No one else has been in the mansion for the last two days except for him, and Tony knows the lovey wasn’t there this morning.

“JARVIS, did someone break into the house to leave baby toys for me to trip on, and you just neglected to tell me?” Tony asks.

“Of course not, sir,” the AI says, sounding almost offended, “No one has been inside of the mansion aside from yourself and I would have alerted you to a perimeter breach.”

“Then how is this here?” Tony questions, holding the toy up to the nearest camera.

“It simply appeared in the foyer, sir,” JARVIS tells him.

“That’s impossible, things don’t just appear.”  

“It is possible, sir. I thought it would be obvious,” the AI refutes, a hint of a smirk in his tone.  

Tony rolls his eyes. “Not in the mood right now, J.”

“I believe that your soulmate has lost both the toy in your hand and the pacifier you found approximately three months ago,” JARVIS explains.

Any sort of snappy retort dies in Tony’s throat and he snaps his gaze back to the lovey he’s holding.

Soulmates were not something that Tony Stark had thought about often in the past two decades of his life.

Growing up he’d been as intrigued by soulmates as any child his age, waiting to find mysterious clothes or toys like many of his peers. He’d waited and hoped and looked for years, anything to ease the loneliness of the Stark Mansion. Only to find himself at the age of fifteen without a single lost and found object to his name. That had been when he started to doubt, when he stopped looking for items that weren’t his and steered away from conversations about soulmates.

It’s not unheard of to not have a soulmate until adolescence and beyond, but after he hit twenty-one, Tony had concluded that the cosmos hadn’t bothered to give him one. That, or his soulmate had died before they’d had anything to lose besides their life.

He is well past the age where he would have gotten a romantic soulmate bond, but a platonic or familial one…

It’s pretty common knowledge that a lot of parents and children share a familial soulmate bond, and it’s not like Tony is the most...celibate...person in the world. He’s been careful about his fun, but could it have happened? Or was this some random kid who had gotten stuck with Tony Stark as their ‘shared soul’ by the misfortune of fate?

Tony stares at the lovey in shock while his thoughts race for a long enough amount of time that Pepper irritably rings the doorbell again. Still practically in a trance, Tony opens the door for her on autopilot.

Pepper bustles into the mansion carrying several packages of mail and one of his freshly dry cleaned suits, strands of her vibrant hair escaping the usually tidy bun they’re usually pinned up in.

“Finally! I’ve been standing out there holding all these boxes for ages! Really, Mr. Stark what in the world did you order that’s so-?”

“Pep…” Tony manages to choke out, the nickname and his tone catching her attention.

His PA puts the mail and dry cleaning on a side table and turns back to him, concern on her face.

“Mr. Stark?” she asks.

With a slightly trembling hand he holds the lovey out to her. “I… I found this. And a binky a while ago. I’ve got… I’ve got a soulmate.”

“Oh… Mr. Stark-” Pepper’s mouth opens in shock as she takes in the toy, before her eyes crinkle in a smile, “Tony, that’s wonderful.”

“God look at this thing,” Tony chuckles, and to his slight horror, it’s a bit of a wet sound, “Between this and the binky, the kid can’t be more than half a year, huh?”

“I’d say so.” Pepper says smiling down at the little plush toy.

Tony swallows. “Do you think he’s mine?”

His PA looks back up at him, eyebrow raised slightly. “He?”

“Just a feeling.”

“A feeling, huh?” Pepper smiles, “Well he is yours. Your soulmate. It doesn’t matter if this child is yours biologically, because you’re going to care about them either way right?”

Tony nods, unable to voice any of his vulnerable thoughts. Too many emotions are still swirling inside, crowding his mind.

“Besides I don’t think he’s blood related to you,” Pepper tells him.

“How do you know?” Tony asks.

She gives him a bit of smirk. “Just a feeling.”

Tony gives a little laugh, giving her a grin in return. But eventually he looks back at the toy in his hands and feels it slip off his face. In his bones, he already knows that the bond he and his soulmate will have is going to be a familial extension of a platonic soulmate bond. Or more accurately, a paternal one. And that absolutely scares the shit out of Tony.

“What’s wrong?” Pepper questions, peering down at his whitening knuckles.

“Even if he’s not mine by blood, I don’t want to be like my dad,” Tony confesses in a rush, “I can’t keep the cycle going… I-”

“You won’t,” Pepper cuts him off, “The fact that you’re worried about that at all is proof enough that you care, and that you want to be better than Howard. So you will be.”  

Tony doesn’t say anything to that, gaze dropping back to the lovey in his hands. He wants to be better than his father, but can he be? He’s been following in Howard Stark’s promiscuous alcoholic shadow for a long time now. But he owes it to this kid, and Pepper, and hell, even himself to try and be better.

Pepper eventually clears her throat. “Will that be all Mr. Stark?”

Tony gives her a genuine smile, the kind that is reserved only for the few people he trusts and cares for. “That will be all Ms.Potts.”

***

Peter sits on the couch in his aunt and uncle’s apartment pouting. The adults are standing near the doorway, talking. Sure he loves Aunt May and Uncle Ben, but he loves his Mommy and Daddy more, and they’ve been going on trips so much lately. They just went on a trip a few weeks ago and now they’re going on another one. And this one is so far away.

“We should probably head out. Thanks so much for looking after Pete this week,” Peter hears his dad say.

“Of course, we love having Peter,” May tells him.

“Don’t go!” Peter jumps up from the couch and tackles his mom’s leg.

“It’s not for long sweetheart,” she soothes, brushing his hair back, “Daddy and I have to go to a few boring meetings. You’ll have more fun here with Uncle Ben and Aunt May.”

“But I’ll miss you!” Peter whines.

“And we’ll miss you kiddo, but we’ll be back before you know it,” his dad says, kneeling down to hug him.

Then his dad picks him up so his mom can hug them too. Peter likes it when they all hug like that, it makes him feel warm and super safe.

“Love you. Bye-bye,” Peter mumbles into the embrace sadly.  

He knows by now that no amount of begging will get them to stay, but that doesn’t stop him from trying at least a little bit every time.

His mom kisses his forehead. “And we love you Peter.”

Peter’s parents set him down and hug his aunt and uncle before they step out of the apartment and are gone. Peter’s eyes feel hot, but he doesn’t want to cry. He’s six, so he’s almost big now. Mommy said it was okay to cry no matter how old you are, but most of the other boys at school just make fun of Peter for it.

Aunt May cards her fingers through his hair. “Why don’t you go get settled, sweetie. Then we’ll all go to the park so you can play and feed the birds?”

Peter nods, subdued, and shuffles to the small guest room with his backpack and suitcase.

He sniffs back tears while he makes quick work of his suitcase, throwing his clothes haphazardly into the dresser, but takes much more care with his backpack.

Peter unzips it, double checking that all of his prized possessions are there. His dumb inhaler that he has to carry everywhere, check. His GameBoy and the handful of games he has, check. Toebeans, his stuffed snow leopard, check. His three favorite action figures at the moment, check. And… Peter panics for a moment before he feels his hand close around cold metal.

With a sigh of relief, Peter pulls the tool from his bag.

The screwdriver is small, the perfect size for Peter’s little hands. It’s old and its red handle is worn. Uncle Ben told him it’s for putting together small delicate things since it’s way too small for normal sized screws. Daddy said the screwdriver had turned up in Peter’s crib when he was just a few weeks old. He had explained that it belonged to Peter’s soulmate and that they must have lost it.

Peter’s soulmate must usually be good about not losing things though, since Peter hasn’t found that much stuff. So far it’s just been things like nuts and bolts or a couple of pretty neckties. Peter’s pretty sure his soulmate must be a grown up, since they never seem to lose fun stuff, like toys. Ned’s soulmate always loses toys, like My Little Pony dolls and plastic dinosaurs.  

Still Peter keeps all the things he finds, even if they’re usually kinda boring. Uncle Ben and Daddy always say it’s important to return lost items, and there’s no way Peter would ever be mean to his soulmate. Especially when holding his soulmate's screwdriver makes him feel better whenever he’s sad. It’s familiar and it makes him feel safe, like his parents’ hugs.

Staring down at the screwdriver, Peter wonders what lost stuff his soulmate has from him.

...Maybe they’ve got that bouncy ball he lost two weeks ago? It was a really good one. He hopes they have fun with it.

Still Peter can’t wait to meet his soulmate, even if they are old. Mommy told him to be patient, but Peter’s never really been the best at that. Daddy said they would meet when the time was right and he and his soulmate needed each other most. Whatever that means.

“Peter! Come on, let’s hit the park!” His uncle calls.

The boy quickly puts the screwdriver back and zips his bag closed, swinging it onto his shoulders. “Coming, Uncle Ben!”

His aunt and uncle lead him from the apartment, his little hand clasped in his uncle’s calloused one.

Uncle Ben gives his hand a squeeze and a gentle smile when Peter looks up at him. “Buck up champ, your parents will be back before you know it.”

“Yeah,” Peter smiles and never once that week did he think Uncle Ben would be wrong.

***

They’ve just finished a meager dinner of mostly tasteless stew, and Tony wants nothing more than to collapse after another day of hard labor. He’s lost track of how many days he’s been in this godforsaken cave, no longer having any concept of time after being hidden away underground. Since that first week, most days have been the same. Tony and Yinsen desperately trying to craft the instrument of their escape without being caught, all while making their captors believe they’re cooperating.

It's a terrifyingly fine tightrope they’re walking.  

At least he’s finally getting used to the constant pain of the reactor in his chest, something he’s very likely to live with for the rest of his life. However long that may be.

Tony has just stood and turned away from the fire, intending to finally sleep, when he stumbles over something in his exhausted state. He glances down half-heartedly, expecting a rock or a divet in the cave floor only to freeze when he sees it.

It’s an action figure of some sort. Clearly a superhero of some kind, his outfit is red and white with a helmet that hides his face. Tony thinks he’s flicked passed this show on TV once or twice. Power...Something. Power Riders..? No that’s not quite it.

Tony picks the toy up, feeling his lip quirk slightly despite himself.

“Stark?” Yinsen questions, coming over to look at what he’s holding.

“My kid...my soulmate,” Tony explains with a sad little huff of laughter at the other man’s raised eyebrow, “They must have lost this.”

“My children are the same, always misplacing their things,” Yinsen tells him with a nostalgic smile, “What are they like?”

“Well…” Tony heaves out a breath, blinking away the sudden urge to cry, “He’s a little boy if I had to guess, probably around seven or eight since that’s how long I’ve been tripping over his toys. He likes action figures and Legos, considering how many he loses, but I don’t...really know. I… I never got to meet him.”

And it’s true, he hasn’t. And god it feels like everything’s been a waste. He never even got to meet the little kid who’s stuff he’s been stumbling over for years. And now Tony’s in a cave held captive by terrorists with shrapnel near his heart, the only thing keeping him alive being the electromagnet in his chest and the knowledge of a missile his captives want him to build.

Yinsen puts a hand on his shoulder, giving it a reassuring squeeze. “You have not gotten to meet him yet.”

The engineer nods then, his jaw set. “Not yet.”

After that, Tony makes sure to keep the action figure close during his time in the cave with Yinsen. It’s almost obsessive how many times he checks that it’s still in the same place. But it’s like a little spark of hope in their dark cavern, a tangible reminder that there’s a life out there for him to return to, if he can just escape this hell.

Tony’s got to make sure he’s there to give all those toys back to the kid someday, after all.

***

Peter blinks awake sluggishly when May shakes his shoulder. “Come on. Get dressed sweetheart, breakfast is almost done. I know you don’t want to, but the two weeks the school let us have is up.”

Right. He’d been trying so hard not to think about it, he nearly forgot.

“Yeah,” he mumbles.

Peter pulls his aching body, sore from tossing and turning, out of bed while rubbing sleep from his eyes. Last night was definitely one of the worst nights he’s had these past two weeks. The teen had spent the first half of it shifting restlessly, unable to sleep, then he’d cried for at least an hour or two before finally succumbing to his exhaustion.

The boy shuffles into his clothes, not even bothering to check what he’s wearing. Moving to the bathroom, Peter cringes at his reflection after he finishes brushing his wild curls. He’s pale as a ghost, but his eyes are red and watery. Dark shadows sit under them, marks of the past two weeks of mostly sleepless nights.

He looks horrible. Like he’s a zombie or is deathly ill. There’s no way people won’t notice. The teen is really not looking forward to all the pitying looks and whispers he’s going to get just from the news he’s sure has gotten around, let alone how he looks like a ghost. Peter really doesn’t want to go back to school today...or well ever. Going back to “normal” after Ben… Well, it just doesn’t seem possible.

Unbidden more tears spring to his eyes.

Peter sighs, dropping his gaze back to the sink.

To his surprise an unfamiliar pair of sunglasses are sitting on the porcelain edge. Peter picks them up examining them, already aware that they don’t belong to May...or Ben. They’re a nice pair of sunglasses from what he can tell. The lenses are a deep red so dark it looks black, the frames a dark burnished metal. Clearly some really expensive name brand that probably costs near the apartment’s monthly rent.

Impulsively, Peter slips them on and checks out his reflection in the mirror. To his relief, they do a great job of hiding his red rimmed eyes and the dark shadows underneath them, perfect for his first day back to school. And he can admit, although they’re a smidge big, he does look pretty cool in them.

Peter slides them off and slips them into his hoodie pocket so that May doesn’t see. She probably wouldn’t approve of him trying to wear them all day. But hopefully his teachers will give him some leeway since they’ve probably all heard what happened.

Worst comes to worst, he can just lie and say he has a migraine or something.

He eats a solemn and slightly charred breakfast with May, sharing a long and tight hug with her before he forces himself to head out. As soon as he’s clear of their building, Peter slips the sunglasses back onto his face.

On the streets, no one gives him a second glance, but it is New York after all and that’s just the norm. The real test starts when he finally makes it to the front steps of his school. There are some kids milling around outside chatting about their weekends in the few minutes before the first bell. He slips past them easily enough, with only a few brief glances thrown his way.

In the hallway some of the students and teachers do give him lingering looks, but he keeps the glasses on and his head down and the whispers are minimal. When Peter finally makes it to his locker, he breaths out a sigh of relief. The sunglasses do attract a few lingering looks, but no one has commented on his distressed state.

He keeps them on for the rest of the day, sighting a migraine when asked. None of the teachers seem keen to try and force him to take them off, as expected. Peter’s pretty sure it’s just because none of them want to be responsible for making him cry or have a breakdown.

He ends up wearing the sunglasses a few more days that week, on the mornings after rough nights. The sunglasses almost feel like a shield, protecting him from prying eyes. It feels a bit like his soulmate is there, letting Peter hide behind them. They make him feel safe, and like he’s not an open book for the first time since that fatal gunshot rang out.

Eventually, after the rubbed raw pain of Ben’s death has faded a bit, the glasses end up tucked away with the little red screwdriver in the box that holds his most precious items.

***

Tony really wants a drink, despite all his promises to Pepper. He really has been trying to lay off since they finally got back together after such a long break. Not to mention he’d gotten black out drunk so many times in the first few weeks after Siberia that the few people left in his life had come together and begged him to stop before he killed himself. Tony’s a lot older than he was when he went out drinking every night after his parents were killed, and the drinking isn’t nearly as gratifying as it was then.

He hates that it’s still a struggle to not seek alcohol out on his own.

Now more than ever, especially after Ultron and the media dubbed “Civil War”, Tony wonders if he’s even managed to do any good in the world as Iron Man. More and more it seems like he just makes bigger messes than the ones he tries to clean up. Sure, he’s had his good moments, but they feel like they pale in comparison to all his missteps.

Not to mention how even when it’s a group failure, most of the world is content in letting just him take the fall. Everyone else seems to get off scot-free while Tony and his loved ones are left in the blast radius of the aftermath.  

The engineer sighs, heading back to his lab after taking a stressful SI call in his office upstairs. FRIDAY opens the door for him without comment and he heads towards the single worktable he’s managed to set up so far in the compound. But then Tony blinks at the backpack that’s now sitting on top of the letter and dinosaur tech Rogers mailed him.

The bag is dark blue and little worn, something inexpensive that’s easily bought at big box stores. Feeling a bit excited, almost like he’s opening a present, Tony pulls the first zipper open. This isn’t the first backpack his kid’s lost, but it is weird that it’s happened at least four times this year alone.

Inside he finds a handful of pens and pencils, a mostly blank notebook with some pretty high level physics in it, an advanced calculus textbook that’s seen better days, and a change of clothes. There’s no name of course, because the universe hates to “ruin the surprise” as the saying goes, but it still tells Tony a bit more about the type of person his kid is.

Obviously the kid is incredibly smart, although Tony already knew that from finding the kid’s advanced biochem notebook in the first lost backpack and seeing the sort of stuff he was working on (Some of which seemed to be of the kid’s own initiative and was complex enough that Tony himself had needed to brush up on the subject to decode it).

He also knows that the kid must not come from a super wealthy household going by the cheap bag and worn clothes. Of course he already knew that too. Most of the stuff that the kid’s lost is generally well taken care of, but always inexpensive. That knowledge had certainly gotten Tony to fund a lot more scholarships for advanced school programs around New York City. Not that he knows where the kid is other than somewhere in America, but it still made Tony happy funding the future.

Smiling slightly, Tony puts everything back in the bag and is about to take it to store with the rest of the kid’s stuff when he catches sight of the pin buttons decorating the front. One is a Star Wars one with some nerdy meme on it, but the other one has the Iron Man mask on it. He lets out a surprised and almost wet laugh. Even after all these years he's still the kid’s favorite.

Tony will never forget the first Iron Man drawing he’d found that the kid had done, or the first action figure of himself he’d tripped over in the lab. Tony remembers preening like a peacock and showing the toy off to Pepper, Rhodey, and even Happy for the next week.

Somehow, despite all the shit he’s done, Tony must have done something right to end up as his kid’s hero. Becoming a superhero might not be why he originally set out to be Iron Man, but somewhere along the way he learned that he couldn’t just stand by and let people get hurt. Tony may not be as much as a pure hearted superhero as the spider kid, but it’s nice to have a reminder that he’s still got people to live up to.

Speaking of the kid, Peter is eager for sure. He’s smart as a whip and has a good heart despite all the times the universe has shit on him. And young as he is, the spiderling is using his superpowers with a maturity that most kids his age wouldn’t have. That and he did really well in Germany.

Tony looks back at the backpack frowning. Iron Man won’t be around forever, as much as Tony hates to admit it, he is getting old. And with almost all of the Avengers in the wind, he needs to make sure there are still heroes, real heroes, for the world to believe in.  

Tony nods to himself and pulls up the design for the Iron Spider suit.

***

Peter pulls himself out from under the rubble of the collapsed warehouse, gasping for breath, limbs still shaking. Behind him the rubble shifts and tumbles further and the teen is quick to scramble away from it, coughing at the dust it kicks up. For a moment he just stands there trying to catch his breath and still his shaking.

Holy shit, that just happened. The Vulture dropped an entire building on him and left him to die. Peter can feel the embers of his panic trying to crawl up his throat and reignite. He already knows this incident is gonna be nightmare fuel to rival the ones he has about Ben’s death. Just like that night, Peter feels like he lost something of himself, only this time it was lost under the rubble and not in a puddle of blood.

But he thankfully doesn’t have time to dwell on it.

There’s no telling how far Toomes has gotten while he was trapped under the warehouse. Peter needs to move now if he wants to stop the villain from stealing dangerous Avengers tech. If that stuff gets out on the streets no one in New York City, or maybe even the country would be safe. The thought of what kinds of people Toomes could sell those weapons to is horrifying.  

People are in danger, and even if Peter messes up or disappoints Mr. Stark again, he can’t let anyone get hurt when he has the power to stop it.

So, still trembling slightly, Peter raises his arm and shoots off a web, swinging into the night after the Vulture.

He doesn’t give a single thought to his Spider-Man mask, lost and left behind in the debris.

***

Tony is in the Avengers Compound again when he finds it.

Moving all the old Avengers tech to the compound has proven to be a nightmare. He’s still got the government up his ass after the “Civil War” debacle. Not to mention the modified alien weapons on the streets that both the DODC and FBI have been too incompetent to get a handle on, or even find the source of. But he’s still so busy with SI, the Accords, and the move upstate that he doesn’t have the time to track the guy properly at the moment.

And this Vulture guy really is below the Avengers’ pay grade like he told Peter. They were never really in the business of taking down arms dealers, not even high tech ones.

Tony sighs. He is starting to feel bad about taking back the kid’s suit. Sure, Peter was being reckless in it, but hadn’t Tony done the same in his? And Peter had the excuse of being an actual child. Not to mention sooner or later, the kid is going to remember that his powers don’t come from the suit. He’s going to run into a crime he can’t ignore and he won’t have the one thing that keeps him safe.

Tony had been telling the spiderling he didn’t want to be like his old man before the ferry shitshow, and what had he done as soon as Peter slipped up? Screamed at him, taken away the suit, and basically told the kid he didn’t want to have to deal with him anymore. And before that he had barely interacted with Peter after the whole thing in Germany, and yeah, Tony had some good excuses for that, but it was all still the exact same shit Howard would have done.

As much as Tony doesn’t do feelings, maybe he should call the kid up and apologize soon. It’s already been a few weeks.

Tony has just collapsed onto his desk chair in his workshop and started massaging at the tension headache sitting at the front of his skull when it catches his eye. A strange flash of red on his work table that wasn’t there just a moment before. Tony already knows it’s not something of his considering how little he’s been using this lab up until now.

His lip is already twitching up fondly as he reaches for it, wondering what the kid lost this time. He grabs the fabric object and pulls it out from under the stack of blueprints it’s ended up under.

For a moment nothing makes sense.

He’s holding Spider-Man’s mask.

The first one, from the kid’s onesie suit with the googly-eyed goggles sewn in. It’s soaking wet and covered in concrete dust. There are also a few smears of darker red that take a moment to register as blood to the engineer. All he can do is stare at it in utter confusion for a few seconds.

Then it suddenly makes so much fucking sense and Tony is so damn stupid. Of course It’s Peter, of course it’s always been the kid. Of fucking course his soulmate is the superpowered genius orphan with a guilt complex as big as his own. Of course it's the kid who agreed to help fight when Tony needed him the most. It was right in front of his face and he’s an idiot for not realizing that he found his soulmate nearly six months ago.

A soulmate who he’s been foisting off on Happy and refused to grow close to out of paranoid fear. A soulmate who’s looked up to Tony his whole life despite how shitty of a person Tony is. A soulmate who has obviously gone out in his homemade onesie of a suit and has obviously been wounded recently, if the fresh blood on the mask is anything to go by.

“FRIDAY, call the Forehead of Security,” Tony orders, vaguely realizing that his hands have started to tremble.  

As soon as the line connects, Tony is speaking before his friend can get a word in. “Happy, where’s the kid?”

“Tony- what?” Happy asks, sounding baffled, “Who? Parker?”

“Yes. What other kid do we both know? Where is he?” Tony questions.

“Why are you asking me? I don’t know. You have his number don’t you? Or just call his-” Happy cuts himself off, and for a moment Tony thinks the connection dropped until he hears Happy swearing, “Shit! Shit!”

“What?” the engineer demands.

There's a long moment of silence and Tony thinks he might actually hear Happy gulp. “The plane. It just went down.”

“Oh God, that’s what he’s doing,” Tony breathes out, heart clenching, “Peter’s there, Happy! He’s trying to stop it and he’s going to get himself killed!”

“What? How do you know? Besides I thought you took his suit?”

“I did! But I found his old Spider-Man mask covered in dirt and blood!” Tony practically shouts into the phone, the fear he feels coming out easier as anger.

Happy is silent for a moment, maybe stunned at the outburst. “Tony what are you talking about? You’re upstate-”

“You aren’t getting it,” Tony cuts him off, feeling panic starting to win over anger, “I just found it in the lab! The lab that Peter has never set foot in! On my work table that was clear about five minutes ago!”

“What..? But that means...” there’s a sharp intake of breath from the other end of the line, “Oh God. Shit- Okay. Coney Island that’s where-”

“I’m on my way,” Tony says, shoving Peter’s mask into his pocket and stepping into a suit, hoping with everything he has that the kid, his kid, is okay.

Then he’s blasting out of the lab’s launchpad, streaking through the sky towards the glowing beacon of New York City in the far distance as fast as the suit can take him. He tries to call Peter from his HUD but it goes straight to voicemail and Tony tries not to lose it completely.

---

When Tony finds Peter, bleeding, battered, and unconscious on top of the Cyclone coaster he greys out. FRIDAY is feeding him info on the kid’s condition and giving him instructions, but even as Tony’s body moves to follow her recommendations, it’s like he’s not even there. Or maybe he is but only in flashes, like his brain is skipping.  

One moment Tony’s picking the kid up as if he’s made of porcelain and the next he’s shooting off into the air, streaking back towards the compound since he stupidly moved upstate and left Peter without support in the city. It feels like Tony blinks and he’s landing again and Helen and her team are taking Peter’s limp blood covered body from Tony’s arms. He thinks Pepper calls him, and then Happy.

He has no idea what he says to either of them.

And then, what must be hours later, it feels like Tony finally wakes up in the compound’s medby, sitting at Peter’s bedside. The kid’s old mask is still bulging out of his pocket. He pulls it out and stares at it for a bit before looking back at his kid, his soulmate, laid out in the narrow bed.

Peter in his hospital scrubs is smaller and paler than Tony has ever seen him against the crisp white sheets. Not that he’s seen much of the kid, a dark part of his thoughts remind him. The kid’s broken ribs and head wound are bandaged, and he’s got an air cast for a wrist fracture. Helen’s got him hooked up to a complicated IV drip of some sort and FRIDAY is keeping careful track of the spiderling’s vitals on a nearby monitor.

Tony doesn’t remember too much of what Helen said about Peter’s injuries, other than they were somewhat severe and he’d lost a good bit of blood, but they thankfully hadn’t had to operate. Although he remembers there had been a fair amount of stitches needing to be done on the kid’s torso. That and something about having to give him an insane amount of pain meds to even touch his metabolism.

Peter shivers in his sleep and Tony hesitates for a moment before pulling the blankets up higher and tucking the teen in. After a few minutes the shivering stops, and tentatively Tony takes one of Peter’s hands in his. The kid’s hand is cold and a bit clammy in his, but Tony doesn’t mind. His curls are adorably wild and the engineer has to resist the urge to brush them out of Peter’s face.  

Tony doesn’t know how long he sits there holding his soulmate's hand, going over in his head again and again what he could possibly say to the kid, before he feels Peter grip his hand back weakly.

“Finally back with us, Pete?” Tony asks with a softness he didn’t know he possessed when the spider kid’s eyes start to slit open.

“Mis’r S’ark?” the teen slurs still half asleep.

Tony manages a weak grin. “The one and only.”

“Wha’ are you doin’ here?” Peter mumbles squinting his eyes open a bit more.

Tony squeezes the kid’s hand. “Didn’t want you to wake up alone and freak out.”

The physical contact and words seem to get through some of Peter’s drowsiness and confusion because he blinks rapidly then snatches his hand out of Tony’s own. The engineer tries not to feel stung by the action.

“Oh my god, your plane! Toomes! Is he okay, is anyone hurt?!” the teen asks frantically.

Tony is quick to stop the spiderling from trying to sit up. “The only one hurt was you, kid.”

Peter slumps back against the pillows. “That’s good.”

“It’s really not. Peter, you could have-” Tony cuts himself off and breathes out a long sigh, not wanting to lecture the kid while he’s still recovering.

The kid is giving him a wary look, like he’s waiting for Tony to lose it on him again. It makes him feel like even more of a piece of shit. So he does the only thing he can think of and holds the Spider-Man mask out to the kid.

“I found this,” Tony says abruptly.

“Oh. At the old warehouse?” Peter asks, taking it from him without meeting his eyes.  

“No. In my lab.”

The spider kid’s head pops up at that, confused. “But, Mr. Stark, I’ve never been to your lab. And I had it for part of the fight with Toomes.”

Tony nods and clears his throat. Well, now or never. “I know. But you did lose it.”

Peter’s brow furrows in confusion. Tony sees it dawn on the kid after a few seconds, his eyes going wide and shooting up to stare at the engineer.  

“You… So you’re…” the kid stutters.

“Yeah, kid. I’m your soulmate and I’ve got several boxes full of old toys, clothes, and backpacks that I’ve been holding onto for a long time,” Tony tells the boy feeling a little choked up.

Peter doesn’t say anything, he’s still staring at Tony looking completely gobsmacked. When the silence continues to stretch on, the engineer feels his insides squirm with insecurity. After everything that’s happened, maybe Peter doesn’t want to deal with such a shitty soulmate. Tony’s not sure he’d be too forgiving after the last few months of no contact and a near deathmatch with a supervillain that probably could have been avoided.  

When Peter still doesn’t manage to get a word out, Tony lets himself deflate. “I don’t blame you if you don’t want anything to do with me anymore. I know I’m not anyone’s first choice of well…anything generally, and you deserve a better soulmate and mentor... But give me another chance, Pete. It won’t be perfect at first but let me try and fix-”

“That’s-!” Peter bursts in suddenly, cutting him off, “That’s not true Mr. Stark. The whole ‘not anyone’s first choice’ crap, I mean. You were...one of my first heroes and- and you still are. Both in a science and superhero sense. And yeah you, uh, do really suck at the whole…emotional availability thing, but you just need practice. Probably.”

Tony finds his mouth twitching up, especially when Peter’s ears go red at the last bit. The kid is endearingly honest and awkward.

“What I mean is, that I’ve been trying to follow your footsteps for a long time now. And I forgive you for the whole…ghosting me thing, and I don’t blame you for taking the suit after the ferry. And I want to be your soulmate if you’ll still have me after I crashed your plan, and-” Peter cuts off his own rambling and looks down, still flushed with embarrassment, “Sorry, I’m totally still freaking out that it’s you.”

“You and me both kid, I don’t know what I did to deserve compassionate, responsible, superhero Peter Parker as my soulmate,” Tony tells the kid, and immediately shoots for a joke to cut away from the vulnerability of that statement,  “Even if you’re a little shit that gives me grey hair, especially with all the all the times I’ve nearly broken my neck tripping on your stuff over the years.”

“Well, I don’t know what I did to deserve Tony freaking Stark as my soulmate, even if he only loses boring crap like ties and metal scraps. Seriously, Ned’s soulmate lost Nintendo DS games and all I had to show from mine were socks or nuts and bolts. You made me so lame, Mr. Stark,” Peter whines dramatically, a spark of mischief in his eyes.

“Oh yeah, and it doesn’t ruin my very polished image as Tony Stark, billionaire genius, to trip over your Legos while out in public?” the engineer teases back, ruffling the kid’s hair.

Peter gives him a big innocent grin in response like the smartass he is and Tony just rolls his eyes.

The engineer leans forward and opens his arms in invitation. “C’mere spiderling.”

Peter lights up and gingerly leans into the embrace, careful of his injured ribs. He lets out a soft sigh of contentment and Tony won’t admit to anyone that the sound makes him melt a bit.

“Is this actually a hug this time, since there’s no door to get?” Peter questions with false innocence after a few moments.

Tony snorts. “Yes, you little shit it’s a hug.”

Peter’s laughter in his ear is the best thing he’s heard in months.

“So, when do we get to return each other’s stuff? Can we do it now?” the spider kid asks when they break apart, excitement shining in his eyes even as they began to droop with fatigue.

“Not till you’re healed, first of all. And we’ll have to take a day to do it. It’s a lot to go through. You’ve lost a lot of stuff over the years, kiddo,” Tony tells him, helping to settle the drowsy kid back under the bedsheets.

“We’ve got time,” Peter yawns, “Besides, if I didn’t lose anything, then how would you ever know to come find me and give it back Mr. Stark?”

Smiling fondly Tony finally gives in and starts combing his fingers through Peter’s hair. “I’ll always come find you, Pete.”

The spiderling gives a happy sleepy murmur in response before he slips back into sleep.

***

A few weeks later, after May had found out about everything, superhero alter egos and soulmates included, Peter is finally ungrounded enough to be allowed to go to the compound one weekend. May and Tony had talked a lot in the last few weeks and she had come to terms with everything. Well, after a lot of yelling at least. But now she was glad that Peter had another adult to care for him and watch over him.

Peter wasn’t just teasing about his not losing much over the years. He’s only brought over about three cardboard boxes worth of forgotten items. It’s a stark contrast to the eight or so big plastic bins that Mr. Stark keeps Peter’s things in. To be fair, he knows Mr. Stark has an eidetic memory which makes it pretty easy to keep track of most of his things, while Peter seems to be a bit more of a disorganized genius.

Mr. Stark starts in on his collection first, cooing over Peter’s baby toys and books while the teen sputters in embarrassment. In retaliation Peter just shoves the entire box of screws, nuts, bolts, and other assorted metal bits of various sizes at his mentor with a huff. Even Mr. Stark admits that it would be pretty boring stuff for a kid to find. Although Peter does confess to using a few spare parts in his refurbishing of tech he’d found in the trash.  

“Oh wow, I always wondered what happened to my red Power Ranger!” Peter exclaims when he spots the bright flash of red and white in the box of toys Mr. Stark has just opened, “I was so sure one of the other kids at school had stolen it.”

“I found that guy when I was in Afghanistan,” his mentor divulges quietly.

Peter freezes half way through grabbing the toy. “What?”

“When… When I was kidnapped, I tripped over it in the cave the Ten Rings kept us in. I carried him around with me the whole time after that. That little dude went through the ringer with me then,” Mr. Stark explains ruefully, his eyes locked on the battered action figure.

The expression on Mr. Stark’s face is hard to decipher. It’s sad and haunted, but there’s also some deep fondness as he looks at the plastic Power Ranger. Obviously there are a lot of heavy memories tied to the toy, good and bad.

“You should keep it, Mr. Stark,” Peter says firmly, gently pushing the action figure back into his mentor’s hand.  

Surprised, Mr. Stark seems to shake himself out of whatever stupor he’d fallen into. “You sure, kid?”

“Yeah.”

Mr. Stark doesn’t have to say anything, but Peter can tell. His Red Ranger means a lot to his mentor. It’s not something Peter wants to take away from him. Mr. Stark gives him a warm smile, his genuine one that he saves only for a select few people, and sits the toy on his work desk in a place of honor.

“Are you good to keep going?” Peter asks uncertainly.

He’s still not sure where the lines are with his mentor yet. They’ve slowly been getting closer over video calls and texts while Peter was grounded, but they’re both still waffling in that awkward phase when you first start actually getting to know someone.

Mr. Stark gives him a soft smile. “Yeah, kid. I’m fine.”

A bit later, after they’ve gone through and reminisced over all Peter’s baby stuff, Tony pulls a big binder out of one of the bins.

“I loved finding your drawings,” his mentor admits, “Rhodey, well you’d know him as War Machine, hung some up on the fridge as a joke when I showed them to him. And then, before I knew it, I was putting them up there myself.”

“You did what?!” Peter gapped, “Mr. Stark!”

“Oh come on kid, your artwork was adorable. Especially after the Battle of New York and I started finding a lot more Iron Man drawings. I even had a few of them framed,” his mentor grins.

Peter gives him a flat look. “You did not.”

In response, Mr. Stark  just raises an eyebrow and pulls a framed colored pencil drawing of Iron Man out of one of the bins. It’s not a bad likeness, done on lined notebook paper depicting Iron Man blasting a giant monster out of the sky. Peter vaguely remembers having drawn the thing when he was bored during math class a few years ago. The teacher confiscated it when she saw he wasn’t paying attention and Peter never did get it back.

The teen hides his red face behind his hands. “Oh my God.”

Iron Man literally put Peter’s childhood artwork up on his fridge like a proud dad. He doesn’t know if he wants to preen or hide from knowing that.  

Mr. Stark just laughs and claps him on the shoulder. “Don’t be like that, kid. Come on, I can’t not be proud of my kid’s artwork.”

Peter feels himself turning an even deeper shade of red. His kid.

Stuttering out something incomprehensible, Peter reaches for one of his boxes of Mr. Stark’s lost items. Still chuckling, his mentor leans over his shoulder to see what he’s digging through. He makes a surprised noise and reaches down to extract something from the collection.

It’s a very familiar small red screwdriver.

“Well, what do you know? That’s my favorite screwdriver from when I was in MIT. I put DUM-E’s circuit board together with that.”

“Seriously? That’s so cool, Mr. Stark. My parents told me they found it in my crib when I was just a few months old. I used to take it everywhere with me when I was little,” Peter recounts with a small smile.

Mr. Stark’s eyes crinkle, a subtle upward quirk to his lips. “I can see you took good care of it.”

“I’m glad I could finally bring it back to you,” Peter tells him earnestly.

He’ll miss the screwdriver a lot more than he wants to admit, but it’s something so important to Mr. Stark. This is the tool his mentor but his first AI together with. He deserves to finally have it back.

“Keep it, Pete,” Mr. Stark places the tool in Peter’s hand and fold’s the teens fingers over it, “You’ve obviously given it a good home.”

Peter looks up at him. “Are you sure?”

“It couldn’t be in safer hands, kid,” his mentor affirms.

Peter beams in response. He’d been so impatient to meet his soulmate when he was a kid, but now he knows it was well worth the wait. And there’s no one he’d want more as his mentor, father figure, or soulmate than Tony Stark.

@friendly-neighborhood-exchange

[mikaze-discord]

Love letter project ♡

Sooo to celebrate the 4th anniversary of Shining live, I put together a project! I basically got a bunch of people to write a love letter for their favourite boy. Things like, why they like them, how they got to like them and what they like about them were all accepted!

The event was supposed to have 2 fans for each boy but unfortunately I was unable to get two for some of the boys. 

Under the cut will be the love letters for all of Class A!!! Please enjoy~ And thank you for all the people who participated in the event and taking the time to write the love letters out. 

CLASS A

OTOYA ITTOKI

From @ponzu-penzui:

Hello world! My nickname is Yuki, and I’m here to tell you about the sunshine boy that is Otoya Ittoki. The redhead of the series, Otoya is your seemingly a-typical sunshine in a mascot boy character. But, as we all know with these types, the sunshine isn’t as, well, sunshine as they seem. Or, if you didn’t know, well… spoiler alert I guess. Go watch the anime, or play the otome games, then come back here. Anyways, let’s get started on our journey, shall we? Through the rabbithole that got me here in the first place!

Otoya immediately became my best boy the second I saw him. I’m not quite sure what immediately got me at first, whether it be his red hair and eyes, his voice, or his immediate friendliness, but here we are. I should also mention that UtaPri was my first idol anime, so I was completely unaware what was going to hit me later. And, if you’ve watched the entire anime, you know where I’m going.

Season 4 was an emotional wreck. I cried at least twice. Did I have a newfound appreciation for Otoya after all that heartache? Definitely. Without spoilers, it was incredibly painful for me to watch, but I don’t regret it.

After watching the anime, I soon found out about the existence of Shining Live. So, with no other UtaPri content to binge, I started to play SL in late 2018. After playing for a little more than a year, I tiered in my first Otoya event (Heartwarming Snow Festival), and achieved my first top 200. Ever since then, I’ve tiered in every Otoya event, getting top 200, then top 100.

But, why do I like Otoya Ittoki even to this day? Well, I guess this is the time where I say that, after a certain point, I started to see bits of myself in Otoya. This led me to start to RP him, and, as you probably know if you’ve ever roleplayed a character before, I started to look at the miniscule amount of translated game content (many thanks to the Ohayaho Translation Team) for, well, more content. And content I did receive. Long story short, this only served to solidify Otoya as my favorite boy of not only UtaPri, but from all anime/manga/game content I’ve ever seen/watched. His cheerfulness may have been the first thing that got me in this rabbithole, but his backstory and how he managed to grow up pulled me in even further. And, I don’t think I will or want to get out anytime soon.

Next one from; Anon

As much as we all know our Otoya for how sweet and kind he is, there is so much more to him than just a precious smile. He is uplifting, cheerful towards everyone he meets. He has empathy and goes out of his way to make sure his friends are happy. Even so, Otoya has feelings that aren’t always happiness and smiles. He can feel sad and angry just like anyone else.

The reason I care and love Otoya so much is because he has shown me that I don’t have to always put on a smile. It’s nice to show off your pearly whites, but sometimes, it’s okay to be sad too. There are times in everyone’s life when they feel out of place and that they don’t belong. Otoya also felt this way and that’s perfectly okay. He’s still being the best idol he can be: The idol that Otoya loves the most.

MASATO HIJIRIKAWA

From Anon: 

Masato Hijirikawa. Why do I like Masato Hijirikawa? I like him to the point that it feels weird for me to even question why I do. He's just- a good boy. A great boy. I love him. As a joke, I'd usually say that it was his weirdly pretty, bowl-cut hairstyle that drew me to him, or I'd say that he caught my interest when I read that he was "very good with his hands" (wink wonk) in his Shining Live description, and while both of these reasons are still true, it wasn't until I started role playing him in an old server that I really started to appreciate his character more.

Masato, despite his aloof and almost "perfect" initial image, is a very relatable character. When he first arrived at Saotome (in-game) he wasn't necessarily seen as someone with a lot of talent to become an idol, which he acknowledged with grace and worked hard to make up for. He's humble despite his privileged upbringing and is incredibly self-aware of his flaws, which are sources of insecurity for him sometimes (a lot of times). Though it should be said that most of this insecurity stems from not having a lot of control over his early life, which is why it felt so gratifying to see him break free of his metaphorical chains to pursue his happiness without any doubts. He's a hard worker and is willing to accept criticism with open arms, not only for himself but for the people around him. Despite his traditional upbringing and nature, he's very receptive to change as long as it benefits both him and STARISH. He values the people he cares about more than anything, which is why he constantly strives to be a better version of himself every day, not only for himself but for the people around him.

Though his stoicism sometimes makes him seem plain or even "boring" to some people, he hides a warm, hidden passion within that's just as bright as everyone else's. Like the springtime bloom of cherry blossoms after winter, Masato shows his passion and love with no restraint to anyone who takes the time to understand him, and I can very much attest to this. I love him a lot and I hope to see more content of him, STARISH, and the others for more years to come.

NATSUKI SHINOMIYA

From uh....me:

HELLO I’m Z~ also known as the mod of the mikaze-discord/utapri-hcs tumblrs, as well as the organiser for the event! But enough about myself, let's talk about Natsuki Shinomiya.

When I first watched the anime as a youngin, I had already known about the games and their plots but had decided to try out the anime as well since I had nothing better to do.

Natsuki was actually one of my least favourite characters in the anime just because of how they presented him. I just...didn't care for him at all. He was just some random tall guy who loved hugs and almost murder…. Yeah.

I’m sure like most, I had a changing point. Originally, I was a Tokiya rper but...I was just unhappy with how my Tokiya was, I wasn't as experienced in rping with that server being my first rp server i was ever in. I didn't feel like I matched up with the others. I felt my Tokiya was just lacking something, substance maybe. Another person actually had a similar feeling and had changed their character from Camus to Syo and since we already had an Ai, I had just decided to go with the flow and complete the rest of the cute team. Best decision of my life. I’m so grateful for Natsuki and everything I associate him with. Without him, I probably wouldn't have made my tumblrs, I wouldn't have stayed in that server, I wouldn't have gone looking for other servers to rp in. I don't think I would be the same without Natsuki. I just find him so endearing now, he is just a lovable giant who happens to be able to be a disney princess. He is just so darn cute damn it. , just look at his Christmas card, his King card, quite literally just half his Shining live URs. Also, just like his songs just slap. Natsuki to me, is just serotonin. He gave me so many opportunities that I could have missed. I don't even think I would have started this love letter project without him if I’m being completely honest. I genuinely enjoyed all the memories I made as Natsuki. Thank you to Natsuki and to the Mikaze-discord for basically starting me off.

From Luke:

Natsuki was actually the very first character I encountered before I got into utapri. A friend showed a photo of him and told me that I'd probably be into this guy. She sure was right! After installing shining live for the first time and having a familiar face on the screen, I grew curious of him each day and just had to find out why was so attracted to him. The fact that I've seen him so many times in the past was haunting me, telling me that this man actually watched me grow up from a distance without even knowing his name. It sounds weird but I find it rather comforting for someone who doesn't want to be protected but isn't strong enough to defend myself alone.

The thought of having him there was enough to get me through the day and gave me enough reason to wake up to the next. I admit I may have adapted some of his habits after looking after his account for a year but that isn't a bad thing if it means that it would turn me into a much better person than I am now. I guess you could say we've grown together now in a sense, preserving the feelings and just living through the moment no matter how happy or sad it is. What's important is that we're not alone in all things we do and in everything we feel, there will always be someone there to keep us moving when we feel like giving up.

[darylandbethfanforever9]

Devil’s Backbone

Devil’s Backbone

Chapter 7 

Story Rating: Explicit, 18+

Warnings: Smut, violence, past flashbacks of sexual assault, and descriptions of torture. Racial hate, and forced abortion. Not Tony Stark friendly.

Relationships: Bucky/OC, Steve/Natasha, Billy/Wanda/Grant, past Clint/Laura, and Sam/Sharon. Eventual Clint/Yelena, and rank/Karen.

Summary: In the aftermath of the Blip, Bucky struggled to find his place among the world and the Avengers. However, when he is sent on a mission to Madripoor to investigate a young woman, he starts to realize that maybe his past isn’t too far behind him. Co-Written with WalkingPotterGirl14.

Natasha wanted things to go back to how they were with Steve before the Accords and before her miscarriage. There was a part of her that felt like she was betraying Alexei, Melina, and Yelena by loving Steve, but the other side wanted to retire from the spy life. Wanted to retire from everything. She was tired of the jobs, of keeping secrets from the people she considered family. She didn't even hate Bucky or resent him anymore, unlike Alexei, Yelena, and Melina. She just wanted Steve and the rest of this to go away. She wanted life to feel remotely normal again. She didn't want to lie anymore to any of them. Everyone had been lied too so much. She was only added onto the drama. Natasha ran herself a bath, pouring in her jasmine scented bubble bath, mixing it with the water. She sighed tiredly, trying to settle into the water, when she felt her phone vibrate. As she looked at it, she saw it was a text message from Melina. 'I need to talk to you, Alexei and Yelena tomorrow in Zagreb, Croatia urgently. It's about her!' The text message said cryptically. Natasha felt a sense of dread wash over her at the text. 'I'll need to make an excuse to Steve, Tony, and the others first,' she texted quickly. Melina replied four minutes later. 'We are your family, Natalia, not them!' Melina had messaged back furiously. Natasha closed her in frustration, breaking down in tears at her dilemma.

"Whoever hired that team to assassinate the mystery girl really wants her dead. Tell Barnes and Carter to get a blood sample from her so we can test it for DNA. Maybe she's in the international database," Fury recommended sternly. Everyone nodded but Tony shook his head. "We need to send someone else to watch over Barnes, Fury. I personally believe that he's compromised. His judgement is skewed because he's convinced that this girl might be the dead girl from the files. Who knows what he might have done with her if she was in the Red Room," Tony insisted harshly, causing most of the people to look at him in disapproval. "We can't send Belova or Romanoff? They've been sent on a mission in Zagreb, Croatia to track down a few remaining Flag Smashers. Who else can we send?" Grant asked quietly, his face bruised from his fight with a Flag Smasher during a mission in London, Great Britain. "Send in Steve. He's become really good at working undercover and Bucky trusts him," Sam suggested diplomatically. It couldn't be him, seeing as the Smiling Tiger was in Madripoor. Ross had an expression of disdain, while Tony was cold but grudgingly agreed to the arrangement. "Try not to mess up, Capsicle," Tony said coldly, before walking out of the conference room. Steve sighs a bit before nodding. "I can do that. I'm sure Bucky hasn't gotten super far. I could help him out together."

Morgan Stark was determined to make her daddy happy. He'd been sad ever since Captain America's best friend, Bucky Barnes, had been pardoned by the government and found not guilty at his trial. Her dad had gone into a rage, shouting that Barnes was a monster and anyone on Steve's side was to blame for Thanos winning. So she was going to somehow make him smile again. She was going to build an AI, like he did. She already had a name picked out for him as well. Her dad had explained to her that he had created Ultron to protect the world. Maybe she could do that again, and somehow bring him back to make not only her daddy happy but the world happy. All she knew was that she was tired of hearing him fighting all the time with the Avengers and she wanted to somehow change that. Maybe a new Ultron could do that? She had found his memory core not that long ago. Maybe if she followed his blueprints from years ago…she could, do it? She didn't want any more arguing or yelling…all she wanted was for this to end. So that was that. She was going to do it. One way or another. Daddy had a lab always near him. It would be the perfect time to do it. Maybe they could finally figure out how to end all the fighting. Maybe she'll be the cause of it. Daddy would be happy. They would see they were wrong about him. Somehow.

When Steve had arrived in Madripoor, it looked the same as it always had from before, with bright lights and big neon signs drawing in anyone from a mile away. However, his eyes were more focused on trying to get to Bucky's place. He had talked with Sharon about where to go and she had directed him willingly, leading him towards midtown where a lot of the higher ups in the crime world lived. It was also where the mystery woman lived, apparently. Hopefully they would be able to get through to this quickly. He had knocked on the door, and for a moment there was silence. He had been expecting that, considering Bucky was most certainly not expecting anyone to come by and greet him. But he slowly opened the door, and when he saw it was Steve his eyes widened.

"Where the hell did you come from?" He asks as he lets him in, giving him an embrace. When Steve stepped back, he closes the door behind him, turning to Bucky. "Lot has happened at the base while you were gone," Steve states with a raised brow. "I'm not longer in charge of the Avengers. Ross gave it to Tony." Bucky's brow raises. "You're serious?" "He did. They were upset about our choice in operation of sending you here." Bucky lets out a long sigh, going to sit on the couch at that. "We defended you the best we could, but at the end of the day, they had the last call. Sam suggested I come over here to fill out their needs." Bucky's brow raises once more. "Which are?" "Keep an eye on you." Bucky feels himself groan before standing. "How the hell am I ever going to be an Avenger in their eyes?" He asks, his voice rising a bit in anger. "Everything I do now, even after all the amends and everything I've done, it'll never work…all I want is to prove myself. I know I'm a piece of shit but…I'm fucking trying." "I know you are, Buck," Steve says gently, letting his hands rest on the man's shoulders. "I know you are. And trust me, we all see it. There are some that are just stuck in their ways that I don't believe are going to change soon. Those are the ones that, when they do inevitably open their eyes, they'll see the most change in you." Bucky snorts a bit. "That one of your little political speeches?" he asks. "No," Steve answers, shaking his head. "Trust me, I highly doubt I'm going to be doing much more than you are here. If anything, while I know how to stay undercover, if I get recognized here, it's game over." He gestures to you. "At least with you, not a lot of people know your face. Even this girl doesn't." He glances over at Bucky's hands and notices there seemed to be dried blood on it. "Speaking of that…" Bucky glances down at his hand and feels his cheeks turn red. "It's not on me, I swear – Maria wanted to interrogate the men that came, and she ended up killing them. Turns out they were sent by a woman named Melina Vostokoff. She wants to end the woman for some reason." "Well, we knew about the attack but your…hands?" Bucky sighs a bit. "I went over to help her a couple of days ago after she was attacked. Try and get more info on her. I guess I just didn't clean off all the blood afterwards." He looks up at Steve and shakes his head. "She is a mystery woman…definitely likes to keep her identity a secret." Steve nods before going to sit down next to him. "I want to ask you a question, and just respond the best you can." Bucky nods. "Are you sure that you don't know her from back then?" Bucky sighs, swallowing a bit. "I…feel like I do." He glances back at Steve. "If you saw the way she moves, and what she had – I mean, she's like a carbon copy of Nat but she's ruthless. She even had some of the same weapons. She had to be trained in Red Room…but I can't recall her for the life of me. That's why I'm trying so hard to figure out if she's truly Ana or not. Maria seems like a reasonable name but…don't know." Steve nods quietly. "Didn't you and Nat have a thing back when you were there?" Bucky quietly nods. He didn't like to think about it often. There was so much pain involved in everything there. "Do you think you might have known this girl like that?" "I genuinely can't remember," Bucky answers honestly, glancing at him. "At this point, all I'm looking for is for some way to figure out if she's truly who she says she is. Maybe after I can search more." Steve sighs but nods. "We got a lot of work ahead of us, then."

Natasha had waited patiently, her arms crossed against her chest with Yelena. It seemed it would take hours for Melina and Alexei to arrive, but when they did, it felt like ages. "You two are worse on time than I am, and that's say something," Yelena mutters. "Quiet, you two," Melina states, looking between them. "We have a serious problem, and I believe you two know what it is."

Natasha and Yelena exchange an uneasy glance, as they look at Alexei who thankfully didn't know what was going on. If he found out Melina had been lying to him for all these years then things would get bloody. "Why did you call me here, Melina?" Alexei asked suspiciously. He hadn't aged well, and it was clearly showing. Despite having the Super-Soldier, it was a far weaker version than the one Bucky and Steve had running through their veins. The woman ignored him as she drank from her glass of red wine, her eyes cold and emotionless. Sometimes Natasha wondered if the woman did genuinely care about her and Yelena, like Alexei did, or if she was just using them. "I believe that despite our best efforts to purge the Red Room, it still exists. Over in Madripoor, a young woman killed the Power Broker, before taking over the city. She's killed several people who tried to break the new rules she implemented as some shot way of a moral code. I refused to acknowledge the bitch, and I tried to kill her…but she defeated me," she said sourly, a hint of bitterness in her voice. "What did you do, Melina?" Natasha asked warningly, praying that the woman hadn't compromised Bucky. If she had, then Steve would go ballistic and raise hell if Bucky were hurt. Not to mention the others. Her surrogate mother regarded her with a cold expression that would have terrified anyone else. But she wasn't frightened of her anymore, not after seeing what she was afraid of. "I hired a death squadron to kill the little whore. She won't survive against them," Melina said confidently, causing Natasha to stare at the woman in shock, before her gaze breaks. Fuck. She had enough and was about to leave, when Melina grabbed her right wrist in a tight grip. "Remember where your true loyalties are, Natasha. I don't want you to end up like her…who chose HIM over us," Melina said meaningfully, her grip tight. Natasha nodded coldly, ripping her arm away and started walking back to her car, refusing to be intimidated. 'What have I done, god?' She thought bitterly, climbing into her car, and turning on the heating.

Ana had cleaned up her apartment after she disposed of the bodies. She had dumped Diego's body in Low Town, knowing that someone would post it on the internet. The other three remaining bodies had been dealt with. She hated the Red Room and what they had done to her. but at the very least the teachers knew how to teach all of them in how to dispose of a corpse after killing the individual. She used a luminal torch to see if any bloodstains remained, relieved when she didn't see any. Despite being near people, she desperately wanted a few furry companions. She needed something to keep her company, other than the people she would meet. She wasn't naïve. Ana knew that they would be targets but she wouldn't let anyone hurt them. She was going to ask X-Con Security Consultants if they would be willing to install security at her house. She decided to take a shower and rest up for the night. She wasn't taking any chances now, considering that Melina had tried to kill her twice now. The older woman still thought she was the same, useless, naive, and helpless little girl all those years ago. She sighed heavily as she trudged upstairs, taking off her bloody, filthy clothes and threw them on the floor. There was no salvaging them. She'd burn the clothes tomorrow. She stepped into the en suite bathroom, turning on the hot water, as she looked at herself in the full body mirror. Scars decorated her body, mainly on her chest, her right arm and some were on her back, and left leg.

Bullet wounds, knife wounds and there was a faded scar on her stomach. She touched it hesitantly, feeling a strange sense of heartache and loss for no apparent reason.

Bucky had gone into the Brass Monkey club, taking Steve with him as they saw Sharon was there. She gestured for them to join her, as they went to a table at the back, where they wouldn't be disturbed. "So, I did some asking around and apparently the woman calling herself Maria Kapitonova is using another woman's name. This is the real Maria Kapitonova. And she's been dead for the last six years, Bucky and Steve." Sharon explained grimly, showing them a photo of a young woman with red hair, brown eyes, and a scar on her throat. Bucky had known that the woman was using a false identity, but this just proved it. Deep down, he knew that she closely resembled Anastasia. Maybe they were related? "So, she's using the identity of a dead woman whose been dead for the last six years. What else have you got, Sharon?" Steve asked intrigued. They were finally getting a fresh lead. "Yeah, I was hoping you'd ask me that question. I did some digging, and Fury emailed me these files that he and Hill found at an abandoned HYDRA base in Voronezh, Voronezh Oblast. Turns out, HYDRA and the Red Room were both working closely together on a project," she said meaningfully. "Something we should talk about elsewhere." Bucky and Steve got her point and left with her to go to her house, leaving behind the bar. Once they arrived, Sharon continued from where she left off, and handed them copies of the files, closing the door behind her. "The Red Room and HYDRA discovered that the girls at the Red Room who had the Super-Soldier serum were far more able to carry a child of the Winter Soldiers. There are lists of names who were chosen for the program. The project began in the 1990′s, and a lot of the pregnancies resulted in the women dying from complications due to the babies developing quicker than a normal baby," Sharon explained gravely as Bucky read the file. He recognized a few of the names, but felt his blood run cold when his eyes drifted to two familiar names. 'Red Guardian and Black Widow - viable pregnancy. Scans confirm that Vostokoff is carrying twin daughters. No complications detected so far into the pregnancy. Vostokoff has confirmed that she has suffered no cramping, or any sign of miscarriage.' "Holy shit, Steve. What if Alexei and Melina were the parents of Anastasia and her twin sister?" He asked quietly. Steve's expression was of grimness and concern. "That's more than likely, but Natasha never mentioned that Alexei and Melina had kids," Steve said hesitantly. Bucky knew the man didn't want to think Natasha had lied to him again. "There's more. On the second page, according to Dr Lyudmila Kudrin, only three women survived carrying the pregnancies to full term. Vostokoff ended up giving birth on June 18, 1995. It says here that she delivered two twin girls," Sharon said wearily, causing Bucky to frown. Bucky read more of the file, feeling his stomach roll in disgust, seeing that the project had been a partial success. They had put the project on hold in order to try and create more of the Super-Soldier Serum. He felt a cold sensation run down his spine, as he thought of Ana then. Maybe she was Alexei and Melina's daughter…possibly.

When the rest of the team had heard back later on what Sharon had discovered regarding the mystery woman, that had sent them on a trip to try and figure out who exactly her family was. Having Sharon reveal that there was actually a twin sister to the girl was an amazing lead. So, one of the Avengers took it into her own hands once she heard that – namely, Wanda. She knew what it was like to lose a twin, and if the young woman that they were looking after really did lose one, there was most likely a hole there that would never be filled. The least she could do is find out if they were right.

After that, they had searched all over the internet, from typical shit to the dark web, trying to see if they could find some sort of league to get them in the right direction. And soon, it wasn't long before they discovered something. The last name Liukin was associated with a Russian cemetery. Instantly, Wanda had assembled the team to fly to where it was, Fury agreeing to it nonetheless considering that it was for a mission. Thankfully the quinjet was quick enough to get them there a little faster than the normal airtime. Even so, arriving had Wanda shaking to see if this was real. They had showed up to the cemetery, stepping in and searching for her name. And it wasn't long before they did find it. Wanda had stood in front of it for a moment, feeling Clint let a hand rest against her shoulder. 'Angelina Aleksandrovna Liukin.' This was it. This was the twin. They were right. They had looked all over to see if there was even a possibility of another Liukin, but funnily, there were none under the names they were looking for. It was mainly strong Russian names that had been attached to it. "I can't believe it," she whispers, looking down at the grave, kneeling down. "There's a lot more to this woman than we realize…she was buried so deep." Clint sighs softly before nodding. "Sometimes that's the case with these things, but…this is good in a way." Wanda looks up to him. "Now that we know for sure that she exists, we have a DNA match-up. She is most likely in the International Data Base if she was dead. We were able to find her originally. If we can somehow get a blood sample from Maria, we can see if she's really Ana or not." Wanda stands, pulling her jacket around her tightly. It was still freezing cold here. "Don't you think that's a bit…sketchy? I mean both Steve and Bucky are there. I don't know how they're going to just get a blood sample off of her." "I'm sure they can figure it out," Clint assures. "We have two of the best super-soldiers in the world. They're not that dumb." "They're also not that smart," Wanda mutters. "True," Clint chuckles before helping her stand. "Come on, let's take some pictures and get this to Fury."

As had been expected, they had gotten the proof to Fury as quickly as possible of the life of Angelina. And as they had expected, Fury had requested to Bucky not that long after to somehow get a blood sample from the mystery woman. To which both Bucky and Steve had sat down for hours, trying to figure out the best way to do so. Because who can just…do that? Eventually, though, they had settled on something that might spurt up one. "How about you just take her out on a date?" Bucky's brow raises in response. "You're serious?" "Yeah, why not? I mean, there's a high probability that you'll most likely get attacked because she has so many bounty's out for her right now. It's the best option you have that's legal in our eyes." He shrugs a bit. "Or you can just attack her mysteriously." "No," Bucky instantly states. His quick response surprised Steve a bit. "I mean, I…I don't want to hurt her more than she's already been hurt. You can tell from a mile away that she has gone through some shit." "Okay…don't worry, we won't do that," Steve reassures him, rubbing his back. "But we still need to get that sample, one way or another…I believe you'll be able to do it" Bucky sighs a bit before glancing up at him. "I haven't been on a date since the 1940′s." Steve snickers. "I think you'll be fine."

After their conversation, it wasn't long before Bucky had asked Maria to come with him on a date, something he had surprisingly been quite nervous to do. Again, it had been so long since he had done something like this, but he knew that it was needed for what they were planning on doing. And she had agreed after a little bit, deciding that they would head out to a smaller restaurant in Madripoor, one that wouldn't attract so much attention. When he had come to pick her up at her apartment, he had waited downstairs for her to come. When she arrived, he felt his mouth drop slightly. You know, it was getting really damn hard to do this mission when the subject was so goddamn gorgeous.

[slade-neko]

Saw this video game tag thing pop up on my dash a few days ago. Wanted to do it.

1. First game you played obsessively? Legend of Zelda: Ocarina of Time, I believe I was 5yo. Still waiting on that FF7 Remake treatment.

2. A game that has influenced you creatively? Writing, drawing, etc. Well if I play a game and like it, then I'll create sims of it. Does that count?

3. Who did you play with as a kid? My brother from the day I was born.

4. Who do you play with now? My brother FROM THE DAY I WAS BORN.

5. Ever use cheat codes? I wasn't lying when I made this post. {link}

6. Ever buy strategy guides? Yes! Mainly to look at the artwork though. (Don't need no guide!)

7. Any games you have multiple copies of? Lots of games, most being Left 4 Dead with 6 copies (3 Xbox 360, 1 PC case, 2 PC digitally.) What can I say, its a GOOD GAME!

8. Rarest/Most expensive game in your collection? Gold cartridge Legend of Zelda Ocarina of Time (maybe that's rare?)

9. Most regrettable purchase? I don't regret my purchases, but I have received games I have never played like Cubix (PS2) no clue where that game came from, but I have it somehow. Madagascar (Xbox 360) came with my Xbox 360, never opened it from its case. And Monsters Inc. Scream Arena (Gamecube) or something... it was a gift.

10. Ever go to a midnight game release or stand in line for hours? No, because then I'd have to interact with people.

11. Have you ever made new friends from playing video games? I'm only friends with people BECAUSE of video games, so yes.

12. Ever get picked on for liking games? No, that'd be ridiculous.

13. A game you’ve never played that everyone else has? Probably a lot, I'd say Call of Duty, but I technically played CoD 1, 2, and 4. The campaign mode was alright, but I don't really care for CoD games at ALL.

14. Favorite game music? Koji Kondo and Grant Kirkhope are two BIG ones.

15. If it was a requirement to get a game related tattoo, what would you pick? Triforce is the most basic option, but I'd rather not get a tattoo.

16. Favorite game to play with your friends IRL? Super Smash Bros. Brawl with hacks, but that was over a decade ago.

17. Ever lose a friend over a game? No, that'd be ridiculous.

18. Would you date someone that hates gaming? No, that'd be RIDICULOUS.

19. Favorite handheld console? PSP. 3DS is great, but PSP Monster Hunter has ALL of my portable gaming memories. Like playing in school after End of Grade tests with my friend.

20. Game that you know like the back of your hand? Sims 4 I like to think I know everything about Left 4 Dead. Quite a bit about Monster Hunter, more so of a series though than a specific game.

21. Game that you didn’t like or understand as a kid but love now? I'd say Star Wars Knights of the Old Republic. I loved it as a kid, but had a lot of complex pen & paper RPG mechanics that I never understood. I understand a lot more of it now, but its still complex as all heck. I just know you hit things, they die.

22. Do you wear game related clothing/accessories? That's the only thing I wear.

23. The game that you’ve logged the most hours into? Not sure so I'll list a few. Sims 4, Smash Bros. Brawl, Monster Hunter (its a series though), or Left 4 Dead

24. First Pokemon game? Leaf Green

25. Were you ever an arcade game player? No, don't like paying to play.

26. Ever form any gaming rivalries? No.

27. Game that makes you rage? I don't get mad at games, but I had a custom modded Hard Eight mutation in Left 4 Dead that is absolute bullsh*t!

28. Ever play in a tournament? No, because then I'd have to interact with people.

29. What is your gaming set up? A giant wall of video game consoles spanning from NES to Switch, 4 TVs, but I sit at a desk with a PC.

30. How many consoles do you own? "I own every console that's ever existed." - I Don't Play Games When I Play Games (My STRENTH) original song by Smooth McGroove BUT no seriously I own 32 consoles including handhelds.

31. Does the 3DS and/or Virtual Boy hurt your eyes or give you headaches? Yes. 3DS gave me headaches though I only really played with the 3D feature in Ocarina of Time 3D. I think my eyes broke because I couldn't get my 3D to work very well after.

32. Did you ever play a game based on your favorite show/cartoon/movie/comic? Sure I play games based on a lot of things. Literally any anime game. If I had to pick Dragon Ball Xenoverse is kinda like a dream Dragon Ball game. Oh, Attack on Titan 2 is pretty neat too!

33. Did you ever have any bootleg games or plug-n-play games? Some SEGA plug-n-play thing once. Played it like once and now its lost to time (or my closet.)

34. Do either of your parents play video games? Yes. Mom and Dad played NES Super Mario Bros. My Dad went HARD at that game until he saved the Princess. Then he quit forever.

35. Ever work in a game store? Or do you have a favorite game shop? "Hi. Welcome to Gamestop!"I never want to hear that again, but it was my main store until I went full digital/ online orders.

36. Have you ever shed actual blood, sweat or tears over a game? No, I don't tend to get upset or emotional, but Bill dying in Left 4 Dead made me pretty pissed.

37. Have you played E.T. for the Atari 2600? Do you think that’s the worst game ever, or do you have another nomination? Never played it. I don't really play "bad" games, but maybe Sims 4.

38. A game you’re ashamed to admit that you like? The Sims 4

39. A sequel that you would die for them to make? Dragon's Dogma 2 WHICH I think is actually in development, so I'd have to say Fallout New Vegas 2. C'mon Bethesda you cowards, hand the keys back over to Obsidian so they can make another good Fallout game!

40. What to you think of virtual reality headsets or motion controls? Two part question, two answers. VR Headset to immerse in world, yes. Motion Controls, no.

41. A genre that you just can’t get into? MOBAs and MMOs. I don't like paying to keep playing.

42. Maybe it wasn’t your first game, but what was the game that started you on your path to nerdiness? Nintendo 64 opened me up to what video games could be as a kid. Sad to say my parents' NES didn't really do that for me. And years later Fallout 3 was a big game changer for me too.

43. Ever play games when you really should have been concentrating on something else? Every day of my LIFE.

44. Arcade machine that has consumed the most of your quarters? None. I'd rather emulate.

45. How are you at Mario Kart? Pretty dang good. 3-STARS MARIO KART WII, BABY!

46. Do you like relaxing games like Animal Crossing or Harvest Moon? Yes, both of those. I preferred when Animal Crossing had more character to it. New Horizons looks so pretty, but feels so bland compared to classic AC.

47. Do you like competitive games? No. Not really. Usually amongst friends or if I can get competitive against AI Bots. I love my machine bot friends cause they don't cry like 10 year olds when they lose.

48. How long does it take your to customize your player character? Too long. I've seriously restarted games because I wasn't happy with my character's appearance.

49. In games where you can pick your class, do you always tend to go for the same type of character? Yes, I am always the magic man, my brother is always brute warrior, and my friend is the ranger.

50. If you were a game designer, what masterpiece would you create? I don't really know. Honestly, I'd rather mod already good games to make them better than create something completely new.

51. Have you ever played a game for so long that you forgot to eat or sleep? No, that'd be ridiculous. But I've had a friend fall asleep playing games at my house 3 different times and currently dozes off during our Minecraft sessions. So, maybe that's not a completely ridiculous thing after all.

52. A game that you begged your parents for as a kid? Kirby 64 apparently. My brother tells me we had to count out pennies to buy it. I must've been too young with no recollection, but I believe it.

53. What’s your opinion on DLC these days? It's good if its not in the game's files from the beginning and is actually developed AFTER launch... and pre-order bonuses should be standard DLC a month or two later. Some games have content lost to time because of that pre-order bullsh*t.

54. Do you give in to Steam sales? Of course. If you want a game and its on sale then why not? I typically wait just for Steam sales to get games.

55. Did you ever make someone you hated in the Sims and did mean stuff to them? No? I typically make people and characters I like in Sims. I've made villains like Dio, but he's an anime villain and I don't really HATE him despite the horrible things he's done.

56. Did you ever play Roller Coaster Tycoon and kill off your guests? No. Never played that game.

57. Did you ever play a game to 100% or get all of the achievements? I try to for all the games I really like.

58. If you can only play 3 games for the rest of your life, which ones do you pick? The Sims 4, Skyrim, & Fallout: New Vegas. Mods make them live forever. Left 4 Dead and Monster Hunter are good choices too.

59. Do you play any cell phone games? Those aren't games.

60. Do you know the Konami Code? No? But I'll take a guess. Is it make an IP and forget it exists?

61. Do you trade in your games or keep them forever? Keep forever... even the bad ones.

62. Ever buy a console specifically to play one game? PS4 Pro for Monster Hunter World. It was basically for early access since the PC version was being developed and releasing after PS4, but I don't like waiting.

63. Ever go to a gaming convention or tournament? Sort of. Been to anime cons and walked into the gaming tournament rooms only to walk out less than 10 minutes later.

64. Ever make a TV or monitor purchase based on what would be best for gaming? No, but I'm going to be doing that soon, hopefully.

65. Ever have a Game Genie, Game Shark or Action Replay? Did it ever mess up your game’s save file? GameShark for N64, PS2, Gameboy, and Action Replay for Gamecube, DS, 3DS. And no not really, I would cheat responsibly... but there was this one time at school my friend and I borrowed another friend's Gameboy game, loaded it up with my Gameshark, tried playing, it crashed, loaded it back up, save file corrupted... we just stared at each other jaws dropped, "Here's your game back, dude. Make sure you don't play it til you get back home!"

66. Did you ever have have an old Nokia with Snake on it? No, but I remember seeing them on billboards in the game DRIV3R on PS2.

67. Do you have a happy gaming-related childhood memory you want to share? Every game I play is filled with happy memories (mostly.)

68. Ever save up a ton of tickets in an arcade to get something cool? These tiger plushes. My brother got white and I got orange. They were the coolest. Got a butt load of tickets from some jackpot spinning light game thing as I was good at the timing with repeated jackpot hits.

69. In your opinion, best game ever made? I've played quite a few masterpiece games, but to pick one, I'd say Fallout: New Vegas

70. Very first game you ever beat? Super Mario 64. I was a mere child on a Sunday morning and ate celebratory pancakes made by my Dad.

Wow, that was long... I get the feeling this was supposed to be a "send me ask with numbers" thing, but answering all at once is more fun.

[paragonrobits]

A friend asked me to give a stab at a Tierlist Maker for Video Games Not Yet In the Video Game Hall of Fame Tier List Maker, so here's my list for it!

This is based primarily on what I considered to be overall value to gaming history as a whole, with games with greater influence or impact ranking higher than those that had less impact on those to follow, or on culture. All the entries are those that have been nominated to the Hall of Fame, but not actually inducted as of this post's writing. Games that I personally like are generally rated higher, though mostly because I'm more familiar with them and thus can judge their impact from a personal POV.

(Tier List explainations, below!)

SHOULD BE IN ALREADY

Final Fantasy: I mean seriously. How is this one not already in yet?? It is not, as my research suggests, the first true RPG; that likely goes to games like Ultima. It is certainly an incredibly influential one; FF is a name closely associated with JRPGs in general, and its diverse class system is one of the strongest things to do with it, as noted by challenges like beating the game with a party of Black Belts. FF is THE name of RPGs in general and I'm startled it hasn't made it in, though I suppose that's owing to more notable entries (Hard as that is to imagine). It doesn't hurt that the majority of my favorite FF titles are those most similar to this one, such as FF6 and FF9, in terms of approaching the general world setting and class systems. Most significantly is that this game popularized RPGs and made them accessible, in ways that previous games such as Dragon Warrior/Dragon Quest did not; the field of gaming would be VERY different without it; RPGs became VERY popular, to the extent of RPG elements being almost universal among other games in the modern day. (I am also pleased and amused to see 8-Bit Theater mentioned on the actual Wikipedia page. Now THAT'S notability!)

Sid Meir's Civilization: HEY NOW HALL OF FAME JUDGES, DON'T YOU BE MOCKING CIV, ALRIGHT. CIV IS FUCKING AWESOME. Okay, jokes aside, I'm genuinely astonished as the Civ series is considered the first true main game of the 4x series, and it shows; the entire genre centers around expansion, resource usage and diplomacying or conquering your enemies, and considering the impact of this game and its sheer popularity, to the extent of the meme of the game getting people to play for Just One More Turn, I'm a bit disappointed that it's not already in the hall of fame. I also note that I am personally more familiar with the spin off Alpha Centauri, a sci fi variant, which is still one of my all time favorite games.

Half-Life: Given this game's popularity, to the point of its release alone consigning the likes of Vampire the Masquerade Bloodlines to cult classic status and its engine spawning a whole THING with GMod and the usage of physics mechanics in FPS games, one thing of note is its use of scripted sequences; at the time, an unknown in most games of the time. There may be something to be said for how the entire game is spent as Gordon Freeman, behind his eyes, possibly engendering a lack of separation between self and character that would be later emphasized in games like Bioshock. It's influence on games cannot be denied, with publications using it as a bookend between eras of gaming. One consistent element of what seems to make this game so distinctive is its approach to storytelling, without simply imitating film techniques which don't always work well with gameplay.

Candy Crush: This is an example of something I don't personally play myself, or even like very much, but I'd be remiss to dismiss it out of hand. There's no denial that phone games are one of, if not THE biggest market of games in the here in now; if now in scale, certainly in quantity. You might call it the TF2 Hat Economy theory; people aren't spending BIG bucks, but they are spending a LOT of little bucks all the time. It proves that highly accessible games that are generally free to play, with optional purchases, are a legitimate means of game business, and this certainly revolutionized how games were seen by the money-makers.

Super Smash Bros Melee: I loved this game as a kid, but truth be told i have a bit of a love-hate relationship; i REALLY dislike the competitive community that has fixated hard on this game, so any thoughts on it will have a slight element of pause beforehand. Even so, I can't forget the thrilled delight I felt watching the trailer for this game in supermarkets for the first time as a kid. at a time when getting any new games at all was a HUGE deal in my family. So, there is a lot of feeling behind this one! Ultimately, I have to concede that while i have complicated feelings about this game, its worth noting that the vast majority of things that made Smash iconic, and influenced the competitive scene AND the games inspired by Smash AND shaped the course of the series going forwards, largely owe themselves to Melee in particular. 64 was far more slow paced, while Melee began the trend towards much more fast paced action (and while I doubt it's SPECIFIC to melee as a whole, it may have been a trend for the genre from then). Melee is STILL widely played, especially on the competitive scene, and this sort of longevity always bears evidence of notability.

Goldeneye 007: I have to admit that despite being a kid in the 90s, despite someone who put most of their time into gaming, and despite being someone whose favorite system at the time was the Nintendo 64, I mostly missed out on the trend of history by honestly not being that much into this game. I have to say that I DID play it, however; I just never managed to get past the first level or so. I have strong memories of triyng and failing to sneak around a snowy lair of some description; it wouldn't be until the mid-2000s, playing Deus Ex Human Revolution, that I got the hang of stealth. All the same, personal indifference really doesn't matter much because HOLY SHIT THIS GAME HAS SOME STAYING POWER. IT HAS INFLUENCE, FRIENDORITOS. Perhaps chiefly, at the time it was made, consoles were not considered viable platforms for first person shooters; Goldeneye revised that notion, and created a whole revolution in multiplayer and shooter games. We would later see the ultimate consequence of this in games like Halo, which further revolutionized the whole genre. Ironically, the stealth attributes I was so bad at were part of what made the game so unique! It's one of those games that may not have aged well, by modern standards, but its import to gaming as a whole goes a long, long way.

Guitar Hero: I expect this one might be a bit hard to justify, but on its own, this game is INCREDIBLY innovative, though its not entirely the first of its kind, having mechanics based on earlier games. The very first entry has a respectable library of 30 songs, which is impressive considered at the time it was made, its not likely people expected it to get as far as it did; bear in mind that the massive libraries of later games were the result of years of this game series being a massive steamroller of a franchise! At the time, this one was an unknown. It has an interesting history as being a successor of sorts to an arcade exclusive, and inspiring a genre of imitators and spiritual successors on its own; of great note is the sheer impact this game had. With so many of those successors, the increased value of liscened soundtracks, and the way the game's concept became so influential, its astounding this one isn't already on the hall of fame. (It's also very fun, but fun alone doesn't make for memorability, sad to say.)

DESERVES IT AT SOME POINT

Myst - an iconic and incredibly atmospheric puzzle game, I'm genuinely surprised that I haven't heard talk about this one in some respect; it bears note as a rare game with absolutely no conflict whatsoever. I actually rank this one on par with the 7th Guest in terms of atmospheric games, though their tones could not be more different. So why do I think this game deserves it at some point? It was an incredibly immersive and beautiful game, lacking in genuine danger or threat, encouraging the player to explore and tackle the puzzles of the game. This sort of open-ended lack of peril makes it an interesting precursor towards certain flavors of sandbox games around now. It's worth noting that it was a tremendous achievement, given technical limitations of things such as the CD-Rom it was stored on, maintaining a consistent experience, as well as tying narrative reasons into those very constraints. It has been compared to an art film; if so, it certainly is the sort that invited imitators and proved to be a great technical achievement.

Portal: PORTAL! What can I honestly say that hasn't already been said by other people? The amazing integration of a physics engine into innovative puzzle solving, combined with a slow burn sort of minimalist plot reveal concerning the AI proving itself to be a kind of reverse HAL 9000? This game got a HUGE number of memes back in the day, and I expect anyone reading this can probably reference a few. The cake thing, certainly, and its relevance to matters of deception. There is much discussion over the game's utility in academic circles, which is certainly quite notable, and for my part, I'm interested by the point that at first the game gives you a lot of hints towards what you're supposed to do, gradually making it less obvious for the player you're on your own entirely, using your experience with the game to get past the puzzles from there, and its excellent game design. Ultimately though, I place this below Half Life in hall of fame urgency, because while I probably like this one more, it doesn't have the same impact on other games, per say. (That's a lot of awards for it, though. Wowza.)

Resident Evil: Is it fair to call this one the major survival horror game of its era? No, because it's apparently the FIRST, or at least the first to be called such. It's certainly up there with shaping the genre as a whole, both its immediate predecessors and modern games. The flavor of a survival horror can even be judged about whether its close to Resident Evil's style of defending yourself with limited resources vs controlled helplessness. It's also worth pointing out that I quite like the restricted, cramped setting of the mansion, rather than an expansive city; Biohazard was a real return to form, even if its something I mostly watched through funny lets plays because OH NO ITS TOO SCARY I CANT WATCH.

Asteroids: It's called the first major hit of the golden age of the arcade. I'm forced to say... yeah, it absolutely deserves it. The actual implementation and hardware of the game makes for interesting reading, and so its innovative nature ought to be noted: it lacked a soundchip at all, making use of handmade circuits wired to the board. It's reception was great, beating out Space Invaders and needing larger boxes just to hold all the money people spent on it. It also invented the notion of tracking initials on the top ten score, which has implications for arcade challenges.

Ms. Pac Man: This one consistently ranks HIGH in gaming records of its time, though there is admittedly some confusion to whether it or Donkey Kong was a better seller. Interestingly it appears to shape most of the gameplay mechanics people remember most for Pac-Man, such as the improved AI of the ghosts. It's more highly regarded than the original game, and on a personal note, I remember being a kid and seeing this arcade machine at ALL the laundry places my family usually wound up going to.

Frogger: It's placing on this list is not solely because CUTE FROG. The accessibility and wide appeal of the game bears a great deal of consideration, the flexibility of its formula, and just how many dang times it's been ported in one form or another. (And also, cute frog.) It also gets points for the creator being inspired for the game when he saw a frog trying to cross a road, hampered by the vehicles in the way, and he got out of his car and carried the frog across the street. The game is also evident of broad appeal, and some money-makers resisting it, goes back a long way; it was apparently dismissed as a kid's game by some, which just goes to show that some problems are older than quite a lot of gamers alive today.

Uncharted 2: this is one of those games where I cannot honestly say I have personal experience to draw from. Of the playstation's big games, I remember the Jak and Daxter series; I remember Kingdom Hearts, and I remember Ratchet and Clank, and I remember Infamous, but the Uncharted series remains

something of a 'I don't go here?' obscurity in my personal playbook. It does look memorable and charming from what I've seen, and one consistent element I've seen in comments about it is the cinematic nature of the game; it feels very much like a fun heist movie, based on what I have seen of it, and the notable thing is how the game FEELS cinematic.. in a literal way. As in, it combined elements of cinematography with game design, and that's no mean feat: what works for movies are unlikely to translate well to the interactive side, and it shows how that can be done for other games. The extensive praise does the game a LOT of credit!

WORTH NOMINATION AT LEAST

Angry Birds: As noted before, I'm not the biggest fan of most phone games, given that i prefer a more passive experience than most provide. As such, Angry Birds isn't something I've played as of this writing, but I have to appreciate the straightforward and simple gameplay; it reminds me a bit of the Burrito Bison game series, which I HAVE played, and I'm going to go out on a limb and assume it's because Angry Birds is probably the innovation that coined that particular style of gameplay. It's an example of what made phone games profitable and worth the time of developers to work at them; its easy for casual players to get into, and there's a fun sort of impact involved. Given the popularity of phone games, this one has a LOT of influence in getting that rolling, similar to candy crush, if not as much.

FIFA International Soccer: Simulation games are a tricky business; it can be really difficult to get them right, and this game provides an example of it being done in a way that a lot of people REALLY loved, set up an entire game series, and revived the 3DO system after a very bad year. Of note, apparently it was commented that it was more of a simulator than a console game, and this is rather funny considering how simulator is its own genre nowadays! Such do things change. It seems to have been a revolutionary game and simulation; setting the shape for modern sport games of its type, and tending more towards realism (accounting for acceptable breaks in reality) than was typical of the time. This one's position is thus picked for its impact as a whole; while it may not necessarily be a household name now, the series continues on, and is popular enough that even after 20 years, it's still been going.

Elite: I nominate this game in this position for being a startlingly early entry into what we would now consider open-ended games, even with an element of exploration and trading; if one stretches definitions a bit, a precursor towards gameplay of the like scene in 4X players who strive to avoid conflict, if possible. Its technical breakthroughs are some very interesting reading and make for good game history; a vast and complex game (not just by the standards of the era, either), and opening the door for persistent world games such as World of Warcraft.

Wii Sports: A significant game, and much as how other titles mentioned above were famed for gateway entries into gaming for an unfamiliar audience, or those that would want o play on a more casual basis. It seems notable to me for being most suited as a family game, or a more casual experience of multiplayer than usually associated with games like this; this has greatly influenced Nintendo's design philosophy, and one can see elements of this all the way through the Wii U onwards. It's essentially a fliparound from Mario Party; less competitiveness, but definitely meant as a group thing. Controversy is evident, because like with Mario Party, injuries did result from it.

Call of Duty: I place this one here because, while it DOES hold a very significant role in gaming history, with countless imitators, spiritual successors, being a game-changer in ways that its modern reputation might surprise you with, ultimately it is less so than other games such as Goldeneye, Halo or Half-Life. It's development in AI pathfinding and tactics is incredibly noteworthy from a mechanical perpsective, and the sheer level of awards it won is notable. In the end this game's popularity and continuing influence means that it shouldn't be overlooked.

Metroid: You can't spell 'Metroidvania' without this game! A relatively open ended exploration-based game with further options opening as new tools were found give it an interesting vibe, and the oppressive atmosphere distinctive to the game says great things about its sound and level designs. It wasn't the first open world game, or explorer, or even the first to open new aereas based on equipment, but it had ALL of these elements in a very memorable package. (Samus Aran as a female protagonist is something I'm a bit reluctant to give it credit for, as her identity was obfuscated for most of the game, and only revealed in a fanservicey way in a secret ending. All the same, credit where it is due, I suppose!) It's music seems to endure as a mood setter, too!

Pole Position: Perhaps not the FIRST racing game, but still considered one of the most important from the golden age of gaming, and the one to codify many of the firm rules of the game series. It's three dimensional gameplay is incredibly innovative for its time, and having played it and games like it in the past, I'm struck by how smooth the whole thing feels. No wonder it was popular! It is notable for having been designed specifically as a 3d Experience, meant to execute techniques like real drivers might attempt, which makes it a different sort of beast in that it tried to do more realistic actions; in some ways, a precursor to modern trends of realism in many games, for ill or best. Ultimately I think this one is worth a nomination because of its influence towards racing games (a popular and long lived genre, to say the least) as a whole.

OUTSIDE CHANCE

Nurburgring 1: On the one hand, I feel a bit guilty putting this one so low; it is recognized as likely being the earliest racing game in history, and given that I just finished noting Pole Position's influence, it feels a bit mean to rate this one as relatively insignificant all the same. However, in terms of notability, I never even heard of this one, and it was tricky finding information about it. Accordingly, that may say something about its influence, though this position DOES make it noteworthy as the first of its kind, albeit with Pole Position refining and introducing elements that shaped the genre.

Dance Dance Revolution: It feels a bit strange, putting this one fairly low. This thing was a MONSTER back in the day; entire arcades were built around the dancing control peripherals it required, rhythm based games or mechanics specifically invoked it by name, and it was an absolute cultural touchstone for years and years. So, why place it low? Partly, its because I can't just shove EVERYTHING into the 'deserves a nomination' folder; I do think it's fairly reasonable for this one to at some point get a nomination in the future, though ultimately there's games more noteworthy on the whole. It's specific rhythm qualities continue outside of its genre, and are quite influential to gaming as a whole, though unfortunately the series seems to have lost something in notability over time; popularity is a factor, but so is the impact on other games.

NBA 2K and NBA Jam: I put these two together because they touch on similar touchstones for me, and they really did popularize basketball games back in the day. Jam in particular seems to be invoking the Big Head mode that were a big thing in games at the time, at least going from the screenshot. They were very popular and highly beloved games back in the day, though I don't know if they have much influence on later games. I note that interestingly, they take opposite approaches; 2k focuses on AI and realistic experiences, while Jam was deliberately less realistic and more actiony in its over the top gameplay.

Nokia Snake: This one really impresses me for the sheer number of releases, in various forms, it's had! Interestingly, there seems to be little consensus on the name of this game; most just call it Snake or something on that theme. I went with Nokia Snake because... mostly, it sounds funny, and that's how its done on the list. This one is fairly low, but I Have to give it credit for having hundreds of releases!

Farmville: My mom liked Facebook games, a lot. And I am certain this one was one of her main ones! I rate it fairly low, and no doubt her spirit is yelling imprecations at me across the void of time, space, and abandoned socks; all the same, this one is ranked low because of the sheer number of displeasure aimed this one's way. (And to be fair, she complained about it. A LOT.) It is thus notable for unusually negative reasons; an example of exploitation, pressuring players to pester their friends to play it in an equivalent to electronic chain mail, and microtranscations.

Tron: I'm inclined to give any game that takes place in a computer land and uses programming or mechanical terminology a free pass! Interestingly, this has some association with the Snake game, as they have similar gameplay and Snake games are sometimes called Light Cylce games, after this one. It has an interesting history; the graphical system was chosen largely because it was believed it was more likely to be achieved before the deadline.

NO BUSINESS IN THE HALL OF FAME

Mattel Football: I do feel a little mean putting anything in this category; firstly because I don't want to make actual fans of something sad, and secondly because I believe you can probably find notability anywhere you look, if you are inclined. And here is the chief difficulty with this one: I could not find any real information in this one. It has no Wikipedia page, a google search only led to undescriptive links of SALES for the game, but not any information on the game itself. Notability is my main resource for sorting these entries, and honestly? If google has nothing on you, that's a pretty poor sign. Sorry, Mattel Football, but you look like a poor man's Game And Watch. You're no Portal, Myst or Pole Position.

[365days365movies]

May 10, 2021: Blade Runner 2049 (2017) (Recap: Part Two)

Said I’d talk about artificial humans in sci-fi, so...

There are a HELL of a lot of examples of artificial humans in science-fiction, as well as the ethical and philosophical concepts that their existence raises. Now, your definition of “artificial” may differ from medium to medium. At its base form, these are humans that are not born, but made. I’ll be talking fleshy organic humans, not robotic ones. The most common of these is, of course, clones.

A clone, strictly speaking, is a genetically identical copy of a pre-existing organism, in this case a human. While this isn’t technology we’ve applied to humans as of yet (due to the NUMEROUS ethical problems and questions), we have done so with animals, mostly sheep and cats. It’s actually a good way to de-extinct certain species, and we’ve already done experiments with that. Of course...that has its own concerns.

Keeping up the Jurassic Park reference streak! Anyway...

There are a FUCKTON of examples of clones in science-fiction, but since I’m a massive comic book nerd, I’ll use Superboy. The genetic combination of Superman and Lex Luthor, Conner Kent is one of the most prominent clone superheroes. He’s not the only clone of Superman, of course. He’s not even my favorite clone of Superman, to be honest...

Bizarro am the worst. ME WILL LIVE ON THAT HILL.

Oh, and let’s not forget THE most prominent artificial human in comic books PERIOD. I don’t care what her origin in the movies is, that’s never been my favorite version of Wonder Woman. Making her a demigod robs her of something important, in my opinion.

...Should I make a comic book blog? Shit, thinkin’ about it.

OK, before I do that, these are just my favorite examples. Fact is, there are FAR too many examples of artificial humans to go into, whether they’re built, grown, sculpted, conjured, or a chemical reaction with an extra ingredient in the concoction.

And look, I could go on all day about this, but we got a long-ass movie to get back to. SO, lets jump back in. Part One is here!

Recap (2/2)

Understandably exhausted, K returns home, confused and conflicted. However, he’s greeted with a surprise from Joi: a prostitute! Namely, this is Mariette (Mackenzie Davis), one of the girls who approached him earlier. Joi’s called her here in order to be “real” for K, the effect is impressive, if somewhat...off-putting. Still, while K obviously didn’t need this to be happy with their relationship, Joi might, and Mariette’s all on board.

And it doesn’t take K terrible long to get on board, either. As both Mariette and Joi strip, it makes me wonder...how much does this subscription service for Joi cost. There’s no goddamn way this is free, right? Like, how exclusive IS this AI? And they cut from that scene to a Joi commercial, where we hear that Joi becomes anything you want her to be, and does anything you want her to do. But something tells me that...well, that it’s not quite so simple.

Once the night is over, Joi tells Mariette to leave, and not nicely either. Mariette leaves, rebuking her on the way out as well. K, meanwhile, knows that the Blade Runners will soon be coming after him. He’ll be going on the run, and Joi wants to go with him. And so, they put her inside of a remote device, while deleting her information from the main apartment console. This gets the attention of Luv, who head over to the apartment to figure out what’s going on.

K goes to Doc Badger (Barkhad Adbi), who analyzes the horse for him. It’s discovered that old radiation can be found there, and that amount and kind of radiation can only be found in areas where a dirty bomb has been set off. This would be in the desolate and weird-ass ruins of Las Vegas. While nobody lives there at this point, K and Joi go to check it out.

An IMMENSELY frustrated Luv, unaware of K’s discovery about himself, goes to confront Joshi about K’s whereabouts. Luv berates her for being afraid of change, and tells her that she “can’t fend off the tide with a broom”. Which is a great line. However, as Joshi is no use to her at this point, Luv just straight up kills her. Which, I’m sure, will go over well with the whole “Replicants aren’t dangerous” thing.

Meanwhile, in Vegas...shit is WEIRD. First off all, the desolate wasteland is full of statues of giant sexy wimmin, and I mean GIANT statues. Beneath one of them is a series of beehives, which K goes into to get a hand of beeeees. After that, he goes into an abandoned hotel/casino, rigged with tripwires and booby traps. OK. What.

So, somebody’s using this place as a hideaway, despite the entire city being destroyed by a dirty bomb, and probably extremely radioactive. K searches around and finds it empty. He begins to play a piano, hoping to draw someone out. He ends up drawing out a dog, as well as the inhabitant of the hotel.

Rick Deckard (Harrison Ford), baby! Quoting Stevenson’s Treasure Island and holding K up at gunpoint with dog at side is the original Blade Runner himself, Rick Fucking Deckard. God, I love this. Deckard hunts K down throughout the casino, where we see some trippy holograms, and the future of Vegas stageshows (probably).

The two fight, but eventually call a truce and decide to get a drink at the bar. K gets to it pretty quickly, and confronts Deckard on his potential child with Rachael. He confirms that Rachael was indeed pregnant by him, but he had never met his child. Which was the plan, to be fair. He wanted their child to be protected, not hunted down and eventually dissected.

Sometimes, to love someone...you gotta be a stranger.

To an old Frank Sinatra song, a forlorn K (now calling himself “Joe”) looks around, and sees carved wooden animals that resemble the horse that’s haunted his life and memories so much by this point. Which makes sense, considering the foil unicorn from the previous film. Neat little tie-in there.

But paradise is not all it’s cracked up to be, as someone soon comes to find both K and Deckard, despite the fact that K came alone. Although, now that I think about it, Joi may not be one that you can truly trust. Deckard and K try to escape their pursuers, but are caught pretty quickly. In the process, K is injured, but manages to get up in order to fight back. However, this is Luv with these people, and she beats K down EASILY. Turns out that Luv is actually an enforcer, rather than just a secretary. And when Joi awakens from K’s device to ask her to stop, well...she kills the device, and she kills K. In the process, she also takes Deckard away, leaving K behind. Fuck.

K wakes up, only to discover Mariette standing over him in the Las Vegas wasteland. She takes care of him as he wakes up, also stitching up with wounds from the explosion. She tells K to trust her, as well as her compatriots. One of them is the hooded woman from earlier, a Replicant named Freysa (Hiam Abbass). An old friend of Sapper’s she saw the delivery of the child, the “miracle”, and also hid the child away, as it was a symbol that the Replicants are more than just slave, that they are their own masters.

Freysa is building a revolution in order to free the Replicants once and for all. And I’m hard-pressed to disagree with their cause, not gonna lie. However, this comes at a price. In order to prevent Wallace from killing the cause, K must prevent Deckard from leading them to Freysa. They must do what they can until they can reveal the child to the world. For she will be their leader.

Fuck.

Understandably COMPLETELY crushed at this revelation, and more confused than ever, K collapses. Freysa tells him that they ALL wish they were the one, and they all believe. It’s at this point, that K realizes exactly who the Hybrid is: Dr. Ana Stelline. The horse from earlier, it turns out, did in fact belong to her, and she planted her childhood memory with the horse in K’s mind as a Replicant. Damn. DAMN! That’s why the memory moved her so: because it was hers.

Meanwhile, Deckard awakens to a separate nightmare: Jared Leto telling him how he feels about him. After all, Deckard helped to create the first Replicant-human hybrid. He asks him for his help in obtaining the child, so that the key of Replicant reproduction can be further unlocked. And he proceeds in convincing Deckard by playing audio of Rachael and his first meeting (from the first film, of course).

Niander fucks with him further, by suggesting Deckard was summoned all those years ago specifically to fall in love with Rachael in order to father a child with her. But despite all of this, Deckard refuses to give up any of his information. And so, Niander pulls out his ace-in-the-hole...and it’s a real shitty thing to do to a man in mourning. 

Damn. Dude rebuilt Rachael, tries to tempt Deckard with her, FAILS, then lets Luv shoot her in the head. Fucking power move, and fuck Niander for playing it. Dude is a DICK. Meanwhile. that one visual from every single ad of this movie is happening, and I can FINALLY use one of the 8000 GIFs of it, goddamn.

Not gonna lie, it’s an iconic appearance, so I get why it’s so famous. Anyway, K considers a suicidal option, now that he knows the truth. However, before we get to see the final decision, we get to see Deckard being taken back to LA for interrogation by Wallace. However, to prevent him from potentially leading Wallace to the secret of Ana Stelline, K suddenly appears, opening fire on their ship.

The craft is downed, and K exits the car to engage in a firefight with Luv. He appears to win, but Luv isn’t killed once she’s shot. The two have a fistfight out in the rain, and Deckard waits for water to slowly kill the craft that he’s still inside of.

As expected, Luv handles herself well, and despite a number of close calls, she JUST. WILL. NOT. DIE. Damn, she’s resilient. However, despite K, Luv, and Deckard all nearly drowning in an INTENSE fight between the Replicants, an enraged and crazed Luv finally eventually drowns, ending her threat for good. 

K saves Deckard from the sinking ship, and agrees to stage his death, allowing him to meet his daughter for the first time. Once at her facility, K returns Deckard’s horse to him, knowing that it was a gift from him. He tells Deckard that his best memories all come from her, implying that this makes him similar to Deckard’s son, which he picks up on when he asks if he’s OK.

Deckard goes to meet his daughter, and K hangs out on the stairs outside. He feels the snow fall on his hand, and he just...watches it all fall around him. He sits, and he watches it all. And meanwhile, Deckard meets his daughter for the first time.

...Can I just say...GODDAMN!

That movie was absolutely stellar, and it’s definitely landing in the high ‘90s for me, calling it now. I...wow. Seriously. Amazing.

See you in the Review!

[theoverly]

Her choice

Pairing: Johnny & female V

Rating: T for swearing

Dreams are a reflection of our subconscious, and nightmares are our subconscious way to deal with trauma, as Johnny learnt the hard way early on in his life

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Catch me traumatizing myself with my own headcannon

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On ao3; https://archiveofourown.org/works/30339804

Or press “Keep reading”

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”I… I can’t believe it… everythin’. A-all we did… pointless.” V glitches away, leaving Johnny alone at the glitchy diner-booth for a moment before he follows the path of her code, already as familiar to him as her mind. She’s sitting in the vast empty space of the net, knees pulled up towards her chest and arms resting atop them, staring out into nothing with an empty look in her eyes. “I’m sick of this…” she growls just as he materializes, pulling a chair out of cyberspace to straddle, arms resting on the backrest. Even without access to her mind he can feel the rage building up in her. “Of everythin’.” She continues as she glares up at him from under her brows. “You most of all.”

  He ignores what feels like a stab or a glitch in his code, and instead levels her with a stern gaze. “Perfect, ‘cause we’re stickin’ to the plan. You’re goin’ back to your body, and I’m goin’ with Alt.”

  “Where she even gonna take you?” she bites out.

  He glances off to the side, to a beam of bright light that appears to be both extremely far away and dangerously close at the same time. “Beyond the Blackwall, to become part of her-“ he looks back, glancing at the glitchy outline of V’s boots. “Whatever the hell that means.” He finishes, voice trailing of a little at the end.

  “… What’s it like, beyond the Blackwall?” he looks up at the slight tremor in her voice, finding an air of anxiousness about her, making him huff.

  “Assumin’ I don’t loose my fuckin’ mind-least no one’s gonna ride my ass there.” She chuckles, a little, face softening. “Can’t read you mind anymore, V.” he reminds her, wondering what’s so funny.

  “Didn’t seemed to mind having you ass ridden – on occasion.” Her mouth curls into a toothy half grin, her signature look of mischief.

  He blinks at her for a moment before realizing what she’s hinting at. “Dirt girl…” he huffs, shaking his head in amusement. “Gone pokin’ ‘round in my memories for the juicy stuff, huh?”

  She chuckles briefly, shaking her head and looking down at her hands as she begins to wring them together, a display of anxiousness he’s never seen her partake in before. “… you go beyond the Blackwall, you ain’t comin’ back…” she mumbles, voice hoarse. “What about hanging around as a construct?” she glances up at him. “Just… till we find another way?”

  “Know you ain’t that naïve.” Johnny shakes his head, looking away from her. “Findin’ another way means makin’ a deal with ‘saka. I’ll pass.”

  There’s a stretch of silence only interrupted by the hum and buzz of cyberspace, neither of them jumping in to fill the void for a long while until- “I don’t wanna die, Johnny…” V whispers, making him look back at her, finding her eyes staring down into nothing with a hopeless expression. He furrows his brows in concern, wondering what thought are racing through her mind as she tries to come up with a plan for how to tackle her current predicament. “Never thought life was worth clingin’ to. Not at any price, anyway…” Her eyes focus and she looks up and to the side, to the beam of light, eying it in a mournful way that has Johnny’s code buzzing in alarm.

  “’cause it ain’t.” he huffs.

  “Wrong.” She shakes her head a little. “That light beyond the Blackwall-“ she nods her head towards it, inviting him to look at it, though his gaze is pinned on her. “-that’s hope.” He shakes his head as he prepares to jump in and interrupt, but she continues. “Could be the flames of Hell or Heaven’s grace -who cares?”

  Cyberspace buzzes and both constructs look to the side where Alt’s form glitches into being. “We’ve learned to turn into pure data-” She begins, voice soft and booming at the same time, echoing through cyberspace. “-but an animal still prowls inside us, and its instinct to survive almost can’t be extinguished.”

  Johnny narrows his eyes at the AI. “Yeah, that instinct’s part of bein’ human – but so is denyin’ it.” He looks back to the nomad. “V, you’re talkin’ crazy – there’s nothin’ for you beyond the Blackwall.” He stresses sternly.

  “‘least it’s not the big fat nothing I’m goin’ to in six months’ time anyway…” she murmurs before looking away from Alt and pinning him with a stare. “I am going to die, Johnny.” Each syllable of every word of that sentence is thoroughly pronounced, the difference is startling compared to her usual drawl; It’s not a guess or a fear anymore – it’s a statement of fact... Don’t mean he can’t open his mouth to argue- “Save your breath-“ she shakes her head and looks away from him. “-really think I alone could find some way to save my life in the following six month’s when we haven’t already?”

  “You won’t be alone.” He reminds her. “You’ve got some great chooms backing you, V.”

  She ignores him, instead looking up at Alt. “What now?”

  “As I said; You can return to the body, where you will perish within six months. Alternatively, Johnny can retain the body, remain there, whilst you come with me beyond the Blackwall.”

  “Guess it was naïve of me to think there’d be a happier ending for all involved…” she chokes out, voice thick with grief.

  “Wrong city, wrong people…” Johnny agrees mournfully.

  Alt’s body splits into copies, showing up along a path leading towards the beam of light. “This path leads deeper into cyberspace. Take it, and permanently sever the connection to the body to go beyond the Blackwall.” More copies, this time leading in the opposite direction and towards what appears to be a well of some sort. “The path to the body passes through the mortal well. Whichever of you goes through it will retain the body.”

  V’s eyes linger on the well, and Johnny feels a wave of relief washing over him that she’s considering going back. “What I told you at the Pistis Sophia-” the relief drains from him and is replaced by dread as she speaks. “-we stick to that. I’ll go with Alt. You stay in our body.” She rises to her feet slowly, not even sparing him a glance.

  It pisses him off…

  “Turning your back on your problems, again?” he grits out, glitching off the chair when she turns towards the beam, grabbing her arm to stop her and yank her back. “What? Just gonna roll over and decomish? Give up?” he growls at her.

  “It’s my decision, Johnny.” She yanks her arm away from his grip, clutching her hands into tight fists and bracing for a fight. “This bullet is comin’ my way, I just need to make sure it don’t take you down with me.”

  “You’re loyal, I’ll grant you that. But damnit are you dense! Haven’t changed a bit since we met.”

  Her construct shakes, edges glitching as she seems so be winding up, and he fully expects her to start throwing punches. Instead –

  “I’m so damn tired, Johnny…” she breathes, eyes fluttering closed, face scrunching up in despair as she fully deflates. “I just want this all to end…” she sobs, making him deflate too.

  “I know, princess…” His voice comes out soft, the nickname he’s been using to tease her now an honest term of endearment. “But let’s not make any rash decisions, ok?” He grabs her forearm again, just below the Johnny + V tattoo, and softly pulls at her, signaling for her to follow him as he turns around towards the well. He pulls his hand back, but hers shoots out to grab his in a weak grip. Given that it’s his chrome hand and they are both two constructs in cyberspace with no physical form, he really shouldn’t be able to feel the soft warmth of her hand, but he does. He squeezes her hand lightly and holds it as he leads her to the well, sitting her down on the edge before taking a step back from her, her weak grip allowing him to slip his hand free. Her face is an open book now that she’s admitted to her exhaustion and allowed it to set in, looking at him mournfully.

  “I don’t want to die alone again…” she admits quietly.

  “You won’t.” He insists. “Really think Vic’s gonna just sit back for six months and let you die? Fuck – tell Kerry what’s happening, he’ll throw a fortune Rouge’s way so she can-“

  “You know I don’t trust Rogue.” V interrupts coldly, shaking her head weakly.

  “Then go to the Aldecaldos;” he insists, voice rising as he begins to go on a rant. “you know better than anyone that a Nomad clan large as that is bound to know someone who knows someone who can help, and you’ll have six months to dig ‘em out. Or fuck – call Judy. Girl’s smart, maybe she and Vic can figure somethin’ out if they work together for six months? Or maybe that PI of yours can sniff out a lead better than he can a fuckin’ clitoris!”

  V breathes out a small chuckle, shaking her head in amusement. “River did fine, you’re just mad I made you fuck a cop.” She protests, smiling softly at him for a moment before patting the edge of the well beside her. “Sit with me?” she asks quietly. Johnny’s wound up tight, and he almost snaps at her, but the small hint of a hopeful smile tugging at her lips deflates him, so he ambles his way to sit down next to her, leaning forward to rest his forearms against his legs, glancing up towards the beam of light beyond the Blackwall, where he’ll go after they’ve said their goodbye. “I still want you to have my body…” she admits quietly, and he shakes his head briskly.

  “Stop already.” He snaps. “You’re a fighter, V… It’s as that doll back at Clouds said; You’ve never backed down from anythin’ in your life, so don’t go backin’ down from the fight for your life.” He sits back up a little so he can look at her, her eyes starting to gain some focus, hanging on to every word he says. “You’re stubborn as all hell. You see a wall blocking your path, you’ll either find some way ‘round it or bash that thick head of yours against it until you bring it down.” He reaches out and knocks on her forehead, making her huff out a sound of amusement and swat his hand away softly. “You’ll find a way to cheat death again, and when you do; Gonna take Night City by storm. Ain’t nothin’ gonna stand in your way.”

  She shakes her head a little, a faint smile tugging at her lips as she looks at him with such open adoration it’s startling. “… Goodbye, Johnny.” her voice is hoarse again, filled with unshed tears that he doesn’t deserve.

  “Goodbye, V... And never stop fighting.” He moves to stand up and help her into the well, but before he can she glitches away to stand before him, forcing him to look up at her in alarm. Her face, set in burning determination, is the last thing he sees as he feels her hands on his shoulders pushing hard until he tumbles backwards, over the edge of the well and into a freefall.

 Nightmares are nothing new to Johnny, he’s had them since his gonk ass enlisted as a child soldier and went to fight in Mexico, but it’s been a long time since he’s had a nightmare so vivid it causes a physical reaction.

   ——————————  

  He wakes with a start, throwing the cover off his body – drenched in cold sweat – as he shoots up from the bed and stumbles out of it, catching himself on the floor with a grunt of pain before franticly pulling himself back up and stumbling out of the bedroom and into the bathroom, throwing himself at the toilet as he dry heaves a couple of times before emptying the contents of his stomach into the bowl in several drawn out heaves that leaves his entire body trembling. His fingers weakly curls against the cold ceramic as he hurls and hurls until there’s nothing left for his body to expel, and then he dry heaves a couple of more times, tears and snot running down his face once he manages to gulp down large breaths of air, the occasional sob or groan of pain interrupting his efforts to try and catch his breath.

 He wipes his face with his arm, leaving a disgusting mess of tears, snot, and vomit as he slowly rises, looking down at the tattoo on said arm as he drags his feet along the cold floor and to the sink, hands shooting out to grab the edge of it before he looks up at his reflection. Gasping sharply, he pulls his fist back, a primal roar of rage and loss rips from his chest as he punches the mirror, shattering V’s reflection.