#so far i put in the people I've been thinking the most about for this au since i had the most ideas for them

[megaderping]

I feel like when people emphasize Akechi's murders, they often act like his motivation only boils down to "daddy issues" or they really make light of the impacts societal discrimination can have on a person. "But Futaba didn't end up like Akechi," I've seen people say, but the thing is, Akechi is meant to show the worst case scenario. Someone without anyone left to uplift him, to ground him, and to give him a reason to be better. Futaba had Sojiro, though that hardly justifies her mother's death, nor the horrible mistreatment from her relatives or what Shido put her through by framing Wakaba's death as a suicide. Futaba was in a very dark place, and she needed a helping hand. The Phantom Thieves saved her. But Akechi didn't have that helping hand when he needed it most. He lost his mother at a very young age, endured the foster system, never finding a new forever home, and at his absolute lowest point, was granted power he didn't understand with no one to guide him, and wanted to get close to Shido to one day backstab him and give him a taste of his own medicine. The murders came later, when Shido "instructed him." And given the way Shido yells at Akechi about what happens to people who cross him, and given what he did to Futaba (the men in suits), his cleaner, and how many people he had on his side, on top of Sojiro making it very clear how cutthroat Shido was to his enemies... Akechi was screwed no matter what. His face, his name, all of it could be used to ruin him in the real world. Alone, he would not have been enough to go through Shido's Palace, given how much trouble the Phantom Thieves had as a group. Plus, y'know, this:

Something so many people ignore when they talk about Akechi and his murders and ignore everything else the narrative tries to say about him.

What P5 tries to say about Akechi is so important to its core themes. That, if Akechi hadn't been a victim of so much injustice, he might have never gone to such lengths. That doesn't undo the damage he's done, but it's so important to understanding why the game approaches him with sympathy rather than writing him off as pure evil. Because it didn't have to be this way. If he had just met Joker sooner, if he had just had somebody. Akechi represents what can happen to vulnerable children who are failed by systems meant to uphold justice and other ideals, and how those who have nothing, who have only ever been hurt, are far more likely to lash out in turn. Persona 5 places so much importance on the suffering of children and the ways society needs to improve for the sake of children. That, I think, is one of the key reasons Akechi is framed as a victim. He is a warning, a cry to do better.

[toraoistired]

let's talk about project 2025 and smut.

bc I've seen some of my favorite authors already state they aren't writing any more smut due to the mere threat of project 2025 going into effect. And hey, I'm a simple person who likes to read abt sexy times.

pls read through all the way and share if ya like any of what i wrote here - i don't want panic to be spreading through the writers of tumblr/ao3 like wildfire unchecked.

qualifications: BA in political science focusing on domestic policy, activism and ethnic studies.

Part I - what is it?

project 2025 at its core is a roadmap. it was created by the Heritage Foundation (an extremely far right disgusting think tank), and plenty of people associated with the previous and incoming Trump presidency. its like 900 pages of alt-right, christian nationalist bullshit.

but its not uncommon.

think tanks like the Heritage Foundation often create roadmaps like this to plot out what they would most want to see in a future presidency or period of political control. it isn't even particular to right-wing think tanks; left wing ones do it too! the difference in this case is the magnitude and attention paid to the manifesto.

the heritage foundation is a vast organization with a lot of money, and has had a part in US politics for a long ass time now. because of this, what they say/do carries a bit more weight. combined with the fact that dems in the past election used project 2025 as a common refrain (instead of like, developing their own policy but whatevs), you get a general public who is aware of the buzzword "project 2025" but not knowledgeable about what it contains.

what it does actually include is certainly worrying, but among the new freaky shit is a ton of stuff that has been on the republican party's to do list since day one, like dismantling the department of education. just reading that seems really shocking, i know, but if you look back to when the department was created, you will find evidence of republicans trying desperately to dismantle it.

i find the media flurry around project 2025 to be a bit concerning, because while i understand dems wanting to show voters how dangerous this shit can be, its also made it into something far more important than it could actually be. as i stated earlier, these types of policy blueprints are extremely common among think tanks. its like their entire job!! and yes, this one is scarier and more visible than others, but it

a.) isn't the official policy of the incoming admin (and if you look at their actual policy statement, its very clear they don't rly have policies, so who knows what that's gonna look like)

b.) isn't united states federal law

Part II - what's it gonna look like?

i'm not gonna sit here and say you shouldn't be worried about project 2025, bc a lot of whats in it is freaky asf. but that freakiness is what (in my opinion) will be its primary challenge. since its so out there, the extreme right wing republicans are going to have to work their asses off to get the votes they need to pass these things.

which brings me to another point-- project 2025 is a whole list of proposals. its not like republicans can put forth one bill that has the entirety of project 2025 in it and pass it all at once. for a whole laundry list of reasons, that's not possible. the process of getting one bill passed through the house and senate is an excruciatingly long one, and doing this process for 900 pages worth of plans ain't gonna be easy.

i should mention that donald trump has yet to endorse the plan as his own, so there's the real possibility that he wont even want to implement any of the ideas included. i could 100% see him ignoring the entire plan because he doesn't like that someone else came up with it tbh. and while i don't believe he has never heard of the heritage foundation, as he has claimed in the past, i think it is important to note that there hasn't been any confirmation from him that project 2025 is his roadmap.

the plan includes rollbacks of rights for every minority group possible, restrictions on immigration, access to morning-after pills, restructuring of the federal government to allow for easier hiring and firing based on little/no evidence, etc. all in all, not great.

but again, project 2025 isn't united states federal law

Part III - what does it mean for fanfic authors?

the section that has the fanfic-consuming/creating world in a tizzy is the bit about outlawing pornography. this is a concerning policy propsal, but not because of possible fanfic bans. rather, bc project 2025 and the heritage foundation at large sees queerness as inherently and exclusively sexual.

"pornography, manifested today in the omnipresent propagation of transgender ideology and sexualization of children" (The Heritage Foundation, p.5)

thus, if they ban pornography (with a definition that includes/focuses on queerness), they can effectively ban expressions of queerness in the united states.

that shit is scary. and while i never want to rely on foundational documents when the people interpreting those documents (court justices (esp those appointed by the previous and incoming trump admin)), i will hesitantly say that this is gonna be a tough sell. both from a constitutional standpoint, and from a broad base support standpoint.

for the first of the two points, arguing that the first amendment doesn't "apply" to something is always a slippery slope, and defending that point is extraordinarily difficult. obviously this isnt always the case, but especially relating to pornography and obscenity, proving that a work fails the Miller test (a three part test created in Miller v. California (1973) to determine if something is obscene or not) is, like, really hard (heh).*

while the miller test is precedent for specific cases that come up in the court system, if some version of the porn ban goes into effect, the US court system is going to be dealing with challenges from every state, every form of media, every fandom.

which brings me to the second point. broad base support.

while the headline about Grindr crashing in Milwaukee during the RNC wasn't true in 2024, republican events in previous have brought an influx in users to the area in which the events are held if ya know what i'm sayin👀

on a real note though, getting a pornography ban passed in the united states would be exceedingly hard (no pun intended). especially one that includes forms of media like written pornography, not just visual. in terms of feasibility, a ban on video pornography is incrementally more likely than one on all forms of pornography. arguments against porn are weak at best, and the anti-porn movement in the US (usually religious) has been trying, and failing, for decades to ban pornography. most content about porn bans also refers primarily to video-based porn, not written smut.

let's just say worst case scenario something like this does go into action. anything you've written before the law goes into action cannot be used as a way to prosecute you. that would be an example of ex post facto punishment, which is explicitly prohibited in the constitution and by court precedent.

*note: i'm not endorsing the way the US court precedents around porn/obscenity look, as they are another symptom of purity culture and anti-sex culture created in the US

Part IV - what do we do?

well, giving up before a bill has even been proposed ain't it. it makes me deeply sad to see so many writers saying they wont be writing smut anymore because of the vague possibility of this plan. not only does it make me sad, it makes me angry. because that means people have seen so much misinformation about what project 2025 is and how it works that they are too scared to do anything about it. let me repeat again.

project 2025 is not law in the united states of america, nor is it in the process of becoming so. act accordingly.

so go forth, write smut, be gay, do some shit to make the heritage foundation angry today. and don't give up before the battle has even started. bc that's how they win. and i know shit seems really scary, but community and mutual aid is how we are gonna make it through this, so do your due diligence and research what you're scared about! knowledge is power and you gotta wield that sh*t.

i'd like to end with a quote from Timothy Snyder, who everyone and their mother has been quoting recently, but i still think it has value.

"Do not obey in advance. Most of the power of authoritarianism is freely given. In times like these, individuals think ahead about what a more repressive government will want, and then offer themselves without being asked. A citizen who adapts in this way is teaching power what it can do. Anticipatory obedience is a political tragedy." (Excerpted from On Tyranny by Timothy Snyder, 2017)

[Note - i have cited sources where appropriate, but this is also based on my (important to note, informed) opinion. please treat it as such, thank you]

[hannieoftheyear]

Warning Signal (jww) TEASER

Two targets you need to figure out, alongside the one person you most despise, and zero mistakes allowed.

As the lives of your targets get more and more intertwined, and your plan gets more complicated, memories of the past and feelings you thought you could put aside threaten to ruin the mission.

pairing: criminal!wonwoo x criminal!reader

w.c: 915 (for the teaser), full work will be over 20k

release date: tbd

genre: exes to partners in crime to lovers, violence, angst, smut (not in the teaser)

content warnings (for the full work): vague descriptions of what their "job" actually is, criminal acts, stalking, spying, invasion of privacy, use of fake names, fake identities, stealing (both reader and wonwoo do all of the above), mentions of guns, fight scenes, blood, murder, death (not the main characters) | the story will contain flashbacks written in cursive (such as this teaser)

note: this is very different from what i've been posting so far, but i had a dream about a similar story and couldn't get it out of my mind.

on that note, i'm not sure when i'll be able to finish this bc it's taking a lot of time to make sure everything makes sense and for the relationship to be fully fleshed out. it might be done by january (that sounds so weird to say omg)

if anyone wants to be on the taglist, comment this post!

“The bit is over Wonwoo, go home.”

“Let’s just work together, one last time.” His voice reaches closer and closer from behind you until you stop walking and force yourself to face him. 

“Not only do I not need your help, I especially don’t want it.” 

“Look, I’m not asking you to forgive me, just–” He appears to have regretted what he was about to say, and you don’t wait for him to gather his thoughts. 

“Just what? Understand it? We’re way past that don’t you think?” 

“We’re good together,” your brain glitches with astonishment before he corrects himself, “We always worked better when we did these jobs together, you know that.” 

“You have some serious nerve, after last time, the least I should do it rat you out right this second.” 

“You wouldn’t do that, it’s not your style.” 

“To fuck over my partners? No, that’s yours.” 

He's trying to charm his way into your life again, like the past few months could disappear at the flash of a smile, and you'll be damned if you let him.  

“Let’s just see it as a mere trade of information, nothing more.” Neither his voice nor his expression suggests that he’s trying to deceive you, and you hate that you're even considering his offer.  

“And I wouldn’t have to see your face ever again after?” 

“That would be your loss, but sure. One last job and we’d be done.” 

“Are you being serious?” 

It’s hard to trust him. No matter how much he insists it’s his only goal. But it’s true that whatever knowledge he collected on that dude would save you a lot of time and resources, and you have to do this job well to prove yourself to your boss. 

“Dead serious. I promise.” 

A year before… 

The waitress, with purple bags under her eyes and bleach blonde hair tied up in a bun on the edge of falling undone, sighed on the way to tell the same client, for the fourth time in two hours, that it was prohibited to smoke inside the establishment. You saw that man doing countless other illegal things while sitting on that same dark booth the entire night, but the bar drew the line at smoking indoors. 

He huffed at her but ultimately put the cigarette out against the wood table. There were fewer and fewer people the more the time passed, and soon enough, it was going to be too suspicious for you to still be there. You couldn’t be the only customer left in the bar when he left, but the person he was still waiting for was the key to all this, and you couldn’t leave without that information. 

An ‘80s country song started playing on the radio, and the man started tapping his fingers against the table, following the rhythm of the classic. It was almost serene, the way he relaxed at the sound of the familiar tune, but the night started to feel more and more like a waste of time. Whatever the deal was with the person who wasn’t showing up, it was clearly not happening. 

“Can I buy you a drink?” A familiar figure sat in front of you at the secluded booth you kidnapped for the whole night. But the smile that appeared on your face at him quickly dissipated. 

“You shouldn’t be here. It’s too empty.” Besides the staff, you and the old man, there were only three people inside the dusty bar at that time, all alone, too drunk and on the brink of leaving. It was almost impossible not to stand out in that crowd. 

“Don’t worry, I called in a few favors.” Just as Wonwoo finished his sentence, a group of at least ten men, talking loudly and in the mood to celebrate something, walked into the tiny bar, disrupting the serenity but providing you with much needed cover. 

“You’re so... resourceful.” Your words mixed with a giggle as the atmosphere changed from calm and musty to a playful bachelor-esque party inside the bar. “How did you know I was here?” 

“I always know where you are, baby.” A chill climbed up your spine at his teasing smile. “And also, I was waiting for a guy to show up here. He’s supposed to be meeting someone.” 

The loud laugh that escaped you almost beat the drunk shouting of the bachelors in volume. It was easy to connect the dots, and it also wasn’t the first time something like this had happened. 

“You know something I don’t?” Wonwoo’s eyes didn’t stray away from the smile on your lips. 

You just giggled as your eyes darted towards the sketchy old man, who was back to smoking, seeing that the staff’s attention was focused on the new customers. You could feel Wonwoo’s gaze stay on you for a second before following yours, and the realization hit him quickly, the years of working together serving their purpose. 

“Yours?” The amusement in his voice made you nod eagerly, sipping on the mocktail that had been sitting untouched on the table for over an hour. “It’s been a while.” 

This job, the thing that you do for a living, got lonely every now and then. Doing everything on your own, not being able to share it with the people closest to you, can take a toll on anyone, no matter how detached they're able to get. So, when you got a chance to work with the one you love, you were for sure gonna take it. 

“I know, it’s gonna be fun.”  

thank you for reading! i love this story and i cant wait to finish it so you all can finally read it!

remember! if you want to join the taglist, comment on this post ♡

[better-than-sleeping]

A part of Richard's isolation from the group that I would like to put forward is this:

I truly do believe the group care for Richard as a friend, even when their relationships start to spiral out of control near the end. But that care isn't always present throughout their lives, the same way most people aren't constantly obsessing over their friend's feelings 24/7, and he cannot understand it.

It's not just the stuff you would typically think of that proves this to me, like the twins going out of their way to include him, companionable rambles with Bunny, making food with Francis. The most obvious instance of this is Richard being excluded from the Bacchanalia, and yes, this obviously sucks as someone trying so desperately to be included and a part of the group, but also makes so much sense from their perspective.

If Richard had been normal, he would have been so weirded out! This could be a convenient excuse, but it could just as easily be the group showing their own desires to be accepted by HIM, in a kind of reverse of roles that Richard naturally doesn't want to pick up on, because that would be seeing them human, and fallible, and SIMILAR TO HIMSELF. Unthinkable!

Something I've not seen discussed is the little aside when he first falls in with the group proper and relates that they had found him just as aloof as he had found them. Their inviting him to Francis's house was simply an urge to impress him, and I can't see any other way of reading it than that. If they had simply wanted to include him, but didn't care about how he saw them, they could have simply kept inviting him to their houses and out for lunch.

But, it's the moments that also double as little instances of ostracism that really interest me: Camilla saying Henry didn't want to do another pig ritual because he thought it would upset Richard, the group telling him they've already involved him enough and that he shouldn't participate in Bunny's murder. The general reading of this (that I've seen so far) seems to be that Henry did these things purposefully to keep Richard apart from the group, he didn't know him as well as the others, an unknown quantity, someone he didn't care for as much since he hadn't known him as long. But there's a lot of ambiguity there as well, and I think what makes things so compelling is that uncertainty. It could be purposeful, or unintentional, or some inextricable combination of the two.

(As an aside- ironically, I believe Henry may care about Richard the most out of anyone in the group. Helping him while he was sick, worried about seeing Richard drunk during the day, it's all rather sweet, and I don't believe it was entirely some machievellian scheme.)

However, I like to see the isolation as mostly, if not entirely unintentional, because that makes it so much more cutting to me. It's subtle. They don't put any special thought into doing it, they just…don't even think how these things could make him feel.

The worst part is, as far as I remember, Richard never fully engages with his feelings about this, but they are felt so much through the story and his actions within them. They are moments that sunk deep within his psyche like a stone that's dropped into water and swallowed immediately without a trace. It sits very still inside him, unmoveable.

His acceptance of these moments as they are happening to him is likely a result of his history of loneliness and being apart from others. There is nothing unusual to him about this, that it would require further thought from him within his narrative.

A large part of Richard's isolation is due to his glorification of the people he deems worthy, which continues even after he begins to see their flaws. Despite them, he still can't bear to see them torn down to his level, people he can relate to instead of glorify or look down upon. I think there is an element of self destruction to this, not wanting to understand so he has an excuse to punish himself for self perceived deficiencies.

It's very intriguing, this uncertainty of how much of Richard's isolation from the group is imagined, or perhaps even self imposed in a kind of feedback loop, where he feels pushed away and so pulls himself away from them, to anonymous parties with people he professes not to care about, takes pills and sleeps for days, to numb himself from the pain of their rejection.

And in the process, this feeling of isolation is enforced, becomes more a reality through the concrete evidence he has produced by himself. Maybe the group see his behaviour and think he needs space, they give it to him. He feels lonely, he says nothing. Because he would rather freeze to death than ask for help.

[crownmemes]

Threatening Sentences, Vol. 5

(Sentences from various sources for threats to and from a muse. Adjust phrasing where needed)

"You better watch it. You know my reputation?"

"Nobody is untouchable."

"I've been shot too many times to be scared by a gun."

"I'll give you a choice. You can walk out of here and never come back, keep your mouth shut... The other choice, I don't think I need to go into much detail about."

"Nothing changes behaviour like pain."

"Think twice about playing games with me; I will blow you to pieces."

"Blackmail? Go on, then. With everything you've done, you'll be going down with me."

"We execute traitors. Didn't you know that?"

"You best be looking over your shoulder because if we cross paths again, I'm going to bury your whole family."

"I came back to finish you off."

"I know what you're afraid of me. It's okay; I'd be afraid too."

"If you come after me, you better bring more than that pretty smile."

"Turn around and put your hands in the air now!"

"Don't ever fuck with me. I will know."

"I'm a hair's breadth from riddling you with holes!"

"I can get everything I want from you even if you only have nine fingers, or perhaps only one eye."

"I'm going to wear your head as a watch fob."

"The prospect of death is strong motivation."

"Will you stop playing dumb? I can't stand it when cops play dumb!"

"I'd tread very carefully if I were you. You, of all people, should know what I am capable of."

"You know, I will shoot you! I will shoot you in the liver!"

"If you want to live to see another day, you'll be out of town by nightfall."

"What's the most pain you've ever felt in your life?"

"Do I need to remind you what happened last time you pushed me too far?"

"I have a job for you. If you want to stay alive, you're going to accept it."

"If you like breathing, you might want to fix this."

"If you put your hand around my neck, you'll lose it."

"How nice to see you properly dressed for a change!"

"Never underestimate the power of incentive."

"Make so much as a sound, and a bullet goes through your throat."

"I may not be allowed to kill you, but that doesn't mean I'm not allowed to hurt you."

"As bad as you think things are now, they're going to get much worse."

"Put that down or I'll blow your head off!"

"Say what you want, but I promise you, you'll be dead by dawn."

"I don't believe that anybody's coming to look for you."

"Do you really think you can win?"

"If you plan on exposing me, then my only option will be to kill you."

[idontlikeem]

hi! i'd like to talk about losing. you don't have to read this if you don't want to, but i wanted to write it, and guess what, it's my blog. i just like this team a lot and i'm feeling a little maudlin about my guys and a little sick to fucking death of the shit i'm seeing all over kingdom come from 'fans'. so here we are.

So You Became A Fan Of A Living Legend But The Hockey Team Is Bad: a commentary.

look. this is not the most fun i've ever had watching hockey, and i'm quite sure a lot of people feel the same way. the penguins are bad this season! they were bad last season too, but there's something very special about the extent to which they are shit right now. and those are not fun games to watch.

but here's the thing: who cares.

like, idk. there's so much god damn negativity surrounding this team and its performance right now, and i'm guilty of contributing to it as well, because yeah of course i'd rather watch a team win in decisive fashion most nights. of course i'd rather dream about may and june and the stanley cup. of course i want to watch that happen again for my favorite players. like, duh.

but. it's probably not going to. not if these players get what they want, which is to play together on this team until they're ready to retire.

and you know what? that's fine. if they're fine with it, who on earth am i to not be?

i think we all have the same reaction when we see idiots online saying things like 'sid doesn't deserve this trade him to a contender'. and that's because we are smarter and more refined fans who understand that what sidney crosby DESERVES is to select how and where and when his career ends. is it on a team that sucks? then that means being here is more important to him than getting that fourth cup. staying with geno and kris and the penguins as a whole, never putting on another NHL logo, is more significant to him personally than another victory. and isn't that special? isn't that worth celebrating?

of course we know all of that because we're better at being fans than the uncles online who are writing weird fanfic in their heads. but. guess what that comes with:

losing.

and losing badly, in the case of this season.

i am here to tell you that sitting and bitching about it helps no one. right now, what we have to watch and celebrate is our favorite players still playing at a high level. they're still doing cool stuff on the ice. and they're doing it TOGETHER. this is what they wanted. so your options are either to hate it and sit in negativity about it each and every game, OR readjust your mindset and learn to enjoy what we have while we have it.

we are watching myth-making happen live. we are watching living legends play hockey. this is a privilege and an honor and it's not something most fanbases get EVER. and we have two! can you believe it?

there are things i would have rather seen done differently over the last couple of years. as far back as 2019 there were moves i disagreed with and changes that could have been made that perhaps could have extended their window. and of course the 2022 series against the rangers, that was a very good team that got hit by injuries at the absolute worst possible time, and probably that was their last chance as a core to compete. it's frustrating to watch that stuff happen when you have no control over it.

the pittsburgh penguins were high-end competitors and contenders for seventeen years straight. that's insane and unheard of in this league. they're not anymore. and the price you pay for almost two decades of dominance is...being bad. when you're competing you trade prospects and draft picks for win-now players. sometimes those work out, most of the time they don't. with the amount of winning this team has done, even the trades that didn't work were worth it, because it meant they were trying.

there are no fanbases who are going to feel bad for penguins fans right now. that's also why we're getting so much attention from the national media. people aren't used to this team being as bad as it is, and people like watching downfalls. that's fine. most of those fans have never watched their team win, and most of them never will. so if their joy is coming from sidney crosby's team being bad....well, love and light, you know?

and we shouldn't feel bad for ourselves either. this is what happens. this is how it goes. this is the price for the band staying together.

i dunno, guys. this is a disjointed rant. it's just so effing hard to be kicked in the nuts everywhere you go with unrelenting negativity. it's on twitter it's in the articles and yes, it's here too. but if you can't be a fan of a team when they're bad, then i'm sorry but you're not a fan of the team (or certain players), you're a fan of winning. and NO team wins all the time every year. that's not how sports work.

we are lucky. at least, i feel lucky! don't you? gosh, sidney crosby scored his 600th career goal tonight. evgeni malkin is over 500 goals on his career. can you believe that? it's amazing to watch.

and it's going to be over in less than two years. do we really want to waste it by wishcasting something that's not going to happen instead of enjoying what we DO have?

if the media bums you out, don't listen. don't read the articles. don't go on twitter. dry your tears on the stanley cup banners that sid and geno hung up—there are three to choose from!

[fyeahnix]

Ok lemme talk about this season of Arcane, the ending, and most importantly, Sevika. If you don't want spoilers, back away now but I'm leaving this open because people have a tendency to not open or read my posts with read more cuts after them 🙃

[SPOILERS BELOW]

[SPOILERS BELOW]

[SPOILERS BELOW]

[SPOILERS BELOW]

[SPOILERS BELOW]

First off, I will say that I like Arcane a lot. Like a LOT. I've watched the first season 4 times (rarely do I watch anything more than once) and I think it's a masterclass in adult animation. Fortiche really put everything into this series.

That being said...

While I did like season 2, I don't think it was enough. Animation wise it was phenomenal, writing wise...I think it could have been better. As I've learned through doing research for my Sevika fics, the League of Legends universe, lore, and worldbuilding is fucking MASSIVE and even if I don't give two shits about that community or game, I have to give it props in that department because they really put a ton of work into it to make it feel alive. Maps? Short stories? Timelines? Race and culture? Apex could never...

That ofc is why it's hard for me to say that the writing is amazing. We had far too many characters to keep track of in season 2 with far too many plot threads to finish in two seasons. I think ideally, this series should have been 3 seasons instead of 2. Acts 1 and 2 could have been its own season, and Act 3 could have been its own season. If not that, then at least one more episode per act would have helped a lot. Things just progressed and wrapped up far too quickly for my liking.

Also not a huge fan of how quickly video game related media tends to dip into the whole timeline and multidimensional business. It def works well for some games but here? Idk I guess it was bound to happen given some League character's abilities, but the stakes just elevated far too quickly for me. Not a fan of Viktor becoming one of the main antagonists at all, and DEFINITELY not a fan of the conflict between Piltover and Zaun being sidelined for an "enemy of my enemy is my friend" thing with the war against the Noxians. It makes sense, I just wish "war with the Noxians" came at a later date so we could focus on the twin cities.

And speaking of the generational conflict between Piltover and Zaun, let's talk about Sevika.

As I said before, Sevika is the most qualified person to become the leader of Zaun and I stand by that even after the ending. But first....what about her found family? Isha sacrificed herself and Sevika gets no on-screen reaction? The last two episodes just progressed SOOOO FAST that we and some of the characters didn't even have time to breathe. Did Sevika even get time to mourn for Isha? What about Jinx, who is now gone? Sevika barely even encountered Vander! I would have loved to see some of the aftermath there because I think season 1 did a better job of allowing characters time to process their emotions and grief, even if the pacing was still kinda fast. It was acceptable!

I am sad af she didn't get more lines, but remember, Sevika has always been a side character in this series. An important side character but a side character no less. The promo shot of her now feels like...what was the point? (more on that in a sec) but considering how many characters and plot points and plot threads they had to account for, I am not surprised she didn't get more screen time. Hell, Vi and Caitlyn didn't even get a chance to have a full conversation on eveything that happened and Caitlyn didn't even apologize on screen. The fuck bro.

Now about Sevika's ending....I am very happy she isn't dead. Like dawg, you have no fucking idea how happy I am about it. SHE FUCKING LIVED. But....

I am seeing some people saying they're not happy or they're confused or that her ending doesn't make sense. And I just disagree with those points. Let me explain why.

I posted something earlier today about it, but again, as people don't open my read mores, I'll repost it here:

We absolutely do not know how much time passed between the war and the final few shots of the season. So Sevika joins the council. I DO NOT THINK she would do this unless there's a good reason for it, and that's why I'm guessing she will be Zaun's ambassador on the council. That war probably significantly changed the relationship between Piltover and Zaun and while old wounds will take more than a fucking war to heal, her being on the council now means she directly has a say in Zaun's future. Remember, the council was literally about to hand Zaun their independence before Jinx blew it up, and Mel was in support of it. As I said before, Sevika is respected down there at a bare minimum with all the factions. She would know better than anyone how to lead Zaun at this point. So yeah I get the hesitation, but it makes sense in my eyes. And it makes it likely that Sevika could show up again in a future League animation, if not become a whole champion.

I like her ending. I am sorry but it just makes fucking sense. Sevika is extremely loyal to her home and her people of Zaun. We've seen that time and time again. She was willing to go to war and die for those people not just against Piltover but also the Noxians, so why on fucking earth would anyone believe she's making a bad choice here?

She is now in the best possible position anyone in Zaun could be to advocate for their independence and support their growth. She knows the chem barons and brought them to peace, she gained the respect of the Firelights with Scar leading them in Ekko's absence, and she even got the Jinxers together with them before the Noxian attack on Zaun. Sevika has experience, she has the ear of the people, she knows what it's like down there, she is made to lead and help advocate for them!!!!

Believe me I get that whole "changing things from the inside" angle doesn't work more often than not, but this doesn't feel like "changing from the inside," it feels like "let me advocate for my people's actual independence so we have a starting point to become self sufficient." Again, Piltover was literally about to let Zaun gain their independence, and while none of the previous council members that agreed to it are there, Mel is/was. Who's to say she didn't help negotiate for Sevika to sit on the council and start (or complete!) the Zaun independence process before she left for Noxus? I can't imagine Sevika would just show up to the table and sit there if she didn't have a damn good reason. Like come on now. This woman has seen first-hand what Piltover is capable of and does not like them nor looks like she wants to be there. But she's seen what Piltover has done to her people first-hand, and after learning from both Vander and Silco, this is how she feels she can best protect her people.

She IS the new leader of Zaun and their ambassador at the council.

And lastly, we've been told that some characters will be returning in future League animations. Mel seems like an absolute given, but what about Sevika? Zaun's story is only just beginning, and yeah they said they'd like to branch out to other regions, that doesn't mean a cameo or maybe another medium can't be used to continue that story (a book, perhaps??).

Anyway yeah those are my thoughts...

[wormboytrav]

possible patchwork laboratory floor plan

combined from what we see in the manga and anime <3

ok fair warning this is most likely inaccurate because the design for this stupid building is surprisingly inconsistent. but i am trying very hard to make it make sense

so here we have patchwork laboratory right? for the sake of my own sanity i'm going to ignore the batshit positioning of the windows and say there are three floors in the highest part, and two floors on most of the other parts excluding whatever the fuck is going on in the triangle. i'm also going to assume the part of the building all the way to the left as well as the hallway thingy between the two main parts are staircases/connecting hallways rather than full rooms.

so here we have the main room that gets shown, right? i'm gonna call this the office. this is the room with the purple front doors, and it's also got two exits aside from that.

we see marie go through the doors on the right when making tea for ragnarok and crona, so it's safe to say there's something of a kitchen in that direction.

the kitchen is never technically mentioned as far as i know (i haven't finished the manga to be fair) but considering two people live in the building it definitely exists. aside from that, we see a few more rooms when marie is looking for stein.

we've got a full bathroom, a half bathroom, and something that could either be a bedroom or an operation room, i have no idea (also check out the screw doorknobs in the half bathroom lol). aside from these, there's a room that might be separate from the initial office in the manga.

it looks really similar, especially with the computer, but it also looks like it has an interior entrance rather than an exterior one, and there are curtains in there too.

it looks pretty obviously different from when we see the initial office for the first time in the manga, but i can't be sure if that was just because they hadn't gotten the design finalized yet. either way, both rooms seem to be combined in the anime because the couch is clearly in the front room there, despite being in the room with curtains in the manga.

let's say, though, that the curtain room is separate. it's probably just on one of the higher floors. so that adds a second office to the list of rooms. in all, we have office, curtains office, bathroom, half bathroom, kitchen, and bedroom/operation room. aside from the first office and the kitchen, though, they could all be anywhere.

this is what i came up with, stein seems to like experimenting with plants (the pot w the syringe thingy in it and the trees outside w stitches) and i figured the top floor would get a lot of light so he might use it for plant experiments. and that's probably where marie could have slept when she was staying there.

also i forgot to put stairs in the kitchen area but they would be there to get up to the possible bedroom area on the second floor.

anyway that's all i've got! again i could be totally off base this is just something i wanted to get out cause i've been thinking about it for forever.

bonus: it seems like stein redoes the arrows on the floor to correspond around any furniture.

[cheshiresense]

Oh my God, you mentioned wanting to write a thing about when Starrk finally let's his reiatsu out, and honestly, I've been thinking about that so much!!! Like here is Starrk, who has been keeping his reiatsu down to around average, who sleeps all the time, so doesn't stand out, who stands beside Ichigo, Ichigo who crazy stands out, also Starrk who joins the 4th, the 4th who everyone else considers to be weaklings!! You imagine the look on everyone's face the first time he let's lose!?! Maybe some bullying goes too far, and Starrk, who nobody thinks much of, just smacks them down hard!!! And everyone is like WTF lol 😆

sorry, I just love the idea of when people realize that Starrk is actually strong like Ichigo!! So 😁 funny!! Anyway, thanks for sharing your thoughts about this. I love reading them.

Lol yes it's one of those scenes that you see happen in so many different ways and all of them would be fun. I'm undecided on how I want to do it Officially so I'm putting it off (or maybe I'll just write several of them lmao).

I imagine it would have to be very serious bullying for Starrk to take that much action, cuz like he really isn't the sort to step in for every little thing. If it happens to someone he considers one of his, he might note it down and then quietly go and prevent it from happening again from behind the scenes, but in real time, he'd rather diffuse the situation or leave it to the "victim" to handle it and only step in if it looks like they really can't, and even stepping in would just be a sharp word or two to run the bully off. He's not a straightforward bleeding heart the way Ichigo is, cuz the hit-the-problem-so-it's-no-longer-a-problem method is def Ichigo's go-to strategy, he would absolutely smack the shit out of someone bullying Asuka or Rangiku in front of him and be done with it right then and there, prob flaring his reiatsu without even meaning to cuz his control's a lot better these days but it's also kind of 0 to 50, well-hidden or flashing neon sign, no in-between unless he really concentrates 😂 It's another reason Starrk would have little reason of his own to act, cuz like Ichigo would absolutely beat him to it.

For me, I could prob imagine him unleashing his reiatsu/revealing his strength if someone's about to die and the threat is big enough that he actually has to flex. He's just not someone who'd easily show what he can do, and hiding it from the likes of Aizen and the Quincy wouldn't even be his top reason. It's more like lingering PTSD--his strength doesn't bother him anymore now that he's had years of proven control under his belt, and he's even needed every last bit of his power over the past decade of war, but subconsciously, he's still not 100% comfortable with just letting anyone feel it, even tho he has enough control now that it wouldn't hurt them unless he wants it to because what if? So like, his first instinct will always be to keep it locked down, and for minor stuff (altho minor is relative for him I guess lolol), pulling out that much power is def a last resort.

Again, it contrasts what Ichigo would do. Ichigo's just used to overkill. Like even before he got his powers, he learned that an overwhelming show of strength would solve most of his gangster-related problems very easily, plus he lived in a household where Isshin only backed off from kicking him into a wall or something by kicking first or kicking back. And then after he got his powers, it's not even really his fault that he internalized a "might is right" kind of mindset /points at the entire fucking SS invasion arc and honestly every arc after that/. And also he spent his first years of Shinigami-ing running around with an unsealed Zanpakutou and zero reiatsu control, being in a constant state of Shikai is natural for him, and (moving into this AU's headcanon territory) it took him several months into the Quincy War before he finally learned to seal it away and actually have other ways of fighting that isn't just flinging Getsuga Tenshous around. He uses Bankai the way other people use hand-to-hand combat or Kidou spells, so even now, his first instinct is to just hit the problem hard enough so that it won't get back up to do more harm, and for him, that applies to everything from schoolyard bullying to fighting monster-gods. And on top of all that, his actions are largely driven by emotion. More than anything else, his first reflex is to protect, and that often leads to him throwing way more power at a threat than he actually needs to. He knows how to be more subtle these days, but it's not his preferred method and def not a reflex either the way it is with Starrk.

Of course, Starrk also understands "might is right" just by dint of being a Hollow, but he's basically spent a thousand years as someone too strong for anyone to fuck with just by existing, so he doesn't have the same kind of exposure to physical conflict that Ichigo grew up with that would make violence his first instinct.

Aanndd omg this ran away from me lmao sorry, you get a speedrun analysis on Starrk and Ichigo instead 😅

TLDR I'm still not sure of any exact scenarios that would force Starrk to show his hand, I don't want to wait until a Sternritter shows up or a final showdown vs. Aizen happens because that would take forever before we get there (I mean I could just jump right in there since this isn't a whole fic, but in-universe-timeline-wise, I'd prefer it happening earlier), but it's difficult for me to imagine that something in everyday life or even just a Hollow extermination mission would be enough to make him reveal even a bit of what he can really do.

Case in point, if you remember that mission in SP canon where Shunsui brings Ichigo and Rangiku along on a mission into the Rukongai to gain experience, and Ichigo sees a Hollow about to attack Shinji who hadn't spotted it yet, but he also didn't want to leave Rangiku unprotected, he went straight for unsealing his Zanpakutou and basically hand-delivering a shopping list of unusual or downright unique abilities to Aizen via Gin. In this AU, if Starrk goes along, he would never do such a thing, and in fact, he'd stop Ichigo and just fire a damn Byakurai or something across the clearing and kill it that way. Even if Ichigo doesn't have the finesse to pull off a low-numbered Kidou spell on the fly, he could've chosen a higher-numbered one and that would've still revealed far less to Aizen than unsealing his Zanpakutou would. But again, subtlety isn't his strong suit. He now at least has the presence of mind to think about the consequence of leaping into the fray without thought, it would leave Rangiku wide open, but his first instinct is still to use overwhelming strength to protect the people he cares about.

In contrast, Starrk may be a soft touch compared to basically every other Hollow and quite a few Shinigami, but he has the maturity and just the general personality to go for the strategic option. He has a far more tactical mind, implied even in canon to rival Shunsui in that department, so rushing in just isn't in his nature.

The only other way imo is if someone just... asks. Reikaku (reiatsu-sensing) is a thing Shinigami learn. In canon people can sense exactly who's coming just by their reiatsu (if they know them), not just if they're a Shinigami or a Hollow or even a Human, but it doesn't really expand on how. So I imagine you have to have a good feel for the person's reiatsu, it's the same as my age headcanon for reiatsu, not only can someone halfway decent at sensing reiatsu be able to get an idea of the other person's age, they would also be able to recognize and associate that reiatsu signature with that person since everybody's is different, but obviously they would have to be exposed to it a few times to learn it. Starrk's reiatsu is very unique so once or twice would be enough, and I can see a situation where the kids might ask to feel it for that reason, or a mission might require the team leader to ask, etc. etc. So yeah, that's all I got.

[seaofreverie]

Sparkstember Day 24: FFS (Things I Won't Get)

I have something terrible to confess, which is that at first I was not much of an FFS fan, at all. I actually actively DISLIKED most of what I've know from them at that point, which was what the Spotify algorithm seemed very content to throw at me whenever possible until it eventually forgot about it. Well, nothing wrong with that I guess, but I also want to think that most of my initial aversion to this project came from how I was still pretty, uh, close-minded in a sense when it comes to music at the time (and I'm saying all this as though FFS is even THAT much of a departure from Sparks, which it's really not? But maybe I just I saw it differently back then, which I guess is also fair).

But yeah anyway, I had a huge change of heart a couple months later, decided that all these songs are incredibly cool actually and I'm a huge fan now. This is a very solid collaboration and album and I'm so glad this happened. Like, it really is among my very favourite things from Sparks that I barely ever think about in such terms for some reason. Because I've noticed that I treat FFS more like a compliation than an album maybe? Cause yeah I'm pretty sure this is the only album where I have 30-40+ plays on several songs and only around 5 or so on a couple others. And I'm not super attached to the order of the tracklist either, and I'm mostly saying this because I've been a 100% albums over playlists type of person for the longest time. I will listen to the whole album start to end even if I don't like everything on it. It's like, well, if I like the whole thing enough to revisit it, then too bad, I'm sitting through it all until I can enjoy everything on it to at least some extent.

Overall, to me this album embodies that mid-2010s electro pop / indie rock energy that I love very deeply, in the sense that it feels appropriate to think, had I known about it back in the day, I feel like I would have LOVED it and it would have been my personal soundtrack of those early middle-school years of my life (or even earlier, I have this one note of me saying that "FFS is so primary school-core it hurts", so. While it didn't exist in the world yet at that time it still FEELS like that time, and I absolutely love it when music reminds me of a period in my life from around its release even if I was absolutely not aware of it yet at that point. It's like this source of free nostalgia that you didn't know would be attainable from this particular place.)

Also I will just say that it's ENTIRELY because of FFS that I eventually decided to give FF a go as well, and now I'd consider them one of my favourite bands, so, well, heck yeah to that!!

Favourite songs (and other highlights):

Johnny Delusional: oh yeah, I think it's important to note that it was especially THIS song that I found annoying as heck in the beginning. I thought it got very schematic and predictable at points (the long pause after the bridge especially I found to be so.... ahhhh come on, I could see this coming from a mile away!!) All of, which... well, maybe that was still a valid point in a way, but who cares since I love this song now, absolutely and completely and it's just soooo replayable. Every day is a good day to listen to Johnny Delusional a dozen of times

Call Girl: huge huge fan of the intro on this one and that whole wobbly synth sound it has

Dictator's Son: I really like that little guitar riff moment during the bridge

Police Encounters: notably the only FFS song among those early ones for me that I really liked from the start. And it's the ultimate jam, it's incredible how instantly happy and energized this song always makes me feel even after so many listens

Save Me From Myself

So Desu Ne: maybe the biggest offender (positively) when it comes to that "primary school-core" sound. Those cutesy synths are so important to me personally

The Man Without A Tan: realized quite regrettably late how much of a banger this is

Things I Won't Get: you know how it is with me and Russell's falsetto

So Many Bridges

[imtotallyokandnormal]

》☆Proxy Info!☆《

Sooo because I felt like dumping all of my brainrot in one place I'm gonna talk about the personalities of some of the creeps in my au!

Sorry in advance for how long these are, I put em under the cut so you can save yourself the scrolling.

(Links to images in titles and dividers by this person!)

》☆Jeff the Killer☆《

Basic info:

Full name: Jeffrey Hodek Woods

Age: 21

Pronouns: he/him (according to him, "I dunno, the guy ones I guess?")

Gender identity: Male

Orientations: Bisexual, demiromantic (openly bi but doesn't know what being demiromantic is)

Height: 6'0"

Likes: Slipknot, spicy food, dogs (cats too but only sometimes), horror and action movies, cartoons from his childhood, being annoying on purpose, working out.

Dislikes: Being touched without asking, complete silence, people with all bark and no bite, weird smells (especially strong chemical smells).

Extra: Jeff is Italian-American, as an homage to the original Jeff Hodek :>

Personality info:

Due to a rough childhood AND generally just being pretty fucked over by life, Jeff has a habit of acting reallyyyy tough and cocky. He doesn't like to sugarcoat things often, so he sometimes comes off as overly blunt.

He carries himself as a very confident guy, someone who will usually say what's on his mind whether people like it or not. This doesn't NECESSARILY mean he's a bully about it, but it doesn't mean he's always thinking about the nicest way to phrase things. Obviously this means he'll often speak his mind when it's COMPLETELY not a good idea, and he will often be stubborn about standing his ground.

He can have strong opinions on things, just for the sake of having strong opinions. He will die on a hill just to prove himself right. The Operator kinda fucking hates him honestly dgjudgdgiohf

Despite his brazen nature, he can be fairly friendly and fun to be around once you get to know him. He's spontaneous and very passionate when he gets into the spirit of something. When he sets his mind so something he goes barreling for it at full speed.

He's also INCREDIBLY loyal, like if he's decided he likes someone it'll be hard to make him dislike them. He's got your back, no questions, no caveats. He's kinda like a guard dog when he's friends with someone, like as soon as he hears someone shit-talking them he's ready to fucking throw down.

He's also very smart, quick on his feet with things and has a very good sense of logic. He might not have a specific field he's especially focused in like EJ, but as far as pure logic goes he's one of the smarter proxies in the manor. That's why The Operator bothers to keep him around, because otherwise it'd probably dispose of him just because it finds him annoying 😭😭😭

Appearance info:

Instead of only fire-related burn scars (which he still has a lot of), Jeff also has a lot of chemical burns, and healed scars of varying sizes all over his body. His smile cuts are healed, but are the most obvious cuts on his body. His body/face aren't white, but are instead his natural skin tone (kind of a warm beige, obviously varies in his scars). He also doesn't have a fully reconstructed nose, like he has kind of a bridge but it doesn't look like his original nose.

He's got a kinda sexy biker/emo band member aesthetic going on, like band tees cut into tank tops and black cargo pants are his go-tos. He also likes to wear regular tank tops that fit him snugly because he's a little bit of a show-off and likes to flaunt his muscles. He doesn't usually accessorize way too much, he usually just has a belt and spikey/studded wrist cuffs, probably some leather fingerless gloves too. When he's not wearing a hooded jacket-flannel combo he has a beat up leather jacket on. He obviously wears converse cuz he's emo but also big chunky combat boots that add almost 2 inches to his already towering height. Definition of unnecessary intimidation. He's also got piercings! Both ear and facial ones because he's hot. Definitely some tattoos too.

He has long thick hair that he dyes black (fucking emo I'm telling you) and it has tons of choppy layers that he cuts himself. He usually either keeps it down or throws it up in a ponytail (it looks a little like a big spiky pom-pom :3). He likes to experiment with his hair, he tends to just change his hairstyle on a whim if he's bored (keep him away from the kitchen scissors for the love of god he always uses the worst tools for cutting his hair). His hair tends to just naturally be messy so he doesn't usually put product in it.

As for makeup and nails, he somehow does so little and it enhances so much. All he does is put some black eyeshadow right around his eyes, rubs it around and boom, done. His nails are also painted black usually, and almost always chipped.

》☆BEN Drowned☆《

Basic info:

Full name: Benjamin Jacob Lawman

Age: 14 (does not age past this due to being dead)

Pronouns: he/they ("they is fine too I guess" *secret gender feelings unlocked*)

Gender identity: Male (...? He'll figure it out later)

Orientations: Does not know, does not care ("if someone's hot then they're hot I dunno- can I get back to my minecraft build now?")

Height: 4'2"

Likes: Video games, especially the LoZ games (who would've guessed), anything related to internet horror, hanging out with the older proxies, junk food, EDM, animals, bugs and tardigrades.

Dislikes: Being bossed around, comments about how young he is, valley girl accents, being alone too much, baths and pools.

Extra: Ben wanted to be a limnologist when he was still alive.

Personality info:

Now Ben is a 14 year old boy, not just for a year but for all of eternity as he knows it. He's not exactly gonna be HAPPY about this fact, because he still has some leftover young teenager angst to work through. Part of that angst includes not being taken seriously by everyone else in the manor because he's wayyy younger than everyone else.

To combat this Ben tends to try and copy mannerisms he sees in the "cooler" proxies (mainly Jeff since he's closest with him), so he tends to act sarcastic and snarky when in front of adults.

He's impulsive, especially if how he's perceived by others is on the line, so he's definitely doing dumb shit with the older proxies to make them think he's cool like racing stolen shopping carts or attempting (and failing) to prank The Operator, which just gets him in trouble.

He tends to keep to himself unless he's around people he's friends with, preferring to play video games and not having to interact with people. To him, it's better to just stay inside and distract himself than go out and let people comment on how young he is constantly.

There are parts of him that still remain from when he was alive, though. These traits especially come out around Sally, who he sees as a little sister. He understands how much it sucks to be dead so young, so he doesn't want it to suck as much for her.

He's patient with her if she can't figure out certain things, and tries to explain it in ways she'd understand. He's almost like a teacher in the way he does it, like he starts broad and narrows it down little by little until she gets it. This is how he teaches her things like ecology (one of his favorite science subjects by the way).

He's also good at telling how people are feeling, how people act if they feel certain ways. He's good at recognizing those kinds of patterns, and while he doesn't always openly try to help he tends to do it in more quiet ways. If you receive an anonymous candy bar at your door with a little sticky note on it saying "get better soon, dum-dum" no you didn't.

Also he doesn't mind being made fun of for his height as much as he minds the age thing, and often likes to use it to his advantage by climbing on people if they try to be comedians about it.

Appearance info:

To nobody's surprise, Ben loves the LoZ games, so obviously if he has the ability to cosplay Link all the time every day he's gonna take it. Ghosts can kind of shapeshift in a way if they're in their incorporeal state, so he absolutely goes apeshit. He gave himself the long blonde hair and the big ol elf ears and one of the cool Link outfits, but upon realizing he'd be picked on for his appearance he later he decides to abandon the outfit and switch to "cooler clothes." He also gave himself the bleeding black and red eyes because he thought it looked badass.

Clothing style? 90s teenage dirtbag mixed with gamer bro that hasn't seen the sun in ages. Big baggy pants with a big baggy LoZ shirt and a neutral colored flannel (probably has holes in it) is his default outfit, but also regular sweats and a t-shirt works just fine. Everything he owns is in a desaturated earthy color scheme, especially green because of fucking course. If it's not a variation of green, beige or brown it's probably black because he's gotta subtly let himself cosplay Link if he can't have the full Link outfit. He usually wears converse or vans, and pairs them with the weirdest funky mismatched socks you've ever seen in your life. Usually wears a beanie to compensate for the Link hat but sometimes he feels comfortable enough wearing it around his friends.

His hair is grown out and also kinda messy, but that isn't on purpose he just genuinely doesn't bother styling it most of the time. If he does do something with it it's a half up half down kinda deal, and the ponytail part is very small because some parts of his hair aren't the same lengths (unintentional layering basically). He has bangs and two long framing pieces, always sticking up and sideways every-which-way. Only ever lets Jeff or Nina touch his hair to style it because those two are basically his siblings, plus he knows they won't fuck him up on purpose.

He does let Nina paint his nails and dress him up sometimes but he absolutely does not want ANY makeup on his face....unless Sally is doing it but NOBODY ELSE CAN DO IT.

》☆Toby Rogers☆《

Basic info:

Full name: Toby Erin Rogers

Age: 20

Pronouns: he/they (*Thinks about it for a good 20 seconds as if he's only just considered this now* "Ehhhhhh...yeah- but also no.")

Gender identity: Demigender/demiboy ("Not like a guy, but guy...adjacent, I guess?")

Orientations: Pansexual, panromantic (calls himself gay for the funnies, but also because he is very gay)

Height: 5'8"

Likes: Playing guitar (he plays acoustic guitar specifically), doing dumb shit with his friends, going on walks in the forest, anything midwest emo.

Dislikes: People assuming he's weak/stupid, sudden loud noises, chalk, alcohol, being unable to help people he cares about.

Extra: Toby can fit about two packages worth of peeps in his mouth at once.

Personality info:

Toby has been through SHIT, even before becoming one of the proxies. He's been bullied for shit he couldn't control his whole life and has been isolated from the world just to get away from being constantly ridiculed (not to mention the abuse and death of the only person he could fully trust), so I think he'd actually like being around people that'd understand him in that way.

He's a lot more open around the proxies because at least THESE people could understand feeling outcasted, right? So even though it takes a while (quite a long while, had to learn he could trust the others first), he eventually lets himself be the goofy, impulsive, free kid he never really got to be.

When you get to know him and he knows he can trust you, he's really fucking considerate. Honestly probably the MOST considerate person in The Manor, like as much as he jokes around he genuinely cares deeply about the friends he has and he can be SO sweet. He's also very loyal, a little bit of a guard dog like Jeff but he's just a TINY bit more subtle about it.

He's the FUNNIEST person in the room, like he can make a joke out of almost any situation and he incorporates his awkwardness to enhance the humor. He's definitely gotten a little better about his awkward tendencies since first starting as a proxy, but sometimes he slips up on a social cue or something and he's generally able to be lighthearted about it. He does tend to crack jokes about his tics, especially if they happen with good comedic timing.

But make no mistake, as great as he is, he is so deeply, internally so filled with ready-to-go rage. As soon as his friends are fucked with it's almost like flipping a switch. He IS one of The Operator's top proxies for a reason, and he will show you said reasons. His anger starts quiet, a glare at whoever pissed him off, a tight grip on their shoulder or wrist. From there, if he's provoked further, he's not holding shit back.

He also has deep and complicated issues with trust, to the point that at times he's scared of trusting his own friends. He doesn't like being unable to trust people he cares about, especially since most of them are pretty much his family now. But for him sometimes it's hard not to be paranoid.

When this happens, or he feels any kind of overwhelming emotion, he tends to isolate himself until it passes. His tics tend to get worse when he's feeling a ton of stress, especially his motor tics, so he prefers riding them out in private. As much as the others tend to be perfectly chill about his tics, sometimes he prefers to just be alone if he can help it.

Appearance info:

Toby's still got his cheek gash in this au, but he's also got a bunch of other knicks and bruises from various things. Due to his CIPA he tends to bump into things and not notice if they've left a bruise so after a while he just sees it and goes "??? How'd that get there?" Along with that he's got a lil bit of facial hair, not anything that forms like a beard or mustache but enough to be kinda fuzzy. And BIG dark circles, he does not sleep.

This guy literally has two modes: Literal Marietta Song As A Person, or Slut. No in between. Guy is a walking talking Weezer album, a total Joyce Manor enjoyer. And when he's not that he's all the members of Måneskin at once, for funsies.

No but seriously he does have the aesthetic of literally any image that comes up when you type Midwest Emo on Pinterest most of the time. I'm talking huge grandpa sweaters, sometimes cardigans, earthy colored flannels, t-shirts over long-sleeved shirts, beat up pair of converse (or beat up pair of boots), the works. Similar to Ben, his clothes tend to have earthy tones but definitely incorporate more brown. He also likes to mix it up with orange and dark blue, especially if he has dark blue jeans. A lot of his clothes have patches that he learned to sew on himself (Jane helped him out a little). And any accessories he has are likely things he's gotten from other people, such as a bracelet Sally made or some fingerless gloves Nina doesn't wear anymore. But what about his Slut mode you ask? Look up Damiano David. You'll understand. He has a pair of sexy red cowboy boots hiding in his closet and he's waiting for an excuse to use em.

His hair is literally the cutest grown out mullet you've ever seen in your life, literally so fluffy and it swoops out at his neck. He cut himself some bangs with help from Jeff (more like Jeff forced his help on him because he knew Toby was gonna do it WAY too short). He likes to fluff it up with some hair mousse and sometimes uses one of Nina's many curling and straightening irons to really add volume.

Toby likes having his nails painted by OTHER people rather than himself so he lets Sally or Nina or Jeff paint them for him. He likes to try out different colors, he really just lets em go crazy. For makeup he usually doesn't wear any, but occasionally he'll let Nina give him a makeover to practice new makeup looks on him. He always looks hot afterwards (thought he was hot before too).

》☆Sally Williams☆《

Basic info:

Name: Sally Maryam Williams

Age: 8 (does not age past this due to being dead)

Pronouns: she/her ("Oh! Ben and Nina taught me about this!")

Gender identity: Female

Orientations: Does not know, just loves everybody ("Uhm- well girls are really pretty- but boys are pretty too! Everyone's pretty!- oh, except for Ben." *mischievous smirk*)

Height: 3'9"

Likes: Ben and Nina, creative activities (like painting or making crafts), reading books, collecting various objects, dressing up, cats, visiting cemeteries.

Dislikes: Unfamiliar people (especially men), losing things, being alone, having her hair touched/brushed (unless Ben/Nina), yelling.

Personality info:

Despite everything that Sally has gone through, she is an incredibly joyful, optimistic kind of kid at heart. She makes her own happiness as a way to keep herself feeling safe, and her efforts spread to other people in the manor.

She's generally friendly to everyone in the manor but won't outright go talk to anyone by herself unless it's Ben or Nina. Those two are the only people she fully trusts being alone around, so she'll usually be following or pulling one of those two along. She is very extroverted and gets most of her energy from being around others, but she needs a little encouragement when spending time with people she's not familiar with.

Once she does know you and trust you enough though, expect her to chat your ear off and ask you to do things with her. Once you're her friend she'll treat you like she's known you her whole life. She's really sweet and likes to give people gifts, especially stuff she makes herself. She's also the type to get into mischief with you (as long as Ben gets to go too of course). She's very talkative and asks everyone how their day's been, because she's genuinely curious.

Adding onto that, she loves to learn things, like anything that has information will probably pique her interest. She tends to ask people questions, anything that she thinks they might know (Ben might have to pull her away once the other person's tired of answering, she's just got a lot of things to ask).

Although she's a very sweet girl and loves being around people, she can clam up very easily if she's faced with something that scares her. Not a lot of things get to her, but one big thing that immediately gets her panicked is getting lost or being left alone (specifically if she doesn't know someone's nearby, she's usually fine in her room by herself). Once she realizes she's away from someone familiar she's quick to get panicked. Depending on the circumstances she might run away or try to fight off people trying to help her. While this is rare, it does happen.

Similar to Toby, she has trouble processing big emotions. For her, anger and fear are really hard for her to control, so she tends to run away and isolate herself when she feels they're getting too strong for her to handle. Being a ghost, sometimes her handle on her physical form gets harder to maintain when she's upset, so she'll most likely be incorporeal when she's dealing with really rough things. She hates feeling these things, she doesn't like having people see her like that, which just makes her feel ashamed of herself afterwards.

Luckily, Nina is especially patient with her when this happens, so after she's calmed down enough she'll go to Nina to decompress. She's really glad to have someone help her and love her, she's so grateful she has family to fall back on.

Appearance info:

Since Sally's a ghost and can basically customize herself, she usually makes herself look like a version of herself when she was alive. The only differences would be things she wished she had when she was alive, like long hair down to her knees and eyes that change color with her emotions (because who DIDN'T want that as a kid). Depending on the day she might change little things for fun, like giving herself cat ears or a unicorn horn. She doesn't have the focus or energy for making big changes (otherwise she'd always be looking like a magical girl with a rainbow color pallette and angel wings).

She LOVES having all sorts of clothes and dressing up because it lets her express how she feels and what she likes. Her clothes are usually very girly, ranging from princess dresses to jumpers to monster high and barbie t-shirts to every kind of skirt known to man. Though sometimes she likes to sort of copy Ben's style, wearing overalls over an mlp shirt and a flannel and beanie to pull it all together. Honestly if she likes you or thinks you're cool she'll try to dress like you at least once.

The only consistency with Sally's hair is that it's almost always long, otherwise she goes nuts styling it different ways. Her and Nina are always doing cute hairdos, Nina helps her braid it or do pigtails or whatever Sally feels like. She loves doing different bang styles, she's always got those lil kids scissors with her in case she wants to chop herself some bangs (it's ok she'll get better at it). Basically it changes depending on how she's feeling, just like her clothing styles.

ACCESSORIZES TO THE MOON SHE LOVES ACCESSORIES ABD SHE INTENDS ON USING AS MANY AS POSSIBLE. Makeup and nails? Obviously! She often likes to do it with Nina in the mornings. Don't forget colorful clip in hair extentions too! Her closet is full of as many things she can get her hands on and she couldn't be happier about it.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[emeryleewho]

I keep seeing posts talking about the WGA/Sag-Aftra strike, which yes, good, but in all this "support writers" sentiment I'm seeing no one talk about book writers, which I think is something people should know more about right now.

We are at an all-time high for book bans, namely targeting queer & PoC-authored books. This means that a lot of schools and libraries are no longer stocking diverse YA books, and if you're not in publishing, you may not realize this but school & libraries are by far one of the biggest markets for diverse YA books.

This means that in 2023, YA book sales are down. This is also in part because Barnes & Noble (the largest physical book retailer in the U.S.) is no longer really stocking YA hardcovers. This means that marginalized authors and debut authors are struggling to sell books.

But it's a LOT worse than that. In the past couple of years, marginalized authors are *really* struggling to get new book deals. Most books are acquired by a publisher about 2 years before they release to the public, so this isn't all that noticeable yet, but a LOT of marginalized authors I've spoken to (myself included) have been unable to sell a new YA book since 2020. So while I had a book out last year, even if I sell one right now, you won't see it until 2025-2026. That's three to four years without a new release or the income I get from publishing those books.

On top of that, Big 5 publishers have started closing imprints (namely their diverse imprints) and have started telling their marginalized YA authors to just go. I've had multiple authors tell me their publisher basically said, "eh, we don't care to put in the work for you anymore. You can just go somewhere else". Of the authors who *are* getting offered new contracts, we're being offered pay far below the cost of living and we're being handed contracts that split our payments 4 or 5 ways and require we sign over our work to be used to train AI so they can replace us a few years down the road.

Authors are freelancers who own our IPs, which means we can't unionize the way Hollywood writers can, and despite authors showing up in droves to support HarperCollins employees when they went on strike for fair wages, we're being hung out to dry when it comes to our own rights.

If you enjoy diverse books, especially diverse YA, please understand that many of the authors you loved over the past 3-5 years are being forced out of the industry. We're being exploited, and we have no way to defend ourselves. Our books sales are drying up thanks to anti-queer legislation, our rights are being eaten up by AI, and our publishers are degrading us while profiting of us and refusing to share those profits with us.

Within the publishing industry, we've all been watching this decline happen over the last decade, but outside of it, I know most people have no idea what's going on so please spread the word. And if you care about diverse books especially in YA, please support marginalized authors in any way you can. The industry needs to be reminded that it needs us before we're all eliminated from it.

[katsu28]

rain, rain, (don't) go away

pairing: lando norris x reader

summary: you put your trust in a handsome stranger in the midst of a bit of bizarre wet weather. what could go wrong? (4.6k)

warnings: minimal swearing

a/n: not quite the summer lando series i've been working on but the idea for this came to me in a dream a while ago lmao

It doesn’t often rain in Monaco. Especially not during the summer. 

So when you feel a drop splash against your forehead, then another, you’re wildly unprepared. You squint up at the rapidly darkening sky like it's personally wronged you, and you’re met with another raindrop, this time in your eye. 

Part of you wonders if you could try and make it home before it starts to pour. The other part knows it would be an impossible feat given your lack of a car and how far you’d have to run in such a short amount of time. Even as you ponder the thought, the occasional drops turn into a heavy drizzle. 

You barely make it under the nearest awning before it really starts to come down. All around you are people scrambling to get out of the rain and somewhere dry, caught off guard by the unexpected downpour like you are. 

“Crazy rain, huh?” You startle at the sound of a voice from next to you, gaze snapping to your left to see a man huddled under the same awning, most likely having come up with the same idea you did. “Sorry, I didn’t mean to scare you.” He apologizes, holding his hands up in surrender. “I take it you weren’t expecting rain when you left the house today either?” 

You scoff, chuckling. “Was anybody?” 

You tear your eyes away from the sky to look at him once more, and to say you’re pleasantly surprised is an understatement. 

Your awning buddy is awfully attractive, and looks to be around your age too. A form-fitting black sweater stretches across broad shoulders, paired with baggy blue jeans that might not have worked for everyone, but definitely suits him well. He’s smiling at you too, a lopsided grin that has you intrigued by him. “The one time I didn't check my weather app before I headed out.” 

“You actually check the weather app?” He chuckles, tilting his head. 

“You don’t?” 

“Can’t say that I do. Usually I just trust the vibes when I look out the window. Didn’t really work out today, though.” He holds his palm out from under the makeshift shelter, letting the rain pool in his hand before dumping it on the ground, flicking his fingers to rid them of the excess drops with a scrunched nose. “Is this your first time in Monaco?” 

You shook your head, smiling softly. “I live here. You?” He bobs his head, shoving his hands into his pockets. “It’s never rained like this though, especially this time of year.” 

“If it’s any consolation, I reckon it’ll stop soon. It’s usually pretty quick—” 

A bolt of lightning flashes through the sky right at that moment, followed by a clap of thunder not five seconds later. If it continues on like this, you might be stuck here forever. 

“Huh! Maybe not.” The man sounds amused, aiming a sympathetic smile at you. You can’t help but chuckle, and you notice it makes him perk up a bit, looking pleased with himself. “Hope you don’t have anywhere to be.” 

“Honestly? I don’t. But I’d rather not be standing under this awning til the storm lets up. Could be ages, by the looks of it.” 

A stream rushes its way down the street, carrying a sad swirl of leaves down the storm drain at the corner along with it. It seems everyone else has come to their senses and found somewhere warm and dry to wait out the sudden storm because when you look around, the two of you are the only ones still outside. 

As if the man can sense what you’re thinking, he speaks. He’s smiling hopefully at you, head tilted invitingly. “There’s a cafe down the block that was open before it started to rain. Care to join me?” 

Normally, you’d be wary about a handsome stranger inviting you to an unknown location. This seems like one of those situations you’ve been warned about, but right now you can’t find it in yourself to care. It’s about time you put yourself out there, take a chance for once. You’re pretty sure he won’t try to kidnap you. 

“I’d love to.” You reply. You peer out at the dreary grey sky again, lips twisting into a grimace. “Is it just me or does it seem to be raining harder?” 

“I say we make a break for it. Run like hell on three.” He says firmly. You nod and he does the same, holding out his hand. You slip your fingers through his without a second thought. “One, two, three—go, go, go!” 

You both take off in a wild sprint down the sidewalk, splashing through puddles on your way. He giggles the whole time, peals of laughter bouncing off the cobbled street that sound gleeful. You’re laughing too, because who would’ve ever thought you’d be running through the rain hand in hand with a guy you’ve only just met?

He tugs you along, leading the way to your destination confidently. Well, as confident as one can while being half-blinded by a torrential downpour. 

You nearly slip as you make a poor attempt at a sudden stop when he finally slows, and you probably would’ve ended up flat on your ass if he hadn’t grabbed you by your forearms, steadying you with an infectious grin that you can’t help but return. 

The bell above the door rings when the two of you stumble inside, soaked to the bone even in the very short time it took to get down the road. But you know what they say, when it rains, it pours. 

He shakes the rainwater from his hair not unlike a dog would shake out its fur, and in the process splatters you with the droplets. Normally you wouldn’t be too happy about it, but you’re already drenched and he’s very cute, so you don’t mind. 

The place is pretty much empty when you look around, save for a handful of other patrons doing their own things. It’s cute though—cozy and warm, the smell of coffee beans and something sweet floating through the air. You never noticed it before, but it’s exactly the kind of cafe that you love. 

The man seems to notice that you’re still holding hands, because his cheeks turn pink and he drops it, smiling rather bashfully. 

“Sorry. I’m Lando, by the way.” He introduces himself softly, rubbing the back of his neck. You tell him your name and he repeats it, testing it out on his tongue. You’re not ashamed to admit you like the way it sounds when he’s the one saying it. “Nice to meet you.” 

“Nice to meet you too.” 

“I’m gonna go order something so they don’t think we’re loitering. Preferably something hot, because I’ve got water in places water definitely shouldn’t be.” He shudders, pulling his soggy sweater away from his torso as proof. “Do you want anything?” 

You ponder for a moment before responding. “A latte sounds amazing right now. I’ll pay you back, of course.” 

Lando shakes his head, backpedaling towards the counter. “My treat. You just sit there and look pretty.” You roll your eyes playfully at him, but smile nonetheless. “Oh look, you’re doing great already!” 

That makes your cheeks grow hot. You’ve just met Lando and he’s flirting with you, and you don't mind at all. In fact, you have half a mind to flirt back. 

He finds you at a table soon after, balancing two cups and a concerningly large paper bag. You pop to your feet, carefully grabbing the bag to ease the load, and peer into it. There’s at least five different pastries inside, all of them looking absolutely mouthwatering. 

“I hope you’re hungry. Got convinced to buy a few things by the lovely old lady at the counter.” Lando says sheepishly, sliding into the seat opposite you. “Very persuasive, she is.” 

You shrug. “I could eat.” 

You’re not sure how long you sit there, chatting with each other like you're the only two in the world. It’s surprisingly easy to talk to him too. He’s funny and quick-witted and he talks very animatedly with his hands, you notice. You find it cute. 

Lando tells you about himself, asks about you and your life story, and you find yourself settling in nicely with his friendly nature. This isn’t a date by any means, but he makes it feel like one by the way he truly pays attention to you and what you're saying, nodding along closely with rapt attention. As far as listeners go, he's a fantastic one. 

You’ve also learned a lot about him. He was born and raised in the UK, but moved here a few years ago for work. What exactly did for work, he wasn’t too forthcoming with, but you don’t pay it any mind. You’ve just met, after all. You’re not expecting him to tell you his whole life story. 

But it also doesn’t feel like you’ve just met. You aren’t sure why, but Lando has this way of making you feel like you’ve known each other for ages, of making you feel comfortable and at ease with every word out of his mouth. 

Your clothes and hair have just started to dry out a bit, and you’re having a great time. Such a nice time, you don’t even notice the girl approaching your table. Lando sees her before you do, and he smiles politely. 

“Hi, I’m so sorry to bother you guys, but are you Lando Norris?” She asks hopefully. She looks young, maybe fifteen or sixteen. Her eyes flick to you, and you can tell she’s nervous, so you smile back. You’re confused to say the least, but you remember what you were like at her age. She reminds you a bit of yourself. 

Lando nods. “I am, yeah. What’s your name?” 

“Valeria. But everyone here just calls me Val. I’m the owner’s granddaughter, so I work here all the time.” 

“Well, it’s very nice to meet you, Val.” 

She looks positively starstruck now, hands trembling as she holds up her phone. “Would you mind if I got a photo with you? You can totally say no if I’m interrupting something, I—” 

“You’re alright, love, don’t worry.” Lando stands, moving into selfie position next to her. The poor girl’s arm shakes so much you’re positive the photo won’t turn out clear at all, so you slide out of your seat too. 

“Here, let me.” You take the phone gently, motioning the two of them to scoot closer to get them in frame with each other. 

Val looks a combination of relieved and grateful, while Lando gives off nothing but a cool, albeit reserved, confidence. The same kind of confidence a celebrity might have when approached by a fan of theirs. But certainly Lando couldn’t be famous…right? 

You shake away the idea, snapping a handful of photos before passing it back to her, figuring there can never be too many to choose from. She beams bright, hugging him quickly, then to your surprise, gives you a hug as well. 

“Thank you so much! I’ll get out of your hair now. Enjoy your food!” With that, she hurries away with a bounce in her step, disappearing into the kitchen. 

You turn to Lando with arched brows. “That was interesting.” 

“So interesting.” He echoes, but his tone makes it sound like he doesn’t quite agree. 

“What are you, famous or something?” You mean it as a light jest, but Lando looks guilty for some reason. He beckons for you to take your seat again, sliding back into his own before offering you a sheepish smile. 

“Um, there might be something I haven’t told you yet.” 

“Shit, are you actually famous?” 

“...Yeah, kinda.” You arch a curious brow, and he sighs, but not in exasperation. “I’m a Formula One racing driver. For McLaren.”

Formula One…racing…it all sounds slightly familiar, but you can’t quite place it. Then it dawns on you. 

Lando isn’t just a local celebrity—he’s literally world famous. 

You’ve heard your friends talk about the races before, a few of your relatives who keep up with the sport, but you’d never paid it any mind. It just wasn’t something you could see yourself being interested in. That really famous race that takes place here in the streets every year that makes traffic an absolute fucking nightmare the whole week, Lando drives in that race, and countless others around the world, if you recall your limited knowledge correctly. 

He’s…cool. And he’s sitting right here with you in a tiny cafe, and you had no idea who he was. 

“Oh my god, you must think I live under a rock or something! This is so embarrassing, I—” 

“No, no! I’m not—I don’t go around expecting everyone to know who I am, I swear. It’s just that most people usually do recognize me, and it saves me the whole ‘having to tell them I’m famous’ thing, which always just makes things really awkward, and…yeah.” 

“Things don’t have to be awkward.” 

“No?” 

“No. We don’t even have to talk about it.” 

“We don’t?” He sounds a tad wary, but when you nod, the tension in his posture melts away. Relief floods his features at once. “Thank you. It’s actually quite nice to meet someone who has no idea what I do. Makes me feel normal for once.” 

“Glad my lack of sports knowledge makes you feel like a regular guy,” You joke, nudging his foot with yours under the table. He gives you a light kick in return, infectious smile back in full bloom once again. You quite like it when he smiles. 

You’ve just moved on to a new topic that has nothing to do with Lando’s job when his phone buzzes, making him jolt in surprise. He digs it out of his pocket, and when he sees the name flash across the screen, his eyes go wide. 

“Sorry, hang on. I’ve gotta get this.” He says, hitting the answer button. It’s a quick phone call, and you try your best not to eavesdrop, but whoever is on the other line has Lando worked up when he hangs up. 

“Everything okay?” You ask lightly. Lando bobs his head quickly. 

“Yeah, it’s—I, uh, I’ve gotta go. I forgot about a work event, apparently. That was my press officer, wondering where the hell I am and how fast I can get there.” He sounds disappointed, smiling almost sadly. “So much for feeling normal.” 

You try your best not to let your face fall when you nod. “I should get going too. Get home before the next freak summer rainstorm.” 

It’s nice when you step outside. You tilt your face up towards the sky, feeling the sun warm your face. This is the Monaco you know and love. Though if it hadn’t rained, you would’ve never met Lando. 

He turns to face you, shoving his hands into his pockets. “Thanks for the nice afternoon. I had a good time.” 

“Me too.” 

“Maybe I’ll see you around?” 

“Maybe you will.” 

“I certainly hope so.” He says softly. You shift slightly on the balls of your feet, suddenly feeling awkward. You’re not sure how to leave things with him, and it looks like he feels the same by the way he mirrors your actions. “Um, I really should leave, so…goodbye, I guess?” The look on his face tells you that leaving is the last thing he wants to do, but he has to. 

“Bye, Lando.” 

“Bye.” He echoes, one more time before turning away from you to head down the street. 

You can only bring yourself to wait a few seconds before you call his name again. He turns around instantly despite his hurry, meeting your gaze. You want to say something to him that’ll make him remember you, because chances are you’ll never cross paths again. If you were brave enough, maybe you'd even ask him for his number. But you’re not, so you don’t. Instead, you just smile at him. 

“Thanks for the latte.” 

If he’s disappointed, he hides it well. He smiles back at you, warm and bright like the sun beginning to peek out from behind the clouds. “Of course.” 

You watch him walk away, fighting that pesky little feeling in your gut telling you that you’re making a mistake by letting him go. It’ll go away soon, and you’ll go on with your life like you’re meant to. 

-------

You find yourself going back to the same cafe often, whenever you're out and want a little treat before you go home. The pastries are always still as delicious as the first time you had them, and you’ve become well acquainted with the staff as the time goes on. 

Oh, and that feeling you had when you let Lando leave without a word? 

It never went away. It’s still here, worming its way into your thoughts every chance it can get. 

You’re a little embarrassed to admit that every time you walk into the cafe, you hope you’ll see Lando. It’s wishful thinking more than anything, hoping he’ll be there when you go. He’s probably busy doing his thing anywhere but here, busy racing around in the world to the tune of thousands of screaming fans. You’re not sure if he even remembers you, or the afternoon you’d spent together. 

Why would he? In the world of Lando Norris, world famous Formula One driver, you’re probably just a speck of dirt in his rearview mirror. 

The thought gets pushed to the back of your mind as you step up to the counter to order. Val beams at you from behind the register. 

“Hey, Val,” You greet the young girl warmly, returning her smile. You’ve become quite fond of her and her youthful energy, and she always brightens your day. “How’s business going?” 

“Oh you know, same old.” Val waves an absentminded hand in the air as she keys in your usual order with the other. Her smile turns mischievous at the same time, like she knows something you don’t, and you narrow your eyes at her, already knowing what she's going to ask. “Have you heard from Lando?” 

“No, I haven’t. How’s summer school going?” 

She makes a funky face at you, rolling her eyes. “Boring. Way to change the subject though.” Before she can press any more about Lando, someone calls her name from the kitchen. “Ugh, I’ll be right back. Make yourself comfy, wait for your order, you know the drill!” 

You chuckle to yourself, heading straight for your usual table by the window to wait for your name to be called. 

You like to sit while you enjoy your food and drink, watching the people and cars go by outside. The streets of Monaco are always busy and bustling, but being in here feels like a pocket of peace. 

“Is this seat taken?” 

Your brow crinkles at the sudden voice, because you know for a fact there are at least four or five other empty tables available other than the one you’re currently sitting at, but this person chose to to ask you. 

Pocket of peace…disrupted. 

You let out a short sigh through your nose, turning your head from the window to politely tell them to find another seat, preferably at a table that isn’t yours, and that’s when you see him. 

Lando is grinning at you when you look over, lopsided and endearing just like the first time you met him. 

“Oh fuck!” You can’t help the expletive that falls from your mouth at the sight of him, even though there’s a thousand other things you’d told yourself you’d say to Lando if you ever saw him again. He’s got his hands shoved into the pockets of his sweatpants, and he’s rocking on the balls of his feet slightly like he’s nervous as he waits for you to do something other than curse at him. “Lando! I—you—hi.” 

“Hi,” He echoes, shoulders creeping up towards his ears. All you can do is stare at him, wide eyed in disbelief. “Mind if I sit?” 

“Yes. I mean, no. I mean, yes, you can sit.” You fumble over your words like you’re not used to speaking, feeling your cheeks flame embarrassingly hot. Lando just chuckles, sliding into the chair across from you. “Um, so how’ve you been?” 

He rubs at the back of his neck, bobbing his head. “Good! Bit busy. We had a triple header the last three weeks, so it’s just nice to be home again.” 

“Oh, I bet. I don’t think I’d be very good company if I couldn’t sleep in my own bed for three straight weeks.” 

“That’s fair. Though to be honest, I’ve gotten scarily good at falling asleep anywhere. If it’s a flat surface, I can nap.” 

“I don’t know whether to be impressed or concerned.” 

“Impressed would be mint. Otherwise I just sound like a dumbass.” 

You laugh at that, and in this moment, you realize just how much you’ve missed Lando. No matter how many times you’ve tried to convince yourself to forget about him, to convince yourself that there was no point in pining after someone you’d only spent a few hours with, it all came back to this. You missed him because you like him. 

“I need to tell you something.” He blurts suddenly, bracing his elbows on the table. 

You nod, expression turning thoughtful. Whatever thoughts you’re having about liking Lando can wait. “Sure, go ahead.” 

“This is gonna sound unbelievably weird and maybe even a little bit creepy, but I need to get it off my chest or else I think I’ll regret it for the rest of my life.” If you didn’t know any better, you’d say that Lando looked nervous. The bouncing of his leg you can feel under the table and the way he plays with his fingers supports your theory. 

You cock your head at him, reaching across the surface to steady his fidgeting with a hand over both of his. His gaze snaps down to your touching hands, and you can see him visibly gulp. 

“What’s going on? Are you okay, is something wrong?” 

He shakes his head quickly. “No, nothing’s wrong. Everything is…the opposite, really. Everything is right. Meeting you, finding my way back to you—here of all places. I don’t believe in fate or anything like that, but this sure feels like something along those lines.” 

“Lando, I—”

“I haven’t been able to stop thinking about you since that afternoon. I tried everything. Nothing worked. I couldn’t get you out of my head.” He confesses. His fingers curl around yours gently, thumb stroking over the ridges of your knuckles. “If I’m being completely with myself, I think it’s because I didn’t want to get you out of my head. And I just got off the plane an hour ago, but instead of going home and passing out like I usually do, I came here, hoping that somehow, you’d be here too.” 

“Can I say something now?” You ask lightly, stifling a giggle. 

His cheeks flush an embarrassed pink, and he motions for you to go ahead. “Yeah, yeah, sorry. I talk too much when I get nervous. I’m working on it, I—fuck, sorry again. You go. I’ll shut up.” 

“I still think it’s cute.”

“Is that the only thing about me you still think is cute, or…?” 

That gets another laugh out of you. You chuckle, giving his hand a squeeze. “Not at all. I still think all of you is cute, and…I haven’t been able to stop thinking about you either. We haven’t known each other long, but I really like you, Lando.”  

“I could kiss you right now.” 

“What’s stopping you?”

You don’t have time to second guess your newfound confidence before he’s leaning across the table, sliding a large hand over your jaw and pressing his lips against yours. Lando kisses you softly—gentle, like he’s worried you’ll pull away if he’s too forward with it. 

You’re fully aware that you’re smiling like a madman against his lips, but in your defense, he is too. His eyes open slowly when you pull away, almost tentatively as if he’s not quite sure what just happened actually happened. 

He leans back just enough to study you, letting his gaze flit around your face, taking in every detail he possibly can. All while he grins larger than Cheshire cat, like he’s a kid whose parents just told them they could get whatever they wanted at the candy shop, instead of kissing you for the first time. 

“I was gonna be nice and bring you your order, but it looks like you’ve already got something sweet.” Val’s voice cuts through the moment, and when you look over at her, she looks over the moon. 

“Lando, you remember Val, right?” 

“Uh huh,” Lando hums, holding out his hand for a fist bump that she happily gives him. “Thanks again for the heads up.” 

“Hold on, what? What heads up?” 

The two of them share a look, like they’re debating whether or not to tell you their secret. Then Lando sighs, giving her a go ahead nod, and she squeals, setting your food down. 

“Okay, so you know how you come in here all the time after work? Well me, being the keenly observant, brilliant young mind I am, noticed a pattern. You come on the same days, at the same time, and you never stray.” She explains excitedly, all but bouncing on the balls of her feet. You aim a questioning glance over at Lando, who just gives another amused nod.

Val continues excitedly, “So I’m expecting you today, right? But then the door opens and guess who walks in? Lando! He asks me if you’ve ever come back here after that one day and I’m like oh my god, you have no idea! So I tell him to wait a half hour for you, and now you’re both here and my matchmaking skills can be put to rest.”

“Are you being serious right now? Really, I can’t tell.” 

She tilts her head, popping a hand on her hip. For the same girl who’d been so nervous to meet Lando just weeks ago, she’s got a surprising amount of sass in his presence today. “Why would I not be serious? I’m basically a genius, and I expect to be invited to the wedding. You’re welcome, by the way.” 

“Alright, that’s enough, cheers, Val!” Lando blurts, shooting her a pointed look. 

“Can I get paddock passes for making this whole thing happen? Preferably Monaco but I could probably make it to Monza too. Imola is a little far.” 

Lando blinks at her for a few moments, probably seeing if she actually means it. When all she does is raise her eyebrows, he concedes. “Maybe. I’ll make some calls, see what I can do.” 

“Fantastic. Well, I’ll leave you two lovebirds alone!” 

You both watch as she all but skips happily off, then turn back to each other. 

“She’s…definitely something,” You sigh, shaking your head. Secretly, you owe her everything. 

“Eh, I dunno. Kid’s growing on me.” He reaches across the table, lacing his fingers through yours with a fond twinkle in those pretty eyes of his. 

“How serious are you about those paddock passes?” 

“I mean…she did help me out massively. I’d have missed you if it weren’t for her.” Lando shrugs, rubbing an absentminded thumb over yours. “I hope you know I would’ve come back until I found you again. Everyday, if I had to.” 

“Me too.” 

If you’d told your past self that a bizarre summer rainstorm in sunny Monaco would’ve led you to where you are right now, you wouldn’t have believed it. But now, as you sit here with Lando, smiling at each other like complete and total idiots, you’ve never been more grateful for a bit of unexpected rain.

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[grimandghoulish]

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[diamondcitydarlin]

Just fair warning- I said on my personal post about this that I wasn't going to talk about Neil Gaiman anymore, but as it's becoming clear that him and his publishers and anyone else who makes money off of him is circling the wagons and trying to bury these allegations, as well as some fans still defending and trying to 'rationalize' this information, I feel like, actually, we need to keep talking about him (as much as I cannot stand him and feel physically disgusted now when I so much as see his face somewhere). Specifically, the fact that he's a liar, master manipulator and should not, under any circumstances, be given access to his fans like he has in the past. At the very least. (And if you need to blacklist his name or even unfollow me so as to not be triggered, I completely understand, but I will always try to tag these posts accordingly and I think it's crucial right now that the truth be put where people can see)

This post specifically is in response to those 'rationalizations' I've seen, some that have gone as far as to blame the young fans/groupies that hooked up with him for being 'golddiggers' or just making a mountain out of a molehill for something they now regret. It's not that simple, yall. (And, again, this requires some amount of completely ignoring the story about him extorting his tenant for sex under threat of eviction of her and her three young children, I'm not sure how you 'rationalize' that under the best of circumstances)

So let's be clear here. What we know is that NG has routinely, for possibly an upwards of 30 years, pulled sexual 'partners' from his fan groups, most of whom are 18-22 year old young women (though possibly younger, accounts are coming forward of 16 year olds having allegedly been inappropriately touched/flirted/propositioned by him, which ig is the age of consent in the UK but still?? 16 year olds!!). This wasn't one or two times in the course of three decades, this was a constant pattern of behavior for him and for a very insidious reason.

This isn't to try to infantilize those fans or young women/young people in general or try to suggest that they couldn't have consented to sex with an older person or famous person. In fact, the onus isn't on them at all. This is about an older guy with a lot of fame, power and wealth choosing to sleep with people that he had already conditioned to idolize him and using that power imbalance to coerce them into doing things they didn't want to.

Regardless of one's age or gender identity, it can be difficult to impossible to say 'no' to someone like that. After all, you've been 'chosen' by the chosen one, you're special and not like everyone else, and if you don't do what the popular person everyone trusts is telling you to do you could end up ostracized. Alienated. Or worse. And you know what? Gaiman knew that! He knew it when he was crafting his 'approachable dad' persona on tumblr. He knew it when he was cultivating a fandom of personality. He knew it when he was having huge meetups to try to ensnare more victims. I hate to even think it, but I'm starting to believe he knew it when he was writing children's books too.

It's been talked about again and again in separate issues, but needless to say something not being strictly illegal does not make it inherently, morally okay. It does not erase the fact that this man has been essentially grooming his fandom to feel safe meeting/speaking with him so he can coerce those he can snare into sexual acts they're not comfortable with. That is predator behavior, whether strictly 'illegal' in the eyes of a court or not (but ofc I think he should be criminally punished even if I'm not naive enough to think he actually will be, because this IS rape and rape should be criminally punished)

I'm not personally advocating for anyone to give up being in his related fandoms, but what I am personally advocating for is that people don't forget who he is and what he's capable of, especially when he tries to crawl back to where he was (I'm almost certain he will eventually, as I've said).

Again, at the very least, we need to use what little influence we do have to keep him from infiltrating fan spaces again. He should not be on tumblr yukking it up with young people, he should not be at public appearances hitting on teenagers, he should not be given the unrestricted access to fans that he's 'enjoyed' for the past 30+ years because he is not a safe person. While I wish there was more in the way of restorative justice that could be done, I think at very, very least we should do what we can to limit his proximity to people he could hurt in the future. Make sure no one forgets, because sweeping this under the rug means Gaiman gets to hurt more people.

Lastly, no one is the wrong for having been manipulated by him. Let's make that very clear. What we're NOT gonna do is blame ourselves, each other, the victims, etc, for evil acts that Gaiman chose to do himself, time and time and time again. It doesn't help the situation and it certainly doesn't protect future potential victims. We were all duped because we're human and we attach and a lot of us want to believe there are good people out there, particularly those who make art that means so much to us.

And there are. But let's also use this a teaching/learning tool about how much faith we place in famous people in the future, regardless of how 'approachable' and 'safe' they might seem. Let's remember to have a healthy suspicion of creators/famous people that are oddly immersed in fandom spaces- yes, even the ones you still currently like that seem fine, as difficult as that may seem.

At the end of the day, we don't know them or what they're capable of doing or what they might be plotting to do to us. Support victims. Amplify their voices. Don't forget.